Tag Archive: 1994


Immaterial of how accurate the facts from Sanjay Dutt’s life depicted in Sanju (2018) are, as a movie, this cinematic adaptation works flawlessly. Especially thanks to Ranbir Kapoor’s brilliant performance, as actor, Sanjay Dutt. Kapoor encompasses the essence of Dutt jr. to perfection. He feels Sanju, in every way possible, not just thanks to the prosthetics and make-up (although they do help), but the way Dutt moves, talks, his mannerisms; Kapoor manages to capture the Dutt persona, with excellence. Amazingly, Ranbir Kapoor is not a fan of method acting; denouncing great method acting skills of the likes of classic method actors, Marlon Brando, James Dean & Amitabh Bachchan to Aamir Khan & Leonardo DiCaprio (from more recent times); but Kapoor feels like he’s turned himself into one, to become Dutt, inside out.

Am generally not a great fan of Ranbir Kapoor (with his stale jokes, unfunny idiosyncrasies and a boring on-screen personality), but when he wants, he has proven himself capable of doing good roles; with movies like Barfi! (2012) – another excellent movie (a movie that almost made me a fan of Ranbir Kapoor), Bombay Velvet (2015) – an average fare (veering towards bad than good), yet Kapoor is quite good in his role, and now with Sanju (2018) – Ranbir Kapoor’s best role to date. If he follows this with similar good film choices with a good script, he’ll be going places.

Ranbir Kapoor belongs to Bollywood’s film royalty, the “Kapoor” clan. He is the fourth generation of Kapoor’s to grace the screen, along with his successful cousins, Karishma (also credited as, Karisma) & Kareena Kapoor (stars of the 90’s & noughties, respectively). Ranbir Kapoor is the great-grandson of the renowned theater & film personality, Prithviraj Kapoor, grandson of the legendary, Raj Kapoor, and son of chocolate boy hero of the 70’s & 80’s, actor, Rishi Kapoor. Ranbir Kapoor’s mother too, is a well known Bollywood actress, 70’s superstar, Neetu Singh. AND if young Kapoor comes in more movies, like Barfi! and Sanju, he’ll definitely make the family name proud. The sad thing about young Kapoor, is not that he comes in bad films, but sometimes he takes on some really really cheap roles. Box office failures are fine, critically bad movies, are fine too; but so long as he stops doing really cheap ones, even if he doesn’t have good movies to his name, at least he won’t be looked down as a lowly cheap comedian. Look at Barfi! it was mostly a comedy (an ode to great comedians like Charlie Chaplin and Donald O’Connor), but there was nothing cheap about it. So if he loves comedy, he ought to do more of it, without being cheap and tasteless. He is such a good actor, when he wants to be. AND he’s proved himself, with his portrayal of; a member of another family belonging to another Bollywood royalty, the second generation of the Dutt’s, to grace the silver screen; Sanjay Dutt (a.k.a. Sanju).

The Women in ‘Sanju’s’ Life (the reel & the real)

Manisha Koirala as Nargis Dutt

When it comes to women in Dutt jr.’s life, who best to start with, but his graceful mother; Mother India herself, Bollywood superstar of the 50’s, Nargis. Nargis, was a talented actress and a beautiful star, of classics like Andaz (1949), Awaara (1951), Deedar (1951), Shree 420 (1955) and (her most notable) Mother India (1957), to name some. It’s during the shooting of Mother India, when during an accidental fire on the set, actor Sunil Dutt (who was playing her wayward son, in the movie) ran in and rescued her. Both sustained injuries, and film was halted. Dutt was hospitalized, and Nargis nursed him to back health, and they soon fell in love. Eventually they got married, resulting in Sanjay Dutt’s existence, his controversial life, which in turn inspired a magnificent movie. If the sets of Mother India, never caught fire, during a shoot of a fire scene (both were professional actors, and neither used stunt doubles), Sunil Dutt and Nargis might never have happened (a Hindu-Muslim love story of the late 50’s), and Sanjay Dutt would never have been born. Sadly, Nargis Dutt, succumbed to cancer, and died at the young age of 51, in 1981 (less than a month away, from her 52nd Birthday).

Manish Koirala, a brilliant actress of the 90’s & early noughties (who has actually worked with actor Sanjay Dutt, as well), does an incredible role, as a middle-aged Nargis Dutt. Back in 1994, when 1942: A Love Story (1994) starring Koirala alongside Anil Kapoor, was released; there was this famous umbrella scene which was reminiscent of a scene from the song Pyar Hua, Ikrar Hua… from Shree 420, beautifully showcasing an on-screen romance between, Raj Kapoor (Ranbir Kapoor’s grandfather) and Nargis (off-screen too, Raj Kapoor and Nargis were known to be lovers, and were in a long term relationship, back in the late 40’s & early/mid-50’s, but as he was a married Hindu man, not willing to leave his wife for this beautiful Muslim actress, he was madly in love with, Nargis finally broke it off. This was before Mother India happened, and fate took a different route). The fact is, back in 1994, everyone spoke of how the Nepali born, Manisha Koirala, felt a lot like Nargis; especially thanks to that red umbrella scene, at the start of the song, Rim Jhim Rim Jhim from 1942: A Love Story. And almost 2½ decades later, we see Koirala play, an older version, of the renowned actress of 50’s Bollywood.

Manisha Koirala does not feel like Nargis in Sanju. But she essays the role with grace and elegance, and one can imagine, a middle aged Nargis being just as beautiful, kind and elegant. The few scenes with the Mother and son (a mother, who tries to hide her ailing health from the son; and a drugged out son, who witnesses his mother’s death, but is unaware of whether what happened moments before she died, was real or was he hallucinating – something Dutt jr. would regret for the rest of his life) are truly heart rending.

Manisha Koirala, herself, is a cancer survivor. She mentioned how difficult it was to relive the trauma, while playing another person, and that too such a well reputed actress, suffering through cancer.

Sonam Kapoor as Ruby

Adorable Sonam Kapoor, does a touching portrayal of Sanjay Dutt’s girlfriend of the early 80’s. In the movie, the character is fictionalized, and named Ruby. Yet, it’s obviously based on actress, Tina Munim (now Tina Ambani), who was his beautiful girlfriend, at the time. We see Ruby and her parents ridiculed and suffer, at the hands of Dutt jr., again and again. Young Dutt, is so heartless, even when Ruby’s father (a comical cameo by Boman Irani) dies, he has no feelings for Ruby’s family, but his own selfish desire to own her.

Even, when his friend convinces Ruby (as she is about to marry an NRI, as per her parents wish) that Dutt truly loves her, and she leaves her fiancé to marry Dutt jr., Sanju is way too drugged and enjoying an acid trip at home. He has sold the ‘mangalsutra’ (a necklace that an Indian groom ties on the bride’s neck, during an authentic Indian wedding ceremony) he made for her, with a Penguin (Ruby’s favourite bird), for drugs. She had been waiting for ages at the registrar’s office to get married to him (in a civil marriage). The scene where she confronts the drugged out Sanju, inquiring where her ‘mangalsutra’ is, and the drugged-out Dutt insultingly puts the toilet seat on her neck, breaks your heart. How much more can she take? She of course, comes to her senses and breaks up, but feels no animosity towards him. Did young Tina Munim really go through so much, because she loved him?? It’s hard to say, how much is fictional, how much real; but young love can be blind, blind to their partner’s faults. Kudos to her for braving up, and finally leaving him. Which Munim actually did, and she later married Anil Ambani, son of Indian business tycoon, Dhirubhai Ambani; whose life inspired the excellent epic movie, Guru (2007) starring Abhishek Bachchan and Aishwarya Rai.

The song Mein Badhiya, Tu bhi Badhiya…, from Sanju, which was originally picturized with Sonam Kapoor (and I had seen, and loved the retro 60’s/early70’s style song on Youtube), had been edited. The first bit of the song is there, but the entrance of Sonam Kapoor, driving into the studio, and consequent dance sequence, are not in the movie. The rest of the songs aren’t that entertaining. Except for “Kar Har Maidaan Fateh“, which has a deep meaning dealing with with Dutt’s victory over his drug abuse, Dutt’s surreal LSD fueled trip with “Ruby, Ruby” and the fun filled, Mein Badhiya, Tu bhi Badhiya…, the rest songs from the soundtrack are not that great or memorable, and quite unnecessary. The few classic tunes hummed by various cast members are interesting, and nostalgic.

Sonam Kapoor, happens to be one of my favourite actresses of today. Initially, I loved her as a fashionista (see my post Bollywood’s young Fashionista turns 29 today from June 2014), and since watching her brilliant role in Neerja (2016), a movie I got to see on the big screen, she’s gained more of my respect as a film artiste (also see my post TEN (Plus+2) Movies released Last Year from January 2017). Sonam Kapoor is the daughter of Anil Kapoor, star of films like Mr. India (1987), 1942: A love Story (which I spoke of earlier), and of course the Oscar winning British Film, Slumdog Millionaire (2008) – which propelled daddy Kapoor towards Hollywood fame and international appreciation.

Dia Mirza as Manyata Dutt

Dia Mirza does a decent enough role as, Manyata Dutt, Sanjay Dutt’s second official/third unofficial (explanation further down) and current wife. Dia Mirza was an Indian Beauty Queen, who went onto win the title of Miss Asia Pacific 2000. She later appeared in quite a number of Indian films, but wasn’t that great a success, besides being quite a capable actress. Even here, she doesn’t have much of a role, but she still manages to make it her own, and be noticed, as the ever supporting wife. Sanjay Dutt has two little children (twins) from his current wife (i.e. from Manyata), and an older daughter from his first marriage. Dutt was married to actress, Richa Sharma, in the late 80’s. They married in 1987, and within two years she was diagnosed with a brain tumor. Dutt and Sharma separated, apparently sometime after the diagnosis. She died in 1996, in her parents home, in the United States of America. After a major court battle, the custody of their child was handed over to the maternal grandparents (i.e. Richa Sharma’s parents). Dutt’s eldest daughter still lives with her maternal grandparents, in New York, USA. Soon Dutt was involved with model, Rhea Pillai, with whom he had a long-term relationship, who stood by his side, during his first jail stint. In fact, Rhea Pillai was his second wife, through a temple marriage (which makes her his second wife, in an unofficial/unregistered sense). But they went their separate ways/divorced in 2008. He married his third wife (officially/registered second marriage), Manyata Dutt, in 2008, itself. She has been standing by her man through thick and thin, since.

Both, his first wife, and his unofficial second wife, are missing in this bio-pic, Sanju. The movie does mention, he is a notorious womanizer, and has slept with 300 odd women, including prostitutes; but portrays him in a monogamous relationship, since his marriage to Mayanta Dutt (which might be true). Yet the film fails to even mention his first two marriages, let alone that he has an older daughter, from his first marriage. Not to mention how many illegitimate kids, he might have spawned.

Manyata Dutt, celebrated her 40th Birthday, on 22nd July 2018.

Anushka Sharma as Winnie Diaz

Anushka Sharma plays Winnie Diaz, a fictional writer, who is roped into write Sanjay Dutt’s biography. Such a person, apparently never existed. It’s through her eyes, we mostly see Dutt’s life unfold, as she does her research. Though fictional, she is an interesting addition to the movie, where she records different aspects of Dutt’s life through different interpretations, by an interesting array of people. But, it’s mostly Sanju’s character that narrates the story (flashbacks into the 80’s & 90’s), and the rest is shown in real time.

Karishma Tanna playing a slut

Karishma Tanna, plays the love interest of Kamlesh Kanhaiyalal Kapasi (Vicky Kaushal), a village idiot and Sanju’s best friend, who is still a virgin. Through jet lag, Kamlesh Kanhaiyalal Kapasi falls asleep, and Sanju (being the notorious playboy who self-admittingly has slept with over 300 women) screws Pinky, with no hang-ups whatsoever. What a jerk?? He might be a playboy, BUT at least, in this context, he ought to have though of his friend, who has been there for him throughout. Sure, the woman is a slut, herself, and has no calms of sleeping with her boyfriend’s best friend, who also happens to be an actor; but Dutt could have walked out, for the sake of his friend. What’s worse is, Dutt jr. has no conscience, he does not feel bad for his friend, for hurting his best friend. Dutt feels devoid of any feelings, in this instance.

It’s hard to say how real the character of Pinky is, but Karishma Tanna most probably portrays, any random slut, responsible for Dutt’s arousal. Yeah, the bugger is so innocent, right???

The trio of actresses playing Sanjay Dutt’s two sisters

Three virtually unknown actresses, play Dutt’s sister’s (the two daughter’s of Sunil and Nargis Dutt). In real life, Namrata and Priya Dutt played a major role in their brother, Sanjay Dutt’s life. Especially Priya Dutt, who was there supporting him, throughout his prison years, along with their father, Sunil Dutt. But the two sisters are hardly noticeable, and have practically no dialogues. Blink, and you’ll miss them.

Back in November 2010, during a visit to New Delhi, India, I came across this non-fiction book, Mr and Mrs Dutt: Memories of our Parents, written by Namrata Dutt Kumar and Priya Dutt. A wonderfully written book, about their family life, struggles and what not. A really interesting biographical read with a spread of a stunning collection of Black&White photographs (colour photographs have been printed in Black&White, for a monotonal viewing pleasure). The fact it was written by Sunil and Nargis Dutt’s daughters made me more interested in reading it, and it was truly worth it. A keepsake. Sadly, more prominence hasn’t been given to these two girls, in the movie, especially Priya Dutt.

‘Sanju’s’ Two Male Anchors

Paresh Rawal as Sunil Dutt

Paresh Rawal, plays the ever worried father, Sunil Dutt. Worried about his wife’s deteriorating health, worried about his son’s drug addiction and later jail terms. Rawal, feels nothing like Sunil Dutt, but he does a good enough role of a worried father. Any father, worried about his son’s life. He doesn’t play Sunil Dutt, but he plays a concerned father, beautifully.

As much as the movie is about Sanjay Dutt, it is also about Sunil Dutt. The great bond between a father and son, and the father’s never ending trials and tribulations for the sake of his wayward son. Sunil Dutt comes across as a saint, and in a sense he was. Both Sunil and Nargis Dutt were known for their humanity. And humanity is the religion they preached to  their kids, even though Dutt jr. didn’t adhere to their preaching.

Though we see the father going out of his way to save his son, in various instances, one crucial fact is missing. To get bail for his son, through an opposing political party ruling the state of Maharashtra, at the time, Sunil Dutt, a Congress party politician, did not contest in Mumbai’s next election. That’s just one of the things he had to forgo, for the sake of his son.

The scene where Sunil Dutt, a Hindu, mentions he was threatened by an underworld Muslim don, when he wanted to marry Nargis, a Muslim; is bogus. As Nargis was in a long-term relationship with Raj Kapoor, a Hindu, and that too a married man, long before she met Sunil Dutt. Plus, the Bombay (now Mumbai) underworld was not that powerful in the 50’s, when Sunil Dutt and Nargis got married. In fact, Haji Mastan (whom Dutt refers to in the movie), gained power only in the 60’s & 70’s. Haji Mastan’s life was inspiration behind, the Bollywood movies, Deewaar (1975) and Once Upon a Time in Mumbaai (2010).

Vicky Kaushal as Kamlesh Kanhaiyalal Kapasi

It’s hard to say, who Kamlesh Kanhaiyalal Kapasi is based on, but he is way too good a friend for Sanju. Various sorces attribute the character to be either Dutt jr.’s close friend Paresh Ghelani, or actor Kumar Gaurav. I don’t know much about this Paresh Ghelani, other than the fact that he is a close friend of Sanjay Dutt’s. So it’s hard to say, whether the fictional character played by Vicky Kaushal is based on him or not. But Kaushal’s character is definitely not based on Kumar Gaurav. True, Kumar Gaurav too is a close friend of Sanjay Dutt’s. Yet, Kamlesh Kanhaiyalal Kapasi comes across as an unsophisticated village fool, with a good heart, and genuine personality. Kumar Gaurav too might be known to have a good heart and down to earth personality, yet he was a highly sophisticated young man, and 80’s film star, and is truly a sophisticated mature gentleman, today. Gaurav, son of Rajendra Kumar (Rajendra Kumar played the other son of Nargis, and brother to Sunil Dutt, in Mother India) married Namrata Dutt in 1981 (and since then she goes as Namrata Dutt Kumar). Gaurav and Sanjay Dutt had a falling out, when Gaurav married Dutt jr.’s sister, but they regained their friendship, and Gaurav too stood by his brother-in-law, throughout his prison term. So like Sanjay Dutt’s sister’s, Gaurav doesn’t have a part in the movie, in fact he is missing altogether, more like Sanjay Dutt’s first two wives.

Though we see Dutt jr. being a good, though somewhat troublesome, friend; in real life Sanjay Dutt is known to have put several friends in trouble, to the extent of them getting arrested along with him.

The Verdict

There are lot of discrepancies in the movie, on the facts from Sanjay Dutt’s life, which has led to criticism of whitewashing Dutt’s image (after all the film was directed by Rajkumar Hirani, a close friend of Sanjay Dutt). Which could be true, as despite all his flaws, he comes out a troubled human with a good heart, whom we sympathize with. But if you had never heard of Sanjay Dutt, didn’t know anything about his life, and watch this movie; immaterial of the source material being fact or fiction; you’d love this. And that’s how a film ought to be judged. A movie should be able to stand on it’s own merit, it doesn’t matter that it’s based on a book, a play, a real-life incident, et al. No harm in doing a comparison, with your knowledge of it’s source material, but what truly matters is, how well it works as a movie. So, although mostly fictionalized, with removal of key characters and moments applicable to Dutt’s life, is a pity; overall it’s an amazingly well made movie. And I loved it.

Sanju (2018)
My Rating: Excellent – 10/10 !!!!!

I watched Sanju, on Thursday, 19th of July, 2018, at the Liberty Cinema.

Nuwan Sen’s Film Sense

Advertisements

The Feature-Length Movies released in 2017, that I have seen so far. From the Best to the Worst!!!!!

TOP Films of 2017 (10 Star Rating Each)

  • Call me by your Name (2017)
  • Loving Vincent (2017)
  • Dunkirk (2017)
  • T2 Trainspotting (2017)
  • Die Göttliche Ordnung (2017) – English Title: The Divine Order
  • The Hungry (2017)
  • Battle of the Sexes (2017)
  • Darkest Hour (2017)

The Rest of the films of 2017, from the Close to Excellence to Average to bad to the most Pathetic!

  • Veeram (2017) – Alternate Title: Veeram Macbeth! My Rating: 9/10
  • Downsizing (2017) My Rating: 7/10
  • All Nighter (2017) My Rating: 7/10
  • Space Between Us (2017) My Rating: 5/10
  • Vishka (2017) My Rating: 4/10
  • Life (2017) My Rating: 3/10
  • Begum Jaan (2017) My Rating: 1/10
  • Judwaa 2 (2017) My Rating: 1/10
  • Fifty Shades Darker (2017) My Rating: 1/10
  • The Institute (2017) My Rating: 1/10

I’ve only mentioned of films meant for Cinematic release (even though I watched most of them on the small screen, or smaller yet on my Laptop); and that too, if they were first released last year, only (doesn’t matter which country they made their debut in; and doesn’t matter if I saw them last year itself, or more recently, within the last two months of 2018). Plus, I have only listed Feature films, no Short films, like In a Heartbeat (2017), No-One (2017) and The Colour of his Hair (2017); to name a few. Neither have I added any Television Anthology series (where a one season is considered a “Limited Series”; thus like a loooong movie) like, ‘Season1’ of Feud (2017 onwards) or ‘Season3’ of Fargo (2014 onwards) for instance (which were both excellent shows, by the way), or any other TV series released in 2017, like 13 Reasons Why (2017 onwards), for example! Nor have I mentioned any mini-series/TV movies of documentaries, from last year. So far, from this year’s releases, I’ve only watched Padmaavat (2018), and that was a way way way over top, disappointment.

So, like most of you, my fellow film fanatics; am really looking forward to watching the 90th Annual Academy Awards, LIVE; on 5th March 2018, early morning (on this side of the Globe)!!!!!

May the Best Picture win!!!!!

Nuwan Sen Film Sense
#90thAcademyAwards
#Oscars2018

#‎NuwanSensFilmSense

Happy Chinese New Year 2018!!! The Year of the DOG 🙂    

Dog (狗) Earthly Symbol of the Dog (戌)

Today is the Chinese New Year, and the Year of the Dog starts; and it shall end on 4th of February 2019!!!!!

Click on the Image

According to legend, the Chinese New Year started with villagers wearing the colour RED, and decorating their homes with red scrolls with red lanterns being hung around the village, and lighting crackers, to keep off a mythical beast called Nian. Apparently Nian use to appear on the night of the first New Moon of the year, destruct villages and devour children. But it was afraid of the colour RED. Thus, RED is significant with warding off evil. Today, it is the biggest Asian festival celebrated around the globe!!!!

Chinese Actresses, Gong Li (L) and Ziyi Zhang (R), with their Dogs

British/Nigerian Actor, David Oyelowo, with his three rescue Dogs

French Actor, Alain Delon, playing with his dogs (in various decades from the 1950’s to the 1980’s)

Gingerella (R) & Nudin (L) @ Play (January 30th, YEAR 2018)

The Obama’s with Bo & Sunny
Former American President, Barack Obama, includes his beloved pets, in their official Family Photograph; at the White House, in the Spring of Year 2015

Amazingly YEAR 1994, was the Year of the Dog, too!!! I had no idea back then. Year happens to be the best year of my teen life (from my teenage years). ’twas a crucial turning point in my life, when we went back to live in New Delhi, India, after six years. The next really crucial turning point in my life came 13 years later; whilst residing Down Under.

Born in June 1975, I’m a Rabbit. An interesting coincidence is, that according the Chinese zodiac, the most compatible sign with a person born in the Year of the Dog, happens to be, people born in the Year of the Rabbit. So an amazingly Perfect coincidence, would be if I get someone born in 1994 (so basically someone 18½/19 years younger than me 😀 ). Another interesting coincidence is the fact that, at the moment, I’m attracted to a 23 year old, I met late last year (thus, most probably was born in 1994; unless this person’s birthday was within these two months). We happen to accidentally meet day before yesterday, and I saw a picture of this pretty creature’s latest boyfriend, who’s in Germany, at the moment. Yeah! I ought to be used to unrequited love by now  😦 . Not that I believe in astrology (yet admire it, as a form of Art), but you know; wishful thinking !!!

With a pet Rabbit, in a suburb of Paris, France (17th August 2008)

With Gingerella & Nudin, in our Front Yard, at home (6th July 2016)

Wishing every one a Very Happy Chinese New Year/Dog year 2018 ❤

 

Greetings from
Nu Wan (Sen)
(i.e. Nuwan Sen)

Photograph-V

On Facebook, I was challenged; on the 1st of November, Year 2017, to post a Black&White picture per day, without posting any people, and no explanations, yet it had to do with my life. This was a 7 day challenge, that ended today. Whilst, the rest of the photographs are pretty self explanatory (to some extent at least), this is a picture, which is very personal, and has to do with my childhood on wards, till date. It does not simply depict my love for Books & Films!!!

So here is an explanation for this picture, I posted on FB, for Day V (i.e. 5th November 2017) :-

So past 4th midnight, I thought of posting something uniquely personal for Day V, of the B/W photography challenge. I started taking out the close near dear reads and views, from my shelves, and set them on my bed. It was already next day, with 9/10ths of a moonlit sky shining above the wet clouds outside. At 00:55 am, 5th morning, I took the snapshot. Yet, ’twas a pity, I won’t be able to explain it. But today morning, after posting the last picture of the challenge, I went back to this. And decided, I can’t explain it on FB, but I have a Blog, where I can.

So the picture; let us start with Audrey Hepburn. So, as many of my fellow bloggers and close friends are aware, that Hepburn happens to be my all time favourite actress. I’ve been a fan of hers since I watched My Fair Lady (1964), as a little kid, back in the mid-1980’s. I wanted to grow up and marry her, and remember asking my mum, how old Hepburn was (of course I realized Audrey Hepburn was somewhat older than me, but what I didn’t realize at the time was that this musical, set during the Edwardian era, was made long before I came into existence). Anyway, Audrey Hepburn starred alongside the suave gentleman, Gregory Peck, in ROMAN HOLIDAY (1953), which happens to be my all time favourite movie. I watched this in the summer of 1994, just before my 19th Birthday, whilst living in New Delhi, India. Plus, 1994 was the best year of my teenage life (coming of age in Shit Lanka was a nightmare, so it was a refreshing change to go back to India in 94′, after a hellish six year stay in monstrous Lanka. And now am back, going through a lot of stress due to being stuck in a narrow minded extremist country like Shit Lanka. Been here for just over eight years now. Getting anything done in SL is a hassle, including trying to work on this simple blog-post without unnecessary disturbances and distractions). Anyway, even though a fan of Hepburn since childhood, it was once I watched ROMAN HOLIDAY, I truly fell in love with Hepburn. AND soon both her debut movie; about a Princess walking around the scenic architectural delights of ancient Rome, in modern day Italy, as a commoner, having an accidental fling, a tragic love story set in 24 hours, this B/W tearjerker romance that pulls at your heartstrings; along with Hepburn herself, became my all time favorite movie, and actress, respectively. I was simply smitten by her charmingly naturalistic acting. In 2003, after handing in my final dissertation titled “Marriage on Hitchcock Films: From Rebecca to Marnie”, for my MA in International Cinema, at the University of Luton, Luton, UK; I treated myself to an Audrey Hepburn Box-Set of Video Cassettes, which included my all time favourite, ROMAN HOLIDAY. The cassette cover that can be seen on the picture above.

Having mentioned Hitchcock, many of you know Alfred Hitchcock is my all time favourite director; and that REBECCA (1940) happens to be my favourite Hitchcockian classic. Thus, when I was studying his movies, doing an out and out psychoanalysis of varied character sketches, from his best period of Hollywood movies (his first 25 years in Hollywood) for my final dissertation of 25,000 to 30,000 words; I bought some of his movies, and rented others, in Oslo, Norway (as that’s where I resided, during my final semester, as I had no classes; thus working full time 5½ days a week, and concentrating on my dissertation on Saturday evenings and Sunday the whole day; I was exhausted). The video tape of REBECCA which can be seen above was one of movies I bought. But there is more of a history I share with Hitchcock’s REBECCA. I fell in love with this hauntingly magnificent tale of woman living under the shadow of her husband’s dead first wife; when I first saw it as a kid, in the mid-80’s. So this most probably was my all time favourite, till I watched ROMAN HOLIDAY, almost a decade later. Around that time, at school, The British School, in New Delhi, India, we had to write a film review. REBECCA being fresh in my mind, I remember writing my very first film review, on this noirish perfection by Alfred Hitchcock, aged 11; whilst I was in Senior-I. Later, aged 12½/13, I read Daphne du Maurier’s Rebecca (on which the Hitchcockian masterpiece was based on). And this so called women’s book, my very first piece of Adult Fiction, instantly became my all time favourite novel, and it remained no.1 till aged 20, I read the English translation of CITY OF JOY, a French novel by Dominique Lapierre. I bought the book of CITY OF JOY (pictured above) in 1994, though I read it later. And from the age of 20, till now (I’m 42 now), it has remained my favourite novel. BUT, am currently reading Arundhati Roy’s latest novel, THE MINISTRY OF UTMOST HAPPINESS (pictured above as well), since I located it at the end of August 2017 (yup, am a very slow reader; and it’s not like I get to read my book every single day); and THE MINISTRY OF UTMOST HAPPINESS seems to be fast becoming my all time favourite. That I’ll know for sure, once I finish reading it.

From Novels, to non-fiction; FREEDOM’S DAUGHTER: LETTERS BETWEEN INDIRA GANDHI AND JAWAHARLAL NEHRU 1922-1939 (also pictured above), edited by Sonia Gandhi; happens to be my favourite text of non-fiction; which I read in my mid-20’s. When it comes to print media, there seems to be a major Indian connection. It’s just a mere coincidence. But still, even though with unfortunate Sri Lankan roots, that constantly try to pull me down into the mud with them, I was born and brought up in New Delhi, India. And I had a pretty good childhood (maybe not necessarily a great one, as I was badly bullied in school, it was still better, than when we ventured south into an inhumane and war torn island). Thus having such a strong Indian connection (altogether spent 17 years of my life in New Delhi, 12½ years in row); and a soft corner for my Birth city; plus being a movie maniac; I cannot, not add, my favourites in films, to do with India. My favourite Indian movie, is a Bengali/English bilingual Art House Movie, from the state of West Bengal, directed by Aparna Sen. I bought the DVD of THE JAPANESE WIFE (2010), which can be seen above, along with Kunal Basu’s book of Short Stories (one of which happens to be the basis of this movie), when I visited New Delhi in November/December 2010, on holiday. This was a holiday I took to India, after a break of 9½  years. Aged 35, I thoroughly enjoyed the short story, of The Japanese Wife, as well as the movie. Having watched Indian films throughout my life (especially Bollywood movies, though I happen to be a bit of an Art House snob), it’s amazing how Aparna Sen’s cinematic adaptation of THE JAPANESE WIFE, ended up becoming my favourite Indian movie ever. But having been brought up on Bollywood commercial cinema, I cannot not point out my favourite commercial Hindi Film, from Bombay (now Mumbai) from the state of Maharashtra, India. Mahesh Bhatt‘s ARTH (1982), the DVD of which can be seen above as well. ARTH; which I actually first saw as a kid, and few times later; is a reel life adaptation based on Mahesh Bhatt‘s real life extramarital affair with actress Parveen Babi, who suffered from schizophrenia. A tragic beautiful mind, that soon left the film industry once her illness was out in the open, thanks to this excellently made movie. died under mysterious circumstances, in 2005 (see my post related to her Death Anniversary from January 2013).

Speaking of extramarital affairs and coming back to short stories, I read Anton Chekhov’s THE LADY WITH THE DOG (pictured above), an adulterous love story, when I was 15. This Russian romantic short, happens to be my all time favourite short story, till date (du Maurier’s The Apple Tree, comes a close second). My favourite novella (a text too small to be a novel, yet way too long to be considered a short story), happens to be Truman Capote’s BREAKFAST AT TIFFANY’S (pictured above as well); which I bought, and read, in 2009, whilst living in the most beautiful city in the world, Paris, France. Fell in love with this beautifully written piece of prose, a quick read (Anthony Burgess’ A Clockwork Orange, happens to be next favourite novella, and I love Kubrick’s surreal adaptation, from 1971, of the book, as well). The movie version of Breakfast at Tiffany’s (1961), which also happens to be among my favourite films, directed by Blake Edwards, also stars my all time favourite actress, Audrey Hepburn.

So, I’ve come a full circle, from Hepburn to Hepburn!!!! Almost like a of .


#‎NuwanSensFilmSense
Bookish Nuwan (NS)

Queer Movies, and the month of Mardi-Gras

10 years ago, on 3rd March 2007, I witnessed the Sydney Gay & Lesbian Mardi Gras (simply known as Mardi-Gras, down under). This was when I was a student, doing my MA in painting (2006-2007), at COFA (College of Fine Arts), UNSW (University of New South Wales). It was a spectacular event, with gaudily glittering floats, semi naked bodies, cute kids, and the Sydney Mayor. In full swing, in the Australian summer, it went on, from dusk till dark.

The Mardi-Gars festival, is actually a carnival before Lent, in the Christian calendar. BUT, in Sydney, it’s a Pride carnival. Mainly due to the fact, that during the Pride month (which happens to be the summer month of June); is in the heart of winter, down under; where seasons go in the exact opposite direction to the norm. Christmas down under, is in the height of the hot sweltering summer. Thus, the Pride March, down under, has been interwoven with the Mardi-Gras; and is known as the Sydney Mardi Gras!! This takes place, on the first Saturday, of March. And thus, this year, it was held on 5th March 2017!!

In 2008, it was on the 1st of March, 2008. By now, I’d completed my 2nd Masters, and I was temporarily working as an ‘International Student Advisor’, at the ISS (International Student Services), in UNSW. I did not attend it that year (in fact, March 2007, has been the only Mardi-Gras carnival I’ve seen, so far). But I did, go and see, one movie, at the Mardi Gras Film Festival, held in Sydney, in February 2008. The movie was, The Houseboy (2007); and it was pathetic. One of the worst films I’ve ever seen.
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

Downloading

Towards the end of last month, I came across a fellow film buff, from Pakistan, on Twitter, with whom I ended up chatting (something I rarely do, that too on Twitter). Soon I befriended him, on FB (Facebook). And on his FB timeline, he had mentioned Mahershala Ali, an actor of Muslim faith, who won the Oscar, for ‘Best Supporting Actor’ for Moonlight (2016), at the 89th Academy Awards, held on the 26th of February 2017; and how proud he felt of being a Muslim, himself, for the very first time. I simply asked him whether he’d seen Moonlight, and that I’d love to. He told me he had watched it twice; and said he’d send me the link to download the movie. And he did.

Now, back to 10 years ago; Year 2007!! I was dead against piracy, and downloading movies on the web, et al. I remember how my Australian friends & flatmates, use to react; feeling embarrassed at doing such things themselves. But I have been living in Sri Lanka, for 7½ years now, and not being able to watch any good movies (as they practically are never shown in Cinema’s here); I’ve had to rent or buy films occasionally, that happen to pirated copies. See my posts on Life of Pi  (2012) and Mud (2012) from October 2013.

But, luck had me travelling to, places like:-
New Delhi, India, between 2010 & 2012 (where you don’t see pirated copies in street shops, unlike Sri Lanka, and have to (literally) go to an underground market, if you want cheap pirated copies); where I not only got to buy good original DVD’s (even though they were with Indian copyrights, thus they have to be approved by the Indian Censor board, and certain films, have a universal rating, with sex and nudity edited out; and though am against censorship, I prefer to buy original DVD’s, than badly pirated ones, found in good shops, in Colombo and it’s suburbs, in Sri Lanka), but also got to see some great films on the Big Screen, on the superb Cineplex’s of New Delhi (see my list on IMDB titled Oscar Winners … and then some 2012, from March 2012).
-and-
Adelaide & Sydney (once again), Australia, in November 2014; where too, I watched a couple of the superb films, on the big screen, plus bought many a DVD’s (see my Blogpost Holidaying in Australia, comes to an end from November 2014).

Meanwhile, back in Sri Lanka, I’ve tried to download films, from certain sites; either I get an error message, or it’s not available in this country, or something or the other. So, only way, I’d watch films online, is if they were available on Youtube; and late last year, streamed a few on iflix. But, as I mentioned above, that this nice new (virtual) friendly acquaintance of mine, sent me a link. And on the night of 28th February 2017; I started to download, Moonlight. By the time, I finished downloading the film, it was next morning, i.e. 1st March 2017. Thus Moonlight, was my very first successful download. And within the next few days, I downloaded four more s; in conjunction, with the month of (or rather the last week of), Sydney’s version, of the Mardi-Gras festivities.
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

5 Queer Movie, within the first 5 Days, of March 2017

So here are my mini-critiques on the 5 films, I’ve downloaded so far (downloaded for the very first time). And unlike the pathetic film I saw at the  Mardi Gras Film Festival; except for one here (which too was Averagely good), all the rest of the films were pure excellence of Cinematic magic.
Thus, here is my own little ‘Queer Film Festival’!!!!!!
Beware of some spoilers below!!!!!
……………………………………………………………………………………………….

1. MOONLIGHT (2016)

An Art-House Film, that bagged the ‘Best Picture’ Oscar, this year; a rarity, and a win after a fumble at the Academy Awards, that almost felt like Moonlight, had not won.

Moonlight is a touching portrayal of a young, afro-American, gay man, Chiron, brought up in a rough neighbourhood, in Miami, Florida, USA. With a drug addicted, emotionally unstable and abusive, mother; plus being bullied and beaten up in school; Chiron grows up to be a thuggish looking drug dealer, with a heart of gold. The finalé with the admission of virginity, by a very masculine, strong built man, pulls at your heart strings. This is a brilliant, coming of age, drama, about sexuality, true love, and what it’s like to be black in America, especially in a poverty stricken neighbourhood. Directed by Barry Jenkins, who won the ‘Best Director’ Oscar; Moonlight is a powerful piece of though provoking cinema. This is also Jenkins’ directorial, feature film, debut.

Ashton Sanders & Jharrel Jerome in a scene from Moonlight (2016)

The strong built, Trevante Rhodes, brings out such a sensitive performance; through a character, that outwardly generally feels frightening, with his gold chain, and gold teeth; and tough, overtly masculine, act; that touches deep, seeping into your veins, feeling the pain he’s going through. What a beautiful human being the character of Chiron is. The movie is told in three chapters, with three actors, playing one character, Chiron, in three stages of his life. Thus, the film has a main character (Chiron the protagonist of the film), but no lead actor, as such. The trio of actors perfectly essay the role of Chiron. In fact, the whole ensemble cast is terrific.

Mahershala Ali; who won the Oscar, for ‘Best Supporting Actor’ (making him the very first Muslim to win an Oscar, in the acting category); plays a kindly drug dealer, who becomes a mentor, a father figure, for little Chiron. Overall an excellent movie, that deserved the ‘Best Picture’ award, at the 89th Academy Awards, held last month. Moonlight, was the first film with an all-black cast, and the first LGBT film, to win an Oscar, for ‘Best Picture’ ever.

Watched Moonlight, late Wednesday night (1st of March, 2017)!!

My Rating:-
Excellent!!! 10/10!!
……………………………………………………………………………………………….

2. CAROL (2015)

A Christmas Carol, a beautiful Christmas romance, and a wonderful, lesbian, love story.

Cate Blanchett is superb as ever, nothing surprising about that fact. Todd Haynes, is an equally great director, again nothing new about that. But, Rooney Mara, WOW!!! What a brilliant performance. I’ve seen excellent films, starring Mara, in small roles, like in The Social Network (2010) and Her (2013); but I hardly noticed her in these movies. So she definitely was the surprise packet in Carol, for which Rooney Mara, tied in, for the ‘Best Actress’ win, at the 68th Annual Cannes Film Festival, in May 2015 (see my posts The 68th Cannes Film Festival finalé and Winners & Disappointments – at Cannes 2015, from May 2015).

Carol, is based on a novel by Patricia Highsmith, titled The Price of Salt. Though am a fan of Highsmith thrillers, I haven’t read this particular novel. This story, is very different to Highsmith books (at least that’s what I gathered from the movie). While most Highsmith literature has to do with crime, interwoven with themes of sexuality; The Price of Salt seems to be, an out and out, love story, of two beautiful women; living in a male oriented, homophobic, world. Sadly, this is the world, a great American writer like, Patricia Highsmith, a lesbian herself, had to survive in, in the 1950’s.

Carol is a beautiful heart warming Christmas romance, set in America, in the foxy 50’s, starring two fantastic foxy actresses. Rooney Mara carries ’s charm and simplicity, with grace; and bold Blanchett, is outstanding as ever. Carol, has the potential of being, a future Hollywood classic. While Moonlight, is a brilliant, low-budget, American indie-film; Carol is the quintessential, modern day, Hollywood romance.

I had the luck of seeing Cate Blanchett, in real life, down under. Heavily pregnant, she came to UNSW, to see a digital television exhibit, at our University; in early 2008. I actually didn’t recognise her at once. For one thing I wasn’t aware she was pregnant. So, when I saw a heavily pregnant lady, come out of the exhibit, in a massive pair shades, with a little boy, and stare right at me; I didn’t really pay much heed to her (I was waiting to go inside, with a couple of friends; waiting for whoever was inside to come out). But I did feel she looked familiar. Then she removed her dark glasses (for our benefit 😀 ), and started speaking to a person in a wheelchair, quite near me. It was her voice I recognised, and it’s only then I looked at her. After she left, I asked the students working the exhibit, and they confirmed it was her!! If I already knew she was pregnant, I would’ve recognised her instantly.

Watched Carol late night, on the 2nd of March, 2017!!

My Rating:-
Excellent!!! 10/10!!
……………………………………………………………………………………………….

3. HOLDING THE MAN (2015)

Above: Actors Ryan Corr & Craig Stott; as Timothy Conigrave & John Caleo, respectively; in the film, Holding the Man (2015)
Below: The real-life Timothy Conigrave & John Caleo

What better day to watch an Australian Gay-themed film, than on the night of, Sydney’s Gay & Lesbian Mardi Gras parade. Of course being on this side of the Ocean, there is no way I can attend the parade, down under, in all it’s splendour. But instead, I watched an Australian Queer Film, based on a memoir; which was the basis of a stage play, with the same title, by Tommy Murphy (who is also accredited with the screenplay for this movie), that came out in 2006; whilst I was in living in Sydney. The play was a big hit in Sydney; and in 2007, I remember seeing an interview with Tommy Murphy, on a local television channel in Sydney. Unfortunately I never got to see the play.

As I mentioned, Holding the Man, is based on the true story, of Timothy Conigrave’s (stage artiste, writer & activist), 15 year love affair with John Caleo (who died of AIDS); which Conigrave penned down, in a book called, Holding the Man. Conigrave completed this book shortly before dying of an AIDS-related illness, himself, in October 1994, at the age of 34 (a month before his 35th Birthday).

Holding the Man, is a tragic story, chronicling the life of two gay men, in Melbourne, Australia, who fall in love as teenagers, in the 1970’s; and survive all odds, when the land of Oz, was still very homophobic. It’s a pity, Timothy Conigrave and John Caleo, weren’t able to see, how much the world has changed today, and how much more open, Australia is to gay culture today. In fact, Sydney is the next gay capital of the world, after San Francisco, in USA. BUT, no matter how open and free, homosexuality is down under, today; sadly many a Australians do take Gay people for a joke. Homosexuality is no laughing matter. People can still be pretty cruel, and inhumane, even in Australia, towards the LGBTIQ community.

Watched Holding the Man, late night, on the 4th of March, 2017. The movie finished past midnight!! A sad beautiful tale, filmed beautifully by director, Neil Armfield. This is among the rare greatest Australian films, I’ve seen.

My Rating:-
Excellent!!! 10/10!!
……………………………………………………………………………………………….

4. REFLECTIONS OF A GOLDEN EYE (1967)

Brando & Taylor, on the sets of Reflections in a Golden Eye (1967)

Based on the novel, Reflections in a Golden Eye, by Carson McCullers; this beautifully made movie, with a uniquely stunning photographic technique, was directed by John Huston, starring Elizabeth Taylor, in the lead, with Marlon Brando, Brian Keith, Julie Harris and Robert Forster. This was Forster’s debut role, where he played a sexual desire, of Brando’s character.

The main plot of the movie, revolves around the wife of a Major, stationed in a US Army post in the American South in the late 1940’s. The said wife is played by Elizabeth Taylor. A young new Private (Forster), has a perverted obsession, who voyeurs around the violet eyed beauty (Taylor), watching her naked body reflect through the golden brown lens of his eye. It’s a beautifully filmed, movie about a peeping Tom; unaware, of the Major (Brando), the husband, of his sexual desire, himself has a repressed homosexual desire for the Private. Seeing the Private’s naked golden body, many a times in the brown woods, only adds to the Major’s already uncomfortable want for a young man, he cannot have.

Despite a great story line, and the beautiful photographic technique, the film isn’t without it’s flaws. The most visible one being, that of Taylor’s character. Though the film is set in the late 40’s, Elizabeth Taylor’s look, just doesn’t feel the post-war period. With the latest hairdo’s and fashionable dress sense, straight out of the 60’s; Taylor is magnificently more modern, than the setting of the movie. Another flaw is, the movie starts to bore in the middle, especially after the death of a mentally unstable character, played by Julie Harris. Added to which, Huston could have focused more on the Major’s repressed sexuality; i.e. the character played by Marlon Brando.

A scene from the film, Reflections in a Golden Eye (1967); featuring Robert Forster, in the original release of the picture, with the golden hue, that did not impress audiences.

Initially the movie was released, with a golden hue enveloping the movie, as a reference to a drawing of a golden peacock, in the movie; a golden peacock in whose eye, the world is a mere reflection. But audiences did not seem to get this symbolic aspect, thus the original copy was withdrawn from cinema’s, and a normal coloured version re-released. I saw the ordinary colour version, but I’d love to check out Huston’s original aesthetic creation; with the warm sepia tint, over the colour film.

None the less, it’s a very admirable effort by John Huston. I watched Reflections in a Golden Eye on Sunday afternoon, 5th March 2017!!!!

My Rating:-
Average Fare!! 6/10!
……………………………………………………………………………………………….

5. SUNDAY BLOODY SUNDAY (1971)

Last but not the least, most probably my favourite of the lot. What a clever, unusual film. The 60’s & 70’s were definitely the period that Hollywood ruled; bringing out bold unique plots.

Starring Peter Finch, Glenda Jackson and Murray Head; and brilliantly directed by John Schlesinger; Sunday Bloody Sunday, is a very mature, open minded, intelligent story. Murray Head plays a bisexual; who has two partners. One, played by Finch, and the other by Jackson. And each is aware of the other’s existence; and have a mature understanding, and acceptance, of the other, though neither of the, young bisexual scientific artist’s, partners have met each other. What’s more interesting, is how decent these people are, and in what a civilised manner, they handle sharing the same partner. They go on living a very normal life, with their lover, who finds time to spend with both, his male lover, as well as his female lover.

This is a very modern outlook, we don’t really see in this century. Of course, there are plenty of films on threesomes, extreme sexual deviations; but most of the time it’s showcased in a sleazy manner. That’s the beauty of this film, despite having a homosexual man and heterosexual woman, sharing one lover, there is nothing sordid about it. It’s so sophisticatedly handled, and is made to feel, so normal, and that too in a movie, that came out in the 70’s decade; it’s a wonderful feat.

One of the most intellectually adult movies, I’ve ever come across. Peter Finch, is spot on, as the elderly gay man, who is not seen suffering because of his sexuality, and who happens to a well to do Jewish doctor. Glenda Jackson plays a divorcee, who suffers from a childhood trauma, during the war. And each of them lives a relatively happy life, sharing one man, without suffocating the lover. And the lover, being bisexual, enjoys openly romancing both. And yet, it’s only the two of them he romances, and he doesn’t hide the fact he’s also seeing the other. So technically he is faithful to both his lovers.

A lot does happen in the movie, but it’s more character based, where these three people live a very civilized life, in a very normal manner, with acceptance and understanding. Isn’t this the kind of normal acceptance, of people who are different, and understanding them, that could make the world a better place. In a way, a very futuristic attitude. It’s a society that doesn’t have to fight for Gay Right’s, or Women’s Lib, et al; why?? ‘cause gay men and women are seen, living a relatively liberal lifestyle, with no judgement. Their friends accept them, friends’ children play with them, they are asked to take care of the kids, they trust each other; isn’t this the kind of normality, that ought to really exist, in today’s world, but sadly does not. Schlesinger, though set the movie in the 70’s itself, has forecasted a very progressive future, which should have made it’s way, by now.

This British film, is a masterpiece of cinematic intellect. A must watch. The Best film, in this list, I watched Sunday Bloody Sunday, late Sunday night (5th March 2017); the movie ended past midnight. Totally worth it!!

My Rating:-
Excellent!!! 10/10!!
……………………………………………………………………………………………….

So that’s all folks, the 5 films I watched, within the first 5 days, of this month. Four of which, were pure excellence!!!

Nuwan Sen’s Film Sense

trumbo-the-reel-trumbo-family

Exactly 15 years after the tragedy, that shook America; with the destruction of the New York Twin Towers (World Trade Centre), along with various other attacks, and a horrendous number of casualties; I watched this movie, set during, another tragic period in American history. The notorious blacklist (of a community with apparent communist sensibilities, back in the late 1940’s & 50’s, which included the Hollywood 10)!!! Great Hollywood personalities were not allowed to work in the United States, and imprisoned due to false accusations made against them. The movie was Trumbo (2015), a bio-pic on the famed screenwriter, Dalton Trumbo; which, as I stated above, I watched on September 11th, Year 2016 (on HBO Signature)!!!!!

The real life Trumbo family

The real life Trumbo family

Post-war 1940’s, was a very dark period in American history. Thousands of men and women were blacklisted, lost their jobs, and weren’t allowed to work, and many succumbed to suicide. Among those blacklisted were famous Hollywood personalities, including 10 screenwriters (who were subpoenaed to testify before the House Committee on Un-American Activities, regarding alleged Communist propaganda in Hollywood films), known as the Hollywood 10. This was all due to, their, rebellious, yet non-violent, non-revolutionary, communist beliefs. Communism, is, no doubt, a false sense consciousness; but, none the less, these American communist at the time, were apparently harmless, and imprisoned, just due to their extremist beliefs. There was no secret Soviet Russian agenda, to overthrow the American government, by those that were blacklisted. No “Cambridge Spies”, among them. Amongst the falsely accused, Hollywood 10, was Dalton Trumbo, the famed screenwriter, who secretly wrote award winning screenplays, for movies like, Roman Holiday (1953) and The Brave One (1956), without taking credit for them, during the blacklist investigations. He also wrote ridiculous ‘B-movie’ scripts, under pseudonyms, especially for ‘King Brothers Productions’, for money, as he wasn’t legally allowed to work at the time, and had a family of five to support (as a father of three children).

Diane Lane & Bryan Cranston as Cleo & Dalton Trumbo, in a scene from Trumbo (2015)

Diane Lane & Bryan Cranston as Cleo & Dalton Trumbo, in a scene from Trumbo (2015)

Trumbo, is a superb film, and Bryan Cranston was brilliant as the titular character. A very touching portrayal of the Trumbo family, in times of crisis. The movie depicts how the blacklist affected the whole family, and how they all supported him, at times hating him, for his anger and indifference towards their lives, and the way he took them for granted; but at the same time understood the stress he was going through, working in secret. Diane Lane plays Cleo Trumbo, the wife that supported him throughout his life. This bio-pic is a must watch. And Cranston definitely deserved the Oscar nod, with a ‘Best Actor’ nomination, at the 88th Academy Awards, held earlier this year, but it’s a pity he didn’t win (though am not sure, whether he was the best male performance, as I haven’t seen three of the performances out of the five that were nominated; yet he no doubt deserved the trophy more than Leonardo DiCaprio). I love Leonardo DiCaprio, who’s a superb actor, but as I stated in my posts, Oscar White and Femme Fashion @ Oscars 2016; The Revenant (2015) is not the movie, I wanted him to win an Oscar for (as he’s done even better work, previously); but yet when he won, I was genuinely happy for him, for, no matter what, he was still superb in The Revenant, and felt he most probably was the best from last years lead male performances. But after seeing, Trumbo, I feel Bryan Cranston was so much more better, that Cranston definitely deserved the coveted Oscar statuette more, comparatively. Generally, am not a huge fan of Cranston (not that I disliked him, just wasn’t crazy about him either), but after watching him in this touching bio-pic, I have a new found respect for him as an actor.

Helen Mirren as Hedda Hopper

Helen Mirren as Hedda Hopper

The real Hedda Hopper

The real Hedda Hopper

Speaking of great acting talent, this movie had an interesting cast, playing various famous personalities, such as Louis B. Mayer, Sam Wood, Edward G Robinson, John Wayne (though David James Elliott felt nothing like Wayne), Kirk Douglas (neither did Dean O’Gorman feel anything like Douglas, except for the cleft in his chin), J. Parnell Thomas, Otto Preminger, et al, from the golden age of cinema. BUT, the most notable role was that of Helen Mirren as Hedda Hopper. I’ve known Hedda Hopper to have been a notorious gossip columnist the film industry dreaded at the time; but little did I know what a nasty woman she was. She definitely had a personal vendetta against many celebrities during  the ‘McCarthy’ era, including Charlie Chaplin, Douglas Fairbanks Jr. and  Dalton Trumbo, among others. Helen Mirren is simply marvellous as the nasty old witch, that Hopper, seems to come off as, in Trumbo. Also worth mentioning is the role by John Goodman, as Frank King, the ‘B-movie’ producer, of ‘King Brothers Productions’ notoriety. Goodman, is hilarious as King, who is aware that he makes bad movies, and knows the idiotic audience, that flocks to see his movies. Thus King is reluctant to take in a prestigious writer like Trumbo, not wanting Trumbo to waste his talent, on the crap the King Brothers make. Yet, what a kind heart King has, for he understands Trumbo needs the money. So basically Trumbo has to degrade his writing skills to write silly scripts for brain dead audiences, luckily he’s not credited for these movies either. Watch out for King’s eccentric reaction, when he is asked to fire Trumbo, by Hopper’s allies. It backfires badly for Hopper, a hilarious sequence, in a movie about a very serious issue.

Father & Daughter at work; Elle Fanning & Bryan Cranston, as Nikola & Dalton Trumbo; in a scene from Trumbo (2015)

Father & Daughter at work: Elle Fanning & Bryan Cranston, as Nikola & Dalton Trumbo; in a scene from Trumbo (2015)

Another notable role, was that of young Elle Fanning, who played the older Nikola Trumbo, the eldest child of Dalton Trumbo. Her character is the only one, who dares to speak up to her father, against his unfairness towards his family, yet always helps him out. There are a few, very touching moments between father and daughter, in the movie. A smart young child, who’s advise the father ultimately takes, in a very crucial moment in his life, towards the end of the film. The family’s support towards Dalton Trumbo, is beautifully showcased, and their close bond, perfectly examined. A bond that almost died, due to Dalton Trumbo’s stress, of working in secret, affecting his relationship with his children. The Bathtub played a very important role in Trumbo’s life, as well. That was his refuge, his workplace, and felt angered when disturbed. Many men use the loo to read, Trumbo used the tub to write.

A sculpture of Dalton Trumbo in his bathtub; based on a photograph from 1967; in Grand Junction, Colorado, USA.  The Bronze artwork was unveiled in October 2007.

A sculpture of Dalton Trumbo in his Bathtub; based on a photograph from 1967; in Grand Junction, Colorado, USA.
The Bronze artwork was unveiled in October 2007.

Though Trumbo is brilliant flick, it has been criticised, for certain misrepresentations of certain people and events. Actors, Louis C.K. and Roger Bart, play two fictional characters based on, not two individuals, but various famous personalities; like Lester Cole, Samuel Ornitz, Dore Schary and Walter Wanger, to name some. But more specifically, classic actor, Edward G. Robinson (played by Michael Stuhlbarg), is portrayed as betraying his friend, Dalton Trumbo, and others, by naming them as communists before the HUAC (House Un-American Activities Committee). G. Robinson never named anyone, friend or foe, as a communist. Trumbo was also criticised for showcasing Dalton Trumbo, as a martyr, whilst in reality, this famed screenwriter was supposedly a brutal supporter of Soviet-style communism, advocating the nightmare regimes of; the then leader of the Soviet Union; Joseph Stalin, and; North Korean dictator; Kim Il-sung. Added to which, the real life Trumbo showed support to suppress the freedom of Speech in the United States. The film was also condemned for it’s positive outlook towards Communism, as if it were just another political party, without representing it’s truly tyrannical and hostile nature.

Michael Stuhlbarg as actor Edward G. Robinson in Trumbo (2015)

Michael Stuhlbarg as actor Edward G. Robinson in Trumbo (2015)

Politically and historically speaking, the film has it’s flaws, no doubt about it. Yet, despite all the criticism Trumbo garnered, as a movie, it’s still a very brilliant piece of the cinema arts. Fine acting, superbly scripted and brilliantly directed, a cinematic masterpiece; and one of the best films to come out of last year, Year 2015!!!!

A scene from Trumbo (2015)

A scene from Trumbo (2015)

One of the most touching scenes in the film, is when Dalton and Cleo Trumbo, see Dalton Trumbo’s name being credited for writing the screenplay, for Spartacus (1960), on the big wide screen; as they watch the movie. With the crediting of Dalton Trumbo, as the writer for both, Exodus (1960) and Spartacus, in 1960, marked the end of the Hollywood Blacklist. Dalton Trumbo died on September 10, 1976, aged 70. Posthumously, in 1993, a new Oscar was made, for his win for ‘Best Screenplay’ for Roman Holiday, and awarded to his wife, Cleo Trumbo. She passed away, at the age of 93, in 2009. Later, their son, Christopher Trumbo, dying with cancer, requested that his father receive full credit for his work on Roman Holiday. Christopher Trumbo died in January 2011, aged 70; the same age as his father, when he passed away. In December 2011, Christopher Trumbo’s wish was granted; the ‘Writers Guild’ finally credited Dalton Trumbo with the screenplay, for the tearjerker romance/love story, from 1953, Roman Holiday. Finally, almost 60 years, after it’s release. Roman Holiday happens to be my all time favourite movie. Watched Roman Holiday just before turning 19, in June 1994, for the very first time. And have seen it a zillion times more, within this century. I still have the video cassette (VHS) of this classic love story, in working condition, in my private collection. And Trumbo, is yet another great film, about the man behind my all time favourite movie.

Trumbo (2015)
My Rating: 10/10!!!
Pure Excellence!!!!!

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense

 

Go Gay: A Pride Month Special
Celebrate Pride (One Year)

One year ago, today, on the 26th of June, 2015, the Supreme Court of the United States of America, legalised same-sex marriage, nationwide!!! This was not just a big win for America, but the world. Even though, Canada, was the first country, outside Europe, to legalise same-sex marriage; and besides Europe, being more tolerant, and open-minded, than anywhere in the world (Netherland was, not just the first European country, but the first country, in the world, to legally recognise, same-sex union); this win in the United States, marked a historic moment, for the entire world. One small step for America, a giant leap for the future of the world (with apologies to Neil Armstrong). Today, Asia, is the only continent, where, not a single country, allows, same-sex unions (although Israel accepts same-sex marriages performed overseas, and in India & Nepal, it’s not explicitly prohibited). In most countries, in Asia and Africa, homosexuality, is a still a criminal offence (including here, in Sri Lanka).

So, to celebrate the very 1st anniversary, of the American Supreme Court’s ruling, of the Obergefell v. Hodges trial; in favour of gay-marriage; I’ve decided to do a blog-post, on the top most (my personal favourite) gay-teamed, Feature Films of The Big Screen! Only movies, where, either the central theme, revolves around a homosexual character, or the main plot, of the movie, deals with sexuality itself, are included here. So here they are, the crème de la crème:-

COOL CLASSICS – That Dared!!!

Rope (1948)
An Alfred Hitchcock classic!! Hitchcock’s very first film made in colour; is loosely based on the notorious ‘Leopold & Loeb’ case of 1924. This is oldest movie I’ve seen, that dared to showcase, a homosexual couple. Even though in negative sense. Not that their sexuality is portrayed negatively, but the fact that the gay couple, also happen to be a couple of murders, is what makes them being a gay couple, more acceptable, during that time period. This was during a height of the dreaded Hays Code. Yet, thanks to the sophistication of Hitchcock’s direction, the movie doesn’t directly state the couple of guys, living together, are a gay couple; but it’s obvious to critical eye, what Hitchcock is implying. Besides, Nathan Leopold and Richard Loeb, were a gay couple, on whom, the two “roommates” of the movie, are based on.

None the less, Rope, is an excellent, suspenseful, thriller, that doesn’t discuss their sexuality, but rather the murder, the couple commits. The two men in question, strangle their former classmate, just to prove their superiority of intellect, by murdering an inferior human being. To the two, psychologically disturbed lovers, this ‘Perfect Murder’, is a true work of art, of geniuses.

Starring James Stewart, Farley Granger, John Dall and Joan Chandler; this is a must see, especially, for any fan of Hitchcock’s. Rope is specifically notable for taking place in real time, plus the brilliant editing, that makes it appear as if the whole movie was shot in a single continuous shot. This was achieved by the use of really long takes. No close ‘cuts’!!! Excellent piece of Hitchcockian drama.

Am glad, my all time favourite director, dared to bring out something, that was still a taboo, without any trepidation. Yet, do it in such a way, as to get away from the censors. Hitchcock was no doubt, a clever genius!!!!!

TOP: Farley Granger, Dick Hogan and John Dall; in Alfred Hitchcock’s Rope (1948) BELLOW: Shirley MacLaine and Audrey Hepburn; in William Wyler’s The Children’s Hour (1961)

TOP: Farley Granger, Dick Hogan and John Dall; in Alfred Hitchcock’s Rope (1948)
BELOW: Shirley MacLaine and Audrey Hepburn; in William Wyler’s The Children’s Hour (1961)

The Children’s Hour (1961)
A very bold movie to come out in the early 60’s. The issue of lesbianism, dealt so sophisticatedly, at a time, before the hippies and the sexual revolution, were yet to take place, changing the mind set of society for the better. And the best part is, my all time favourite star of class, plays the lead in it. Audrey Hepburn, who else.

Directed by William Wyler, and starring Audrey Hepburn and Shirley MacLaine, as two school teachers, at a girls hostel run by them; the movie is a about a child that cries wolf; and who accuses the two teachers of being a lesbian couple. This is a shocking story, of how one child’s, nasty lie, ruins, the lives of the teachers, who are ultimately left with nothing. What’s more surprising, is towards the end, when it is revealed that one of the teachers, is actually a lesbian, who’s had to repress her feelings towards the other teacher; afraid of how she’d react. The movie ends in a tragic note. It’s a touching, and a beautifully made movie, that dared to bring out such a tender issue, when the world was still not open enough to accept homosexuality, that too on Hollywood’s celluloid.

Kudos to director, William Wyler, for bringing out such a bold gem like, The Children’s Hour, back in the beginning of the 60’s decade. Wyler directed some marvellously enjoyable fare, back in the day; the likes of, Wuthering Heights (1939), Roman Holiday (1953), Ben-Hur (1959), How to Steal a Million (1966) and Funny Girl (1968); to name some.

Ludwig (1972)
A Luchino Visconti masterpiece, on the life of King Ludwig-II of Bavaria. A brilliant Historical film, about a tragic King, who suffered due to his sexual repression (he was gay), and thus plunged into insanity. The question of his clinical insanity remains unresolved, till date.

Helmut Berger, perfectly, essayed this role, with ease, of the mad King of Bavaria. Romy Schneider, reprised her role of Empress Elisabeth of Austria, which she earlier starred as, in Austria’s, Sissi, trilogy (1955, 1956 & 1957). Also see my post Sissi : 115th Death Anniversary of Empress Elisabeth of Austria from September 2013.

Directed by, Italy’s, Luchino Visconti, Ludwig, has an interesting array of International stars, including, Trevor Howard, Silvana Mangano, Nora Ricci, Helmut Griem, John Moulder-Brown, Sonia Petrovna and Adriana Asti; to name some. A must watch, for any Film/History Buff.

Cabaret (1972)
This is a really good, beautiful n’ camp, musical. Based on segments; especially the segment on ‘Sally Bowles’; of Christopher Isherwood’s, famed Berlin diaries, that he novelised into, Goodbye to Berlin. Love the movie, love the book; enjoyed the book more, of course.

By the 70’s, homosexuality was out in the open; with quite a few campy movies being released. Thus, the trio of leads, Michael York, Liza Minnelli and Helmut Griem, playing gay/bisexual characters, would have been pretty acceptable, by then. The movie is set, in a sleazy night club, in 1930’s Berlin, Germany; as the Nazi Party rises to power around them.

Since many a true movie buffs, most probably have watched Cabaret, and loved it, it’s the novel, Goodbye to Berlin, that I’d highly recommend. It’s really worth a read. In fact, I just read it last year, around this time (June 2015); although, I actually bought it, during my trip down under, back in November 2014.

Victor/Victoria (1982)
From one campy musical, to another; this time, starring the singing and dramatic sensation, Julie Andrews. Andrews plays a woman, who in a guise of a man, performs on stage, as a woman. So basically, she plays a woman, who pretends to be man, in feminine drag. It’s a hilarious musical, again set in the underground gay clubs, this time, of 1930’s Paris, France. James Garner plays the confused millionaire; and owner of multiple clubs in Chicago, USA; who falls in love with her, even though he is straight. Confused, as to why he is in love with her; ’cause he is made to believe this is a gay man, performing dressed as a woman, on stage.

Last of the great musicals, of the last century. Since I have this on tape (old video cassette), I’ve watched it a few times. But still, the last time I saw this movie was, most probably, close to a decade ago. An exceptional musical, directed by Blake Edwards; Julie Andrews’ husband.

Another Country (1984)
This movie is based on a true story, about a Cambridge spy, that defected to the communist east; i.e. Soviet Russia (USSR). With a stellar cast, including, Rupert Everett, Colin Firth and Cary Elwes, this is a brilliant British bio-pic, on a disillusioned member of the ‘Cambridge Five’ spy ring, Guy Burgess.

The BBC mini-series Cambridge Spies (2003), too was based on the actual Cambridge Spies, of the 1930’s. Both, this movie, and the mini-series, are exceptional. A must see for any Modern History Buff!!
Maurice (1987)Maurice (1987)
A movie about repressed homosexuals, set in the Edwardian England. This masterpiece of Heritage cinema, a Merchant/Ivory production, is among the greatest British films ever made. Love this movie, based on E.M. Forster’s controversial novel. This is one rare gay-themed classic, that shows a happy ending, with hope, for a young gay couple, that too, in a very constricted era.

Starring James Wilby, Rupert Graves and Hugh Grant; this, Merchant/Ivory piece of British Brilliance, is a must watch for any film, and literature, buff.

The Last Emperor (1987)
Based on the life of Emperor, Henry Pu Yi; the last of the Emperors of China (the final ruler of the Qing dynasty), and his brief rein, within the walls, of the Forbidden City; this is an extraordinary bio-pic, by director, Bernardo Bertolucci. The film won 9 Oscars, including one for ‘Best Picture’.

Pu Yi’s two depressed wives, are shown to have a sexual affair of their own. So not out an out a lesbian film, yet it’s a classic that dared to show two women’s affection for each other, quite openly. An excellent masterpiece, of movie making.

THE NINETIES & NOUGHTIES – Still risking it!!
By the 1990’s there were quite a few, good, gay-themed, movies coming out of the celluloid closet, and onto the big screen. But the 21st century cinema, has been pretty marvellous, for the amount of, excellent, gay-themed films, that have got recognition around the globe. More than ever before.

My Own Private Idaho (1991)
Based on William Shakespeare play, Henry IV, the movie is about a pair of hustlers, played by River Phoenix and Keanu Reeves. Directed by Gus Van Sant, this movie also happens to be an interesting road movie, taking the young men on a journey of self-discovery; and a brilliant flick, focusing on, male prostitution.

Swoon (1992)
This excellent movie, made in black & White, is based on the actual gay lovers, of the roaring 20’s; Richard Loeb and Nathan Leopold Jr., who kidnapped and murdered a child. Another superb flick.

Ironic, that Alfred Hitchcock’s Rope (I’ve spoken about, above); which was loosely based on this very same criminal act, executed by these lovers; was made in colour; and this 90’s, more direct approach; was filmed in Black & White. I spoke about this movie, once earlier. See my post ~Famed Female Cinematographer turns 55 today from July 2014.

Fresa y Chocolate (1993)
Known as Strawberry and Chocolate, in English, this Spanish language, Cuban, film; is a very political movie about a gay communist, who falls for a young heterosexual man. A coming-of-age story, told via a close, gay/straight, friendship. Beautiful, touching, and pure excellence.

Fresa y Chocolate, stars Jorge Perugorría, Vladimir Cruz, and the film direction, happens to be a joint collaboration, by Tomás Gutiérrez Alea and Juan Carlos Tabío.
Priest (1994)Priest (1994)
A superb British film, starring Linus Roache, as a catholic priest torn between his faith and sexuality. The film also stars, Tom Wilkinson and Robert Carlyle. A heart-rendering deeply touching, movie, by the late Antonia Bird.

Interview with the Vampire: The Vampire Chronicles (1994)
Based on Anne Rice’s acclaimed novel, Tom Cruise, plays a gay vampire, who turns his lustful desire (Brad Pitt), into a vampire as well. It’s an epic hellish tale, of the blood lusting lives of, the two male vampires, who roam for centuries, along with a child, a little vampire (Kirsten Dunst); who practically is like a child the couple adopted. A Vampire Love Story, about a  happy Vampire Family. Move away, Twilight films (2008, 2009, 2010, 2011 & 2012). Of course the movie doesn’t directly state, that it’s about a gay vampire; but the homoerotism, between the two men, makes it quite obvious, as to why, Cruise’s lonely character saved, the other man, by turning him into a vampire as well. He needed his mate alright!! 😉

Fire (1996)
Two neglected housewives fall into arms of each other. Superb Art House Indian film, by Deepa Mehta; starring Shabana Azmi and Nandita Das, in the lead. This is the first of Mehta’s elemental trilogy. Watched ages ago, but just over a decade ago, I wrote a small critique online, on IMDB.

Check it out (Link:- http://www.imdb.com/user/ur7151691/?ref_=nb_usr_prof_0 Scroll Down)

Wilde (1997)
Tragic bio-pic based on the life of famed poet, playwright & author, Oscar Wilde. Starring Stephen Fry and Jude Law, as the lovers, Wilde and Lord Alfred Douglas (a.k.a. Bosie), respectively; this is a touchingly sensitive portrayal of the kind hearted Wilde’s love for a selfish, prick of a, younger man. This British flick has a great star cast, including the legendary Vanessa Redgrave, Michael Sheen, Tom Wilkinson; along with gay cameo’s by Ioan Gruffudd, Orlando Bloom and Adam Garcia.

Mrs. Dalloway (1997)
The whole life of a woman unfolds in one day. Vanessa Redgrave plays the titular character, of Mrs. Dalloway, based on a novel by Virginia Woolf. Mrs. Dalloway is hosting a party, and as she prepares for the party, she reflects on her past. Her sexual repression, in a time when homosexuality was a taboo, is represented, in a way, where, she herself doesn’t consider herself a lesbian; but assumes her feelings towards a woman, is, as that of, a heterosexual male. Her sexuality is fluid. Then again, this was set during the Edwardian era, up to the 1920’s. Beautiful movie. Have had the book, for ages, but am yet to read it.

Directed by Marleen Gorris, this movie also stars, Rupert Graves, Natascha McElhone, Michael Kitchen, John Standing, Lena Headey and Alan Cox.

Bombay Boys (1998)
A hilarious Indian English-language comedy, about a trio young Indians, who’ve been living abroad, coming to India. One of those guys, comes to find himself, and he sure does.

Enjoyable satire, hinting on the underworld ties, towards the Bollywood film industry. Kaizad Gustad directorial debut, is a must watch. The film stars, Rahul Bose, Naveen Andrews, Naseeruddin Shah, Roshan Seth, Tara Deshpande and Alexander Gifford.

The Talented Mr. Ripley (1999)
My favourite movie from the 1990’s. Love the Book! Love the Movie!! Love them both equally.

Based on Patricia Highsmith’s brilliant novel, this was directed by the late Anthony Minghella. This is the movie that made me a fan of Jude Law; shifting from Matt Damon. See my more in-depth critique on The Talented Mr. Ripley, in my list, My favourite J-Law Movies, on IMDB, from five years ago.

Boys Don’t Cry (1999)
Superb flick, for which, Hilary Swank, bagged the ‘Best Actress’ Oscar; in the millennium year; Year 2000!!!!

A girl guises herself as guy, to find herself; with disastrous consequences. Directed by Kimberly Peirce, this beautiful movie, speaks on repressed sexual desires and gender issues. The film also stars, Chloë Sevigny and Peter Sarsgaard.

Before Night Falls (2000)
An American Biographical movie, on Cuban poet and novelist, Reinaldo Arenas. Directed by Julian Schnabel, Javier Bardem, takes the lead, as the famed poet, who was imprisoned for being an openly gay writer. Superb!!

Frida (2002)
Another bio-pic, this time on, artist Frida Kahlo; who openly flaunted her bisexuality. A brilliant, English Language, film on, Mexican painter, and her husband/artiste colleague, Diego Rivera. Frida Kahlo’s art was her autobiography; as she depicted all the key moments in her life, in her artwork. This movie, aesthetically, chronicles it.

Directed by Julie Taymor; Salma Hayek plays Frida Kahlo, so effortlessly, she feels Kahlo, in every way. This no doubt, is the best role, essayed by Salma Hayek. Can’t think of anything Hayek has worked on, that ’s better. Besides she doesn’t need to, for this movie, no doubt, is her biggest triumph.

Left: British Author, Virginia Woolf  Right: Mexican Artist, Frida Kahlo

Left: British Author, Virginia Woolf
Right: Mexican Artist, Frida Kahlo

The Hours (2002)
From an artist, to a writer; The Hours, is a partial Bio-pic, on author Virginia Woolf. The issues concerning lesbianism is three different era’s, this movie, stars Meryl Streep, Nicole Kidman and Julianne Moore. Each character plays a lesbian woman, that exists, in three different periods in time. Yet, they are all connected, through Virginia Woolf’s Mrs. Dalloway (see the movie from 97’, mentioned above).

Woolf, writes it; another reads it; and another lives the life of it’s heroine. Nicole Kidman took home the Oscar, for ‘Best Actress’, for her brilliant performance, as, acclaimed author, Virginia Woolf. An excellent movie, by Stephen Daldry!!

Possession (2002)
Two literary sleuths unearth the amorous secret of two Victorian poets, one of whom was in a lesbian relationship.

Lesbianism/bisexuality in the Victorian era. Another excellent flick; with Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam and  Jennifer Ehle.

The Dreamers (2003)
Another great, by Bernardo Bertolucci. This time about a trio of young dreamers, living in their own little world, away from the Paris riots of 68’.

A lot of fun and games, and plenty of homoerotism. Though it doesn’t directly show the two guys engage in any sexual interaction, there is more than a hint, that the two have done it; possibly more than once. Check out my write-up, on Bernardo Bertolucci & His Films from March 2014; to read more about Bertolucci films, including the two, I’ve spoken of here. Bertolucci’s, The Last Emperor and The Dreamers!!!!!

Carandiru (2003)
This Brazilian movie, is set in the largest prison, in São Paulo, Brazil. The inmates consist, of a lot of, gay, bisexual, transgender personalities, and a vulnerability, towards infecting themselves, with the AIDS virus.

This superb flick is based on the notorious, Carandiru massacre, of 1992. With deaths of 111 inmates, this massacre, is considered to be a major human rights violation, in the history of Brazil. Directed by Héctor Babenco, the film stars, Luiz Carlos Vasconcelos (as a doctor) and Rodrigo Santoro (as a transsexual inmate).

Bright Young Things (2003)
Based on Evelyn Waugh’s novel Vile Bodies, this movie is set in the late 1920’s, 30’s & 40’s, London. The movie is about fun loving youth, that existed in the roaring 20’s (through to the 1940’s). Michael Sheen, plays a gay man, that has to leave the country, to avoid prosecution, due to his sexuality. A thoroughly enjoyable film.

The book is more of a futuristic look at world, published in 1930. Thus it’s not that realistic; as no great depression, affects the fun loving youth. But I haven’t read the book yet, though I have it in my collection. Thus it’s hard for me to judge. But, knowing about the content helps, as the film isn’t accurate in it’s period, that it’s set in. Feels Roaring 20’s throughout, than more depressive 1930’s. None the less, it’s an excellent movie, and this was the directorial debut, of actor Stephen Fry.

Alberto Ferreiro and Gael García Bernal; in a scene from, Pedro Almodóvar’s, La Mala Educación (2004)

Alberto Ferreiro and Gael García Bernal; in a scene from, Pedro Almodóvar’s, La Mala Educación (2004)

La Mala Educación (2004)
An excellent Art House film, which also happens to be my favourite Spanish movie ever. Pedro Almodóvar is my favourite director from Spain; and he’s brought out some marvellous movies. This is my favourite film of his.

The movie stars, Mexican actor, Gael García Bernal, in the lead, who does a superb performance of a transvestite, on reel; although we later discover, he isn’t really one, just pretends to be one. García Bernal is another brilliant actor, and no doubt, my favourite Mexican star. He’s had some uniquely great roles, from the noughties, onwards. La Mala Educación, is a must see.

Kinsey (2004)
Kinsey, is based on the life of famed sexologist, Alfred Charles Kinsey. He founded the Institute for Sex Research at Indiana University, today known as the Kinsey Institute for Research in Sex, Gender, and Reproduction. He’s most famous for his publications, on his study of, human sexual behaviour.

As Kinsey (played by Liam Neeson) prefers to experience, everything first hand, he does so, with homosexuality, as well (along with Peter Sarsgaard’s character). This is another, excellently educational, biographical film.

A Home at the End of the World (2004)
This brilliant modern epic, chronicles the lives of two best friends, one of whom is gay, the other gay-ish, from the 1960’s to the 1980’s. A beautiful tale, starring Colin Farrell, Robin Wright and Dallas Roberts.

De-Lovely (2004)
A beautiful musical bio-pic, on composer Cole Porter. Chronicles his, hidden sexual, life and career. It’s De-Lovely!!! The movie stars, Kevin Kline and Ashley Judd; with notable cameo’s by, Sheryl Crow, Robbie Williams, Alanis Morissette and John Barrowman; in various musical appearances. A very enjoyable, dramatic, and a tear-jerker of a, musical.

Was Nützt die Liebe in Gedanken (2004)
Also known as, Love in Thoughts (in English), this is an intriguing German movie, starring Daniel Brühl and August Diehl. The movie is about a shy virgin poet, and his openly gay, aristocrat, friend. The movie showcases an all-night party, and deals with a suicide pact. A superb German film.

Brokeback Mountain (2005)
Most probably, the most popular gay-themed epic ever. This is one of the greatest epic tales, to come out of Hollywood; along the lines of, Gone with the Wind (1939), War and Peace (1956), Doctor Zhivago (1965), The Godfather trilogy (1972, 1974 & 1990), and in this century, Cold Mountain (2003); to name some.

Ang Lee’s magnum opus, is about a secret love affair, between two cowboys, who fall for each other, whilst working together, as young men, back in the 1960’s. They get married, to women, have kids, time flies, but their love for each other never dies. A tragically beautiful epic-Love Story!! It’s a pity, the movie was deprived of the ‘Best Picture’ trophy, at the Academy Awards, the following year. However, the film starring, Heath Ledger, Jake Gyllenhaal, Anne Hathaway and Michelle Williams; did bag a trio of Oscars. ’Twas, Ang Lee’s, very first Oscar win; out of the two, he’s won so far; for ‘Best Achievement in Directing’.

Breakfast on Pluto (2005)
No doubt the best role, that Cillian Murphy, has ever done. He plays a transvestite, from Northern Ireland, back in the 1970’s. The film chronicles his/her life, through the political struggles, of Northern Ireland, to her life in London, as a prostitute; all in the pursuit of finding her biological mother. It’s a sad touching story, of a person not accepted in her own town, for being different, and her quest to find maternal love.

Based on the novel, Breakfast on Pluto, by Patrick McCabe; this is a brilliantly heart-rendering movie. A must see, British/Irish, flick, directed by Neil Jordan. Year 2005, was a great year for LGBT movies, made in the English language; especially in the commercial sphere.

Also see my list Kill Ian Murphy from November 2011 (Nuwan Sen), on IMDB.

Capote (2005)
This Bio-pic, is based on Truman Capote’s research for, his acclaimed novel, In Cold Blood. The basis for this particular novel, was inspired by an actual murder, of a Kansas family. The four members of the Herbert Clutter family, were brutally killed, by two young men; Richard (Dick) Hickock and Perry Smith. The two men were falsely informed, that the house contained a safe with $10,000. However, there no such safe, and the duo murdered the entire family. During his research, Truman Capote extensively interviewed Perry Smith, in prison. Basically, Capote, psychoanalysed, and got to understand the inner workings of the criminal mind. The movie, of , In Cold Blood (1967), is a brilliant cinematic venture, based on the novel. The movie, Capote, is based on Capote’s research, on the 1959 murder.

Year 2005, was definitely a year, when actors did daringly challenging roles; and the late Philip Seymour Hoffman, won an Oscar, for his portrayal of the late Truman Capote, one of my favourite American authors. Also want to add, that Catherine Keener was superb as, author, Harper Lee.

Kevin Zegers and Felicity Huffman; in Duncan Tucker’s Transamerica (2005)

Kevin Zegers and Felicity Huffman; in Duncan Tucker’s Transamerica (2005)

Transamerica (2005)
From a epic journey of a transvestite, in the United Kingdom, in Breakfast on Pluto, to a journey on the road, with a transsexual, in the United States, in Transamerica (2005); year 2005, sure was a brilliant cinematic journey for the other sexes (as I stated earlier).

Here, actress, Felicity Huffman, plays the transsexual, who’s had (is going through) a sex change, from a man to a woman; when he/she finds out, that, she has a son (Kevin Zegers), from a one night stand, Huffman’s character had with a woman, when she was a young man. Soon the female father, and son, take a road trip. Superb road flick, by Duncan Tucker. Felicity Huffman, should have won the ‘Best Actress’ trophy, at the Academy Awards, in 2006.

Heights (2005)
Heights is a movie, set in New York, with various storylines, crisscrossing, each other. In one, James Marsden, plays a closeted homosexual, married to a woman (played by Elizabeth Banks).

Another beautiful movie, in the style of, I Heart Huckabees (2004), Crash (2004), Babel (2006), Little Children (2006) et al, which culminate into a brilliant climax. Heights, also stars Glenn Close, Isabella Rossellini and Jesse Bradford. This is the only feature length film, directed by, screenwriter, Chris Terrio. Thus he’s a ‘one film’ wonder, for now.

Infamous (2006)
While Philip Seymour Hoffman, did a brilliant job, playing Truman Capote; Toby Jones in Infamous, felt Truman Capote, in every way possible. From the short height, the rounded face, the small make of a genius, that Capote was; Toby Jones managed to get himself into character with perfection.

It’s rare, I would enjoy two movies, that were made on the same tale, but both, Capote and Infamous, are equally superb. Both based on Capote’s research for In Cold Blood. Watch out for Sandra Bullock’s excellent performance as Harper Lee. Yes, this movie, is the exact same story, with the same lead characters, as Capote.

The History Boys (2006)
The History Boys, as the title suggests, is full of Boys!! Set in a Grammar School, in 1980’s Britain; the movie is about a group of unruly teenage boys. Mainly their relationship towards a young, highly intellectual, professor. A very enjoyable movie, with an old gay lecturer, who enjoys giving the boys a lift on his bike; and the assessment of the possibility of the younger lecturer being gay himself; especially through the seduction of this said young lecturer, by one of the teenage schoolboys.

A superb comedy/drama, based on a play by Alan Bennett, and directed by Nicholas Hytner. The movie stars, Stephen Campbell Moore, Dominic Cooper, Richard Griffiths, Penelope Wilton, Georgia Taylor, and a cast full of charming young men.
Life in a Metro (2007)
Life in a Metro and Barfi! (2012), are definitely, two great Bollywood flicks, by Anurag Basu. He ought to do more movies like that. Like, the earlier mentioned, Heights, this is also a potpourri, about various people living in a metropolis. In this case, in Mumbai. Among the people, there also happens to be a closeted gay couple, who use a female colleague (who’s clueless of their sexuality), when one’s family, visits Mumbai. Hilarious at times, at times heart provoking, this is among the Best of Bollywood.

This movie has a stellar cast, including, Dharmendra, Nafisa Ali, Shilpa Shetty, Irrfan Khan, Konkona Sen Sharma, Kay Kay Menon, Sharman Joshi, Shiney Ahuja and Ashwin Mushran, to mention some.

Les chansons d’amour (2007), a.k.a. Love Songs (in English)
An enjoyable musical, about a threesome (a guy and two girls). The trio of lovers, enjoy their youthful, carefree, life in Paris, until the death of one of the girls. This forms a rip in the relationship of the two left behind, and movie concentrates on how the death of a loved one, affects the other two.

But soon the focus shifts, as a young gay man, forms an infatuation, towards the guy (of threesome). Before soon, the two men are singing and rolling around in bed.

This is a beautifully made, romantic movie, without making the subject matter, sleazy in anyway. As if a threesome is the norm, and the world has accepted homosexuality whole heartedly. What a lovely movie, handled so sophisticatedly, by director, Christophe Honoré. Starring Louis Garrel, Clotilde Hesme, Ludivine Sagnier and Grégoire Leprince-Ringuet; this is a lovely, modern day, French, musical, to come out in recent times.
Milk (2008)Milk (2008)
A beautiful and tragic, bio-pic, on the life of California’s first openly gay elected official, and iconic American gay-activist, Harvey Milk. Set in the 1970’s, and another excellent political flick, directed by Gus Van Sant, this is among the greatest biographical films ever made. Sean Penn won an Oscar, for his touching performance, as Harvey Milk; Dustin Lance Black took home the Oscar for the ‘Best Original Screenplay’. The movie has roped in a brilliant star cast, of straight actors, playing gay roles; including James Franco, Emile Hirsch, Diego Luna and Alison Pill.

Doubt (2008)
Starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis, this is another brilliant film, about the doubt in the mind of a nun, whether she accused, a gay priest, of paedophilia, by mistake.

A very sensitive subject matter, this movie is set in a Catholic School, in the early 1960’s. This, must watch, movie, is directed by John Patrick Shanley, based on his own play. Pure Excellence, lead by Streep!!!!!

A Single Man (2009)
Love the Book, by Christopher Isherwood!! Love the Movie!! Love them both equally!!

Set in sizzling 60’s, the story is about, one day, in the life, of a gay English Professor, living in Los Angeles, California, in USA. One year, after the death of his lover, he sets out to kill himself, at the end of the day; but the events of the day, change his mind. Of course, in the book, he doesn’t try to kill himself, but the end result is the same.

This is a very stylishly made film, by Fashion Designer, Tom Ford (which also happens to be his very first directorial venture); starring Colin Firth, Julianne Moore, Matthew Goode and Nicholas Hoult.

J’ai tué ma Mère (2009), a.k.a. I Killed My Mother (in English)
Unlike all the other films, I’ve spoken of here; majority of which I watched eons ago, within the previous two decades; I watched J’ai tué ma Mère, quite recently, in this decade. In fact, I saw this fabulous flick, just last month, this year!!

See my Blog-Post, Mai May Movies 2016 from May 2016!!!!!

David’s Birthday (2009)
Although, I watched this movie, some years ago, I did work on it, for a Blogathon I took part in, last year, this month.

See my Blog-Post, Beach Party Blogathon: Italian Film ‘Il Compleanno’, in English – ‘David’s Birthday’ (2009) from June 2015.
Natalie Portman in Black Swan (2010)Black Swan (2010)
In the last year, of the first 10 years, into the 21st century, Darren Aronofsky’s Black Swan was released; for which Natalie Portman bagged the ‘Best Actress’ Oscar, the following year.

This is a brilliant movie, about a split personality, of a dancer, as she performs two roles, that of the white swan, and the black swan. The darkness of the black swan’s soul, starts take over her life. The movie also explores her sexuality, through an explicitly psychodynamic lesbian sex sequence. Nathalie Portman, Mila Kunis, Barbara Hershey, along with French actor, Vincent Cassel; are superb in their respective roles.

THE LAST FIVE YEARS – The Future is Here!

Laurence Anyways (2012)
Another brilliant Canadian movie, by young Xavier Dolan; I mentioned his first movie above, J’ai tué ma Mère. This time, a movie dealing with the issue of a transgender personality. A man who slowly transforms into a woman, ’cause he feels like a woman. But he isn’t a gay man. So basically he turns himself from a straight man, to a lesbian woman. The movie is an epic, that deals with the slow transformation, over the years, and stresses on how it affects his near and dear ones. Especially his beloved wife.

Laurence Anyways, stars, Melvil Poupaud, Suzanne Clément and Nathalie Baye. Along with this, director Xavier Dolan films, are among the best Canadian films, I’ve come across. The American television movie, Normal (2003), has pretty much the same premise.

La vie d’Adèle – Chapitres 1 et 2 (2013)
Known as, Blue is the Warmest Colour, in English; this is an exceptional lesbian themed film, about two young French girls, by, Tunisian-French, director Abdellatif Kechiche.

The French movie is about, the sexual awakenings, of a young girl, through a girl she met by chance. A girl with short-cropped blue hair. The two fall deep in love, and experiment an erotic romance. Beautifully made, this sensual film stars, Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche and Jérémie Laheurte. One of the best, lesbian-themed, films, ever made. Pure Indulgence!

The Imitation Game (2014)
Another great bio-pic; this time on famed Cryptanalyst/Mathematician & Theoretical Biologist, Alan Turning. The man behind the famed ‘Turing Test’. The movie is set during World War II, when he decrypted, German intelligence codes, for the British government. At the age of 39, Alan Turning, was convicted, under indecency laws, for Homosexual acts, in 1952.

Directed by, Norway’s, Morten Tyldum, and having roped in a superb cast; including, Benedict Cumberbatch (as Turing), Keira Knightley, Matthew Goode, Charles Dance, Mark Strong, Allen Leech and Matthew Beard; this a superb, English-Language, bio-pic, to come out in recent times.

Eisenstein in Guanajuato (2015)
Yet another bio-pic!! This is about one of silent cinema’s greatest film director’s, i.e. Russian born, Sergei Eisenstein. The man responsible, for bringing out, Bronenosets Patyomkin (1925), a.k.a. Battleship Potemkin (in English). Battleship Potemkin, is a propaganda film, based on the mutiny that occurred in June 1905, when the crew of the Russian battleship, Potemkin, rebelled against their officers. This Soviet Russian film, Battleship Potemkin, is today, amongst the greatest films ever made; and one of my personal favourites, of the silent era. It’s a brilliant cinematic artwork, in the field of visual aesthetics.

Eisenstein in Guanajuato, deals with Eisenstein’s trip to Guanajuato, in Mexico, and his gay sexual odyssey, in the 1930’s, after he achieved fame for Battleship Potemkin. Definitely a great Peter Greenway flick; and now Greenway is working on a sequel to Eisenstein in Guanajuato. Finnish actor, Elmer Bäck, essays the role of the famed Sergei Eisenstein, with ease. He does a brilliant job, and viewers are transfixed onto the screen, thanks to him, the superbly satirical dialogues, and the breathtaking cinematography. A must watch!!

10 Star Rating, for each of the above!! All the films I’ve spoken about are nothing less the EXCELLENT!!!

OTHER FILMS

Above: Whoopi Goldberg and Margaret Avery; in  Steven Spielberg’s The Color Purple (1985)  Below: Queen Latifah and Tika Sumpter; in Dee Rees’s Bessie (2015)

Above: Whoopi Goldberg and Margaret Avery; in Steven Spielberg’s The Color Purple (1985)
Below: Queen Latifah and Tika Sumpter; in Dee Rees’s Bessie (2015)

There are many excellent films with gay characters or (sometimes subtle) gay themes; like in; Rebecca (1940), Les Enfants Terribles (1950), Strangers on a Train (1951), Cat on a Hot Tin Roof (1958), Ben-Hur (1959), Some Like it Hot (1959), Lawrence of Arabia (1962), In Cold Blood (1967), The Damned (1969), A Clockwork Orange (1971), Midnight Express (1978), The Color Purple (1985), Proof (1991), As Good as it Gets (1997), My Best Friend’s Wedding (1997), American History X (1998), Billy Elliot (2000), La Face Cachée de la Lune (2003), Little Miss Sunshine (2006) and Meet Bill (2007) (to name some); that I haven’t included here. Mainly because their main plot doesn’t revolve around homosexuality, or a homosexual character; but they do have gay characters, with quite prevalent, supporting roles; or sometimes even a very significant gay sub-plot, sometimes indirectly. But it’s not the main plot, nor does it have anything to do with the lead characters, thus have omitted some of these greats. Then there are gay-themes in television films like Family Album (1994), Common Ground (2000), No Night Is Too Long (2002), Normal (2003), Prayer for Bobby (2009), Christopher and His Kind (2011), The Normal Heart (2014), et al; that I haven’t spoken of here, as, for this post, I’ve concentrated on Cinematic ventures, only. Nor have I spoken of any short-films, as well; like the brilliant, Fishbelly White (1998) and Blessure (2009); or like the pretty good, Week-end à la Campagne (2007) and Homophobia (2012). Then again, haven’t seen that many Gay-shorts. Not to mention, there are some superb television series (sit-coms, mini-series, long serials et al), such as, Oz (1997-2003), Will & Grace (1998-2006), Cambridge Spies (2003), Angels in America (2003), American Horror Story (2011 onwards), The New Normal (2012-2013), Empire (2015 onwards), Bessie (2015), etc etc….; that openly explore Gay issues, and/or have gay lead characters.

Above: Mark Rendall and  Logan Lerman; in Richard Loncraine’s My One And Only (2009) Below: Kristen Stewart and  Juliette Binoche; in Olivier Assayas’ Clouds of Sils Maria (2014)

Above: Mark Rendall and Logan Lerman; in Richard Loncraine’s My One And Only (2009)
Below: Kristen Stewart and Juliette Binoche; in Olivier Assayas’ Clouds of Sils Maria (2014)

I also want to make a Special Mention, on some other near excellent to really good, gay-themed movies (of the Big Screen); From the Near-Excellent (with a 9 Star Rating), to the Very-Good (with an 8 Star Rating). These movies are really worth watching. The likes of; Voulez-vous Danser avec Moi (1959), Teorema (1968), Midnight Cowboy (1969), Deliverance (1972), The Rocky Horror Picture Show (1975), Dog Day Afternoon (1975), Caligula (1979), American Gigolo (1980), La Ley del Deseo (1987), Less Than Zero (1987), Philadelphia (1993), The Adventures of Priscilla, Queen of the Desert (1994), The Basketball Diaries (1995), Love and Death on Long Island (1997), Midnight in the Garden of Good and Evil (1997), No se lo Digas a Nadie (1998), Gouttes d’eau sur Pierres Brûlantes (2000), Presque Rien (2000), The Broken Hearts Club: A Romantic Comedy (2000), Y tu Mamá También (2001), Das Experiment (2001), Yossi & Jagger (2002), Food of Love (2002), Le Temps qui Reste (2005), Crustacés & Coquillages (2005), Douches Froides (2005), Where the Truth Lies (2005), Kinky Boots (2005), Death at a Funeral (2007), Evening (2007), Little Ashes (2008), Latter Days (2008), Taking Woodstock (2009), Everybody’s Fine (2009), My One and Only (2009), Kill Your Darlings (2013), The Kids Are All Right (2010), Bombay Talkies (2013) and Clouds of Sils Maria (2014); to name some.

TOP: Edouard Collin and Théo Frilet; in  Olivier Ducastel and Jacques Martineau’s Nés en 68 (2008) BOTTOM: Fawad Khan and Sidharth Malhotra; in Shakun Batra’s Kapoor & Sons (2016)

TOP: Edouard Collin and Théo Frilet; in Olivier Ducastel and Jacques Martineau’s Nés en 68 (2008)
BOTTOM: Fawad Khan and Sidharth Malhotra; in Shakun Batra’s Kapoor & Sons (2016)

There are other many great movies, I’ve heard of, like, Tea and Sympathy (1956), Victim (1961), The Servant (1963), Les Amitiés Particulières (1964), Reflections in a Golden Eye (1967), Les Biches (1968), The Boys in the Band (1970), Entertaining Mr. Sloane (1970), Fortune and Men’s Eyes (1971), Morte a Venezia (1971) Sunday Bloody Sunday (1971), Ai no korîda (1976), Die Consequent (1977), Una Giornata Particolare (1977), Un hombre llamado Flor de Otoño (1978), Querelle (1982), Kiss of the Spider Woman (1985), My Beautiful Laundrette (1985), The Crying Game (1992), Voor een Verloren Soldaat (1992), Xi Yan (1993), Fucking Åmål (1998), Gods and Monsters (1998), Better Than Chocolate (1999), Monster (2003), Grande École (2004), The 24th Day (2004), C.R.A.Z.Y. (2005), Huhwihaji Anha (2006), Nés en 68 (2008), Plein Sud (2009), Einayim Petukhoth (2009), Les Amours Imaginaires (2010), Habitación en Roma (2010), An Fei ta Ming (2010), 80 Egunean (2010), Howl (2010), Ludwig II (2012), The Broken Tower (2011), Sal (2011), On the Road (2012), Tom à la Ferme (2013), Margarita with a Straw (2014), Yves Saint Laurent (2014), Saint Laurent (2014), Aligarh (2015), Carol (2015), The Danish Girl (2015), Holding the Man (2015), Kapoor & Sons (2016), et al; yet I haven’t watched any of them; but have read some very positive reviews, along with good ratings, for them. These are some gay-themed films, am really keen on checking out.

So here’s to a more open-minded society; the future of equality, understanding human associations, personalities and reason. Giving everyone a fair chance, as they deserve. Here’s to a Brighter Future!!!!!

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense
Films 2005

Sen 40 Blog Post

I first came across Sushmita Sen, back in early 1994, in New Delhi (we went to re-live in New Delhi, in February 94’, when my father was assigned for a posting at the Sri Lankan High Commission in New Delhi, for a second time), when I read about how she was crowned Miss India for Miss Universe that year, when Aishwarya Rai, who apparently seemed more beautiful, had tripped on her shoe (or something like that), thus Rai ended up bagging the runner-up (i.e. the Miss India for Miss World title) for 1994. I read this most probably in one of my mum’s Femina magazines.

Miss India, Sushmita Sen, being crowned Miss Universe, in May 1994 !!

Miss India, 18 year old, Sushmita Sen; being crowned Miss Universe, in May 1994 !!!!

Then one day, in May 1994, when I woke up, the television was on, my old man was watching the news, when it was announced that Miss India 1994, Sushmita Sen, had bagged the Miss Universe crown. We all gathered round the telly, to see a genuinely (pleasantly) shocked expression on the bewitchingly beautiful face, of an 18 year old Ms. Sen, as she was being announced as the winner that year. I was smitten, by this natural beauty who was the same age as me. Sushmita Sen, was the very first Indian to win the Miss Universe crown (We watched the telecast of the pageant, the same night, I believe). Plus 1994, was a double whammy for beauty queens from around the globe, when 21 year old Aishwarya Rai, bagged the Miss World title later that year itself; making Rai the second Indian beauty to win the Miss World crown (the first being Reita Faria in 1966, in fact Faria was the first Asian ever to win the Miss World title). Since 1994 onwards I’ve followed Sushmita Sen’s progress, as a socialite, a humanitarian and an actress. Today she’s amongst my favourite Indian personalities ever.

Sen's Childhood & Children Main PIX: Sushmita Sen, with her two daughters; Renée and Alisah. Inset: Sushmita Sen in her schooldays, with her brother.

                                 Sen’s Childhood & Children
Main PIX: Sushmita Sen, with her two daughters; Renée and Alisah.
Inset: Sushmita Sen in her schooldays, with her brother.

Within the last 21 years, Sen has achieved a lot in her life. In her mid-20’s, unmarried and single, she became a mother, when she adopted a child. Today she has two daughters through adoption; Renée and Alisah. Plus Sen, being from the Asian continent (more specifically from South Asia), that veers towards the preference to a male child over a female, has been a vocal advocate in India, on saving the Girl Child. Her superb acting talent has been overshadowed by her long limbed sultry persona. Thus she’s been wasted in minor roles, in many a useless movies. Yet she’s also done some exquisite roles, in not so great movies. She definitely deserves way better.

Slut vs. Saint: Chingaari (2006), wasn't necessarily a good movie (average fare). Yet Sushmita Sen was superb in her role of a prostitute.

Slut vs. Saint: Chingaari (2006), wasn’t necessarily a good movie (average fare), yet Sushmita Sen was superb in her role of a prostitute.

From Princess Gayatri Devi (1919-2009), to the first female Prime Minister of India – Indira Gandhi (1917-1984), to Nutan (1936-1991), to Simi Garewal, to Shabana Azmi, to Sushmita Sen, et al; these are some of the classiest, intellectual, sophisticated, open-minded, free-thinking, female humanist’s & fashionista’s of modern India, that constantly thrive/d to make India a better place, constantly moving forward, in the right direction.

Sushmita Sen joins me today, by turning 40!!!! Happy Birthday Miss Sen. Welcome to the Fabulous years of our lives, yet to come (we can hope for the best, can’t we?). Wishing you all the best!

Nuwan Sen’s Film Sense

Posters from Sushmita Sen’s most recent film release, Nirbaak (2014)

Posters from Sushmita Sen’s most recent film release, Nirbaak (2014)

P.S. Down with the viral flu, though am better today, last thing I wanted to do was a blog post (I didn’t even switch on my laptop for almost a week, and prior to that being so busy n’ tired, not to mention the unnecessary stress that slithers it’s way in, I’ve hardly got the chance to work on anything properly). But today morning, when I realised that it was Sushmita Sen’s birthday, I felt I had to write something. Especially, ‘cause, since June 2015, I’ve been doing posts on some of my favourite personalities turning 40 this year. And I shan’t skip on this elegant lady, that I’ve been a fan of, since we were both 18, just ‘cause of a heavy head. Thus, please do keep my flu in mind, lest I haven’t done Ms. Sen justice, by doing such a quick write-up, sans research.  

Nuwan Sen (nu Sense on Film)
(Also See: )

Pure British Sophistication!!! Chic & Classy, the Poshest of the Posh, Kate Winslet joins me, by turning 40 today. So, Happy Birthday, to one of my favourite Brits, of the 21st century!!!!!

English Rose: Kate Winslet turn 40!

English Rose: Kate Winslet turn 40!

With her charming smile, her naturalistic simple appearance, and eloquently well spoken British English, that would have pleased Professor Higgins; Kate Winslet today, is one of the most talented British actresses to have graced the Big Screen, both, in her own homeland, as well as Hollywood. Her elegantly well spoken, vocal diction, is the most articulate, since Julie Andrews, ran singing up the Austrian hills in a habit, 50 years ago. Winslet’s acting skills are second to none other than that of, the marvellous 66 year old, Meryl Streep. With her great cinematic choices; grace, elegance, poise, and such a kindly face; she is my favourite actress of this century.

Back in the mid-90’s, I read a small snippet on the movie, Jude (1996), most probably before it’s release, on some magazine, which accompanied a picture of Kate Winslet and Christopher Eccleston. To my memory, this was the very first I heard, and/or saw a picture, of Kate Winslet. I don’t recall coming across anything about her, prior to that. I was really keen of watching Jude at the time, as it was based on the novel, Jude The Obscure, by Thomas Hardy. Soon I forgot the cast, but remembered that there was a movie called Jude, that I wish to see. Then in early 1998, in my second year, at Delhi University, Titanic (1997) was being shown at a relatively newer Cineplex in the city. Multiplexes were quite new back in the 90’s, in New Delhi, thus a craze among young Delhiites, and we had heard about the curved wide screens at this particular cinema, with multiple halls, called Satyam Cineplex. So one wintry night, close to spring, along with some fellow students (friends & acquaintances), we went all the way to Satyam, which was quite a distance, from the north campus, to watch the late night show of Titanic. Getting the tickets wasn’t easy, even at that late hour, and we ended up in the front row seats. Generally not a fan of sitting right in front, but Titanic was totally worth it. As the lead  character played by Michael Pitt, in my favourite film on film buffs, The Dreamers (2003), states, about sitting right up front in the cinema, “it was because we wanted to receive the images first. When they were still new, still fresh. Before they cleared the hurdles of the rows behind us. Before they’d been relayed back from row to row, spectator to spectator; until worn out, second-hand, the size of a postage stamp, it returned to the projectionist’s cabin.” Over five years later, when I watched Michael Pitt’s character, Matthew, narrate those words, I could relate to it, especially since I watched at least two movies in that manner, in my DU years, and one of them was Titanic. I loved the movie; even though somewhat censored, when it came to the innocent, non-sexual, nudity showcased in the film; and everything about it, including Kate Winslet. Post that, I’ve seen Titanic quite a few times.

Kate Winslet in Jude (1996)

Kate Winslet in Jude (1996)

Being a great fan of Sandra Bullock, back in the 90’s, Winslet didn’t become my favourite actress, over-night. Literally!!! Titanic ended past midnight, thus next morning, and it was freezing cold by then. Later that year, I saw Jude, and fell in love with it, and thought Kate Winslet was brilliant. A couple of years later, I got to re-watch it. Consequently, over the next few years, I watched quite a lot of films of hers, some good, some not so, including, Heavenly Creatures (1994), Sense and Sensibility (1995), Hamlet (1996), Hideous Kinky (1998), Holy Smoke (1999), Quills (2000), Enigma (2001) and Iris (2001). Jude happens to be my favourite of Kate Winslet movie from the 1990’s.

Then in 2004, whilst living in Portsmouth, UK, I watched two interesting movies of hers. One was the really good thriller, with a very clever twist, The Life of David Gale (2003). The other, was the brilliant, surreal, masterpiece, Eternal Sunshine of the Spotless Mind (2004); for which Winslet was nominated for a fourth time, and which was her second ‘Best Actress’ nomination, the following year. So, Year 2004, was the year, Kate Winslet, became my favourite actress. And since then, she is till date, my favourite female star of the 21st century. Back in 2000, I fell in love with Jude Law, practically replacing Matt Damon, as my favourite actor, when I watched The Talented Mr. Ripley (1999), my favourite film from the 90’s decade, for which Law received his very first Oscar nomination. But it was four years later, after watching some more of his movies, that Law really became my favourite male star of the 21st century. So Year 2004, was a crucial year, for both Jude Law (who had quite a few releases that year) and Kate Winslet (mainly in regard to me). Year 2004, was when Law & Winslet, became my two favourite films stars, of the new century; and 11 years later, they still are (though unfortunately, Law hasn’t appeared in anything that impressive lately). It’s an interesting coincidence, to note, that both, Law & Winslet, happen to be Brits. Back then, they hadn’t actually worked together. But post 2004, Law & Winslet, have worked in a trio of films, out of which, I’ve unfortunately watched only, The Holiday (2006). A beautiful Christmassy romance flick, and if I remember correctly, I watched it on Boxing Day 2006, the day after Christmas; in Sydney, Australia. Later, I re-watched The Holiday, with my flatmates on DVD, the following year.

Law & Winslet: Movies in which both, Jude Law and Kate Winslet, appeared in.

Law & Winslet: Movies in which both, Jude Law and Kate Winslet, appeared in.

Then in early 2007, one Summer evening, at the height of the dry Australian heat, I saw Little Children (2006), on the Big Screen. Another excellent, Art House, film, and another superb Kate Winslet performance, for which she received her third ‘Best Actress’ Oscar nomination. By 2005, she was already, the youngest celebrity to be nominated four times, by the Academy of Motion Picture Arts and Sciences (Oscars). She was still 29, when she was nominated for a fourth time, for Eternal Sunshine of the Spotless Mind.

Then came her magnum opus, The Reader (2008), for which she finally won the ‘Best Actress Oscar’. ’twas about time. I watched The Reader, twice within 2009 itself, the latter was on the Big Screen, in Paris, France. Today The Reader is my favourite of Kate Winslet movies. She’s definitely come a long way since her Titanic days. By now, I’ve seen quite a load of Winslet films of this century, including, Finding Neverland (2004), Romance & Cigarettes (2005), Revolutionary Road (2008), Carnage (2011) and Labor Day (2013). Added to which, I’ve also seen the excellent TV-miniseries, Mildred Pierce (2011), for which Kate Winslet won a Golden Globe award, an Emmy, among other wins, as well, for her performance as the titular character of the show. From her movies, that I haven’t seen yet, am really keen on watching, War Game (2002) & Pride (2004); for which she had lent her voice; All the King’s Men (2006), Contagion (2011), A Little Chaos (2014), Steve Jobs (2015) and The Dressmaker (2015), to name some.

It’s interesting to note, that Kate Winslet has appeared in some of my favourite pieces of literature, including adaptations of, Shakespeare’s Hamlet (an excellent modern adaptation), Bernhard Schlink’s The Reader, and Richard Yates’ Revolutionary Road. Love those Books, Love their movie adaptations just as much.

Wishing Kate Winslet, all the best, on her 40th Birthday (Actors, Parminder Nagra and Scott Weinger, also turn 40 today. Best Wishes to them as well).

Nuwan Sen’s Film Sense

Kate Winslet in Titanic (1997)

Kate Winslet in Titanic (1997)

Related posts/lists

Six Degrees of Separation: Kate Winslet
Mildred Pierce: TV miniseries
K Winslet
Oscar Winners … and then some 2012.
Labor Day: An Enjoyable Piece of Labour

(NSFS

‘‘I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.’’
– Elvis Presley
(1935-1977)

Elvis Presley Beautiful

Elvis the Pelvis, was one of the greatest rock sensations to have ever existed, in the previous century. His unique signature pelvis shake, his hair puff, dashing good looks and baritone voice, brought about a rapid change to the pop scene, back in the 1950’s. Added to which, Elvis, who never believed in segregation, and was anti-racial prejudice, brought black and white youth together through his music. In fact when audiences first heard his songs on the radio, they assumed he was a black man. Young Elvis also broke Memphis’ segregation laws, by attending a local amusement park on what was designated as its coloured night.
Elvis Presley (The king of Rock n’ Roll)Though a great musical artiste, he was however unable to have a similar impact on film. Not much of an actor, yet he wasn’t really given much of an opportunity as such, to explore his cinematic side, as well. He was typecast, even though he played diverse characters like a boxer, an army Specialist 5 (SP5), a race car driver and a jailbird, to name a few of his Big Screen characters.

Only thing worse than watching a bad movie is being in one.
– Elvis Presley
(1935-1977)

Yet, though not necessarily great, none of his movies are out and out bad. Most, in fact, are quite enjoyable, thanks to the melodic music, the soothing songs, talented vocals, the scenic location shots, pretty girls, and of course – the most beautiful creature; batting those long eyelashes and flashing that charming smile, the movie revolves around – Elvis Presley, who else. He’s prettier than his female co-stars. A rarity in Hollywood, back in the day.

Elvis Presley’s brilliant performance in the movie Jailhouse Rock (1957)

Elvis Presley’s brilliant performance, in the movie, Jailhouse Rock (1957)

Set of Seven Presley Pictures I’ve seen so far (& My Ratings)     

Love Me Tender (1956)
Elvis’ very first cinematic venture, was the very film of his I saw. This was as a teenager, back in 90’s. I have no memory of having watched any Elvis film prior to that, as a kid in the 80’s.
I loved the music, loved Elvis’ presence, and was saddened by his tragic end, in this classic western, set just after the American Civil war. This movie isn’t a musical as such, though it contains a few songs, by Elvis Aaron Presley, in his Big Screen debut.

My favourite song from the movie: Love Me Tender!

My Rating: 8/10

Post Love Me Tender, I’ve seen quite a few of his films, within the last 20 years. Here are the rest of his cinematic ventures, that I’ve seen so far, in order of year released.

Jailhouse Rock (1957)
A pretty good movie, where Elvis plays a prisoner, serving time for manslaughter. Post his release from prison, he ends up being a singing sensation. I loved the whole performance choreographed around the song, Jailhouse Rock. A performance, as an ode to his character’s days in prison.

My favourite song from the movie: Jailhouse Rock!

My Rating: 7/10
Elvis Presley movieKing Creole (1958)
Directed Michael Curtiz, produced by Hal B. Wallis and based on a  novel by Harold Robbins, A Stone for Danny Fisher; this is touted as the best performance by Elvis Presley. In fact Elvis himself apparently loved King Creole the most, among his movies. Yet I beg to differ. Though a brilliant story, and a very good Elvis flick, this wasn’t his best performance. He’s capable of doing better. But story wise, yes King Creole, had more of a concrete story line, compared to most of his latter films. This movie also starred Walter Matthau (as a crook) and Carolyn Sue Jones (as the crook’s frightened mistress).

My favourite song from the movie: Crawfish! (the very first song in the movie, a duet with veteran jazz vocalist, Kitty White)

Also see my post DVD Films From Last Month PART-II from December 2014, in regard to King Creole.

My Rating: 8/10

Blue Hawaii (1961)
Another romantically enjoyable musical, with scenic locations, songs, music and Elvis Presley of course. Watch out for the brilliantly comical performance by Angela Lansbury, who plays mother to Elvis’ character.

My favourite songs from the movie: Can’t Help falling in Love with You and Moonlight Swim!

Also see my post DVD Films From Last Month PART-III from January 2015, in regard to Blue Hawaii.

My Rating: 7/10

Kid Galahad (1962)
A pretty good re-make of a 1937 noir classic. A sporty flick, where we see Elvis put on his boxing gloves. In a very different avatar, to the kind of characters he’s played before. The movie also starred Charles Bronson, Joan Blackman and Ed Asner.

My Rating: 7/10

Elvis Presley & Ann-Margret on the sets of Viva Las Vegas (1964)

Elvis Presley & Ann-Margret on the sets of Viva Las Vegas (1964)

Viva Las Vegas (1964)
One of my guilty pleasures. I thoroughly enjoyed this insight into 60’s Vegas. The music, the songs, the dances, the sexy clothes and the great chemistry between Elvis and Ann-Margret.

My favourite song from the movie: The Lady Loves Me! (poolside duet with Ann Margret)

My Rating:10/10 (as I said, guilty pleasure, though I’ve only watched it once, over a decade ago)

Frankie and Johnny (1966)
Not to be confused with the more famous 1991 romantic comedy, starring  Al Pacino and Michelle Pfeiffer; this 1966 (a not so sexy film released in the year dubbed as Nineteen Sexty-Sex) musical, set in a riverboat, where Elvis Presley plays a riverboat gambler, has some amazing musical performances. The movie also happens to be a period piece set in the late 1800’s.

My Rating: 7/10

Unless you are die hard Elvis fan, or love his music in general, you won’t really enjoy sitting through his movies. For it’s the songs that make these movies memorable. But one should still notice that none of his films are actually bad as such, though no where near, among the greatest films ever made. None of films are musicals in the traditional sense as well. A musical is a movie, where the story is told through music. In the case of Elvis films, the music is more of an icing on the cake, that can be tasted without the songs, yet the songs just add to the flavour, and beautify it.

Elvis Presley photographed by William Speer

Elvis Presley photographed by William Speer

The Death of an Icon

I want to entertain people. That’s my whole life. To my last breath.
– Elvis Presley
(1935-1977)

Today is the 38th Death anniversary of the famed King of Rock n’ Roll, Elvis Presley. Presley died on the 16th of August, 1977; at the time believed to be due to years of prescription drug abuse, and a result of suffering from multiple ailments for a long period of time; including – glaucoma, high blood pressure, liver damage, and an enlarged colon. He was only 42 years old. Amidst many a conspiracy theories, in the early 1990’s; in 1994, Presley’s autopsy was reopened. It was deduced that he had actually died of a violent heart attack, and not due to drugs, as earlier stated. A tragic loss for the music industry, a sad loss of a beautiful human being.

Elvis Presley photographed by William Speer

Elvis Presley photographed by William Speer

Elvis Aaron Presley, is till date, the best-selling solo artist in the history of recorded music, with an estimated record sales of around 600 million, and counting, worldwide.

Nuwan Sen’s Film Sense!!!!!
Nuwan Sen n’ Musical Greats!!!!!
Nuwan Sen n’ Elvis Presley Films!!!!!