Tag Archive: Bollywood


Cannes 70 ~

The 70th International Cannes Film Festival has come to an end. Unlike previous years, I couldn’t follow the festival properly this year, due to various reasons [well, the country is submerged in water for one thing; although the weather alone, in it’s entirety, is not to blame for it. The way the drainage systems here are built, covered with heavy cement slabs, there is no place for the water to go/seep through, but get stuck within the country, like a massive tank (added to which, there is a land mass being constructed into the ocean, in Colombo, which was on a standstill for way over two years, as the governments changed; and now they’ve restarted working on the stupid project). The way this country has gone to ruins, in every way possible, I wouldn’t be surprised if the whole country drowns into the bottom of the ocean, some day (fine, that’s a bit of an exaggeration; or is it?). Of course the monsoon rains and landslides are to blame too. Sadly a number of lives were lost, not just humans, but innocent animals, including cats and dogs, getting stuck in these drainage systems, and drowning. Many of these animals are ill treated in this inhumane country, as it is; but specifically on days like these, innocent animals suffer the most. People somehow manage to find food and shelter. Especially from aid, not only from us, from other countries, as well. Of course, Sri Lanka is not the only country facing a tragedy at the moment. What happened in Manchester, UK, and Beni Suef, in Egypt, are just as tragic]. But on a brighter note getting back to the Cannes Film Festival, this year. It wrapped up last night. And I patiently waited, till past midnight, in this watered down land, of this side of the ocean, to hear the results, on FRANCE24. And at 12 mid-night, the news started with it’s Encore at Cannes, special; with Lisa Nesselson and Eve Jackson announcing the great winners at Cannes 2017.

Cannes 70 ~ Palme d’Or – Gold palm leaf sprinkled with Diamonds

The Palme d’Or, this year, was a special trophy, with the Golden Palm decorated in snow speckled drops of diamonds on the leaf. This beautiful award went to, Swedish film director, Ruben Östlund’s, The Square (2017). Loosely based on Östlund’s own experiences, this Swedish film is about an Art curator, who is mugged, and decently hunts for the perpetrator, ending up in situations that make him question his own moral compass. The ‘Best Actor’ and ‘Best Actress’ awards, went to two Hollywood stars; Joaquin Phoenix, for the English language film, You Were Never Really Here (2017), and Diane Kruger, for her native, German movie, Aus dem Nichts (2017), a.k.a. In the Fade. The Grand Prix, the second-most prestigious honour, went to the French film, 120 Battements par Minute (2017), in English, known as, 120 Beats per Minute. Directed by Moroccan born, Robin Campillo; 120 Battements par Minute, also took home three more awards, including the Queer Palm. Sofia Coppola bagged the ‘Best Director’ award, for  The Beguiled (2017). ‘Best Screenplay’ was tied in; for Greek screenwriters, Yorgos Lanthimos and Efthymis Filippou, for The Killing of a Sacred Deer (2017); and Scotland, UK’s Lynne Ramsay, for You Were Never Really Here. The Russian drama, Нелюбовь (2017), English title, Loveless, directed by Andrey Zvyagintsev, won the Jury Prize. A special 70th Anniversary Prize was given to Nicole Mary Kidman, who had four releases at Cannes this year.

Another year of the chic n’ classy Cannes, came to a cool finish, and I can’t wait to check out these films that made it to this fashionable festival, in the French Rivera. Love the Côte d’Azur. ❤

Nuwan Sen’s Film Sense

And for more…..let the pictures below, do the talking!!!!

Cannes 70 ~ Palme d’Or – Gold n’ Diamonds

Cannes 70 ~ Palme d’Or – Ruben Östlund

Cannes 70 ~ Palme d’Or – Diane Kruger

Cannes 70 ~ Palme d’Or – Joaquin Phoenix (with Jessica Chastain)

Cannes 70 ~ Italian Actress, Monica Bellucci & President of the Jury, Spanish Film Director, Pedro Almodovar, walk on the stage, at the opening ceremony,of the 70th International Cannes Film Festival

Cannes 70 ~ Catherine Deneuve (Then & Now)

Cannes 70 ~ Robert Pattinson

Cannes 70 ~ Cool n’ Classy: Marion Cotillard, Louis Garrel & Charlotte Gainsbourg

Cannes 70 ~ Adèle Haene of 120 Battements par Minute (2017)

Cannes 70 ~ Director Sofia Coppola, with the cast of The Beguiled (2017)

Cannes 70 ~ Sonam Kapoor in Gold n’ Diamonds

Cannes 70 ~ Indian Film Actress n’ Fashionista, Sonam Kapoor

Cannes 70 ~ Julianne Moore

Nuwan Sen (NSFS)
#‎NuwanSensFilmSense

There’ve been quite a few fantastical tales, on celluloid reels, of humans falling in love with the unreal, and vice versa. Lets take a look at some great, and some far from great, renditions of this unusual phenomena, explored mainly on the Big Screen. Fairy tales for more mature audiences (teenagers and/or adults), if you may.
What brought about this sudden urge to write about unrealistic romances, portrayed in a realistic style on celluloid? I watched, Her (2013), back in March 2015 (on 22nd), and never got to write about it (of course films today aren’t made on celluloid, but am speaking in a general term, to reference cinema of the past). Plus it brought about memories of some really great films (as well as certain terrible movies), I’ve watched in the previous decades, going way back to my childhood.

In Her, a writer, Theodore (Joaquin Phoenix) falls for an electronic voice, without a body (voiced by Scarlett Johansson). In Lars and the Real Girl (2007) a lonely, simple headed, man, Lars (Ryan Gosling) falls for a sex toy, a female without a voice.

In Ruby Sparks (2012) a writer, Calvin (Paul Dano) creates a fictional character Ruby Sparks (played by Zoe Kazan) that comes to life. He fall in love with her, but treats her like his possession, in contrast to the sex toy, to whom, Lars, tends to show so much respect and affection towards. Ironically Lars doesn’t treat the sex toy as play thing, but Calvin treats Ruby, as a toy, making her do what he wants. An egoistical male’s god complex, of being in control of his woman. While Lars of Lars and the real Girl and Theodore from Her, are the exact opposite. Of course, when Theodore finds out the voice of Her is ‘in love’ with thousands of other human beings, he starts to feel jealous, knowing he wasn’t special. While we sympathise with Theodore and Lars, we can’t help but feel Calvin is a bloody prick.
Stranger than Fiction (2006), has a similar unreal premise, but am yet to watch it, so I shan’t comment on it further.

In the animated movie, Corpse Bride (2005), a man, Victor Van Dort (voiced by Johnny Depp), accidentally marries a corpse (voiced by Helena Bonham Carter). Of course in this case, it’s the corpse, who falls for the human. Yet, the corpse, itself, was a human being once, who was tricked and murdered by her paramour, on her wedding day. Similarly in the comedy, Memoirs of an Invisible Man (1992), an Invisible man (Chevy Chase) and a woman (Daryl Hannah), fall for each other, yet the invisible man, being an actual human being, it makes it comparatively realistic. As in the case of Mr. India (Anil Kapoor) in Mr. India (1987), a vigilante who can become invisible with help of a devise created by his late father, happens to be the romantic object of many a women. He is still a human being. Yet, we see, the reporter, Seema (Sridevi), fall for the invisible vigilante, than his human self. In fact, she initially despises ‘Mr. India’ in his human form as Arun Verma, unaware that he is in fact her invisible hero. In Hollow Man (2000) and Invisible Strangler (1978), once the protagonists of these movies, find they can get away anything, in their invisible form, nothing stops them from acting on their lustful desires, committing rape/murder, on beautiful women.

In various superhero tales, you find a similar dilemma, as in Mr. India, faced by the love interest of the story. In Superman (1978), reporter Louis Lane (Margot Kidder) falls in love with Superman (Christopher Reeve), who actually is an alien from a distant planet. But she refuses to acknowledge, the affectionate advances from her co-worker Clark Kent, who happens to be her superhero in his human avatar. There have been quite a few ‘Superman’ films since.

Of course Superman is from another planet. But if you take other superhero’s; American conceptions like Batman (played on the Big Screen by many stars from 1966 till date), Spider-man (Nicholas Hammond, in the 70’s, Tobey Maguire, Andrew Garfield & Tom Holland, this century), or Bollywood creations like Shahenshah (Amitabh Bachchan) from Shahenshah (1988) and Krrish (Hrithik Roshan) from Krrish (2006) and Krrish 3 (2013), sequels to Koi…. Mil Gaya (2003); in all these stories, the superhero happens to be human, with superpowers, but their leading ladies don’t necessarily, easily, fall for the man, but have more of a desire for the vigilante, unaware the two are one and the same. In love with not just the unreal, but impending danger as well. Dangerous, risk taking, hero’s, seem sexually more appealing to the fairer sex, than a realistic human companion. These kind of films actually also put pressure on growing young men. As kids, most guys like the idea, of imagining themselves as superhero’s, for fun. But when in their teens, it’s more to do with appeasing the opposite sex, through false perceptions of masculinity, showcased in such movies. Sometimes foolishly young men might try and take unnecessary risks, just to get the attention of their female peers, with disastrous consequences.
If you take classic fairytales, we read as little children, like Beauty and Beast and Princess and Frog, this phenomena of man and beast is nothing new. Yet at the same time, both the ‘Beast’ and the ‘Frog’, are actually human beings, making it somewhat acceptable for children. If you take Greek mythology, there is the famous tale of Minotaur, where the Minotaur is the result of the Queen of Crete mating with a white bull. Added to which there are plenty of tales of Gods and human love stories, as well, in Greek Mythology. Then there is Shakespeare’s A Midsummer Nights Dream. There have been plenty of movie versions of these classic tales and great old literature. In I, Frankenstein (2014); as I stated on twitter ‘another 21st century ruination of a 19th century classic’; this dull horror movie ends with the hint, that Frankenstein’s monster, a man made being, has found a human companion, after searching for over 200 years. On a lighter vein, in not so great films (yet no where as near as terrible as I, Frankenstein), like the comedy, Hercules in New York (1970), Arnold Schwarzenegger falls from the skies (and not to forget Schwarzenegger’s ridiculous Terminator franchise, from 1984 onwards, with the craziest and cheesiest storylines, ever). Like in Corpse Bride, a man accidentally awakens a goddess, in the near pathetic, Goddess of Love (1988), while in Love-Struck (1997) we see a woman who doesn’t believe in love (Cynthia Gibb) fall for Cupid (Costas Mandylor) and vice versa; and Cupid has to decide if he wants to leave his immortal form, and become human. Similarly in City of Angels (1998), an angel (Nicolas Cage) gives up his human form, for his love for a human being (Meg Ryan). Date with an Angel (1987) is about another union between a man and beautiful angel.

In the 80’s and 90’s, there were quite a few teen comedies, based on this concept of unrealistic love, helping a young man find the perfect looking partner, especially if the lead character is a geek or considered a loser, who cannot attain the affections of the opposite sex.

Weird Science (1985) and Virtual Sexuality (1999), are two films I haven’t watched, but the concept of the two teen movies, are the same. In Weird Science, two geeks create a ‘perfect’ woman (Kelly LeBrock), while in Virtual Sexuality, a girl creates herself a ‘perfect’ man (Rupert Penry-Jones).

Similar to Corpse Bride and Goddess of Love, in Mannequin (1987), an artist (Andrew McCarthy) falls for a Mannequin (Kim Cattrall). Big (1988) and Date with an Angel; the two movies combined resulted in the crappy Bollywood take, that was Chandra Mukhi (1993). The film was so bad, that it was credited as being a Salman Khan idea (the lead actor of the movie). Getting back to Tom Hanks, star of Big, back in the 80’s he did a lot of run on the mill comedies; that weren’t great, but were enjoyable enough, thanks to Hanks. In Splash (1984), we see Hanks falling for a mermaid. This adult fairy tale, is similar to the classic children’s fairy tale, The Little Mermaid.
Funny though, how all these Hollywood romances, dealing with unreal love, where the perfect looking lover, be it a mannequin, a fairy, a goddess or mermaid, were all hot white women. What happened to the browns, blacks and yellows? Where are the gays and lesbians? Are they considered less than perfect???? Added to which why is it most of time a man finding the perfect mate? And that too preferably a Blonde one? Even better if the blonde’s in a red hot attire? Like the sequence in The Matrix (1999), where Neo (played by Keanu Reeves), suddenly turns to take a good look at a blonde in a red dress. Why did she have to be blonde? What if he saw an African-American? or an Indian beauty? What if he turned to look at a man? Even in Virtual Sexuality, though it’s creation is a male, the man is a white male, Blond, with a perfect physique. Of course when it came to the Bollywood films, the perfect hero/heroine are both Indian’s, obviously. But United States of America, is a diverse country with all colours and creeds, where the indigenous people of the country are actually Red skinned, not white. Yet the 80’s (and 90’s to a certain extent) target audience, were the straight white American youth. Even though these reached beyond borders. And in a way, 80’s was one of the worst periods for Hollywood, with a load crappy B-movies, being made. Not all, but most, including these fantasy flicks.

Getting back on the topic of films based on unrealistic romances, there are some interesting films of ghosts and people falling for one another. Like in Corpse Bride (discussed above), these dead spirits were humans at one time, and are scavenging earth ’cause of some unfinished business. In the classic Bollywood film, Ek Paheli (1971), a modern man, Sudhir (played by Feroz Khan) falls in love with a mysterious woman (Tanuja), whom we discover later, to be a spirit of a dead pianist, who had committed suicide, during the Post-war era. The only way for the two to be together is, if Sudhir leaves his bodily form, releasing his spirit. Similarly in Somewhere in Time (1980), a modern day Chicago playwright, Richard Collier (Christopher Reeve) falls for a photograph of an Edwardian beauty, a stage actress, Elise McKenna (Jane Seymour). He manages to travel back in time through self hypnosis (see my post DVD Films From Last Month PART-II from December 2014). Yet, they can’t be together, as he’s thrown back into the late 70’s, due to a small mistake, he made, where she doesn’t exist anymore. The only way for them to be together, is for him to die of a broken heart, and letting their spirits unite in heavenly paradise forever.

In Paheli (2005) the exact opposite happens, a woman falls for a ghost, who’s taken her husband’s human form, and trapped her real husband’s spirit.

In Ghost (1990), when a banker, Sam Wheat ( Patrick Swayze) is killed by his best friend, he tries desperately to communicate with his fiancée, an artist, Molly Jensen (Demi Moore), with the help of psychic, Oda Mae Brown (Whoopi Goldberg). While in Love Can Be Murder (1992) a ghost of a former private detective brings chaos into the life of a living private detective, (Jaclyn Smith).

Then, there are on-screen figures/cartoon characters, where the real world intervenes with the celluloid/animated characters. In Who Framed Roger Rabbit (1988), an animated character; based on classic Hollywood stars, Rita Hayworth, Veronica Lake and Lauren Bacall; seduces more than one human in the movie, and spectators alike. Purple Rose of Cairo (1985), has a movie character, walk off the screen and seduce his most ardent fan.

Getting back to man and beast/alien, PK (2014), sees a humanoid alien fall for a human. E.T. the Extra-Terrestrial (1982), shows a great friendship between an alien and a human child. Planet of the Apes (1968) there is a famous kiss, between a man and an ape. In The Animal (2001) a man becomes sexually attracted to a goat in heat. He talks to the goat while rubbing her back and sloppily kisses her on the head. He then slaps her butt. All the popular Hulk films have a love interest

The Sixth Sense (1999), Warm Bodies (2013), Transcendence (2014), The Fly (1958 & 1986), The Ghost and Mrs. Muir (1947), Bewitched (2005), Pleasantville (1998), Ex Machina (2014), all have similar unusual human and non-(real)human interactions.
The Stepford Wives (1975 & 2004), tells of how an intelligent woman finds it difficult, to integrate into a narrow minded society, when she moves into a new neighbourhood. Of course, all the wives (in the original 75’ film) turn out to be machines (while in the 04’ version, only one husband turns out to be a robot, while the other wives have been brainwashed). This is also symbolical, of how difficult it is, when a lone intellectual person gets trapped in an archaic society, that constantly tries to drag him or her down with them. I personally know how hard is to stay afloat, without changing for the worse, living in an extremist narrow minded country. It’s not easy not to be influenced by negativity. And just like Katharine Ross (in the original), and Nicole Kidman (in the comical remake); I have to fight to stay sane, not to be swayed by the rest.

In Moon (2009), we see a clone in love with the image of a dead human; while in The Space between us (2017), a human born in Mars feels like an Alien on Earth; and falls for a human, who decides to leave with him to Mars.
Then there are people who fall for wordsmiths, that they’ve never met. In Saajan (1991) we see a woman (Madhuri Dixit) fall deeply in love with a poet (whom, nobody knows what he looks like), when a man claiming to be the poet (Salman Khan) seduces her, she falls for him. But does she truly love him? If he turns out not to be the poet, would she still love this man? In the Bengali (Bengali/English bilingual)Art Film, The Japanese Wife (2010) and the Hindi (Hindi/English bilingual) Art Film, The Lunchbox (2013), two people have an entire love affair through letters, without ever meeting each other. In The Japanese Wife, they even get married; through ink.

Last but not the least, lets have another look at the union of onscreen humans & Aliens (besides ‘Superman’). Similar to Meet Joe Black and Paheli (as spoken of earlier) Jeff Bridges in Starman (1984), plays an alien who clones himself, into a dead man’s form; and gets the widow to help him escape. In The Man Who Fell to Earth (1976), David Bowie plays a humanoid alien, sleeping around with women of earth. And not to forget the Vampires/Werewolves and human unions; in films like, Nosferatu (1922), Nosferatu the Vampyre (1979), The Hunger (1983) and the recent Twilight franchise.

Some great films on this unusual conception, some terrible, and some in between. But when they bring out something exceptional, those films are really worth checking out.

An ode to unrealistic romances.

Nuwan Sen’s Film Sense

Special Note: I actually worked on this post, one day (on the 22nd of April 2015), exactly a month after I watched the movie, ‘Her’, in March 2015, I wrote most of In Love with the Unreal, and left it incomplete, hoping to work on it the next day or so. I never got back to it, and left it pending. Then, five months later, in September 2015, I re-worked on it a bit, stopped, and didn’t touch it at all through out the Sweet Year of 2016. So it was just hanging there, untouched and incomplete.…That is until today. This was my second incomplete post, from April 2015, that I left unpublished; the other being The Beatles in Art movements through the ages. But I did mange to post in … the following month, May 2015. Anyway, back in April that year, I hardly got anything much done, so far as blogging was concerned. I only posted one blog-post, i.e. The Great Villain Blogathon: Juhi Chawla as corrupt politician ‘Sumitra Devi’ in GULAAB GANG (2014), on the 15th of April, 2015. Now there are no more pending posts. All done!!

Nuwan Sen (Pending Posts from April 2015 !! All Complete!!!!!)
Also see (my), Nu Film Site of Nuwan Sen – Nu Sense on Film (nu Sense on Film), started in August 2015.

Now though, later in Year , am actually planning to close nu Sense on Film!!! I prefer to continue blogging here, on No Nonsense with Nuwan Sen.

Nuwan Sen

From movies released last year, 2016; I’ve only seen 12 of them so far; 9 of them within last year itself; and only 2 on the Big Screen; from the rest, except for a couple of them, that I watched online, on iflix, the others were on cable TV (either On Demand, or a foreign television channel)!! Here are the Best to the Bad!!!!!

Left: Sonam Kapoor as Neerja Bhanot in Neerja (2016) Right: The late Neerja Bhanot

Left: Sonam Kapoor as Neerja Bhanot in Neerja (2016)
Right: The late Neerja Bhanot

1. Neerja (2016) – Excellent: 10/10!

In 1985, Pan Am (Pan American World Airways) began an all Indian cabin crew for its India/Pakistan/West Germany routes. Neerja Bhanot was the Head Purser, of Pan Am Flight 73, when hijackers attacked the flight, on the 5th September, 1986.

The Pan Am flight had reached the Jinnah International Airport in Karachi, Pakistan, from India, that morning. Carrying 380 passengers on board, the flight was on it’s way to Frankfurt, West Germany, and was to travel to New York, USA. As the flight was ready to close it’s doors, at the Jinnah International Airport, four armed Palestinian men of the terrorist organisation, known as ANO (Abu Nidal Organisation), forced their way into the aircraft; disguised as security officers escorting a Libyan diplomat. The brave Neerja Bhanot, quickly warned the trio of pilots, who, following protocol, escaped through an overhead hatch in the cockpit. Thus, making sure the plane does not leave the tarmac. Neerja, though terrified, along with other attendants, hid American passports, so that the ANO couldn’t differentiate, Americans from non-Americans, as the terrorists were specifically targeting Americans. After 17 hours, of their demands being unheard, the terrorists went crazy, and opened fire on all passengers. Neerja Bhanot quickly opened the emergency exit, and managed to save the lives of 360 passengers on board (20 others were killed), and 19 crew members. Bhanot made sure, all the people, who were still alive had escaped, without saving herself first. Ultimately she sacrificed her life, saving the lives of three children, as she shielded them from gunfire. She died of gunshot wounds, just a couple of days, before her 23rd birthday.

Sonam Kapoor does justice to the role of Neerja Bhanot!! Kapoor was spot on. In an interview, when Kapoor was asked, whether she is looking forward to winning the ‘Best Actress’ trophy at the Filmfare Awards, this year; she replied, that she didn’t know, for that was not the reason, she did this movie. None the less, she deservedly won the Critics’ Award, for ‘Best Actress’ at the 62nd Filmfare Awards, held earlier this month. However she lost out in the popular vote, for ‘Best Actress’. The movie altogether won six awards, including the Critics’ Award, for ‘Best Director’ (for Ram Madhvani), the ‘Best Supporting Actress’ trophy (for Shabana Azmi) and ‘Best Production Design’ (for Aparna Sud). The Production Design was truly superb, the way they replicated the whole Pan Am Flight 73, by making the model of the flight and it’s interiors, to perfection. It looked like an actual plane, on the tarmac.

This tragic story, is a must see. A perfect tribute, to the late Neerja Bhanot (1963-1986)!! Bhanot, an ordinary girl, not your conventional super heroine; but when put in an extraordinary situation, showed an inner human bravery, under fear. Also see my mini-write up on Facebook’s AHC page (Link:- https://www.facebook.com/search/str/%2523nuwansensfilmsense/keywords_search?filters_rp_author=stories-feed&filters_rp_creation_time=%7B%22start_month%22%3A%222016-03%22%2C%22end_month%22%3A%222016-03%22%7D)!!

Watched Neerja, on the Big Screen, early last year (in March 2016)!!

Here’s to Neerja Bhanot, an innocent girl, a film buff, a model, an abused wife, a divorcée, an air hostess, and most of all, a humanitarian; who put others before herself! Bhanot was posthumously awarded the Ashoka Chakra Award, India’s highest peacetime military decoration award, for valour, courageous action or self-sacrifice, away from the battlefield. She was the youngest, and first female, recipient of this award. She received various more awards, posthumously; for her bravery, her loyalty to her passengers, and humanity.

2. Kapoor & Sons (2016) – Excellent: 10/10!

A fun filled family film, with a gay character. Bollywood is becoming more progressive. It’s a beautiful family movie, about a dysfunctional family, that get together to celebrate, the family patriarch’s, 90th Birthday; post recovery from a heart attack. A lot of drama, secrets, pain, romance and comedy, unfold; into a complex family reunion. With a great ensemble cast, the movie is made in a way, that the whole family can enjoy; from tiny tots to the elderly!! Just loved this Dharma Productions, movie, directed by Shakun Batra.

The Film won five trophies, at this year’s Filmfare Awards; including one for the legendary, Rishi Kapoor; who deservedly won, in the ‘Best Supporting Actor’ category. 64 year old Kapoor, played the 90 year old, head of the house, with perfection; in this movie.

Watched Kapoor & Sons, last year, when it was shown on the Indian cable channel, Colors (July 2016).

3. PINK (2016) – Excellent: 10/10!

“No means No!”, utters Amitabh Bachchan’s character; as he defends three girls (one of whom was molested), when the trio are charged with prostitution and attempted murder by the male culprits.

This is a brilliant Art House film, an excellent courtroom drama, and a women’s rights advocacy. Amitabh Bachchan proves, he is still the best actor around, in the aesthetic world of films. Bachchan plays a retired lawyer; taking care of his ailing wife, while suffering from his own health issues; who takes up this case, pro bono; for the sake of three innocent victims, who are being charged with a crime, and not the other way round. He does it for justice, and a woman’s right to refuse sexual advances.

Amitabh Bachchan lost out, in the ‘Best Actor’ category, to Aamir Khan. I haven’t seen Dangal (2016); for which Kahn won the Filmfare Award, earlier this month; but the 74 year old, Big B (i.e. Mr. Bachchan), was phenomenal, in PINK.

Watched PINK, late last year, on another Indian channel, Star Plus (November 2016)

4. Confirmation (2016) – Excellent: 10/10!

From one fictional tale of sexual abuse, to another based on a real incident. Though in this case the abuse might be merely verbal, and not of a physical nature; it is still a case of abuse of power, and gender discrimination.
confirmation-2016This movie deals with the ‘Clarence Thomas Supreme Court nomination’ of 1991; when a law professor, Anita Hill; who had previously worked under Clarence Thomas; was asked to ‘confirm’ her allegations of sexual harassment, against Thomas. Another sad, excellent film, with an unsettling ending, for both the protagonist’s of the movie. Kerry Washington is superb as Hill, who is initially reluctant to come forward.

Watched this television drama, Confirmation, when it was shown on the cable channel, HBO Signature (July 2016).

5. Tere Bin Laden: Dead or Alive (2016) – Near Excellent: 9/10!

A hilarious piece of satire, set during Obama’s presidency, dealing with; making a false proof, of the actual; Osama’s death. Not amongst the greatest comedies ever, but I couldn’t stop laughing. The movie was really enjoyable. Thus, I think I’ve given it a tad higher rating, than I should have. For more details, see my post Mai May Movies 2016 from May 2016, as well.

6. Airlift (2016) – Near Excellent: 9/10!

A true account of Indians trapped in Kuwait, in 1990, as the country was being invaded by Iraq; under Saddam Hussein. Yet again, see my mini-review under, ‘Mai May Movies 2016’, from May 2016.
pink-laden7. Michael Moore in TrumpLand (2016) – Very Good: 8/10!

Despite all Michael Moore had to say in this Stand-up/Documentary, Trump still triumphed; and now, 70 year old, Donald J. Trump; a business magnate; is the President of the United States!!

What I really liked about this documentary, is without directly attacking Trump, Moore slowly tries to make people understand, why he shouldn’t be the political leader, of America; and the dangers they face, if he came into power. This was almost an advertorial campaign for Hillary Clinton. Despite all this explanation, it is a pity, Mrs. Clinton; so much a better politician, lost out, to a business celebrity. I was rooting for her to be the first female President of America. Sad! And many, open-minded, Americans were distraught with the results. And the Women’s March 2017, is proof of that.

Watched this last year, as Trump won the elections, on iflix (November 2016).

8. Passengers (2016) – Pretty Good: 7/10!

I loved, Norwegian director, Morten Tyldum’s, The Imitation Game (2014); and his Hodejegerne (2011), a.k.a. Headhunters, is in my watch list. And when I went and watched, Passengers, in 3-D; I really enjoyed majority of the movie. BUT, unfortunately there is ‘But’!!

A spaceship carrying over 5000 people, under induced hibernation; travelling to a distant planet, in a span of 120 years; has a malfunction. As a result, more than one person, is woken up, approximately 90 years early. The film, with just two lead characters, who have to carry the burden of film, entirely on their shoulders, is very impressive. And it goes on really well, to near excellence; the whole while, a question of ethics, gnawing at you (the audience). But then (spoiler alert), a third person wakes up; and starts to ruin the film; turning the highly clever premise, and the intellectually stimulating story, into a silly, action blockbuster, waste. From here the movie becomes really, unrealistic (sure it’s set space, but the fictional aspects, still have to be believable enough) and, the romantic angle, pretty mushy. None the less, majority of this, stunningly, visually, beautiful movie, is worth checking out!!

Chris Pratt & Jennifer Lawrence in Passengers (2016)

Chris Pratt & Jennifer Lawrence in Passengers (2016)

For next month’s Oscars, Passengers, has been nominated for it’s Production Design; and the interiors of the Spaceship are magnificent; as are the special effects. But then again, CGI/special effects, are practically good in any movie today; and unfortunately, most of the time, that is the only good thing about a movie. I hope this movie bags a trophy for ‘Best Production Design’, at the oncoming Academy Awards. Passengers, might not be a great film, but still quite good, a very enjoyable movie; until they ruin it towards the end.

Watched Passengers on the Big Screen, earlier this month (January 2017)

9. My Sweet Audrina (2016) – Very Bad: 3/10!

A creepy thriller, with a really interesting premise. But a bore of a film. Don’t waste your time on it.

Watched this TV film, last year, online, on iflix (November 2016).

10. Ki & Ka (2016) – Very Bad: 3/10!

The concept of the wife going to work, and husband staying at home, and being a househusband/homemaker, may seem a bit outdated; but that is not reason the movie doesn’t work. It had it’s fun spots, and serious segments; but the movie as a whole, was pretty stale and dull. On the positive side, I love the fact, the man, by choice, decides to be a homemaker; and is very supportive of his wife; and I loved the role reversal, the Abhimaan (1973) moment, in the movie, where the wife pushes him to do an interview on TV, and as he starts becoming a celebrity, she starts to feel jealous. So the concept was enjoyable. The movie also reminded me of, this Hindi sitcom; we use to watch as kids; Mr ya Mrs (1987-1988). But the movie is a bit of drag, and ultimately a waste of time. Enjoyable premise, yet poorly executed.

Saw Ki & Ka, when it was shown on Colors, last year (October 2016).

10+1. 13 Hours (2016) – Very Bad: 3/10!

Based on real events, it’s such bore of film. On the 11th of September, 2012; the US Ambassador’s compound, and an unofficial CIA base, in Benghazi, Libya, is attacked. The movie starts off really well, but then drags on, and is way to long. I felt I sat through the movie for ‘13 hours’ myself.

Watched 13 Hours, on HBO On Demand, late Sunday night (29th January 2017)!!
film-13-hours-201610+2. Ae Dil Hai Mushkil (2016) – THE Worst film, of 2016, that I have seen, so far: 1/10!

It’s not even worth talking about, this crap of a film, by Karan Johar. Johar is a good director, and did a marvellous job when it came to his short film, within Bombay Talkies (2013); an anthology of four short films. In fact his directorial segment was my favourite. BUT, when it comes to feature length films, he sure mucks it up. And he is a good producer; Dharma Productions, is his company, the company that produced, the above mentioned, Kapoor & Sons. Plus, he is quite a good television talk show host. Really enjoy watching, most of his interviews on, Koffee with Karan (2004 onwards). Currently, the latest season, of Koffee with Karan, is running on the Indian cable network, Star World.

Watched Ae Dil Hai Mushkil, when it was telecast, on Colors, on Saturday morning (28th January 2017)!!

Special Note: End of last year, I watched a Sinhala documentary, called Usaviya Nihadai, which I tweeted as being released in 2016, for it was released in Sri Lanka, only last year; amidst a lot of controversy (of course, I watched it on the small screen; rented it out, when it was provided by our cable operator). But according to IMDB, it was released in 2015!!!!! Apparently it was released at a ‘Sakhalin Film Festival’, in Russia (I didn’t even know about an island called Sakhalin; let alone about this festival; till now). I gave Usaviya Nihadai, an Average Fare rating, of 6/10!!

Ki & Ka (2016) is practically a remake of the 70’s classic, Abhimaan (1973); with roles reversed!!

Ki & Ka (2016) is practically a remake of the 70’s classic, Abhimaan (1973); with roles reversed!!

Unfortunately, from the releases of 2016, I haven’t watched any Oscar worthy, English language, movie (except for the great production design, in Passengers). BUT Amitabh Bachchan’s performance in PINK (2016), is definitely an Oscar worthy performance. Pity, I doubt Hollywood has even heard of this movie, let alone, nominate the Big B, for his outstanding acting skills, in general.

Looking forward to, watching the Oscars LIVE telecast, next month (February 2017).

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The Cassandra Crossing (1976)
the-cassandra-crossing-1976A train travelling from, Switzerland to Sweden, is re-routed to Poland; which will have to pass through a disused bridge; once American authorities learn that a deadly (pneumonic plague) virus is spreading on board! An excellent piece of guilty pleasure starring the who’s who of the cinematic world, taking you on thrill ride, across the scenic landscapes of Europe. Love this movie!!!!!

Sophia Loren

Sophia Loren

The Movie & I

When I first watched The Cassandra Crossing (1976), as a 12½/13 year old, in the late 1980’s (1988/89 – more probable that it was in 1988), on the telly, the only star of the film I was aware of, was the lead actress Sophia Loren (for I had a vague memory of having seen her in epics like El Cid (1961) and The Fall of the Roman Empire (1964), when I was even younger; plus had heard her name, many a times, in the children’s film, Dream Girl (1977); where a playboy is teased whether he is on a call with ‘Sophia Loren’, as he speaks to his grandfather; a movie we watched as kids, a kazillion times, back in the 80’s & early 90’s). Of course, by now, I have seen so many movies of her, but The Cassandra Crossing, was my proper introduction to her, for that’s when I really got to know, who Loren was. Late last night, I re-watched, The Cassandra Crossing, on youtube, almost three decades later. The quality, not so good, the movie, totally worth it. And today, I practically know majority of the glamorous star cast, of The Cassandra Crossing. Besides Loren, the movie stars, Richard Harris, Burt Lancaster, Ingrid Thulin, Lee Strasberg, Ava Gardner, Martin Sheen, Lionel Stander, O.J. Simpson, Lou Castel, Alida Valli, Ann Turkel, John Phillip Law, Ray Lovelock, Thomas Hunter and Stefano Patrizi; to name some. There was also, an averagely OK, Bollywood disaster movie, with an ensemble cast, roping in the who’s who of the Hindi film fraternity, similar to this, called, The Burning Train (1980), which I watched in the 1990’s. Unless you are fan of Hindi movies, in general, stick to The Cassandra Crossing. The Cassandra Crossing, also reminded me of Sidney Lumet’s Murder on the Orient Express (1974), based on an Agatha Christie novel; which too roped in a great star cast, of the 70’s, but set in the roaring 20’s, in another train journey bound to travel across Europe. Murder on the Orient Express, was yet another Excellent movie, I got to watch, around 15 years ago, in my late 20’s!!! Of course, Murder on the Orient Express, is neither a thriller, nor a disaster film. It’s a murder mystery, set within the confines of a snowbound train.

Behind the Scenes: Ava Gardner, Martin Sheen & Sophia Loren; on the sets of The Cassandra Crossing (1976)

Behind the Scenes: Ava Gardner, Martin Sheen & Sophia Loren; on the sets of The Cassandra Crossing (1976)

My Analysis & The Characters
(Spoiler Alert)

Despite critics panning it down, with an average rating of almost 7/10 (which is a pretty good rating), on IMDB; The Cassandra Crossing, is actually a very enjoyable fare!! The 70’s did have quite a few famed disaster films, but none like this. This has double the pleasure, being a hybrid of a thriller as well as a disaster movie. A thriller about people trying to steal a biological weapon, harboured by the Americans, and the American authorities, to cover up their asses, trying to kill off thousands of people travelling in a train, carrying the said deadly virus, plus a train heading for derelict bridge, that hasn’t been used, since post World War – II. The thrills are never ending, the mesmerising Swiss landscapes please the eyes, the background score, hauntingly brilliant, and a very stylish international star cast, adds to the enjoyment. In addition to which, minus modern day special effects, overpowering and ruining the movie, as is the case of most thrillers of today, this is a great guilty pleasure to sit through.

Sophia Loren and Richard Harris, play a twice divorced couple, who re-meet on a train bound for Sweden; in The Cassandra Crossing (1976)

Sophia Loren and Richard Harris, play a twice divorced couple, who re-meet on a train bound for Sweden; in The Cassandra Crossing (1976)

The movie is no doubt a Sophia Loren vehicle. She looks amazing as ever, and is brilliant as a witty best-selling author, a two-time divorcee (to the same man, who also happens to be on board, as well), whose hunches are never wrong, and heroine of the movie. Richard Harris is superb as a neurosurgeon, and playing (the twice divorced) ex-husband to Loren’s character (the two together have perfect chemistry, and the characters feel, madly in love and hate, with each other, as real-life celebs, Richard Burton & Elizabeth Taylor, were at the time). Harris’ character is shown trying to save lives of infected patients medically, as well as, trying to save the train from impending doom, along with his, two-time, ex-wife. Interestingly, Harris’ real life wife, Ann Turkel, plays a young hip woman, in a small role, along with many other more famous stars playing really small, and hardly noticeable roles. It’s pity, an actress like Alida Valli, seems to be wasted in a movie, where anyone could have played such an insufficient character. I didn’t even recognise her, until she took her spectacles off.

Clockwise from Top-Right: Ray Lovelock, John Phillip Law, Stefano Patrizi, Ann Turkel and Alida Valli, in small supporting roles.

Clockwise from Top-Right: Ray Lovelock, John Phillip Law, Stefano Patrizi, Ann Turkel and Alida Valli, in small supporting roles.

Yet, the massive star cast is superb, in their respective roles. BUT the best role goes to Ava Gardner, playing a creepy old lady (a wife of a prominent arms dealer), with a young lover, her boy toy (played by Martin Sheen). She is ecstatically humorous, she brings in the comic relief in this otherwise tense drama. Sheen’s character, we initially assume, is suffering from an Oedipus complex; but in reality, as we find out later, he’s a drug trafficker, who just uses the older woman, to pass through customs, without being checked. O.J. Simpson, is a cop, in the guise of a priest, on the trail, of this drug trafficker. Nobody is who they seem. Something which is hinted at the very beginning of the movie, when a trio terrorists, rush into a medical facility, dressed as two attendants, trolleying in a patient.

Burt Lancaster, John Phillip Law and Ingrid Thulin, in a scene from the film.

Burt Lancaster, John Phillip Law and Ingrid Thulin, in a scene from the film.

Burt Lancaster, plays the villain of the piece, as a U.S. Colonel (Military Intelligence assigned to the International Health Organization (most probably a fictional organization, represented, in lieu of the WHO; World Health Organization), in Geneva, Switzerland). He has the least amount of action credited to his character. He is so good in his role, that he is quite convincingly hateable. As he is mostly confined to a room, it’s his facial expressions, body language, and dialogues that have to do all the work. Ingrid Thulin, who is stuck inside the room, with Lancaster, is even better in her role, as a firm humanitarian medical head.

The bridge known as the ‘Cassandra Crossing’, plays a significant supporting role as well. The way the bridge is shot, in a threatening manner, and showcased, on and off, as the train is being re-routed, it appears like a menacing beast, waiting to devour this oncoming train and it’s passengers. The last scene with the parts of the train crashing through the bridge (again without modern CGI) is real showstopper.

The movie blends in all the suspense that make a great thrilling achievement; blending in all the necessary action, chills, thrills, heroism, shootouts, government intrigue, you name it, along with a good plot; making this unrealistic flick of catastrophe, with an almost realistic scenario, very plausible.

Richard Harris & O.J. Simpson in a scene from The Cassandra Crossing (1976)

Richard Harris & O.J. Simpson in a scene from The Cassandra Crossing (1976)

The Background

Most of the interior scenes were shot in Cinecittà, a large film studio in Rome, that is famed for being the hub of Italian cinema. With beautiful cinematography, the location shots were taken in both France and Switzerland. The steel arch bridge depicted in the film, as the notorious “Cassandra Crossing”, is actually the Garabit Viaduct, a railway arch bridge spanning the River Truyère, in southern France. The Garabit Viaduct was built between 1880 and 1884, by Gustave Eiffel, the man behind Paris’ iconic, Eiffel Tower.

The movie flopped badly in the United States, but still made money, thanks to Japanese audiences flocking to the cinema’s to catch the movie. It apparently did well enough, in Europe, as well. Though it flopped in the USA, the movie was critically praised, for it’s beautification through Ennio Guarnieri’s cinematography, as well as, Jerry Goldsmith’s superb musical score.

The Cassandra Crossing, was directed by Italian born film personality, George Pan Cosmatos. A director, whose other works I haven’t watched yet, nor do they really interest me much, thus this movie is an exceptional case. This, no doubt, is his best work. The film was produced by Carlo Ponti, Sophia Loren’s husband. This British-Italian co-production, is an underrated gem. A must see, for film fanatics!!!!!

The Cassandra Crossing (1976) – Pure Entertainment!!!
My Rating: 10/10!!

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In 1956, the very 1st video tape recorder was invented. And by 1963 videocassette recorders were invented. But since, initially, it was intended only for the professional sector, it was way too expensive for the general public to afford for home use. The first consumer video cassette was introduced by SONY in 1971. The VHS (Video Home System) was released in Japan in late 1976 and in the USA in early 1977. So after being in use for 60 years, and surviving for almost 40 years in homes around the globe, the production of, the Video Cassette player, has finally come to an end. In July 2016, FUNAI Electric, in Osaka, Japan, the last remaining manufacturer of VHS recorders; which had been producing VHS-playing VCR’s for 33 years; announced, it would cease production of videocassette players by the end of the month !!!!!!

nuwans-collection-of-films-dvdvhs-008

Ironically it was 33 years ago, in late 1983, that we got our very 1st videocassette player. I was 8 years old. By the age of 9/10, I was a pro when it came to VCR’s and VHS cassette’s. I use to love recording stuff off the tube (televisions, that existed in another era). By the 1980’s, thanks to the videocassette player, cinema’s saw a major decline in numbers. People preferred to watch movies, in the comfort of their home. In fact, as a kid, it’s only once or twice, we went to the cinema, in the 80’s. But we use to go out on other outing a lot back then. By the mid-90’s thanks to the multiplexes, cinemagoers multiplied. Back in New Delhi, India, during my Delhi University (DU) years, we students went to the Cineplex’s, just to witness the new trend of having many a screens in one theatre. Plus it was a classy experience, unlike the best (one screen) cinema’s in Colombo, Sri Lanka, at the time. Soon Laser Disc’s (LD’s) & Video Compact Disc’s (VCD’s), started entering the market. I remember, how back in the late 90’s, I was talking with my fellow batch mates in DU, and I recall verbatim, that I said “Call me old fashioned, if you like, but I prefer the old videocassette, to these Laser Disc’s and VCD’s”; and they nodded in agreement. In fact I wasn’t a fan of sticky VCD’s at all (but loved the concept of audio CD’s, since I first saw/listened to them in the late 80’s, even though, I was still buying audio cassettes, in the late 90’s, as well).

My Audrey Hepburn collection of Videocassettes (from September 2003)

My Audrey Hepburn collection of Videocassettes (from September 2003)

By the early 2000’s, I was still buying video cassettes, mainly in regard to my Master’s course, in England. In Luton, UK, in September 2003, just after I handed in my final dissertation, titled “Marriage in Hitchcock Films: From Rebecca to Marnie for my MA in International Cinema, I treated myself to a collection of Audrey Hepburn movies, by buying a box set containing, five videocassettes (four out of the five were movies I had already seen). AND it was thoroughly worth it, being a big Audrey Hepburn fan!!!!!

The Dual System (VHS-deck & DVD player, combo system) I bought in Oslo in December 2003; we still use!!

The Dual System (VHS-deck & DVD player, combo system) I bought in Oslo, in December 2003; we still use!!

Videocassettes on one side

Videocassettes on one side …

... DVD's on the other.

… DVD’s on the other.

In Oslo, in December 2003, I bought a Dual System (VHS-deck & DVD player, combo system); and still kept recording films/TV-miniseries from television onto video cassettes, until about 2005!!! I saw a Christmas offer, in a catalogue, back then, and I knew it would be perfect for us (our family), for we had so many videocassettes from the 80’s onwards, and a few VCD’s, in our house in SL. Not to forget the few home movies (we had on old video tapes), of what we had filmed, in our childhood to teenage years. Of course, all those (older) cassettes are rotting away in a store cupboard. Hope I can salvage the home movies, at least. It’s only within the last decade, that I haven’t done any kind of video recording at all. Of course, since 2004 onwards, I’ve bought quite a few DVD’s, around the globe, adding to my ever growing private home library of books and movies (also see my post Holidaying in Australia, comes to an end, from November 2014).

My Film Library: My Private DVD collection

My Film Library: My Private DVD collection

My Film Library: My Private collection of Movies (Videocassette's & DVD's)

My Film Library: My Private collection of Movies (Videocassettes & DVDs)

My Film Library: My Private collection of Movies (Videocassette's & DVD's)

My Film Library: My Private collection of Movies (Videocassettes & DVDs)

So the video cassette survived, well into the early part of the 21st century. Even VCD’s couldn’t kill the tape. But now, DVD’s, downloading, online viewing, watching movies on your iphone/smart phones, et al, people hardly would look at their old video tape’s, let alone watch them. And finally now the last remaining manufacturer of VHS has ceased production. It’s the end on an era!!! But since some of my old cassettes, from the early noughties, are still in working condition, I’ll still be watching them, once in a while.

Other Movies in our house

Other Movies in our house

Other Videocassettes in our house (most still in working order)

Other Videocassettes in our house (most still in working order)

Other Videocassettes in our home (most still in working order)

Other Videocassettes in our home (most still in working order)

The 80’s  & 90’s: Old Videocassettes, from our childhood/teenage years, in a store cupboard (doubt they work at all)!!!!!

The 80’s & 90’s: Old Videocassettes, from our childhood/teenage years, in a store cupboard (doubt they work at all)!!!!! The few VCDs, are fine though!!

My Film Library: (Last, but not the least) SIX new DVDs, a recent acquisition of mine (from just last month)!!

My Film Library: (Last, but not the least) SIX new DVDs, a recent acquisition of mine (from just last month)!!

To the good old videocassette, that’s been part of my life, since childhood!! We’ll always have fond memories. Thanks to videocassettes, my love for good cinema, survived forever; through an aesthetically depressive society, such as SL, that has no respect or an understanding for the fine arts, especially the fine beauty of cinematic arts. ❤ Love Film!!!!!!!

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Août 16' 001

Aparna Sen’s Parama (1984), a.k.a. Paroma, is a brilliant piece of Indian Art House Cinema. A story of a woman, who’s lived the first 40 years of her life, belonging to others; and at the age of 40, finally finds herself. At 40, she finds her own true identity; as Parama. Not the daughter-in-law, Parama!! Not the wife, Parama!! Not the mother, Parama!! Not the housewife, Parama!! BUT, the individual, Parama!! Through a passionate extramarital affair, with a young man, she learns to live, for herself, and not others.

Bollywood superstar, of the 70’s & 80’s, actress Rakhee, plays the lead titular character, in this Art Film from the state of West Bengal; of which I watched the Hindi language version. I’m not sure, as to whether the movie was made in Bengali, and Hindi, simultaneously; or whether it was made in Bengali, and dubbed into Hindi. But if it were dubbed into Hindi; it’s a damn good dubbing; for the lip movements are well in sync with the Hindi dialogues. Of course, this is not a Bollywood film. Bollywood films, represent the Bombay (now know as, Mumbai) Film Industry; based in the capital city, of the state of Maharashtra. Plus, Bollywood films, are mostly of the commercial genre, made mostly in the Hindi language. There are rare few Art Films in Bollywood, and even rarer films made in English as well. Parama is a movie from the Indian state of West Bengal. Films made in Bengal generally tend to be Art House Films, and Parama is an art film, made by one of the most prolific Indian directors ever; Aparna Sen. She, has made films (and acted) in, the English language, the national language of India (i.e. Hindi), as well as in her mother tongue (from her state), Bengali. Director, Aparna Sen plays a supporting role as Parama’s closest ally and confidant; her best friend and an intellectual, in Parama.

Rakhee looks bewitchingly beautiful, with her Parveen Babi bangs, and long luscious hair hanging loose.

Rakhee looks bewitchingly beautiful, with her Parveen Babi bangs, and long luscious hair, hanging loose.

Parama depicts, the life of many a married Indian women, living within an archaic patriarchal society, where the woman’s place is at home; a subject matter that is relevant even today. And of course, these women, too, are content, with their lives, taking care of household chores, and playing second fiddle to their husbands, and the husband’s family. Not all Indian women tend to underestimate themselves, definitely not the modern thinkers and feminists, especially from the 1970’s onwards. But majority of Indian society, thrives on such blind traditions; that any deviations are looked as the work of the devil. Most women, are not meant to have an individuality, and aren’t allowed to think for themselves. Thus, most women do subject themselves, to a routine life, on what they have been prepared for since birth; i.e. taking care of the needs of one’s husband, and his family. Modern, intellectual women, who move out of their comfort zones, is a rarity in India. But it does exist, especially in cities like New Delhi, Mumbai and Kolkata. Yet, India is a massive country, with an equally massive population; where it’s not easy to educate and modernise an entire nation. And being a largely poor country, with majority of Mother India, suffering for hunger; it’s hard to eradicate poverty on it’s entirety, as well. But many a NGO’s, other charitable organisations, et al; do try their best. And the improvement, of even a small percentage of society; is proof of it. If India was a tiny island, with a considerably less of a population crisis; no doubt it would have been a rare first world nation, floating in the Indian ocean. With their progress, in aesthetics, economy, culture; if there wasn’t so much poverty, and land mass to cover; they’d be one of the most popular places on earth, as opposed to the notoriety, they’ve been associated with; especially when comes to the treatment of women, and poverty.
Août 16' 012Parama (Rakhee) is one such housewife, living in a well to do household, who is content with her routine life, obligations and limitations. We find out, from her group of intellectual modern female friends, who’ve all climbed up the ladder, that Parama, was a Sitar player, with great potential; but had to give it all up when she got married, and immersed herself into, so called marital duties. When she married, she married his entire family. In fact she hasn’t even studied further, not done a degree, a vocational course, nothing. So scope for her to have a life for the self, seems limited. Then one day, a famous young Indian photographer, Rahul (Mukul Sharma), based in New York, USA; visits Calcutta (the capital of the state of West Bengal, which today is known as, Kolkata, where this movie is set). Rahul comes to do a photo essay, for a prestigious, American magazine, on Indian housewives, focusing on one individual. He sees Parama, and is infatuated by her grace and beauty, he chooses her on the spot. She refuses; but her husband’s family pushes her to do so; along with her trio of teenaged kids. On the first day of the shoot, Rahul just asks her one question, “What do you think, Paroma?”, he wants to know what makes her click! And he clicks, with his camera, as she starts to unravel her brain, which she seems to have shut off, entirely, post marriage.

Rakhee as Parama (a.k.a. Paroma)

Rakhee as Parama (a.k.a. Paroma)

Soon Rahul and Parama, fall into each others arms, in a sexual affair, of love and lust. Her husband’s family never suspects. Them not suspecting, is less to do with their trust towards her, but more to do with them taking her for granted. They never feel she is capable of any feelings, or any human emotions, outside, her robotic household duties. Once Rahul leaves, for an assignment, the lovers secretly exchange love letters; a kind of romance she obviously never had before; and probably she was married off, through an arranged marriage, by the elders; and wasn’t her decision in the first place. It’s with Rahul, Parama first discovers true happiness.

Unfortunately, it’s found out, that she secretly posed for a sexy photo shoot, for her lover, Rahul. Meanwhile, with no news of the whereabouts of the photographer, all hell breaks loose. She is discarded by her husband’s family. Even her two elder children, refuse to accept her. Only the youngest child, still in his preteens/entering his teens, seems to still feel affection towards his mother. We wonder, what happened to Rahul?? Did he con her?? Is he dead?? Or captured?? He’s just vanished from her life, all of a sudden.

The sexy photograph, that results in Parama being disgraced by the family.

The sexy photograph, that results in Parama being disgraced by the family.

The movie is sympathetic towards the wife, even though she has an extramarital affair. And explores, the double standards, in Indian society. Men are accepted, being immoral (for we see the husband’s eyes stray towards other women as well), but a woman, if not morally superior; she is cast out, looked down on, and degraded. She might have made a mistake, but she learned from it. She ultimately opens her eyes, and we realise, she doesn’t need the support of a man, and marriage, to have a fulfilling life. Only her teenage daughter seems to understand.

This is an excellent movie, by Aparna Sen. I highly recommend it. From the narrative, to the set décor, to the brilliant cinematography; this is one of the greatest films ever made. Watch out for the close-ups on Parama, exposing her vulnerability, her simplicity, her metamorphosis from a common housewife to an individual who can think for herself. Plus, see the silent role, played by a common looking potted plant, Parama’s very unique beloved plant; the significance of which, sways through nostalgia into her being able to free herself from societal chains forced on her. Remembering the name of the plant finally, and zooming out of the window. We know she’s a new woman. A woman of today, who’s not afraid of anything, anymore.

Rakhee & the Euphorbia Cotinifolia, in a scene from Parama (1984)

Rakhee & the Euphorbia Cotinifolia, in a scene from Parama (1984)

Parama (1984), a.k.a. Paroma, is a must watch, for any film buff. I watched this movie, online, on Youtube, on Wednesday, 10th of August, 2016!!

My Rating: Pure Excellence!! 10/10!!!!!      

Nuwan Sen’s Film Sense

Go Gay: A Pride Month Special
Celebrate Pride (One Year)

One year ago, today, on the 26th of June, 2015, the Supreme Court of the United States of America, legalised same-sex marriage, nationwide!!! This was not just a big win for America, but the world. Even though, Canada, was the first country, outside Europe, to legalise same-sex marriage; and besides Europe, being more tolerant, and open-minded, than anywhere in the world (Netherland was, not just the first European country, but the first country, in the world, to legally recognise, same-sex union); this win in the United States, marked a historic moment, for the entire world. One small step for America, a giant leap for the future of the world (with apologies to Neil Armstrong). Today, Asia, is the only continent, where, not a single country, allows, same-sex unions (although Israel accepts same-sex marriages performed overseas, and in India & Nepal, it’s not explicitly prohibited). In most countries, in Asia and Africa, homosexuality, is a still a criminal offence (including here, in Sri Lanka).

So, to celebrate the very 1st anniversary, of the American Supreme Court’s ruling, of the Obergefell v. Hodges trial; in favour of gay-marriage; I’ve decided to do a blog-post, on the top most (my personal favourite) gay-teamed, Feature Films of The Big Screen! Only movies, where, either the central theme, revolves around a homosexual character, or the main plot, of the movie, deals with sexuality itself, are included here. So here they are, the crème de la crème:-

COOL CLASSICS – That Dared!!!

Rope (1948)
An Alfred Hitchcock classic!! Hitchcock’s very first film made in colour; is loosely based on the notorious ‘Leopold & Loeb’ case of 1924. This is oldest movie I’ve seen, that dared to showcase, a homosexual couple. Even though in negative sense. Not that their sexuality is portrayed negatively, but the fact that the gay couple, also happen to be a couple of murders, is what makes them being a gay couple, more acceptable, during that time period. This was during a height of the dreaded Hays Code. Yet, thanks to the sophistication of Hitchcock’s direction, the movie doesn’t directly state the couple of guys, living together, are a gay couple; but it’s obvious to critical eye, what Hitchcock is implying. Besides, Nathan Leopold and Richard Loeb, were a gay couple, on whom, the two “roommates” of the movie, are based on.

None the less, Rope, is an excellent, suspenseful, thriller, that doesn’t discuss their sexuality, but rather the murder, the couple commits. The two men in question, strangle their former classmate, just to prove their superiority of intellect, by murdering an inferior human being. To the two, psychologically disturbed lovers, this ‘Perfect Murder’, is a true work of art, of geniuses.

Starring James Stewart, Farley Granger, John Dall and Joan Chandler; this is a must see, especially, for any fan of Hitchcock’s. Rope is specifically notable for taking place in real time, plus the brilliant editing, that makes it appear as if the whole movie was shot in a single continuous shot. This was achieved by the use of really long takes. No close ‘cuts’!!! Excellent piece of Hitchcockian drama.

Am glad, my all time favourite director, dared to bring out something, that was still a taboo, without any trepidation. Yet, do it in such a way, as to get away from the censors. Hitchcock was no doubt, a clever genius!!!!!

TOP: Farley Granger, Dick Hogan and John Dall; in Alfred Hitchcock’s Rope (1948) BELLOW: Shirley MacLaine and Audrey Hepburn; in William Wyler’s The Children’s Hour (1961)

TOP: Farley Granger, Dick Hogan and John Dall; in Alfred Hitchcock’s Rope (1948)
BELOW: Shirley MacLaine and Audrey Hepburn; in William Wyler’s The Children’s Hour (1961)

The Children’s Hour (1961)
A very bold movie to come out in the early 60’s. The issue of lesbianism, dealt so sophisticatedly, at a time, before the hippies and the sexual revolution, were yet to take place, changing the mind set of society for the better. And the best part is, my all time favourite star of class, plays the lead in it. Audrey Hepburn, who else.

Directed by William Wyler, and starring Audrey Hepburn and Shirley MacLaine, as two school teachers, at a girls hostel run by them; the movie is a about a child that cries wolf; and who accuses the two teachers of being a lesbian couple. This is a shocking story, of how one child’s, nasty lie, ruins, the lives of the teachers, who are ultimately left with nothing. What’s more surprising, is towards the end, when it is revealed that one of the teachers, is actually a lesbian, who’s had to repress her feelings towards the other teacher; afraid of how she’d react. The movie ends in a tragic note. It’s a touching, and a beautifully made movie, that dared to bring out such a tender issue, when the world was still not open enough to accept homosexuality, that too on Hollywood’s celluloid.

Kudos to director, William Wyler, for bringing out such a bold gem like, The Children’s Hour, back in the beginning of the 60’s decade. Wyler directed some marvellously enjoyable fare, back in the day; the likes of, Wuthering Heights (1939), Roman Holiday (1953), Ben-Hur (1959), How to Steal a Million (1966) and Funny Girl (1968); to name some.

Ludwig (1972)
A Luchino Visconti masterpiece, on the life of King Ludwig-II of Bavaria. A brilliant Historical film, about a tragic King, who suffered due to his sexual repression (he was gay), and thus plunged into insanity. The question of his clinical insanity remains unresolved, till date.

Helmut Berger, perfectly, essayed this role, with ease, of the mad King of Bavaria. Romy Schneider, reprised her role of Empress Elisabeth of Austria, which she earlier starred as, in Austria’s, Sissi, trilogy (1955, 1956 & 1957). Also see my post Sissi : 115th Death Anniversary of Empress Elisabeth of Austria from September 2013.

Directed by, Italy’s, Luchino Visconti, Ludwig, has an interesting array of International stars, including, Trevor Howard, Silvana Mangano, Nora Ricci, Helmut Griem, John Moulder-Brown, Sonia Petrovna and Adriana Asti; to name some. A must watch, for any Film/History Buff.

Cabaret (1972)
This is a really good, beautiful n’ camp, musical. Based on segments; especially the segment on ‘Sally Bowles’; of Christopher Isherwood’s, famed Berlin diaries, that he novelised into, Goodbye to Berlin. Love the movie, love the book; enjoyed the book more, of course.

By the 70’s, homosexuality was out in the open; with quite a few campy movies being released. Thus, the trio of leads, Michael York, Liza Minnelli and Helmut Griem, playing gay/bisexual characters, would have been pretty acceptable, by then. The movie is set, in a sleazy night club, in 1930’s Berlin, Germany; as the Nazi Party rises to power around them.

Since many a true movie buffs, most probably have watched Cabaret, and loved it, it’s the novel, Goodbye to Berlin, that I’d highly recommend. It’s really worth a read. In fact, I just read it last year, around this time (June 2015); although, I actually bought it, during my trip down under, back in November 2014.

Victor/Victoria (1982)
From one campy musical, to another; this time, starring the singing and dramatic sensation, Julie Andrews. Andrews plays a woman, who in a guise of a man, performs on stage, as a woman. So basically, she plays a woman, who pretends to be man, in feminine drag. It’s a hilarious musical, again set in the underground gay clubs, this time, of 1930’s Paris, France. James Garner plays the confused millionaire; and owner of multiple clubs in Chicago, USA; who falls in love with her, even though he is straight. Confused, as to why he is in love with her; ’cause he is made to believe this is a gay man, performing dressed as a woman, on stage.

Last of the great musicals, of the last century. Since I have this on tape (old video cassette), I’ve watched it a few times. But still, the last time I saw this movie was, most probably, close to a decade ago. An exceptional musical, directed by Blake Edwards; Julie Andrews’ husband.

Another Country (1984)
This movie is based on a true story, about a Cambridge spy, that defected to the communist east; i.e. Soviet Russia (USSR). With a stellar cast, including, Rupert Everett, Colin Firth and Cary Elwes, this is a brilliant British bio-pic, on a disillusioned member of the ‘Cambridge Five’ spy ring, Guy Burgess.

The BBC mini-series Cambridge Spies (2003), too was based on the actual Cambridge Spies, of the 1930’s. Both, this movie, and the mini-series, are exceptional. A must see for any Modern History Buff!!
Maurice (1987)Maurice (1987)
A movie about repressed homosexuals, set in the Edwardian England. This masterpiece of Heritage cinema, a Merchant/Ivory production, is among the greatest British films ever made. Love this movie, based on E.M. Forster’s controversial novel. This is one rare gay-themed classic, that shows a happy ending, with hope, for a young gay couple, that too, in a very constricted era.

Starring James Wilby, Rupert Graves and Hugh Grant; this, Merchant/Ivory piece of British Brilliance, is a must watch for any film, and literature, buff.

The Last Emperor (1987)
Based on the life of Emperor, Henry Pu Yi; the last of the Emperors of China (the final ruler of the Qing dynasty), and his brief rein, within the walls, of the Forbidden City; this is an extraordinary bio-pic, by director, Bernardo Bertolucci. The film won 9 Oscars, including one for ‘Best Picture’.

Pu Yi’s two depressed wives, are shown to have a sexual affair of their own. So not out an out a lesbian film, yet it’s a classic that dared to show two women’s affection for each other, quite openly. An excellent masterpiece, of movie making.

THE NINETIES & NOUGHTIES – Still risking it!!
By the 1990’s there were quite a few, good, gay-themed, movies coming out of the celluloid closet, and onto the big screen. But the 21st century cinema, has been pretty marvellous, for the amount of, excellent, gay-themed films, that have got recognition around the globe. More than ever before.

My Own Private Idaho (1991)
Based on William Shakespeare play, Henry IV, the movie is about a pair of hustlers, played by River Phoenix and Keanu Reeves. Directed by Gus Van Sant, this movie also happens to be an interesting road movie, taking the young men on a journey of self-discovery; and a brilliant flick, focusing on, male prostitution.

Swoon (1992)
This excellent movie, made in black & White, is based on the actual gay lovers, of the roaring 20’s; Richard Loeb and Nathan Leopold Jr., who kidnapped and murdered a child. Another superb flick.

Ironic, that Alfred Hitchcock’s Rope (I’ve spoken about, above); which was loosely based on this very same criminal act, executed by these lovers; was made in colour; and this 90’s, more direct approach; was filmed in Black & White. I spoke about this movie, once earlier. See my post ~Famed Female Cinematographer turns 55 today from July 2014.

Fresa y Chocolate (1993)
Known as Strawberry and Chocolate, in English, this Spanish language, Cuban, film; is a very political movie about a gay communist, who falls for a young heterosexual man. A coming-of-age story, told via a close, gay/straight, friendship. Beautiful, touching, and pure excellence.

Fresa y Chocolate, stars Jorge Perugorría, Vladimir Cruz, and the film direction, happens to be a joint collaboration, by Tomás Gutiérrez Alea and Juan Carlos Tabío.
Priest (1994)Priest (1994)
A superb British film, starring Linus Roache, as a catholic priest torn between his faith and sexuality. The film also stars, Tom Wilkinson and Robert Carlyle. A heart-rendering deeply touching, movie, by the late Antonia Bird.

Interview with the Vampire: The Vampire Chronicles (1994)
Based on Anne Rice’s acclaimed novel, Tom Cruise, plays a gay vampire, who turns his lustful desire (Brad Pitt), into a vampire as well. It’s an epic hellish tale, of the blood lusting lives of, the two male vampires, who roam for centuries, along with a child, a little vampire (Kirsten Dunst); who practically is like a child the couple adopted. A Vampire Love Story, about a  happy Vampire Family. Move away, Twilight films (2008, 2009, 2010, 2011 & 2012). Of course the movie doesn’t directly state, that it’s about a gay vampire; but the homoerotism, between the two men, makes it quite obvious, as to why, Cruise’s lonely character saved, the other man, by turning him into a vampire as well. He needed his mate alright!! 😉

Fire (1996)
Two neglected housewives fall into arms of each other. Superb Art House Indian film, by Deepa Mehta; starring Shabana Azmi and Nandita Das, in the lead. This is the first of Mehta’s elemental trilogy. Watched ages ago, but just over a decade ago, I wrote a small critique online, on IMDB.

Check it out (Link:- http://www.imdb.com/user/ur7151691/?ref_=nb_usr_prof_0 Scroll Down)

Wilde (1997)
Tragic bio-pic based on the life of famed poet, playwright & author, Oscar Wilde. Starring Stephen Fry and Jude Law, as the lovers, Wilde and Lord Alfred Douglas (a.k.a. Bosie), respectively; this is a touchingly sensitive portrayal of the kind hearted Wilde’s love for a selfish, prick of a, younger man. This British flick has a great star cast, including the legendary Vanessa Redgrave, Michael Sheen, Tom Wilkinson; along with gay cameo’s by Ioan Gruffudd, Orlando Bloom and Adam Garcia.

Mrs. Dalloway (1997)
The whole life of a woman unfolds in one day. Vanessa Redgrave plays the titular character, of Mrs. Dalloway, based on a novel by Virginia Woolf. Mrs. Dalloway is hosting a party, and as she prepares for the party, she reflects on her past. Her sexual repression, in a time when homosexuality was a taboo, is represented, in a way, where, she herself doesn’t consider herself a lesbian; but assumes her feelings towards a woman, is, as that of, a heterosexual male. Her sexuality is fluid. Then again, this was set during the Edwardian era, up to the 1920’s. Beautiful movie. Have had the book, for ages, but am yet to read it.

Directed by Marleen Gorris, this movie also stars, Rupert Graves, Natascha McElhone, Michael Kitchen, John Standing, Lena Headey and Alan Cox.

Bombay Boys (1998)
A hilarious Indian English-language comedy, about a trio young Indians, who’ve been living abroad, coming to India. One of those guys, comes to find himself, and he sure does.

Enjoyable satire, hinting on the underworld ties, towards the Bollywood film industry. Kaizad Gustad directorial debut, is a must watch. The film stars, Rahul Bose, Naveen Andrews, Naseeruddin Shah, Roshan Seth, Tara Deshpande and Alexander Gifford.

The Talented Mr. Ripley (1999)
My favourite movie from the 1990’s. Love the Book! Love the Movie!! Love them both equally.

Based on Patricia Highsmith’s brilliant novel, this was directed by the late Anthony Minghella. This is the movie that made me a fan of Jude Law; shifting from Matt Damon. See my more in-depth critique on The Talented Mr. Ripley, in my list, My favourite J-Law Movies, on IMDB, from five years ago.

Boys Don’t Cry (1999)
Superb flick, for which, Hilary Swank, bagged the ‘Best Actress’ Oscar; in the millennium year; Year 2000!!!!

A girl guises herself as guy, to find herself; with disastrous consequences. Directed by Kimberly Peirce, this beautiful movie, speaks on repressed sexual desires and gender issues. The film also stars, Chloë Sevigny and Peter Sarsgaard.

Before Night Falls (2000)
An American Biographical movie, on Cuban poet and novelist, Reinaldo Arenas. Directed by Julian Schnabel, Javier Bardem, takes the lead, as the famed poet, who was imprisoned for being an openly gay writer. Superb!!

Frida (2002)
Another bio-pic, this time on, artist Frida Kahlo; who openly flaunted her bisexuality. A brilliant, English Language, film on, Mexican painter, and her husband/artiste colleague, Diego Rivera. Frida Kahlo’s art was her autobiography; as she depicted all the key moments in her life, in her artwork. This movie, aesthetically, chronicles it.

Directed by Julie Taymor; Salma Hayek plays Frida Kahlo, so effortlessly, she feels Kahlo, in every way. This no doubt, is the best role, essayed by Salma Hayek. Can’t think of anything Hayek has worked on, that ’s better. Besides she doesn’t need to, for this movie, no doubt, is her biggest triumph.

Left: British Author, Virginia Woolf  Right: Mexican Artist, Frida Kahlo

Left: British Author, Virginia Woolf
Right: Mexican Artist, Frida Kahlo

The Hours (2002)
From an artist, to a writer; The Hours, is a partial Bio-pic, on author Virginia Woolf. The issues concerning lesbianism is three different era’s, this movie, stars Meryl Streep, Nicole Kidman and Julianne Moore. Each character plays a lesbian woman, that exists, in three different periods in time. Yet, they are all connected, through Virginia Woolf’s Mrs. Dalloway (see the movie from 97’, mentioned above).

Woolf, writes it; another reads it; and another lives the life of it’s heroine. Nicole Kidman took home the Oscar, for ‘Best Actress’, for her brilliant performance, as, acclaimed author, Virginia Woolf. An excellent movie, by Stephen Daldry!!

Possession (2002)
Two literary sleuths unearth the amorous secret of two Victorian poets, one of whom was in a lesbian relationship.

Lesbianism/bisexuality in the Victorian era. Another excellent flick; with Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam and  Jennifer Ehle.

The Dreamers (2003)
Another great, by Bernardo Bertolucci. This time about a trio of young dreamers, living in their own little world, away from the Paris riots of 68’.

A lot of fun and games, and plenty of homoerotism. Though it doesn’t directly show the two guys engage in any sexual interaction, there is more than a hint, that the two have done it; possibly more than once. Check out my write-up, on Bernardo Bertolucci & His Films from March 2014; to read more about Bertolucci films, including the two, I’ve spoken of here. Bertolucci’s, The Last Emperor and The Dreamers!!!!!

Carandiru (2003)
This Brazilian movie, is set in the largest prison, in São Paulo, Brazil. The inmates consist, of a lot of, gay, bisexual, transgender personalities, and a vulnerability, towards infecting themselves, with the AIDS virus.

This superb flick is based on the notorious, Carandiru massacre, of 1992. With deaths of 111 inmates, this massacre, is considered to be a major human rights violation, in the history of Brazil. Directed by Héctor Babenco, the film stars, Luiz Carlos Vasconcelos (as a doctor) and Rodrigo Santoro (as a transsexual inmate).

Bright Young Things (2003)
Based on Evelyn Waugh’s novel Vile Bodies, this movie is set in the late 1920’s, 30’s & 40’s, London. The movie is about fun loving youth, that existed in the roaring 20’s (through to the 1940’s). Michael Sheen, plays a gay man, that has to leave the country, to avoid prosecution, due to his sexuality. A thoroughly enjoyable film.

The book is more of a futuristic look at world, published in 1930. Thus it’s not that realistic; as no great depression, affects the fun loving youth. But I haven’t read the book yet, though I have it in my collection. Thus it’s hard for me to judge. But, knowing about the content helps, as the film isn’t accurate in it’s period, that it’s set in. Feels Roaring 20’s throughout, than more depressive 1930’s. None the less, it’s an excellent movie, and this was the directorial debut, of actor Stephen Fry.

Alberto Ferreiro and Gael García Bernal; in a scene from, Pedro Almodóvar’s, La Mala Educación (2004)

Alberto Ferreiro and Gael García Bernal; in a scene from, Pedro Almodóvar’s, La Mala Educación (2004)

La Mala Educación (2004)
An excellent Art House film, which also happens to be my favourite Spanish movie ever. Pedro Almodóvar is my favourite director from Spain; and he’s brought out some marvellous movies. This is my favourite film of his.

The movie stars, Mexican actor, Gael García Bernal, in the lead, who does a superb performance of a transvestite, on reel; although we later discover, he isn’t really one, just pretends to be one. García Bernal is another brilliant actor, and no doubt, my favourite Mexican star. He’s had some uniquely great roles, from the noughties, onwards. La Mala Educación, is a must see.

Kinsey (2004)
Kinsey, is based on the life of famed sexologist, Alfred Charles Kinsey. He founded the Institute for Sex Research at Indiana University, today known as the Kinsey Institute for Research in Sex, Gender, and Reproduction. He’s most famous for his publications, on his study of, human sexual behaviour.

As Kinsey (played by Liam Neeson) prefers to experience, everything first hand, he does so, with homosexuality, as well (along with Peter Sarsgaard’s character). This is another, excellently educational, biographical film.

A Home at the End of the World (2004)
This brilliant modern epic, chronicles the lives of two best friends, one of whom is gay, the other gay-ish, from the 1960’s to the 1980’s. A beautiful tale, starring Colin Farrell, Robin Wright and Dallas Roberts.

De-Lovely (2004)
A beautiful musical bio-pic, on composer Cole Porter. Chronicles his, hidden sexual, life and career. It’s De-Lovely!!! The movie stars, Kevin Kline and Ashley Judd; with notable cameo’s by, Sheryl Crow, Robbie Williams, Alanis Morissette and John Barrowman; in various musical appearances. A very enjoyable, dramatic, and a tear-jerker of a, musical.

Was Nützt die Liebe in Gedanken (2004)
Also known as, Love in Thoughts (in English), this is an intriguing German movie, starring Daniel Brühl and August Diehl. The movie is about a shy virgin poet, and his openly gay, aristocrat, friend. The movie showcases an all-night party, and deals with a suicide pact. A superb German film.

Brokeback Mountain (2005)
Most probably, the most popular gay-themed epic ever. This is one of the greatest epic tales, to come out of Hollywood; along the lines of, Gone with the Wind (1939), War and Peace (1956), Doctor Zhivago (1965), The Godfather trilogy (1972, 1974 & 1990), and in this century, Cold Mountain (2003); to name some.

Ang Lee’s magnum opus, is about a secret love affair, between two cowboys, who fall for each other, whilst working together, as young men, back in the 1960’s. They get married, to women, have kids, time flies, but their love for each other never dies. A tragically beautiful epic-Love Story!! It’s a pity, the movie was deprived of the ‘Best Picture’ trophy, at the Academy Awards, the following year. However, the film starring, Heath Ledger, Jake Gyllenhaal, Anne Hathaway and Michelle Williams; did bag a trio of Oscars. ’Twas, Ang Lee’s, very first Oscar win; out of the two, he’s won so far; for ‘Best Achievement in Directing’.

Breakfast on Pluto (2005)
No doubt the best role, that Cillian Murphy, has ever done. He plays a transvestite, from Northern Ireland, back in the 1970’s. The film chronicles his/her life, through the political struggles, of Northern Ireland, to her life in London, as a prostitute; all in the pursuit of finding her biological mother. It’s a sad touching story, of a person not accepted in her own town, for being different, and her quest to find maternal love.

Based on the novel, Breakfast on Pluto, by Patrick McCabe; this is a brilliantly heart-rendering movie. A must see, British/Irish, flick, directed by Neil Jordan. Year 2005, was a great year for LGBT movies, made in the English language; especially in the commercial sphere.

Also see my list Kill Ian Murphy from November 2011 (Nuwan Sen), on IMDB.

Capote (2005)
This Bio-pic, is based on Truman Capote’s research for, his acclaimed novel, In Cold Blood. The basis for this particular novel, was inspired by an actual murder, of a Kansas family. The four members of the Herbert Clutter family, were brutally killed, by two young men; Richard (Dick) Hickock and Perry Smith. The two men were falsely informed, that the house contained a safe with $10,000. However, there no such safe, and the duo murdered the entire family. During his research, Truman Capote extensively interviewed Perry Smith, in prison. Basically, Capote, psychoanalysed, and got to understand the inner workings of the criminal mind. The movie, of , In Cold Blood (1967), is a brilliant cinematic venture, based on the novel. The movie, Capote, is based on Capote’s research, on the 1959 murder.

Year 2005, was definitely a year, when actors did daringly challenging roles; and the late Philip Seymour Hoffman, won an Oscar, for his portrayal of the late Truman Capote, one of my favourite American authors. Also want to add, that Catherine Keener was superb as, author, Harper Lee.

Kevin Zegers and Felicity Huffman; in Duncan Tucker’s Transamerica (2005)

Kevin Zegers and Felicity Huffman; in Duncan Tucker’s Transamerica (2005)

Transamerica (2005)
From a epic journey of a transvestite, in the United Kingdom, in Breakfast on Pluto, to a journey on the road, with a transsexual, in the United States, in Transamerica (2005); year 2005, sure was a brilliant cinematic journey for the other sexes (as I stated earlier).

Here, actress, Felicity Huffman, plays the transsexual, who’s had (is going through) a sex change, from a man to a woman; when he/she finds out, that, she has a son (Kevin Zegers), from a one night stand, Huffman’s character had with a woman, when she was a young man. Soon the female father, and son, take a road trip. Superb road flick, by Duncan Tucker. Felicity Huffman, should have won the ‘Best Actress’ trophy, at the Academy Awards, in 2006.

Heights (2005)
Heights is a movie, set in New York, with various storylines, crisscrossing, each other. In one, James Marsden, plays a closeted homosexual, married to a woman (played by Elizabeth Banks).

Another beautiful movie, in the style of, I Heart Huckabees (2004), Crash (2004), Babel (2006), Little Children (2006) et al, which culminate into a brilliant climax. Heights, also stars Glenn Close, Isabella Rossellini and Jesse Bradford. This is the only feature length film, directed by, screenwriter, Chris Terrio. Thus he’s a ‘one film’ wonder, for now.

Infamous (2006)
While Philip Seymour Hoffman, did a brilliant job, playing Truman Capote; Toby Jones in Infamous, felt Truman Capote, in every way possible. From the short height, the rounded face, the small make of a genius, that Capote was; Toby Jones managed to get himself into character with perfection.

It’s rare, I would enjoy two movies, that were made on the same tale, but both, Capote and Infamous, are equally superb. Both based on Capote’s research for In Cold Blood. Watch out for Sandra Bullock’s excellent performance as Harper Lee. Yes, this movie, is the exact same story, with the same lead characters, as Capote.

The History Boys (2006)
The History Boys, as the title suggests, is full of Boys!! Set in a Grammar School, in 1980’s Britain; the movie is about a group of unruly teenage boys. Mainly their relationship towards a young, highly intellectual, professor. A very enjoyable movie, with an old gay lecturer, who enjoys giving the boys a lift on his bike; and the assessment of the possibility of the younger lecturer being gay himself; especially through the seduction of this said young lecturer, by one of the teenage schoolboys.

A superb comedy/drama, based on a play by Alan Bennett, and directed by Nicholas Hytner. The movie stars, Stephen Campbell Moore, Dominic Cooper, Richard Griffiths, Penelope Wilton, Georgia Taylor, and a cast full of charming young men.
Life in a Metro (2007)
Life in a Metro and Barfi! (2012), are definitely, two great Bollywood flicks, by Anurag Basu. He ought to do more movies like that. Like, the earlier mentioned, Heights, this is also a potpourri, about various people living in a metropolis. In this case, in Mumbai. Among the people, there also happens to be a closeted gay couple, who use a female colleague (who’s clueless of their sexuality), when one’s family, visits Mumbai. Hilarious at times, at times heart provoking, this is among the Best of Bollywood.

This movie has a stellar cast, including, Dharmendra, Nafisa Ali, Shilpa Shetty, Irrfan Khan, Konkona Sen Sharma, Kay Kay Menon, Sharman Joshi, Shiney Ahuja and Ashwin Mushran, to mention some.

Les chansons d’amour (2007), a.k.a. Love Songs (in English)
An enjoyable musical, about a threesome (a guy and two girls). The trio of lovers, enjoy their youthful, carefree, life in Paris, until the death of one of the girls. This forms a rip in the relationship of the two left behind, and movie concentrates on how the death of a loved one, affects the other two.

But soon the focus shifts, as a young gay man, forms an infatuation, towards the guy (of threesome). Before soon, the two men are singing and rolling around in bed.

This is a beautifully made, romantic movie, without making the subject matter, sleazy in anyway. As if a threesome is the norm, and the world has accepted homosexuality whole heartedly. What a lovely movie, handled so sophisticatedly, by director, Christophe Honoré. Starring Louis Garrel, Clotilde Hesme, Ludivine Sagnier and Grégoire Leprince-Ringuet; this is a lovely, modern day, French, musical, to come out in recent times.
Milk (2008)Milk (2008)
A beautiful and tragic, bio-pic, on the life of California’s first openly gay elected official, and iconic American gay-activist, Harvey Milk. Set in the 1970’s, and another excellent political flick, directed by Gus Van Sant, this is among the greatest biographical films ever made. Sean Penn won an Oscar, for his touching performance, as Harvey Milk; Dustin Lance Black took home the Oscar for the ‘Best Original Screenplay’. The movie has roped in a brilliant star cast, of straight actors, playing gay roles; including James Franco, Emile Hirsch, Diego Luna and Alison Pill.

Doubt (2008)
Starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis, this is another brilliant film, about the doubt in the mind of a nun, whether she accused, a gay priest, of paedophilia, by mistake.

A very sensitive subject matter, this movie is set in a Catholic School, in the early 1960’s. This, must watch, movie, is directed by John Patrick Shanley, based on his own play. Pure Excellence, lead by Streep!!!!!

A Single Man (2009)
Love the Book, by Christopher Isherwood!! Love the Movie!! Love them both equally!!

Set in sizzling 60’s, the story is about, one day, in the life, of a gay English Professor, living in Los Angeles, California, in USA. One year, after the death of his lover, he sets out to kill himself, at the end of the day; but the events of the day, change his mind. Of course, in the book, he doesn’t try to kill himself, but the end result is the same.

This is a very stylishly made film, by Fashion Designer, Tom Ford (which also happens to be his very first directorial venture); starring Colin Firth, Julianne Moore, Matthew Goode and Nicholas Hoult.

J’ai tué ma Mère (2009), a.k.a. I Killed My Mother (in English)
Unlike all the other films, I’ve spoken of here; majority of which I watched eons ago, within the previous two decades; I watched J’ai tué ma Mère, quite recently, in this decade. In fact, I saw this fabulous flick, just last month, this year!!

See my Blog-Post, Mai May Movies 2016 from May 2016!!!!!

David’s Birthday (2009)
Although, I watched this movie, some years ago, I did work on it, for a Blogathon I took part in, last year, this month.

See my Blog-Post, Beach Party Blogathon: Italian Film ‘Il Compleanno’, in English – ‘David’s Birthday’ (2009) from June 2015.
Natalie Portman in Black Swan (2010)Black Swan (2010)
In the last year, of the first 10 years, into the 21st century, Darren Aronofsky’s Black Swan was released; for which Natalie Portman bagged the ‘Best Actress’ Oscar, the following year.

This is a brilliant movie, about a split personality, of a dancer, as she performs two roles, that of the white swan, and the black swan. The darkness of the black swan’s soul, starts take over her life. The movie also explores her sexuality, through an explicitly psychodynamic lesbian sex sequence. Nathalie Portman, Mila Kunis, Barbara Hershey, along with French actor, Vincent Cassel; are superb in their respective roles.

THE LAST FIVE YEARS – The Future is Here!

Laurence Anyways (2012)
Another brilliant Canadian movie, by young Xavier Dolan; I mentioned his first movie above, J’ai tué ma Mère. This time, a movie dealing with the issue of a transgender personality. A man who slowly transforms into a woman, ’cause he feels like a woman. But he isn’t a gay man. So basically he turns himself from a straight man, to a lesbian woman. The movie is an epic, that deals with the slow transformation, over the years, and stresses on how it affects his near and dear ones. Especially his beloved wife.

Laurence Anyways, stars, Melvil Poupaud, Suzanne Clément and Nathalie Baye. Along with this, director Xavier Dolan films, are among the best Canadian films, I’ve come across. The American television movie, Normal (2003), has pretty much the same premise.

La vie d’Adèle – Chapitres 1 et 2 (2013)
Known as, Blue is the Warmest Colour, in English; this is an exceptional lesbian themed film, about two young French girls, by, Tunisian-French, director Abdellatif Kechiche.

The French movie is about, the sexual awakenings, of a young girl, through a girl she met by chance. A girl with short-cropped blue hair. The two fall deep in love, and experiment an erotic romance. Beautifully made, this sensual film stars, Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche and Jérémie Laheurte. One of the best, lesbian-themed, films, ever made. Pure Indulgence!

The Imitation Game (2014)
Another great bio-pic; this time on famed Cryptanalyst/Mathematician & Theoretical Biologist, Alan Turning. The man behind the famed ‘Turing Test’. The movie is set during World War II, when he decrypted, German intelligence codes, for the British government. At the age of 39, Alan Turning, was convicted, under indecency laws, for Homosexual acts, in 1952.

Directed by, Norway’s, Morten Tyldum, and having roped in a superb cast; including, Benedict Cumberbatch (as Turing), Keira Knightley, Matthew Goode, Charles Dance, Mark Strong, Allen Leech and Matthew Beard; this a superb, English-Language, bio-pic, to come out in recent times.

Eisenstein in Guanajuato (2015)
Yet another bio-pic!! This is about one of silent cinema’s greatest film director’s, i.e. Russian born, Sergei Eisenstein. The man responsible, for bringing out, Bronenosets Patyomkin (1925), a.k.a. Battleship Potemkin (in English). Battleship Potemkin, is a propaganda film, based on the mutiny that occurred in June 1905, when the crew of the Russian battleship, Potemkin, rebelled against their officers. This Soviet Russian film, Battleship Potemkin, is today, amongst the greatest films ever made; and one of my personal favourites, of the silent era. It’s a brilliant cinematic artwork, in the field of visual aesthetics.

Eisenstein in Guanajuato, deals with Eisenstein’s trip to Guanajuato, in Mexico, and his gay sexual odyssey, in the 1930’s, after he achieved fame for Battleship Potemkin. Definitely a great Peter Greenway flick; and now Greenway is working on a sequel to Eisenstein in Guanajuato. Finnish actor, Elmer Bäck, essays the role of the famed Sergei Eisenstein, with ease. He does a brilliant job, and viewers are transfixed onto the screen, thanks to him, the superbly satirical dialogues, and the breathtaking cinematography. A must watch!!

10 Star Rating, for each of the above!! All the films I’ve spoken about are nothing less the EXCELLENT!!!

OTHER FILMS

Above: Whoopi Goldberg and Margaret Avery; in  Steven Spielberg’s The Color Purple (1985)  Below: Queen Latifah and Tika Sumpter; in Dee Rees’s Bessie (2015)

Above: Whoopi Goldberg and Margaret Avery; in Steven Spielberg’s The Color Purple (1985)
Below: Queen Latifah and Tika Sumpter; in Dee Rees’s Bessie (2015)

There are many excellent films with gay characters or (sometimes subtle) gay themes; like in; Rebecca (1940), Les Enfants Terribles (1950), Strangers on a Train (1951), Cat on a Hot Tin Roof (1958), Ben-Hur (1959), Some Like it Hot (1959), Lawrence of Arabia (1962), In Cold Blood (1967), The Damned (1969), A Clockwork Orange (1971), Midnight Express (1978), The Color Purple (1985), Proof (1991), As Good as it Gets (1997), My Best Friend’s Wedding (1997), American History X (1998), Billy Elliot (2000), La Face Cachée de la Lune (2003), Little Miss Sunshine (2006) and Meet Bill (2007) (to name some); that I haven’t included here. Mainly because their main plot doesn’t revolve around homosexuality, or a homosexual character; but they do have gay characters, with quite prevalent, supporting roles; or sometimes even a very significant gay sub-plot, sometimes indirectly. But it’s not the main plot, nor does it have anything to do with the lead characters, thus have omitted some of these greats. Then there are gay-themes in television films like Family Album (1994), Common Ground (2000), No Night Is Too Long (2002), Normal (2003), Prayer for Bobby (2009), Christopher and His Kind (2011), The Normal Heart (2014), et al; that I haven’t spoken of here, as, for this post, I’ve concentrated on Cinematic ventures, only. Nor have I spoken of any short-films, as well; like the brilliant, Fishbelly White (1998) and Blessure (2009); or like the pretty good, Week-end à la Campagne (2007) and Homophobia (2012). Then again, haven’t seen that many Gay-shorts. Not to mention, there are some superb television series (sit-coms, mini-series, long serials et al), such as, Oz (1997-2003), Will & Grace (1998-2006), Cambridge Spies (2003), Angels in America (2003), American Horror Story (2011 onwards), The New Normal (2012-2013), Empire (2015 onwards), Bessie (2015), etc etc….; that openly explore Gay issues, and/or have gay lead characters.

Above: Mark Rendall and  Logan Lerman; in Richard Loncraine’s My One And Only (2009) Below: Kristen Stewart and  Juliette Binoche; in Olivier Assayas’ Clouds of Sils Maria (2014)

Above: Mark Rendall and Logan Lerman; in Richard Loncraine’s My One And Only (2009)
Below: Kristen Stewart and Juliette Binoche; in Olivier Assayas’ Clouds of Sils Maria (2014)

I also want to make a Special Mention, on some other near excellent to really good, gay-themed movies (of the Big Screen); From the Near-Excellent (with a 9 Star Rating), to the Very-Good (with an 8 Star Rating). These movies are really worth watching. The likes of; Voulez-vous Danser avec Moi (1959), Teorema (1968), Midnight Cowboy (1969), Deliverance (1972), The Rocky Horror Picture Show (1975), Dog Day Afternoon (1975), Caligula (1979), American Gigolo (1980), La Ley del Deseo (1987), Less Than Zero (1987), Philadelphia (1993), The Adventures of Priscilla, Queen of the Desert (1994), The Basketball Diaries (1995), Love and Death on Long Island (1997), Midnight in the Garden of Good and Evil (1997), No se lo Digas a Nadie (1998), Gouttes d’eau sur Pierres Brûlantes (2000), Presque Rien (2000), The Broken Hearts Club: A Romantic Comedy (2000), Y tu Mamá También (2001), Das Experiment (2001), Yossi & Jagger (2002), Food of Love (2002), Le Temps qui Reste (2005), Crustacés & Coquillages (2005), Douches Froides (2005), Where the Truth Lies (2005), Kinky Boots (2005), Death at a Funeral (2007), Evening (2007), Little Ashes (2008), Latter Days (2008), Taking Woodstock (2009), Everybody’s Fine (2009), My One and Only (2009), Kill Your Darlings (2013), The Kids Are All Right (2010), Bombay Talkies (2013) and Clouds of Sils Maria (2014); to name some.

TOP: Edouard Collin and Théo Frilet; in  Olivier Ducastel and Jacques Martineau’s Nés en 68 (2008) BOTTOM: Fawad Khan and Sidharth Malhotra; in Shakun Batra’s Kapoor & Sons (2016)

TOP: Edouard Collin and Théo Frilet; in Olivier Ducastel and Jacques Martineau’s Nés en 68 (2008)
BOTTOM: Fawad Khan and Sidharth Malhotra; in Shakun Batra’s Kapoor & Sons (2016)

There are other many great movies, I’ve heard of, like, Tea and Sympathy (1956), Victim (1961), The Servant (1963), Les Amitiés Particulières (1964), Reflections in a Golden Eye (1967), Les Biches (1968), The Boys in the Band (1970), Entertaining Mr. Sloane (1970), Fortune and Men’s Eyes (1971), Morte a Venezia (1971) Sunday Bloody Sunday (1971), Ai no korîda (1976), Die Consequent (1977), Una Giornata Particolare (1977), Un hombre llamado Flor de Otoño (1978), Querelle (1982), Kiss of the Spider Woman (1985), My Beautiful Laundrette (1985), The Crying Game (1992), Voor een Verloren Soldaat (1992), Xi Yan (1993), Fucking Åmål (1998), Gods and Monsters (1998), Better Than Chocolate (1999), Monster (2003), Grande École (2004), The 24th Day (2004), C.R.A.Z.Y. (2005), Huhwihaji Anha (2006), Nés en 68 (2008), Plein Sud (2009), Einayim Petukhoth (2009), Les Amours Imaginaires (2010), Habitación en Roma (2010), An Fei ta Ming (2010), 80 Egunean (2010), Howl (2010), Ludwig II (2012), The Broken Tower (2011), Sal (2011), On the Road (2012), Tom à la Ferme (2013), Margarita with a Straw (2014), Yves Saint Laurent (2014), Saint Laurent (2014), Aligarh (2015), Carol (2015), The Danish Girl (2015), Holding the Man (2015), Kapoor & Sons (2016), et al; yet I haven’t watched any of them; but have read some very positive reviews, along with good ratings, for them. These are some gay-themed films, am really keen on checking out.

So here’s to a more open-minded society; the future of equality, understanding human associations, personalities and reason. Giving everyone a fair chance, as they deserve. Here’s to a Brighter Future!!!!!

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense
Films 2005

The Philosophy of the human verbal Language, is a superb communicative tool, which enables us to understand one another. Race no bar; Religion no bar; Nationality no bar, Cast no bar, Class no bar, Gender no bar, Sexuality no bar!!!!! One of the key developments, in helping the human mind, in understanding, the world full of diverse societies and cultures; history, arts, education; you name it. Brilliant communication skills, help build bridges. Here is a look at the languages, that my limited intelligence can comprehend!!
Namaste (T-Shirt)Languages I can speak Fluently

ENGLISH
English
The English language, today, is no doubt, an international language. At least it should be considered to be a global language. Majority of people speak it; how well, differs; accents differ; even dialects do, as do the manner in which it is spoken. But most people, the younger generation, and definitely the highly educated, do tend to understand it well enough, in most parts of the world. In the modern world, it’s absurd having any prejudice towards this beautiful language.

English also happens to be my first language. WHY?? Well, Sinhala is my mother tongue; but English is my FIRST LANGUAGE!! Whether people can accept that, or not.

I was born in New Delhi, India, to Sri Lankan parents; and spent my entire childhood there. As most Indian schools in New Delhi (and most other Indian cities), happens to be in the English Language (where Hindi; the national language of India; is the only subject taught in Hindi; and various Indian states having their own languages, most probably teach that particular language and Hindi, in that particular language and Hindi, respectively, in an English Language school), I too studied in the English medium. Plus, besides my early education; nursery, Kindergarten, Grade, 1, 2, 3 (which too were in the English medium); by the time I was 10 years old; I was studying at The British School, in New Delhi (starting off in Junior-4; their grading system was different to Indian schools). Thus British English, is till date, my forte (I continued to study in the English language, throughout). In fact, as a kid, I was told I had a very posh British accent (no, I was never a snob though). Of course, I don’t remember having a British accent, as such; but apparently I did!!! Years later, as an adult, when I first touched English soil (UK); in 2002; the British were quite surprised, that this was my first time in England (only if they heard me speak, of course). I still have a somewhat westernised accent, as I’ve been told; but I guess, by now it’s more of a mixture of British, and (a clearer form of) Indian English. Thus, my brain works in English; and I generally, tend to, think in English. Therefore; my FIRST LANGUAGE is English!!!!! And thanks to my knowledge of the English language, I’ve managed to get by swimmingly, around the globe, having lived in Six countries, in Three continents; and travelled to many a countries, within these three continents.

HINDI
हिन्दी
Having been born in New Delhi, India; and having spent my entire childhood there; it would be silly not to know the national language of India (i.e. Hindi). Initially I studied the subject of Hindi, in school, till about Grade-2. Once I changed schools, I was exempted from studying Hindi; as a foreign student!

INDIAN WINTER: Me, in front of the Rashtrapati Bhavan (Presidential Palace); in New Delhi, India (January 1997), when I lived there!!

INDIAN WINTER: Me, in front of the Rashtrapati Bhavan (Presidential Palace); in New Delhi, India (January 1997), when I lived there!!

Descending, straight from the ancient, sacred, language of Sanskrit; Modern day, Hindi, is a very beautiful and poetic language. Being the 4th most natively spoken language in the world; it’s very useful, not just in India, but also in various countries, surrounding the Indian land mass. In Pakistan, they speak Urdu; which is practically a more sophisticated, and more poetic, version of Hindi, itself. People in countries like Nepal and Bangladesh; tend to understand, Hindi, very well. India, being a massive, country, with an equally massive population (India is the second most populous country in the world, with over 1.3 billion people); Hindi to India, is like, what English is to the world. Each Indian state has it’s own language (few a direct dialect of Hindi). So basically Hindi is understood, by the whole of India, along with each state, having their own language; plus, among city folk; and the well educated; as well as poverty stricken beggars in Indian tourist destinations; people tend to speak English. Added to which, many learn; other languages as well (other Indian languages or even a completely foreign language).

Of course, most Southern Indian states, that speak Dravidian languages (like Malayalam, Telugu, Tamil, Kannada et al); tend to avoid Hindi, as much as possible. The Dravidian culture’s archaic ego, won’t allow them to admit, they know the national language of Hindi. Due to false nationalistic pride, centring, their respective states. BUT, that doesn’t necessarily mean, they don’t know Hindi. Most just pretend not to!!

None the less, Hindi, even today, is  really useful, not to mention a beautiful, language. Hindi is here to stay!! And the fame of Bollywood; worldwide; which is an industry that mostly makes commercial movies, in Hindi; in rare occasions, they do have Art Films, and English Language movies; is proof enough!!!! Hindi, is a superb second language, am glad I understand it fluently!!

SINHALA
සිංහල
This is by far, THE most worthless language; I happen to know, very well!! Having been born into a Sinhalese family; I know it well; for no matter where we lived, at home we spoke in Sinhala. But it’s of no use, outside this country. This insignificant dot of an island, full of people with massive ego’s and false nationalistic pride, that most of the world doesn’t even know exists. Tell people here, that lot of people out there haven’t even heard of Sri Lanka. The strain on their ego, is pretty rough (as if they know every single country in the world; in fact once a person asked me if Rome was in England; and this was somebody working in the travel field). While most people in Sri Lanka, do understand Sinhala (whether they are Sinhalese or Tamil); I’ve heard that, way up north; they neither speak, nor comprehend, the Sinhalese language. They only speak Tamil and English! So Sinhala is not even spoken in the whole country, let alone outside it. There was an almost 30 year civil war, between the Sinhalese and the Tamil; each preferring to believe they are of the superior race; but in reality they are both the same; both just as pathetic; with fake patriotism, and Hitler mentality. In fact; everything in this country is supposedly the best in the world. And people who have great love this country, are the ones that go and hide in other countries, take all the advantages of freely living there, and demean those countries.

Of course; initially as a kid; I happily went to learn Sinhala (when residing in New Delhi); but living here, constantly being pushed the language onto me; shoving this country every two seconds; I grew to dislike it. I had a lot of patience; and love, though not blinded by it, for this country of my unfortunate roots; but lost patience, by my mid-30’s; and started to dislike Lankan society; not just here, but everywhere; in a general sense!! I can’t take it anymore. Today, I truly, genuinely, hate them, and this country (again generally speaking; I always give the benefit of the doubt, when I meet someone, and not judge them for being Sri Lankan; but soon their judgemental; narrow-minded, attitude and troublesome nature; just gets to me).

Sinhala is not a dead language. It’s not a dying language. For the Sinhalese people; and most of the country (both Sinhalese and Tamil) tend to converse in Sinhala, quite frequently. So it’s a language I know; BUT that doesn’t mean I have to love it. It’s noise pollution, loud and screeching, and outright Vulgar!!! In fact, the Sinhalese make fun of the Tamil language; assuming Sinhala sounds so much more better; but again they are both the same to a foreign ear; a load of noise. In fact, Sri Lankans insult all foreign tongues; for SL is the BEST in world. And don’t get me started on their attitudes towards other English accents (they never look at themselves; for SL accents are pretty pathetic themselves). None the less, am not a fan of this country, and definitely not a fan of this language!! I’ve had so much trouble from these people, and their archaic attitudes. And I don’t necessarily mean illiterate people. But, I know this Language. No harm in knowing it; and no use of it outside this country (or even up in the northern part of this country).

One Language, am yet to Master

FRENCH SUMMER: Me, in front of the Eiffel Tower; in Paris, France (July 2008), when I went to live there.

FRENCH SUMMER: Me, in front of the Eiffel Tower; in Paris, France (July 2008), when I went to live there.

FRENCH
français
J’aime la langue française!!!!! I love French!! Unfortunately, am not that good in it!!

Another beautiful, and very useful, language, after English. It’s spoken extensively, in various countries, in two continents (Europe and North America), and happens to be the official language in 29 countries. Another musical language, much like Hindi. The mannerism of their speech, is naturally singsong. Sounds beautiful and soft to the ear.

When I studied at The British School, in New Delhi; when I entered senior school (S-1); at age of 11; I learnt French for the very first time. Then, when we came to Sri Lanka, I got out of touch; learnt again in Grade-8 (when I was 13); didn’t post that; did it for local A/L’s (more basic level, than the London A/L’s), at the age of 17/18/19; and forgot it completely, post that. When I first visited, Belgium, in 2003; and later Paris, France in 2005 (aged 28 & 29); I was completely out of touch. Years later; whilst in Sydney, Australia; I did a three month French course, before going to Paris. But in Paris; in 2008 & 2009 (where I lived for almost a year), I didn’t really use French at all. I spoke in English; as it came easy to me; and most Frenchman, especially the younger generation, can speak English, pretty well. Of course, you get some people who pretend not to understand English; especially; ironically; Americans in France, act as if they are French, and pretend they don’t understand English. Not all Americans are like that; just quite a few, I came across in France!!

None the less, French is an amazing language!! But sadly, unlike some languages, that one can’t forget; French can easily be forgotten, if not acquainted with regularly. Thankfully, am a Film Buff, who happens to love cinema from around the world, including France. And I happen to have some French movies, in my private collection. Plus, our cable operator provides us with TV5MONDE; a French language channel for Asia. So I can manage, not to forget, completely, but sadly, am far from fluent in the French Language.

Other Beautiful Languages

Besides the above mentioned languages, there are so many beautiful languages, around the world, some of which can come in really handy!! From Korean, to Japanese, to Thai, to Bengali, to Russian, to Arabic, to Swahili, to Italian, to Dutch, to Spanish et al; there are 6,500 known languages, spoken in the modern world!! Added to which, there some beautiful ancient languages; the likes of Ancient Greek, Latin (my maternal Grandfather, who’s no more, studied Latin in his school days), Sanskrit, Pali etc etc…!!!

Foreign languages too deserve their respect, not just ones own.

Nuwan Sen – A Social Critique on languages!!

Another month of MAI MAY MOVIES, comes to an end!!
May Mai Movies for 2016Yet again, there are some beautiful movies, I watched, within this one year, that I never got to write about. Especially, the latter lot of DVD’s; that I bought Down Under, in November 2014 (majority of the films, I bought in Adelaide & Sydney; I had managed to watch back in November/December 2014 itself, and write about them, and a few last year, 2015, but here are some films I couldn’t so far); including, Lorenzo’s Oil (1992) – watched on 7th December 2015 (which coincided with the one year anniversary, of my adoption of ), In Cold Blood (1967) – watched on 16th February 2016, A Streetcar Named Desire (1951) – watched on 11th March 2016 (’twas a, 2Disc, Director’s Cut DVD; a collectors item, with a lot of special features, and documentaries), and On the Waterfront (1954) – watched on 21st March 2016 (now I just had one more film I bought in left, which I finally watched toady afternoon; see the last film on this list). There were also the trio of superb Hindi Films (DVD’s), I got down from New Delhi, India, in February 2015 (thru my old man, who flew to New Delhi, last February, on an official visit, to the Indian capital). The three films were, Haider (2014) – watched on 10th March 2015, The Lunchbox (2013) – watched on 3rd December 2015 (managed to watch, at least 2/3, last year itself), and Mary Kom (2014) on 12th January 2016! And, not to forget, the three Big Screen gems, I saw this year, at the local Cinema; the near excellent, historical epic, Bajirao Mastani (2015) – in January 2016; Leo’s Oscar winning performance (prior to the Oscars), in The Revenant (2015) – in February 2016; and, the true life story of a brave young girl, who sacrificed her life to save the lives of hundreds of passengers on board Pan Am Flight 73, which terrorists had hijacked, in 1986, in Neerja (2016) – in March 2016!!!!! Plus so many other movies; at festivals, special screenings, cable TV/channels et al.

So here is the run down, on all the films I watched, this month (May 2016) :-  

The Hero: Love Story of a Spy (2003) – An out and out Bollywood commercial film. This movie, was actually somewhat a waste of my time, but wasn’t all that bad. Quite OK actually, with an interesting enough premise. Both, Sunny Deol and Preity Zinta, were pretty good in their respective roles. BUT, the one to watch out for, was the former beauty queen, Miss World 2000, Priyanka Chopra (who’s now made her way into the United States, playing the lead in the ABC television series Quantico (2015 onwards)), in her Bollywood debut. Not only does she mesmerise you with her, cool n’ classy, disposition, but also her performance. This was the first movie, I watched this month.

Watched The Hero: Love Story of a Spy, rented on our cable television.

My Rating: Average Fare – 5/10!!!
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Black Sea (2014) – Leading with Jude Law, the film comprises of an all male star-cast, compressed into an old dilapidated submarine. This British, adventurous thriller, film, is about a gold hunt, in the depths of the Black Sea, off the coast of Georgia (the Eurasian country). It’s a good insight into human tolerance, especially when people from two different backgrounds have to work together, to achieve the same goal. This movie is really worth watching, though not among the greatest adventure films, ever made.

Watched Black Sea on HBO On Demand.

My Rating: Very Good – 8/10!!!!
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Harry, un Ami qui vous Veut du Bien (2000) – Watched this movie for a 2nd Time! I first saw this, some years ago. A movie about a man’s obsession with a married man, which proves disastrous, to the married man’s family. Very Hitchcockian, with it’s very claustrophobic atmosphere, set in a lonely house in the countryside. It’s so beautiful, and really good. My original rating stands. Though not necessarily an excellent piece of cinema, it’s really good, and was worth watching a second time.

Watched Harry, un Ami qui vous Veut du Bien on TV5MONDE.

My Rating: Very Good – 8/10!!!! (My Original Rating)
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Les Rides (2014) short film – An OK tale about a group of, fanatic four, senior citizens, who plot to run away from their Old Peoples Nursing Home. This 13 minute short film, is interesting enough, but not that great. Liked the magical realism, input.

Watched Les Rides on TV5MONDE.

My Rating: Average Fare – 6/10!!!
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Nightingale (2014) – A brilliant ‘One Man Show’, with David Oyelowo. Being the only actor, in this movie, set within the confines of his home, Oyelowo carries the entire movie on his shoulders. He plays a psychotic, lonely, war veteran, who is waiting for/expecting, a visit from an old friend. A truly tragic film, that’s worth checking out, for the performance of perfection, by British actor, of Nigerian roots, David Oyelowo, alone. The movie, on the whole, could have been better though.

Watched Nightingale on HBO On Demand.

My Rating: Pretty Good – 7/10!!!!
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Brigitte Bardot in Voulez-vous Danser avec Moi (1959)

Brigitte Bardot in Voulez-vous Danser avec Moi (1959)

Voulez-vous Danser avec Moi (1959) – A hilariously fun filled crime comedy, set in a dance school, in Paris. The movie is about a happily married man, who gets caught into blackmail, for no real fault of his, and in turn for a murder, in a dance school. He is assumed to be the culprit, and only his wife believes he is actually a victim of circumstance. Soon she ventures into the school, in the guise of a dance teacher, to solve the crime on her own, against the wishes of her husband. Henri Vidal is hilarious as the husband, as are the other supporting characters, in their respective roles; with interesting cameos by Serge Gainsbourg and Dawn Addams. But, it’s Brigitte Bardot, as the bewitchingly beautiful and innocent wife, who steals the show, with her stunning performance, her perfect comical expressions and the dancing diva’s well choreographed movements. She’s hilarious, she’s fun. And thanks to her cutesy spy work, she’s the one that ultimately solves the mystery. A sexy young Miss. Marple, or Mrs. Pollifax, if you may (with apologies to Agatha Christie and Dorothy Gilman, respectively).

This movie is a must see, especially if you love Bardot. On IMDB it seems to have an average rating, but I couldn’t help laughing. And kudos to the movie, for  daring to showcase, one hell of comical sequence that takes place in, a queer club, with drag performances, in an acceptable manner; and this was a movie that came out in the 1950’s. In fact, to portray homosexuality, cinematically in the open, as being normal, would have been groundbreaking, back in the day.

Sadly, 40 year old actor, Henri Vidal, died soon after he made this movie. This was his last screen appearance!

Watched Voulez-vous Danser avec moi on TV5MONDE.

My Rating: Near Excellent – 9/10!!!!
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Kill the Messenger (2014) – A Biographical film, on journalist Garry Webb, who committed suicide in 2004. The film is set in the mid-1990’s, when he uncovered the CIA’s major role in bringing in huge amounts of cocaine into the United States. It’s a beautiful, and sad, story about a man, who truly tries to make “America great again”, by exposing the big shots, responsible for ruing his country; thus his family might have to pay the ultimate price for it.

The movie dulls at time, and the suspense isn’t necessarily continuous. You tend to lose focus at times. Yawn a bit, here and there. But it’s still quite good, and worth seeing at least once.

Watched Kill the Messenger on HBO On Demand.

My Rating: Pretty Good – 7/10!!!!
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Squatters (2014) – Two homeless youngsters, break into a house of a wealthy family, when the family is on vacation. The son of the rich family, and one of the homeless kids, fall for each other. The movie actually went pretty well, until the love angle ruined it for me, somewhat. Still the whole experience, was not that bad. In fact, the ageing, Richard Dreyfuss, and the young, Thomas Dekker, were pretty good in their respective roles.

Watched Squatters on HBO Signature.

My Rating: Average Fare – 6/10!!!
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Jean-Claude Brialy, le Goût des Autres (2013) – An interesting insight into the life of legendary French film star, Jean-Claude Brialy. This documentary delves deep into the star’s life of hosting parties to his close friends, in his big mansion. With appearances by celebrities, Alain Delon, Nana Mouskouri, Claudia Cardinale, et al; ’twas an enjoyable show.

Watched Jean-Claude Brialy, le Goût des Autres on TV5MONDE.

My Rating: Very Good – 8/10!!!!
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Poltergeist (1982) – A much awaited venture, I finally watched it. ‘twas a very good horror film. I wouldn’t exactly call it an excellent movie, nor among the greatest of the horror genre (in fact it seemed a tad silly towards the end), but I thoroughly enjoyed this piece of supernatural drama. In fact, as the movie sees it’s ghosts through the eyes of a child, it gives it a creepy cuteness.

The film’s lead character, is the child star, Heather O’Rourke. She’s the first human, to feel the presence of the Poltergeists. And the movie revolves around, her capture, by the spirits, and a couple of television sets. But to me, the star of the film, was their golden retriever named ‘E. Buzz’ (pictured below). In fact this dog, plays a prevalent role, in the entirety of the film. A Very Good Horror Classic!!

Curse of the Poltergeist: Both kids playing the two daughters, died, in real life, within the 80’s decade. Dominique Dunne, who plays the teenage daughter, was murdered by strangulation, by her boyfriend, in 1982, itself. She was 22. And O’Rourke, suddenly fell ill, and died of a cardiac arrest, at the age of 12, in 1988.

Watched Poltergeist on HBO.

My Rating: Very Good – 8/10!!!!
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Horror Films Above: Poltergeist (1982) Below: As Above, So Below (2014)

Horror Films
Above: Poltergeist (1982)
Below: As Above, So Below (2014)

As Above, So Below (2014) – Silly Horror movie, filmed in the ‘Blair Witch Project’ style. No where near as great as The Blair Witch Project (1999). Only saving grace of this, pretty idiotic, horror flick, was that it actually showed the real catacombs of Paris (which I visited back in 2009), before venturing further deep, under the catacombs. As they ventured deeper the film got sillier still.

Though not the worst film experience ever, it’s still quite pathetic. And the movie defies gravity. The more and more, they went deeper into the underworld, I actually expected them to come out of the Pacific Ocean, on the other side of the globe! Yet, actors, Ben Feldman and François Civil (pictured above) were actually good enough in their respective roles.

Watched As Above, So Below on HBO On Demand.

My Rating: Pretty Bad – 4/10!!
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Le Lieu du Crime (1986) – I really enjoyed this film, starring Catherine Deneuve, Nicolas Giraudi, Wadeck Stanczak, and the yesteryear starlet, Danielle Darrieux. The way the movie began, it reminded me of Charles Dickens’ Great Expectations (which also happens to be my favourite Dickens novel). The movie centres around, a young boy named Thomas (Giraudi), who’s mother (Deneuve), falls in love with the criminal (Stanczak); Thomas meets, early on in the movie; and has a one night stand, on a rainy night, with tragic circumstances. With a superb cast, headed by Catherine Deneuve, this movie, is really a unique tale, revolving around a ‘boy who cried wolf’. The kid is such a story maker, nobody, except his mother, believes his story, about what he witnessed. This coming of age, tale, is a must see, especially if you are a fan of Catherine Deneuve, like me. And the kid is brilliant, an added bonus.

Watched Le Lieu du Crime on TV5MONDE.

My Rating: Very Good – 8/10!!!!
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Into the Storm (2014) – Yet another, idiotically disastrous, disaster film. About a unimaginably massive tornado ravaging a small town called Silverton. The one good thing about this flick, was that it showed the, ironically calm, inside (the eye) of the tornado. Calm within the storm.

Watched Into the Storm on HBO On Demand.

My Rating: Near Worst, film experience, ever – 2/10!
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Timbuktu (2014) – A masterpiece of movie making!! The term ‘Timbuktu’ is generally a synonym, for some remote unknown place. But, it is in actuality, a name of a city, in Mali, in West Africa. I was always aware it was a place, somewhere in Africa, but this is the first time I saw something/anything about the place known as Timbuktu. The city is full of, beautifully designed, aesthetic, mud huts.

The film itself, is very sad, and a superb Art House film, about the lives of the poor inhabitants of Timbuktu, under Jihadists control. Anyone even slightly opposed to their strict laws, are punished severely. This movie is based around a cattle herder, and his nuclear family, relaxedly residing away from the city of Timbuktu, in the sand dunes of the Sahara Desert. But, sadly, he gets pulled into the city, and imprisoned/sentenced to death, for an accidental crime, he didn’t plan to commit.

Director, Abderrahmane Sissako, has brought out a brilliant piece of socially touching experience; and this film took home two prizes, at the 67th Cannes Film Festival, held in 2014. Sissako was also nominated for the Palme d’Or, that year, for Timbuktu. Plus it won the ‘Best Film’ award, at the Africa Movie Academy Awards; along with a ‘Best Director’ win for Sissako.

Watched Timbuktu on TV5MONDE.

My Rating: Excellent – 10/10!!!!!
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L.A.dy Dior (2011) – This is an advertorial Short film, starring my favourite French star of today, Marion Cotillard. Cotillard plays a crazed actress, who can’t handle the pressure of being the face of a famous brand of handbags (‘L.A.dy Dior’, obviously). A hilarious 6 minute short, where she ultimately throws a tantrum, which only helps the advertising campaign. Enjoyable enough, thanks to Marion Cotillard. Love L.A.dy Cotillard!!!!

Watched L.A.dy Dior online, on Youtube.

My Rating: Pretty Good – 7/10!!!!
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LEFT: Marion Cotillard in L.A.dy Dior (2011) RIGHT: Xavier Dolan in J’ai Tué ma Mère (2009)

LEFT: Marion Cotillard in L.A.dy Dior (2011)
RIGHT: Xavier Dolan in J’ai Tué ma Mère (2009)

J’ai Tué ma Mère (2009) – The two prominent factors, that make this film so uniquely impressive, is the fact, that Xavier Dolan’s directorial debut, was written by Dolan, at the age of 16, and he was still only 19 years old, when he directed it. The movie was released at the 62nd Cannes Film Festival (rather it premiered at the ‘Director’s Fortnight’), in 2009. Not only did Dolan, get a standing ovation, he also walked away, with three awards, at the festival, that year. I first heard about this film, and Xavier Dolan, in May 2009.

The movie, itself is so brilliantly made, and moving, I was hooked to the screen from start to finish, engulfing each and every emotional moment felt by it’s characters. The depth of human emotion, portrayed in the film, is so painfully real, my heart just leapt out. This is amongst the best movies, that I’ve ever seen, and ‘twas a long awaited venture, pour moi.

J’ai Tué ma Mère, which, when translated into English, means, ‘I Killed my Mother’, is a semi-autobiographical film, by Xavier Dolan. It’s deals with a tiresome mother/son relationship. They both love each other, and neither is a bad parent nor bad child, but they were just not meant to live together. Hubert (Dolan) believes he was born into the wrong family, rather, more specifically, the wrong mother (played by Anne Dorval). And he wishes to get away from her clutches, as soon as possible. But Hubert, is still a 16 year old, thus it’s impossible to get away at that young age. His father, who left when Hubert was a little kid, is no where in sight (who turns up only to make a brief appearance, to intervene in the son’s life, and makes things worse for poor Hubert). You sympathise with Dolan’s juvenile character, Hubert, and understand what he’s going through. But, at the same time, he’s still only 16, and has a freedom, some 16 year olds would only dream to have. Plus, his mother is not all that bad. Mothers can be really stressful sometimes, even to their adult kids. But Hubert’s mother, comparatively, hardly does anything to stress him out, even though he seems to lose his patience with her. She’s neither strict, nor harsh. He does what he wants. She doesn’t necessarily interfere with his studies, or future plans. YES, she’s not perfect, nobody really is, but she’s far from being the worst mother ever. Yet, Hubert feels suffocated, and annoyed, with her existence. When the mother finds out about her son’s sexuality, she doesn’t seem to mind that he is gay, but what disappoints her is, the fact she had to find out about it from someone else, rather than her own son. Thus, she’s also an open-minded woman. At the same time, Hubert, isn’t necessarily a closeted homosexual. He is open, but doesn’t seem to think it necessary to let her know, that he has a boyfriend (played by François Arnaud). The film doesn’t deal with Hubert’s sexuality as such, for that’s not what the story is about. The story is about his love-hate relationship with his mother. His sex life, has nothing to do with it. Instead of a girlfriend, he just happens to have a boyfriend, in a very acceptable and normal manner. That’s how the world today, should be. Of course, there is a gay-bashing scene, towards the end. Most probably, just to tell us, that’s something Dolan had to deal with too, in real life, and/or to show us, that the world is still not as broad-minded, as it ought to be.

The film isn’t all serious and depressing, it has plenty of comical interludes. In fact, the movie is sad, but not at all depressing to watch, and very entertaining. Xavier Dolan is really sweet, and adorable, even when he is angry. I love the scene where he comes home one night, all drugged (a one time thing, in the film), and wakes his mother lovingly. She is not at all angry at him. Dolan’s character is really sweet, when he tries to be extra nice to his mother. Of course, he’s not patient enough, for the niceties to last, and his mother doesn’t really help either. Yet, both of them, are actually good people.

There is plenty of screaming matches, in the film, plenty of drama, and more than enough comical moments, to make you cry and laugh (sometimes at the same time), with a few, very Dolanisque surreal moments!! One of the best films ever made. Dolan’s now, most probably, my favourite Canadian director, and definitely my youngest favourite film director. The only other, directorial venture, of his I’ve seen is, Laurence Anyways (2012); another brilliant Canadian film.

Watched J’ai Tué ma Mère on TV5MONDE.

My Rating: Excellent – 10/10!!!!!
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Tere Bin Laden: Dead or Alive (2016) – Tagged as the “million dollar fake”, this is an almost brilliant piece of satire, from Bollywood.

Released earlier this year, a sequel/prequel to Tere Bin Laden (2010); which came before, the actual Osama Bin Laden was killed; this is a hilarious movie, about what happens post the death of this, FBI’s, most wanted terrorist. Both, the Americans, and a Taliban arms dealer, try to get hold of a Bin Laden look-alike, an Indian actor (played by Pradhuman Singh). The Americans want to film, the death of the fake bin Laden, to prove to the world, that they’ve actually killed, this founder of al-Qaeda, whilst the arms dealer, wants to use the doppelganger, as proof, that Bin Laden is still alive.

The movie is a hilarious parody, on both, the Taliban regime, and America’s ‘War on Terror’. I haven’t seen the original Tere Bin Laden (poster pictured, right atop). In fact I had assumed, that’s the movie, I watched on Sunday morning, the original film, till I read the synopsis now, on IMDB, and realised actor, Manish Paul (who plays a Bollywood director, responsible for making the ‘Osama bin Laden’ doppelganger, popular; and in turn putting their lives in danger), didn’t even star in the first one. So I actually tweeted the wrong movie. Slightly disappointed about that. Now I really want to watch, the original. A lot of people, who loved the original, seem to have hated this. But I really enjoyed this farcical film. It’s definitely worth a watch. Plus, there were no cheap antics, like puking, or passing out excess gas, or any other stale jokes, or anything sickeningly grotesque, that make you feel disgusted, instead of actually enjoying a film. So, I thought it was a really clever comedy. Thus, kudos to director, Abhishek Sharma, for bringing out, such a fun movie, to sit through.

Just wanted to add, an explanation for the title. ‘Bin’ or ‘Bina’ in Hindi, means ‘Without’, and ‘Tere’ means ‘Yours’. Thus the, first three words, of the title could either translate as, ‘Without You Laden’ or ‘Yours, Bin Laden’; I think the latter sounds more like it. Either way, the pun is on the word ‘Bin’. It would have been a more hilarious pun for the word ‘Bin’, if it were in English (title/film), considering what the word ‘Bin’ stands for in the English language. Throw it in the Bin Laden!!!!!

Watched Tere Bin Laden: Dead or Alive on Star Plus.

My Rating: Near Excellent – 9/10!!!!
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Airlift (2016) – Set in Kuwait, this is based on a true story, of the airlift of Indians based in Kuwait, during the Invasion of Kuwait by Saddam Hussein’s Iraq, carried out from the 18th of August, 1990 to 20th October, 1990!! Air India, along with Indian Airlines, helped evacuate 170,000 people by civil airliners, whilst 500 people left by a ship, during the Gulf War. It took 63 days. This happens to be the biggest rescue mission, of human evacuation, in the world. Two Indian’s living in Kuwait; South Indian Businessmen, Mathunny Mathews, from Kerala; and North Indian, billionaire, Harbajan Singh Vedi, from Punjab, putting their ethnic differences aside, came together, and ended up playing a major role, in helping get Indians to safety.

The movie, however, is a fictional account, combining the two Indian’s heroic work, into one character called, Ranjit Katyal (played by Bollywood star, Akshay Kumar). Indian actress, Nimrat Kaur, plays his wife. A near brilliant Bollywood commercial venture, by director, Raja Krishna Menon, about a story that deserved to be told. Thanks to Bollywood movies like Neerja and Airlift, more recent, modern Indian history, won’t be forgotten.

Watched Airlift on Colors (a channel I practically never watch, glad I did on Sunday night).

My Rating: Near Excellent – 9/10!!!!
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10 Things I Hate about You (1999) – A modern, late 20th Century, adaptation of, William Shakespeare’s 16th century comedy, The Taming of the Shrew.

This comedy, could have easily veered towards being just another teenage chick flick, but it’s much more than that. I was pleasantly surprised, how much I enjoyed sitting through this flick. The movie has a brilliant young cast, including the late Heath Ledger, along with Julia Stiles, Joseph Gordon-Levitt, Andrew Keegan and Gabrielle Union. The movie also stars comedians Larry Miller and Allison Janney, in supporting roles.

Set in a High School, the film is about softening up an uptight girl, who refuses to date. All the absurdism of a perfect Shakespearean comedy, from the 1590’s, brought into the modern world of youth, of the 1990’s. I thoroughly enjoyed it. But it would have been more interesting, if I did actually get to watch it, as a teenager/young adult, than today.

I recently mentioned this movie, last month. See my Blog-post Shakespeare: Intellectual Minds and Beyond!!, from April 2016.

Watched 10 Things I Hate about You on HBO On Demand.

My Rating: Near Excellent – 9/10!!!!
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Jacques Bernard in Les Enfants Terribles (1950)

Jacques Bernard in Les Enfants Terribles (1950)

Les Enfants Terrible (1950) – Watched this, collaboration of two greatly creative talents, today afternoon!! Loved it, just as much as the book!!

3½ years ago, I read Rosamond Lehmann’s English translation, of Jean Cocteau’s famed French novella, Les Enfants Terrible!! Author, artist and film personality, Cocteau’s book, was illustrated, with his own artwork, as well. Being an artist(e) myself, I not only, loved the book, for it’s literature, but also for Cocteau’s works of modern art. And, I blogged about the book; when my Blog, was still pretty young (almost 9 months old). Later, 1½ years ago, when I visited Australia, I bought a lot of DVD’s, including the film adaptation of, Les Enfants Terrible. But it’s only now, I finally got to watch this movie. This is the last, of the movies, I bought Down Under!!

Les Enfants Terrible, the movie, is a brilliant adaptation, of an equally superb, piece of, inked, fiction. Author Jean Cocteau (a film director himself), supposedly, commissioned Jean-Pierre Melville, to make the movie, based on his beloved novel. Beautifully photographed, with dim, darkly lit, interiors; skilfully directed, with superb acting talents, the moody expressions, along with, Jean Cocteau’s, own vocals lending the narration, this is one hell of an extraordinarily exceptional piece of cinema. Now, amongst my, favourite French films, ever.

The movie, was practically word to word, as I remembered reading in the  novel. The only major difference, for me, was the fact that, I envisioned the brother and sister, Paul and Elisabeth (played by Edouard Dermithe and Nicole Stéphane, respectively, in the movie), as two pre-teens, in the start of the book, who gradually transform, into young adulthood, later on. Same with their friend, Gerard (Jacques Bernard). But in the movie, they seemed liked young adults/late teens, from the very beginning. None the less, the film was perfectly made, as perfect, as perfection goes. The crazed games, played by the siblings: their weirdly possessive, yet ambiguous, relationship; isolated, cut off, from the rest of the world; this movie is a deep psychoanalysis into the crazy human psyche, almost just as much as the book. It, like the book, reminded me of Bernardo Bertolucci’s, The Dreamers (2003). The Dreamers, was set in 1968 Paris, during the student riots.

The actress to look out for, in Les Enfants Terrible, is Renée Cosima, who plays Paul’s two androgynous sexual attractions; a young boy named Dargelos, in the first half, and later on a girl (model) named Agathe (since I had read the book, I realised that, the school bully, Dargelos, was being played by a female, in the guise of a male; though it’s really not at all noticeable, otherwise). Her transformation, from a thuggish young boy, to a beautiful young lady, is incredible. It’s hard to believe, the dirty rugged boy, and marvellous model, who shows off her elegant legs, is played by, the one and the same, young French actress Renée Cosima.

With it’s surreal dreamy moments, towards the end, Les Enfants Terrible, is almost Shakespearean, the way it’s conveyed. The inevitable tragedy, that lies ahead, is obvious. The game, they played in their ‘ROOM’, of irritating one another, when younger; continues, to a final finish, that can end, only with death. A sad film. The novel came out in the Roaring 20’s, but the film, seems to be set, in the modern day, i.e. the post-war 1940’s!!

Love the Movie!! Love the Book!! Love the Book more, actually; but as a film, this is an excellent watch. Also do check out my quick write-up, on the novel, Les Enfants Terribles (The Book), from December 2012!!!!!

Watched Les Enfants Terrible on DVD.

My Rating: Excellent – 10/10!!!!!
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Nuwan Sen’s Film Sense
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Mai May Movies 2016

Marion Cotillard on Sunday evening, at the Cannes Film Festival

Marion Cotillard on Sunday evening, at the Cannes Film Festival

On Day 5, of the Cannes Film Festival, for the Year of the Sweets (i.e. yesterday), Nicole Garcia’s Mal de Pierres (2016); English title From the Land of the Moon, in the running for the prestigious Palm d’Or; was released. The movie stars, two of my favourite French stars, Marion Cotillard and Louis Garrel, in the lead. The 40 year old actress was glowing, in a simple gold slit dress, at the red carpet, yesterday, as she attended the premiere of Mal de Pierres.

Marion Cotillard & Louis Garrel, at the 69th Cannes Film Festival, yesterday evening

Marion Cotillard & Louis Garrel, at the 69th Cannes Film Festival, yesterday evening

I’ve been constantly on FRANCE24, checking out, as much as possible, to see what’s in store, at the Cannes Festival, this year. Last night, when I heard Mal de Pierres, was being shown, my heart sank, along with excitement though, for I wish I were there, in the French Riviera. My favourite film critic, of today, Lisa Nesselson, spoke about the movie with much enthusiasm, citing what great film this was. This is a movie, am really keen on checking out. Unfortunately I didn’t get to see, Cotillard walking the Red Carpet, neither late last night, nor today. But saw plenty of stills online. She looks Beautiful!!

Yesterday evening: Matt Bomer & Ryan Gosling, at the Cannes Film Festival

Yesterday evening: Matt Bomer & Ryan Gosling, at the Cannes Film Festival

Along with the French film, mentioned above, two American movies were also shown yesterday; Andrea Arnold’s, American Honey (2016); which is actually a British/American collaboration, starring Sasha Lane and Shia LaBeouf; and Shane Black’s, The Nice Guys (2016), with Russell Crowe, Ryan Gosling and Matt Bomer. Both sound quite interesting, as well as the previous movies that were shown at this years festival; opening with, Woody Allen’s, Café Society (2016), starring  Jesse Eisenberg, Kristen Stewart, Blake Lively and Steve Carell.
Cannes Sweet Year - DAY 6 (3 Movies)Today afternoon, I watched an interview on FRANCE24, with Aishwarya Rai, who is in Cannes, for the screening of her latest movie, Sarbjit (2016); which is a commercial Bollywood film, based on a true story.

Tonight, the gritty documentary, Hissein Habré: une Tragédie Tchadienne (2016) a.k.a. Hissein Habré: a Chadian Tragedy, by Mahamat-Saleh Haroun, from Chad, is to be shown; along with, Hell or High Water (2016) by British born director, David Mackenzie, Paterson (2016) by Jim Jarmusch, Loving (2016) by Jeff Nichols, Hands of Stone (2016) by Venezuelan director, Jonathan Jakubowicz; all American flicks; and the Singaporean movie, Apprentice (2016), by Junfeng Boo.

Nuwan Sen’s Film Sense