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These COVID19 Days (YEAR 2020)

Happy New Year & Happy New Decade

So the Roaring 20’s are here again, now in a Newer Century!!!!! Happy New 2020 & an even Happier New Decade ahead!!!

When it comes to movies to be released this year (Year2020), I’ll take into consideration that a movie isn’t made in a day & into account that no Zero Year exists (21st Century started from Year 2001)!! Thus, any movie released this Year, Year 2020, still belongs to the 2010’s (as far as I am concerned, at least). When it comes to movies, books, fashion trends, pretty much the arts related activities, whatever comes out this year, in a sense shall end the 2010’s, at the same time inspiring the next decade (which in every other sense has already started, it’s Year2020). Past Examples; 60’s didn’t feel like the 60’s till Hollywood’s Breakfast at Tiffany’s (1961) came out; it’s Year 1966 (and not 65′) that’s considered the half way mark that turned the late60’s over a brand new leaf never ever witnessed before, globally speaking (we live in, or are suppose to be, in a better freer world today, thanks to modern open-minded thinking that relinquished blind stoic rules and regulations of the past); and Love Story (1970) still feels very 1960’s, yet forming a catalyst to the 70’s styles yet to come!! In Bollywood, the 70’s didn’t feel like the 70’s till Haré Rama Haré Krishna (1971) came out, laying a stronger foundation to India’s already existing Hippie culture, and Qurbani‘s (1980) Bollywood Disco tunes (Pakistani Pop Singer, Nazia Hassan’s “Aap Jaisa Koi”, composed by India’s famed Music Producer Biddu, will always be my favourite Indian Disco number) happen to be a celebration of Club Music of the times (70’s & early 80’s); whilst globally (though more specifically among American youth) Fame (1980) perfectly ends the 70’s decade meanwhile serving as an inspiration for the 1980’s decade!! Mera Naam Joker (1970) took six years to make (between 1963 & 1969), and covers the Essential 60’s decade (although the story line spans a couple of more decades). Boyhood (2014) took twelve years to make, capturing the whole of the noughties (the 1st decade of this century, i.e. 2001 – 2010) and enters into the early 2010’s (2011 – 2013)! Manzil (1979), was filmed in the begining of the 70’s, when Amitabh Bachchan was a virtual unknown (the Big B rose to prominance with Zanjeer, 1973), but due to various reasons the release got delayed, ultimately being released at the very end of the decade, in 1979! Thus, without going into drastic extremes, I feel movies released in an Year eding with a nought (0), ought to be regarded as a movie belonging to the previous decade! So basically, Year 2020, specifically movie wise, is a transition from the 10’s & into the Nouveau Roaring 20’s. Some 2020 releases (especially if set today itself, although, unlike the previous century, there is no definite unique look that differentiates one decade from another, other than technological advances of this digital age) shall feel very 2010’s, whilst others could end up defining the whole decade of the 20TWENTY TWENTIES20’s!!!!

Of course, one unique look that came out in recent times (though only seen on celebrities) would be one that helped change gender norms, blurring lines between masculinity and femininity!! Young Straight male actors (like Timothée Chalamet of Call Me By Your Name; ; fame, for instant) have dared to experiment with the androgynous look, thus not stereotyping the effeminate look on a male attributed only to transgender people. Cisgender men and women (gay or straight), immaterial of their sexual orientation, can now try out blending styles that in the past were catered to just one specific gender, or attributed as a reflection of their sexuality!!!

Why not? We are all Equal!! We are all human!! Who made these rules in the past, anyway?? Go Crazy, Go Gaga, if you wanna!! Nobody has the right to judge!!!

New Look for the 20TWENTY TWENTIES20’s

I’ll be honest, the 2010’s haven’t been good to me, health wise and other wise! As it is, all my life, I’ve suffered on my own, survived on my own, and still surviving!! My stress and depression has worsened over the years. As we speak, my head is pounding, my eyes tried; yet I persevere, I go on!! Despite going through a lot, I decided I shall somehow work on a Blogpost today, no matter what! Despite everything, I shan’t give up that easily!!!

So here’s to a better future, than the past (especially better than my recent past) !!!! Looking forward to a better year & even better deacde ahead, and wishing everyone the same. Here’s to the 20TWENTY TWENTIES20’s!!!!

Wonder if Flapper Dames will make a come back, or with a 21st century twist (as gender lines blur further), even Flapper Dudes!!!!  Maybe have a modern take on famed The Charleston, jazz music and have swell time this coming decade, all round!!!

Today, also happens to be ‘s Official Birthday🐾!! FOUR Years Old!!! It’s (Atta’s) my Maternal Grandfather’s 100 Birth Anniversary, as well!! Haven’t witness a real Birthday Party/New Year Celebration in a while. The last time I actually did something to usher in the New Year was; when on 31st December 2006, my friends & I, Down Under, went to see the fireworks over the Sydney Harbour Bridge, and welcomed Year 2007 (one of the rare better years of my Adult life, comparatively).

Wishing all my fellow Bloggers, , et al, a very Happy New Year & Great Decade ahead, once more!! Keep on Blogging (a note to self, as well).

Nuwan Sen



#‎NuwanSensFilmSense

👁️♡❤️💙💚🧡🍑🍑🍑♡👁️

Silver Screenings

Kevin Costner (left) in 1991’s JFK, directed by Oliver Stone. Image: Letterboxd

Hollywood director Oliver Stone called film historian/journalist Roger Ebert one of the great film critics, because Ebert understood what filmmakers are trying to achieve.

Stone’s comments may be due, in part, to Ebert’s appraisal of Stone’s controversial 1991 film, JFK. “This is not a film about the facts of the [John F. Kennedy] assassination, but about the feelings,” Ebert wrote. “JFK accurately reflects our national state of mind since November 22, 1963.”¹

Ebert defended Stone’s choice of New Orleans State Attorney Jim Garrison (played by Kevin Costner) as the film’s protagonist. “Whom should he have chosen?” asked Ebert. “As a filmmaker it is his assignment to find a protagonist who reflects his feelings. Jim Garrison may not have been on the right track [while investigating the assassination], but he was a perfect surrogate for our…

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Quote of the Day, from my 2019 Calendar!

Quoting Doris Day

– Doris Day
(1922 – 2019)

Nuwan Sen’s Film Sense

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If Audrey Hepburn were alive today, she’d be 90 years old! Just imagine! It’s hard to even fathom; a post WWII, modern, youthful, energetic, fun-loving and fashionable, foxy 50’s generation; that gave us stars like Audrey Hepburn, Elvis Presley, Marilyn Monroe, James Dean, Elizabeth Taylor, Rock Hudson, Grace Kelly, Marlon Brando, et al; would ever grow old! And sadly most of them didn’t; and some died way way way too young. The era of cool! I remember it like it were yesterday, when we heard of Hepburn’s demise in January 1993, at the age of 63. I was 17 years old. Where did the 1990’s go?? Am already in my 40’s, and it’s Audrey Hepburn’s heavenly 90th Birthday, today!

To mark her 90th Birth Anniversary, Audrey Hepburn’s Birth place, Brussels, Belgium; is holding a special exhibition, titled Intimate Audrey, which began earlier this week; which includes contribution from Hepburn’s older son, Sean Hepburn Ferrer (who put together this exhibition).

I wish I was in Europe, right now. If any of my fellow bloggers/Hepburn fans are in Europe these days, and happen to be in Belgium, do check it out! From whatever media I’ve come across about the exhibition, it looks amazing. The exhibition includes the green “Vespa Farobasso” scooter she rode, in Roman Holiday (1953), my all time favourite movie; Hepburn’s own fashion drawings & humanitarian writings, and the Oscar statuette awarded posthumously for her humanitarian work.

A screen legend, a style icon, a kind human with a Big Heart!!!!!! My all time favourite actress!! Great personalities never really die! They live on, through us, their greatest fans, forever!!💓

❤ Hepburn ❤

Nuwan Sen’s Film Sense

 

Green Book (2018) wins BEST PICTURE, at the 91st Annual Academy Awards

The 91st Annual Academy Awards came and went, without a host, and without hitch (so I heard); BUT unfortunately I didn’t get a chance to watch it. This year’s Oscars were not telecast (LIVE or otherwise) on this side of the globe. Neither on Local Channels (which I normally don’t watch) nor on any of the foreign cable channels we get from India and the South East. I wouldn’t be surprised if the local cable operators sabotaged it’s telecast. So many instances where foreign channel’s schedule programs are blocked off and replaced with what these cable operators fancy!! BUT, I did check out highlights online, especially on Youtube, on Monday night!!

I was extra keen of watching this year’s show, as it was a Hostless show, for the first time in 30 years. My very 1st Oscars, was that particular Hostless Academy Award ceremony, from 1989. It introduced me to Rain Man (1988) and Jodie Foster. Of course, that wasn’t telecast LIVE (nothing non-Lankan back then was), but about a month later, on a local channel (most probably on Rupavahini, SL’s National television channel). If I recall correctly, it was after Lucille Ball passed away. AND Ball passed away on 26th April 1989 (The 61st Annual Academy Awards were apparently held on 29th March 1989, according to online sources). We use to watch The Lucy Show (1962 -1968) back then, I believe on ITN (Back in 80’s there were only two channels available here). I remember well, how Ball’s death was not announced, before airing an episode of the show, after her death, as is the custom. The network most probably had no idea who the star comedienne of the Lucy series of shows even was.

What’s more interesting, is 30 years after sitting through my Oscars, I learn the Oscars 1989, was supposedly the worst Oscars ever!!!! I wasn’t a fan of the corny Snow White, but I did enjoy the show. I remember Lucille Ball looking graceful, yet with her nutty laugh intact, in her final public appearance. Remember Walter Matthau, Roger Moore, Melanie Griffith with Don Johnson, Tom Cruise & Dustin Hoffman, and Jodie Foster walking up the stage, in her now famously known, off-the-rack, dress (of course, back then I didn’t know it was off-the-rack). It’s good though, Foster represented herself, today some people lose their identity representing a famous designer (especially if the fashion designer is more popular than star adorning their clothes).

Worst Oscars or not, it’s thanks to the 1989 Oscars, I’ve been following the Hollywood Stars, looking forward to catching the Oscar ceremony, every year, if possible!! Preferably LIVE!!

For more on Oscars 1989 & this Year’s Hostless Oscars……

Let the Pictures below do the talking!!!!!

Julia Roberts @ the Oscars (Year 2019)

Melissa McCarthy & Brian Tyree Henry present the Oscar Award for BEST COSTUME DESIGN to Ruth E. Carter (Oscars 2019)

Becky Neiman-Cobb & Domee Shi, bag the Award for BEST ANIMATED SHORT FILM, for Bao (2018)

Chalamet & Mom
Timothée Chalamet’s absence (and the Oscar snub) was pretty conspicuous, at the 91st Academy Awards

Comedienne, Lucille Ball (1911 – 1989) made her final public appearance, at the 61st Annual Academy Awards (Oscars 1989)

Jodie Foster wins the BEST ACTRESS Oscar in 1989

From this year’s Oscar win’s, I have only seen a shabbily edited version of Bao (2018). From the rest of the nominations, I’ve only watched, the Feature Film, A Quiet Place (2018) and the Live Action, Canadian Short Film, Fauve (2018). BEST PICTURE winner, Green Book (2018) is the movie, am really keen on checking out the most!!

Nuwan Sen’s Film Sense

5 Days Left, Hurry Up!!!!!

Just a reminder to all my fellow Blog-pals who’ve shown an interest in taking part in The ❝October Birthdayz❞ Blogathon am hosting (20th – 22nd October 2018). There are 5 more days left, for it to begin. Of course, it doesn’t matter if you get a little late, so long as it is posted (and the link sent to me) within this month!!

For more information on the Blogathon, see my previous Blog post – The ❝October Birthdayz❞ Blogathon, posted on the 1st of this month

Cheers

All the Best

Nuwan Sen’s Film Sense

On a Sunday afternoon, at Prescient 21, New York City, an assortment of coulourful characters, from crooks to thieves to innocent first time offenders, swarm around, waiting to be booked. One such character is a shoplifter, played by Lee Grant, witnessing all the crazy goings-on, in the squad room. Lee Grant reprises her well received role, in her film debut, in Detective Story (), for which she won the award forBest Actress at the Cannes Film Festival, in 1952.

Lee Grant in Detective Story (1951)

As the movie begins, Lee Grant arrives in a not-so-well maintained car, dragged by a shabby looking cop. She’s taken upstairs into the squad room of New York’s Prescient 21. Her crime – she picked up a purse, due to a kleptomaniac impulse. A bag she didn’t even like. And it seems this was a first time offense, or at least the first time she got caught. Naive, innocent, stressed and nerve-wrecking, she is more worried than she should be. In fact, the cop tells her, that it’s not as if she committed a murder, she most probably will be acquitted, with no charges; and it will all be a waste of his time.

When she is asked to call a lawyer, she’s apprehensive, the only lawyer she knows is married to her pregnant sister. But as things start to heat up in the squad room, she finally asks her brother-in-law for help. Meanwhile, we see what a good heart she has, and what a social person she is. She innocently tries to comfort a young girl, whose sister’s ex-boyfriend, is being booked for embezzlement. She tells one of the detective’s he is quite handsome, and doesn’t look like a cop. She is amused with a watch in a comic strip, and compares it to the wristwatch worn by the cop that arrested her. This shoplifter, might have accidentally committed a crime, but is a very genuine person. More genuine, than most cops. Of course, the cops here treat her well. When one brings her food, she is truly grateful. As Grant’s shoplifter leaves the station, she bids adieu, to all the detectives at Prescient 21.

Lee Grant is superb as a nervous wreck, a foolish and somewhat comical shoplifter. A bit of an oddball nut-bag. A very naturalistic twitchy portrayal of a scared little kitten, feeling guiltier than she should be. Grant learnt the weird New York accent, she uses in the play and movie, when she heard two girls on a crosstown bus. Yes, she eavesdropped on total strangers, not because she wanted to know what they were talking about, but to study their mannerisms. A true testament to great acting.

Based on a 1949 play by Sidney Kingsley, Detective Story, and directed by William Wyler, the movie comprises of a superb cast, including Kirk Douglas, Eleanor Parker, Joseph Wiseman, William Bendix, Craig Hill, et al. Set in a single day, the main plot of the story, however, is about a tough cop (played incredibly by Kirk Douglas), who doesn’t believe in second chances, with a temper he can’t control. As the movie progresses, he learns of a past mistake by his elegant wife (gracefully played by the beautiful Eleanor Parker), which he finds difficult to accept. He is not a forgiving man. Detective Story, is a brilliant movie, with many a sub-plots. Lee Grant is seen through most of the movie, and is well fashioned with a scarf over her shoulders (it’s worth checking out some of cool ties and suits worn by some of the male cast, as well, including Douglas and Wiseman). Basically the movie is, out and out, a Kirk Douglas venture. He is the protagonist, the only lead character of the film. The rest are all supporting characters, revolving around the main plot within Prescient 21. So it is baffling, why Lee Grant, won an award for Best Actress at the Cannes Film Festival, the following year. She was no doubt superb, yet she was a supporting character; as was the cop’s wife, Mrs. Mary McLeod (played by Eleanor Parker). Parker received a Best Actress Oscar nomination, along with Lee Grant, for Best Supporting Actress‘, at the Academy Awards. In fact, with just over 20 minutes appearance, Eleanor Parker’s performance is the shortest role, to ever be nominated for aBest Actress Oscar. Like Grant, Parker ought to have been nominated for a Best Supporting Actress Oscar, as well. The movie garnered two more nominations, including one forBest Director, for William Wyler. Detective Story lost out at the Oscars, but happens to be among greatest study of varied character-sketches, on film.

Lee Grant in a scene from Detective Story (1951)

Despite the accolades, Lee Grant received for her unique Oscar nominated performance, in Detective Story, she found it difficult to find work for the next decade. In 1952, she refused to testify against her husband at the HUAC (House Un-American Activities Committee) hearings, and thus was blacklisted. This was during the notorious McCarthy era, under which the Hollywood Blacklist began, in 1947; where famous people were being persecuted for supposedly having ‘Communist’ beliefs. Sadly many great influential personalities lost work during this period, including Hollywood celebrities, such as Charlie Chaplin, Orson Welles and Dalton Trumbo, to name some. Lee Grant was removed from the blacklist, in 1962, after which she rebuilt her career in film and television.

From playing a shoplifter in her first movie, her last Cinematic appearance was in a film titled, Going Shopping (2005). She hasn’t worked in films for the last 13 years, but she did appear on stage, where it all began, in a revival of Donald L. Coburn’s 1976 play, The Gin Game, in 2013; directed by her daughter, Dinah Manoff.

Detective Story (1951)
My Rating: Pure Excellence – 10/10 !!!!

Nuwan Sen’s Film Sense

This write-up, is my contribution, for The Lovely Lee Grant Blogathon, hosted by Gill of of Real Weegie Midget and Chris from Angelmans’s Place!!

Thank you Gill and Chris, for inviting me to join this Blogathon.

Nuwan Sen

#NuwanARTS
#‎NuwanSensFilmSense



#NuwanSensMovieSense

RekhaBollywood Superstar of the late 70’s & 1980’s

Check out my trio of Lists of mini-write-ups I posted on IMDB, this month (July 2018). Press on the links below.

1Bollywood FIVE

2 FIVE Feature-Length Gay-Themed Films of 2017!!

3Ingrid Bergman & 40’s Hollywood

I had made way more than 35 lists on IMDB, but for some reason, IMDB has removed lists involving Characters. There were quite a few character studies I had posted on IMDB (Sad!). It has all the rest though, lists of people, titles and pictures.

Nuwan Sen’s Film Sense

Immaterial of how accurate the facts from Sanjay Dutt’s life depicted in Sanju (2018) are, as a movie, this cinematic adaptation works flawlessly. Especially thanks to Ranbir Kapoor’s brilliant performance, as actor, Sanjay Dutt. Kapoor encompasses the essence of Dutt jr. to perfection. He feels Sanju, in every way possible, not just thanks to the prosthetics and make-up (although they do help), but the way Dutt moves, talks, his mannerisms; Kapoor manages to capture the Dutt persona, with excellence. Amazingly, Ranbir Kapoor is not a fan of method acting; denouncing great method acting skills of the likes of classic method actors, Marlon Brando, James Dean & Amitabh Bachchan to Aamir Khan & Leonardo DiCaprio (from more recent times); but Kapoor feels like he’s turned himself into one, to become Dutt, inside out.

Am generally not a great fan of Ranbir Kapoor (with his stale jokes, unfunny idiosyncrasies and a boring on-screen personality), but when he wants, he has proven himself capable of doing good roles; with movies like Barfi! (2012) – another excellent movie (a movie that almost made me a fan of Ranbir Kapoor), Bombay Velvet (2015) – an average fare (veering towards bad than good), yet Kapoor is quite good in his role, and now with Sanju (2018) – Ranbir Kapoor’s best role to date. If he follows this with similar good film choices with a good script, he’ll be going places.

Ranbir Kapoor belongs to Bollywood’s film royalty, the “Kapoor” clan. He is the fourth generation of Kapoor’s to grace the screen, along with his successful cousins, Karishma (also credited as, Karisma) & Kareena Kapoor (stars of the 90’s & noughties, respectively). Ranbir Kapoor is the great-grandson of the renowned theater & film personality, Prithviraj Kapoor, grandson of the legendary, Raj Kapoor, and son of chocolate boy hero of the 70’s & 80’s, actor, Rishi Kapoor. Ranbir Kapoor’s mother too, is a well known Bollywood actress, 70’s superstar, Neetu Singh. AND if young Kapoor comes in more movies, like Barfi! and Sanju, he’ll definitely make the family name proud. The sad thing about young Kapoor, is not that he comes in bad films, but sometimes he takes on some really really cheap roles. Box office failures are fine, critically bad movies, are fine too; but so long as he stops doing really cheap ones, even if he doesn’t have good movies to his name, at least he won’t be looked down as a lowly cheap comedian. Look at Barfi! it was mostly a comedy (an ode to great comedians like Charlie Chaplin and Donald O’Connor), but there was nothing cheap about it. So if he loves comedy, he ought to do more of it, without being cheap and tasteless. He is such a good actor, when he wants to be. AND he’s proved himself, with his portrayal of; a member of another family belonging to another Bollywood royalty, the second generation of the Dutt’s, to grace the silver screen; Sanjay Dutt (a.k.a. Sanju).

The Women in ‘Sanju’s’ Life (the reel & the real)

Manisha Koirala as Nargis Dutt

When it comes to women in Dutt jr.’s life, who best to start with, but his graceful mother; Mother India herself, Bollywood superstar of the 50’s, Nargis. Nargis, was a talented actress and a beautiful star, of classics like Andaz (1949), Awaara (1951), Deedar (1951), Shree 420 (1955) and (her most notable) Mother India (1957), to name some. It’s during the shooting of Mother India, when during an accidental fire on the set, actor Sunil Dutt (who was playing her wayward son, in the movie) ran in and rescued her. Both sustained injuries, and film was halted. Dutt was hospitalized, and Nargis nursed him to back health, and they soon fell in love. Eventually they got married, resulting in Sanjay Dutt’s existence, his controversial life, which in turn inspired a magnificent movie. If the sets of Mother India, never caught fire, during a shoot of a fire scene (both were professional actors, and neither used stunt doubles), Sunil Dutt and Nargis might never have happened (a Hindu-Muslim love story of the late 50’s), and Sanjay Dutt would never have been born. Sadly, Nargis Dutt, succumbed to cancer, and died at the young age of 51, in 1981 (less than a month away, from her 52nd Birthday).

Manish Koirala, a brilliant actress of the 90’s & early noughties (who has actually worked with actor Sanjay Dutt, as well), does an incredible role, as a middle-aged Nargis Dutt. Back in 1994, when 1942: A Love Story (1994) starring Koirala alongside Anil Kapoor, was released; there was this famous umbrella scene which was reminiscent of a scene from the song Pyar Hua, Ikrar Hua… from Shree 420, beautifully showcasing an on-screen romance between, Raj Kapoor (Ranbir Kapoor’s grandfather) and Nargis (off-screen too, Raj Kapoor and Nargis were known to be lovers, and were in a long term relationship, back in the late 40’s & early/mid-50’s, but as he was a married Hindu man, not willing to leave his wife for this beautiful Muslim actress, he was madly in love with, Nargis finally broke it off. This was before Mother India happened, and fate took a different route). The fact is, back in 1994, everyone spoke of how the Nepali born, Manisha Koirala, felt a lot like Nargis; especially thanks to that red umbrella scene, at the start of the song, Rim Jhim Rim Jhim from 1942: A Love Story. And almost 2½ decades later, we see Koirala play, an older version, of the renowned actress of 50’s Bollywood.

Manisha Koirala does not feel like Nargis in Sanju. But she essays the role with grace and elegance, and one can imagine, a middle aged Nargis being just as beautiful, kind and elegant. The few scenes with the Mother and son (a mother, who tries to hide her ailing health from the son; and a drugged out son, who witnesses his mother’s death, but is unaware of whether what happened moments before she died, was real or was he hallucinating – something Dutt jr. would regret for the rest of his life) are truly heart rending.

Manisha Koirala, herself, is a cancer survivor. She mentioned how difficult it was to relive the trauma, while playing another person, and that too such a well reputed actress, suffering through cancer.

Sonam Kapoor as Ruby

Adorable Sonam Kapoor, does a touching portrayal of Sanjay Dutt’s girlfriend of the early 80’s. In the movie, the character is fictionalized, and named Ruby. Yet, it’s obviously based on actress, Tina Munim (now Tina Ambani), who was his beautiful girlfriend, at the time. We see Ruby and her parents ridiculed and suffer, at the hands of Dutt jr., again and again. Young Dutt, is so heartless, even when Ruby’s father (a comical cameo by Boman Irani) dies, he has no feelings for Ruby’s family, but his own selfish desire to own her.

Even, when his friend convinces Ruby (as she is about to marry an NRI, as per her parents wish) that Dutt truly loves her, and she leaves her fiancé to marry Dutt jr., Sanju is way too drugged and enjoying an acid trip at home. He has sold the ‘mangalsutra’ (a necklace that an Indian groom ties on the bride’s neck, during an authentic Indian wedding ceremony) he made for her, with a Penguin (Ruby’s favourite bird), for drugs. She had been waiting for ages at the registrar’s office to get married to him (in a civil marriage). The scene where she confronts the drugged out Sanju, inquiring where her ‘mangalsutra’ is, and the drugged-out Dutt insultingly puts the toilet seat on her neck, breaks your heart. How much more can she take? She of course, comes to her senses and breaks up, but feels no animosity towards him. Did young Tina Munim really go through so much, because she loved him?? It’s hard to say, how much is fictional, how much real; but young love can be blind, blind to their partner’s faults. Kudos to her for braving up, and finally leaving him. Which Munim actually did, and she later married Anil Ambani, son of Indian business tycoon, Dhirubhai Ambani; whose life inspired the excellent epic movie, Guru (2007) starring Abhishek Bachchan and Aishwarya Rai.

The song Mein Badhiya, Tu bhi Badhiya…, from Sanju, which was originally picturized with Sonam Kapoor (and I had seen, and loved the retro 60’s/early70’s style song on Youtube), had been edited. The first bit of the song is there, but the entrance of Sonam Kapoor, driving into the studio, and consequent dance sequence, are not in the movie. The rest of the songs aren’t that entertaining. Except for “Kar Har Maidaan Fateh“, which has a deep meaning dealing with with Dutt’s victory over his drug abuse, Dutt’s surreal LSD fueled trip with “Ruby, Ruby” and the fun filled, Mein Badhiya, Tu bhi Badhiya…, the rest songs from the soundtrack are not that great or memorable, and quite unnecessary. The few classic tunes hummed by various cast members are interesting, and nostalgic.

Sonam Kapoor, happens to be one of my favourite actresses of today. Initially, I loved her as a fashionista (see my post Bollywood’s young Fashionista turns 29 today from June 2014), and since watching her brilliant role in Neerja (2016), a movie I got to see on the big screen, she’s gained more of my respect as a film artiste (also see my post TEN (Plus+2) Movies released Last Year from January 2017). Sonam Kapoor is the daughter of Anil Kapoor, star of films like Mr. India (1987), 1942: A love Story (which I spoke of earlier), and of course the Oscar winning British Film, Slumdog Millionaire (2008) – which propelled daddy Kapoor towards Hollywood fame and international appreciation.

Dia Mirza as Manyata Dutt

Dia Mirza does a decent enough role as, Manyata Dutt, Sanjay Dutt’s second official/third unofficial (explanation further down) and current wife. Dia Mirza was an Indian Beauty Queen, who went onto win the title of Miss Asia Pacific 2000. She later appeared in quite a number of Indian films, but wasn’t that great a success, besides being quite a capable actress. Even here, she doesn’t have much of a role, but she still manages to make it her own, and be noticed, as the ever supporting wife. Sanjay Dutt has two little children (twins) from his current wife (i.e. from Manyata), and an older daughter from his first marriage. Dutt was married to actress, Richa Sharma, in the late 80’s. They married in 1987, and within two years she was diagnosed with a brain tumor. Dutt and Sharma separated, apparently sometime after the diagnosis. She died in 1996, in her parents home, in the United States of America. After a major court battle, the custody of their child was handed over to the maternal grandparents (i.e. Richa Sharma’s parents). Dutt’s eldest daughter still lives with her maternal grandparents, in New York, USA. Soon Dutt was involved with model, Rhea Pillai, with whom he had a long-term relationship, who stood by his side, during his first jail stint. In fact, Rhea Pillai was his second wife, through a temple marriage (which makes her his second wife, in an unofficial/unregistered sense). But they went their separate ways/divorced in 2008. He married his third wife (officially/registered second marriage), Manyata Dutt, in 2008, itself. She has been standing by her man through thick and thin, since.

Both, his first wife, and his unofficial second wife, are missing in this bio-pic, Sanju. The movie does mention, he is a notorious womanizer, and has slept with 300 odd women, including prostitutes; but portrays him in a monogamous relationship, since his marriage to Mayanta Dutt (which might be true). Yet the film fails to even mention his first two marriages, let alone that he has an older daughter, from his first marriage. Not to mention how many illegitimate kids, he might have spawned.

Manyata Dutt, celebrated her 40th Birthday, on 22nd July 2018.

Anushka Sharma as Winnie Diaz

Anushka Sharma plays Winnie Diaz, a fictional writer, who is roped into write Sanjay Dutt’s biography. Such a person, apparently never existed. It’s through her eyes, we mostly see Dutt’s life unfold, as she does her research. Though fictional, she is an interesting addition to the movie, where she records different aspects of Dutt’s life through different interpretations, by an interesting array of people. But, it’s mostly Sanju’s character that narrates the story (flashbacks into the 80’s & 90’s), and the rest is shown in real time.

Karishma Tanna playing a slut

Karishma Tanna, plays the love interest of Kamlesh Kanhaiyalal Kapasi (Vicky Kaushal), a village idiot and Sanju’s best friend, who is still a virgin. Through jet lag, Kamlesh Kanhaiyalal Kapasi falls asleep, and Sanju (being the notorious playboy who self-admittingly has slept with over 300 women) screws Pinky, with no hang-ups whatsoever. What a jerk?? He might be a playboy, BUT at least, in this context, he ought to have though of his friend, who has been there for him throughout. Sure, the woman is a slut, herself, and has no calms of sleeping with her boyfriend’s best friend, who also happens to be an actor; but Dutt could have walked out, for the sake of his friend. What’s worse is, Dutt jr. has no conscience, he does not feel bad for his friend, for hurting his best friend. Dutt feels devoid of any feelings, in this instance.

It’s hard to say how real the character of Pinky is, but Karishma Tanna most probably portrays, any random slut, responsible for Dutt’s arousal. Yeah, the bugger is so innocent, right???

The trio of actresses playing Sanjay Dutt’s two sisters

Three virtually unknown actresses, play Dutt’s sister’s (the two daughter’s of Sunil and Nargis Dutt). In real life, Namrata and Priya Dutt played a major role in their brother, Sanjay Dutt’s life. Especially Priya Dutt, who was there supporting him, throughout his prison years, along with their father, Sunil Dutt. But the two sisters are hardly noticeable, and have practically no dialogues. Blink, and you’ll miss them.

Back in November 2010, during a visit to New Delhi, India, I came across this non-fiction book, Mr and Mrs Dutt: Memories of our Parents, written by Namrata Dutt Kumar and Priya Dutt. A wonderfully written book, about their family life, struggles and what not. A really interesting biographical read with a spread of a stunning collection of Black&White photographs (colour photographs have been printed in Black&White, for a monotonal viewing pleasure). The fact it was written by Sunil and Nargis Dutt’s daughters made me more interested in reading it, and it was truly worth it. A keepsake. Sadly, more prominence hasn’t been given to these two girls, in the movie, especially Priya Dutt.

‘Sanju’s’ Two Male Anchors

Paresh Rawal as Sunil Dutt

Paresh Rawal, plays the ever worried father, Sunil Dutt. Worried about his wife’s deteriorating health, worried about his son’s drug addiction and later jail terms. Rawal, feels nothing like Sunil Dutt, but he does a good enough role of a worried father. Any father, worried about his son’s life. He doesn’t play Sunil Dutt, but he plays a concerned father, beautifully.

As much as the movie is about Sanjay Dutt, it is also about Sunil Dutt. The great bond between a father and son, and the father’s never ending trials and tribulations for the sake of his wayward son. Sunil Dutt comes across as a saint, and in a sense he was. Both Sunil and Nargis Dutt were known for their humanity. And humanity is the religion they preached to  their kids, even though Dutt jr. didn’t adhere to their preaching.

Though we see the father going out of his way to save his son, in various instances, one crucial fact is missing. To get bail for his son, through an opposing political party ruling the state of Maharashtra, at the time, Sunil Dutt, a Congress party politician, did not contest in Mumbai’s next election. That’s just one of the things he had to forgo, for the sake of his son.

The scene where Sunil Dutt, a Hindu, mentions he was threatened by an underworld Muslim don, when he wanted to marry Nargis, a Muslim; is bogus. As Nargis was in a long-term relationship with Raj Kapoor, a Hindu, and that too a married man, long before she met Sunil Dutt. Plus, the Bombay (now Mumbai) underworld was not that powerful in the 50’s, when Sunil Dutt and Nargis got married. In fact, Haji Mastan (whom Dutt refers to in the movie), gained power only in the 60’s & 70’s. Haji Mastan’s life was inspiration behind, the Bollywood movies, Deewaar (1975) and Once Upon a Time in Mumbaai (2010).

Vicky Kaushal as Kamlesh Kanhaiyalal Kapasi

It’s hard to say, who Kamlesh Kanhaiyalal Kapasi is based on, but he is way too good a friend for Sanju. Various sorces attribute the character to be either Dutt jr.’s close friend Paresh Ghelani, or actor Kumar Gaurav. I don’t know much about this Paresh Ghelani, other than the fact that he is a close friend of Sanjay Dutt’s. So it’s hard to say, whether the fictional character played by Vicky Kaushal is based on him or not. But Kaushal’s character is definitely not based on Kumar Gaurav. True, Kumar Gaurav too is a close friend of Sanjay Dutt’s. Yet, Kamlesh Kanhaiyalal Kapasi comes across as an unsophisticated village fool, with a good heart, and genuine personality. Kumar Gaurav too might be known to have a good heart and down to earth personality, yet he was a highly sophisticated young man, and 80’s film star, and is truly a sophisticated mature gentleman, today. Gaurav, son of Rajendra Kumar (Rajendra Kumar played the other son of Nargis, and brother to Sunil Dutt, in Mother India) married Namrata Dutt in 1981 (and since then she goes as Namrata Dutt Kumar). Gaurav and Sanjay Dutt had a falling out, when Gaurav married Dutt jr.’s sister, but they regained their friendship, and Gaurav too stood by his brother-in-law, throughout his prison term. So like Sanjay Dutt’s sister’s, Gaurav doesn’t have a part in the movie, in fact he is missing altogether, more like Sanjay Dutt’s first two wives.

Though we see Dutt jr. being a good, though somewhat troublesome, friend; in real life Sanjay Dutt is known to have put several friends in trouble, to the extent of them getting arrested along with him.

The Verdict

There are lot of discrepancies in the movie, on the facts from Sanjay Dutt’s life, which has led to criticism of whitewashing Dutt’s image (after all the film was directed by Rajkumar Hirani, a close friend of Sanjay Dutt). Which could be true, as despite all his flaws, he comes out a troubled human with a good heart, whom we sympathize with. But if you had never heard of Sanjay Dutt, didn’t know anything about his life, and watch this movie; immaterial of the source material being fact or fiction; you’d love this. And that’s how a film ought to be judged. A movie should be able to stand on it’s own merit, it doesn’t matter that it’s based on a book, a play, a real-life incident, et al. No harm in doing a comparison, with your knowledge of it’s source material, but what truly matters is, how well it works as a movie. So, although mostly fictionalized, with removal of key characters and moments applicable to Dutt’s life, is a pity; overall it’s an amazingly well made movie. And I loved it.

Sanju (2018)
My Rating: Excellent – 10/10 !!!!!

I watched Sanju, on Thursday, 19th of July, 2018, at the Liberty Cinema.

Nuwan Sen’s Film Sense