Tag Archive: Bollywood


The 8th Annual SAARC Film Festival, celebrating films of South Asia, came and went; and I got to see some films, ranging from excellent masterpieces to pathetic waste of time flicks. Below are my take on the movies that I got the chance to see, my experience of the festival, as well as my ratings for each.

JANAAN (2016)

Janaan (2016) is a Pakistani commercial film, aping the the styles of the Bollywood masala rom-com, with done to death love triangles, heroes and villains, the battle of good versus evil, tragedy and triumph. Though beautifully filmed, capturing the spectacular landscape of Pakistan’s breathtaking Swat valley; with equally beautiful people with flawless skin (not just the younger generation, but all three generation encompasses flawless beauties, male and female, with sharp features, and perfect healthy figures), speaking the very refined and poetic languages of Urdu (national language of Pakistan) and Pashto/Pushto (language specific to that region of Pakistan), with glamorous costumes; due to the cheesy story line and mediocre acting talent, the film disappoints.

The story is pretty simple. A bewitchingly beautiful girl, who’s been living in Canada for 11 years, revisits her ancestral home; and encounters love and sadness, happiness and tears, romance and tragedy, the good, the bad and the ugly; all the melodrama of a commercial movie scene. The Pakistan film industry’s commercial cinema needs to up their game. These directors don’t need to go out of their comfort zones to make Art Films, if they don’t want to (though Pakistan has a few good artsy films; one that comes to mind is Ramchand Pakistani,2008, starring Indian actress Nandita Das); but with a perfect screenplay, superb actors, and catchy tunes; even a mediocre story could turn out to be an enjoyable movie. Look at Bollywood movies; why are they successful, despite most movies coming out of the Indian commercial Film Industry made in Hindi (India’s national language) being crap; because the few good commercial movies they make are brilliant. Though am a bit of an Art House snob; I do love a good commercial movie; which includes Bollywood movies. The likes of Awaara (1951), Mughal-E-Azam (1960), Tere Ghar Ke Samne (1963), Teen Devian (1965), Guide (1965), Amrapali (1966), Anand (1971), Haré Rama Haré Krishna (1971) a guilty pleasure, Abhimaan (1973), Chupke Chupke (1975), Arth (1982) which happens to be my favourite Bollywood commercial movie, Nikaah (1982), Rang Birangi (1983), Sadma (1983), Kabhi Haan Kabhi Naa (1994), 1947: Earth (1998), Yes Boss (1997) another guilty pleasure, Guru (2007), Aamir (2008), 7 Khoon Maaf (2011), Barfi! (2012), Kahaani (2012), Haider (2014), Mary Kom (2014), Neerja (2016), etc etc Dot Dot Dot …. What’s brilliant about these movies, are not just the unique story lines (in some cases), the catchy music, the costumes, the cinematography et al; BUT good film direction (which I noticed Jannan actually has) and great performances (the main flaw of Jannan, besides the story). Thus a good director and great acting skills are the two key elements for making a good movie. The rest are secondary. Of course, though Bollywood is mostly popular for their commercial ventures, India does have some really good Art Films in Hindi as well, like Ankur: The Seedling (1974) my favourite Hindi language Art Movie, Junoon (1979), Kalyug (1981), Utsav (1984), Saaransh (1984), Mirch Masala (1987), Salaam Bombay! (1988) which was nominated for an Oscar, Raincoat (2004), The Blue Umbrella (2005), Stanley Ka Dabba (2011), The Lunchbox (2013), Masaan (2015), Aligarh (2015) to name some. Of course, India is not just Bollywood; there are lot a regional film, from various Indian states, in regional (and foreign) languages, from English and Urdu, to Indian languages ranging from Punjabi, Bhojpuri, Assamese, Malayalam, Telugu, to Tamil and many more. India is a massive country, with an equally massive population; with a vast array of racial, religious, cultural differences from state to state. Bengali Art Films coming out from India’s State of West Bengal, be it in Bengali or English (or bilinguals) are the best. Other Indian-English language films tend to be superb too. Last year’s The Hungry (2017) was a brilliant modern re-telling of Shakespeare’s Titus Andronicus.

I’ve heard about a new Pakistani movie, called Cake (2018). Really looking forward to checking it out. Sorry Azfar Jafri, your Janaan, was pretty bad; despite having made a whopping at the Box Office. Though I commend you for the excellence in direction, cinematography, editing and the beautiful costumes.

MATA NAM AHUNA (2015)

This Sri Lankan short film from Nadya Perera, was a waste of time. A total drag. Not to mention politically incorrect and tad racist. Nadya Perera had worked as crew member for the Sri Lankan/Italian film, Machan (2008), an averagely good movie, directed by Italian director, Uberto Pasolini, and much loved by Lankan audiences. Mata Nam Ahuna (2015), English Title – While You Slept (2015), is Perera’s second short film. The movie deals with a brothel catering to male Chinese construction workers here. The prostitutes are local girls who cater to these Chinese men’s needs. Once an actual young Chinese girl is brought into serve the men, a girl fears for her job. Slowly her inferiority complex and insecurity takes over and she tries to become Chinese, inside out. A good concept, but what a bore. The movie was only 24 minutes, but I felt I sat through that flick for an hour, at least.

Plus, they’ve got the facts wrong. True there is an influx of Chinese workers coming into the country post war; but Chinese labour is nothing new. And brothels are nothing new in the country. This movie gives the impression that such places are a necessity today, because only Chinese men have such sexual cravings. There have been brothels in Lanka from time immemorial, including the bringing in of prostitutes from abroad. Although the premise of the movie was good, bringing in foreign workers, means less work for locals. Yet, it’s not just post-end of war; it’s been happening since way before.

This was the second worst movie, I saw at the festival.

Jaya Ahsan & Abir Chatterjee, in a scene Bisorjon (2017)

BISORJON (2017)

This Indian Bengali movie was THE best movie I saw at the Film Festival this year, but sadly it was shown “out of competition”. Beats me, why????

With brilliant character sketches, a heart-rending story, and superb performances, Bisorjon (2017), English title – Immersion, is a must watch, for all film lovers. The story is about a Muslim man from West-Bengal, India, who washes into Bangladesh; where a Hindu Bangladeshi widow, saves him, protects him, and takes care of him. The irony of the circumstances is even more intriguing, as India’s state of West-Bengal is a predominantly Hindu region (though Islam is a fast growing religion in that state), and Bangladesh is a Muslim country, with a tiny percentage of Hindus, and other religions. Thus the biggest irony is, the fact that an injured Indian Muslim man, has to pretend to be Hindu, in an Islamic country, as he is living under the roof of a Hindu widow, and her ailing father-in-law. Plus, though they speak the same language (i.e. Bengali); the dialectics differ. So as not to get caught by the Bangladeshi forces, as he is an Indian residing in Bangladesh illegally, she teaches him to speak in her dialect (i.e. the Bangladeshi version of Bengali; or Bangla, as they call it). This beautiful slow-paced love-story without any romance is made with perfection, by director, Kaushik Ganguly. Slow does not have to be a bore, and this is anything but. The suspense of the story keeps you glued, and the exchange of dialogues are unmissable and amusing. It’s the dialogues, the expressions, and beautiful performances, that keeps the story going. The cast is just as brilliant, as the films direction; and the director too plays a significant supporting role in the film. The best work in this Indian movie, was by Bangladeshi actress, Jaya Ahsan (pronounced Joya Ahsan).

Jaya Ahsan plays Padma, the selfless widow; who gives and gives, and sacrifices, without really expecting anything in return. Seeing what a saintly human being she is, one can feel content, that there is still scope for humanity. Her character is uniquely complex. She loved her husband, who died due to alcohol abuse. She spends her time taking care of her, weakened with age, father-in-law. The discovery of a near dead man, re-ignites her dormant passion for a male companion, in her heart and soul. She doesn’t necessarily fall in love with this handsome stranger; but seeing him in her husband’s old clothes, she falls in love with the essence of her husband, that brings back memories, through this stranger. She had submerged all human feelings of desire till now. But this strange Muslim man, from another country, re-kindles her desires for a male lover. Yet, their friendship is purely platonic, and the stranger, Nasir (played by actor, Abir Chatterjee) doesn’t reciprocate. He has a girl, waiting for him back home. Even though he admires and cares, for this Hindu widow, he doesn’t feel any lustful desire for her. But neither does she feel any lust for him, but more for the memories of her husband, brought back to life, through Nasir’s clothing and smoking the cigarette brand that Padma’s husband use to smoke. As she inhales the cigarette smoke puffed out by Nasir, her heart pounds for her dead husband, in this new human avatar. She resides with contentment and misery through this unrequited love. She doesn’t want things to change, and rebuffs the affection of the village headman, Ganesh (played by film director, Kaushik Ganguly). The ambiguity of the character of Ganesh, makes the film more intriguing; as sometimes he feels like the sly villain of the piece, horny headed, helping the widow, with an alternate agenda; and yet, on the other end, his affections for her seem genuine, and he is very protective of her. His sidekick Lau (Lama), provides the comic relief, in the movie.

Then comes the movie’s climax, the day Nasir has to escape (by now we know Nasir is a thief, who trying to escape the cops, jumped into the river, on the day of immersion of the idol of Durga, and got wounded). Padma’s father-in-law is dead, she has no where to go, except maybe back to her parents. Yet, it won’t be easy for Nasir to leave, undetected, with the border patrol. Thus, Padma’s biggest sacrifice. She agrees to marry Ganesh, if he helps Nasir get back through the river, on the day immersion. She comes home, shedding her white attire of a Hindu widow, dressed like the Durga herself. We see the agony she is going through, she drinks, she smokes; and Nasir breaks down on learning of her ultimate sacrifice.

The scene so tragically beautiful is done with exceptional brilliance. Jaya Ashen is superb, your heart goes out to her. For all her affection towards Nasir, she does get one thing in return, his seedling. Initially, with all the border problems, I assumed the movie was set during the Bangladesh war of liberation, in 1971. But then I saw mobile phones, so realized it’s set in the modern day (village attire doesn’t give away the time period, as those traditional styles hardly change). Yet, the mobiles were somewhat older, in style and technology. Which made sense later, as we see Padma married to Ganesh, with a six year old kid. A kid with Nasir’s birthmark on his back.

The finalé is beautifully done, with the camera zooming into the, now dilapidated, house; where Padma and Nasir consummated their desires, resulting in the conception of a child. A child, Ganesh calls his own. Symbolic of the void left behind, by the man that brought back human desires into her heart. A man, that is dead to her, metaphorically (but lives through the son they created, that one night); unlike her husband’s death, literally, which left her with nothing.

The best Indian movies tend to come out of the state of West Bengal (as I mentioned earlier), and Bengali Cinema has brought out some of the best directors ever, including Satyajit Ray, Ritwik Ghatak, Aparna Sen and Rituparno Ghosh, to name some. In fact, Aparna Sen’s The Japanese Wife (2010), based on a beautiful short story, by Kunal Basu, happens to be my all time favourite Indian movie (see my post, Photograph no.5, from six months ago). Having seen Kaushik Ganguly’s, brilliant tribute to the veteran Satyajit Ray, that was, Apur Panchali (2013), and now Bisorjon, Ganguly can be added to these Bengali greats. Last month, director, Kaushik Ganguly, announced that he is making a sequel to Bisorjon.

Indian Film Director, Kaushik Ganguly, announces that he is making a sequel to Bisorjon (2017), as Bangladesh Actress, Jaya Ahsan, looks on; at an event (April 2018)

POORNA (2017)

Based on a true story, Poorna (2017), is Rahul Bose’s second foray into film direction.

Malavath Purna (a.k.a. Poorna Malavath) is an Adivāsi girl from Telangana North, a state in Southern India, who became the youngest girl to scale the highest peak of Mount Everest, at the age of 13 years and 11 months. She, till date, is the youngest girl to have done so. She reached the peak on the 25th of May, 2014. Adivāsis are a tribal community (which differs from regions to regions), that make up a small population of South Asia. Majority of them, are scattered around India. Though Adivāsis are a lower caste, considered primitive, they are not considered impure, by higher Indian castes of India’s Hindu population. Thus, not to be confused with the caste of Dalits, who sadly are also known as “Untouchables”. Unfortunately these caste systems still prevail, in modern India.

Bose’s Poorna, is a bio-pic on this famed young mountain climber. AND a brilliant movie at that. Young Aditi Inamdar, does a marvelous job, as the protagonist of the movie, in her debut performance. The movie demonstrates the trials and troubles faced by this young girl, coming from a lower social background, where child marriage of younger girls to older men, is still the norm; and how she defies social stigmas, overcomes problems after problems, from family issues, training, to the actual ascend onto the Himalayas.

These impressive inspiring tales are nothing new, and there are plenty of films made on sportsmen/women and adventurers. But this is still a wonderfully made movie, that too on real life person. Added to which, this story is about a tribal girl who beats all odds, and triumphs against adversity. If it were any other Indian or other well to do girl, the triumph would have been hers alone; but the fact an Adivāsi girl reached the peak, at such a young age; is an inspiration to the entire Adivāsi tribe. It’s a push forward for the entire community. Thanks to her, young Adivāsis have scope for getting away from monotonous lifestyles, and making something of their lives. Of course, Poorna, has the luck, and help comes in the way of Dr. Praveen Kumar (Rahul Bose), who see her potential and never stops encouraging her, and other children like her. Added to which Poorna’s mentor, her elder cousin sister, supports Poorna, and pushes her forward, despite having no hope for herself. In the end, it’s the memory of her cousin that helps Poorna achieve what she sought out to do.

More recently, in July 2017, Malavath Purna, scaled Mt. Elbrus, the highest peak in Russia, and the European continent.

With Bangladesh Film Director, Tauquir Ahmed, at the 8th SAARC Film Festival 2018 (26th May 2018); post the screening of Poorna (2017), and just hours before the screening of Ahmed’s film, Haldaa (2017)

Tauquir Ahmed gives a small speech, before the screening of his movie, Haldaa (2017)

HALDAA (2017)

Shot around the scenic river Halda, in Chattogram, in southeastern Bangladesh, depicting the lives of fishermen and their families; Haldaa (2017) is a movie with breathtaking cinematography and a lovely story. The story deals with repression, both of fisherman, due to industrial pollution and at the hands of pirates, and women, living under a patriarchal society.

Nusrat Imroz Tisha plays Hasu, a daughter of a troubled fisherman, who is forced into a marriage with a rich older man, against her will. She is the second wife, of this wealthy villain; whose first wife hasn’t borne any children, and is still married to him. One interesting point shown in the movie, is the symbolic representation of killing of the “Mother Fish”, or pregnant fish. It’s not only shown as a superstition, considered wrong to kill a pregnant fish, but also shown with a realistic aspect too, that of the breeding of the fish. If you kill a pregnant fish, the number of fish in river would reduce, which happens to be the main livelihood of those living along these banks. The Halda River, of Chattogram, is the only pure fish breeding center in Asia. When Hasu’s father kills a “Mother Fish”, it upsets both the father and daughter, later when a “Mother Fish” from the Halda River, is sent by Hasu’s husband, she refuses to cook it, and when guests arrive she throws the cooked fish to the groud, in demonstration. She is badly beaten by her husband. Unlike the first wife, Hasu, is a bold woman, and not afraid of her man. Since post marriage, she shows no signs of getting pregnant, people talk about her being sterile like the first wife. Killing of a “Mother Fish” was a sign. But she eventually does get pregnant, but it might not be her husband’s.

This shows a bold village feminist, who refuses to lose her identity; as her mother-in-law, Surat Banu (Dilara Zaman) asks Hasu, while Banu lies bedridden, after a fall, to call her by her name (instead of calling her mother). A tear-jerking scene, as Banu points out, how women lose their identity, as a daughter, daughter-in-law, wife, mother, mother-in-law; and their names vanish along with their identity. Surat doesn’t call her younger independent minded daughter-in-law Bahu (daughter-in-law), as is the custom; but by her name, Hasu. Surat admires Hasu for her braveness, and gives her the household keys, instead of the elder Bahu. This makes the, nameless and conniving, elder Bahu, not so happy.

Nusrat Imroz Tisha is superb as Hasu. With director Tauquir Ahmed’s (a.k.a. Toukir Ahmed) beautifuly filmed movie, and few awesome performances, and a touching script, it’s no doubt a great film from Bangladesh. Yet, the overall experience of the movie was average fare (among international standards). Though I didn’t think it was among the greatest films ever made, there were lot elements of the movie, I loved. The last scene, when just Hasu and her husband are left in the house, with the unexpected twist in the end, was gracefully executed. ’twas just sublime. Tauquir Ahmed, at the post screening , mentioned that he made two versions of the movie. One a commercial venture, for Bangladesh audiences, and the other, an art movie, for the international distribution (the one we saw); which he called the “director’s cut”. It would be interesting to see both, and do a compare and contrast, though no doubt, the version we saw, was the better one.

The next day, this film was awarded four trophies, including ‘Best Film’ at the SAARC Film Festival award ceremony. Though I didn’t think Tauquir Ahmed’s Haldaa, was the best film, am glad it was given the recognition, instead of some undeserved movie. It definitely deserved the win for ‘Best Cinematography’, no doubt about that. A big congratulations to director, Tauquir Ahmed. And all the best with your next project.

These three feature films have beautiful titles with beautiful meanings. Bisorjon/Bishorjan (pronunciation differs according to Bengali dialects) means immersion, as the English title suggests, and is based on the custom of immersing the idol of Durga into water (the ocean or a river), during the famed Durga puja festivities in, certain parts of India, and Bangladesh (this festival plays a vital role in the movie’s plot). Poorna or Purna, meaning fulfilled, is the name of the protagonist, and is based on the life of Malavath Purna, a young Indian mountaineer. AND Haldaa, is the river Halda, in south-eastern Bangladesh, on the banks on which the entire premise of the story is set in. Though not as great as Bisorjon and Poorna, Haldaa is the best film from Bangladesh I’ve seen; and there is scope for Bangladeshi Bangla films to catch up to International standards, akin to great European and other Asian Art House Films.

Nusrat Imroz Tisha, dressed in bridal finery, as Hasu, in Haldaa (2017)

THE WATERFALL (2017)

Seated right at the front, like Bertolucci’s “Dreamers” (i.e. like the trio of lead characters from Bernardo Bertolucci’s The Dreamers, 2003), I was one of the first to absorb this short film, before it reached the rest.

Like wasps attracted to a hornets’ nest, people thronged into the cinema, including Colombo’s so called elite. It was as if these uncontrollable crowds were from a remote village with a high level of illiteracy, or people from slums. Such a rowdy crowd for a short film. No, they were there, for the next film, a Sinhala feature film; but these losers came in early afraid to lose a seat for the next movie, Bahuchithawadiya (2018). Not that most of these people care for films at a festival; but a free viewing, that too of a Sri Lankan film, brought in the worst crowds possible.

Anyway, Lipika Singh Darai’s The Waterfall (2017), is an Indian-English language short film. Having worked on documentaries, this was first venture into a fictional movie. It’s a beautiful movie about a city boy from Mumbai, who visits his ancestral home in a scenic hill station, in the state Odisha (formerly known as Orissa). He spends his time enjoying the natural wonders of the village, missing in the city, with his cousin. In particular, there is this one waterfall, that he has great admiration for. Soon he learns that the waterfall is drying up; and urbanization is ruining the surrounding nature. It affects him, and villagers, profoundly; but it doesn’t seem to bother his cousin (who resides there), and other well to do people of the village.

Beautiful little story, about the effects of climate change and construction projects. Averagely good.

BAHUCHITHAWADIYA (2018)

This crude caper is a crapper. And yes, I was still seated right at the front.

What a pathetic waste of time. Ridiculous acting, the actors are thinking of their dialogues then saying it. With long pauses between dialogues, how artificial and unrealistic it looked. What a bore!! These “tele-drama” style acting ought to be obsolete by now (Sri Lankan soaps have been known as tele-dramas, since the invent of these distasteful Sinhala television series’, back in the 1980’s. Lankan’s till date stay glued to the idiot box watching such nonsensical shows, thus their brains are just as slow and narrow).

Even though the premise of virtual acquaintances and promiscuous youth was (though not unique), an interesting area to turn into a cinematic experience; the pathetic execution of the plot, and specifically the fake acting talent roped in, made the viewing unbearable. This was the last movie of the festival. Heavy Sri Lankan egos might not like my take on the film (as they feel they have to love films made in their own country); but me having no false pride, or fake sense of patriotism, nor any brainwashed attitudes of loving everything, just because it’s Sri Lankan, have to say it; Sri Lankan movies are not up to the standard. Gone are the days of Lester James Peries (Rekava,1956, Gamperaliya,1963), Sumitra Peries (Ganga Addara,1980) and Tissa Abeysekera (Viragaya,1987); yet these greatest Sri Lankan films mentioned here, still were average fare (internationally speaking). In more recent times, only director, Prasanna Vithanage (Anantha Rathriya,1996, Pura Handa Kaluwara,1997, Silence in the Courts,2015) comes to mind as local films worth checking out; yet even his movies are only averagely good (but brilliant in Sri Lankan terms). One main reason is, though these were/are good directors; the acting skills even of the best actors here, do not match up. And in Bahuchithawadiya, the acting talent is amongst the worst ever. Added to which, Bahuchithawadiya, is among the worse films ever made, anywhere; and THE worst movie I saw at this year’s festival. Even though, this was given an award for ‘Best Sound Design’; I feel there were better films that deserved the said award.

THE SAARC FILM FEST EXPERIENCE

The poorly organized SAARC Film Festival, with it’s totally mucked up schedule, started on the 22nd of May, 2018. Practically any event in this country, tends to be badly done; yet, this years SAARC Film Fest, was definitely comparatively better than the previous year’s (which was held only six months ago, in November 2017). I couldn’t go the first two days, especially due to the bad weather, and various other reasons. On the third day, 24th of May, I went. I really had a keen interest in seeing this 13 minute short film from Bangladesh, Daag (2017). The story is set during the Bangladesh war of liberation, in 1971; where a woman marries her rapist. I thought the premise was interesting. Already stressed out, as I was leaving for the fest, due to inhumane cruel people of this country; not to mention being stuck in a terrible traffic for close to 2 hours, I missed the short film. So I sat down to watch the next movie, Janaan (I’ve spoken of above). After the disappointment of sitting through the cheesy romance, and going through the stress of the day; I felt too tired to watch the rest of the films. Otherwise I would have seen the next two at least, the local Sinhala film, 28 (2014), and the Indian Marathi movie, Kshitij: A Horizon (2016). Kshitij: A Horizon, is the movie I really wanted to watch, for I could watch the Sri Lankan film, rented on cable TV, or if shown on a local channel. So, on my ‘Day 1’, Janaan, is the only movie I watched. Next day, I went early enough, and caught the short film Mata Nam Ahuna & the feature length film, Bisorjon (spoken about them above). The schedule being changed there was a Maldivian horror movie next, 4426 (2016). Initially I thought of checking it out, even though it didn’t really interest me, but still going through the weariness of the day before, I decided I needed to go home and rest. The next day, the last day of screening, on Saturday, 26th May; I went in the morning, to catch most of the movies. Still, when I reached there the short film, Kalo Meghar Vela (2018) a.k.a. The Cloud Boat, from Bangladesh had already started. So waited outside, and went in to catch the next movie, but happen to see the last bit of Kalo Meghar Vela, as it ran longer than scheduled. The next was Poorna (spoken of above). Post that, I did not see the next film, another commercial venture from Pakistan, which I heard skipped. Technical problem!!! Technical problems are nothing new at film festivals here, it always happens, and that too specially at the NFC (National Film Corporation); where these festivals mainly tend to take place. Added to that the seating is really bad, so congested, there is not enough leg space, for even a person of average height (and am 6ft, 2½”). Anyway, next I went in for Haldaa (spoken of above), which too had a technical difficulty (the sound wasn’t clear), so we ended up watching it on Blu-ray, projected onto the big wide screen. Post that, saw the next two/last two films, The Waterfall & Bahuchithawadiya, seated right in front, as mentioned.

I didn’t go for the award ceremony next day, on Sunday, but am glad the main awards were given to more deserved movies, unlike last year. Hope the organizers of this film festival do a better job, next time around. Even though badly done, am glad these rare festivals occur; as such films don’t really come to cinemas, in this aesthetically depressive country. There is no real understanding, nor an interest for, the arts, in general, in Sri Lanka. But it’s good, they have film festivals here now. After all, there were only two Colombo Film Festivals (back in 2014 & 2015) a festival, funded by the Japanese, and that died pretty young; and this was just the “8thSAARC Film Festival (which I hope shall continue, thanks to the help of other South Asian countries). None the less, looking forward to the next film festival, and preferably a more well organized one.

MY RATINGS (Set of Seven):-

  • Bisorjon (2017) – The Best – 10/10!!!!!
  • Poorna (2017) – The Next – 10/10!!!!!
  • Haldaa (2017) – (higher) Average Fare – 6/10!!!
  • The Waterfall (2017) – (lower) Average Fare – 5/10!!!
  • Janaan (2016) – Pretty Bad – 4/10!!
  • Mata Nam Ahuna (2015) – One of the worse short films ever – 1/10!
  • Bahuchithawadiya (2018) – The worst film at the festival – 1/10!

Nuwan Sen’s Film Sense

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Simon Emanuel, Chewbacca, Joonas Suotamo & Thandie Newton at the event of Solo – A Star Wars Story (2018), at the 71st Cannes Film Festival

Everything that has a beginning, has a an end; as does this prestigious, 71st Cannes Film Festival, of May 2018!! It ends tonight, and am really looking forward to finding out who’s won what? I couldn’t check out the Cannes updates properly this year, for various reasons, but below are some fashionable highlights from various days & nights at the Film Festival.

Enjoy

Nuwan Sen’s Fashion Sense

German Film Director, Wim Wenders

Spanish Husband & Wife: Javier Bardem & Penélope Cruz

From the Land of the Pharaohs: Austrian/Egyptian Film Director, A.B. Shawky, with Egyptian Actress, Shahira Fahmy

Mexico & India: Salma Hayek & Nandita Das, were among the 82 women that marched for Gender Equality in the Film Industry, at Cannes this year (Inset: Director Das with her lead star, of Manto (2018), Nawazuddin Siddiqui)

Brazilian Filmmaker, Joe Penna, and Danish Actor, Mads Mikkelsen

Young Russian Film Director, Kantemir Balagov

International Belles: Fan Bingbing, Marion Cotillard, Jessica Chastain, Penelope Cruz and Lupita Nyong’o (Cannes 2018)

The Frenchmen: Pierre Deladonchamps, Christophe Honoré and Vincent Lacoste

Solo Guys (Day & Night): Donald Glover & Alden Ehrenreich; with the cast and crew of Solo: A Star Wars Story (2018)

Solo Wookiee: Finnish Actor and former Basketball Player, Joonas Suotamo, with his ”Star Wars” character ‘Chewbacca’

Jackson Lee (son of Spike Lee), Topher Grace, Adam Driver and Director Spike Lee, attend the screening of Blackkklansman (2018)

Former First Lady of France (and Italian Singer/Songwriter), Carla Bruni Sarkozy

From Russia with Love: Katya Mtsitouridze, in a neatly tailored White attire

Chique Chic: Marion Cotillard at the Cannes Film Festival this year

More Marion Cotillard (Cannes 2018)

Newly Married, Bollywood Fashionista, Sonam Kapoor, in a White Bridal Lehenga (Cannes 2018)

From the Silk Route: Melissa Zuo, shimmers in Silver attire

Walk for Gender Equality: Jury President, Cate Blanchett, with Feminist Film Director, Agnès Varda (of the French New Wave fame); the first woman to receive an honorary ‘Palme d’Or’, at a Cannes Film Festival

Pretty in Pale Pink: Bella Hadid at the 71st Cannes Film Festival

Chinese Actress, Bingbing Fan

Cannes 2018: Aishwarya Rai Bachchan; seen here with her daughter, who accompanied her up to the Red Carpet

Winnie Harlow goes Green @ Cannes 2018

Knife + Heart: French Film Director, Yann Gonzalez, with Kate Moran & Vanessa Paradis (Inset: Nicolas Maury & Vanessa Paradis)

American Actress, Amber Heard

80 year old, Jane Fonda, graces the Red Carpet with charm, at the 71st Annual Cannes Film Festival (Mai 2018)

Deepika Padukone in Hot Pink Ruffles (Cannes 2018)

More of Daring Deepika: Deepika Padukone in Purple Pant Suit

A Sad Affair: 72 year old Helen Mirren, in a comfortable trouser suit, walks away after she tripped and had a bad fall

John Savage @ Cannes 2018

Milla Jovovich looking like a Greek Goddess

Defying Protocol: Kristen Stewart makes a statement against the Cannes Film Festival, by walking barefoot

Lebanese Film Director, Nadine Labaki, with her young actors; Zain Al Rafeea (a Syrian refugee) & Yordanos Shifera, from Capharnaüm (2018)

Franco-Swiss Model, Nabilla Benattia poses near some Stormtroopers (Cannes 2018)

From Deep Down Under: New Zealand Female Model, Georgia Fowler (in a black sheer Saree dress), with Australian Male Model, Jordan Barrett

Goodbye Cannes Film Festival (for )

Nuwan Sen’s Film Sense

Correct Answers to the Quiz (my previous blog-post)

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A.1

Hollywood’s Million Dollar smile: Marilyn Monroe

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A.2

Best of the Brits (with Nigerian roots): David Oyelowo

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A.3

Bollywood’s Million $Dollar smile (converted to Indian Rupees₹, of course 😀 ): Madhuri Dixit

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A.4

One of the last two great Pop Stars, of the last Century (80’s & 90’s): Michael Jackson

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A.5

Foxy Frenchwoman, an International Superstar: Marion Cotillard

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Thank you fellow Bloggers for your participation!!!

Nuwan Sen’s Movie Sense
#NuwanSensMovieSense

#‎NuwanSensFilmSense

Who am I?? Guess who these 5 super smiles/toothy grins belong to!! 😁

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Q.1

°°
Q.2

°°
Q.3

°°
Q.4

°°
Q.5

°°
CLUES: Take a look at the Tags below.

Answers: I shall post the Answers as another Blog Post, in a weeks time, after some of you’ve given this a try.
Enjoy

Nuwan Sen’s Movie Sense
#NuwanSensMovieSense

#‎NuwanSensFilmSense

P.S. Also see my posts Question Time # 009: Beautiful Eyes °°/Answers to Questionnaire no.9 👀 & Question # 014: Luscious Lips 💋/Answers to Questionnaire no.14 (Luscious Lips 💋) from May 2015 & March 2018; respectively!! 😁

On this Day …………

Martin Luther King jr. – Maya Angelou – Zulfikar Ali Bhutto

TWO EXECUTIONS

The Civil Rights Activist

On the evening, of 4th April, 1968; globally well know American activist, Martin Luther King Jr., was shot by James Earl Ray. King Jr. succumbed to his wounds, and died an hour after the fatal incident. He was 39 years old. Today marks the 50th Anniversary of his death!!

The People’s Leader

Educated at Berkeley and Oxford, Zulfikar Ali Bhutto, was a very prominent and progressive figure in Pakistani politics, in the 1970’s.  First as the President of Pakistan (1971 to 1973), and then as the Prime Minister of Pakistan (1973 to 1977). On the 5 of July, 1977, the military, led by General Muhammad Zia-ul-Haq, staged a coup, Operation Fair Play; relieving Prime Minister Bhutto of power. After various appeals and legal battles, Bhutto was finally sentenced to death. On 4th April 1979, 51 year old, Zulfikar Ali Bhutto was hanged to death, at Central Jail Rawalpindi. General Muhammad Zia-ul-Haq imposed Martial Law, and his military dictatorship ruled Pakistan, until his death in 1988, in a plane crash. Zulfikar Ali Bhutto’s eldest daughter, Benazir Bhutto, soon came into power, after the death of her father’s assassin; bringing an end to military rule, and in turn becoming the first woman leader of Pakistan; as well as the very first woman to head a democratic government in a Muslim majority nation. The irony is, the more modern, open-minded, progressive country of the United States of America, is yet to have a female leader. Benazir Bhutto, too was assassinated, in 2007. She was 54 years old.

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BIRTH OF A CAGED BIRD

The Poet

Maya Angelou was born on April 4th, 1928; in St. Louis, Missouri, USA. She was named Marguerite Annie Johnson. Having gone through childhood trauma, including rape and child abuse, she grew up to be a prolific poet, singer, and civil rights activist. Having published 7 autobiographies; the most well known happens to be I Know Why the Caged Bird Sings from 1969. This memoir helped increase black feminist writings in the 1970’s. She received many accolades in her lifetime, including the Presidential Medal of Freedom, 2011, which was presented by President Barack Obama. After suffering from poor health, in her old age, Maya Angelou died on the morning of May 28, 2014.

Éric Rohmer – Pareveen Babi – Roger Ebert

THREE GREAT FILM PERSONALITIES

The French Director

According to IMDB, French Film Director, Éric Rohmer, was born on the 4th of April, 1920. BUT, this is disputed by other sites, including Wikipedia’s “Rohmer” page (although if you go to other links, on Wikipedia, his birthday is listed as 4th April). But the Year is definitely, 1920. None the less, he was among the most influential directors, of French New Wave movement. Aged 89, he died on January 11, Year 2010.

Bollywood Babi69

If Parveen Babi were alive, she would’ve been 69 years old. Born into a noble Muslim family, in Junagadh, Gujarat, India; on 4th April 1949; grew up to be the quintessential heroine of 70’s Bollywood. With her minimalistic modern style (parted Babi bangs & bellbottoms) and brilliant acting talent, she captivated audiences of that era; as both a star and an intellectual actress. She was the first Bollywood star to appear on the front page of America’s Time magazine (July 1976 issue) as the modern face of Indian Cinema. But, alas, she suffered from schizophrenia, almost her entire life. Once her illness was out in the open, thanks to Mahesh Bhatt’s feminist films, Arth (1982); she left the industry (in 1983, after completing her film projects; which were released throughout the 80’s decade, keeping her fame intact) and took refuge under the patronage of U. G. Krishnamurti, and embarked on a spiritual journey. She returned in the late 80’s, by now suffering, not just from her ailments; but from deep depression as well. Soon she became a recluse. Parveen Babi died all alone, on 20th January 2005, and no body knew; until two days later. Her death, till date, is not clear as to what truly happened; police ruled out any foul play, and apparently she starved to death. She was 55 years old. Bollywood ought to have been more empathetic towards her.

The Death of a 1975 Pulitzer Prize Winner

Roger Ebert, the most prestigious American Film Critic, who was a film critic for Chicago Sun-Times, from 1967 until his death; won a  Pulitzer Prize for Criticism, in 1975. Ebert was the first Film Critic, to be awarded the Pulitzer Prize. Having lived with cancer of the thyroid and salivary glands since 2002, Aged 70, Roger Ebert, died on 4th April 2013; as he was preparing to leave the hospital.

Nuwan Sen’s Historical Sense
Nuwan Sen’s Film Sense

Correct Answers to the Quiz (my previous blog-post) Question # 014: Luscious Lips 💋

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A.1

These thin pink lips, that almost looks like a slit (a healing wound) up close; belong to the Angelic featured, JUDE LAW

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A.2

These beautiful pair of lips belong to, Bollywood’s Bellbottomed beauty, of the 70’s (& early 80’s); who set a fashion trend with her, simple n’ sophisticated, minimalistic style; PARVEEN BABI

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A.3

These pair of lips, belong to 1930’s diva; who defied gender roles, with her androgynous style; showcasing a bold femininity in masculine attire; MARLENE DIETRICH

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A.4

Ah!! These seductive Big Lips belong to; the bewitching beauty, actress & humanitarian of the 21st Century; 42 year old, ANGELINA JOLIE

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A.5

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…. AND these softies belongs to Yours Truly 😀 ; just check out my “About” page. Of course, this is from a picture of me, taken back in April 2012; just a couple of days away from being, one month; since I started my BLOG in March 2012. Of course, though I’ve put on a load of weight since, including on my face, my features won’t change, now would they? 🙂  Just age a little!!

Thank you fellow Bloggers for your participation!!!

Nuwan Sen’s Film Sense


#‎NuwanSensFilmSense

Who am I?? Guess who these 5 sensual pouts belong to!!

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Q.1

°°
Q.2

°°
Q.3

°°
Q.4

°°
Q.5

°°
CLUES: Take a look at the Tags below (& my About page 😉 ).

Answers: I shall post the Answers as another Blog Post, in a weeks time, after some of you’ve given this a try.
Enjoy

Nuwan Sen’s Film Sense
Nuwan Sen’s ART Sense

#‎NuwanSensFilmSense

P.S. Also see my posts Question Time # 009: Beautiful Eyes °° & Answers to Questionnaire no.9 from May 2015!!

Remembering the late Shashi Kapoor (1938-2017); on his 80th Birth Anniversary!!

Shashi Kapoor was no doubt the most versatile and International celebrity to come out of India. An actor, director and Producer; who not only worked in Bollywood films (both Art & Commercial); but worked in regional Indian films; Indian English-Language Film (in fact he was the first star of the renowned Merchant/Ivory Productions; before they went onto make British gems), as well as British movies!! And he was a renowned stage artiste as well; who formed the famed Prithivi Theatre; fulfilling his father’s, Prithviraj Kapoor’s, dream. Added to which, he had a good reputation; as being one of the nicest people ever. A charming, kind-hearted, friendly personality; and morally superior to most people, in general. Shashi Kapoor died on 4th of December, 2017. He was 79 years old!

I’ve posted this quote, from one of his Bollywood films; Silsila (1981)

Hum gayab hone waalo mein se nahi hai … jahan jahan se guzharte hai jalwe dikhate hai … dost toh kya, dushman bhi yaad rakhte hai

….which in English roughly translates to ….

We are not ones to easily vanish; …. wherever we go, we show them our charm; ….. that not only friends, even foes shall remember us

…. and that quote truly sums up, what this charismatic celebrity is to his loved ones and fans alike. True to any great personality, they’ll never be forgotten; and shall live on forever, through people who admire them. RIP Shashi Kapoor, Stephen Hawking, Sridevi, and other greats people we lost in recent times.

Nuwan Sen’s Film Sense

The Feature-Length Movies released in 2017, that I have seen so far. From the Best to the Worst!!!!!

TOP Films of 2017 (10 Star Rating Each)

  • Call me by your Name (2017)
  • Loving Vincent (2017)
  • Dunkirk (2017)
  • T2 Trainspotting (2017)
  • Die Göttliche Ordnung (2017) – English Title: The Divine Order
  • The Hungry (2017)
  • Battle of the Sexes (2017)
  • Darkest Hour (2017)

The Rest of the films of 2017, from the Close to Excellence to Average to bad to the most Pathetic!

  • Veeram (2017) – Alternate Title: Veeram Macbeth! My Rating: 9/10
  • Downsizing (2017) My Rating: 7/10
  • All Nighter (2017) My Rating: 7/10
  • Space Between Us (2017) My Rating: 5/10
  • Vishka (2017) My Rating: 4/10
  • Life (2017) My Rating: 3/10
  • Begum Jaan (2017) My Rating: 1/10
  • Judwaa 2 (2017) My Rating: 1/10
  • Fifty Shades Darker (2017) My Rating: 1/10
  • The Institute (2017) My Rating: 1/10

I’ve only mentioned of films meant for Cinematic release (even though I watched most of them on the small screen, or smaller yet on my Laptop); and that too, if they were first released last year, only (doesn’t matter which country they made their debut in; and doesn’t matter if I saw them last year itself, or more recently, within the last two months of 2018). Plus, I have only listed Feature films, no Short films, like In a Heartbeat (2017), No-One (2017) and The Colour of his Hair (2017); to name a few. Neither have I added any Television Anthology series (where a one season is considered a “Limited Series”; thus like a loooong movie) like, ‘Season1’ of Feud (2017 onwards) or ‘Season3’ of Fargo (2014 onwards) for instance (which were both excellent shows, by the way), or any other TV series released in 2017, like 13 Reasons Why (2017 onwards), for example! Nor have I mentioned any mini-series/TV movies of documentaries, from last year. So far, from this year’s releases, I’ve only watched Padmaavat (2018), and that was a way way way over top, disappointment.

So, like most of you, my fellow film fanatics; am really looking forward to watching the 90th Annual Academy Awards, LIVE; on 5th March 2018, early morning (on this side of the Globe)!!!!!

May the Best Picture win!!!!!

Nuwan Sen Film Sense
#90thAcademyAwards
#Oscars2018

#‎NuwanSensFilmSense

Happy Chinese New Year 2018!!! The Year of the DOG 🙂    

Dog (狗) Earthly Symbol of the Dog (戌)

Today is the Chinese New Year, and the Year of the Dog starts; and it shall end on 4th of February 2019!!!!!

Click on the Image

According to legend, the Chinese New Year started with villagers wearing the colour RED, and decorating their homes with red scrolls with red lanterns being hung around the village, and lighting crackers, to keep off a mythical beast called Nian. Apparently Nian use to appear on the night of the first New Moon of the year, destruct villages and devour children. But it was afraid of the colour RED. Thus, RED is significant with warding off evil. Today, it is the biggest Asian festival celebrated around the globe!!!!

Chinese Actresses, Gong Li (L) and Ziyi Zhang (R), with their Dogs

British/Nigerian Actor, David Oyelowo, with his three rescue Dogs

French Actor, Alain Delon, playing with his dogs (in various decades from the 1950’s to the 1980’s)

Gingerella (R) & Nudin (L) @ Play (January 30th, YEAR 2018)

The Obama’s with Bo & Sunny
Former American President, Barack Obama, includes his beloved pets, in their official Family Photograph; at the White House, in the Spring of Year 2015

Amazingly YEAR 1994, was the Year of the Dog, too!!! I had no idea back then. Year happens to be the best year of my teen life (from my teenage years). ’twas a crucial turning point in my life, when we went back to live in New Delhi, India, after six years. The next really crucial turning point in my life came 13 years later; whilst residing Down Under.

Born in June 1975, I’m a Rabbit. An interesting coincidence is, that according the Chinese zodiac, the most compatible sign with a person born in the Year of the Dog, happens to be, people born in the Year of the Rabbit. So an amazingly Perfect coincidence, would be if I get someone born in 1994 (so basically someone 18½/19 years younger than me 😀 ). Another interesting coincidence is the fact that, at the moment, I’m attracted to a 23 year old, I met late last year (thus, most probably was born in 1994; unless this person’s birthday was within these two months). We happen to accidentally meet day before yesterday, and I saw a picture of this pretty creature’s latest boyfriend, who’s in Germany, at the moment. Yeah! I ought to be used to unrequited love by now  😦 . Not that I believe in astrology (yet admire it, as a form of Art), but you know; wishful thinking !!!

With a pet Rabbit, in a suburb of Paris, France (17th August 2008)

With Gingerella & Nudin, in our Front Yard, at home (6th July 2016)

Wishing every one a Very Happy Chinese New Year/Dog year 2018 ❤

 

Greetings from
Nu Wan (Sen)
(i.e. Nuwan Sen)