Archive for June, 2015


Turning 40

Millennium Year: Me aged 24 (From my Modeling Portfolio  (February 2000)) New Delhi, India

Millennium Year: Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Staring off with me me me (moi, mé) & I .
I turned 40 on the 22nd of June, 2015!!!!!

A look back, at me myself, through pictures
(40 photographs from my life, till now, including the one above).
Pure Vanity eh!!  🙂

Me aged 2 (February 1978) Garden belonging to our residential  complex (Asia House Flats) New Delhi, India

Me aged 2 (Winter of February 1978), In the Garden belonging to our residential complex (Asia House Flats) New Delhi, India

On my 3rd Birthday (22nd June 1978), At Home (Asia House Flats) New Delhi, India Celebrating/Birthday Party!!!

On my 3rd Birthday (Summer: 22nd June 1978), At Home (Asia House Flats) New Delhi, India
Celebrating/Birthday Party!!!

On my 5th Birthday (Summer: 22nd June 1980) at Home, Asia House Flats, New Delhi, India Celebrating/Birthday Party

On my 5th Birthday (Summer: 22nd June 1980), At Home, Asia House Flats, New Delhi, India
Celebrating/Birthday Party

Aged 9 (January 1985) On Holiday in Sri Lanka (for my maternal Uncle's wedding)

Aged 9 (January 1985), On Holiday in Sri Lanka (for my maternal Uncle’s wedding)

Me aged 12 (June 1987) Bombay, India (On Holiday - My first holiday away from my parents & baby sister)

Me aged 12 (School Summer Holidays: June 1987), In Bombay, India (On Holiday – My first holiday away from my parents & baby sister) Visited Bombay soon after my 12th Birthday

SWEET SIXTEEN: On my 16th Birthday (22nd JUNE 1991), At home 56, Siripura (SL) Just a  Family Gathering.

SWEET SIXTEEN: On my 16th Birthday (22nd JUNE 1991), At home 56, Siripura (SL) Just a
Family Gathering

Me aged 17 (92') At Home, 56,Siripura (SL)

Me aged 17 (92′), At Home, 56, Siripura (SL)

Me aged 18 (December 1993), At Home - 56 Siripura (SL)

Me aged 18 (December 1993), At Home – 56, Siripura (SL)

Me aged 18 (January 1994, B/W (SL) & the Winter of February 1994, Colour (in New Delhi, India)

Me aged 18 (January 1994, B/W (SL) & the Winter of February 1994, Colour (in New Delhi, India))

On my 20th Birthday (22nd June 1995), At Home 56, Siripura (SL) Just an ordinary day!!!!!

On my 20th Birthday (22nd June 1995), At Home 56, Siripura (SL)
Just an ordinary day!!!!!

Aged 20 (95'), At Home, 56, Siripura (SL)

Aged 20 (95′), At Home, 56, Siripura (SL)

Me aged 20 (1995), At Home, 56, Siripura (SL)

Me aged 20 (1995), At Home, 56, Siripura (SL)

Aged 21 (October 1996) Pokhara, Nepal (On Holiday - During the short Autumn break (Delhi University years))

Aged 21 (October 1996), In Pokhara, Nepal (On Holiday – During the short Autumn break (Delhi University years))

Aged 21 (October 1996) Sarangkot, Pokhara, Nepal - with Sunrise falling on Mount Machhapuchchhre (a.k.a. Mt. Fishtail) in the background, early morning (On Holiday in Nepal during the University Autumn break)

Me aged 21 (October 1996), At Sarangkot, Pokhara, Nepal – with Sunrise falling on Mount Machhapuchchhre (a.k.a. Mt. Fishtail) in the background, early morning (On Holiday in Nepal during the University Autumn break (DU years))

Aged 21 (Winter of November 1996), At Home away from home - the co-rented two-room student flatlet, during my Delhi University years, at Hudson Lines (New Delhi, India)

Aged 21 (Winter of November 1996), At Home – away from home – the co-rented two-room student flatlet, during my Delhi University years, at Hudson Lines (New Delhi, India)

Me aged 21 (Winter of January 1997), In front of Rashtrapati Bhavan (Official Presidential Residence), New Delhi, India (DU years)

Me aged 21 (During the Winter Vacation of January 1997), In front of the main entrance to the Rashtrapati Bhavan (Official Presidential Residence), New Delhi, India (DU years)

Me aged 22 (October 1997) Ajanta Caves, Aurangabad district of the state of Maharashtra, India (During the short Autumn break DU years)

Me aged 22 (October 1997), At Ajanta Caves, Aurangabad district of the state of Maharashtra, India (During the short Autumn break – DU years)

Me aged 22 (October 1997), In Goa (During the Autumn break - DU years)

Me aged 22 (October 1997), In Goa, India (During the Autumn break – DU years)

Aged 22 (October 1997), In Goa, India (During the Autumn break - DU years)

Aged 22 (October 1997), In Goa, India (During the University Autumn break – DU years)

Me aged 24 - From my Modeling Portfolio (Winter of February 2000) New Delhi, India

Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Fashion n' Style: Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Fashion n’ Style: Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Me Aged 27 (Winter of January 2003) On Holiday in Nottingham, England, UK (During my University of Luton (UK) days)

Me Aged 27 (Winter of January 2003), On Holiday in Nottingham, England, UK (During my University of Luton (UK) days)

Spider-Man: Me Aged 27 (Spring break of April 2003), On Holiday in Copenhagen, Denmark (During my University of Luton days)

Spider-Man: Me Aged 27 (Spring break of April 2003), On Holiday in Copenhagen, Denmark (During my University of Luton (UK) days)

English Summer: Aged 27, just days before my 28th Birthday (June 2003), on the Salisbury Plains of England, UK (During University of Luton days)

English Summer: Aged 27, just days before my 28th Birthday (June 2003), on the Salisbury Plains of England, UK (During my University of Luton days)

Me aged 28 (Winter of January 2004), In front of (opposite) our house, in Oslo, Norway

Me aged 28 (Winter of January 2004), In front of (opposite) our house, in Oslo, Norway

Eurotrip (Spring of 2005) The Sound of Music Tour: Aged 29 (April 2005), In Salzburg, Austria  (Tulip Season)

Eurotrip (Spring of 2005) The Sound of Music Tour: Aged 29 (April 2005), In Salzburg, Austria
(Tulip Season)

Eurotrip (Spring of 2005) Going Dutch: Aged 29 (April 2005), In the surrounding areas of Den Haag (a.k.a. The Hague), The Netherlands (Tulip Season)

Eurotrip (Spring of 2005) Going Dutch: Me aged 29 (April 2005), In the surrounding areas of Den Haag (a.k.a. The Hague), The Netherlands (Tulip Season)

Aged 30 (August 2005), At Home, 56 Siripura (SL)

Aged 30 (August 2005), At Home, 56 Siripura (SL)

Me aged 30 (September 2005), At Home, 56 Siripura (SL)

Me aged 30 (September 2005), At Home, 56 Siripura (SL)

Aged 31 (Summer of December 2006), In Front of COFA (College of Fine Arts), UNSW (University of New South Wales), In Sydney, Australia (During my COFA (UNSW) days)

Aged 31 (Summer vacation of December 2006), In Front of COFA (College of Fine Arts), UNSW (University of New South Wales), In Sydney, Australia (During my COFA (UNSW) days)

Winter Down Under (But warmer in Northeastern Australia): Me aged 32 (May 2008), At the Great Barrier Reef, Queensland, Australia

Winter Down Under (But warmer in Northeastern Australia): Me aged 32 (May 2008), At the Great Barrier Reef, off the coast of Queensland, Australia

Me aged 33 (July 2008) Paris, France

Me aged 33 (Summer of July 2008), In Paris, France

Côte d'Azur (French Riviera): Me aged 34 (July 2009), In Monaco

Côte d’Azur (French Riviera): Me aged 34 (Summer of July 2009), In Monaco

Me aged 34 (September 2009), At the Champs-Élysées, Paris, France

Me aged 34 (Autumn of September 2009), At the Champs-Élysées, Paris, France

Me aged 36 (Late Summer of September 2011), In front of India Gate, New Delhi, India (On Holiday)

Me aged 36 (Late Summer of September 2011), In front of India Gate, New Delhi, India (On Holiday)

Me aged 39 (November 2014) In Hahndorf (Adelaide Hills region of South Australia), Australia (On Holiday)  This is my profile picture on my Facebook page! But, Of course I added the rainbow colours only a couple of days ago (In favour of The U.S. Supreme Court legalizing same-sex marriage nationwide) One Step for the United States, a Giant Leap for Mankind, Worldwide (with apologies to Neil Armstrong  ;) )

Me aged 39 (November 2014), In Hahndorf (Adelaide Hills region of South Australia), Australia (On Holiday)
This is my profile picture on my Facebook page! But, Of course I added the rainbow colours only a couple of days ago
(In favour of The U.S. Supreme Court legalizing same-sex marriage nationwide)
One Step for the United States, a Giant Leap for Mankind, Worldwide (with apologies to Neil Armstrong 😉 )

Today Morning: Me aged 40 (June 2015), At Home, 56, Siripura (SL)

Today Morning: Me aged 40 (June 2015), At Home, 56, Siripura (SL)

Tweets:
Posted about me, on my 40th Birthday

Some Others (Celebrities) who turned 40 this month, of June 2015!!!!!

Sexy Brit turns 40

Hot Woman turns 40

Nuwan Sen
Nuwan Sen n’ Style
Nuwan Sen’s Film Sense
Born in the Year: 1975!!!!!
()

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The Swinging Sixties
1966 Blow-UpThe 1960’s was a very unique decade, of the 20th century, when the world changed for the better. An era, thanks to which, we live in (or rather should live in) a more open minded world, with a freer lifestyle, with lesser (or rather should, with no) prejudice. An era, which brought about Equal Rights, Feminism (Women’s Lib),  The Hippies, the second (and more worldwide) phase of The Sexual Revolution (as opposed to The Sexual Revolution of the Roaring 20’s, which was limited to certain regions in the western world), Black Pride movement, Gay Pride movement, Youth Rebellions of 68’, Woodstock of 69’, Stonewall Riots of 69’, Motown Records, Rock Music, Experimentation with Psychedelic Drugs, Birth Control Pill, Popular Music, The Beatles, The British Invasion of Pop & Rock, Ravi Shankar, Elvis Presley, Andy Warhol, Pop-Art, Pink Floyd, Jimi Hendrix, Martin Luther King, Jr., Socialists, Radical political influences, 32 African countries gaining Independence, The Indian ‘Hungryalist Quartet’, China’s ‘Great Leap Forward’, The Vietnam War, The American Counterculture, The Kennedy’s, The Space Age (the world put a man on the moon), Supercomputers, Sketchpads, Spacewar (first video game), Japanese Cars, Summer of Love, Flower Power, Peace, Love and anti-war sentiments.

The beginning of the 60’s decade, and the latter part of the 60’s, were so different, as if they belonged to two terrifically different era’s. This was a period that globalisation actually took place. Added to which fashion, art and music, travelled beyond borders. The Beatles were influenced by Indian music, especially the sounds of the Sitar. Short Indian Kurta’s, Hindu beads, African Batik styles, South American Poncho’s, were loved by the Hippies. Similarly western geometric styles, and bright designs, were adapted to Asian clothing. The era was famed for, mini-skirts, of swinging London, and skin tight Salwar-Kameezes, in India (inspired by the western tight skirts). A very glamorous decade, with it’s massive bouffant hairstyles, tight clothes and short skirts. And as the decade proceeded, the hairdo’s went higher, as did the hemlines.

Bollywood superstar, Sharmila Tagore, became the first Indian actress to don a Bikini on the cover of a glossy magazine, in 1966. This was an Independence Special issue.

Bollywood superstar, Sharmila Tagore (though not the first Indian to wear a Bikini), became the first Indian actress to don a Bikini on the cover of a glossy magazine. In the Year: 1966. This was an Independence Special, issue of Filmfare (August 1966).

The modern Bikini, though invented in 1946 (prior to which slightly bigger, two piece swimsuits, baring the midriff, existed), gained popularity internationally only in the 1960’s. Prior to which, general women preferred traditional, one piece, swimwear, though a lot of glamour girls were seen in tiny Bikini’s in magazines, films, et al. Yet young men, were quite comfortable, in tiny swimming trunks. Today it’s the exact opposite.

And in Cinema: 1960’s

The invent of the Merchant Ivory Productions took place, making Indian English Language films, avec a highly international standard (started by a trio of well (western) educated friends, Ismail Merchant, James Ivory & Ruth Prawer Jhabvala). They brought something new to Indian Cinema, in the 60’s & 70’s (unlike the Western Orientalist craze for Bollywood today, and the assumption that all Indian Cinema falls under the category of Bollywood, whilst Bollywood only makes Hindi Language films (out of the 122 major languages, and many more sub-dialects, spoken in India), and is mostly associated with commercial cinema, mainly with song & dance), and a special, new-found, global admiration for mystic & spiritual India. The Hippie culture had a major influence in India and Nepal.

In the west, the 60’s, revolutionised Cinema. In Europe, Art Cinema, especially The French New Wave (La Nouvelle Vague), brought out a modernist (non-commercial, yet loved by modern intellectual youths) form of film, as never before; with François Truffaut and Jean-Luc Godard at the helm. Elsewhere, Swedish film director Ingmar Bergman, Chilean film director Alexandro Jodorowsky, Polish film directors Roman Polanski & Wojciech Jerzy, Italian film directors Michelangelo Antonioni, Federico Fellini & Pier Paolo Pasolini, Japanese film director Akira Kurosawa, and Indian film directors Satyajit Ray, Mrinal Sen & Ritwik Ghatak (all in the Bengali language) brought about their own masterpieces of Art Cinema, with an International standard, in their respective countries.

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Hollywood wasn’t far back, and Who’s Afraid of Virginia Woolf? (1966), was America’s answer to the European Art House. Directed by Mike Nichols (this was his directorial debut feature), starring Elizabeth Taylor, Richard Burton, George Segal & Sandy Dennis, and based on a play by Edward Albee, Who’s Afraid of Virginia Woolf?, is today, considered a culturally relevant, a historically noteworthy, and an aesthetically significant, masterpiece of the American Art Film.

Movies also began to break taboos of sex, nudity and violence, with controversial directors like Pier Paolo Pasolini, Federico Fellini & Bernardo Bertolucci (in Italian Films), Roger Vadim (French Films), Roger Corman (American Films) and Raj Kapoor (Bollywood – Hindi Commercial Films), to name a few. The 60’s are also remembered in conjunction with the Spaghetti Westerns, a short lived trend, begun by Italian film director, Sergio Leon.

The Year: 1966

Tunisian-born Italian actress of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

Tunisian-born, Italian actress, of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

1966 saw, the Acid Test (a series of parties, in the mid-late 60’s, centred around the use of the psychedelic drug LSD, a.k.a. Acid) take place, at the historic music venue in San Francisco, California, The Fillmore. These acid trips lasted throughout the rest of the decade. The spy-plane, SR-71 Blackbird (which had it’s first flight in 1964), started operation. Cabinet Member, Robert C. Weaver, became the first African American to hold a cabinet position in the United States. Indian Prime Minister, Indira Gandhi, was elected Prime Minister of India, making her the first, and only, woman Prime Minister, in India, to hold office till date. She was also the second longest serving Prime Minister of India. Luna 9, an unmanned spacecraft landed on the Moon, making it the first controlled rocket-assisted landing. Later same year, Luna 10, was also launched, by the Russians. The Lunar Orbiter 1, the first U.S. spacecraft to orbit the moon, was also launched, much later, that year. A head to head space race. The Australian Dollar was introduced. John Lennon made the controversial remark, that ‘The Beatles were more popular than Jesus’; which, though there were no problems when it was first published in the United Kingdom, got him into trouble with Christian communities in the United States, when it was republished in the States. The Crown Princess of the Netherlands married a German, which sparked protests against the Groom. Meanwhile demonstrations were held, across the United States, against the Vietnam War. The opening of the Parliament of the United Kingdom was televised for the very first time. Ian Brady and Myra Hindley were finally convicted, for the murder of three children, in UK. In New York, thirteen square blocks of low rise buildings were cleared for construction of the World Trade Center (Twin Towers), and groundbreaking for the construction began.

Superstar Sophia Loren on the cover of LIFE (September 1966 issue) YEAR: NINETEEN SEXTY SEX

Superstar Sophia Loren on the cover of LIFE (September 1966 issue)
YEAR: NINETEEN SEXTY SEX

Star Trek (1966-1969), a sci-fi series, made it’s television debut, in America. The Black Panther Party was founded in USA. Japan introduced the Toyota Corolla. Chinese students were chased out of the Soviet Union. The Mothman was introduced, when a couple reported that they saw a strange moth like creature, in the States. Author Truman Capote, hosted a lavish, Black & White, masquerade ball, which was credited as being the Party of the century. Jack L. Warner sold Warner Bros. to Seven Arts Productions; And Hollywood actor, Ronald Reagan, was elected, as the Governor of California.

Sadly, 1966 also saw the demise of greats, such as; famed Swiss Sculptor Alberto Giacometti, notorious American gossip columnist Hedda Hopper, iconic Silent Film-star Buster Keaton, neo-classical Italian Artist Gino Severini, American Artist & Illustrator Maxfield Parrish, British Author Evelyn Waugh, German Expressionist Film producer Erich Pommer, Hollywood method-actor Montgomery Clift, American Poet & Art Critic Frank O’Hara, French Writer & Poet André Breton, Canadian Beautician & Entrepreneur Elizabeth Arden, and Cartoonist Walt Disney (the most prominent figure of the animation industry worldwide); to name some.

Now let’s have a look at some of the films that were released in:-
1966: The Year dubbed as Nineteen Sexty Sex!!!

Hays Code was almost nearing it’s death (the dreaded censorship laws that could have, but thankfully didn’t, kill off, the cinematic arts; with it’s silly rules and regulations), and Hays (the man who implemented these rules) himself had already been dead for just over a decade. The world was going through a new found sexual revolution, as was the film industry, especially Hollywood. And the out-dated production code by William Hays, was getting impossible to enforce (which was finally, completely, abandoned in 1968).

Boeing, Boeing (1965), was a quite hilarious comedy, with Tony Curtis &  Jerry Lewis in the lead. Though released in 1965, it's film posters, hinted what the following year should be known as.

Boeing, Boeing (1965), was quite a hilarious comedy, with Tony Curtis & Jerry Lewis, in the lead. Though released in 1965, it’s film posters, hinted at, what the following year, should be known as.

In April 1966, at the 38th  Annual Academy Awards, the family entertainer, Sound of Music (1965), grabbed the ‘Best Picture’ Oscar, winning five out of it’s ten nominations. Fred Zinnemann’s, A Man for all Seasons (1966), a historical biographical movie, based on an excellent play by Robert Bolt, ended up bagging six Oscars, the following year, including for ‘Best Picture’, ‘Best Director’ and ‘Best Actor’, at the 39th Annual Academy Awards. Thus making it the best film of 1966. Love the movie, love the play. But let’s have a look at some of the movies, that defined the 60’s, and more specifically, Year: Nineteen Sexty Sex.

Blow-Up (1966), a near excellent British Film, by Italian director, Michelangelo Antonioni, is no doubt the perfect insight into the latter half of 60’s decade. Fashion, fashion photography, and sexy sizzling costumes of Swinging London, it encompasses the late 60’s to perfection. A very 60’s, Sexty Sex, film, set in the world of modern fashion, with a modern, youthful and open-minded, insight into the changing world.

Blow-Up (1966) - a movie that defined the 60's!!!!! TOP LEFT: Sarah Miles TOP RIGHT: Veruschka von Lehndorff & David Hemmings BOTTOM RIGHT: David Hemmings & Veruschka von Lehndorff  BOTTOM RIGHT: Topless/Shirtless Vanessa Redgrave & David Hemmings

Blow-Up (1966) – a movie that defined the late 60’s!!!!!
TOP LEFT: Sarah Miles
TOP RIGHT: Veruschka von Lehndorff & David Hemmings
BOTTOM LEFT: David Hemmings & Veruschka von Lehndorff
BOTTOM RIGHT: Topless/Shirtless – Vanessa Redgrave & David Hemmings

The plot deals with a fashion photographer, who one day accidentally takes shots of something, he shouldn’t have, in a park. Then a mysteriously beautiful woman walks into his life, under very suspicious circumstances. David Hemmings played the photographer, and Vanessa Redgrave, the mysterious beauty. The film also features a line of breathtakingly talented beauties, including Sarah Miles, Jane Birkin and German born fashion model, Veruschka von Lehndorff (daughter of a Prussian Count who was involved in a plot to assassinate Hitler, and thus killed for it), to name some. In addition to that, the film has some notable cameo’s by several well known personalities from 1966. Especially, worth watching out for a performance, by English Rock-Band, The Yardbirds. Hemmings’ character was inspired by the real life, Swinging London, photographer, David Bailey.

Blow-Up dared to be quite sexually provocative, especially for that era, and when it was released in the United States, it was in direct defiance with the ridiculous Hays Code. In fact, Blow-Up’s subsequent critical, and box-office, success, was a crucial cinematic-historical moment, leading to the ultimate elimination of the out-dated production code, in 1968.

Next let’s have a look at Sexty Sex’s Who’s Afraid of Virginia Woolf?, which I mentioned earlier. One of my favourite films ever, which also happens to be among my own TOP-10 all time favourite movies (See my list Why I love …. from November/December 2012 on IMDB). Love the movie. Love the Book (Play).

My favourite film of Year: Nineteen Sexty Sex

My favourite film of Year: Nineteen Sexty Sex

The film is about, a miserable middle-aged couple, who regret their life together, having not achieved all they had hoped and desired for, when young. Set within one night, the older couple invite a younger couple for drinks, and play out their disappointments, with one another, at the younger couples’ expense.

Elizabeth Taylor, who was still in her early 30’s, at the time, is successfully turned into a bitter old frumpy woman in her 50’s. Yet, this violet eyed beauty, oozes with sex appeal, and easily seduces the younger married man. Taylor’s character, Martha, not only seduces the younger man, but the audience as well, openly, in front of her weak willed husband (played by real life husband, Richard Burton). Especially, watch out for her re-entry, after she changes her clothes; as the old woman, walks into the living room, in a low-cut, deep cleavage bearing outfit; she is still a far superior sexual being, than the mousy little wife of the younger man, Nick (played by George Segal), Honey (Sandy Dennis). Showcased with a shadowy outline, suggesting a sexual act in progress, seen through a bedroom window, this is another 60’s movie, which not only revolves around sexual human relationships; the older husband & wife, the younger husband & wife (a marriage based on a “hysterical pregnancy”), and the adulterous one night stand; but their vulgar tongued bitterness, is blatantly thrown at audiences, quite unapologetically. It’s an excellent movie, meant for mature audiences. Not just mature in age, but maturity of the mind, is a necessity, to watch an intellectual movie like this. Beautifully filmed in Black & White, the film is a complete psychoanalysis of the young and the old. The 60’s dared to release a movie like Who’s Afraid of Virginia Woolf?, which surpasses time, and can be relevant in any human relationship, in any era.

Sex on the Dance Floor: Liz Taylor & George Segal

Sex on the Dance Floor: Liz Taylor & George Segal

Then there is a really seductively intimate dance number, between Taylor and Segal, which is pure sex on the dance floor. My favourite movie from Nineteen Sexty Sex, Mike Nichols’ directorial debut, Who’s Afraid of Virginia Woolf?, is a must watch, for any film buff, students of Cinema Literature, and students of Literature in the print form.

Natalie Wood was seen in two sexy releases, that year. One was the near excellent comedy, Penelope (1966), in which she plays a bored rich kleptomaniac, who robs her own husband’s bank (thus, the film/character namesake – is tagged as being, “the world’s most beautiful Bank-Robber”); and the other, a more serious, sizzling with heat, and female sexuality, movie, set in the depression era, in the Deep American South; This Property Is Condemned (1966). Another excellent masterwork of adult cinema. The latter film flaunts it’s female lead’s sexuality, thus feels more at-your-face sexual, than the comedy mentioned here. Also see my post Condemnation of a woman during the Depression era of the American south and Mai May Movies 2015 from May 2015.

Scenes from This Property is Condemned (1966)

Scenes from This Property is Condemned (1966)

Whilst the west, was coming to terms with exploring sexual topics in cinema, in the east, Indian cinema, specifically Bollywood’s commercial cinema, was starting open up topics of sex themselves. In Aakhri Khat (1966), we see a ditched beggar woman, die on the streets Bombay. Originally from Kulu district, of the state of Himachal Pradesh, she comes to Bombay, bearing child, to find the reason for her sufferings, Govind (Rajesh Khanna), a sculptor. Once the woman dies, the toddler is left on the buzy streets to fend for himself.

Directed by Chetan Anand, majority of the movie, is filmed with a hand-held camera, following a 15 month old infant, let loose in the city, taking in all the city sounds, under the cinematic direction of cinematographer, Jal Mistry. It’s an excellent movie. Am not going to go deep into the film. The implication of pre-marital sex wasn’t necessarily something new. But there is one beautiful scene, I’d like to mention. As the lost hungry child roams around the city, unaware of the death of his mother, he comes across a semi-nude statue of his mothers’, made by his father, Govind. The child at once recognises his mum, but doesn’t realise, it’s just a sculpture. The hungry crying child, is now delighted he found his mum, he feels safe, and slowly climbs it and tries to drink milk from her breast. That scene is so sad, so touching, your heart lets out. In one way there is a sense of eroticism, seeing a child trying to drink milk from a statue, but it’s also a heartrending moment in the movie. Aakhri Khat is an excellent movie, and this was superstar, Rajesh Khanna’s, very first role.

Vyjayanthimala in and as Amrapali (1966), based on the true life tragic story of a courtesan in 500 BC.

Vyjayanthimala in and as Amrapali (1966), in this historical epic, based on the true life, tragic story, of a courtesan, in 500 BC.

Bollywood actress, of southern Indian ancestry, Vyjayanthimala, appeared in two sexy roles, in 1966. One was, where she played a Princess, in Suraj (1966). An enjoyable enough movie, with beautiful songs, and an average story line. An OK venture, showcasing Vyjayanthimala’s sexy gait and bewitching beauty. But it was the historical epic, biographical movie, about a real life courtesan, Amrapali (1966), which was one of the best films she’s ever done, and encompasses her sexuality to the utmost. The concubine, mistress, of a tyrannical King, her dances, the beautiful body, is pure eroticism, and pure art. Set in 500 BC, under the rein of King Ajatashatru of Magadha empire, this is one of my favourite Bollywood films, and one of my favourite historical/Biographical epics. Amrapali was directed by Lekh Tandon.

Both these excellent Bollywood movies (Aakhri Khat & Amrapali), were selected as India’s official entry for the ‘Best Foreign Language Film’ category at the Academy Awards, but neither were selected as Oscar nominees.

Besides these Bollywood commercial films, 1966, also so the release of the Indian Art House Film, from the state of Bengal (in Bengali); Satyajit Ray’s Nayak (1966). A feminist writer, played by Sharmila Tagore, and a Bengali film star, played by Uttam Kumar, meet by chance in a train, travelling from Calcutta to New Delhi. Reluctant at first, for the feminist writer is full of contempt towards film stars, she ultimately decides to interview him. The whole movie, is a train journey, mainly set the restaurant car, where she interviews him. But the film is also a journey of understanding one another. The actor, slowly opens up, without hiding behind a façade, whilst the feminist softens her outlook towards the world of showbiz. By the end of the journey, as they part their ways, both have improved, through this journey of self-discovery, and an understanding of a non-judgemental outlook towards fellow human beings. One of my favourite Bengali movies, by one of the greatest Indian directors ever.

Cul-de-Sac 66'

Heading back to the United Kingdom, Polish director, Roman Polanski’s, Cul-de-Sac (1966), is another interesting, sexual and psychological thriller. A very weird movie dealing with sexual frustration, alienation and of-course the input of horror. A very good movie, which has all the Polanski trade-marks, seen in most of his films. Also see my post Roman Polanski & His Films from a couple of years ago.

Getting back to Hollywood, my favourite director, Alfred Hitchcock’s, Torn Curtain (1966), a movie that deals with an American physicist defecting (in pretence) onto the Iron Curtain, more specifically East Germany. Set and made, during the Cold War, and starring Julie Andrews and Paul Newman, this is not considered among the best of Hitchcockian films. Yet it’s still an excellent movie. Hitchcock was intrigued by the defection of British diplomats Guy Burgess and Donald Maclean to the Soviet Union in 1951, and thus the idea behind Torn Curtain was born.

Julie Andrews and Paul Newman in Torn Curtain (1966)

Julie Andrews and Paul Newman in Torn Curtain (1966)

The film has a very mild sex scene, with Andrews and Newman, in the beginning of the film. Yet, straight out of family entertainers like Mary Poppins (1964) and The Sound of Music, seeing Julie Andrews do a sex scene, was shocking for American audiences back then. But by the early 70’s, there were so much more, graphic, sex sequences, in movies like, A Clockwork Orange (1971), Last Tango in Paris (1972) and Don’t Look Now (1973), to name a few, that even the idea of being shocked at the sex scene in Torn Curtain was laughable. Paul Newman, also appears nude in a shower scene, but seen through a glass, the nudity isn’t that clearly visible.

Ebony Magazine covers from 1966, depicting celebs with their families.

Ebony Magazine covers from 1966, depicting celebs with their families.

1966, wasn’t all about sex, there were some beautiful non-sexual family films like, Born Free (1966), Mera Saaya (1966), How to Steal a Million (1966), Anupama (1966), Dil Diya Dard Liya (1966), A Man for all Seasons (mentioned above), for example. Yet the Audrey Hepburn movie, How to Steal a Million, can also be categorized as a  stylishly, sleek n’ sexy, movie of 1966. Other sexy films of 66’, include, Fantastic Voyage (1966), Teesri Manzil (1966), Frankie and Johnny (1966), 7 Women (1966), Love in Tokyo (1966), Teesri Kasam (1966), etc etc …

Scene from Masculin Féminin (1966)

Scene from Masculin Féminin (1966)

Then there are Sexty-Sex films I haven’t seen, but would love to, like, Un Homme et une Femme (1966), Masculin Féminin (1966), The Battle of Algiers (1966), Voyna i Mir Part-I & II (1966), Alfie (1966), Shiroi Kyotō (1966), Persona (1966), Is Paris Burning? (1966), The Face of Another (1966), Fahrenheit 451 (1966), The Sand Pebbles (1966), The Appaloosa (1966), The Russians Are Coming the Russians Are Coming (1966), The Chase (1966), Madame X (1966), Funeral in Berlin (1966), Any Wednesday (1966), Triple Cross (1966 ), Made in U.S.A (1966), Hawaii (1966), La Curée (1966), The Blue Max (1966), Sex Quartet (1966), Gambit (1966), Kenka Erejî (1966), The Trouble with Angels (1966), The Professionals (1966), Sedmikrásky (1966), Daimajin (1966), Trunk to Cairo (1966), Au Hasard Balthazar (1966), Incompreso (1966), The Deadly Affair (1966), Pearls of the Deep (1966), Harper (1966), Our Man in Marrakesh (1966), Grand Prix (1966), Khartoum (1966), O Slavnosti a Hostech (1966), Andrei Rublev (1966), Nevada Smith (1966), The Fortune Cookie (1966), Arabesque (1966), The Wild Angels (1966), Tokyo Drifter (1966), Maya (1966), Uccellacci e Uccellini (1966), Seconds (1966), The War Is Over (1966), Faraon (1966), Kaleidoscope (1966), Ah Güzel Istanbul (1966), The Poppy is also a Flower (1966), Ostre Sledované Vlaky (1966), La noire de… (1966), Mamta (1966), The Pornographers (1966), Le Deuxième Souffle (1966), Krylya (1966), The Sandwich Man (1966), Chappaqua (1966), Syskonbädd 1782 (1966), Yeh Raat phir na Aaygi (1966), A Man Called Adam (1966), Es (1966), Signore & Signori (1966), Onna no Mizûmi (1966), Apa (1966), Les Créatures (1966), Zatôichi umi o Wataru (1966), Footsteps in the Snow (1966), La Vida de Pedro Infante (1966), Kiba Ôkaminosuke (1966), The Embryo Hunts in Secret (1966), Seasons of Our Love (1966), Una Vergine per il Principe (1966), After the Fox (1966), etc etc …. and so many more.

The cover of Film Review from December 1966

The cover of Film Review from December 1966

And then there are films that I haven’t watched, that am not that crazy about, but which are sexualised films (especially using actresses, with beautiful bodies, rather than acting talent – mostly B-movies, B-Horror/B-Sci-fi films), some of which were quite famous back in 1966, and some that sound so silly they were hardly worth mentioning, and audiences back then weren’t that crazy about checking out. The likes of, One Million Years B.C. (1966), Women of the Prehistoric Planet (1966), Dracula: Prince of Darkness (1966), Once Before I Die (1966), Blood Bath (1966), Queen of Blood (1966), The Ghost in the Invisible Bikini (1966), Kill Baby, Kill (1966), Take Me Naked (1966) and Single Room Furnished (1966), to name some.

The 1960’s: One Great Decade!!!!!
The Year 1966: One Unique Year, especially for Cinema!!!!!

Veruschka and David Hemmings in Blow-Up  YEAR:1966

Veruschka and David Hemmings in Blow-Up
YEAR:1966

This post is about Sex in Film & the Sixties, and more specifically in 66’ (a.k.a. Sexty Sex); (Ironic, considering the fact, that my previous post, dealt with virginity, in Year 2015).

Meant for More Mature Audiences!!!!!
(Immature Adults – Stay Clear)

Nuwan Sen’s Film Sense
Nuwan Sen’s Historical Sense

This post, is my contribution for the Classic Movie History Project Blogathon, organised by fellow Bloggers of, Silver Screenings (Ruth), Movies Silently (Fritzi) & Once Upon a Screen (Aurora); and sponsored by Flicker Alley.
History Project  (JUNE 2015) LOGOThank you Ruth, Aurora and Fritzi for letting me be part of this interesting Blogathon. It’s five minutes to Midnight !!!!! Good Night!!!!! 🙂

Regards
Nuwan Sen

Turning 40

So it’s finally here. The day I dreaded, within the last decade. The day I turn into, thus earn the tag of being, the infamous, real life, 40 year old virgin. It’s here at last, and there is nothing I can do about it.
AH B-Day CakeJust prior to my 30th Birthday, I rented the movie, The 40 Year Old Virgin (2005), and joked that it’s the story of my life. Little did I know then, that 10 years later, it would end up being a reality.

Leading a sexless life, has been partially my own choice. I never had anyone in my life, and I never felt that desperate, to have sex with just any Tom, Dick or Hariendre walking down the street. It had to be with some one I care about, who’d feel the same way about me. Alas!! My standards being a tad bit high (so I’ve been told by many a friends), and with my pretty decent upbringing, it’s been somewhat difficult for me. I’ve fallen in love quite a few times, but ‘twas always unrequited love. And if anyone’s felt anything for me (apparently some have, so I’ve been told, from friends/acquaintances), they’ve never come forward, at least not directly.

Though I’ve had some really good friendships in my life, both male and female, from around the globe, I’ve been a loner (and total loser – for many a sex obsessed, judgmental, individuals), when it comes to Love, Romance & Sex.

Fallen in Love many a times, but never had a Lover. A total Romantic personality, at heart, but never experienced Romance. And a Sexual desire that still exists, but have never acted upon it. Still, I don’t want to completely lose hope either. As always, I’d like to hope for best, and be ready for the worst. But I never really seem ready for the worst. The pain is unbearable, but I do  have an inner strength to go on. Hope gets lesser as I age, and especially being stuck in this narrow minded country, constantly surrounded by negative energy, for the last (almost) six years, where I never really belonged, it just feels an impossible task, of ever finding anyone. It’s unfortunate that I came back to the country of my miserable roots, though not of my birth (I’ll always have a soft corner for the country of my birth). Roots are meant to stay buried, at least in my case, being a person who likes to branch out, and experience the fresh new challenges in the wide pleasant openness, out there. Yet, these horrible roots; along with it’s greenishly jealous venomous varmints, who are quite happily stuck in their hellishly dark confines of the underbelly underneath; are constantly tiring to drag me down, to be stuck among the roots, and their filthy, hypocritical, conniving mentality, full of a fake sense of patriotism, and false pride. But still, hope is something that keeps me going. Hope that someday, my branches shall stem away, and would venture forth, back into the future, where I belong; leaving my unfortunate roots, under the ocean, where they definitely belong.

I can never love my roots, not anymore. And nothing, and no one, can force me to do so. Not even me. A country that has given me so much of unhappiness, misery, stress and depression. And Shoving this country on to face constantly, only makes me dislike it further. Yet, I have no real desire to hate it. But circumstances, always gets my blood boiling. At the same time, I wish no one any harm. I just wish to lead a life of contentment, hopefully with someone someday.

Out of the last 40 years of my life, I’ve spent majority of my teenage years (12½ to 18½), and then the whole latter half of my 30’s (34¼ till date), in this country. And I’ve had to associate many a local, brain-dead and crude, pests, across the globe. Home is where the heart is, and my heart is wherever I feel welcomed and at home, thus far away from this country of my roots, unnecessary stress and uncalled for misery.

The best thing that happened to my life, is the adoption of a puppy, I named (a.k.a Gingy), back in December 2014. She’s the naughtiest little thing ever. Yet, full of pure innocence and torrent of non-judgemental love.

Today is my 40th Birthday.
Born on the 22nd of June, 1975

Pouring my heart out
Nuwan Sen

One of the classiest British celebrities, and one of my favourites, especially among the suave and sophisticated actors, with eloquent command of the English language, has finally hit the Big 4&O.
Hugh Dancy, born on the 19th of June, 1975; in Stoke-on-Trent, in the county of Staffordshire, in the United Kingdom; to a University Professor (in Philosophy); though a student of literature, had no desire to follow the academic route, like his father. Yet, acting was something he got into, by fluke; ‘twas luck by a chance conversation in a café.

Hugh Dancy is a graduate from the University of Oxford, with a degree in English Literature & Language.

I’ve been a fan of his, since I first saw him in the television mini-series, Daniel Deronda (2002), 11½ years ago (I taped the show, and have watched it a couple of times since then). Post which, I’ve watched, and loved, his work in; the two television mini-series’, David Copperfield (2000) & Elizabeth I (2005); and films like; The Sleeping Dictionary (2003), Evening (2007); from which, one of his co-stars, ended up being his future wife; The Jane Austen Book Club (2007), Adam (2009) and Confessions of a Shopaholic (2009); whether the films were great, good or just average fare.

He’s a superbly qualified, yet somewhat underrated, example, of terrific talent; who definitely deserves more of a recognition, internationally. The fact that he’s got charming good looks, is just an added bonus. One of the best thing about Dancy is, that he hasn’t fallen prey to the franchise, like many a credible actors, in recent times. And I hope he never does. This kind gentlemanly genius, with a reputation to match, no doubt, has really good taste.

Only role of his, that I wasn’t that crazy about, was from, Martha Marcy May Marlene (2011). In which, though it was a pretty good movie, he hardly had much of a role.

From his movies, I haven’t seen yet, am really keen on seeing; Black Hawk Down (2001), Shooting Dogs (2005), Hysteria (2011) and the television mini-series, Deadline Gallipoli (2015). Hugh Dancy is currently involved in the long running, American television series, Hannibal (2013-till date).

Hugh Dancy is married to Claire Danes, whom he met on the sets of Evening (as mentioned above). Another favourite star of mine, especially love her nutcracker (with apologies to Tchaikovsky) role of ‘Carrie Mathison’ in the political, spy-thriller (TV series), Homeland (2011-till date).

Love the Handsomely Dashing, Hugh Dancy.

Wishing Hugh Dancy, all the best, with his great acting career ahead. And life as it is. Happy 40th Birthday!!!!

Nuwan Sen
Nuwan Sen’s Film Sense
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Three more nominations (June 2015)
I’ve been nominated yet again, within this month itself, for three Blog Awards; again!!! This time by one Blogger, Akhiz Munawar. An interesting, deeply thoughtful, Blog, of poetry & prose. Literature buffs would love it, especially if you are into poetry.

The Versatile Blogger Award

Versatile Blogger award (2015)

Real Neat Blog Award

 Neat Blog– and –

Beautiful Bloggers Award

Beautiful Bloggers Award
Thank you Akhiz Munawar for complimenting my Blog(& me), with a triple nomination.

This is my 2nd Versatile Blogger Award (different logo though) and Beautiful Bloggers Award (which I nominated Akhiz for, 10 days ago, and now he’s re-nominated me for it). And my 1st Real Neat Blog Award.

So here are the instructions (as most of you, my blog-pals, are already aware of)

*Thank the person who nominated me, and add the pictures of the awards above. (DONE)

*Answer the 7 questions prepared by Akhiz Munawar, for me.

Q°1. What’s your Favourite Genre of Music ?
A°1.  All sorts. From Classical (Piano, Sitar, Violin, Flute et al), to Pop, Rock, Country, Jazz, Disco, to New-age, to Fusion, Opera even (Opera not to the extent of others, as I wouldn’t really sit in relaxation listening to it, but I do enjoy watching an Opera on stage, the performance along with the Operatic music; or even in film, with an Operatic background score). Am generally not a fan of Rap and Hip Hop (there are few exceptions of course).

Q°2. Name of your Favourite author, your favourite book?
A°2. Within the last five years, I’ve been in love with Christopher Isherwood novels (am reading one at the moment). But it use to be Agatha Christie for a long time. My all time favourite novel happens to be, City of Joy by Dominique Lapierre (English Language version), which I read 20 years ago. And that’s the only published work of Dominique Lapierre I’ve read till date.

Q°3. What’s your favourite TV show ?
A°3. Currently nothing specific, but from more recently, within the first five months of Year 2015 (January to May), I’d say, Downton Abbey (2010 – 2015) & The Newsroom (2012 – 2014).

Q°4. What advice would you like to give yourself if you get a chance to travel; 10 years back in time?
A°4. Am drawing a Blank!!! Can’t think of anything that I haven’t already tried, and failed (unfortunately), that could make my life any better today.

Q°5. Again if you are given a time machine to see and visit the wonders of these civilization at their prime where will you go?
a. The Egyptian Civilization
b. The Mayan Civilization
c. The Mohenjodaro (Indus valley) Civilization
d. The Middle Ages (Europe and central Asia)
e. The Mughal Empire
f. Jurassic Period
A°5. Oh! I’d love to visit them all, but I’d most probably change the order, to my preference, beginning with….
(i) The Egyptian Civilization
(ii) The Middle Ages (Europe & Central Asia)
(iii) The Mughal Empire
(iv) The Mayan Civilization
(v) The Mohenjo-Daro (Indus valley) Civilization
……………..and, last but not the least,
(vi) Jurassic Period, or ‘Jurassic Park’ will do!!!

Q°6. Your Favourite Quote?
A°6. I have so many, but since my blog is primarily a Film Blog, I’ll go with a section (last line) of the famed cinematic quote, by my all time favourite Film Director, that I used, atop my introduction, for my final dissertation, Marriage in Hitchcock Films: From Rebecca to Marnie, for my MA in International Cinema, at the University of Luton (2002-2003), in Luton, UK.

‘‘ What is drama, but life with the dull bits cut out’’
– Alfred Hitchcock

Q°7. What are your thoughts on Coffee?
A°7. Love it – with a creamy soft blend (By the way I know what you mean by coffee 😉 – of course I haven’t made my coffee yet!!!)
(DONE)

*Nominate 7 Bloggers for all three awards pictured above.

1. Alex of Alex Raphael
2. Reut Ziri of Sweet Archive
3. Paul S of Pfeiffer Pfilms and Meg Movies (for Real Neat Blog Award)
4. Jonathan & Aaron Ferrara of Husband & Husband (for The Versatile Blogger Award & Real Neat Blog Award)
5. Robert of Righteous Cinema (for The Versatile Blogger Award & Real Neat Blog Award)
6. Vinnieh of Vinnieh (for Real Neat Blog Award & Beautiful Bloggers Award)
7. Ruth of Silver Screenings (for Real Neat Blog Award)
(DONE)

*List 10 questions for my nominees

Q°1. Which city/town, that you’ve lived in, is your favourite ?
Q°2. Which continent, that you’ve never travelled to, would you like to visit the most? Any specific country/countries?
Q°3. What’s your favourite English language novel, written by a non-British/American/Australian born author?
Q°4. What’s your favourite non-English language novel, translated into English?
Q°5. What’s your favourite non-fiction book?
Q°6. If Hitchcock were alive today, which Hitchcockian classic, would you like him to re-make, with the availability of  modern day technical wizardry, that didn’t exist back then?
Q°7. Who would you like, to be the new Hitchcockian blonde, from the 21st century, working in this new project of his?
Q°8. Which is your favourite decade, from the previous century? Which is your favourite decade in film, from the previous century?
Q°9. What 21st century film, set in the decade from 20th century that you love, is your favourite?
Q°10. From films made in the 21st century, within the last 15 years (rather 14½ years, ‘cause we are still in the  middle of 2015), which non-English language film, from which country, is your favourite?
(DONE)

Thanks again Akhiz Munawar for honouring my Blog, with a triple nomination.

*Special Note: As I stated, back in January 2014; after working on 8 nominations, within one month; kindly refrain from nominating me for any more Blog awards. At least for a while.

Thanking you
Nuwan Sen
(No Nonsense with Nuwan Sen)

LG32

Today, French Actor, Louis Garrel; one of my favourite celebrities, especially of the highly artistic, and intellectual, European Cinema, fame; begins his 33rd year in life on earth. I’ve been a fan of Louis Garrel, ever since I saw him in, Bernardo Bertolucci’s, The Dreamers (2003), almost 12 years ago.
Louis Garrel (June B'day)Born with a silver spoon; on the 14th of June, 1983, to film director, Philippe Garrel (son of actor Maurice Garrel), and actress Brigitte Sy; Louis Garrel was destined to be an integral part of cinema. But he has also proven his worth, being one of the finest actors in film industry today.

Louis Garrel began his film career at the age of 6, when he appeared in Philippe Garrel’s Les Baisers de Secours (1989), alongside his parents, who played the lead. But his next role came in Ceci est Mon Corps (2001), 12 years later. He wasn’t seen in any movie in between. Soon he gained international fame, when he played twin brother to Eva Green, in The Dreamers, co-starring Michael Pitt, and directed by the greatness of controversy, Bernardo Bertolucci (Also see my post Bernardo Bertolucci & His Films from March 2014).

The Trio of Dreamers  - Louis Garrel with Eva Green & Micheal Pitt

 The Trio of Dreamers: Louis Garrel with Eva Green & Micheal Pitt

I watched The Dreamers, when it premiered in Oslo, Norway, at a Film Festival, late 2003. Till date it’s my favourite film – on film buffs, of Bernardo Bertolucci, and of all three lead cast members, including Louis Garrel.

Since then I’ve seen him do some great work in films like, Ma Mère (2004), Dans Paris (2006), Les Chansons d’Amour (2007), La belle Personne (2008), and the short film Diarchia (2010). Being a fan Garrel, I need to catch up a bit more.
La JalousieMore recent movies of his, am really keen on checking out, include; Le Mariage à Trois (2010), Les Amours Imaginaires (2010), Les Bien-Aimés (2011), Un Château en Italie (2013), La Jalousie (2013), Saint Laurent (2014), L’Astragale (2015), Mon Roi (2015) and Les Deux Amis (2015); to name some.

Louis Garrel and Gaspard Ulliel in Saint Laurent (2014)

Louis Garrel and Gaspard Ulliel in Saint Laurent (2014)

Wishing Louis Garrel all the success in the world, cinematic and otherwise.
Happy 32nd Birthday.

Nuwan Sen’s Film Sense

Born on the 12th of June, 1929, little did Anne Frank know, that one day, her personal diary would, end up being among, the greatest pieces of historical literature, ever.
Anne FrankOn her 13th Birthday, a young, German born, Jewish girl; residing in Amsterdam, The Netherlands, during the German occupation; Anne Frank, receives a diary. Thus she begins to chronicle her life experiences, from the 12th of June, 1942; exactly 73 years ago today; until she was arrested, along with her family and friends in hiding, by the SS (Nazi’s), in August 1944. After being interrogated, and suffering in concentration camps, first separated from her father, and later from her mother, Anne Frank, died, aged 15, in February 1945. The exact date of Anne’s, and her elder sister Margot’s, death, haven’t been recorded.

The diary was found by Miep Gies, who later gave it to Otto Frank, Anne Frank’s father, who luckily had survived the Auschwitz. Anne’s mother, Edith Frank-Holländer, had died, sometime after being separated from her two daughters. Otto Frank had no idea, about such a well kept diary, written by his young daughter. He gave it to Dutch historian, Annie Romein-Verschoor. Impressed as to how well it was written, she tried to get it published, unsuccessfully. Romein-Verschoor, then gave it to her husband, a journalist, Jan Romein, who wrote an article about it, which was published in a Dutch newspaper, under the heading, Kinderstem (A Child’s Voice). Soon this article attracted attention of publishers, and the diary was finally published in the Netherlands as Het Achterhuis in 1947. In 1952, the English translation was published. And the rest is history.

I had known about this book, ever since I was kid, in the 1980’s. But I read this book, the English translation of course (the diary was originally written in Dutch), only somewhere in the early 90’s, over 20 years ago now. Pure innocence, natural, realistic, honest and personal, Anne Frank’s Diary, touched me deeply. It’s one of the most inspiring non-fiction books I’ve ever read. Today among the greatest pieces of literature, Anne Frank’s Diary, is no doubt among my favourite, and one of the best, non-fiction books, I have in my personal library.

It’s really tragic, not just what happened to Anne Frank, but to over 6 million Jews, that were tortured and killed, during the holocaust, under the tyrannical dictator, Adolf Hitler’s, Nazi regime, during the second World War. Not to forget the non-Jewish victims, including, gypsies, communists, homosexuals, Polish people, Soviet Union – prisoners of war, the mentally and physically disabled, et al. One of the most inhumane periods in modern history.

Fortunately, Anne Frank’s diary, didn’t come into the hands of the Nazi’s. They’d have destroyed it, for certain. And thanks to the survival of this, beautifully penned down, diary; she lives on. And the world shall never forget the brutality, the victims of the holocaust, faced.

Bookish Nuwan (Literature & History)
Nuwan Sen’s Historical Sense
———————————————————————————————————————————

It’s pure Sex on the Beach. Not literally, but the seascape, south of the Italian Riviera, beckons and seduces, the cast, along with the audience, into it’s balmy bright waters. The premise of the entire movie is a lusty seaside adventure, set in the stylish holiday resort, away from the Côte d’Azur.
Il Compleanno Beach 2A Quick Synopsis
On the beach strip, below Mount Circeo, four friends (two couples), are on a summer vacation. Then the son, of one of the couples’, shows up, which stirs up repressed desires, in the husband (a father himself – of a little girl) of the other, seemingly, more happily married couple.

The Two Couples on Holiday: Maria de Medeiros, Massimo Poggio, Alessandro Gassman & Michela Cescon

The Two Couples on the Beach Holiday: Played by (L-R) Maria de Medeiros, Massimo Poggio, Alessandro Gassman & Michela Cescon

The Beach Birthday Party    
David (played by Brazilian born, model & actor, Thyago Alves), a college student, studying in the states, joins his parents, Shary (Michela Cescon) and Diego (Alessandro Gassman), on their beach holiday, in Italy, to celebrate his upcoming 18th birthday, with them. His parents’ close friends, Matteo (Massimo Poggio) and his wife Francesca (Maria de Medeiros), are vacationing with them. Matteo, has known David, as a child, and even carried him in his arms. But when they meet now, David is all grown up, with a well sculpted physique to match. It’s lust at first site for Matteo, and he’s dying to see the, already, half naked, birthday boy, in his complete birthday suit, to it’s entirety.

The Seductive Beach
The movie starts off with the four friends at the Opera, watching Richard Wagner’s Tristan und Isolde, a tragic opera, set within the backdrop of the ocean. This beginning, itself, hints at the premise of the movie, in relation to ‘forbidden love’, and it’s consequences.

Thyago Alves in Il Compleanno (2009)

Thyago Alves in Il Compleanno (2009)

Soon the son arrives, and we start seeing the seeds of the, so called ‘forbidden love’, in this scenario, take root. The character of David, the college student, who also happens to be an underwear model (much to his father, Diego’s, dismay), is mostly seen walking around shirtless. Which only adds to the seduction of poor Matteo. Added to which the camera loves this shirtless wonder, just as much as the scenic Italian beaches. Both beautiful, yet could be tragic, if one ventures in too deep. The scene where Matteo is walking in the beach, unaware that David has gone for a midnight swim, is pure seduction. The dark midnight blue waters are mesmerizing, and out comes a wet David, all of a sudden, like a Greek god, a young Poseidon himself. The scene is spot on, sexualising the ocean, as a lusty element. The ocean is mostly showcased in the day time, in the sizzling heat; thus the wet Adonis figure, emerging onto the beach in the middle of night, adds to the fizz of the sizzle. Especially as Matteo is enamoured, by this, perfectly sculpted, statuesque beauty, akin to Michelangelo’s ‘Statue of David’.

The climax scene (pun intended); with Matteo and David, finally breaking out of their sexual repression, and getting intimate; and the tragic Operatic ending; killing off an innocent; is heart rendering. This sequence, of impending doom, is perfectly shot, with Wagner’s music in the background. In the finalé, the camera zooms onto the glittering ocean, just before the credits roll in.
Il Compleanno Beach 3Il Compleanno (2009), is a visually stunning movie, capturing the beauty of the ocean. With it’s purple hues in twilight, to the midnight blues, sizzling and sexual, and the golden waters under the setting sun. There is no real significance, as such, of the representation of the ocean, to go into deep analysis, here; but the picturisation, the cinematography, how the seascape is filmed, is just breathtaking.

Il Compleanno scene deuxA beautiful Italian movie, set in an equally beautiful Italian beach resort.

Nuwan Sen’s Film Sense

Beach Party Blogathon (June 2015
This post is my second, & final, entry for the Beach Party Blogathon, organised by Ruth of Silver Screenings and Kristina of Speakeasy (See my first entry, Beach Party Blogathon: The Significance of ‘The Beach’ in Hitchcock’s REBECCA (1940), from earlier this week)
Il Compleanno Beach 1Il Compleanno, might not be the best gay themed movie ever, but it definitely is still a brilliant piece of the cinema. I watched it some years ago, online. And I didn’t really get a chance to see it again. But the excellent shots of the sea, remained in my memory, enough to work on this post.
Beach party for Queer FilmA Big Thank you, once again, to Ruth and Kristina, for letting me be part of this interesting Blogathon. Enjoyed it to the utmost.

Cheers
Nuwan Sen

Last night I dreamt of the Ocean, with it’s fierce waves splashing against the humongous rocks, in the coastal county of Cornwall (with apologies to Daphne du Maurier).

Joan Fontaine & Laurence Olivier

Joan Fontaine & Laurence Olivier

Rebecca synopsis
Rebecca is dead, and we never see her throughout the movie/book. Yet, the essence of her presence, is felt throughout.

A widower, Maxim de Winter (Laurence Olivier) meets a naïve, nameless, paid companion (Joan Fontaine), to a rich socialite, Mrs. Van Hopper (Florence Bates), in Monte Carlo, Monaco, and the two get hitched.

Once their honeymoon comes to end, so does their stress free, romantic, happy life together, when they reach Manderley; de Winter’s ancestral home, in Cornwall. The spirit of his first/late wife is alive within every inch of the mansion, every brick and stone, and the household staff. Especially through the eerie Mrs. Danvers (Judith Anderson), the housekeeper.

Plus Rebecca’s death is submerged with a mysterious undertone.

One of the most interesting thing to note, about this story, a novel written by Daphne du Maurier, and adapted to the big screen by Alfred Hitchcock, is the fact that, the character of Rebecca, is non-existent, and the existing character of the second Mrs. De Winter (played by Fontaine), has no first name, and no née name (prior to marrying Maxim de Winter).
Rebecca Beach 3The Beach, the Ocean and the vast Seascape
The beach in the movie, is showcased as, being both, beautiful and frightening. Aesthetic and ferocious. Soothing and haunting.
Rebecca Beach 1The film begins, as does the novel, with the famous du Maurier line, “Last night I dreamt I went to Manderley again”, which is now in ruins. And then the film flashes back, and we are in the French Riviera, with the sea waters beating up on the rocks, where a middle-aged man is standing on the edge of a cliff, staring, with lost look on his face, down at the ocean below, as if ready to jump. And a young woman, at once shouts, “Don’t!! Stop!!”. This is the first encounter of Mr. de Winter, and his future/second wife. So the couple’s first meeting itself is at a Beach resort, in Monaco. Soon the two start enjoying each other’s company, travelling around the beautiful costal stretch, of the Côte d’Azur. Yet, there are times he seems lost, especially when he speaks of Manderley. Once, she tries to change the subject, by speaking how warm and lovely the waters in the French Riviera are, and that in England it’s hard to imagine going for a swim, until June. Then, she mentions a man drowned once, unaware that Rebecca, Maxim de Winter’s first wife, supposedly was killed in a drowning accident, whilst sailing; which obviously only further agitates Mr. de Winter. In the beginning of the movie itself, we see how the sea is represented positively, as beautiful, breathtaking, scenic, warm and inviting; yet also in a negative light, associated with death, drowning and destruction.
Rebecca Beach 4After a quick civil marriage at the registrar’s office, we see them in Cornwall, post honeymoon, venturing towards Manderley. The young new Mrs. de Winter suddenly gets a chill, as if of impending doom. Once they enter the stone edifice/mansion, there is feeling of something very bleak and unpleasant within, and the entrance of the stoic housekeeper, Mrs. Danvers, has the young bride’s nerves on edge.

The newly married couple’s room is on the East Wing, that has never been used before, and has no view of the ocean. Whilst Maxim & Rebecca’s room, use to be in West Wing, with a view of ocean, and which, with it’s massive windows and ornately carved doors, happens to be the most beautiful room in the house. From here onwards Manderley’s beach is represented in an eerie, foreboding, manner. Cold and damp. A stark contrast to the warmth and pleasantness of the sunshine stretch of the classy French Riviera. But we do see hints, of the statuesque, elegance and beauty, of what Manderley once stood for. And the second Mrs. De Winter, tries her best to bring back those glory days, back to, the life of the very respectable, Maxim de Winter, and his beloved Manderley.

The scene where the newly weds go for a walk in the estate of Manderley; just after the visit of Beatrice (Gladys Cooper), Maxim de Winter’s sister, and her husband, Major Giles Lacy (Nigel Bruce); a stairway to the beach below is shown, and we see that Mr. de Winter is afraid of something. He doesn’t want to descend downwards (not just literally, but also neither does he want to lose his status and honour; thus his attachment to Manderley, despite everything; nor bring back his haunting memories, associated with this particular beach). Their dog, Jasper, gets loose, and the new wife runs behind it, and comes across an isolated and neglected cottage, which has gone to wreck and ruin. She meets Ben (Leonard Carey) a crazy man who keeps repeating, “she ain’t comin’ back is she”. An obvious reference to the disappearance/death of Rebecca. Maxim de Winter’s reluctance to come to the beach, his new wife’s meeting with Ben, and de Winter’s angry reproach, afterwards, towards his young wife, for going into the cottage; all accounts to the fact, there is something mysterious and secretive, in relation to this private beach of theirs.

The West Wing: The most beautiful room in Manderley

The West Wing: The most beautiful room in Manderley

Almost soon after this incident, the scene involving the West Wing, is again in relation to the sea. The room in which once Rebecca slept, with an admiringly cruel undercurrent, is showcased by Mrs. Danvers, to the new Mrs. De Winter. As if in a trance, Mrs. Danvers tells the new bride, to just listen to the sea, and how soothing it is. Just then a ferocious wave splashes onto a rock, echoing a loud roar of pain and power. Yet, this manipulation on the vulnerable second Mrs. de Winter, backfires, and we see her gain strength momentarily, and get rid of all of Rebecca’s belongings, in the morning room, stating, “I’m Mrs. de Winter now.”

This is the first instance, we see, of her coming out of her shell of fear. Yet, the conniving Mrs. Danvers reciprocates, by conning her into dressing up in a mid-19th century ballroom dress, worn by an ancestor of de Winter, for the upcoming costume ball. Unfortunately, Rebecca had worn the exact same dress, for the costume ball held, the year before. Which only agitates Mr. de Winter, and shock some of the already present guests. We hear Beatrice gasp, uttering the words, “Rebecca”, in horror.

Now comes the most interesting sequence. The twist in the tale. The shocking climax. The foggy morning, the sea finally reveals, all the secrets of the de Winter household. The night of the costume ball, when second Mrs. de Winter, confronts Mrs. Danvers, about the outfit; and as Mrs. Danvers tries to, hypnotically, get the new bride to commit suicide, by jumping off the windowsill in Rebecca’s room, in the west wing; suddenly fireworks flare up, awakening them, as if from a trance. A diver had discovered the wreck of Rebecca’s sailboat, resting below on the ocean bed. But what’s worse is, Rebecca’s body too, was discovered inside the boat. Then who was the woman, Maxim de Winter identified as being Rebecca’s dead body, washed ashore, the night she went missing?

Joan Fontaine & Judith Anderson in a scene from Rebecca (1940)

Joan Fontaine & Judith Anderson in a scene from Rebecca (1940)

The day of revelation, the day of reckoning, is finally here. The day after the costume ball dilemma. It’s early in the morning, it’s still very dark. Through the fog blanketed strip of the private Manderley beach; that Maxim de Winter, early on feared to tread on; the new Mrs. de Winter, goes looking for her husband. She meets Frank Crawley (Reginald Denny); loyal friend of her husband’s, and her confidant; on the way. He let’s her know about the discovery of the boat. She ultimately finds the ever brooding, Maxim de Winter, in a state of despair, in the neglected cottage, where she first met Ben. Here he reveals to her what really happened the night Rebecca was killed.

This is one of the most interesting sequences, in the whole movie. As Maxim de Winter, sums up the happenings of the night Rebecca died, to his second wife; there is no flashback scenes, no ghostly figure hanging around, no windows/doors, shutting/opening abruptly, no glass breaking, nothing. The camera pans the room; from the sofa, and the coffee table, with an ash tray filled with cigarette butts, towards the door, where Mr. de Winter is standing, re-capping the events of that ill-fated night; and we, the audience, imagine Rebecca in the room. It must take a genius like Alfred Hitchcock to make that possible.

Here we, along with Joan Fontaine’s character, find out that Rebecca, wasn’t a nice person, as everyone believed she was. In fact, she flirted and seduced, everyone around her. She wasn’t a faithful wife. And this cottage was her hideout, where she brought her lovers. She fooled everyone. And that particular night, she had conned Maxim de Winter, into believing she was pregnant, with the child of her wayward cousin, Jack Favell (George Sanders).

Though mostly faithful to the novel, this is one of the major areas in plot, that the movie, Rebecca, differs to that of the book, Rebecca, due to silly censorship rules, Hays Code, of the time, under William H. Hays. But despite that setback, Hays couldn’t ruin the movie, and in fact, Hitchcock’s Rebecca ended up being a masterpiece. I want give away the main difference in plot here. Most of you film, and literature, buffs would already know. But those who don’t. Read the Book. Watch the Movie.

The movie, then lets us know, how Mr. de Winter, carried the dead body of Rebecca, placed it inside the boat, drilled holes, opened up the seacock’s, and sent it to sink in the middle of the ocean, never too be found. Until, unfortunately, a diver accidentally did. But the recovery of the boat and the body, weren’t exactly a bad thing. For the lead characters discover a whole lot of other truths. Like the fact that Rebecca wasn’t pregnant at all, it was something else altogether. The new wife, who’s been living under the shadow, of the dead wife, suddenly matures and finds strength, and is able to support her husband. Specially now that she knows, that Maxim never loved Rebecca, she’s not afraid anymore. When there are no more secrets between the couple, their bond strengthens. It’s still a very tragic movie. Mrs. Danvers can’t handle the truth, or rather what she is made to believe to be true, and takes it upon herself, to make sure, the newer couple could never lead a happy life in Manderley.
Rebecca towards the endJust like the oceans ferocious waves, the roaring fires engulfing the beautiful mansion of Manderley; with the figure of Mrs. Danvers in the west wing, and the burning monogrammed ‘R’ (for Rebecca), on the silky satin négligée case; are beautifully captured. There is some excellent cinematography here, especially the way the beautiful interiors, of Manderley, are filmed. A masterwork of cinema, by a mastermind of aesthetics, suspense and intrigue.

Facts relating to Rebecca
Released in 1940, Rebecca was altogether nominated for 11 Oscars at the 13th Academy Awards held in February 1941, and won 2 Oscars. One for ‘Best Picture’ (back then known as ‘Outstanding Production’) and one for ‘Best Cinematography’ to George Barnes. This was the 1st and only win, for a Hitchcock film, and for American cinematographer, George Barnes. The Oscar ceremony of 1941, was the very first time, that the winners names remained a secret, until they were announced, just before they received the prestigious trophy. Filmed in Black & White, when Hollywood was going through a newly discovered obsession with colour, Rebecca, which was Alfred Hitchcock’s very first American film, is considered one of the Best Films, within the 120 year old history of Cinema. Plus, the character of ‘Mrs Danvers’ (played by Judith Anderson), is known as one of the best villainous roles ever. Rebecca is one of the rare movies, which has an interesting blend of varied genres, that explores, film noir, romance, mystery, psychological thriller, Gothic literary horror, incest, adultery, crime and drama. Yet, despite all those ingredients, it’s a movie, made in such a way, that’s it’s suitable for all ages.

Pure Excellence!!!!! Pure Cinema!!!!!

I wrote this post for the Beach Party Blogathon, organised by Ruth of Silver Screenings and Kristina of Speakeasy.

Hitchcock’s Rebecca (1940), considered the best adaptation of Daphne du Maurier’s famed 1938 novel, happens to be my favourite movie adaptation of a novel, that I have read. Hitchcock is superb in creating atmospheric dread, and none the better, as he does here. Especially using the natural elements, such as the vast ocean. Rebecca is among my Top-5 all time favourite movies ever.

Beach Party Blogathon (June 2015)
Beach party for RebeccaThank you Ruth and Kristina, for letting me be part of this interesting Blogathon. Thoroughly enjoyed it.

Cheers
Nuwan Sen

A Trio of Nominations
I’ve been nominated, by three different Bloggers, for a trio of Blog Awards.
Liebster award 2015Liebster Award by Vinnieh of Vinnieh on 20th May 2015
(A superb film blogger, and one of the earliest bloggers to locate my blog)
Most dragons loyalty awardDragon’s Loyalty Award by Reut Ziri of Sweet Archive on  29th May 2015
(A music and cinema blogger, whose blog I stumbled upon quite recently)
Beautiful Bloggers AwardBeautiful Blog Award by Jonathan & Aaron Ferrara of Husband & Husband on 4th June 2015
(A couple of published authors, who also happen to be a lovely young married couple as well)

So thank you Vinnieh, Reut, Jonathan & Aaron for considering me worthy of the recognition you’ve awarded me, or rather, and especially, my Blog. And am truly sorry for the delay.

This is my 2nd Liebster Award (different logo though) and Dragon Loyalty Award (see my previous s), and my very 1st Beautiful Blog Award.

So here’s the usual drill (as many of you, my fellow bloggers, would already know)

*Thank the people who nominated me, and add the pictures of the awards above. (DONE)

*Answer the eight questions prepared by Vinnieh, for me, for the Liebster Award

Vinnieh’s Q1. What made you decide to start writing a blog?
Nuwan Sen’s A1. I needed a platform, to place my film critiques, without anyone ruining my articles. So that I can publish them, in their original state, as written by me.

VQ2. A night out with friends or a movie night in?
NSA2. A night out with friends, watching a movie on the Big Screen; and then discussing and analysing it at length. But haven’t done that for ages.

VQ3. Buffy or Charmed?
NSA3. Neither

VQ4. What is favourite item of clothing?
NSA4. Straight/tight fit, Blue Jeans, that have never gone out of style since the 1800’s (for casual wear), with a loose simple T-shirt, or tucked in fitting shirt. Formal wear: I love the Indian Kurta, combined with the western formal trouser, with dress socks & sleek shoes.

VQ5. Who is your favourite actress if you had to choose just one?
NSA5. Audrey Hepburn, Of Course!!!!!

VQ6. How do you follow news around the world?
NSA6. On the net, television news, and foreign newspapers and magazines, when available.

VQ7. What is the most disturbing film you have ever seen?
NSA7. Rosemary’s Baby (1968) I think. It’s an excellent psychological horror movie, by veteran film director, Roman Polanski. I highly recommend it.

VQ8. Are you get up and go person or someone who needs to be motivated?
NSA8. Get up and go person (in the rest of the world) & someone who needs to be motivated (in lazy lethargic lanka).
(DONE)

*List 7 Random thing about myself for the Dragon Loyalty and Beautiful Blog, Awards

About Me
1. The best thing that happened to my life is  (a.k.a. Gingy). She’s my little pet (literally), a puppy I adopted on the 7th of December, 2014, exactly half a year ago, today (See & follow her Facebook Page, Gingerella Sen, if you are a dog/animal lover).

Last Night: Gingerella (a.k.a. Gingy) enjoying some of my Audrey Hepburn films, from my collection. In my Room - On my Bed

Last Night: Gingerella (a.k.a. Gingy) enjoying some of my Audrey Hepburn films, from my collection.
In my Room – On my Bed

2. I have never been on a date, till date. Been out with friends, both male and female, on a one on one basis (lunch/dinner/movie/other outings), but never on a date.

3. I believe in Equal Rights. Am a Gentleman to a Lady, and a bitch to bitch. Well actually I tend to have a lot of patience, but there is always a limit to everything and anything.

4. I practice my own version of the cliché, “Forgive & Forget ”. I prefer to forgive, and forget they ever existed.

5. I wish no one any harm. About people that make me unhappy, I wish them all the best, but hope that they just stay the fuck away from my life.

6. I love the city and country of my birth (New Delhi, India); but dislike the country of my unfortunate roots (Sri Lanka), that has given me nothing but misery (and where I happen to live now, unfortunately).

7. Ps is the most beautiful concrete jungle, I have ever lived in, till date.

8. I have lived in six countries, in three continents. I consider myself international, a citizen of the world, going beyond borders. I belong to any country, that accepts me as one of their own.
(DONE)

*Nominate 10 Bloggers for all three awards pictured above.

1. Ruth of Silver Screenings
2. Jim Turnbull of The Good, the Bad and the Average
3. Robert of Righteous Cinema
4. Kristina of Speakeasy
5. Paul S of Pfeiffer Pfilms and Meg Movies
6. Jackson of Movie Man Jackson
7. Akhiz of Akhiz Munawar
8. Roger of A Guy without Boxers
9. Coolsville of Coolsville
10. The Critic Man of Thy Criticman
(DONE)

*List 10 questions for my nominees

Nuwan Sen’s Q1. What’s your favourite novel?
NSQ2. What’s your favourite movie?
NSQ3. What’s your favourite movie, based on a novel, you have read?
NSQ4. What’s your favourite movie, based on a novel, you have not read?
NSQ5. British Hitchcock or Hollywood Hitchcock?
NSQ6. Non-American born Hollywood stars or American born Hollywood stars?
NSQ7. Which famous personality, did you idolise as a child, and whom do you idolise now, as an adult?
NSQ8. Which film starring Audrey Hepburn is your favourite? And which film role of hers, do you admire the most?
NSQ9. Who is your all time favourite film director?
NSQ10. What’s you favourite Oscar moment?
(DONE)

A Big Thank You, once again, for Vinnieh, Reut, Jonathan & Aaron, for honouring my Blog, No Nonsense with Nuwan Sen, with these award nominations.

Kind Regards
Nuwan Sen
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