Tag Archive: African-American


The 71st Cannes Film Festival finally came to an end, last night. The Palme d’Or for Year 2018, was awarded to 万引き家族 Manbiki Kazoku (2018) a.k.a. Shoplifters, to film director, Hirokazu Kore-eda, by Jury President Cate Blanchett. Like the previous two lazed posts, for this year, let the pictures do the talking.

Palme d’Or Winner for 2018: Japanese director Hirokazu Kore-eda (seen here with Cate Blanchett)

Caméra d’Or Winner: Lukas Dhont

Grand Prix: Spike Lee (Benicio del Toro looks on, as Lee gives his speech)

Lebanese director Nadine Labaki speaks after winning the Cannes Jury Award for Capernaum (2018); as her husband, Khaled Mouzanar, and actor Gary Oldman, look on

Special Palme d’Or was awarded to the legendary Jean-Luc Godard, for Le Livre d’Image (2018) a.k.a. The Image Book
Actress Cate Blanchett seen here holding the Golden Palm

Congratulations to all the winners (including the ones not mentioned here) of the Cannes Film Festival for 2018!!!

Nuwan Sen’s Film Sense

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Simon Emanuel, Chewbacca, Joonas Suotamo & Thandie Newton at the event of Solo – A Star Wars Story (2018), at the 71st Cannes Film Festival

Everything that has a beginning, has a an end; as does this prestigious, 71st Cannes Film Festival, of May 2018!! It ends tonight, and am really looking forward to finding out who’s won what? I couldn’t check out the Cannes updates properly this year, for various reasons, but below are some fashionable highlights from various days & nights at the Film Festival.

Enjoy

Nuwan Sen’s Fashion Sense

German Film Director, Wim Wenders

Spanish Husband & Wife: Javier Bardem & Penélope Cruz

From the Land of the Pharaohs: Austrian/Egyptian Film Director, A.B. Shawky, with Egyptian Actress, Shahira Fahmy

Mexico & India: Salma Hayek & Nandita Das, were among the 82 women that marched for Gender Equality in the Film Industry, at Cannes this year (Inset: Director Das with her lead star, of Manto (2018), Nawazuddin Siddiqui)

Brazilian Filmmaker, Joe Penna, and Danish Actor, Mads Mikkelsen

Young Russian Film Director, Kantemir Balagov

International Belles: Fan Bingbing, Marion Cotillard, Jessica Chastain, Penelope Cruz and Lupita Nyong’o (Cannes 2018)

The Frenchmen: Pierre Deladonchamps, Christophe Honoré and Vincent Lacoste

Solo Guys (Day & Night): Donald Glover & Alden Ehrenreich; with the cast and crew of Solo: A Star Wars Story (2018)

Solo Wookiee: Finnish Actor and former Basketball Player, Joonas Suotamo, with his ”Star Wars” character ‘Chewbacca’

Jackson Lee (son of Spike Lee), Topher Grace, Adam Driver and Director Spike Lee, attend the screening of Blackkklansman (2018)

Former First Lady of France (and Italian Singer/Songwriter), Carla Bruni Sarkozy

From Russia with Love: Katya Mtsitouridze, in a neatly tailored White attire

Chique Chic: Marion Cotillard at the Cannes Film Festival this year

More Marion Cotillard (Cannes 2018)

Newly Married, Bollywood Fashionista, Sonam Kapoor, in a White Bridal Lehenga (Cannes 2018)

From the Silk Route: Melissa Zuo, shimmers in Silver attire

Walk for Gender Equality: Jury President, Cate Blanchett, with Feminist Film Director, Agnès Varda (of the French New Wave fame); the first woman to receive an honorary ‘Palme d’Or’, at a Cannes Film Festival

Pretty in Pale Pink: Bella Hadid at the 71st Cannes Film Festival

Chinese Actress, Bingbing Fan

Cannes 2018: Aishwarya Rai Bachchan; seen here with her daughter, who accompanied her up to the Red Carpet

Winnie Harlow goes Green @ Cannes 2018

Knife + Heart: French Film Director, Yann Gonzalez, with Kate Moran & Vanessa Paradis (Inset: Nicolas Maury & Vanessa Paradis)

American Actress, Amber Heard

80 year old, Jane Fonda, graces the Red Carpet with charm, at the 71st Annual Cannes Film Festival (Mai 2018)

Deepika Padukone in Hot Pink Ruffles (Cannes 2018)

More of Daring Deepika: Deepika Padukone in Purple Pant Suit

A Sad Affair: 72 year old Helen Mirren, in a comfortable trouser suit, walks away after she tripped and had a bad fall

John Savage @ Cannes 2018

Milla Jovovich looking like a Greek Goddess

Defying Protocol: Kristen Stewart makes a statement against the Cannes Film Festival, by walking barefoot

Lebanese Film Director, Nadine Labaki, with her young actors; Zain Al Rafeea (a Syrian refugee) & Yordanos Shifera, from Capharnaüm (2018)

Franco-Swiss Model, Nabilla Benattia poses near some Stormtroopers (Cannes 2018)

From Deep Down Under: New Zealand Female Model, Georgia Fowler (in a black sheer Saree dress), with Australian Male Model, Jordan Barrett

Goodbye Cannes Film Festival (for )

Nuwan Sen’s Film Sense

Correct Answers to the Quiz (my previous blog-post)

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A.1

Hollywood’s Million Dollar smile: Marilyn Monroe

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A.2

Best of the Brits (with Nigerian roots): David Oyelowo

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A.3

Bollywood’s Million $Dollar smile (converted to Indian Rupees₹, of course 😀 ): Madhuri Dixit

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A.4

One of the last two great Pop Stars, of the last Century (80’s & 90’s): Michael Jackson

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A.5

Foxy Frenchwoman, an International Superstar: Marion Cotillard

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Thank you fellow Bloggers for your participation!!!

Nuwan Sen’s Movie Sense
#NuwanSensMovieSense

#‎NuwanSensFilmSense

Who am I?? Guess who these 5 super smiles/toothy grins belong to!! 😁

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Q.1

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Q.2

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Q.3

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Q.4

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Q.5

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CLUES: Take a look at the Tags below.

Answers: I shall post the Answers as another Blog Post, in a weeks time, after some of you’ve given this a try.
Enjoy

Nuwan Sen’s Movie Sense
#NuwanSensMovieSense

#‎NuwanSensFilmSense

P.S. Also see my posts Question Time # 009: Beautiful Eyes °°/Answers to Questionnaire no.9 👀 & Question # 014: Luscious Lips 💋/Answers to Questionnaire no.14 (Luscious Lips 💋) from May 2015 & March 2018; respectively!! 😁

Couldn’t sleep a wink last night, kept getting up to check the time. Finally got off my bed by 4:30am (0430hrs); made my instant coffee, and got ready to catch the Oscar Red Carpet coverage LIVE (on this side of the Globe), at 5am (0500hrs); and continued to watch the entire show, until the finalé at 10:20am (1020hrs).

James Ivory giving his Oscar speech; after winning for Best Adapted Screenplay, for Call me by your Name (2017)
89 year old Ivory (who’ll turn 90 in June) became the oldest person to win an Oscar, ever!!

I was pretty disappointed, when Call me by your Name (2017) and Loving Vincent (2017); didn’t win the golden statuettes, for ‘Best Picture’ and ‘Best Animated Picture’, respectively. BUT I wasn’t surprised either. Though I haven’t watched The Shape of Water (2017) and Coco (2017); which won the earlier mentioned awards; in their respective categories; I highly doubt, they are as unique, as the naturalistic delicate love story that was Call me by your Name, and the spectacular literally moving impressionist artwork that was Loving Vincent. Added to which Coco also grabbed the award for ‘Best Achievement in Music written for Motion Pictures (Original Song)’. Poor Sufjan Stevens; his “Mystery of Love”; is such an amazingly melodious creation. Love that song.

Yet, luckily James Ivory was awarded the trophy ‘Best Adapted Screenplay’; for Call me by your Name. Aged 89, this was the very first Oscar win for Ivory; making him the oldest Oscar winner ever. Being one third of the trio behind the famed Merchant/Ivory Productions (which included Ismail Merchant and Ruth Prawer Jhabvala), and today, with only Ivory being among the living, of the trio; he gave a heartfelt speech paying tribute his two co-producers/directors/writers and close friends. I’ve been a fan of Merchant/Ivory Productions since I can remember. They made some brilliant Indian English language films, from the beginning of the 60’s decade, to the early 80’s; before they went onto make beautiful British Heritage Films, like the E.M. Forster trilogy for instance; A Room with a View (1985), Maurice (1987) & Howards End (1992); and other eloquent creations set in eras of elegance.

Another touching speech, that was given, was by Frances McDormand; who nabbed the ‘Best Performance by an Actress in a Leading Role’ Oscar, for Three Billboards Outside Ebbing, Missouri (2017). Albeit pretty hysterically; but heartfelt. She got all the female nominees and winners to get up, and stand with her (though not on stage). I was really happy when, as expected, Gary Oldman won ‘Best Performance by an Actor in a Leading Role’ for Darkest Hour (2017). For he was brilliant as Churchill, and ’twas not just ’cause of the prosthetics. He truly embodied the character. At the end of his speech, he asked his mother to put on the kettle, for he was bringing home an Oscar. Darkest Hour, quite deservedly, also won for ‘Best Achievement in Makeup and Hairstyling’. Jordan Peele, became the first Afro-American Screenwriter, to win the prestigious award for ‘Best Original Screenplay’; for his horror venture, Get Out (2017). Though Dunkirk (2017) sadly lost out to Blade Runner 2049 (2017) for ‘Best Achievement in Cinematography’; it did bag a few in technical categories.

During the In Memoriam, the academy paid tribute to various stars like Harry Dean Stanton, Roger Moore, Chuck Berry, Jerry Lewis, et al. Added to these great American celebrities, they had also mentioned actor Shashi Kapoor (1938-2017); the very first star of  Productions; which was not a surprise, as he was an international star. But, somewhat of surprise, of course a pleasant one at that, was the inclusion of Sridevi (1963-2018), a national star of India; who bridged the gap between Bollywood (Films mainly made in the national language of India, Hindi) and South Indian Cinema (she’s worked in various South Indian languages made in various Southern Indian States).

Black & Gold: Lupita Nyong’o & Sandra Bullock

Rita Moreno, when she won for Best Actress in a Supporting Role for
West Side Story (1961), at the 34th Academy Awards, in April 1962; along with Best Actor in a Supporting Role winner (for the same film), her co-star, George Chakiris (L); and actor Rock Hudson (R)

From Oscars 1962 to Oscars 2018: 86 year old Rita Moreno, wore the same skirt she wore when she won the award for Best Actress in a Supporting Role; 56 years ago

Fashion and a great sense of style, are a dominant feature at the Academy Awards; and this year, it was the Black & Gold combination that struck me as the best. Both Lupita Nyong’o & Sandra Bullock, looked amazing in their Black & Gold garb; but it was the 86 year Rita Moreno, who stole the show; when she wore the skirt that she originally wore for the Oscars, in 1962. She topped it off with a strapless black top, simple jewellery, a headband, gloves, and spectacles. She made spectacles look good. The attire that disappointed me the most, was the crude chandelier of a dress, that hung on Salma Hayek. Too gaudy for my taste!!!

In a chic pantsuit, Emma Stone presents the Oscar for Best Achievement in Directing; which went to Guillermo del Toro for The Shape of Water (2017)

Red n’ Bright: Meryl Streep & Allison Janney
Allison Janney won the Oscar for Best Performance by an Actress in a Supporting Role for I, Tonya (2017)

True Blue: Nicole Kidman & Jennifer Garner

The Gentlemen looked dashing in their tuxedos; but it’s always the Ladies who steal the show at Award Ceremonies; or any function, when it comes to dress sense. But what is even more impressive is when a Lady dons a Trouser suit; and at this year’s , it was the chic style adorned by Emma Stone, that caught my eye!!!👁

Overall, the 90th Annual Academy Awards, was an interesting show; with no slip-ups this time!! And Jimmy Kimmel did a wonderful job, second time round. Bringing in Bonnie and Clyde (1967) veterans; Warren Beatty & Faye Dunaway; a second time, as well (after last years debacle), was a icing on the cinematic cake.

Congratulations to all the Winners!!! Here’s to 2018!!

Nuwan Sen

Nuwan Sen n’ Style

Timothée Chalamet with his mother, and Armie Hammer with his wife (Oscars 2018)

Comical moment with host Jimmy Kimmel and Helen Mirren

Daniel Kaluuya congratulates Jordan Peele on winning the Best Original Screenplay Oscar (inset) Daniel Kaluuya

Nuwan Sen Film Sense
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Hattie mcDaniel as Mammy in Gone with the Wind (1939)

If Americans think that one of the biggest racial issues Trumpland is facing today, is the viewing of Gone with the Wind (1939); they’ve totally gone BONKERS!!

The Orpheum Theatre, in Memphis, Tennessee; recently pulled out the showing of this iconic Hollywood epic, on the grounds it was too insensitive for modern audiences. That’s soooo stupid. Are they insane??? Gone with the Wind, especially taking into account the time period it was made in (minus modern day technical wizardry), happens to be one of the greatest Hollywood creations ever. Plus, it’s my second favourite film ever (pls also see my post My Favourite movie by decade, My Favourite Oscar Winner per decade from March 2014; and my list of critiques Why I love …. from November/December 2012 on IMDB)

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Happy Friendship Day 2017

A very Happy Friendship Day, to all my friends, all around the globe!! To Real life Buddies, to Reel life Characters!! To Best of Pals, to Blog Pals!! To Live Mates, to Virtual Mates!! To Life Pals, to e-Pals!! And to Family, that I actually have a Friendship with, and not associate just for namesake!!

Enjoy

Nuwan Sen ❤

**Special Note**

To all my faithful bloggers, sorry I haven’t blogged in a while. A lot of depressive forces prevented me from working on this blog. But don’t fret, I shall be back in the World of Blogging, ASAP!!!! 🙂

NS.

There’ve been quite a few fantastical tales, on celluloid reels, of humans falling in love with the unreal, and vice versa. Lets take a look at some great, and some far from great, renditions of this unusual phenomena, explored mainly on the Big Screen. Fairy tales for more mature audiences (teenagers and/or adults), if you may.
What brought about this sudden urge to write about unrealistic romances, portrayed in a realistic style on celluloid? I watched, Her (2013), back in March 2015 (on 22nd), and never got to write about it (of course films today aren’t made on celluloid, but am speaking in a general term, to reference cinema of the past). Plus it brought about memories of some really great films (as well as certain terrible movies), I’ve watched in the previous decades, going way back to my childhood.

In Her, a writer, Theodore (Joaquin Phoenix) falls for an electronic voice, without a body (voiced by Scarlett Johansson). In Lars and the Real Girl (2007) a lonely, simple headed, man, Lars (Ryan Gosling) falls for a sex toy, a female without a voice.

In Ruby Sparks (2012) a writer, Calvin (Paul Dano) creates a fictional character Ruby Sparks (played by Zoe Kazan) that comes to life. He fall in love with her, but treats her like his possession, in contrast to the sex toy, to whom, Lars, tends to show so much respect and affection towards. Ironically Lars doesn’t treat the sex toy as play thing, but Calvin treats Ruby, as a toy, making her do what he wants. An egoistical male’s god complex, of being in control of his woman. While Lars of Lars and the real Girl and Theodore from Her, are the exact opposite. Of course, when Theodore finds out the voice of Her is ‘in love’ with thousands of other human beings, he starts to feel jealous, knowing he wasn’t special. While we sympathise with Theodore and Lars, we can’t help but feel Calvin is a bloody prick.
Stranger than Fiction (2006), has a similar unreal premise, but am yet to watch it, so I shan’t comment on it further.

In the animated movie, Corpse Bride (2005), a man, Victor Van Dort (voiced by Johnny Depp), accidentally marries a corpse (voiced by Helena Bonham Carter). Of course in this case, it’s the corpse, who falls for the human. Yet, the corpse, itself, was a human being once, who was tricked and murdered by her paramour, on her wedding day. Similarly in the comedy, Memoirs of an Invisible Man (1992), an Invisible man (Chevy Chase) and a woman (Daryl Hannah), fall for each other, yet the invisible man, being an actual human being, it makes it comparatively realistic. As in the case of Mr. India (Anil Kapoor) in Mr. India (1987), a vigilante who can become invisible with help of a devise created by his late father, happens to be the romantic object of many a women. He is still a human being. Yet, we see, the reporter, Seema (Sridevi), fall for the invisible vigilante, than his human self. In fact, she initially despises ‘Mr. India’ in his human form as Arun Verma, unaware that he is in fact her invisible hero. In Hollow Man (2000) and Invisible Strangler (1978), once the protagonists of these movies, find they can get away anything, in their invisible form, nothing stops them from acting on their lustful desires, committing rape/murder, on beautiful women.

In various superhero tales, you find a similar dilemma, as in Mr. India, faced by the love interest of the story. In Superman (1978), reporter Louis Lane (Margot Kidder) falls in love with Superman (Christopher Reeve), who actually is an alien from a distant planet. But she refuses to acknowledge, the affectionate advances from her co-worker Clark Kent, who happens to be her superhero in his human avatar. There have been quite a few ‘Superman’ films since.

Of course Superman is from another planet. But if you take other superhero’s; American conceptions like Batman (played on the Big Screen by many stars from 1966 till date), Spider-man (Nicholas Hammond, in the 70’s, Tobey Maguire, Andrew Garfield & Tom Holland, this century), or Bollywood creations like Shahenshah (Amitabh Bachchan) from Shahenshah (1988) and Krrish (Hrithik Roshan) from Krrish (2006) and Krrish 3 (2013), sequels to Koi…. Mil Gaya (2003); in all these stories, the superhero happens to be human, with superpowers, but their leading ladies don’t necessarily, easily, fall for the man, but have more of a desire for the vigilante, unaware the two are one and the same. In love with not just the unreal, but impending danger as well. Dangerous, risk taking, hero’s, seem sexually more appealing to the fairer sex, than a realistic human companion. These kind of films actually also put pressure on growing young men. As kids, most guys like the idea, of imagining themselves as superhero’s, for fun. But when in their teens, it’s more to do with appeasing the opposite sex, through false perceptions of masculinity, showcased in such movies. Sometimes foolishly young men might try and take unnecessary risks, just to get the attention of their female peers, with disastrous consequences.
If you take classic fairytales, we read as little children, like Beauty and Beast and Princess and Frog, this phenomena of man and beast is nothing new. Yet at the same time, both the ‘Beast’ and the ‘Frog’, are actually human beings, making it somewhat acceptable for children. If you take Greek mythology, there is the famous tale of Minotaur, where the Minotaur is the result of the Queen of Crete mating with a white bull. Added to which there are plenty of tales of Gods and human love stories, as well, in Greek Mythology. Then there is Shakespeare’s A Midsummer Nights Dream. There have been plenty of movie versions of these classic tales and great old literature. In I, Frankenstein (2014); as I stated on twitter ‘another 21st century ruination of a 19th century classic’; this dull horror movie ends with the hint, that Frankenstein’s monster, a man made being, has found a human companion, after searching for over 200 years. On a lighter vein, in not so great films (yet no where as near as terrible as I, Frankenstein), like the comedy, Hercules in New York (1970), Arnold Schwarzenegger falls from the skies (and not to forget Schwarzenegger’s ridiculous Terminator franchise, from 1984 onwards, with the craziest and cheesiest storylines, ever). Like in Corpse Bride, a man accidentally awakens a goddess, in the near pathetic, Goddess of Love (1988), while in Love-Struck (1997) we see a woman who doesn’t believe in love (Cynthia Gibb) fall for Cupid (Costas Mandylor) and vice versa; and Cupid has to decide if he wants to leave his immortal form, and become human. Similarly in City of Angels (1998), an angel (Nicolas Cage) gives up his human form, for his love for a human being (Meg Ryan). Date with an Angel (1987) is about another union between a man and beautiful angel.

In the 80’s and 90’s, there were quite a few teen comedies, based on this concept of unrealistic love, helping a young man find the perfect looking partner, especially if the lead character is a geek or considered a loser, who cannot attain the affections of the opposite sex.

Weird Science (1985) and Virtual Sexuality (1999), are two films I haven’t watched, but the concept of the two teen movies, are the same. In Weird Science, two geeks create a ‘perfect’ woman (Kelly LeBrock), while in Virtual Sexuality, a girl creates herself a ‘perfect’ man (Rupert Penry-Jones).

Similar to Corpse Bride and Goddess of Love, in Mannequin (1987), an artist (Andrew McCarthy) falls for a Mannequin (Kim Cattrall). Big (1988) and Date with an Angel; the two movies combined resulted in the crappy Bollywood take, that was Chandra Mukhi (1993). The film was so bad, that it was credited as being a Salman Khan idea (the lead actor of the movie). Getting back to Tom Hanks, star of Big, back in the 80’s he did a lot of run on the mill comedies; that weren’t great, but were enjoyable enough, thanks to Hanks. In Splash (1984), we see Hanks falling for a mermaid. This adult fairy tale, is similar to the classic children’s fairy tale, The Little Mermaid.
Funny though, how all these Hollywood romances, dealing with unreal love, where the perfect looking lover, be it a mannequin, a fairy, a goddess or mermaid, were all hot white women. What happened to the browns, blacks and yellows? Where are the gays and lesbians? Are they considered less than perfect???? Added to which why is it most of time a man finding the perfect mate? And that too preferably a Blonde one? Even better if the blonde’s in a red hot attire? Like the sequence in The Matrix (1999), where Neo (played by Keanu Reeves), suddenly turns to take a good look at a blonde in a red dress. Why did she have to be blonde? What if he saw an African-American? or an Indian beauty? What if he turned to look at a man? Even in Virtual Sexuality, though it’s creation is a male, the man is a white male, Blond, with a perfect physique. Of course when it came to the Bollywood films, the perfect hero/heroine are both Indian’s, obviously. But United States of America, is a diverse country with all colours and creeds, where the indigenous people of the country are actually Red skinned, not white. Yet the 80’s (and 90’s to a certain extent) target audience, were the straight white American youth. Even though these reached beyond borders. And in a way, 80’s was one of the worst periods for Hollywood, with a load crappy B-movies, being made. Not all, but most, including these fantasy flicks.

Getting back on the topic of films based on unrealistic romances, there are some interesting films of ghosts and people falling for one another. Like in Corpse Bride (discussed above), these dead spirits were humans at one time, and are scavenging earth ’cause of some unfinished business. In the classic Bollywood film, Ek Paheli (1971), a modern man, Sudhir (played by Feroz Khan) falls in love with a mysterious woman (Tanuja), whom we discover later, to be a spirit of a dead pianist, who had committed suicide, during the Post-war era. The only way for the two to be together is, if Sudhir leaves his bodily form, releasing his spirit. Similarly in Somewhere in Time (1980), a modern day Chicago playwright, Richard Collier (Christopher Reeve) falls for a photograph of an Edwardian beauty, a stage actress, Elise McKenna (Jane Seymour). He manages to travel back in time through self hypnosis (see my post DVD Films From Last Month PART-II from December 2014). Yet, they can’t be together, as he’s thrown back into the late 70’s, due to a small mistake, he made, where she doesn’t exist anymore. The only way for them to be together, is for him to die of a broken heart, and letting their spirits unite in heavenly paradise forever.

In Paheli (2005) the exact opposite happens, a woman falls for a ghost, who’s taken her husband’s human form, and trapped her real husband’s spirit.

In Ghost (1990), when a banker, Sam Wheat ( Patrick Swayze) is killed by his best friend, he tries desperately to communicate with his fiancée, an artist, Molly Jensen (Demi Moore), with the help of psychic, Oda Mae Brown (Whoopi Goldberg). While in Love Can Be Murder (1992) a ghost of a former private detective brings chaos into the life of a living private detective, (Jaclyn Smith).

Then, there are on-screen figures/cartoon characters, where the real world intervenes with the celluloid/animated characters. In Who Framed Roger Rabbit (1988), an animated character; based on classic Hollywood stars, Rita Hayworth, Veronica Lake and Lauren Bacall; seduces more than one human in the movie, and spectators alike. Purple Rose of Cairo (1985), has a movie character, walk off the screen and seduce his most ardent fan.

Getting back to man and beast/alien, PK (2014), sees a humanoid alien fall for a human. E.T. the Extra-Terrestrial (1982), shows a great friendship between an alien and a human child. Planet of the Apes (1968) there is a famous kiss, between a man and an ape. In The Animal (2001) a man becomes sexually attracted to a goat in heat. He talks to the goat while rubbing her back and sloppily kisses her on the head. He then slaps her butt. All the popular Hulk films have a love interest

The Sixth Sense (1999), Warm Bodies (2013), Transcendence (2014), The Fly (1958 & 1986), The Ghost and Mrs. Muir (1947), Bewitched (2005), Pleasantville (1998), Ex Machina (2014), all have similar unusual human and non-(real)human interactions.
The Stepford Wives (1975 & 2004), tells of how an intelligent woman finds it difficult, to integrate into a narrow minded society, when she moves into a new neighbourhood. Of course, all the wives (in the original 75’ film) turn out to be machines (while in the 04’ version, only one husband turns out to be a robot, while the other wives have been brainwashed). This is also symbolical, of how difficult it is, when a lone intellectual person gets trapped in an archaic society, that constantly tries to drag him or her down with them. I personally know how hard is to stay afloat, without changing for the worse, living in an extremist narrow minded country. It’s not easy not to be influenced by negativity. And just like Katharine Ross (in the original), and Nicole Kidman (in the comical remake); I have to fight to stay sane, not to be swayed by the rest.

In Moon (2009), we see a clone in love with the image of a dead human; while in The Space between us (2017), a human born in Mars feels like an Alien on Earth; and falls for a human, who decides to leave with him to Mars.
Then there are people who fall for wordsmiths, that they’ve never met. In Saajan (1991) we see a woman (Madhuri Dixit) fall deeply in love with a poet (whom, nobody knows what he looks like), when a man claiming to be the poet (Salman Khan) seduces her, she falls for him. But does she truly love him? If he turns out not to be the poet, would she still love this man? In the Bengali (Bengali/English bilingual)Art Film, The Japanese Wife (2010) and the Hindi (Hindi/English bilingual) Art Film, The Lunchbox (2013), two people have an entire love affair through letters, without ever meeting each other. In The Japanese Wife, they even get married; through ink.

Last but not the least, lets have another look at the union of onscreen humans & Aliens (besides ‘Superman’). Similar to Meet Joe Black and Paheli (as spoken of earlier) Jeff Bridges in Starman (1984), plays an alien who clones himself, into a dead man’s form; and gets the widow to help him escape. In The Man Who Fell to Earth (1976), David Bowie plays a humanoid alien, sleeping around with women of earth. And not to forget the Vampires/Werewolves and human unions; in films like, Nosferatu (1922), Nosferatu the Vampyre (1979), The Hunger (1983) and the recent Twilight franchise.

Some great films on this unusual conception, some terrible, and some in between. But when they bring out something exceptional, those films are really worth checking out.

An ode to unrealistic romances.

Nuwan Sen’s Film Sense

Special Note: I actually worked on this post, one day (on the 22nd of April 2015), exactly a month after I watched the movie, ‘Her’, in March 2015, I wrote most of In Love with the Unreal, and left it incomplete, hoping to work on it the next day or so. I never got back to it, and left it pending. Then, five months later, in September 2015, I re-worked on it a bit, stopped, and didn’t touch it at all through out the Sweet Year of 2016. So it was just hanging there, untouched and incomplete.…That is until today. This was my second incomplete post, from April 2015, that I left unpublished; the other being The Beatles in Art movements through the ages. But I did mange to post in … the following month, May 2015. Anyway, back in April that year, I hardly got anything much done, so far as blogging was concerned. I only posted one blog-post, i.e. The Great Villain Blogathon: Juhi Chawla as corrupt politician ‘Sumitra Devi’ in GULAAB GANG (2014), on the 15th of April, 2015. Now there are no more pending posts. All done!!

Nuwan Sen (Pending Posts from April 2015 !! All Complete!!!!!)
Also see (my), Nu Film Site of Nuwan Sen – Nu Sense on Film (nu Sense on Film), started in August 2015.

Now though, later in Year , am actually planning to close nu Sense on Film!!! I prefer to continue blogging here, on No Nonsense with Nuwan Sen.

Nuwan Sen

Queer Movies, and the month of Mardi-Gras

10 years ago, on 3rd March 2007, I witnessed the Sydney Gay & Lesbian Mardi Gras (simply known as Mardi-Gras, down under). This was when I was a student, doing my MA in painting (2006-2007), at COFA (College of Fine Arts), UNSW (University of New South Wales). It was a spectacular event, with gaudily glittering floats, semi naked bodies, cute kids, and the Sydney Mayor. In full swing, in the Australian summer, it went on, from dusk till dark.

The Mardi-Gars festival, is actually a carnival before Lent, in the Christian calendar. BUT, in Sydney, it’s a Pride carnival. Mainly due to the fact, that during the Pride month (which happens to be the summer month of June); is in the heart of winter, down under; where seasons go in the exact opposite direction to the norm. Christmas down under, is in the height of the hot sweltering summer. Thus, the Pride March, down under, has been interwoven with the Mardi-Gras; and is known as the Sydney Mardi Gras!! This takes place, on the first Saturday, of March. And thus, this year, it was held on 5th March 2017!!

In 2008, it was on the 1st of March, 2008. By now, I’d completed my 2nd Masters, and I was temporarily working as an ‘International Student Advisor’, at the ISS (International Student Services), in UNSW. I did not attend it that year (in fact, March 2007, has been the only Mardi-Gras carnival I’ve seen, so far). But I did, go and see, one movie, at the Mardi Gras Film Festival, held in Sydney, in February 2008. The movie was, The Houseboy (2007); and it was pathetic. One of the worst films I’ve ever seen.
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Downloading

Towards the end of last month, I came across a fellow film buff, from Pakistan, on Twitter, with whom I ended up chatting (something I rarely do, that too on Twitter). Soon I befriended him, on FB (Facebook). And on his FB timeline, he had mentioned Mahershala Ali, an actor of Muslim faith, who won the Oscar, for ‘Best Supporting Actor’ for Moonlight (2016), at the 89th Academy Awards, held on the 26th of February 2017; and how proud he felt of being a Muslim, himself, for the very first time. I simply asked him whether he’d seen Moonlight, and that I’d love to. He told me he had watched it twice; and said he’d send me the link to download the movie. And he did.

Now, back to 10 years ago; Year 2007!! I was dead against piracy, and downloading movies on the web, et al. I remember how my Australian friends & flatmates, use to react; feeling embarrassed at doing such things themselves. But I have been living in Sri Lanka, for 7½ years now, and not being able to watch any good movies (as they practically are never shown in Cinema’s here); I’ve had to rent or buy films occasionally, that happen to pirated copies. See my posts on Life of Pi  (2012) and Mud (2012) from October 2013.

But, luck had me travelling to, places like:-
New Delhi, India, between 2010 & 2012 (where you don’t see pirated copies in street shops, unlike Sri Lanka, and have to (literally) go to an underground market, if you want cheap pirated copies); where I not only got to buy good original DVD’s (even though they were with Indian copyrights, thus they have to be approved by the Indian Censor board, and certain films, have a universal rating, with sex and nudity edited out; and though am against censorship, I prefer to buy original DVD’s, than badly pirated ones, found in good shops, in Colombo and it’s suburbs, in Sri Lanka), but also got to see some great films on the Big Screen, on the superb Cineplex’s of New Delhi (see my list on IMDB titled Oscar Winners … and then some 2012, from March 2012).
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Adelaide & Sydney (once again), Australia, in November 2014; where too, I watched a couple of the superb films, on the big screen, plus bought many a DVD’s (see my Blogpost Holidaying in Australia, comes to an end from November 2014).

Meanwhile, back in Sri Lanka, I’ve tried to download films, from certain sites; either I get an error message, or it’s not available in this country, or something or the other. So, only way, I’d watch films online, is if they were available on Youtube; and late last year, streamed a few on iflix. But, as I mentioned above, that this nice new (virtual) friendly acquaintance of mine, sent me a link. And on the night of 28th February 2017; I started to download, Moonlight. By the time, I finished downloading the film, it was next morning, i.e. 1st March 2017. Thus Moonlight, was my very first successful download. And within the next few days, I downloaded four more s; in conjunction, with the month of (or rather the last week of), Sydney’s version, of the Mardi-Gras festivities.
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5 Queer Movie, within the first 5 Days, of March 2017

So here are my mini-critiques on the 5 films, I’ve downloaded so far (downloaded for the very first time). And unlike the pathetic film I saw at the  Mardi Gras Film Festival; except for one here (which too was Averagely good), all the rest of the films were pure excellence of Cinematic magic.
Thus, here is my own little ‘Queer Film Festival’!!!!!!
Beware of some spoilers below!!!!!
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1. MOONLIGHT (2016)

An Art-House Film, that bagged the ‘Best Picture’ Oscar, this year; a rarity, and a win after a fumble at the Academy Awards, that almost felt like Moonlight, had not won.

Moonlight is a touching portrayal of a young, afro-American, gay man, Chiron, brought up in a rough neighbourhood, in Miami, Florida, USA. With a drug addicted, emotionally unstable and abusive, mother; plus being bullied and beaten up in school; Chiron grows up to be a thuggish looking drug dealer, with a heart of gold. The finalé with the admission of virginity, by a very masculine, strong built man, pulls at your heart strings. This is a brilliant, coming of age, drama, about sexuality, true love, and what it’s like to be black in America, especially in a poverty stricken neighbourhood. Directed by Barry Jenkins, who won the ‘Best Director’ Oscar; Moonlight is a powerful piece of though provoking cinema. This is also Jenkins’ directorial, feature film, debut.

Ashton Sanders & Jharrel Jerome in a scene from Moonlight (2016)

The strong built, Trevante Rhodes, brings out such a sensitive performance; through a character, that outwardly generally feels frightening, with his gold chain, and gold teeth; and tough, overtly masculine, act; that touches deep, seeping into your veins, feeling the pain he’s going through. What a beautiful human being the character of Chiron is. The movie is told in three chapters, with three actors, playing one character, Chiron, in three stages of his life. Thus, the film has a main character (Chiron the protagonist of the film), but no lead actor, as such. The trio of actors perfectly essay the role of Chiron. In fact, the whole ensemble cast is terrific.

Mahershala Ali; who won the Oscar, for ‘Best Supporting Actor’ (making him the very first Muslim to win an Oscar, in the acting category); plays a kindly drug dealer, who becomes a mentor, a father figure, for little Chiron. Overall an excellent movie, that deserved the ‘Best Picture’ award, at the 89th Academy Awards, held last month. Moonlight, was the first film with an all-black cast, and the first LGBT film, to win an Oscar, for ‘Best Picture’ ever.

Watched Moonlight, late Wednesday night (1st of March, 2017)!!

My Rating:-
Excellent!!! 10/10!!
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2. CAROL (2015)

A Christmas Carol, a beautiful Christmas romance, and a wonderful, lesbian, love story.

Cate Blanchett is superb as ever, nothing surprising about that fact. Todd Haynes, is an equally great director, again nothing new about that. But, Rooney Mara, WOW!!! What a brilliant performance. I’ve seen excellent films, starring Mara, in small roles, like in The Social Network (2010) and Her (2013); but I hardly noticed her in these movies. So she definitely was the surprise packet in Carol, for which Rooney Mara, tied in, for the ‘Best Actress’ win, at the 68th Annual Cannes Film Festival, in May 2015 (see my posts The 68th Cannes Film Festival finalé and Winners & Disappointments – at Cannes 2015, from May 2015).

Carol, is based on a novel by Patricia Highsmith, titled The Price of Salt. Though am a fan of Highsmith thrillers, I haven’t read this particular novel. This story, is very different to Highsmith books (at least that’s what I gathered from the movie). While most Highsmith literature has to do with crime, interwoven with themes of sexuality; The Price of Salt seems to be, an out and out, love story, of two beautiful women; living in a male oriented, homophobic, world. Sadly, this is the world, a great American writer like, Patricia Highsmith, a lesbian herself, had to survive in, in the 1950’s.

Carol is a beautiful heart warming Christmas romance, set in America, in the foxy 50’s, starring two fantastic foxy actresses. Rooney Mara carries ’s charm and simplicity, with grace; and bold Blanchett, is outstanding as ever. Carol, has the potential of being, a future Hollywood classic. While Moonlight, is a brilliant, low-budget, American indie-film; Carol is the quintessential, modern day, Hollywood romance.

I had the luck of seeing Cate Blanchett, in real life, down under. Heavily pregnant, she came to UNSW, to see a digital television exhibit, at our University; in early 2008. I actually didn’t recognise her at once. For one thing I wasn’t aware she was pregnant. So, when I saw a heavily pregnant lady, come out of the exhibit, in a massive pair shades, with a little boy, and stare right at me; I didn’t really pay much heed to her (I was waiting to go inside, with a couple of friends; waiting for whoever was inside to come out). But I did feel she looked familiar. Then she removed her dark glasses (for our benefit 😀 ), and started speaking to a person in a wheelchair, quite near me. It was her voice I recognised, and it’s only then I looked at her. After she left, I asked the students working the exhibit, and they confirmed it was her!! If I already knew she was pregnant, I would’ve recognised her instantly.

Watched Carol late night, on the 2nd of March, 2017!!

My Rating:-
Excellent!!! 10/10!!
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3. HOLDING THE MAN (2015)

Above: Actors Ryan Corr & Craig Stott; as Timothy Conigrave & John Caleo, respectively; in the film, Holding the Man (2015)
Below: The real-life Timothy Conigrave & John Caleo

What better day to watch an Australian Gay-themed film, than on the night of, Sydney’s Gay & Lesbian Mardi Gras parade. Of course being on this side of the Ocean, there is no way I can attend the parade, down under, in all it’s splendour. But instead, I watched an Australian Queer Film, based on a memoir; which was the basis of a stage play, with the same title, by Tommy Murphy (who is also accredited with the screenplay for this movie), that came out in 2006; whilst I was in living in Sydney. The play was a big hit in Sydney; and in 2007, I remember seeing an interview with Tommy Murphy, on a local television channel in Sydney. Unfortunately I never got to see the play.

As I mentioned, Holding the Man, is based on the true story, of Timothy Conigrave’s (stage artiste, writer & activist), 15 year love affair with John Caleo (who died of AIDS); which Conigrave penned down, in a book called, Holding the Man. Conigrave completed this book shortly before dying of an AIDS-related illness, himself, in October 1994, at the age of 34 (a month before his 35th Birthday).

Holding the Man, is a tragic story, chronicling the life of two gay men, in Melbourne, Australia, who fall in love as teenagers, in the 1970’s; and survive all odds, when the land of Oz, was still very homophobic. It’s a pity, Timothy Conigrave and John Caleo, weren’t able to see, how much the world has changed today, and how much more open, Australia is to gay culture today. In fact, Sydney is the next gay capital of the world, after San Francisco, in USA. BUT, no matter how open and free, homosexuality is down under, today; sadly many a Australians do take Gay people for a joke. Homosexuality is no laughing matter. People can still be pretty cruel, and inhumane, even in Australia, towards the LGBTIQ community.

Watched Holding the Man, late night, on the 4th of March, 2017. The movie finished past midnight!! A sad beautiful tale, filmed beautifully by director, Neil Armfield. This is among the rare greatest Australian films, I’ve seen.

My Rating:-
Excellent!!! 10/10!!
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4. REFLECTIONS OF A GOLDEN EYE (1967)

Brando & Taylor, on the sets of Reflections in a Golden Eye (1967)

Based on the novel, Reflections in a Golden Eye, by Carson McCullers; this beautifully made movie, with a uniquely stunning photographic technique, was directed by John Huston, starring Elizabeth Taylor, in the lead, with Marlon Brando, Brian Keith, Julie Harris and Robert Forster. This was Forster’s debut role, where he played a sexual desire, of Brando’s character.

The main plot of the movie, revolves around the wife of a Major, stationed in a US Army post in the American South in the late 1940’s. The said wife is played by Elizabeth Taylor. A young new Private (Forster), has a perverted obsession, who voyeurs around the violet eyed beauty (Taylor), watching her naked body reflect through the golden brown lens of his eye. It’s a beautifully filmed, movie about a peeping Tom; unaware, of the Major (Brando), the husband, of his sexual desire, himself has a repressed homosexual desire for the Private. Seeing the Private’s naked golden body, many a times in the brown woods, only adds to the Major’s already uncomfortable want for a young man, he cannot have.

Despite a great story line, and the beautiful photographic technique, the film isn’t without it’s flaws. The most visible one being, that of Taylor’s character. Though the film is set in the late 40’s, Elizabeth Taylor’s look, just doesn’t feel the post-war period. With the latest hairdo’s and fashionable dress sense, straight out of the 60’s; Taylor is magnificently more modern, than the setting of the movie. Another flaw is, the movie starts to bore in the middle, especially after the death of a mentally unstable character, played by Julie Harris. Added to which, Huston could have focused more on the Major’s repressed sexuality; i.e. the character played by Marlon Brando.

A scene from the film, Reflections in a Golden Eye (1967); featuring Robert Forster, in the original release of the picture, with the golden hue, that did not impress audiences.

Initially the movie was released, with a golden hue enveloping the movie, as a reference to a drawing of a golden peacock, in the movie; a golden peacock in whose eye, the world is a mere reflection. But audiences did not seem to get this symbolic aspect, thus the original copy was withdrawn from cinema’s, and a normal coloured version re-released. I saw the ordinary colour version, but I’d love to check out Huston’s original aesthetic creation; with the warm sepia tint, over the colour film.

None the less, it’s a very admirable effort by John Huston. I watched Reflections in a Golden Eye on Sunday afternoon, 5th March 2017!!!!

My Rating:-
Average Fare!! 6/10!
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5. SUNDAY BLOODY SUNDAY (1971)

Last but not the least, most probably my favourite of the lot. What a clever, unusual film. The 60’s & 70’s were definitely the period that Hollywood ruled; bringing out bold unique plots.

Starring Peter Finch, Glenda Jackson and Murray Head; and brilliantly directed by John Schlesinger; Sunday Bloody Sunday, is a very mature, open minded, intelligent story. Murray Head plays a bisexual; who has two partners. One, played by Finch, and the other by Jackson. And each is aware of the other’s existence; and have a mature understanding, and acceptance, of the other, though neither of the, young bisexual scientific artist’s, partners have met each other. What’s more interesting, is how decent these people are, and in what a civilised manner, they handle sharing the same partner. They go on living a very normal life, with their lover, who finds time to spend with both, his male lover, as well as his female lover.

This is a very modern outlook, we don’t really see in this century. Of course, there are plenty of films on threesomes, extreme sexual deviations; but most of the time it’s showcased in a sleazy manner. That’s the beauty of this film, despite having a homosexual man and heterosexual woman, sharing one lover, there is nothing sordid about it. It’s so sophisticatedly handled, and is made to feel, so normal, and that too in a movie, that came out in the 70’s decade; it’s a wonderful feat.

One of the most intellectually adult movies, I’ve ever come across. Peter Finch, is spot on, as the elderly gay man, who is not seen suffering because of his sexuality, and who happens to a well to do Jewish doctor. Glenda Jackson plays a divorcee, who suffers from a childhood trauma, during the war. And each of them lives a relatively happy life, sharing one man, without suffocating the lover. And the lover, being bisexual, enjoys openly romancing both. And yet, it’s only the two of them he romances, and he doesn’t hide the fact he’s also seeing the other. So technically he is faithful to both his lovers.

A lot does happen in the movie, but it’s more character based, where these three people live a very civilized life, in a very normal manner, with acceptance and understanding. Isn’t this the kind of normal acceptance, of people who are different, and understanding them, that could make the world a better place. In a way, a very futuristic attitude. It’s a society that doesn’t have to fight for Gay Right’s, or Women’s Lib, et al; why?? ‘cause gay men and women are seen, living a relatively liberal lifestyle, with no judgement. Their friends accept them, friends’ children play with them, they are asked to take care of the kids, they trust each other; isn’t this the kind of normality, that ought to really exist, in today’s world, but sadly does not. Schlesinger, though set the movie in the 70’s itself, has forecasted a very progressive future, which should have made it’s way, by now.

This British film, is a masterpiece of cinematic intellect. A must watch. The Best film, in this list, I watched Sunday Bloody Sunday, late Sunday night (5th March 2017); the movie ended past midnight. Totally worth it!!

My Rating:-
Excellent!!! 10/10!!
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So that’s all folks, the 5 films I watched, within the first 5 days, of this month. Four of which, were pure excellence!!!

Nuwan Sen’s Film Sense

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Congratulations, to all the winners, of the 89th Academy Awards, held last night!!!

As per usual, I woke up, way before, 5 a.m. (rather I hardly slept). Just had time to make myself a cup of coffee, and grab a couple, chocolate coated, muesli bars, before sitting down to watch, the Oscars Red Carpet LIVE! It started at 5:30 a.m. on this side of the ocean.

An enjoyable show, hosted by, Talk show host/Comedian, Jimmy Kimmel. The Oscars went pretty smoothly, and I thoroughly enjoyed it, despite the ‘Miss Universe 2015’ style blunder, towards the end!!

A Big Applause, to the Oscar Winners, for Year 2017!!!!!

Nuwan Sen’s Film Sense

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