Tag Archive: African-American


The ❝October Birthdayz❞ Blogathon 2018, finally comes to an End!

So the month of Halloween comes to an end, as does this Blogathon. As promised on 1st October, Year 2018; even though the Blogathon was allocated from 20th to 22nd October 2018; due to time constrains and various other reasons, as some bloggers might not be able to contribute a post, within those dates; I am doing a special post today (Halloween night) for the Latecomers.

So here are the contributions from the Fashionably Late 🙂 :-

Battling my own stress and depression, withdrawal symptoms (of getting off and re-getting on stress medication), going through a heavy headed flu (practically this whole month), adverse effects of diabetic meds making things worse (don’t get me started on people here, testing my patience to the limit, the root cause of my psychological distress, in turn resulting in additional physical ailments); this month of October hasn’t been very nice to me (nor has this year really, but this month feels extra worse), anyway this country has never been good to me; so am extra grateful to my fellow Bloggers, for helping me make this Blogathon a success.

A Very Big THANK YOU, to all of you, my dear Blog-pals. Despite going through a lot of pitfalls, being able to get this Blogathon done, thanks to your help, brings me some sort of contentment. Without your lovely contributions, this wouldn’t have worked. If possible, I’d like to make The ❝October Birthdayz❞ Blogathon an annual event (hopefully in a better environment in the future), on No Nonsense with Nuwan Sen.

As I couldn’t contribute a Blog-post for my own Blogathon, I thought I’d share some links, of my past posts, related to October Births :-

Once again, Thank You guys n’ gals !!

Nuwan Sen

P.S. Also see other participants with their contributions, for Day 1, Day 2 & Day 3, from The ❝October Birthdayz❞ Blogathon (DAY 1), The ❝October Birthdayz❞ Blogathon (DAY 2) and The ❝October Birthdayz❞ Blogathon (Day 3), respectively.

 

TWEETS ( 2018)

Nuwan Sen’s Film Sense
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Welcome to a New Month, and to The October Birthdayz Blogathon 🍁 2018! 🎃🎃🎃🎃🎃🎃🎃🎃

October, is the tenth month of the Year, signifying the Orangey month of autumn in the Northern hemisphere, the orangish shades of maple leaves, associated with fall, and of course, the month of Halloween (with it’s Jack-o’-lanterns, carved out of orange pumpkins). Though Halloween’s roots originate in Christianity, All Hallows’ Eve, today (pretty much like Christmas), it’s more of a fun filled (non-religious) holiday, especially in the Northern American continent.

The month of October, also happens to be the birth month, of my sister, who actually lives in ‘Modern Day’ Halloween country – The United States of America (a.k.a. TrumpLand) itself. She’s been living there, residing in Princeton, New Jersey, USA, since May 2015. So, dedicating this Blogathon to my baby sister; who’ll complete the 38th year of her life, this month; I decided to host, The, very first, ❝October Birthdayz Blogathon! So in a sense, this Blogathon, is my gift to Sachinta’s upcoming 38th Birthday. Happy Birthday Sis!

So, my fellow bloggers/blog-pals/movie maniacs/film fanatics/cinema enthusiasts/bookish bums, you are all welcome. The Blogathon shall start on the 20th of October (my sister’s birthday) and end on 22nd of October. BUT, there are no hard and fast rules, as to when you can post. You can post, any day within the month, of October, effective immediately. So, even if you end up being fashionably late, do not fret, I shall do a special post for latecomers, on 31st October (Halloween night).

Though there are no hard and fast rules, on what or when you can post (it does have to be within this month), this Blogathon is to do with Movies, Movies and Movies. So below are some terms and conditions, on how to post, on any birthday associated with the Month of October. You are welcome to post, one or more, write-ups; as many as you like.

Some Simple Rules:

  • You are allowed to write about any famous or notorious personality, born in the month of October. But the write-up has to do with films (either Big Screen cinematic marvels or Small Screen movies made for television). So if you want to write about a non-film personality, the blog-post should be about a bio-pic based on his/her life, or a movie based on a true incident, where this particular ‘October born’ person played a pivotal part in (in which case, it has to be a charter-sketch of this famed person).
    [E.g. Mahatma Gandhi, Eleanor Roosevelt & Bonnie Parker, were born in the Month of October]
  • If you want to work on an author/playwright/poet, again it should either be a film based on their lives, or (in this case) a film adaptation of one of their works. BUT, it has to be a good movie (doesn’t matter how faithful the movie is to it’s source material). No judgemental and unoriginal clichés of “Books are better than Movies”, please. A good movie has to stand on it’s own merit, whether it’s based on a book or not. You are welcome to do an interesting compare and contrast (in which case both the book and movie ought to be critically acclaimed, or at least you should love both, the book as a book, and the movie as a movie)
    [E.g. Virgil, John Keats, Oscar Wilde & Joan Harrison, were born in the Month of October]
  • If you are writing on a movie starring an actor/actress, then it ought to be more of a character analysis, played by the ‘October born’ star. If there are more than one person born in October, appearing in the same movie, the review can be about the movie, but please focus more on the characters played by the ‘October born’ stars.
  • If it’s a film of an ‘October born’ director, then a movie review is more than enough, yet attributing to his unique directing techniques, as to how well the director crafted it.
  • If you want to speak about a cinematographer/music composer/playback singer/costume designer/set designer (in other words, a non-actor/actress or director, attached to the movie), please highlight this ‘October born’ person’s contribution, besides the film critique.
    [E.g. Costume Designer, Edith Head, and Music Composer, S.D. Burman, were born in the Month of October]
  • You are welcome to write about the personal life of an ‘October born’ film personality, instead of a movie they worked on, if you wish. Again, it ought to be a non-judgemental, non-sarcastic, sympathetic look at a person’s life and career. Exceptions are allowed, if the particular person was highly notorious (like a Nazi spy or a serial killer or something, who was/is a famous film personality).
  • If your, or your own Blog’s, birthday falls in the Month of October, you are welcome to include a bit about yourself/your Blog, within a film context.
  • Duplicates are allowed, but I would prefer, there were none, as there is a vast array of people born within the 31 days of October.
  • You are welcome to write about recently released movies and film personalities of the 21st century, as well; BUT I’d prefer if you were write about a movie/celebrity from the past centuries. There are so many forgotten gems of the past; from Roundhay Garden Scene (1888) (the oldest surviving moving picture – private family footage) to the Lumière Brothers 10 short films released in 1895 (the very first ‘Big Screen’ cinematic releases) to more contemporary greats from post war 40’s to the 1990’s; that need more exposure, and should to be spoken of.
  • Once you have decided, please mention what you shall work on, as a comment below; and once you’ve blogged about a film related subject matter, for this Blogathon, kindly post the link, as a comment below.

Kindly share my post, and invite other bloggers, to join in. And, last but not least, please help yourself to one or more, out of the 10, banners below, I specially made for the Blogathon.

Thank you and Enjoy

Nuwan Sen of No Nonsense with Nuwan Sen

Blogathon Banners

This is the second time I am hosting a Blogathon. The very first Blogathon (and the only one till now) I hosted, was back in September 2014 (See my Blog posts – The Essential 60’s Blogathon, The Essential 60’s Blogathon : Dr Strangelove, or How I Learned to Stop Worrying and Love the Bomb (1964) and The Essential 60’s Blogathon finalé from September/October 2014). But it wasn’t much of a success, as only four Bloggers (including me) took part in it. This year I hope it shall be more of a success, as I have a bigger blogging community now. Of course, even though am happily hosting this Blogathon, I shan’t take part it myself.

One of the main reasons, I shan’t work on a post for this Blogathon, is, ’cause am very sick (physically, mentally and otherwise). Since, I’ve been working on these banners, and a few more pictures/collages, within the last six days, to host this Blogathon, this month, I am forcing myself to somehow get this post done today, with a heavy sinus filled head, as the forces of Lankan nature are acting against me getting anything done. Am feeling quite exhausted, parched, dehydrated, with tired eyes, a cold and heaty throat and chest, as we speak; and writing this in a sort of a daze. I was down with the flu, when this year started, and am just as sick, as this beautiful month starts. I wonder whether am having an allergic reaction to the new diabetic meds I’ve been on for the last two weeks. I need to speak to my endocrinologist.

Anyway, I hope you shall all take part in this, my fellow Blog-pals and lovers of everything cinematic. I shall do three special posts (including your links of the posts you do) between 20th & 22nd October 2018, and a fourth n’ final one, for latecomers, on the 31st of October, 2018.

Also check out my twitter handle (https://twitter.com/Nuwansenfilmsen) I plan to post an  ❝October Birthdayz❞ special, on twitter, each day of of this month, as well.

Thank you in advance for your participation

Nuwan Sen’s Film Sense 🧡

The 71st Cannes Film Festival finally came to an end, last night. The Palme d’Or for Year 2018, was awarded to 万引き家族 Manbiki Kazoku (2018) a.k.a. Shoplifters, to film director, Hirokazu Kore-eda, by Jury President Cate Blanchett. Like the previous two lazed posts, for this year, let the pictures do the talking.

Palme d’Or Winner for 2018: Japanese director Hirokazu Kore-eda (seen here with Cate Blanchett)

Caméra d’Or Winner: Lukas Dhont

Grand Prix: Spike Lee (Benicio del Toro looks on, as Lee gives his speech)

Lebanese director Nadine Labaki speaks after winning the Cannes Jury Award for Capernaum (2018); as her husband, Khaled Mouzanar, and actor Gary Oldman, look on

Special Palme d’Or was awarded to the legendary Jean-Luc Godard, for Le Livre d’Image (2018) a.k.a. The Image Book
Actress Cate Blanchett seen here holding the Golden Palm

Congratulations to all the winners (including the ones not mentioned here) of the Cannes Film Festival for 2018!!!

Nuwan Sen’s Film Sense

Simon Emanuel, Chewbacca, Joonas Suotamo & Thandie Newton at the event of Solo – A Star Wars Story (2018), at the 71st Cannes Film Festival

Everything that has a beginning, has a an end; as does this prestigious, 71st Cannes Film Festival, of May 2018!! It ends tonight, and am really looking forward to finding out who’s won what? I couldn’t check out the Cannes updates properly this year, for various reasons, but below are some fashionable highlights from various days & nights at the Film Festival.

Enjoy

Nuwan Sen’s Fashion Sense

German Film Director, Wim Wenders

Spanish Husband & Wife: Javier Bardem & Penélope Cruz

From the Land of the Pharaohs: Austrian/Egyptian Film Director, A.B. Shawky, with Egyptian Actress, Shahira Fahmy

Mexico & India: Salma Hayek & Nandita Das, were among the 82 women that marched for Gender Equality in the Film Industry, at Cannes this year (Inset: Director Das with her lead star, of Manto (2018), Nawazuddin Siddiqui)

Brazilian Filmmaker, Joe Penna, and Danish Actor, Mads Mikkelsen

Young Russian Film Director, Kantemir Balagov

International Belles: Fan Bingbing, Marion Cotillard, Jessica Chastain, Penelope Cruz and Lupita Nyong’o (Cannes 2018)

The Frenchmen: Pierre Deladonchamps, Christophe Honoré and Vincent Lacoste

Solo Guys (Day & Night): Donald Glover & Alden Ehrenreich; with the cast and crew of Solo: A Star Wars Story (2018)

Solo Wookiee: Finnish Actor and former Basketball Player, Joonas Suotamo, with his ”Star Wars” character ‘Chewbacca’

Jackson Lee (son of Spike Lee), Topher Grace, Adam Driver and Director Spike Lee, attend the screening of Blackkklansman (2018)

Former First Lady of France (and Italian Singer/Songwriter), Carla Bruni Sarkozy

From Russia with Love: Katya Mtsitouridze, in a neatly tailored White attire

Chique Chic: Marion Cotillard at the Cannes Film Festival this year

More Marion Cotillard (Cannes 2018)

Newly Married, Bollywood Fashionista, Sonam Kapoor, in a White Bridal Lehenga (Cannes 2018)

From the Silk Route: Melissa Zuo, shimmers in Silver attire

Walk for Gender Equality: Jury President, Cate Blanchett, with Feminist Film Director, Agnès Varda (of the French New Wave fame); the first woman to receive an honorary ‘Palme d’Or’, at a Cannes Film Festival

Pretty in Pale Pink: Bella Hadid at the 71st Cannes Film Festival

Chinese Actress, Bingbing Fan

Cannes 2018: Aishwarya Rai Bachchan; seen here with her daughter, who accompanied her up to the Red Carpet

Winnie Harlow goes Green @ Cannes 2018

Knife + Heart: French Film Director, Yann Gonzalez, with Kate Moran & Vanessa Paradis (Inset: Nicolas Maury & Vanessa Paradis)

American Actress, Amber Heard

80 year old, Jane Fonda, graces the Red Carpet with charm, at the 71st Annual Cannes Film Festival (Mai 2018)

Deepika Padukone in Hot Pink Ruffles (Cannes 2018)

More of Daring Deepika: Deepika Padukone in Purple Pant Suit

A Sad Affair: 72 year old Helen Mirren, in a comfortable trouser suit, walks away after she tripped and had a bad fall

John Savage @ Cannes 2018

Milla Jovovich looking like a Greek Goddess

Defying Protocol: Kristen Stewart makes a statement against the Cannes Film Festival, by walking barefoot

Lebanese Film Director, Nadine Labaki, with her young actors; Zain Al Rafeea (a Syrian refugee) & Yordanos Shifera, from Capharnaüm (2018)

Franco-Swiss Model, Nabilla Benattia poses near some Stormtroopers (Cannes 2018)

From Deep Down Under: New Zealand Female Model, Georgia Fowler (in a black sheer Saree dress), with Australian Male Model, Jordan Barrett

Goodbye Cannes Film Festival (for )

Nuwan Sen’s Film Sense

Correct Answers to the Quiz (my previous blog-post)

°°

A.1

Hollywood’s Million Dollar smile: Marilyn Monroe

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A.2

Best of the Brits (with Nigerian roots): David Oyelowo

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A.3

Bollywood’s Million $Dollar smile (converted to Indian Rupees₹, of course 😀 ): Madhuri Dixit

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A.4

One of the last two great Pop Stars, of the last Century (80’s & 90’s): Michael Jackson

°°

A.5

Foxy Frenchwoman, an International Superstar: Marion Cotillard

°°

Thank you fellow Bloggers for your participation!!!

Nuwan Sen’s Movie Sense
#NuwanSensMovieSense

#‎NuwanSensFilmSense

Who am I?? Guess who these 5 super smiles/toothy grins belong to!! 😁

°°
Q.1

°°
Q.2

°°
Q.3

°°
Q.4

°°
Q.5

°°
CLUES: Take a look at the Tags below.

Answers: I shall post the Answers as another Blog Post, in a weeks time, after some of you’ve given this a try.
Enjoy

Nuwan Sen’s Movie Sense
#NuwanSensMovieSense

#‎NuwanSensFilmSense

P.S. Also see my posts Question Time # 009: Beautiful Eyes °°/Answers to Questionnaire no.9 👀 & Question # 014: Luscious Lips 💋/Answers to Questionnaire no.14 (Luscious Lips 💋) from May 2015 & March 2018; respectively!! 😁

Couldn’t sleep a wink last night, kept getting up to check the time. Finally got off my bed by 4:30am (0430hrs); made my instant coffee, and got ready to catch the Oscar Red Carpet coverage LIVE (on this side of the Globe), at 5am (0500hrs); and continued to watch the entire show, until the finalé at 10:20am (1020hrs).

James Ivory giving his Oscar speech; after winning for Best Adapted Screenplay, for Call me by your Name (2017)
89 year old Ivory (who’ll turn 90 in June) became the oldest person to win an Oscar, ever!!

I was pretty disappointed, when Call me by your Name (2017) and Loving Vincent (2017); didn’t win the golden statuettes, for ‘Best Picture’ and ‘Best Animated Picture’, respectively. BUT I wasn’t surprised either. Though I haven’t watched The Shape of Water (2017) and Coco (2017); which won the earlier mentioned awards; in their respective categories; I highly doubt, they are as unique, as the naturalistic delicate love story that was Call me by your Name, and the spectacular literally moving impressionist artwork that was Loving Vincent. Added to which Coco also grabbed the award for ‘Best Achievement in Music written for Motion Pictures (Original Song)’. Poor Sufjan Stevens; his “Mystery of Love”; is such an amazingly melodious creation. Love that song.

Yet, luckily James Ivory was awarded the trophy ‘Best Adapted Screenplay’; for Call me by your Name. Aged 89, this was the very first Oscar win for Ivory; making him the oldest Oscar winner ever. Being one third of the trio behind the famed Merchant/Ivory Productions (which included Ismail Merchant and Ruth Prawer Jhabvala), and today, with only Ivory being among the living, of the trio; he gave a heartfelt speech paying tribute his two co-producers/directors/writers and close friends. I’ve been a fan of Merchant/Ivory Productions since I can remember. They made some brilliant Indian English language films, from the beginning of the 60’s decade, to the early 80’s; before they went onto make beautiful British Heritage Films, like the E.M. Forster trilogy for instance; A Room with a View (1985), Maurice (1987) & Howards End (1992); and other eloquent creations set in eras of elegance.

Another touching speech, that was given, was by Frances McDormand; who nabbed the ‘Best Performance by an Actress in a Leading Role’ Oscar, for Three Billboards Outside Ebbing, Missouri (2017). Albeit pretty hysterically; but heartfelt. She got all the female nominees and winners to get up, and stand with her (though not on stage). I was really happy when, as expected, Gary Oldman won ‘Best Performance by an Actor in a Leading Role’ for Darkest Hour (2017). For he was brilliant as Churchill, and ’twas not just ’cause of the prosthetics. He truly embodied the character. At the end of his speech, he asked his mother to put on the kettle, for he was bringing home an Oscar. Darkest Hour, quite deservedly, also won for ‘Best Achievement in Makeup and Hairstyling’. Jordan Peele, became the first Afro-American Screenwriter, to win the prestigious award for ‘Best Original Screenplay’; for his horror venture, Get Out (2017). Though Dunkirk (2017) sadly lost out to Blade Runner 2049 (2017) for ‘Best Achievement in Cinematography’; it did bag a few in technical categories.

During the In Memoriam, the academy paid tribute to various stars like Harry Dean Stanton, Roger Moore, Chuck Berry, Jerry Lewis, et al. Added to these great American celebrities, they had also mentioned actor Shashi Kapoor (1938-2017); the very first star of  Productions; which was not a surprise, as he was an international star. But, somewhat of surprise, of course a pleasant one at that, was the inclusion of Sridevi (1963-2018), a national star of India; who bridged the gap between Bollywood (Films mainly made in the national language of India, Hindi) and South Indian Cinema (she’s worked in various South Indian languages made in various Southern Indian States).

Black & Gold: Lupita Nyong’o & Sandra Bullock

Rita Moreno, when she won for Best Actress in a Supporting Role for
West Side Story (1961), at the 34th Academy Awards, in April 1962; along with Best Actor in a Supporting Role winner (for the same film), her co-star, George Chakiris (L); and actor Rock Hudson (R)

From Oscars 1962 to Oscars 2018: 86 year old Rita Moreno, wore the same skirt she wore when she won the award for Best Actress in a Supporting Role; 56 years ago

Fashion and a great sense of style, are a dominant feature at the Academy Awards; and this year, it was the Black & Gold combination that struck me as the best. Both Lupita Nyong’o & Sandra Bullock, looked amazing in their Black & Gold garb; but it was the 86 year Rita Moreno, who stole the show; when she wore the skirt that she originally wore for the Oscars, in 1962. She topped it off with a strapless black top, simple jewellery, a headband, gloves, and spectacles. She made spectacles look good. The attire that disappointed me the most, was the crude chandelier of a dress, that hung on Salma Hayek. Too gaudy for my taste!!!

In a chic pantsuit, Emma Stone presents the Oscar for Best Achievement in Directing; which went to Guillermo del Toro for The Shape of Water (2017)

Red n’ Bright: Meryl Streep & Allison Janney
Allison Janney won the Oscar for Best Performance by an Actress in a Supporting Role for I, Tonya (2017)

True Blue: Nicole Kidman & Jennifer Garner

The Gentlemen looked dashing in their tuxedos; but it’s always the Ladies who steal the show at Award Ceremonies; or any function, when it comes to dress sense. But what is even more impressive is when a Lady dons a Trouser suit; and at this year’s , it was the chic style adorned by Emma Stone, that caught my eye!!!👁

Overall, the 90th Annual Academy Awards, was an interesting show; with no slip-ups this time!! And Jimmy Kimmel did a wonderful job, second time round. Bringing in Bonnie and Clyde (1967) veterans; Warren Beatty & Faye Dunaway; a second time, as well (after last years debacle), was a icing on the cinematic cake.

Congratulations to all the Winners!!! Here’s to 2018!!

Nuwan Sen

Nuwan Sen n’ Style

Timothée Chalamet with his mother, and Armie Hammer with his wife (Oscars 2018)

Comical moment with host Jimmy Kimmel and Helen Mirren

Daniel Kaluuya congratulates Jordan Peele on winning the Best Original Screenplay Oscar (inset) Daniel Kaluuya

Nuwan Sen Film Sense
#90thAcademyAwards
#Oscars2018

#‎NuwanSensFilmSense

Hattie mcDaniel as Mammy in Gone with the Wind (1939)

If Americans think that one of the biggest racial issues Trumpland is facing today, is the viewing of Gone with the Wind (1939); they’ve totally gone BONKERS!!

The Orpheum Theatre, in Memphis, Tennessee; recently pulled out the showing of this iconic Hollywood epic, on the grounds it was too insensitive for modern audiences. That’s soooo stupid. Are they insane??? Gone with the Wind, especially taking into account the time period it was made in (minus modern day technical wizardry), happens to be one of the greatest Hollywood creations ever. Plus, it’s my second favourite film ever (pls also see my post My Favourite movie by decade, My Favourite Oscar Winner per decade from March 2014; and my list of critiques Why I love …. from November/December 2012 on IMDB)

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Happy Friendship Day 2017

A very Happy Friendship Day, to all my friends, all around the globe!! To Real life Buddies, to Reel life Characters!! To Best of Pals, to Blog Pals!! To Live Mates, to Virtual Mates!! To Life Pals, to e-Pals!! And to Family, that I actually have a Friendship with, and not associate just for namesake!!

Enjoy

Nuwan Sen ❤

**Special Note**

To all my faithful bloggers, sorry I haven’t blogged in a while. A lot of depressive forces prevented me from working on this blog. But don’t fret, I shall be back in the World of Blogging, ASAP!!!! 🙂

NS.

There’ve been quite a few fantastical tales, on celluloid reels, of humans falling in love with the unreal, and vice versa. Lets take a look at some great, and some far from great, renditions of this unusual phenomena, explored mainly on the Big Screen. Fairy tales for more mature audiences (teenagers and/or adults), if you may.
What brought about this sudden urge to write about unrealistic romances, portrayed in a realistic style on celluloid? I watched, Her (2013), back in March 2015 (on 22nd), and never got to write about it (of course films today aren’t made on celluloid, but am speaking in a general term, to reference cinema of the past). Plus it brought about memories of some really great films (as well as certain terrible movies), I’ve watched in the previous decades, going way back to my childhood.

In Her, a writer, Theodore (Joaquin Phoenix) falls for an electronic voice, without a body (voiced by Scarlett Johansson). In Lars and the Real Girl (2007) a lonely, simple headed, man, Lars (Ryan Gosling) falls for a sex toy, a female without a voice.

In Ruby Sparks (2012) a writer, Calvin (Paul Dano) creates a fictional character Ruby Sparks (played by Zoe Kazan) that comes to life. He fall in love with her, but treats her like his possession, in contrast to the sex toy, to whom, Lars, tends to show so much respect and affection towards. Ironically Lars doesn’t treat the sex toy as play thing, but Calvin treats Ruby, as a toy, making her do what he wants. An egoistical male’s god complex, of being in control of his woman. While Lars of Lars and the real Girl and Theodore from Her, are the exact opposite. Of course, when Theodore finds out the voice of Her is ‘in love’ with thousands of other human beings, he starts to feel jealous, knowing he wasn’t special. While we sympathise with Theodore and Lars, we can’t help but feel Calvin is a bloody prick.
Stranger than Fiction (2006), has a similar unreal premise, but am yet to watch it, so I shan’t comment on it further.

In the animated movie, Corpse Bride (2005), a man, Victor Van Dort (voiced by Johnny Depp), accidentally marries a corpse (voiced by Helena Bonham Carter). Of course in this case, it’s the corpse, who falls for the human. Yet, the corpse, itself, was a human being once, who was tricked and murdered by her paramour, on her wedding day. Similarly in the comedy, Memoirs of an Invisible Man (1992), an Invisible man (Chevy Chase) and a woman (Daryl Hannah), fall for each other, yet the invisible man, being an actual human being, it makes it comparatively realistic. As in the case of Mr. India (Anil Kapoor) in Mr. India (1987), a vigilante who can become invisible with help of a devise created by his late father, happens to be the romantic object of many a women. He is still a human being. Yet, we see, the reporter, Seema (Sridevi), fall for the invisible vigilante, than his human self. In fact, she initially despises ‘Mr. India’ in his human form as Arun Verma, unaware that he is in fact her invisible hero. In Hollow Man (2000) and Invisible Strangler (1978), once the protagonists of these movies, find they can get away anything, in their invisible form, nothing stops them from acting on their lustful desires, committing rape/murder, on beautiful women.

In various superhero tales, you find a similar dilemma, as in Mr. India, faced by the love interest of the story. In Superman (1978), reporter Louis Lane (Margot Kidder) falls in love with Superman (Christopher Reeve), who actually is an alien from a distant planet. But she refuses to acknowledge, the affectionate advances from her co-worker Clark Kent, who happens to be her superhero in his human avatar. There have been quite a few ‘Superman’ films since.

Of course Superman is from another planet. But if you take other superhero’s; American conceptions like Batman (played on the Big Screen by many stars from 1966 till date), Spider-man (Nicholas Hammond, in the 70’s, Tobey Maguire, Andrew Garfield & Tom Holland, this century), or Bollywood creations like Shahenshah (Amitabh Bachchan) from Shahenshah (1988) and Krrish (Hrithik Roshan) from Krrish (2006) and Krrish 3 (2013), sequels to Koi…. Mil Gaya (2003); in all these stories, the superhero happens to be human, with superpowers, but their leading ladies don’t necessarily, easily, fall for the man, but have more of a desire for the vigilante, unaware the two are one and the same. In love with not just the unreal, but impending danger as well. Dangerous, risk taking, hero’s, seem sexually more appealing to the fairer sex, than a realistic human companion. These kind of films actually also put pressure on growing young men. As kids, most guys like the idea, of imagining themselves as superhero’s, for fun. But when in their teens, it’s more to do with appeasing the opposite sex, through false perceptions of masculinity, showcased in such movies. Sometimes foolishly young men might try and take unnecessary risks, just to get the attention of their female peers, with disastrous consequences.
If you take classic fairytales, we read as little children, like Beauty and Beast and Princess and Frog, this phenomena of man and beast is nothing new. Yet at the same time, both the ‘Beast’ and the ‘Frog’, are actually human beings, making it somewhat acceptable for children. If you take Greek mythology, there is the famous tale of Minotaur, where the Minotaur is the result of the Queen of Crete mating with a white bull. Added to which there are plenty of tales of Gods and human love stories, as well, in Greek Mythology. Then there is Shakespeare’s A Midsummer Nights Dream. There have been plenty of movie versions of these classic tales and great old literature. In I, Frankenstein (2014); as I stated on twitter ‘another 21st century ruination of a 19th century classic’; this dull horror movie ends with the hint, that Frankenstein’s monster, a man made being, has found a human companion, after searching for over 200 years. On a lighter vein, in not so great films (yet no where as near as terrible as I, Frankenstein), like the comedy, Hercules in New York (1970), Arnold Schwarzenegger falls from the skies (and not to forget Schwarzenegger’s ridiculous Terminator franchise, from 1984 onwards, with the craziest and cheesiest storylines, ever). Like in Corpse Bride, a man accidentally awakens a goddess, in the near pathetic, Goddess of Love (1988), while in Love-Struck (1997) we see a woman who doesn’t believe in love (Cynthia Gibb) fall for Cupid (Costas Mandylor) and vice versa; and Cupid has to decide if he wants to leave his immortal form, and become human. Similarly in City of Angels (1998), an angel (Nicolas Cage) gives up his human form, for his love for a human being (Meg Ryan). Date with an Angel (1987) is about another union between a man and beautiful angel.

In the 80’s and 90’s, there were quite a few teen comedies, based on this concept of unrealistic love, helping a young man find the perfect looking partner, especially if the lead character is a geek or considered a loser, who cannot attain the affections of the opposite sex.

Weird Science (1985) and Virtual Sexuality (1999), are two films I haven’t watched, but the concept of the two teen movies, are the same. In Weird Science, two geeks create a ‘perfect’ woman (Kelly LeBrock), while in Virtual Sexuality, a girl creates herself a ‘perfect’ man (Rupert Penry-Jones).

Similar to Corpse Bride and Goddess of Love, in Mannequin (1987), an artist (Andrew McCarthy) falls for a Mannequin (Kim Cattrall). Big (1988) and Date with an Angel; the two movies combined resulted in the crappy Bollywood take, that was Chandra Mukhi (1993). The film was so bad, that it was credited as being a Salman Khan idea (the lead actor of the movie). Getting back to Tom Hanks, star of Big, back in the 80’s he did a lot of run on the mill comedies; that weren’t great, but were enjoyable enough, thanks to Hanks. In Splash (1984), we see Hanks falling for a mermaid. This adult fairy tale, is similar to the classic children’s fairy tale, The Little Mermaid.
Funny though, how all these Hollywood romances, dealing with unreal love, where the perfect looking lover, be it a mannequin, a fairy, a goddess or mermaid, were all hot white women. What happened to the browns, blacks and yellows? Where are the gays and lesbians? Are they considered less than perfect???? Added to which why is it most of time a man finding the perfect mate? And that too preferably a Blonde one? Even better if the blonde’s in a red hot attire? Like the sequence in The Matrix (1999), where Neo (played by Keanu Reeves), suddenly turns to take a good look at a blonde in a red dress. Why did she have to be blonde? What if he saw an African-American? or an Indian beauty? What if he turned to look at a man? Even in Virtual Sexuality, though it’s creation is a male, the man is a white male, Blond, with a perfect physique. Of course when it came to the Bollywood films, the perfect hero/heroine are both Indian’s, obviously. But United States of America, is a diverse country with all colours and creeds, where the indigenous people of the country are actually Red skinned, not white. Yet the 80’s (and 90’s to a certain extent) target audience, were the straight white American youth. Even though these reached beyond borders. And in a way, 80’s was one of the worst periods for Hollywood, with a load crappy B-movies, being made. Not all, but most, including these fantasy flicks.

Getting back on the topic of films based on unrealistic romances, there are some interesting films of ghosts and people falling for one another. Like in Corpse Bride (discussed above), these dead spirits were humans at one time, and are scavenging earth ’cause of some unfinished business. In the classic Bollywood film, Ek Paheli (1971), a modern man, Sudhir (played by Feroz Khan) falls in love with a mysterious woman (Tanuja), whom we discover later, to be a spirit of a dead pianist, who had committed suicide, during the Post-war era. The only way for the two to be together is, if Sudhir leaves his bodily form, releasing his spirit. Similarly in Somewhere in Time (1980), a modern day Chicago playwright, Richard Collier (Christopher Reeve) falls for a photograph of an Edwardian beauty, a stage actress, Elise McKenna (Jane Seymour). He manages to travel back in time through self hypnosis (see my post DVD Films From Last Month PART-II from December 2014). Yet, they can’t be together, as he’s thrown back into the late 70’s, due to a small mistake, he made, where she doesn’t exist anymore. The only way for them to be together, is for him to die of a broken heart, and letting their spirits unite in heavenly paradise forever.

In Paheli (2005) the exact opposite happens, a woman falls for a ghost, who’s taken her husband’s human form, and trapped her real husband’s spirit.

In Ghost (1990), when a banker, Sam Wheat ( Patrick Swayze) is killed by his best friend, he tries desperately to communicate with his fiancée, an artist, Molly Jensen (Demi Moore), with the help of psychic, Oda Mae Brown (Whoopi Goldberg). While in Love Can Be Murder (1992) a ghost of a former private detective brings chaos into the life of a living private detective, (Jaclyn Smith).

Then, there are on-screen figures/cartoon characters, where the real world intervenes with the celluloid/animated characters. In Who Framed Roger Rabbit (1988), an animated character; based on classic Hollywood stars, Rita Hayworth, Veronica Lake and Lauren Bacall; seduces more than one human in the movie, and spectators alike. Purple Rose of Cairo (1985), has a movie character, walk off the screen and seduce his most ardent fan.

Getting back to man and beast/alien, PK (2014), sees a humanoid alien fall for a human. E.T. the Extra-Terrestrial (1982), shows a great friendship between an alien and a human child. Planet of the Apes (1968) there is a famous kiss, between a man and an ape. In The Animal (2001) a man becomes sexually attracted to a goat in heat. He talks to the goat while rubbing her back and sloppily kisses her on the head. He then slaps her butt. All the popular Hulk films have a love interest

The Sixth Sense (1999), Warm Bodies (2013), Transcendence (2014), The Fly (1958 & 1986), The Ghost and Mrs. Muir (1947), Bewitched (2005), Pleasantville (1998), Ex Machina (2014), all have similar unusual human and non-(real)human interactions.
The Stepford Wives (1975 & 2004), tells of how an intelligent woman finds it difficult, to integrate into a narrow minded society, when she moves into a new neighbourhood. Of course, all the wives (in the original 75’ film) turn out to be machines (while in the 04’ version, only one husband turns out to be a robot, while the other wives have been brainwashed). This is also symbolical, of how difficult it is, when a lone intellectual person gets trapped in an archaic society, that constantly tries to drag him or her down with them. I personally know how hard is to stay afloat, without changing for the worse, living in an extremist narrow minded country. It’s not easy not to be influenced by negativity. And just like Katharine Ross (in the original), and Nicole Kidman (in the comical remake); I have to fight to stay sane, not to be swayed by the rest.

In Moon (2009), we see a clone in love with the image of a dead human; while in The Space between us (2017), a human born in Mars feels like an Alien on Earth; and falls for a human, who decides to leave with him to Mars.
Then there are people who fall for wordsmiths, that they’ve never met. In Saajan (1991) we see a woman (Madhuri Dixit) fall deeply in love with a poet (whom, nobody knows what he looks like), when a man claiming to be the poet (Salman Khan) seduces her, she falls for him. But does she truly love him? If he turns out not to be the poet, would she still love this man? In the Bengali (Bengali/English bilingual)Art Film, The Japanese Wife (2010) and the Hindi (Hindi/English bilingual) Art Film, The Lunchbox (2013), two people have an entire love affair through letters, without ever meeting each other. In The Japanese Wife, they even get married; through ink.

Last but not the least, lets have another look at the union of onscreen humans & Aliens (besides ‘Superman’). Similar to Meet Joe Black and Paheli (as spoken of earlier) Jeff Bridges in Starman (1984), plays an alien who clones himself, into a dead man’s form; and gets the widow to help him escape. In The Man Who Fell to Earth (1976), David Bowie plays a humanoid alien, sleeping around with women of earth. And not to forget the Vampires/Werewolves and human unions; in films like, Nosferatu (1922), Nosferatu the Vampyre (1979), The Hunger (1983) and the recent Twilight franchise.

Some great films on this unusual conception, some terrible, and some in between. But when they bring out something exceptional, those films are really worth checking out.

An ode to unrealistic romances.

Nuwan Sen’s Film Sense

Special Note: I actually worked on this post, one day (on the 22nd of April 2015), exactly a month after I watched the movie, ‘Her’, in March 2015, I wrote most of In Love with the Unreal, and left it incomplete, hoping to work on it the next day or so. I never got back to it, and left it pending. Then, five months later, in September 2015, I re-worked on it a bit, stopped, and didn’t touch it at all through out the Sweet Year of 2016. So it was just hanging there, untouched and incomplete.…That is until today. This was my second incomplete post, from April 2015, that I left unpublished; the other being The Beatles in Art movements through the ages. But I did mange to post in … the following month, May 2015. Anyway, back in April that year, I hardly got anything much done, so far as blogging was concerned. I only posted one blog-post, i.e. The Great Villain Blogathon: Juhi Chawla as corrupt politician ‘Sumitra Devi’ in GULAAB GANG (2014), on the 15th of April, 2015. Now there are no more pending posts. All done!!

Nuwan Sen (Pending Posts from April 2015 !! All Complete!!!!!)
Also see (my), Nu Film Site of Nuwan Sen – Nu Sense on Film (nu Sense on Film), started in August 2015.

Now though, later in Year , am actually planning to close nu Sense on Film!!! I prefer to continue blogging here, on No Nonsense with Nuwan Sen.

Nuwan Sen