Tag Archive: Actors


Da Vinci & Di Caprio: The Two LEO’s
Q.1° Given the chance to be a famous ‘Leonardo’ in your life, which Leo would You prefer to be? And Why?

a) Leonardo Da Vinci

b) Leonardo Di Caprio

c) A combination of both

d) Another Leo, altogether (Please specify, who & why)

Q.2° If, to the previous question, your answer was (c); which of these combined traits would you like to own? [You may answer, if you wish to, even if your answer for the previous question wasn’t (c)]

a) Da Vinci’s Brain (intellect) & Di Caprio’s Heart (seemingly kind personality/down to earth persona)

b) Da Vinci’s Artistic Talent & Di Caprio’s Looks

c) Da Vinci’s Looks & Di Caprio’s Acting Talent

Q.3° Which of these would like to possess?

a) Da Vinci’s (approximately) 550 years of fame, as one of the most celebrated artists in the world

b) Di Caprio’s 25 years of fame, as a talented actor and modern day humanist

Q.4° What is your favourite :-

a) Da Vinci Scientific/futuristic artwork?

b) Di Caprio Film?

c) Da Vinci Painting?

d) Di Caprio Film Character?

Q.5° If you could, which of these would you like to do?

a) Travel back in time, and meet Da Vinci

b) Do Di Caprio, in the present (or by going back in time)

c) Both

Nuwan Sen
Nuwan Sen’s Film Sense
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&


(1929-1993)

Remembering Audrey Hepburn, on her 88th Birth Anniversary!!!

Audrey Hepburn; a brave kid during the second world war who participated in the Dutch resistance, a beautiful young ballerina, a Tony & Oscar winning actress of the stage & screen, a Hollywood icon, a classy Fashionista, a kind humanitarian, a caring philanthropist, and a Goodwill Ambassador for UNICEF; who gave herself completely to serving poverty stricken, and ailing, children, across, Africa, South America and Asia!! A modern day saint!!

A mini-pictorial tribute, to this unique personality!!

Nuwan Sen

 

The indirect vengeance of a non-visible villain. A villain that you never see, in his negative persona, on screen. YET, a villain who manages to torment his ex-wife, through his literary brilliance.

Tom Ford’s Nocturnal Animals (2016) is a masterpiece of filmmaking. A great piece of Cinematic Literature. Brutally direct, unnerving at times, difficult to sit through, and a class apart. One of the most sophisticatedly directed Hollywood thrillers of this century. Tom Ford is the future of American Cinema.
This post is full of spoilers, after all, it’s a character analysis.  

Nocturnal Animals is about a well to do, but unsatisfied, art gallery owner, Susan Morrow (Amy Adams), who one day receives a draft of a novel, written by her ex-husband, Edward Sheffield (Jake Gyllenhaal); with whom she has had no contacts, for almost two decades. Slowly as she reads the novel, it becomes clear, the entire book is a conniving, vengeful, manipulative attack, on Susan. His revenge, for what he feels, she had done to him, in real life, all those years ago. Her guilt, her past memories, start to painfully gore into her psyche. The concept of ‘The Pen is mightier than the Sword’ stabs deep, in this unique blend of two storylines, one real (the reality set in the movie), and other fiction (the book written by the villain of the piece).

The Two Gyllenhaal’s  
Jake Gyllenhaal plays two characters, one is Edward Sheffield, the writer, the other Tony Hastings, the fictional character, penned down by Edward. Both are shown as lovely human beings, nice/kind/caring/sensitive. A loving husband; any woman would be lucky to be married to.

We see Edward, of the past, from Susan proposing to him, defending him, loving him, and marrying him. But their lives are not going anywhere. He is a struggling writer, with not much ambition in life, and an inferiority complex, of being considered weak. Although, Susan never calls him weak, and defends him, when her mother (Laura Linney) calls him thus. Yet, the fact Susan considers him sensitive in felt like an attack on his manhood. Edward’s ego can’t handle it. Worse, when she leaves him for a more dashing, classy, young gentleman, Hutton Morrow (Armie Hammer); to whom Susan is married to, in the present; that seems like the nastiest thing she has done to him. Not really though, the worse was yet to come.

Then in comparison, and contrast, to Edward, we see Tony Hastings, the fictional character, in Edward’s novel (in fact we see Gyllenhaal as Tony Hastings, before we see him as Edward Sheffield). Like Edward, Tony, is a loving husband; and a father of a teenage girl; with a kind and caring personality. Tony sets out on a trip, with wife and daughter, in tow (played by Isla Fisher & Ellie Bamber, respectively), through the dark deserted roads cutting through America. Soon they are attacked, by a gruesome group of creepy men, headed by Ray Marcus (Aaron Taylor-Johnson). We see Tony, helpless, and unable to defend his wife and kid, from these devils (the vicious villains of the novel). We see, Tony, as a normal human being, not a superhero. Ironically, a realistic portrayal of a fictional character. What follows is a tense drama.

Amy Adams, with a copy of John Currin’s Nude in Convex Mirror, hanging behind her; in a scene from the film.

Bringing out the Invisible Villain
Amy Adams is the icing on the cake. It’s through her emotional turmoil, as she reads the book, that gives birth to the real villain of this movie. It’s Adams’ character, Susan, that brings out the villain of Gyllenhaal’s character, Edward, to light. Every word, every tragedy, in the book, is a deeply cruel allegory of what Susan had done to Edward (according to Edward), in the past.

As the tension unfolds in the book, we (the spectators), along with Susan, feel the taunting tenseness of the sequence, taking place on the road. That is a very unnerving scene, as these hooligans harass the Hastings family. Aaron Taylor-Johnson is superbly shocking, as the villain in the book, Ray Marcus. But we have to remember, that he is but a fictional villain; not a real one (real as set in the movie). At the same time, the drama of the book, like the reel reality, is so engrossing, we are drawn into this parable of realism. We sit there, watching this long uncomfortable sequence, hoping the family will be sparred from these devils in human form.

As we see, a helpless Tony Hastings, not being able to help his wife and kid; after all normal human beings aren’t superhero’s, it’s a cry of Edward’s own inferiority complex, of himself being weak willed, as Edward assumed Susan felt about him. Even towards the end of the novel, Ray, calling Tony weak, is a hint, on Susan looking down on Edward (according to Edward), even though she never felt that way. And Tony proving, with a gun, he’s not weak anymore, is a metaphor of Edward proving, with his words, that he’s not weak anymore, either.

Jake Gyllenhaal, in his Edward Sheffield persona; in Nocturnal Animals (2016)

The shocking scene, where Tony finds his wife and daughter, raped, murdered, and kept in a suggestive manner in the nude; is an allegory of Susan’s secret abortion of Edward’s child, unbeknownst to him. In the present Susan has an adult daughter, Samantha Morrow (India Menuez), with her current husband, Hutton Morrow. But back then, she killed their child, worse she was accompanied by her then lover, Hutton Morrow. It’s obvious that Edward had kept a grudge, for close to two decades, because of it.

In the book, Tony has help, in the form a cop, a Good Samaritan, Bobby Andes, played by Michael Shannon (another brilliant role). But in the real world, Edward seems to have managed on his own. Edward at the same time, needn’t have gone so far, as to specifically send her the unpublished draft of his novel, titled Nocturnal Animals (a nickname he had for her, as she’s a night bird, who finds it difficult to sleep), and dedicated to her; as karma, had got her already.

Susan isn’t happily married. It is hinted that her husband is unfaithful. She is mostly alone, surrounded by material objects, living in a massive box of a stylish house. A modern day, glass, fortress, she seems to have created for herself. No real human connection. Her only child lives somewhere else. She’s succeeded in life, as a career woman, but not in happiness, not in living her life to fullest. She’s filthy rich, but not a soul near her. A rich loner, unhappy, and somewhat of a recluse. Edward’s final stab, at her, and her loneliness, is at the end of the movie. Where he agrees to meet her, at a posh restaurant; but stands her up. She ends up all alone, stood by everyone she cared for. It’s Edward’s revenge, fully accomplished.

Behind the Scenes: Amy Adams & Tom Ford, on the sets, during the making of the movie.

The Aesthetics   

Nocturnal Animals is a stylish thriller; dark, neo-noir, masterpiece; brilliantly filmed. Kudos to Tom Ford for bringing out something so unique; yet so Hitchcockian. The film is pure artistry, at it’s best. The symbolic aesthetics, the spot on imagery; the likes of, the bathtub scenes, shower scenes, the dead nude wife/sleeping nude daughter, et al; are perfectly synchronised. The entire movie, is a brilliant study of the cinematic arts. A must for all film fanatics, and it ought be taught to all film students, in film schools.

PIX: ME, with Jeff Koons’ Balloon Dog (Magenta); at Château de Versailles (a.k.a. Versailles Palace), in France (30th September 2008).

The start of the movie itself, hints on the aesthetic superiority of the film, as real life flabby nude women, are showcased in a virtual art form, at an exhibition. Also a hint on the compare and contrast of the reality and fiction, that’s to follow, in Nocturnal Animals. These massive heaving nudes, reminded me of the study of the naked monstrosity depicted in Jenny Saville paintings. Speaking of ‘’, the films itself showcases famed artworks, from more contemporary (post-post modernist) creations like, Balloon Dog by Jeff (the king of ), Nude in Convex Mirror by John Currin (pictured above), Damien Hirst’s Saint Sebastian, Exquisite Pain, an ‘Untitled’ artwork by Mark Bradford;  to past artworks from the mid/late-20th Century, like the popular, post-modernist artist, Andy Warhol’s Shadow, Joan Mitchell’s Looking for a Needle and Alexander Calder’s 23 Snowflakes; to name some. Of course, all these artistic creations play a vital symbolic role, in the movie.

Revenge an artwork by the Art Department of Nocturnal Animals & Tom Ford, is symbolic of what the storyline of the film itself happens to be. An unnoticeable revenge. A revenge, that seems innocent; but in reality is pure torture, for the person it’s indirectly been enacted on.

Besides being a critically acclaimed masterpiece and equally visually stunning, Nocturnal Animals, is an artist’s heaven, a fashionista’s must have collectable, an interior decorator’s dream décor inspiration, and a modern architect’s ornamental wonder. A special shout out to the amazing crew of the film; especially, Abel Korzeniowski, for his haunting musical score, Seamus McGarvey, for his photographic brilliance, Christopher Brown, for his art direction, Shane Valentino, for his production design, and Meg Everest, for her art décor.

With a superb cast, backing it, and pure excellence, in every cinematic element of the film, including a great storyline, and helmed by Tom Ford, Nocturnal Animals is amongst the best films, ever made. Truly, one of a kind.
My Rating: 10/10!!!!!
This post is my contribution to The Great Villain Blogathon 2017! A Blogathon hosted by Ruth of Silver ScreeningsKristina of Speakeasy and Karen of Shadows & Satin. Thank you Ruth, Kristina and Karen; for getting me involved in this blogathon. Thoroughly enjoyed being part of it.

I ended up watching this downloaded movie, twice (downloaded, ‘cause as such great films never come to cinema’s, in this aesthetically depressive country; yet it’s only just been almost a couple of months, since I first started downloading films, on the net). The first time I watched it, was last week (last Wednesday, to be more specific); which gave me the unique concept, I was hoping to find, to take part in this Blogathon; and then again, this Sunday. A special thank you, to Tom , for bringing out such a fantastic film, after all these years. Nocturnal Animals (), based on Austin Wright’s novel, Tony and Susan, is Ford’s second feature film. The first was, based on a another genius writer’s, superb novella, A Single Man, by Christopher Isherwood. This adaptation of Isherwood’s quick read, was released in 2009. Love the Ford Movie, Love the Isherwood Book. So Ford took his time, between two films, without rushing into things; and the result of which being, nothing but Excellence!!!!!  

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This Blogathon, hosted by ‘Real Weegie Midget’, that I joined the last minute (as we just came across each others Blogs, just few days ago, and before I knew it, I was invited to take part in this new Blogathon), is in correspondence to actor Jack Nicholson’s 80th Birthday!! Thus, a VERY HAPPY BIRTHDAY, to a legendary genius of modern cinema, Jack Nicholson!! Wish him all the best in health and happiness in his old age. For this Blogathon, I’m paying a ‘Double Bill’ tribute, featuring Nicholson’s TWO Film releases, of 1966 (both Acid Westerns, with similar story line)!!!!!
Ride in the Whirlwind (1966)

Directed by Monte Hellman, and Written, Produced & Starring, a very young Jack Nicholson; the story is about an innocent man on run from a group of vigilantes.

Three cowboys, including a young man called Wes (Nicholson) stop to break for the night, at a remote hideout of a gang of outlaws, led by Blind Dick (a young, Harry Dean Stanton). Come morning, they find themselves surrounded by a vigilante hanging party. It’s interesting to note, how the vigilantes here are portrayed in a realistic light. Unlike many films and television shows of today, where people taking the law into their own hands, are portrayed in a heroic light; here we see them, for what they actually can be. They are not necessarily the good guys. They not only kill off the gang they are after, but they are responsible for the deaths of two innocent people as well, assuming they are part of a gang of robbers. Plus they are on a hunt to kill off, another innocent person, Wes. It’s a hint on why people shouldn’t take the law into their own hands. Protecting oneself and other victims is a different matter, but going after someone, committing murder, in the name of justice, without any factual evidence, doesn’t make you a hero/heroine. Sure the law makes mistakes too, but that doesn’t give anyone the right to go around harming people in the name of justice. Vigilantes are humans too, and human beings are very flawed creatures.

A pretty good story, but just an OK film. Average Fare!!!
My Rating: 6/10!!!

Jack Nicholson in Ride in the Whirlwind (1966)

The Shooting (1966)

Directed by Monte Hellman, and Produced & Starring, a very young Jack Nicholson; this film is about a group cowboys going on a hunt, under the persuasion of a mysteriously secretive woman.

While, in Ride in the Whirlwind, Nicholson plays the hunted, here he is the hunter. The villain of the piece. Nicholson plays a gunslinger named Billy Spear, who’s been hired by a nameless woman (Millie Perkins). What’s really interesting here is, like most of the male characters in the film, we (the audience) ourselves, aren’t aware of what the hunt is for, until the end. The woman who hires them, is very secretive, and keeps changing her story, as to what they are accompanying her for. The ending of this movie is, unexpectedly, excellent.

Very good movie, very well told!!!!
My Rating: 8/10!!!!

Millie Perkins & Jack Nicholson, in a scene from The Shooting (1966)

Nicholson’s TWO Roles

Whilst, in Ride in the Whirlwind, Nicholson plays an innocent and kindly character, in The Shooting, he is sexier and scummier.

Young Nicholson is brilliantly different in the two very diverse roles he does. In Ride in the Whirlwind, you feel sorry for him, he is just a young man, who is afraid of being killed, for something he hasn’t done. He has his whole life ahead of him, but is being pursued by idiotic vigilantes; who assume they are being very heroic, by trying to kill him off. He’s just a kid. But in The Shooting, he shoots an innocent kid, Coley (Will Hutchins); and you wish to shoot him off. He is the monster, with a conniving smile, and an equally slimy body language, accompanying the smile. Amazingly Nicholson doesn’t look so young, despite the fact, both these movies were made back to back, in 1965, and released in 66’. Besides, he was in actuality in his late 20’s, when he made these movies. He’d turn 30, less than a year, after their releases. So, in reality, he wasn’t ‘just a kid’. But he looks really young, and with his innocence, in Ride in the Whirlwind, to complement him, he looks like he could be still in his teens even.

Out of the two roles, it’s his devious persona, in The Shooting, that shows potential for a more successful acting career. The acting career, we are used to, in some of his most defining roles, in films like; Easy Rider (1969), Chinatown (1974), One Flew Over the Cuckoo’s Nest (1975), The Shining (1980), The Postman Always Rings Twice (1981), Batman (1989), A Few Good Men (1992) As Good as It Gets (1997) and The Departed (2006); to name some.

Though Jack Nicholson, ventured into Hollywood, at the wee age of 17, in 1954; it was the 70’s decade that brought him into prominence. And his most notably, best performance to date, no doubt was in, One Flew Over the Cuckoo’s Nest, for which Nicholson bagged his very first Oscar trophy, for ‘Best Actor’, at the 48th Academy Awards, held in 1976.

Jack Nicholson & Cameron Mitchell, in a scene from Ride in the Whirlwind (1966)

Behind the Scenes
As stated above, Jack Nicholson, didn’t just act in these low-budget movies, but he also produced them; plus he also wrote the screenplay for Ride in the Whirlwind. This wasn’t his first screenplay, yet success as a writer, was yet to happen. It was later, for The Trip (1967) that he would be commended for his brilliant literary skills, on a very 60’s, counterculture, film script, about a hallucinogenic acid trip. Speaking of counterculture and acid trips, both these acid westerns too, have a major influence of the 1960’s counterculture. But one of the major flaws in both films, happens to be the look of Millie Perkins’ character (yes she appears in both films, in a supporting role in one, and a lead in the other). Her hairdo feels very 60’s (but her head is mostly covered with a hat, in The Shooting). Luckily her makeup is that of a minimalist nature; which apparently Perkins wasn’t very happy about.

Monte Hellman and Jack Nicholson made decisions on the films together, including the lead cast. They together searched for locations for several weeks; before deciding on Kanab, Utah, USA. It was the perfect site to film both their films. The cinematography in The Shooting is wonderfully imaged. The entire film was shot in natural light.

It was producer, Roger Corman’s, idea, to make two films back to back. Corman financed the pictures, serving as the film’s uncredited ‘Executive Producer’. Nicholson was apparently worried about going over budget, while making these movies. But both films were completed in a total of six weeks of continuous shooting (three weeks per film). And thus, the films were completed for the original budget estimated. Yet, Hellman had to spend more than a year, editing the film footage.

These two Acid Westerns; which do not romanticise the west, rather shed a more realistically bleak light; one of which is just OK, and other really good; is an interesting insight into Jack Nicholson in the making. The Nicholson we came to know and love, today.

A Special THANK YOU, to my new found blogger pal, of ‘Real Weegie Midget’, for roping me in, for the Here’s Jack Blogathon 2017.

Nuwan Sen’s Film Sense
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A couple of months ago, today (on the 16th of February, 2017), I was nominated for the Mystery Blogger Award, by Charlene of charsmoviereviews; but I never got to work on it, until now. So first of all, let me Thank you, Charlene, for nominating me for this mysterious award 😉 ; and let me also apologise for the delay. Sorry!!
This award was created by Okoto Enigma.

So here are the rules:-

– Put the award logo/image above. Done
– List the rules. Done
– Thank whoever nominated you and provide a link to their Blog. Done
– Mention the creator of the award and provide the creator’s link as well. Done
– Tell your readers 3 things about yourself
– Nominate 10 to 20 people & notify your nominees by commenting on their Blog
– Ask your nominees any 5 questions of your choice; with one weird or funny question (specify)
– Share a link to your best post(s)

Fellow Film Buffs: Gingerella (in front) in a playful stance; whilst Nudin (in the back) looks on

Three3 Things about myself :-

1. My two Dogs ( & ), are the best thing that happened to my life; and the only good thing in this Dog forsaken country, that I happen to live in.

2. I detest the country I live in (although I hate hating), the country of my unfortunate roots (not my birth, thankfully); and I have 41 years of depressing experiences of reasons for it (I am not going to tell you my whole life story now, am I 😛 ).

3. Being an untouched loner, I long to have a good partner; with a good, kind, heart, and intellect; someday (sooner the better). ❤

Done

Nominees :-
Any fellow blogger that even glances at this post for even a second, consider yourself nominated. But don’t feel obligated. Accept it, If you like, and continue this chain of Blog awards. If you don’t enjoy it, you don’t have to. Rules are meant to be broken, and am bending them a little here, for the sake of my dear bloggers. You are all NOMINATED!!!!!
Done
Here are the Questions that ‘I’ have to answer:-

Q.1 What is one place on Earth you would like to visit but have not yet had the chance?
A.1 Niagara Falls

Q.2 What is your favourite Academy Award Best Picture winner?
A.2 Gone with the Wind (1939)

Q.3 What is one hairstyle you would like to try?
A.3 That’s hard to say, I’ve practically done everything I liked, from Billy Idol/Grease look/Elvis blend -minus the gel (teens n’ 20’s), to floppy long locks with Beatle Bangs/Parveen Babi Bangs (30’s; as you can see on my Gravatar image); the Mohawk/Mr. T look doesn’t really interest me (It’s just not me). So I really don’t know!!!! 😦 What else is there left to try?? Now, I’ve re-cut it really short.

Q.4 What is one project or new hobby you would like to start?
A.4 Something in the Arts field; but again, I’ve tried a lot of stuff, I don’t know. What’s new??

Q.5 What is your favourite song?
A.5 Imagine by John Lennon

Done
AND Here are my Questions that ‘YOU’, my fellow bloggers reading this post, have to answer (Enjoy):-

Q.1 What’s your favourite film adaptation of a novel you have read?
Q.2 What’s your favourite film adaptation of a novel you have not read?
Q.3 Who is your favourite film character? And Why?
Q.4 If you could go back into the 20th century, which classic celebrity, who died last century, would you like to meet?
Q.5 Who is/are the actor(s)/actress(es) of today, still in their early 20’s, you would like to get naked with, in real life? (Crazy/Weird/Naughty Question) 😀

Link to your best posts (that’s a hard one, so here are some of my personal favourites; 2 from each year) :-

PAST POSTS

Year 2012
Bookish Nuwan (More of a TWEET, than a Blog Post, my very 1st official write-up)
Prater Violet

Year 2013
Édith Piaf: 50th Death Anniversary
Sissi : 115th Death Anniversary of Empress Elisabeth of Austria

Year 2014
THE BILLY WILDER BLOGATHON: Love in the Afternoon
The Essential 60’s Blogathon : Dr Strangelove, or How I Learned to Stop Worrying and Love the Bomb (1964)

Year 2015
Classic Movie History Project Blogathon – 1966: The Year dubbed as Nineteen Sexty Sex
Classic Cinematographers: Jack Cardiff

Year 2016
Love Wins – 1 YEAR!!
Shakespeare: Intellectual Minds and Beyond!!

POST OF 2017, so far

Year 2017
90 Years of Sidney Poitier Blogathon: To Sidney, with Love
Mardi-Gras, Movies-Gay

That’s it folks!
Enjoy
Nuwan Sen
(NSFS)
#‎NuwanSensFilmSense

Supposedly based on a true story, this is about a group of sweet sixteen/seventeen year old swingers, who form a secret club, to literally bang one another; resulting in sexually transmitted diseases, for almost everyone involved in this notoriously, teenage, pornographic club. A very bold movie on idiotic teens, who think with their sex organs rather than their brains.
Bang Gang (une histoire d’amour moderne) (2015), known in English as Bang Gang (A Modern Love Story), is the feature length directorial debut of Eva Husson. It’s a good educational film for teenagers, to be careful. And using protection, isn’t a 100% guarantee either. Sleep with someone you truly care about and trust (even then it might not be safe, if you happen to blindly trust someone; as we see in the case of Marilyn Lima’s character, George, who gives herself to Finnegan Oldfield’s character, Alex, and once he’s used her for his pleasure, this Alex fellow, moves on to deflower another virgin). BUT, the message is clear, don’t screw around. But at the same time; as this is apparently based on a real incident that happened in America (Atlanta, Georgia) and is transported to France here; the STD’s aren’t that of a dangerously incurable nature. It’s just syphilis. Thus the youngsters here are safe in that sense; but it still could have been something worse. Yet, at the same time, the film isn’t judging the young characters for their indulgence, nor does it condone the behaviour. It simply tells a tale of what took place in an elite suburb of USA, set here in a small French town!! It’s up to the audiences to decide, how they feel. Compassion, or anger, or a mix of both, or neither. I actually felt nothing for the characters. In a sense, it is an emotionless film. Sex without human emotions. No Love, No Romance!! I thought it was quite a good story, but felt nothing for the characters. There was nothing that provocatively shocking either. Amazingly not even a sexual attraction towards the many graphic nudes, in the film. Eva Husson has brought out something really unique, even though sex orgies and teenage promiscuity, is nothing new to the world of cinema. As Andy Grove once said “Every generation thinks they invented Sex”, and as well as the quote by author Robert A. Heinlein, states, “Each generation thinks it invented sex; each generation is totally mistaken”!!!!! Same in the case of sex in modern cinema, including early & modern Hollywood (pre & post the Hays Code).

Finnegan Oldfield & Marilyn Lima

One major flaw; besides the fact that the movie takes plenty of it’s time to get to the point, i.e. the result of being involved in these orgies; is that, it is too obvious that some of them aren’t teenagers. Of course, no body playing these teens, actually would be, but very few feel like they might be 16 or 17. Especially Finnegan Oldfield, he looks like a much older man. 26 year old, Oldfield, plays a 17 year old, but feels that he is in his late 20’s, and the other four leads feel early to mid-20’s, despite the fact actress Marilyn Lima showcases her flat, underdeveloped, breasts, quite a few time. At the same time, she is the most beautiful looking character in the show. Marilyn Lima almost looks like a cross between classic French stars, Jeanne Moreau & Brigitte Bardot. Both, in charming innocence and sex appeal. Marilyn Lima is brilliant in her very first role, that too a very challenging one. Young actor Lorenzo Lefebvre, was almost believable as a 16 year old, until he took his clothes off at the end, showcasing his very mature looking naked body.
I watched this downloaded movie (now that I’ve become a bit of a pro, when it comes to downloading films; see my Blog-post Mardi-Gras, Movies-Gay from March 2017), late last night!! Unfortunately, the copy of Bang Gang (une histoire d’amour moderne) I downloaded, had no subtitles in it; but my little knowledge of the French language, was enough for me to comprehend what was happening, in a general sense. Besides, the movie was less to do with dialogues, and more to do with banging, and the serves ’em right aftermath.

Lorenzo Lefebvre and Marilyn Lima, in a scene from, Bang Gang (une histoire d’amour moderne) (2015)

In the actual incident, that took place in Atlanta, USA, apparently the kids involved were even younger, ranging from 12 to 16. Eva Husson though, increases the ages to 16 & 17, as well as portrays the crazed sex, drugs and parties, with a very detached outlook. Instead of getting the audience involved with the characters, we actually are just an audience looking at a screen, sans any emotional connection. Quite good, but I deleted the downloaded copy, as I’d like to get hold of a copy, avec subtitles. Bang Gang (une histoire d’amour moderne), a movie with a very realistic look at social problems faced by youngsters of today, is really worth checking out, even though it’s not among the best Art Films ever.

Bang Gang (une histoire d’amour moderne) (2015)
My Rating: Pretty Good!! 7/10!!!

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Queer Movies, and the month of Mardi-Gras

10 years ago, on 3rd March 2007, I witnessed the Sydney Gay & Lesbian Mardi Gras (simply known as Mardi-Gras, down under). This was when I was a student, doing my MA in painting (2006-2007), at COFA (College of Fine Arts), UNSW (University of New South Wales). It was a spectacular event, with gaudily glittering floats, semi naked bodies, cute kids, and the Sydney Mayor. In full swing, in the Australian summer, it went on, from dusk till dark.

The Mardi-Gars festival, is actually a carnival before Lent, in the Christian calendar. BUT, in Sydney, it’s a Pride carnival. Mainly due to the fact, that during the Pride month (which happens to be the summer month of June); is in the heart of winter, down under; where seasons go in the exact opposite direction to the norm. Christmas down under, is in the height of the hot sweltering summer. Thus, the Pride March, down under, has been interwoven with the Mardi-Gras; and is known as the Sydney Mardi Gras!! This takes place, on the first Saturday, of March. And thus, this year, it was held on 5th March 2017!!

In 2008, it was on the 1st of March, 2008. By now, I’d completed my 2nd Masters, and I was temporarily working as an ‘International Student Advisor’, at the ISS (International Student Services), in UNSW. I did not attend it that year (in fact, March 2007, has been the only Mardi-Gras carnival I’ve seen, so far). But I did, go and see, one movie, at the Mardi Gras Film Festival, held in Sydney, in February 2008. The movie was, The Houseboy (2007); and it was pathetic. One of the worst films I’ve ever seen.
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Downloading

Towards the end of last month, I came across a fellow film buff, from Pakistan, on Twitter, with whom I ended up chatting (something I rarely do, that too on Twitter). Soon I befriended him, on FB (Facebook). And on his FB timeline, he had mentioned Mahershala Ali, an actor of Muslim faith, who won the Oscar, for ‘Best Supporting Actor’ for Moonlight (2016), at the 89th Academy Awards, held on the 26th of February 2017; and how proud he felt of being a Muslim, himself, for the very first time. I simply asked him whether he’d seen Moonlight, and that I’d love to. He told me he had watched it twice; and said he’d send me the link to download the movie. And he did.

Now, back to 10 years ago; Year 2007!! I was dead against piracy, and downloading movies on the web, et al. I remember how my Australian friends & flatmates, use to react; feeling embarrassed at doing such things themselves. But I have been living in Sri Lanka, for 7½ years now, and not being able to watch any good movies (as they practically are never shown in Cinema’s here); I’ve had to rent or buy films occasionally, that happen to pirated copies. See my posts on Life of Pi  (2012) and Mud (2012) from October 2013.

But, luck had me travelling to, places like:-
New Delhi, India, between 2010 & 2012 (where you don’t see pirated copies in street shops, unlike Sri Lanka, and have to (literally) go to an underground market, if you want cheap pirated copies); where I not only got to buy good original DVD’s (even though they were with Indian copyrights, thus they have to be approved by the Indian Censor board, and certain films, have a universal rating, with sex and nudity edited out; and though am against censorship, I prefer to buy original DVD’s, than badly pirated ones, found in good shops, in Colombo and it’s suburbs, in Sri Lanka), but also got to see some great films on the Big Screen, on the superb Cineplex’s of New Delhi (see my list on IMDB titled Oscar Winners … and then some 2012, from March 2012).
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Adelaide & Sydney (once again), Australia, in November 2014; where too, I watched a couple of the superb films, on the big screen, plus bought many a DVD’s (see my Blogpost Holidaying in Australia, comes to an end from November 2014).

Meanwhile, back in Sri Lanka, I’ve tried to download films, from certain sites; either I get an error message, or it’s not available in this country, or something or the other. So, only way, I’d watch films online, is if they were available on Youtube; and late last year, streamed a few on iflix. But, as I mentioned above, that this nice new (virtual) friendly acquaintance of mine, sent me a link. And on the night of 28th February 2017; I started to download, Moonlight. By the time, I finished downloading the film, it was next morning, i.e. 1st March 2017. Thus Moonlight, was my very first successful download. And within the next few days, I downloaded four more s; in conjunction, with the month of (or rather the last week of), Sydney’s version, of the Mardi-Gras festivities.
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5 Queer Movie, within the first 5 Days, of March 2017

So here are my mini-critiques on the 5 films, I’ve downloaded so far (downloaded for the very first time). And unlike the pathetic film I saw at the  Mardi Gras Film Festival; except for one here (which too was Averagely good), all the rest of the films were pure excellence of Cinematic magic.
Thus, here is my own little ‘Queer Film Festival’!!!!!!
Beware of some spoilers below!!!!!
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1. MOONLIGHT (2016)

An Art-House Film, that bagged the ‘Best Picture’ Oscar, this year; a rarity, and a win after a fumble at the Academy Awards, that almost felt like Moonlight, had not won.

Moonlight is a touching portrayal of a young, afro-American, gay man, Chiron, brought up in a rough neighbourhood, in Miami, Florida, USA. With a drug addicted, emotionally unstable and abusive, mother; plus being bullied and beaten up in school; Chiron grows up to be a thuggish looking drug dealer, with a heart of gold. The finalé with the admission of virginity, by a very masculine, strong built man, pulls at your heart strings. This is a brilliant, coming of age, drama, about sexuality, true love, and what it’s like to be black in America, especially in a poverty stricken neighbourhood. Directed by Barry Jenkins, who won the ‘Best Director’ Oscar; Moonlight is a powerful piece of though provoking cinema. This is also Jenkins’ directorial, feature film, debut.

Ashton Sanders & Jharrel Jerome in a scene from Moonlight (2016)

The strong built, Trevante Rhodes, brings out such a sensitive performance; through a character, that outwardly generally feels frightening, with his gold chain, and gold teeth; and tough, overtly masculine, act; that touches deep, seeping into your veins, feeling the pain he’s going through. What a beautiful human being the character of Chiron is. The movie is told in three chapters, with three actors, playing one character, Chiron, in three stages of his life. Thus, the film has a main character (Chiron the protagonist of the film), but no lead actor, as such. The trio of actors perfectly essay the role of Chiron. In fact, the whole ensemble cast is terrific.

Mahershala Ali; who won the Oscar, for ‘Best Supporting Actor’ (making him the very first Muslim to win an Oscar, in the acting category); plays a kindly drug dealer, who becomes a mentor, a father figure, for little Chiron. Overall an excellent movie, that deserved the ‘Best Picture’ award, at the 89th Academy Awards, held last month. Moonlight, was the first film with an all-black cast, and the first LGBT film, to win an Oscar, for ‘Best Picture’ ever.

Watched Moonlight, late Wednesday night (1st of March, 2017)!!

My Rating:-
Excellent!!! 10/10!!
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2. CAROL (2015)

A Christmas Carol, a beautiful Christmas romance, and a wonderful, lesbian, love story.

Cate Blanchett is superb as ever, nothing surprising about that fact. Todd Haynes, is an equally great director, again nothing new about that. But, Rooney Mara, WOW!!! What a brilliant performance. I’ve seen excellent films, starring Mara, in small roles, like in The Social Network (2010) and Her (2013); but I hardly noticed her in these movies. So she definitely was the surprise packet in Carol, for which Rooney Mara, tied in, for the ‘Best Actress’ win, at the 68th Annual Cannes Film Festival, in May 2015 (see my posts The 68th Cannes Film Festival finalé and Winners & Disappointments – at Cannes 2015, from May 2015).

Carol, is based on a novel by Patricia Highsmith, titled The Price of Salt. Though am a fan of Highsmith thrillers, I haven’t read this particular novel. This story, is very different to Highsmith books (at least that’s what I gathered from the movie). While most Highsmith literature has to do with crime, interwoven with themes of sexuality; The Price of Salt seems to be, an out and out, love story, of two beautiful women; living in a male oriented, homophobic, world. Sadly, this is the world, a great American writer like, Patricia Highsmith, a lesbian herself, had to survive in, in the 1950’s.

Carol is a beautiful heart warming Christmas romance, set in America, in the foxy 50’s, starring two fantastic foxy actresses. Rooney Mara carries ’s charm and simplicity, with grace; and bold Blanchett, is outstanding as ever. Carol, has the potential of being, a future Hollywood classic. While Moonlight, is a brilliant, low-budget, American indie-film; Carol is the quintessential, modern day, Hollywood romance.

I had the luck of seeing Cate Blanchett, in real life, down under. Heavily pregnant, she came to UNSW, to see a digital television exhibit, at our University; in early 2008. I actually didn’t recognise her at once. For one thing I wasn’t aware she was pregnant. So, when I saw a heavily pregnant lady, come out of the exhibit, in a massive pair shades, with a little boy, and stare right at me; I didn’t really pay much heed to her (I was waiting to go inside, with a couple of friends; waiting for whoever was inside to come out). But I did feel she looked familiar. Then she removed her dark glasses (for our benefit 😀 ), and started speaking to a person in a wheelchair, quite near me. It was her voice I recognised, and it’s only then I looked at her. After she left, I asked the students working the exhibit, and they confirmed it was her!! If I already knew she was pregnant, I would’ve recognised her instantly.

Watched Carol late night, on the 2nd of March, 2017!!

My Rating:-
Excellent!!! 10/10!!
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3. HOLDING THE MAN (2015)

Above: Actors Ryan Corr & Craig Stott; as Timothy Conigrave & John Caleo, respectively; in the film, Holding the Man (2015)
Below: The real-life Timothy Conigrave & John Caleo

What better day to watch an Australian Gay-themed film, than on the night of, Sydney’s Gay & Lesbian Mardi Gras parade. Of course being on this side of the Ocean, there is no way I can attend the parade, down under, in all it’s splendour. But instead, I watched an Australian Queer Film, based on a memoir; which was the basis of a stage play, with the same title, by Tommy Murphy (who is also accredited with the screenplay for this movie), that came out in 2006; whilst I was in living in Sydney. The play was a big hit in Sydney; and in 2007, I remember seeing an interview with Tommy Murphy, on a local television channel in Sydney. Unfortunately I never got to see the play.

As I mentioned, Holding the Man, is based on the true story, of Timothy Conigrave’s (stage artiste, writer & activist), 15 year love affair with John Caleo (who died of AIDS); which Conigrave penned down, in a book called, Holding the Man. Conigrave completed this book shortly before dying of an AIDS-related illness, himself, in October 1994, at the age of 34 (a month before his 35th Birthday).

Holding the Man, is a tragic story, chronicling the life of two gay men, in Melbourne, Australia, who fall in love as teenagers, in the 1970’s; and survive all odds, when the land of Oz, was still very homophobic. It’s a pity, Timothy Conigrave and John Caleo, weren’t able to see, how much the world has changed today, and how much more open, Australia is to gay culture today. In fact, Sydney is the next gay capital of the world, after San Francisco, in USA. BUT, no matter how open and free, homosexuality is down under, today; sadly many a Australians do take Gay people for a joke. Homosexuality is no laughing matter. People can still be pretty cruel, and inhumane, even in Australia, towards the LGBTIQ community.

Watched Holding the Man, late night, on the 4th of March, 2017. The movie finished past midnight!! A sad beautiful tale, filmed beautifully by director, Neil Armfield. This is among the rare greatest Australian films, I’ve seen.

My Rating:-
Excellent!!! 10/10!!
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4. REFLECTIONS OF A GOLDEN EYE (1967)

Brando & Taylor, on the sets of Reflections in a Golden Eye (1967)

Based on the novel, Reflections in a Golden Eye, by Carson McCullers; this beautifully made movie, with a uniquely stunning photographic technique, was directed by John Huston, starring Elizabeth Taylor, in the lead, with Marlon Brando, Brian Keith, Julie Harris and Robert Forster. This was Forster’s debut role, where he played a sexual desire, of Brando’s character.

The main plot of the movie, revolves around the wife of a Major, stationed in a US Army post in the American South in the late 1940’s. The said wife is played by Elizabeth Taylor. A young new Private (Forster), has a perverted obsession, who voyeurs around the violet eyed beauty (Taylor), watching her naked body reflect through the golden brown lens of his eye. It’s a beautifully filmed, movie about a peeping Tom; unaware, of the Major (Brando), the husband, of his sexual desire, himself has a repressed homosexual desire for the Private. Seeing the Private’s naked golden body, many a times in the brown woods, only adds to the Major’s already uncomfortable want for a young man, he cannot have.

Despite a great story line, and the beautiful photographic technique, the film isn’t without it’s flaws. The most visible one being, that of Taylor’s character. Though the film is set in the late 40’s, Elizabeth Taylor’s look, just doesn’t feel the post-war period. With the latest hairdo’s and fashionable dress sense, straight out of the 60’s; Taylor is magnificently more modern, than the setting of the movie. Another flaw is, the movie starts to bore in the middle, especially after the death of a mentally unstable character, played by Julie Harris. Added to which, Huston could have focused more on the Major’s repressed sexuality; i.e. the character played by Marlon Brando.

A scene from the film, Reflections in a Golden Eye (1967); featuring Robert Forster, in the original release of the picture, with the golden hue, that did not impress audiences.

Initially the movie was released, with a golden hue enveloping the movie, as a reference to a drawing of a golden peacock, in the movie; a golden peacock in whose eye, the world is a mere reflection. But audiences did not seem to get this symbolic aspect, thus the original copy was withdrawn from cinema’s, and a normal coloured version re-released. I saw the ordinary colour version, but I’d love to check out Huston’s original aesthetic creation; with the warm sepia tint, over the colour film.

None the less, it’s a very admirable effort by John Huston. I watched Reflections in a Golden Eye on Sunday afternoon, 5th March 2017!!!!

My Rating:-
Average Fare!! 6/10!
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5. SUNDAY BLOODY SUNDAY (1971)

Last but not the least, most probably my favourite of the lot. What a clever, unusual film. The 60’s & 70’s were definitely the period that Hollywood ruled; bringing out bold unique plots.

Starring Peter Finch, Glenda Jackson and Murray Head; and brilliantly directed by John Schlesinger; Sunday Bloody Sunday, is a very mature, open minded, intelligent story. Murray Head plays a bisexual; who has two partners. One, played by Finch, and the other by Jackson. And each is aware of the other’s existence; and have a mature understanding, and acceptance, of the other, though neither of the, young bisexual scientific artist’s, partners have met each other. What’s more interesting, is how decent these people are, and in what a civilised manner, they handle sharing the same partner. They go on living a very normal life, with their lover, who finds time to spend with both, his male lover, as well as his female lover.

This is a very modern outlook, we don’t really see in this century. Of course, there are plenty of films on threesomes, extreme sexual deviations; but most of the time it’s showcased in a sleazy manner. That’s the beauty of this film, despite having a homosexual man and heterosexual woman, sharing one lover, there is nothing sordid about it. It’s so sophisticatedly handled, and is made to feel, so normal, and that too in a movie, that came out in the 70’s decade; it’s a wonderful feat.

One of the most intellectually adult movies, I’ve ever come across. Peter Finch, is spot on, as the elderly gay man, who is not seen suffering because of his sexuality, and who happens to a well to do Jewish doctor. Glenda Jackson plays a divorcee, who suffers from a childhood trauma, during the war. And each of them lives a relatively happy life, sharing one man, without suffocating the lover. And the lover, being bisexual, enjoys openly romancing both. And yet, it’s only the two of them he romances, and he doesn’t hide the fact he’s also seeing the other. So technically he is faithful to both his lovers.

A lot does happen in the movie, but it’s more character based, where these three people live a very civilized life, in a very normal manner, with acceptance and understanding. Isn’t this the kind of normal acceptance, of people who are different, and understanding them, that could make the world a better place. In a way, a very futuristic attitude. It’s a society that doesn’t have to fight for Gay Right’s, or Women’s Lib, et al; why?? ‘cause gay men and women are seen, living a relatively liberal lifestyle, with no judgement. Their friends accept them, friends’ children play with them, they are asked to take care of the kids, they trust each other; isn’t this the kind of normality, that ought to really exist, in today’s world, but sadly does not. Schlesinger, though set the movie in the 70’s itself, has forecasted a very progressive future, which should have made it’s way, by now.

This British film, is a masterpiece of cinematic intellect. A must watch. The Best film, in this list, I watched Sunday Bloody Sunday, late Sunday night (5th March 2017); the movie ended past midnight. Totally worth it!!

My Rating:-
Excellent!!! 10/10!!
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So that’s all folks, the 5 films I watched, within the first 5 days, of this month. Four of which, were pure excellence!!!

Nuwan Sen’s Film Sense

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Congratulations, to all the winners, of the 89th Academy Awards, held last night!!!

As per usual, I woke up, way before, 5 a.m. (rather I hardly slept). Just had time to make myself a cup of coffee, and grab a couple, chocolate coated, muesli bars, before sitting down to watch, the Oscars Red Carpet LIVE! It started at 5:30 a.m. on this side of the ocean.

An enjoyable show, hosted by, Talk show host/Comedian, Jimmy Kimmel. The Oscars went pretty smoothly, and I thoroughly enjoyed it, despite the ‘Miss Universe 2015’ style blunder, towards the end!!

A Big Applause, to the Oscar Winners, for Year 2017!!!!!

Nuwan Sen’s Film Sense

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To Sidney Poitier Esq.  

Dear Sir,
            First of all, let me wish you a very Happy 90th Birthday. And a big congratulations for being in the acting profession, on both the stage and the screen, for over 70 years.
           Thank you sir, for making it in Hollywood, at a time, when non-Caucasian celebrities, were a rarity. Most of Hollywood was initially made up of, the British, various European countries, Canada, and a few Americans (though those Americans who found fame, were limited to the stars of the fairer skin). Yet, considering the fact, that many a notable Hollywood personalities, were mostly British (and from other Western European countries); it’s obvious that Hollywood is actually, made up of immigrants. Yet, a very big thank you, to you, Sir Poitier, for not only being a leading actor, from the 1960’s (a decade when the world began to change, for the better) onwards; but also, for being the first black male actor, to win an Oscar.
           Legendary, Hattie McDaniel, beat you to it, by winning in the, Best Supporting Actress, category, at the 12th Academy Awards, in 1940; for her brilliant role, as ‘Mammy’, in Gone with the Wind (1939). Thus, making her, the very first African American to win an Oscar. So in a way, she paved the way for you. But it’s only when you won, for Lilies of the Field (1963), at the 36th Academy Awards, in 1964; that darker skinned stars truly started getting a recognition. Of course, in the 70’s, there were a lot of Blaxploitation (a.k.a. Blacksploitation) films. A pity, Afro-Americans, were being reduced to cliché’s. BUT, luckily you were not part of the Blaxploitation cinema, of the 1970’s (not to my knowledge, anyway). So, thank you, for not falling into that trap, and keeping a dignified edge, for Black stars, yet to shine. Plus, thank you, for opening up an avenue for non-white acting talent, in general, in Hollywood. Today, a British born actor, with Indian roots, is nominated for an Oscar; i.e. Dev Patel, who has been nominated in the Best Supporting Actor, category, for his role, of an Indian brought-up abroad, in Lion (2016). So, you started it, by being the first non-white actor to make it in Hollywood (which was already full of white immigrants); and today there are quite a few immigrants, from Europe, Asia, Africa, Australia and South America (of various skin tones), making it, in the most celebrated film industry, in the world.

Classic Bromance: Sidney Poitier & Tony Curtis in The Defiant Ones (1958)

Classic Bromance: Sidney Poitier & Tony Curtis in The Defiant Ones (1958)

          Growing up I had heard about you, but had watched very few films, of yours; like Sneakers (1992), and your directorial ventures, like, Stir Crazy (1980) and Hanky Panky (1982), for instance; but it was in my late teens/early adulthood, when I saw, Stanley Kramer’s Guess Who’s Coming to Dinner (1967), that you became one of my favourite stars. What a brilliant movie!! It’s my second favourite film, of yours. My first, is no doubt, the British film, To Sir, with Love (1967), directed by James Clavell. I had heard of , To Sir, with Love, since I was a kid (in the late 80’s). BUT, it was only, finally in 2005, that I got watch it. I actually saw it on the Big Screen, when it was shown at Russian Centre, here. But it’s rarely I get to see good cinema here, especially on the Big Screen. I’ve actually, only seen three classics, at the Russian Centre. First was, Gone with the Wind, in 2002. Then, To Sir, with Love, in 05’. And finally, Tess (1979), in 2012. So it’s that rare (see my Blog post on Tess from October 2012). Of course, the Ethnic Centre, in Colombo, is, comparatively better. It’s still been a while, since they last showed anything worthwhile; but this week, they are showing two of your movies; the above mentioned, Lilies of the Field, and The Defiant Ones (1958). Both are on my Watchlist. And am really keen on going and watching these two films, this week. I heard, you play a modern day saint, in Lilies of the Field. A really kind human being. Humanity, is the best religion to preach. Kindness and open-mindedness, is sadly something still missing in today’s world of greed and materialism. In, The Defiant Ones, I heard, that your co-star, Tony Curtis requested, that your name appeared alongside his, above the movie title. This was a progressive first for you, and all other (non-white) skinned actors. How kind, it was, of Tony Curtis, to request something, so unheard of, at the time. He didn’t see your skin colour, but the fact, that you were a talented actor, and a lead character, in the movie, and not a supporting one. Blackboard Jungle (1955), A Patch of Blue (1965) and In the Heat of the Night (1967), are three other movies, in my Watchlist, that am really keen on checking out.

Sidney Poitier receiving the Presidential Medal of Freedom from President Barack Obama, in 2009

Sidney Poitier receiving the Presidential Medal of Freedom from President Barack Obama, in 2009

             Besides being a talented actor, you’ve also been a great diplomat. In real life, you’ve played the role of an ambassador for the Bahamas, to Japan; for a decade, between 1997 and 2007. Concurrently you were also the Bahamas ambassador to UNESCO. This most probably was the greatest, and the most significant, role, in life, you had to play.
On top of all the film awards, you’ve received, I must congratulate you, on receiving the great honours, of the KBE (Knight Commander of the Order of the British Empire) in 1974; and more specifically, the Presidential Medal of Freedom, by the previous American President, Barack Obama. Again, thanks to you, paying the way for African Americans, in the United States; Barack Obama, was the very first African American president, that USA, finally had. Him winning the election, in the end of 2008, and becoming the President in January 2009; and during his tenure, the Supreme courts ruling, of same-sex marriage to be a fundamental right, in June 2015; America showed progression. Being an avid supporter of Equal Rights, you shall agree, how progressive and open minded the country was getting. BUT, a pity, with Trump’s triumph, at the elections, held in November 2016, the country seems to have taken a step backwards. None the less, there is still hope for improvement; and the 2017 Women’s March, held last month (in January 2017), not just in your part of the world; but around the globe, is enough proof!! You too were part of an equality march, back in 1963; the March on Washington, headed by Martin Luther King Jr.
              The last time you worked, on screen, was sixteen years ago. I hope, something that interests you comes up, and you wind up doing another impressive role, even today. Or a great directorial opportunity comes your way. I don’t feel, you’ve retired from the film industry, yet.
              And lastly, Thank You, once again, for your great contribution, to the world of Cinema.
                                                                     Wishing you the best of health and happiness
                                                                                                                             With Regards
                                                                                                                                    Nuwan Sen

This Blog Post, in the form of a letter, is my contribution to the, 90 Years of Sidney Poitier Blogathon, hosted by , of The Wonderful World of Cinema.

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Thank you Virginie; for letting me take part, in this wonderful Blogathon.
Please also do check out my Blog posts, To Sidney, with Love and South Africa, The Apartheid, Missing Diamonds and The Wilby Conspiracy, from 20th February 2013 & 23rd December 2014, respectively.

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Last month, on the culture segment, ENCORE, on FRANCE24; I saw Lisa Nesselson, speaking about an online French Film Festival (FFF)!! It wasn’t until, the night of, the 20th of January, 2017; that I finally got to check it out. All the short films, in the festival, were free; and apparently, in some countries, including our neighbouring country, India, ALL Films were Free!! So, I got to watch some of the short films, on 20th, last month (as I stated earlier); but I didn’t get to the watch some more until, the 11th & 13th of February 2017!! I wish I could have done a post about this earlier; as the Festival finished on the 13th of February, 2017. Pity, I hardly got to watch all the short movies, let alone, BLOG about it, sooner (I did not watch a single, full feature length, movie). BUT, I DID Tweet about the festival, initially, the very next day (after I first saw it), on the 21st of January, 2017, so that at least my followers on Twitter would be aware of it, just in case they already didn’t know about it. Even though, it’s too late to catch any of the films, from the festival site, do check out the website, “www.myfrenchfilmfestival.com”!!

So here is a look, at my quick take(s) on French Shorts, from the virtual Festival!!
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Vincent Cassel in a scene from Violence en Réunion (2015)

Vincent Cassel in a scene from Violence en Réunion (2015)

Short Films, I watched on 20th January 2017
SET OF SEVEN7

A Done Deal (2015/16) a.k.a. Une Formalité

A hilarious short film about a hit man, who is asked to take out a man to coffee, and shoot him later in an alley. But instead, the intended victim, ends up being a real pain in the arse; driving the hit man into near insanity. The most enjoyably piece of farce française, in the Festival.

This Canadian film, stars, actors, Steve Laplante and Richard Fréchette, as the hit man and his mark, respectively. Une Formalité was co-directed by Pierre-Marc Drouin and Simon Lamarre-Ledoux.

Funny, yet violent!! Excellent movie!!!!!
My Rating:- On FFF: 5/5  On IMDB: 10/10

Overpass (2015) a.k.a. Viaduc

A teenager risks his life, in the middle of the night, to do a  graffiti, on a flyover (a.k.a. overpass). The next morning, there is talk of picking up his brother from the airport. The scene at the airport, is sad, once we understand, what they meant, by picking up the brother. BUT, it is when we realise what the young teenager was writing, on the flyover; that it really pulls at your heartstrings. A poignant Canadian film, directed by Patrice Laliberté.

Young newcomer, Téo Vachon Sincennes, gives a heartrending performance!!

Touching! Another Excellent Short!!!!!
My Rating:- On FFF: 5/5  On IMDB: 10/10

Group Violence (2015) a.k.a. Violence en Réunion

Headed by a celebrated French actor, like Vincent Cassel, how can this movie go wrong. Vincent Cassel, plays an ex-street fighter, who is trying not to go back to his old violent ways. But it’s not as easy, as it seems.

Really good take on the western fear of Islam; and how a group of thugs; headed by Cassel’s character, use that, by covering up in a burka, and walking in the streets in the hours of darkness, to intimidate the cops on night patrol. An excellent short film, mostly due to Cassel conveying so much through expression, and less dialogues. Pure Perfection!!!!!
My Rating:- On FFF: 5/5  On IMDB: 10/10

4XD (1964) a.k.a. 4 Fois D

The Classic short film in the competition, is a nostalgic trip to beautiful French femmes of the 60’s decade. Near excellent documentary short, thanks to director Philippe Labro’s, directorial debut, naturalistically filming, Mireille Darc, Marie Dubois, Françoise Dorléac, and my favourite French actress, Catherine Deneuve (see my post 3.3.3.3 from July 2015, as well).

Year 2017, also marks the 50th Death Anniversary of Françoise Dorléac, the elder sister of Catherine Deneuve. Dorléac’s untimely death, at the age of 25, was due to car accident; when the car flipped and burnt. Françoise Dorléac had tried to open the door, was unable to do so, thus was incinerated. The police could only identify her remains, through the fragments of a cheque book, a diary and her driver’s licence. A tragic loss, to world of cinema.

Beautifully filmed in Black & White, 4 Fois D, is really worth checking out, if you are fan of these classic French stars!! An Ode to Beautiful Women!! Close to Excellence!!!!!
My Rating:- On FFF: 4½/5  On IMDB: 9/10

Téo Vachon Sincennes in Viaduc (2015)

Téo Vachon Sincennes in Viaduc (2015)

1992 (2016)

The year is 1992! A lonely, gay, 17 year old, only has a video camera for a friend. He films everything around him, all the time. Soon he develops a crush on a 23 year old. After a night of sexual pleasure, he films the sleeping, naked body of , his 23 year old, on night stand. What would happen when the teenager’s father see’s the tape!!

Director, Anthony Doncque, has brought out a very touching, coming of age drama; of what it was like to be a gay teenager, in the early 90’s!! It’s interesting to see how the father handles it, when he discovers his son is gay. Young Louis Duneton, and Matthieu Dessertine; play the teenager, and his older sexual desire, respectively. Alain Beigel, plays the father of the 17 year old lone youngster.

Really Good Queer Short!!!!
My Rating:- On FFF: 4/5  On IMDB: 8/10

The Plumber (2016) a.k.a. Le Plombier

Méryl Fortunat-Rossi’s, Belgian movie, Le Plombier, is a hilarious film, full of sex sound. Behind the scenes of the porn industry, a Flemish man, who generally dubs, for animated characters, in cartoons; goes into lend his voice, for a blue movie. The results are idiotically comical. Though there is no actual skin show, the movie is very adults only, thanks to the various sounds, explored by the dubbing crew of characters.

Erotically Funny!! Quite Enjoyable!!!!
My Rating:- On FFF: 3½/5  On IMDB: 7/10

The Geneva Convention (2016) a.k.a. La Convention de Genève

Two group of teenagers are getting ready for a fight, over somebody owing someone money. One young man, tries to act as a mediator; and thus unfortunately gets roped into it. But when the person, the money is owed to, walks in, with no violence in his mind, the movie takes a comical turn.

Pretty Good Coming of Age, movie!!!!
My Rating:- On FFF: 3½/5  On IMDB: 7/10

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Short Film, I watched on 11th February 2017
LONE1 RANGER

Flesh & Volcanoes (2014/15) a.k.a. La Chair et Les Volcans

An ailing adolescent girl, lives with her father, in Auvergne; a beautiful region in France, popular for it’s dormant volcanoes, and natural hot springs. The young lonely girl deals with daily constraints of living in this little village, with a lot of patience. But there is a limit to her patience; and her inner volcano could easily burst out, any day now, and make her do something completely irrational.

Pretty good, specially thanks to surreal hallucinogenic qualities interwoven into the film. Though I wasn’t a fan of the abrupt runaway, at the end. Still Quite Good!!!!
My Rating:- On FFF: 3½/5  On IMDB: 7/10

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Short Films, I watched on 13th February 2017
FIVE5 FILMS

In Deep Waters (2014) a.k.a. Dans les Eaux Profondes

A beautiful creation in animation, blending 3D & 2D artwork. Yet, quite an unnerving experience. Is it possible, to spend nine months, in your mother’s womb, with the corpse of your dead twin, and never know about it. Does the feeling of loneliness, fear of being alone, have something to do with?

This is a beautifully shocking tale, of three lonely people, who are unaware; the reason they don’t feel whole; is ’cause of  the fact, that they were meant to be a twin; but their sibling died in the womb, in the initial stages of pregnancy. Scary, Excellent!!!!!
My Rating:- On FFF:  5/5  On IMDB:   10/10

A Town Called Panic: Back to School (2016) a.k.a. La Rentrée des Classes

A beautifully animated children’s movie. I thoroughly enjoyed this. Love the stop motion animation, process, used in this.

In a school, an astronaut named, Monsieur Youri (an obvious allegory on Soviet Russian cosmonaut, Yuri Gagarin; the first human to venture into space and orbit the earth, in 1961. See my Blogpost The American Civil War & Yuri Gagarin from April 2013) arrives; and tasks the students to measure the distance between the Earth and the Moon. The prize; a trip to the moon, with Monsieur Youri, in his rocket. It’s hilarious how, a Cowboy, a Red Indian, and a group of farm animals, try to find the distance, from the Earth to the Moon.

Comically Excellent!!!!!
My Rating:- On FFF:  5/5  On IMDB:  10/10

Veil of Silence (2016) a.k.a. Un Grand Silence

Set in 1968, in a sanatorium for pregnant teenagers, expecting unwanted children, a well-to-do young pregnant girl is sent, by her parents; to avoid scandal. Being the only well-to-do girl, she finds it hard to fit in with the other, more rebellious, and somewhat jealous, peers. She faces a dilemma, when she doesn’t want to give up her baby, and go back to her wealthy family; and start anew.

A very tragic film, about the hypocritical world; which doesn’t necessarily denounce teenage sex, but does so, to the unfortunate result, of pre-marital sex. It’s absurd, how an unplanned pregnancy is looked down on; and mainly it’s just the woman carrying the child who bears the burden, of being a societal outcast. Of course, this is set in the late 1960’s, in a more rural country side.

Starring Nina Mazodier, in the lead, Un Grand Silence is the directorial debut of Julie Gourdain. The movie also stars, Sonia Amori, Clarisse Normand and Louise Legendre.

The last film, I watched, of the festival, and it went on till close to half past midnight; thus finished on 14th February 2017 (St. Valentines Day), on this side of the ocean. Very Good!!!!
My Rating:- On FFF:  4/5  On IMDB:   8/10

Juliet’s Band (2016) a.k.a. La Bande à Juliette

A French film bordering on sexual harassment, tells of a group of art students, who travel to one of their batch mate, Juliette’s, holiday home in Normandy. Here she introduces the others to her childhood friend. Soon her childhood friend, tells Juliette, about one of art students constantly hitting on her, and treating her in a discriminating manner. But, Juliette doesn’t believe her own close friend. A sad film, where we ourselves wonder whether Juliette’s friend is just crying wolf (as she’s suppose to have done in the past), or telling the truth.

Beautifully filmed, in a lovely house, yet a very slow moving, movie. But still, enjoyable enough. La Bande à Juliette, happens to be the directorial debut, of newcomer, Aurélien Peyre. The movie, from France, stars a beautiful young cast, including Pauline Acquart, Adrien Schmück, Phénix Brossard, Aurélien Vacher, Fanny Lamblin, Faustine Levin and Lucas Audineau.

Average Fare!!!
My Rating:- On FFF:  3/5  On IMDB:   6/10

The Last Frenchman (2015) a.k.a. The Last of the Frenchmen, and Le Dernier des Céfrans

What is it to be French? A pretty good story on Muslim youngsters, with Middle Eastern/African roots, born in France. Technically they are French, born and brought up in France; but when one young Muslim boy goes to enlist in the French army; he’s questioned, as to where his loyalties stand. Added to which, it’s difficult for him to tell his fellow ‘Muslim’ French friends, that he is enlisting.

The movie starts off with the French Muslim youngsters; going to the mosque, then hanging out, making fun, of one of the gang, for dressing up in outdated clothing; from Back to the Future (1985), et al. Then one of them, goes off to enlist. We see an identity crisis, these kids are neither here nor there. They are born French; but their roots aren’t. Thus, they are not accepted in either societies, without scepticism.

There is a scene, where the lead young man, waiting to enlist, is standing at a bus stand, named Frantz Fanon. This could be symbolic, as the; Martinique born, Afro-Caribbean psychiatrist, philosopher & revolutionary; the late, Frantz Fanon, spoke in detail, on the subject of identity crisis in the fields of post-colonial studies. Back in 2002-2003; when I was studying for my MA in International Cinema; I used his very first published book, Black Skin, White Masks, as a reference for various assignments, specifically on Post-colonial Cinema. Black Skin, White Masks, is a deep psychoanalysis, on effects of colonial subjugation upon Black people.

Despite a really good concept, and interesting metaphors, it feels like a waste. Quite a dull movie!! Only short film, in the online festival, that I did not care for, much; although I liked the idea, of the message the movie was trying to convey. Pretty Bad Film though!!
My Rating:- On FFF:  2/5  On IMDB:   4/10

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That’s all Folks!!
french-online-film-festivalThere were two short films, I couldn’t watch; i.e. Mother(s) (2015) a.k.a. Maman(s), and Of Shadows and Wings (2015) a.k.a. D’Ombres et d’Ailes; as, when I finished watching Un Grand Silence; it was already, past midnight (as I have stated above). Thus, unfortunately, I couldn’t see the last two available films, mentioned here. Plus, there were a couple of films, that were not allowed, in this country!!

One of the Classic Feature films, on the festival site, was, Agnès Varda’s Cleo from 5 to 7 (1962) a.k.a. Cléo de 5 à 7. Though I did not watch it online; I saw this excellent movie, some years ago. It’s French New Wave, classic. A Must Watch!! I gave it a 10/10, rating back then (also see my Blog-post Being mesmerised by ‘The Umbrellas of Cherbourg’ from August 2013). Sad, I couldn’t watch, any of the full length films, in the festival.

None the less, from the short films I watched, quite a few of them, were really worth it. Do check them out, if you get a chance, to do so!!

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense

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