Tag Archive: Brilliant Cinematographers


Août 16' 001

Aparna Sen’s Parama (1984), a.k.a. Paroma, is a brilliant piece of Indian Art House Cinema. A story of a woman, who’s lived the first 40 years of her life, belonging to others; and at the age of 40, finally finds herself. At 40, she finds her own true identity; as Parama. Not the daughter-in-law, Parama!! Not the wife, Parama!! Not the mother, Parama!! Not the housewife, Parama!! BUT, the individual, Parama!! Through a passionate extramarital affair, with a young man, she learns to live, for herself, and not others.

Bollywood superstar, of the 70’s & 80’s, actress Rakhee, plays the lead titular character, in this Art Film from the state of West Bengal; of which I watched the Hindi language version. I’m not sure, as to whether the movie was made in Bengali, and Hindi, simultaneously; or whether it was made in Bengali, and dubbed into Hindi. But if it were dubbed into Hindi; it’s a damn good dubbing; for the lip movements are well in sync with the Hindi dialogues. Of course, this is not a Bollywood film. Bollywood films, represent the Bombay (now know as, Mumbai) Film Industry; based in the capital city, of the state of Maharashtra. Plus, Bollywood films, are mostly of the commercial genre, made mostly in the Hindi language. There are rare few Art Films in Bollywood, and even rarer films made in English as well. Parama is a movie from the Indian state of West Bengal. Films made in Bengal generally tend to be Art House Films, and Parama is an art film, made by one of the most prolific Indian directors ever; Aparna Sen. She, has made films (and acted) in, the English language, the national language of India (i.e. Hindi), as well as in her mother tongue (from her state), Bengali. Director, Aparna Sen plays a supporting role as Parama’s closest ally and confidant; her best friend and an intellectual, in Parama.

Rakhee looks bewitchingly beautiful, with her Parveen Babi bangs, and long luscious hair hanging loose.

Rakhee looks bewitchingly beautiful, with her Parveen Babi bangs, and long luscious hair, hanging loose.

Parama depicts, the life of many a married Indian women, living within an archaic patriarchal society, where the woman’s place is at home; a subject matter that is relevant even today. And of course, these women, too, are content, with their lives, taking care of household chores, and playing second fiddle to their husbands, and the husband’s family. Not all Indian women tend to underestimate themselves, definitely not the modern thinkers and feminists, especially from the 1970’s onwards. But majority of Indian society, thrives on such blind traditions; that any deviations are looked as the work of the devil. Most women, are not meant to have an individuality, and aren’t allowed to think for themselves. Thus, most women do subject themselves, to a routine life, on what they have been prepared for since birth; i.e. taking care of the needs of one’s husband, and his family. Modern, intellectual women, who move out of their comfort zones, is a rarity in India. But it does exist, especially in cities like New Delhi, Mumbai and Kolkata. Yet, India is a massive country, with an equally massive population; where it’s not easy to educate and modernise an entire nation. And being a largely poor country, with majority of Mother India, suffering for hunger; it’s hard to eradicate poverty on it’s entirety, as well. But many a NGO’s, other charitable organisations, et al; do try their best. And the improvement, of even a small percentage of society; is proof of it. If India was a tiny island, with a considerably less of a population crisis; no doubt it would have been a rare first world nation, floating in the Indian ocean. With their progress, in aesthetics, economy, culture; if there wasn’t so much poverty, and land mass to cover; they’d be one of the most popular places on earth, as opposed to the notoriety, they’ve been associated with; especially when comes to the treatment of women, and poverty.
Août 16' 012Parama (Rakhee) is one such housewife, living in a well to do household, who is content with her routine life, obligations and limitations. We find out, from her group of intellectual modern female friends, who’ve all climbed up the ladder, that Parama, was a Sitar player, with great potential; but had to give it all up when she got married, and immersed herself into, so called marital duties. When she married, she married his entire family. In fact she hasn’t even studied further, not done a degree, a vocational course, nothing. So scope for her to have a life for the self, seems limited. Then one day, a famous young Indian photographer, Rahul (Mukul Sharma), based in New York, USA; visits Calcutta (the capital of the state of West Bengal, which today is known as, Kolkata, where this movie is set). Rahul comes to do a photo essay, for a prestigious, American magazine, on Indian housewives, focusing on one individual. He sees Parama, and is infatuated by her grace and beauty, he chooses her on the spot. She refuses; but her husband’s family pushes her to do so; along with her trio of teenaged kids. On the first day of the shoot, Rahul just asks her one question, “What do you think, Paroma?”, he wants to know what makes her click! And he clicks, with his camera, as she starts to unravel her brain, which she seems to have shut off, entirely, post marriage.

Rakhee as Parama (a.k.a. Paroma)

Rakhee as Parama (a.k.a. Paroma)

Soon Rahul and Parama, fall into each others arms, in a sexual affair, of love and lust. Her husband’s family never suspects. Them not suspecting, is less to do with their trust towards her, but more to do with them taking her for granted. They never feel she is capable of any feelings, or any human emotions, outside, her robotic household duties. Once Rahul leaves, for an assignment, the lovers secretly exchange love letters; a kind of romance she obviously never had before; and probably she was married off, through an arranged marriage, by the elders; and wasn’t her decision in the first place. It’s with Rahul, Parama first discovers true happiness.

Unfortunately, it’s found out, that she secretly posed for a sexy photo shoot, for her lover, Rahul. Meanwhile, with no news of the whereabouts of the photographer, all hell breaks loose. She is discarded by her husband’s family. Even her two elder children, refuse to accept her. Only the youngest child, still in his preteens/entering his teens, seems to still feel affection towards his mother. We wonder, what happened to Rahul?? Did he con her?? Is he dead?? Or captured?? He’s just vanished from her life, all of a sudden.

The sexy photograph, that results in Parama being disgraced by the family.

The sexy photograph, that results in Parama being disgraced by the family.

The movie is sympathetic towards the wife, even though she has an extramarital affair. And explores, the double standards, in Indian society. Men are accepted, being immoral (for we see the husband’s eyes stray towards other women as well), but a woman, if not morally superior; she is cast out, looked down on, and degraded. She might have made a mistake, but she learned from it. She ultimately opens her eyes, and we realise, she doesn’t need the support of a man, and marriage, to have a fulfilling life. Only her teenage daughter seems to understand.

This is an excellent movie, by Aparna Sen. I highly recommend it. From the narrative, to the set décor, to the brilliant cinematography; this is one of the greatest films ever made. Watch out for the close-ups on Parama, exposing her vulnerability, her simplicity, her metamorphosis from a common housewife to an individual who can think for herself. Plus, see the silent role, played by a common looking potted plant, Parama’s very unique beloved plant; the significance of which, sways through nostalgia into her being able to free herself from societal chains forced on her. Remembering the name of the plant finally, and zooming out of the window. We know she’s a new woman. A woman of today, who’s not afraid of anything, anymore.

Rakhee & the Euphorbia Cotinifolia, in a scene from Parama (1984)

Rakhee & the Euphorbia Cotinifolia, in a scene from Parama (1984)

Parama (1984), a.k.a. Paroma, is a must watch, for any film buff. I watched this movie, online, on Youtube, on Wednesday, 10th of August, 2016!!

My Rating: Pure Excellence!! 10/10!!!!!      

Nuwan Sen’s Film Sense

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Another month of MAI MAY MOVIES, comes to an end!!
May Mai Movies for 2016Yet again, there are some beautiful movies, I watched, within this one year, that I never got to write about. Especially, the latter lot of DVD’s; that I bought Down Under, in November 2014 (majority of the films, I bought in Adelaide & Sydney; I had managed to watch back in November/December 2014 itself, and write about them, and a few last year, 2015, but here are some films I couldn’t so far); including, Lorenzo’s Oil (1992) – watched on 7th December 2015 (which coincided with the one year anniversary, of my adoption of ), In Cold Blood (1967) – watched on 16th February 2016, A Streetcar Named Desire (1951) – watched on 11th March 2016 (’twas a, 2Disc, Director’s Cut DVD; a collectors item, with a lot of special features, and documentaries), and On the Waterfront (1954) – watched on 21st March 2016 (now I just had one more film I bought in left, which I finally watched toady afternoon; see the last film on this list). There were also the trio of superb Hindi Films (DVD’s), I got down from New Delhi, India, in February 2015 (thru my old man, who flew to New Delhi, last February, on an official visit, to the Indian capital). The three films were, Haider (2014) – watched on 10th March 2015, The Lunchbox (2013) – watched on 3rd December 2015 (managed to watch, at least 2/3, last year itself), and Mary Kom (2014) on 12th January 2016! And, not to forget, the three Big Screen gems, I saw this year, at the local Cinema; the near excellent, historical epic, Bajirao Mastani (2015) – in January 2016; Leo’s Oscar winning performance (prior to the Oscars), in The Revenant (2015) – in February 2016; and, the true life story of a brave young girl, who sacrificed her life to save the lives of hundreds of passengers on board Pan Am Flight 73, which terrorists had hijacked, in 1986, in Neerja (2016) – in March 2016!!!!! Plus so many other movies; at festivals, special screenings, cable TV/channels et al.

So here is the run down, on all the films I watched, this month (May 2016) :-  

The Hero: Love Story of a Spy (2003) – An out and out Bollywood commercial film. This movie, was actually somewhat a waste of my time, but wasn’t all that bad. Quite OK actually, with an interesting enough premise. Both, Sunny Deol and Preity Zinta, were pretty good in their respective roles. BUT, the one to watch out for, was the former beauty queen, Miss World 2000, Priyanka Chopra (who’s now made her way into the United States, playing the lead in the ABC television series Quantico (2015 onwards)), in her Bollywood debut. Not only does she mesmerise you with her, cool n’ classy, disposition, but also her performance. This was the first movie, I watched this month.

Watched The Hero: Love Story of a Spy, rented on our cable television.

My Rating: Average Fare – 5/10!!!
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Black Sea (2014) – Leading with Jude Law, the film comprises of an all male star-cast, compressed into an old dilapidated submarine. This British, adventurous thriller, film, is about a gold hunt, in the depths of the Black Sea, off the coast of Georgia (the Eurasian country). It’s a good insight into human tolerance, especially when people from two different backgrounds have to work together, to achieve the same goal. This movie is really worth watching, though not among the greatest adventure films, ever made.

Watched Black Sea on HBO On Demand.

My Rating: Very Good – 8/10!!!!
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Harry, un Ami qui vous Veut du Bien (2000) – Watched this movie for a 2nd Time! I first saw this, some years ago. A movie about a man’s obsession with a married man, which proves disastrous, to the married man’s family. Very Hitchcockian, with it’s very claustrophobic atmosphere, set in a lonely house in the countryside. It’s so beautiful, and really good. My original rating stands. Though not necessarily an excellent piece of cinema, it’s really good, and was worth watching a second time.

Watched Harry, un Ami qui vous Veut du Bien on TV5MONDE.

My Rating: Very Good – 8/10!!!! (My Original Rating)
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Les Rides (2014) short film – An OK tale about a group of, fanatic four, senior citizens, who plot to run away from their Old Peoples Nursing Home. This 13 minute short film, is interesting enough, but not that great. Liked the magical realism, input.

Watched Les Rides on TV5MONDE.

My Rating: Average Fare – 6/10!!!
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Nightingale (2014) – A brilliant ‘One Man Show’, with David Oyelowo. Being the only actor, in this movie, set within the confines of his home, Oyelowo carries the entire movie on his shoulders. He plays a psychotic, lonely, war veteran, who is waiting for/expecting, a visit from an old friend. A truly tragic film, that’s worth checking out, for the performance of perfection, by British actor, of Nigerian roots, David Oyelowo, alone. The movie, on the whole, could have been better though.

Watched Nightingale on HBO On Demand.

My Rating: Pretty Good – 7/10!!!!
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Brigitte Bardot in Voulez-vous Danser avec Moi (1959)

Brigitte Bardot in Voulez-vous Danser avec Moi (1959)

Voulez-vous Danser avec Moi (1959) – A hilariously fun filled crime comedy, set in a dance school, in Paris. The movie is about a happily married man, who gets caught into blackmail, for no real fault of his, and in turn for a murder, in a dance school. He is assumed to be the culprit, and only his wife believes he is actually a victim of circumstance. Soon she ventures into the school, in the guise of a dance teacher, to solve the crime on her own, against the wishes of her husband. Henri Vidal is hilarious as the husband, as are the other supporting characters, in their respective roles; with interesting cameos by Serge Gainsbourg and Dawn Addams. But, it’s Brigitte Bardot, as the bewitchingly beautiful and innocent wife, who steals the show, with her stunning performance, her perfect comical expressions and the dancing diva’s well choreographed movements. She’s hilarious, she’s fun. And thanks to her cutesy spy work, she’s the one that ultimately solves the mystery. A sexy young Miss. Marple, or Mrs. Pollifax, if you may (with apologies to Agatha Christie and Dorothy Gilman, respectively).

This movie is a must see, especially if you love Bardot. On IMDB it seems to have an average rating, but I couldn’t help laughing. And kudos to the movie, for  daring to showcase, one hell of comical sequence that takes place in, a queer club, with drag performances, in an acceptable manner; and this was a movie that came out in the 1950’s. In fact, to portray homosexuality, cinematically in the open, as being normal, would have been groundbreaking, back in the day.

Sadly, 40 year old actor, Henri Vidal, died soon after he made this movie. This was his last screen appearance!

Watched Voulez-vous Danser avec moi on TV5MONDE.

My Rating: Near Excellent – 9/10!!!!
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Kill the Messenger (2014) – A Biographical film, on journalist Garry Webb, who committed suicide in 2004. The film is set in the mid-1990’s, when he uncovered the CIA’s major role in bringing in huge amounts of cocaine into the United States. It’s a beautiful, and sad, story about a man, who truly tries to make “America great again”, by exposing the big shots, responsible for ruing his country; thus his family might have to pay the ultimate price for it.

The movie dulls at time, and the suspense isn’t necessarily continuous. You tend to lose focus at times. Yawn a bit, here and there. But it’s still quite good, and worth seeing at least once.

Watched Kill the Messenger on HBO On Demand.

My Rating: Pretty Good – 7/10!!!!
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Squatters (2014) – Two homeless youngsters, break into a house of a wealthy family, when the family is on vacation. The son of the rich family, and one of the homeless kids, fall for each other. The movie actually went pretty well, until the love angle ruined it for me, somewhat. Still the whole experience, was not that bad. In fact, the ageing, Richard Dreyfuss, and the young, Thomas Dekker, were pretty good in their respective roles.

Watched Squatters on HBO Signature.

My Rating: Average Fare – 6/10!!!
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Jean-Claude Brialy, le Goût des Autres (2013) – An interesting insight into the life of legendary French film star, Jean-Claude Brialy. This documentary delves deep into the star’s life of hosting parties to his close friends, in his big mansion. With appearances by celebrities, Alain Delon, Nana Mouskouri, Claudia Cardinale, et al; ’twas an enjoyable show.

Watched Jean-Claude Brialy, le Goût des Autres on TV5MONDE.

My Rating: Very Good – 8/10!!!!
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Poltergeist (1982) – A much awaited venture, I finally watched it. ‘twas a very good horror film. I wouldn’t exactly call it an excellent movie, nor among the greatest of the horror genre (in fact it seemed a tad silly towards the end), but I thoroughly enjoyed this piece of supernatural drama. In fact, as the movie sees it’s ghosts through the eyes of a child, it gives it a creepy cuteness.

The film’s lead character, is the child star, Heather O’Rourke. She’s the first human, to feel the presence of the Poltergeists. And the movie revolves around, her capture, by the spirits, and a couple of television sets. But to me, the star of the film, was their golden retriever named ‘E. Buzz’ (pictured below). In fact this dog, plays a prevalent role, in the entirety of the film. A Very Good Horror Classic!!

Curse of the Poltergeist: Both kids playing the two daughters, died, in real life, within the 80’s decade. Dominique Dunne, who plays the teenage daughter, was murdered by strangulation, by her boyfriend, in 1982, itself. She was 22. And O’Rourke, suddenly fell ill, and died of a cardiac arrest, at the age of 12, in 1988.

Watched Poltergeist on HBO.

My Rating: Very Good – 8/10!!!!
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Horror Films Above: Poltergeist (1982) Below: As Above, So Below (2014)

Horror Films
Above: Poltergeist (1982)
Below: As Above, So Below (2014)

As Above, So Below (2014) – Silly Horror movie, filmed in the ‘Blair Witch Project’ style. No where near as great as The Blair Witch Project (1999). Only saving grace of this, pretty idiotic, horror flick, was that it actually showed the real catacombs of Paris (which I visited back in 2009), before venturing further deep, under the catacombs. As they ventured deeper the film got sillier still.

Though not the worst film experience ever, it’s still quite pathetic. And the movie defies gravity. The more and more, they went deeper into the underworld, I actually expected them to come out of the Pacific Ocean, on the other side of the globe! Yet, actors, Ben Feldman and François Civil (pictured above) were actually good enough in their respective roles.

Watched As Above, So Below on HBO On Demand.

My Rating: Pretty Bad – 4/10!!
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Le Lieu du Crime (1986) – I really enjoyed this film, starring Catherine Deneuve, Nicolas Giraudi, Wadeck Stanczak, and the yesteryear starlet, Danielle Darrieux. The way the movie began, it reminded me of Charles Dickens’ Great Expectations (which also happens to be my favourite Dickens novel). The movie centres around, a young boy named Thomas (Giraudi), who’s mother (Deneuve), falls in love with the criminal (Stanczak); Thomas meets, early on in the movie; and has a one night stand, on a rainy night, with tragic circumstances. With a superb cast, headed by Catherine Deneuve, this movie, is really a unique tale, revolving around a ‘boy who cried wolf’. The kid is such a story maker, nobody, except his mother, believes his story, about what he witnessed. This coming of age, tale, is a must see, especially if you are a fan of Catherine Deneuve, like me. And the kid is brilliant, an added bonus.

Watched Le Lieu du Crime on TV5MONDE.

My Rating: Very Good – 8/10!!!!
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Into the Storm (2014) – Yet another, idiotically disastrous, disaster film. About a unimaginably massive tornado ravaging a small town called Silverton. The one good thing about this flick, was that it showed the, ironically calm, inside (the eye) of the tornado. Calm within the storm.

Watched Into the Storm on HBO On Demand.

My Rating: Near Worst, film experience, ever – 2/10!
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Timbuktu (2014) – A masterpiece of movie making!! The term ‘Timbuktu’ is generally a synonym, for some remote unknown place. But, it is in actuality, a name of a city, in Mali, in West Africa. I was always aware it was a place, somewhere in Africa, but this is the first time I saw something/anything about the place known as Timbuktu. The city is full of, beautifully designed, aesthetic, mud huts.

The film itself, is very sad, and a superb Art House film, about the lives of the poor inhabitants of Timbuktu, under Jihadists control. Anyone even slightly opposed to their strict laws, are punished severely. This movie is based around a cattle herder, and his nuclear family, relaxedly residing away from the city of Timbuktu, in the sand dunes of the Sahara Desert. But, sadly, he gets pulled into the city, and imprisoned/sentenced to death, for an accidental crime, he didn’t plan to commit.

Director, Abderrahmane Sissako, has brought out a brilliant piece of socially touching experience; and this film took home two prizes, at the 67th Cannes Film Festival, held in 2014. Sissako was also nominated for the Palme d’Or, that year, for Timbuktu. Plus it won the ‘Best Film’ award, at the Africa Movie Academy Awards; along with a ‘Best Director’ win for Sissako.

Watched Timbuktu on TV5MONDE.

My Rating: Excellent – 10/10!!!!!
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L.A.dy Dior (2011) – This is an advertorial Short film, starring my favourite French star of today, Marion Cotillard. Cotillard plays a crazed actress, who can’t handle the pressure of being the face of a famous brand of handbags (‘L.A.dy Dior’, obviously). A hilarious 6 minute short, where she ultimately throws a tantrum, which only helps the advertising campaign. Enjoyable enough, thanks to Marion Cotillard. Love L.A.dy Cotillard!!!!

Watched L.A.dy Dior online, on Youtube.

My Rating: Pretty Good – 7/10!!!!
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LEFT: Marion Cotillard in L.A.dy Dior (2011) RIGHT: Xavier Dolan in J’ai Tué ma Mère (2009)

LEFT: Marion Cotillard in L.A.dy Dior (2011)
RIGHT: Xavier Dolan in J’ai Tué ma Mère (2009)

J’ai Tué ma Mère (2009) – The two prominent factors, that make this film so uniquely impressive, is the fact, that Xavier Dolan’s directorial debut, was written by Dolan, at the age of 16, and he was still only 19 years old, when he directed it. The movie was released at the 62nd Cannes Film Festival (rather it premiered at the ‘Director’s Fortnight’), in 2009. Not only did Dolan, get a standing ovation, he also walked away, with three awards, at the festival, that year. I first heard about this film, and Xavier Dolan, in May 2009.

The movie, itself is so brilliantly made, and moving, I was hooked to the screen from start to finish, engulfing each and every emotional moment felt by it’s characters. The depth of human emotion, portrayed in the film, is so painfully real, my heart just leapt out. This is amongst the best movies, that I’ve ever seen, and ‘twas a long awaited venture, pour moi.

J’ai Tué ma Mère, which, when translated into English, means, ‘I Killed my Mother’, is a semi-autobiographical film, by Xavier Dolan. It’s deals with a tiresome mother/son relationship. They both love each other, and neither is a bad parent nor bad child, but they were just not meant to live together. Hubert (Dolan) believes he was born into the wrong family, rather, more specifically, the wrong mother (played by Anne Dorval). And he wishes to get away from her clutches, as soon as possible. But Hubert, is still a 16 year old, thus it’s impossible to get away at that young age. His father, who left when Hubert was a little kid, is no where in sight (who turns up only to make a brief appearance, to intervene in the son’s life, and makes things worse for poor Hubert). You sympathise with Dolan’s juvenile character, Hubert, and understand what he’s going through. But, at the same time, he’s still only 16, and has a freedom, some 16 year olds would only dream to have. Plus, his mother is not all that bad. Mothers can be really stressful sometimes, even to their adult kids. But Hubert’s mother, comparatively, hardly does anything to stress him out, even though he seems to lose his patience with her. She’s neither strict, nor harsh. He does what he wants. She doesn’t necessarily interfere with his studies, or future plans. YES, she’s not perfect, nobody really is, but she’s far from being the worst mother ever. Yet, Hubert feels suffocated, and annoyed, with her existence. When the mother finds out about her son’s sexuality, she doesn’t seem to mind that he is gay, but what disappoints her is, the fact she had to find out about it from someone else, rather than her own son. Thus, she’s also an open-minded woman. At the same time, Hubert, isn’t necessarily a closeted homosexual. He is open, but doesn’t seem to think it necessary to let her know, that he has a boyfriend (played by François Arnaud). The film doesn’t deal with Hubert’s sexuality as such, for that’s not what the story is about. The story is about his love-hate relationship with his mother. His sex life, has nothing to do with it. Instead of a girlfriend, he just happens to have a boyfriend, in a very acceptable and normal manner. That’s how the world today, should be. Of course, there is a gay-bashing scene, towards the end. Most probably, just to tell us, that’s something Dolan had to deal with too, in real life, and/or to show us, that the world is still not as broad-minded, as it ought to be.

The film isn’t all serious and depressing, it has plenty of comical interludes. In fact, the movie is sad, but not at all depressing to watch, and very entertaining. Xavier Dolan is really sweet, and adorable, even when he is angry. I love the scene where he comes home one night, all drugged (a one time thing, in the film), and wakes his mother lovingly. She is not at all angry at him. Dolan’s character is really sweet, when he tries to be extra nice to his mother. Of course, he’s not patient enough, for the niceties to last, and his mother doesn’t really help either. Yet, both of them, are actually good people.

There is plenty of screaming matches, in the film, plenty of drama, and more than enough comical moments, to make you cry and laugh (sometimes at the same time), with a few, very Dolanisque surreal moments!! One of the best films ever made. Dolan’s now, most probably, my favourite Canadian director, and definitely my youngest favourite film director. The only other, directorial venture, of his I’ve seen is, Laurence Anyways (2012); another brilliant Canadian film.

Watched J’ai Tué ma Mère on TV5MONDE.

My Rating: Excellent – 10/10!!!!!
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Tere Bin Laden: Dead or Alive (2016) – Tagged as the “million dollar fake”, this is an almost brilliant piece of satire, from Bollywood.

Released earlier this year, a sequel/prequel to Tere Bin Laden (2010); which came before, the actual Osama Bin Laden was killed; this is a hilarious movie, about what happens post the death of this, FBI’s, most wanted terrorist. Both, the Americans, and a Taliban arms dealer, try to get hold of a Bin Laden look-alike, an Indian actor (played by Pradhuman Singh). The Americans want to film, the death of the fake bin Laden, to prove to the world, that they’ve actually killed, this founder of al-Qaeda, whilst the arms dealer, wants to use the doppelganger, as proof, that Bin Laden is still alive.

The movie is a hilarious parody, on both, the Taliban regime, and America’s ‘War on Terror’. I haven’t seen the original Tere Bin Laden (poster pictured, right atop). In fact I had assumed, that’s the movie, I watched on Sunday morning, the original film, till I read the synopsis now, on IMDB, and realised actor, Manish Paul (who plays a Bollywood director, responsible for making the ‘Osama bin Laden’ doppelganger, popular; and in turn putting their lives in danger), didn’t even star in the first one. So I actually tweeted the wrong movie. Slightly disappointed about that. Now I really want to watch, the original. A lot of people, who loved the original, seem to have hated this. But I really enjoyed this farcical film. It’s definitely worth a watch. Plus, there were no cheap antics, like puking, or passing out excess gas, or any other stale jokes, or anything sickeningly grotesque, that make you feel disgusted, instead of actually enjoying a film. So, I thought it was a really clever comedy. Thus, kudos to director, Abhishek Sharma, for bringing out, such a fun movie, to sit through.

Just wanted to add, an explanation for the title. ‘Bin’ or ‘Bina’ in Hindi, means ‘Without’, and ‘Tere’ means ‘Yours’. Thus the, first three words, of the title could either translate as, ‘Without You Laden’ or ‘Yours, Bin Laden’; I think the latter sounds more like it. Either way, the pun is on the word ‘Bin’. It would have been a more hilarious pun for the word ‘Bin’, if it were in English (title/film), considering what the word ‘Bin’ stands for in the English language. Throw it in the Bin Laden!!!!!

Watched Tere Bin Laden: Dead or Alive on Star Plus.

My Rating: Near Excellent – 9/10!!!!
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Airlift (2016) – Set in Kuwait, this is based on a true story, of the airlift of Indians based in Kuwait, during the Invasion of Kuwait by Saddam Hussein’s Iraq, carried out from the 18th of August, 1990 to 20th October, 1990!! Air India, along with Indian Airlines, helped evacuate 170,000 people by civil airliners, whilst 500 people left by a ship, during the Gulf War. It took 63 days. This happens to be the biggest rescue mission, of human evacuation, in the world. Two Indian’s living in Kuwait; South Indian Businessmen, Mathunny Mathews, from Kerala; and North Indian, billionaire, Harbajan Singh Vedi, from Punjab, putting their ethnic differences aside, came together, and ended up playing a major role, in helping get Indians to safety.

The movie, however, is a fictional account, combining the two Indian’s heroic work, into one character called, Ranjit Katyal (played by Bollywood star, Akshay Kumar). Indian actress, Nimrat Kaur, plays his wife. A near brilliant Bollywood commercial venture, by director, Raja Krishna Menon, about a story that deserved to be told. Thanks to Bollywood movies like Neerja and Airlift, more recent, modern Indian history, won’t be forgotten.

Watched Airlift on Colors (a channel I practically never watch, glad I did on Sunday night).

My Rating: Near Excellent – 9/10!!!!
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10 Things I Hate about You (1999) – A modern, late 20th Century, adaptation of, William Shakespeare’s 16th century comedy, The Taming of the Shrew.

This comedy, could have easily veered towards being just another teenage chick flick, but it’s much more than that. I was pleasantly surprised, how much I enjoyed sitting through this flick. The movie has a brilliant young cast, including the late Heath Ledger, along with Julia Stiles, Joseph Gordon-Levitt, Andrew Keegan and Gabrielle Union. The movie also stars comedians Larry Miller and Allison Janney, in supporting roles.

Set in a High School, the film is about softening up an uptight girl, who refuses to date. All the absurdism of a perfect Shakespearean comedy, from the 1590’s, brought into the modern world of youth, of the 1990’s. I thoroughly enjoyed it. But it would have been more interesting, if I did actually get to watch it, as a teenager/young adult, than today.

I recently mentioned this movie, last month. See my Blog-post Shakespeare: Intellectual Minds and Beyond!!, from April 2016.

Watched 10 Things I Hate about You on HBO On Demand.

My Rating: Near Excellent – 9/10!!!!
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Jacques Bernard in Les Enfants Terribles (1950)

Jacques Bernard in Les Enfants Terribles (1950)

Les Enfants Terrible (1950) – Watched this, collaboration of two greatly creative talents, today afternoon!! Loved it, just as much as the book!!

3½ years ago, I read Rosamond Lehmann’s English translation, of Jean Cocteau’s famed French novella, Les Enfants Terrible!! Author, artist and film personality, Cocteau’s book, was illustrated, with his own artwork, as well. Being an artist(e) myself, I not only, loved the book, for it’s literature, but also for Cocteau’s works of modern art. And, I blogged about the book; when my Blog, was still pretty young (almost 9 months old). Later, 1½ years ago, when I visited Australia, I bought a lot of DVD’s, including the film adaptation of, Les Enfants Terrible. But it’s only now, I finally got to watch this movie. This is the last, of the movies, I bought Down Under!!

Les Enfants Terrible, the movie, is a brilliant adaptation, of an equally superb, piece of, inked, fiction. Author Jean Cocteau (a film director himself), supposedly, commissioned Jean-Pierre Melville, to make the movie, based on his beloved novel. Beautifully photographed, with dim, darkly lit, interiors; skilfully directed, with superb acting talents, the moody expressions, along with, Jean Cocteau’s, own vocals lending the narration, this is one hell of an extraordinarily exceptional piece of cinema. Now, amongst my, favourite French films, ever.

The movie, was practically word to word, as I remembered reading in the  novel. The only major difference, for me, was the fact that, I envisioned the brother and sister, Paul and Elisabeth (played by Edouard Dermithe and Nicole Stéphane, respectively, in the movie), as two pre-teens, in the start of the book, who gradually transform, into young adulthood, later on. Same with their friend, Gerard (Jacques Bernard). But in the movie, they seemed liked young adults/late teens, from the very beginning. None the less, the film was perfectly made, as perfect, as perfection goes. The crazed games, played by the siblings: their weirdly possessive, yet ambiguous, relationship; isolated, cut off, from the rest of the world; this movie is a deep psychoanalysis into the crazy human psyche, almost just as much as the book. It, like the book, reminded me of Bernardo Bertolucci’s, The Dreamers (2003). The Dreamers, was set in 1968 Paris, during the student riots.

The actress to look out for, in Les Enfants Terrible, is Renée Cosima, who plays Paul’s two androgynous sexual attractions; a young boy named Dargelos, in the first half, and later on a girl (model) named Agathe (since I had read the book, I realised that, the school bully, Dargelos, was being played by a female, in the guise of a male; though it’s really not at all noticeable, otherwise). Her transformation, from a thuggish young boy, to a beautiful young lady, is incredible. It’s hard to believe, the dirty rugged boy, and marvellous model, who shows off her elegant legs, is played by, the one and the same, young French actress Renée Cosima.

With it’s surreal dreamy moments, towards the end, Les Enfants Terrible, is almost Shakespearean, the way it’s conveyed. The inevitable tragedy, that lies ahead, is obvious. The game, they played in their ‘ROOM’, of irritating one another, when younger; continues, to a final finish, that can end, only with death. A sad film. The novel came out in the Roaring 20’s, but the film, seems to be set, in the modern day, i.e. the post-war 1940’s!!

Love the Movie!! Love the Book!! Love the Book more, actually; but as a film, this is an excellent watch. Also do check out my quick write-up, on the novel, Les Enfants Terribles (The Book), from December 2012!!!!!

Watched Les Enfants Terrible on DVD.

My Rating: Excellent – 10/10!!!!!
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Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense
Mai May Movies 2016

(nu)Site & ol’ BLOG

British Cinematographer Jack Cardiff & the famous Red Shoes

British Cinematographer, Jack Cardiff & the famous Red Shoes

A post/questionnaire on my five favourite posts, of my own write-up’s, from within the last two months (August/September 2015), on both; my newer Website (nu Sense on Film), which I started couple of months ago; and my old Blog (No Nonsense with Nuwan Sen), which I started in March 2012, over 3½ years ago.

Tea Time, with American icon, James Dean, from the era of cool.

Tea Time, with American icon, James Dean, from the era of cool.

TOP-5
1.Classic Cinematographers: Jack Cardiff

2.James Dean: Sixty Years since the Death of an Icon

3.Bollywood Bellbottoms: Noughties Bollywood’s taste for the 70’s

Bollywood Bellbottoms: Shah Rukh Khan, Preity Zinta & Saif Ali Khan; dance to a 70’s  Stlye disco number, “Its the Time to Disco”, in the Hindi movie, Kal Ho Naa Ho (2003)

Bollywood Bellbottoms: Shah Rukh Khan, Preity Zinta & Saif Ali Khan; dance to a 70’s Stlye disco number, “Its the Time to Disco”, in the Hindi movie, Kal Ho Naa Ho (2003)

4.WORLD DOG DAY: Special Post on

5.Foxy French-Femme turns 40: Marion  

Cannes Film Festival: Marion Cotillard in an elegant stripe Suit (May 2015)

Cannes Film Festival: Marion Cotillard in an elegant stripe Suit (May 2015)

Q.Which one/s out of my TOP-5, mentioned above, did you, my fellow bloggers et al, enjoy reading the most? Is there another Blog-post from (August/September 2015), not mentioned here that you happen to like?

Nuwan Sen’s Film (ART, HISTORY, NEWS n’ EVENTS, LITERATURE) Sense

Today happens to be the 101st Birth Anniversary of my all time favourite cinematographer, Jack Cardiff. His uniquely brilliant, colourful aesthetics, in movies like. Powell&Pressburger’s Black Narcissus (1947) and The Red Shoes (1948), Alfred Hitchcock’s Under Capricorn (1949), and King Vidor’s War and Peace (1956), are stunningly splendid, with it’s vivid spectrum of striking colours. His creations on the big screen, are pure art. A massive canvas filled with moving pictures.

Jack CardiffJack Cardiff was born on the 18th of September, 1914, to a couple of music hall performers. By the age of four, he was already a child artiste, who’d worked in music hall productions as well as a few silent movies. As a child actor he starred in My Son, My Son (1918), Billy’s Rose (1922), The Loves of Mary, Queen of Scots (1923) and Tiptoes (1927). By 15 he started working as a camera assistant, clapper boy and production runner. By 21, Cardiff had graduated to camera operator and occasional cinematographer. Having already worked with Alfred Hitchcock, in The Skin Game (1931), as a clapper boy; soon he got a chance to work with Powell&Pressburger, as a second unit cameraman. Powell&Pressburger were so impressed that they hired him as a cinematographer, and the rest is history.

Ben Cross and Amy Irving in The Far Pavilions (1984)

Ben Cross and Amy Irving in The Far Pavilions (1984)

Ben Cross and Omar Sharif in a scene from The Far Pavilions

Ben Cross and Omar Sharif in a scene from The Far Pavilions

As a little kid, back in the mid-1980’s, I watched The Far Pavilions (1984), a beautiful mini-series, set in India, in the 1800’s. Back then, I had no idea who Jack Cardiff was, but was amazed by the superbly, epic scale, picturesque, television show, which has been tagged as, “Gone With The Wind (1939), of the north-west frontier of India.” I got to re-watch it in my teens, back in the early 1990’s. Thus, even though unaware at the time, this was my very first Cardiff involved show, that I witnessed. And I’ll end up watching quite a few Cardiff’s aesthetic brilliance of the big screen (on the small screen), before I learn the cinematographer responsible for the visual beauty of these great movies.

The Red Shoes (2)

Moira Shearer in The Red Shoes (1948)

Moira Shearer in The Red Shoes (1948)

Scenes from The Red Shoes

Scenes from The Red Shoes

Still as a kid, towards late 80’s, when I watched The Red Shoes, I was spellbound. The beautiful colour combination, costumes, the respectable art form of the ballet, the story, the movie as a whole, I fell in love with it almost instantaneously. And at the time I didn’t even realise it was an old movie. Especially ’cause I had no idea who the actors were. By then I knew quite a few classic stars, from Charles Chaplin, Laurence Olivier, Cary Grant, Ingrid Bergman, Audrey Hepburn, Elizabeth Taylor, Sophia Loren, Julie Andrews, Henry Fonda, Jane Fonda, Al Pacino et al; so I felt these must be very new actors, who aren’t famous yet. In fact, even now, besides The Red Shoes, am not familiar with the work of Moira Shearer (who was actually a renowned ballet dancer, and had appeared in very few films), Austrian actor, Anton Walbrook, and Marius Goring. The story follows the life of a young ballerina, who becomes the lead dancer in a new ballet called, The Red Shoes, a fairy tale. The movie tells a story within a story. One through the ballet, and the other, the movie plot. I remember this scene, where the lead male character, asks the ballerina, “Why do you want to dance?”, she fearlessly quickly answers with another question, “Why do you want to live?”
I only saw The Red Shoes, once, less than 30 years ago, but I still remember, that scene so well, as if I saw it yesterday. That was the scene, that changes the lead character, played by Moira Shearer, Victoria Page’s, life, in the movie. The ballet sequences were mesmerising, telling a beautifully epic tale of it’s own, and filmed so beautifully. My personal favourite was the one with raggedy clothes, portraying an exhausted ballerina, complimenting the frighteningly beautiful visual effects of the time. Eons before the evolution of CGI.

Scenes from War and Peace (1956)

Scenes from War and Peace (1956)

Scenes from War and Peace

Scenes from War and Peace

Audrey Hepburn in a scene from War and Peace

Audrey Hepburn in a scene from War and Peace

The next, was War and Peace, which I watched around the same time, more ‘cause I was already a great fan of Audrey Hepburn by then. A brilliant epic, adapted from Leo Tolstoy’s celebrated novel, War & Peace. With a stellar star cast, including Mel Ferrer, Henry Fonda, Audrey Hepburn, Jeremy Brett, May Britt and Anita Ekberg, this Hollywood adaptation, of a novel based on Napoleonic Wars, especially Napoleon’s invasion of Russia in 1812, happens to be amongst my favourite of epic scale war movies. And again, I recall, how brilliant the cinematography was. Of course the movie mainly focuses on complex relationship and personal maturation, of the three lead characters, and two aristocratic families, on the backdrop of the historical events of the Napoleonic invasion. I got to re-watch War and Peace, as an adult, just over a decade ago, whilst living in London. ’Twas  really worth it.

In the 90’s, as a teen, I watched Paul Czinner’s, As You Like It (1936). A pretty good movie adaptation of Shakespeare’s famed comedy. Jack Cardiff worked as a camera operator for this film, starring Laurence Olivier and Elisabeth Bergner. I enjoyed the movie, but I don’t recall much greatness, cinematography wise. Anyway, Cardiff wasn’t responsible for cinematography. Plus this happens to be a Black & White film, and Cardiff was famous for excelling in colourful epics.

Whilst living in Portsmouth, UK, 11 years ago, around this time, most probably to celebrate Jack Cardiff’s 90th Birthday (he was still alive then), one of the British channels, telecast, two of his movies. I already knew about both these films, and had heard about Cardiff. But it was that particular day, 11 years ago, that I got to know who Jack Cardiff was, after seeing these two films, which were shown one after another, that day. Black Narcissus and Under Capricorn. I loved the movie, and learnt a lot more about Cardiff, once I googled him out, back in 2004. And to see he was responsible for the magnificent cinematography, of my childhood films, The Red Shoes and War and Peace as well, was an added bonus. Since then, Cardiff happens to be my all time favourite cinematographer, of yesteryear.

Black Narcissus (3)

Scenes from Black Narcissus

Scenes from Black Narcissus (1947)

Scenes from Black Narcissus (1947)

Scenes from Black Narcissus (1947)

Cardiff’s work, on Black Narcissus, is undeniably the best I’ve seen till date. Set in the foothills of the Himalayas, near Darjeeling, India, and made as India was on the verge of getting their Independence from the British Raj, it’s another excellent movie, in every way possible, from the narrative, the brilliant cast, the setting, the cinematography, you name it. Starring Deborah Kerr, Jean Simmons (playing an Indian girl named ‘Kanchi’), Flora Robson, Kathleen Byron, David Farrar, Esmond Knight, Nancy Roberts and Sabu Dastagir, it’s a touching story of a group of Anglican nuns living in isolation, who have to ultimately, after being tragic victims of jealousy and lust, have to leave their peaceful life in India, under the British Empire. Jack Cardiff won his very first Oscar, for his beautiful creation of Black Narcissus, under the category, ‘Best Cinematography, Colour’. He was nominated for three more Oscars, twice for colour cinematography, and once for film direction, but never won. In 2001, he was awarded an honorary Oscar, as the ‘Master of light and colour’. Prior to that, in 1995, he was honoured with a lifetime achievement award, by the British Society of Cinematographers. And in Year 2000, Jack Cardiff was also awarded the OBE (Order of the British Empire).

Scene from Under Capricorn (1949), Down Under.

Scene from Under Capricorn (1949), Down Under!

Alfred Hitchcock’s Under Capricorn, is set Down Under, in the depths of the heat and dust of the Australian outback, i.e. Sydney of 1831, a town full of ex-convicts. Starring Joseph Cotten, Ingrid Bergman and Michael Wilding, the movie tells the story of how an Irish gentleman, who visits Australia, comes across his childhood friend, now a married woman, who’s suffering from alcohol abuse, and helplessly watches her decent into madness. Amazingly George Cukor’s Gaslight (1944), a superb piece of noir, too dealt with a married woman’s (played by Bergman as well) decent into madness, and Cotton played, a sympathiser, who saves her from her murderous husband, the man responsible for driving her insane. Under Capricorn, was Hitchcock’s second film made in Technicolor, after Rope (1948).

Death on the Nile (2)

Peter Ustinov as Hercule Poirot, with the Sphinx in the background, in Death on the Nile (1978)

Peter Ustinov as Hercule Poirot, with the Sphinx in the background, in Death on the Nile (1978)

Back then I also got to watch, Death on the Nile (1978), a very good adaptation of crime writer, Agatha Christie’s novel. Which was a really good movie, though not great. But again the cinematography capturing ancient Egyptian monuments was simply brilliant.

Scenes from Delhi (1938)

Scenes from Delhi (1938)

Scenes from Delhi (1938), in Connaught Place, New Delhi, India

Scenes from Delhi (1938), in Connaught Place, New Delhi, India.

Scenes from Delhi (1938)

Scenes from Delhi (1938)

Five years ago, I saw the documentary short film, Delhi (1938), online, on the BFI (British Film Institute) page, on the Youtube website. Another colourfully breathtaking insight of Old and New Delhi, of the 1930’s, showcasing the beautiful historic architecture, the modern wide roads, and Indian attire, of the period under the British Raj, and captured to perfection by Jack Cardiff. One of the best short documentaries I’ve seen, and this 10 minutes of reel is definitely worth checking out.

Caesar and Cleopatra (1)

Scenes from Caesar and Cleopatra (1945)

Scenes from Caesar and Cleopatra (1945)

Claude Rains, Vivien Leigh and Stewart Granger in a scene from Caesar and Cleopatra (1945), based on a play by George Bernard Shaw.

Claude Rains, Vivien Leigh and Stewart Granger in a scene from Caesar and Cleopatra (1945), based on a play by George Bernard Shaw.

Black & White still, with Claude Rains and Vivien Leigh, in the technicolor film, Caesar and Cleopatra

Black & White still, with Claude Rains and Vivien Leigh, in the technicolor film, Caesar and Cleopatra

Then there was Caesar and Cleopatra (1945), starring Claude Rains, Vivien Leigh and Stewart Granger. Another classic film with breathtaking cinematography, based on an acclaimed play by George Bernard Shaw. Yet, Caesar and Cleopatra, is no where near as great, as some of the other movies mentioned above (cinematography wise), but still it’s another excellent cinematic experience, altogether. I watched this online as well, on Youtube, a few years ago. Sadly that’s the last of Cardiff’s films I saw, and I don’t own a single. All these movies of his, in which he worked as a cinematographer, is no doubt worth, adding to my home library, collection of movies.

Cameraman - The Life and Work of Jack Cardiff (2010)

A documentary titled, Cameraman: The Life and Work of Jack Cardiff (2010), was released, five years ago. Being a great fan of Cardiff, am really keen on checking it out. It chronicles his career of over seventy years, as a cinematographer, reviews his magnificent work, and details how he ended up mastering the process of Technicolor in Cinema of a bygone era.

Besides being a maestro in cinematography, Cardiff was also a film director. But from his directorial ventures, I’ve only watched, to my memory, My Geisha (1962), starring Shirley MacLaine, Yves Montand, Edward G. Robinson and Robert Cummings. That too, I watched, back in the 1980’s. My Geisha, was a hilarious comedy about an actress, Lucy Dell (MacLaine), who disguises herself as a Japanese Geisha, to bag the lead role, unaware to her husband (Montand), in her husbands new directorial venture, inspired by Giacomo Puccini’s, renowned Opera, Madame Butterfly.

Some of Jack Cardiff's directorial ventures, Sons and Lovers (1960), My Geisha (1962) and The Girl on a Motorcycle (1968).

Some of Jack Cardiff’s directorial ventures: Sons and Lovers (1960), My Geisha (1962) and The Girl on a Motorcycle (1968).

Being a fan of D.H. Lawrence, I’d really love to watch Cardiff’s adaptation of Sons and Lovers (1960), starring Trevor Howard, Dean Stockwell, Wendy Hiller and Mary Ure. Sons and Lovers, was Cardiff ’s very first nomination, for the ‘Best Director’ Oscar. Ironically it won one Oscar, for ‘Best Cinematography, Black-and-White’, for which he wasn’t responsible for. From Cardiff’s other works as a cinematographer, am really keen on watching, The African Queen (1951), Humphrey Bogart and Katharine Hepburn, The Prince and the Showgirl (1957), with Laurence Olivier and Marilyn Monroe, and Crossed Swords (1977), with Oliver Reed, George C. Scott, Rex Harrison, David Hemmings and Mark Lester, to name a few.

All of Cardiff’s works I mentioned here as a cinematographer, are excellent films as a whole, except for Under Capricorn and Death in the Nile. Alfred Hitchcock’s Under Capricorn, is not necessarily Hitchcock’s best film, yet it’s still a near excellent noir flick. And John Guillermin’s adaptation of Agatha Christie’s famed novel, Death in the Nile, though not the best adaptation of one of her novels, is still a very good crime movie.

In memory of Jack Cardiff (1914 – 2009), who shall forever be remembered for his masterworks in colour, especially at a time, when colour movies were a rarity, back in the 1930’s & 40’s. I’d love to watch more of his cinematic wonders, be it as a cinematographer, or a film director.

Nuwan Sen’s Film Sense
Nuwan Sen’s ART Sense

The classic western, Gunfight at the OK Corral (1957), is based on an actual event that transpired, in Tombstone, Arizona, USA, in the late 19th Century. There was a gunfight between the Earp brothers and the Clanton clan of outlaws, that lasted 30 seconds, and this movie traces the steps that led to the disastrously notorious shootout, at OK Corral, on, 26th of October, 1881.

The Arrival of a Lady!! It’s interesting to note, how the people of the town are dressed is similar earthly tones, blending into the backdrop. Contrasting to the greyish, reddish & brownish hues, we see a lady dressed in dark green with a green parasol. This use of contrasting colour, in the scene, itself tells us, that she’s an outsider, and all the townsfolk notice her. Added to which, from her attire and elegant gait, one can tell, that she’s a classy lady, travelling through. The fact she’s a lady, is further confirmed later on, with her sophisticated mannerisms and eloquent speech. And she’s a bold woman, from the 19th century, not afraid to travel on her own. This is none other than the arrival of Laura Denbow (played by Rhonda Fleming), a very respectable charcter. Yet she finds herself in trouble with the law, on her first day in town. She’s arrested and imprisoned, for playing a man’s game, i.e. Poker. For the law of that state, prohibits women from gambling. It’s OK for men to gamble though. Soon the lady in question and the towns Sheriff, Wyatt Earp (Burt Lancaster), who arrested her, would fall for each other, and decide to marry. But fate would have something else in store.

The Arrival of a Lady!!
It’s interesting to note, how the people of the town are dressed is similar earthly tones, blending into the backdrop. Contrasting to the greyish, reddish & brownish hues, we see a lady dressed in dark green with a green parasol. This use of contrasting colour, in the scene, itself tells us, that she’s an outsider, and all the townsfolk notice her. Added to which, from her attire and elegant gait, one can tell, that she’s a classy lady, travelling through. The fact she’s a lady, is further confirmed later on, with her sophisticated mannerisms and eloquent speech. And she’s a bold woman, from the 19th century, not afraid to travel on her own. This is none other than the arrival of Laura Denbow (played by Rhonda Fleming), a very respectable charcter. Yet she finds herself in trouble with the law, on her first day in town. She’s arrested and imprisoned, for playing a man’s game, i.e. Poker. For the law of that state, prohibits women from gambling. It’s OK for men to gamble though. Soon the lady in question and the towns Sheriff, Wyatt Earp (Burt Lancaster), who arrested her, would fall for each other, and decide to marry. But fate would have something else in store.

Lawman, Wyatt Earp (Burt Lancaster), of Dodge City, Kansas, USA, on the verge of getting married to his beloved, Laura Denbow (Rhonda Fleming), receives a letter from his brother asking him to help clean up an outlaw mess in Tombstone, Arizona. In Tombstone, Earp, discovers Ike Clanton (Lyle Bettger) is involved in stealing Mexican cattle. Wyatt Earp, now being made US Marshal, with authority over the whole country, bans the use of firearms in Tombstone. Having failed to bribe Earp, Clanton, with murderous intent, isn’t happy, and accidentally kills the youngest of the Earp brothers. Now Wyatt Earp, has only vengeance in his mind, and along with his brothers, and Doc Holliday (Kirk Douglas), sought out to get rid of the Clanton menace for good.

As the Sheriff is away, having romantic moment in the woods, with his beloved, the mob comes into town, and disrupts everything.

As the Sheriff is away, having romantic moment in the woods, with his beloved, the mob comes into town, and disrupts everything.

The look of the movie is simply amazing. Love the impressive cinematography by Charles Lang. The dusty backdrops of cowboy country, is beautifully captured, and the use of colour to symbolically focus on a trait of personality, is used to perfection. It’s interesting to note how well the sets are designed, in dull brownish hues, along with certain costumes (designed by the famed Edith Head) used to compliment or contrast the backdrop, as an allegory to showcase, the difference between characters, who tend to belong to this desert town, blending into the landscape, and who doesn’t. Secondary, is the storyline, that’s based on a real historical incident, and how well the narrative works in the movie. Not a dull moment, though told in a very relaxed manner, building up the characters, of ordinary people of a small town, and showcasing how they ultimately end up being involved in a, willingly or unwillingly, historical moment in time, with which their names would simultaneously end up being associated with. Watch out for a very young Dennis Hopper, as the little brother of Ike Clanton, who’s unwillingly forced to join his brother, against the Earps & Holliday.

A young, baby faced, Dennis Hopper, as Billy, the kid brother of the Clanton’s, who innocently gets roped in on the gunfight.

A young, baby faced, Dennis Hopper, as Billy, the kid brother of the Clanton’s, who innocently gets roped in on the gunfight.

Produced by Hal B. Wallis, directed by John Sturges, and starring Burt Lancaster and Kirk Douglas in the lead, this is a really interesting movie to sit through. It chronicles the tale of how a peace loving sheriff, who doesn’t even carry a gun, is forced to lead a gunfight against a lynch mob. The cast is brilliant, as is the story line. Love the cinematography, and the set décor. It’s thanks to this combination that the film happens to be amongst the most celebrated of Hollywood westerns. But yet, it’s no where as great as, High Noon (1952), The Searchers (1956), The Misfits (1961), The Outrage (1964) and 3:10 to Yuma (2007), to name some excellent Hollywood films of the ‘Western’ genre; or near excellent flicks like, The Left Handed Gun (1958), The Unforgiven (1960), Butch Cassidy and the Sundance Kid (1969) and Australia’s The Proposition (2005). Still, Gunfight at the OK Corral, is a really enjoyable flick, in league with famed westerns like, Love Me Tender (1956), Rio Bravo (1959), A Fistful of Dollars (1964) and Unforgiven (1992).

Watched Gunfight at the OK Corral, on Monday, 14th September, 2015. One of the DVD’s I brought from Australia in November 2014 (Also see my 200th post Holidaying in Australia, comes to an end). I still have a few movies, I bought Down Under, left to watch. The last one I watched, was This Property is Condemned (1966), back in May 2015 (see my posts Condemnation of a woman during the Depression era of the American south, Mai May Movies 2015 and Classic Movie History Project Blogathon – 1966: The Year dubbed as Nineteen Sexty Sex). Prior to that I managed to watch quite few of those DVD’s last year in November/December 2014, itself. Also see my post Gunfire @ OK Quarrel on my new website, from today itself.

Gunfight at the OK Corral (1957)
My Rating: Very Good!! 8/10!!!!

Nuwan Sen’s Film Sense
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Turning 40

Millennium Year: Me aged 24 (From my Modeling Portfolio  (February 2000)) New Delhi, India

Millennium Year: Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Staring off with me me me (moi, mé) & I .
I turned 40 on the 22nd of June, 2015!!!!!

A look back, at me myself, through pictures
(40 photographs from my life, till now, including the one above).
Pure Vanity eh!!  🙂

Me aged 2 (February 1978) Garden belonging to our residential  complex (Asia House Flats) New Delhi, India

Me aged 2 (Winter of February 1978), In the Garden belonging to our residential complex (Asia House Flats) New Delhi, India

On my 3rd Birthday (22nd June 1978), At Home (Asia House Flats) New Delhi, India Celebrating/Birthday Party!!!

On my 3rd Birthday (Summer: 22nd June 1978), At Home (Asia House Flats) New Delhi, India
Celebrating/Birthday Party!!!

On my 5th Birthday (Summer: 22nd June 1980) at Home, Asia House Flats, New Delhi, India Celebrating/Birthday Party

On my 5th Birthday (Summer: 22nd June 1980), At Home, Asia House Flats, New Delhi, India
Celebrating/Birthday Party

Aged 9 (January 1985) On Holiday in Sri Lanka (for my maternal Uncle's wedding)

Aged 9 (January 1985), On Holiday in Sri Lanka (for my maternal Uncle’s wedding)

Me aged 12 (June 1987) Bombay, India (On Holiday - My first holiday away from my parents & baby sister)

Me aged 12 (School Summer Holidays: June 1987), In Bombay, India (On Holiday – My first holiday away from my parents & baby sister) Visited Bombay soon after my 12th Birthday

SWEET SIXTEEN: On my 16th Birthday (22nd JUNE 1991), At home 56, Siripura (SL) Just a  Family Gathering.

SWEET SIXTEEN: On my 16th Birthday (22nd JUNE 1991), At home 56, Siripura (SL) Just a
Family Gathering

Me aged 17 (92') At Home, 56,Siripura (SL)

Me aged 17 (92′), At Home, 56, Siripura (SL)

Me aged 18 (December 1993), At Home - 56 Siripura (SL)

Me aged 18 (December 1993), At Home – 56, Siripura (SL)

Me aged 18 (January 1994, B/W (SL) & the Winter of February 1994, Colour (in New Delhi, India)

Me aged 18 (January 1994, B/W (SL) & the Winter of February 1994, Colour (in New Delhi, India))

On my 20th Birthday (22nd June 1995), At Home 56, Siripura (SL) Just an ordinary day!!!!!

On my 20th Birthday (22nd June 1995), At Home 56, Siripura (SL)
Just an ordinary day!!!!!

Aged 20 (95'), At Home, 56, Siripura (SL)

Aged 20 (95′), At Home, 56, Siripura (SL)

Me aged 20 (1995), At Home, 56, Siripura (SL)

Me aged 20 (1995), At Home, 56, Siripura (SL)

Aged 21 (October 1996) Pokhara, Nepal (On Holiday - During the short Autumn break (Delhi University years))

Aged 21 (October 1996), In Pokhara, Nepal (On Holiday – During the short Autumn break (Delhi University years))

Aged 21 (October 1996) Sarangkot, Pokhara, Nepal - with Sunrise falling on Mount Machhapuchchhre (a.k.a. Mt. Fishtail) in the background, early morning (On Holiday in Nepal during the University Autumn break)

Me aged 21 (October 1996), At Sarangkot, Pokhara, Nepal – with Sunrise falling on Mount Machhapuchchhre (a.k.a. Mt. Fishtail) in the background, early morning (On Holiday in Nepal during the University Autumn break (DU years))

Aged 21 (Winter of November 1996), At Home away from home - the co-rented two-room student flatlet, during my Delhi University years, at Hudson Lines (New Delhi, India)

Aged 21 (Winter of November 1996), At Home – away from home – the co-rented two-room student flatlet, during my Delhi University years, at Hudson Lines (New Delhi, India)

Me aged 21 (Winter of January 1997), In front of Rashtrapati Bhavan (Official Presidential Residence), New Delhi, India (DU years)

Me aged 21 (During the Winter Vacation of January 1997), In front of the main entrance to the Rashtrapati Bhavan (Official Presidential Residence), New Delhi, India (DU years)

Me aged 22 (October 1997) Ajanta Caves, Aurangabad district of the state of Maharashtra, India (During the short Autumn break DU years)

Me aged 22 (October 1997), At Ajanta Caves, Aurangabad district of the state of Maharashtra, India (During the short Autumn break – DU years)

Me aged 22 (October 1997), In Goa (During the Autumn break - DU years)

Me aged 22 (October 1997), In Goa, India (During the Autumn break – DU years)

Aged 22 (October 1997), In Goa, India (During the Autumn break - DU years)

Aged 22 (October 1997), In Goa, India (During the University Autumn break – DU years)

Me aged 24 - From my Modeling Portfolio (Winter of February 2000) New Delhi, India

Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Fashion n' Style: Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Fashion n’ Style: Me aged 24 (From my Modeling Portfolio (Winter of February 2000)) New Delhi, India

Me Aged 27 (Winter of January 2003) On Holiday in Nottingham, England, UK (During my University of Luton (UK) days)

Me Aged 27 (Winter of January 2003), On Holiday in Nottingham, England, UK (During my University of Luton (UK) days)

Spider-Man: Me Aged 27 (Spring break of April 2003), On Holiday in Copenhagen, Denmark (During my University of Luton days)

Spider-Man: Me Aged 27 (Spring break of April 2003), On Holiday in Copenhagen, Denmark (During my University of Luton (UK) days)

English Summer: Aged 27, just days before my 28th Birthday (June 2003), on the Salisbury Plains of England, UK (During University of Luton days)

English Summer: Aged 27, just days before my 28th Birthday (June 2003), on the Salisbury Plains of England, UK (During my University of Luton days)

Me aged 28 (Winter of January 2004), In front of (opposite) our house, in Oslo, Norway

Me aged 28 (Winter of January 2004), In front of (opposite) our house, in Oslo, Norway

Eurotrip (Spring of 2005) The Sound of Music Tour: Aged 29 (April 2005), In Salzburg, Austria  (Tulip Season)

Eurotrip (Spring of 2005) The Sound of Music Tour: Aged 29 (April 2005), In Salzburg, Austria
(Tulip Season)

Eurotrip (Spring of 2005) Going Dutch: Aged 29 (April 2005), In the surrounding areas of Den Haag (a.k.a. The Hague), The Netherlands (Tulip Season)

Eurotrip (Spring of 2005) Going Dutch: Me aged 29 (April 2005), In the surrounding areas of Den Haag (a.k.a. The Hague), The Netherlands (Tulip Season)

Aged 30 (August 2005), At Home, 56 Siripura (SL)

Aged 30 (August 2005), At Home, 56 Siripura (SL)

Me aged 30 (September 2005), At Home, 56 Siripura (SL)

Me aged 30 (September 2005), At Home, 56 Siripura (SL)

Aged 31 (Summer of December 2006), In Front of COFA (College of Fine Arts), UNSW (University of New South Wales), In Sydney, Australia (During my COFA (UNSW) days)

Aged 31 (Summer vacation of December 2006), In Front of COFA (College of Fine Arts), UNSW (University of New South Wales), In Sydney, Australia (During my COFA (UNSW) days)

Winter Down Under (But warmer in Northeastern Australia): Me aged 32 (May 2008), At the Great Barrier Reef, Queensland, Australia

Winter Down Under (But warmer in Northeastern Australia): Me aged 32 (May 2008), At the Great Barrier Reef, off the coast of Queensland, Australia

Me aged 33 (July 2008) Paris, France

Me aged 33 (Summer of July 2008), In Paris, France

Côte d'Azur (French Riviera): Me aged 34 (July 2009), In Monaco

Côte d’Azur (French Riviera): Me aged 34 (Summer of July 2009), In Monaco

Me aged 34 (September 2009), At the Champs-Élysées, Paris, France

Me aged 34 (Autumn of September 2009), At the Champs-Élysées, Paris, France

Me aged 36 (Late Summer of September 2011), In front of India Gate, New Delhi, India (On Holiday)

Me aged 36 (Late Summer of September 2011), In front of India Gate, New Delhi, India (On Holiday)

Me aged 39 (November 2014) In Hahndorf (Adelaide Hills region of South Australia), Australia (On Holiday)  This is my profile picture on my Facebook page! But, Of course I added the rainbow colours only a couple of days ago (In favour of The U.S. Supreme Court legalizing same-sex marriage nationwide) One Step for the United States, a Giant Leap for Mankind, Worldwide (with apologies to Neil Armstrong  ;) )

Me aged 39 (November 2014), In Hahndorf (Adelaide Hills region of South Australia), Australia (On Holiday)
This is my profile picture on my Facebook page! But, Of course I added the rainbow colours only a couple of days ago
(In favour of The U.S. Supreme Court legalizing same-sex marriage nationwide)
One Step for the United States, a Giant Leap for Mankind, Worldwide (with apologies to Neil Armstrong 😉 )

Today Morning: Me aged 40 (June 2015), At Home, 56, Siripura (SL)

Today Morning: Me aged 40 (June 2015), At Home, 56, Siripura (SL)

Tweets:
Posted about me, on my 40th Birthday

Some Others (Celebrities) who turned 40 this month, of June 2015!!!!!

Sexy Brit turns 40

Hot Woman turns 40

Nuwan Sen
Nuwan Sen n’ Style
Nuwan Sen’s Film Sense
Born in the Year: 1975!!!!!
()

The Swinging Sixties
1966 Blow-UpThe 1960’s was a very unique decade, of the 20th century, when the world changed for the better. An era, thanks to which, we live in (or rather should live in) a more open minded world, with a freer lifestyle, with lesser (or rather should, with no) prejudice. An era, which brought about Equal Rights, Feminism (Women’s Lib),  The Hippies, the second (and more worldwide) phase of The Sexual Revolution (as opposed to The Sexual Revolution of the Roaring 20’s, which was limited to certain regions in the western world), Black Pride movement, Gay Pride movement, Youth Rebellions of 68’, Woodstock of 69’, Stonewall Riots of 69’, Motown Records, Rock Music, Experimentation with Psychedelic Drugs, Birth Control Pill, Popular Music, The Beatles, The British Invasion of Pop & Rock, Ravi Shankar, Elvis Presley, Andy Warhol, Pop-Art, Pink Floyd, Jimi Hendrix, Martin Luther King, Jr., Socialists, Radical political influences, 32 African countries gaining Independence, The Indian ‘Hungryalist Quartet’, China’s ‘Great Leap Forward’, The Vietnam War, The American Counterculture, The Kennedy’s, The Space Age (the world put a man on the moon), Supercomputers, Sketchpads, Spacewar (first video game), Japanese Cars, Summer of Love, Flower Power, Peace, Love and anti-war sentiments.

The beginning of the 60’s decade, and the latter part of the 60’s, were so different, as if they belonged to two terrifically different era’s. This was a period that globalisation actually took place. Added to which fashion, art and music, travelled beyond borders. The Beatles were influenced by Indian music, especially the sounds of the Sitar. Short Indian Kurta’s, Hindu beads, African Batik styles, South American Poncho’s, were loved by the Hippies. Similarly western geometric styles, and bright designs, were adapted to Asian clothing. The era was famed for, mini-skirts, of swinging London, and skin tight Salwar-Kameezes, in India (inspired by the western tight skirts). A very glamorous decade, with it’s massive bouffant hairstyles, tight clothes and short skirts. And as the decade proceeded, the hairdo’s went higher, as did the hemlines.

Bollywood superstar, Sharmila Tagore, became the first Indian actress to don a Bikini on the cover of a glossy magazine, in 1966. This was an Independence Special issue.

Bollywood superstar, Sharmila Tagore (though not the first Indian to wear a Bikini), became the first Indian actress to don a Bikini on the cover of a glossy magazine. In the Year: 1966. This was an Independence Special, issue of Filmfare (August 1966).

The modern Bikini, though invented in 1946 (prior to which slightly bigger, two piece swimsuits, baring the midriff, existed), gained popularity internationally only in the 1960’s. Prior to which, general women preferred traditional, one piece, swimwear, though a lot of glamour girls were seen in tiny Bikini’s in magazines, films, et al. Yet young men, were quite comfortable, in tiny swimming trunks. Today it’s the exact opposite.

And in Cinema: 1960’s

The invent of the Merchant Ivory Productions took place, making Indian English Language films, avec a highly international standard (started by a trio of well (western) educated friends, Ismail Merchant, James Ivory & Ruth Prawer Jhabvala). They brought something new to Indian Cinema, in the 60’s & 70’s (unlike the Western Orientalist craze for Bollywood today, and the assumption that all Indian Cinema falls under the category of Bollywood, whilst Bollywood only makes Hindi Language films (out of the 122 major languages, and many more sub-dialects, spoken in India), and is mostly associated with commercial cinema, mainly with song & dance), and a special, new-found, global admiration for mystic & spiritual India. The Hippie culture had a major influence in India and Nepal.

In the west, the 60’s, revolutionised Cinema. In Europe, Art Cinema, especially The French New Wave (La Nouvelle Vague), brought out a modernist (non-commercial, yet loved by modern intellectual youths) form of film, as never before; with François Truffaut and Jean-Luc Godard at the helm. Elsewhere, Swedish film director Ingmar Bergman, Chilean film director Alexandro Jodorowsky, Polish film directors Roman Polanski & Wojciech Jerzy, Italian film directors Michelangelo Antonioni, Federico Fellini & Pier Paolo Pasolini, Japanese film director Akira Kurosawa, and Indian film directors Satyajit Ray, Mrinal Sen & Ritwik Ghatak (all in the Bengali language) brought about their own masterpieces of Art Cinema, with an International standard, in their respective countries.

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Hollywood wasn’t far back, and Who’s Afraid of Virginia Woolf? (1966), was America’s answer to the European Art House. Directed by Mike Nichols (this was his directorial debut feature), starring Elizabeth Taylor, Richard Burton, George Segal & Sandy Dennis, and based on a play by Edward Albee, Who’s Afraid of Virginia Woolf?, is today, considered a culturally relevant, a historically noteworthy, and an aesthetically significant, masterpiece of the American Art Film.

Movies also began to break taboos of sex, nudity and violence, with controversial directors like Pier Paolo Pasolini, Federico Fellini & Bernardo Bertolucci (in Italian Films), Roger Vadim (French Films), Roger Corman (American Films) and Raj Kapoor (Bollywood – Hindi Commercial Films), to name a few. The 60’s are also remembered in conjunction with the Spaghetti Westerns, a short lived trend, begun by Italian film director, Sergio Leon.

The Year: 1966

Tunisian-born Italian actress of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

Tunisian-born, Italian actress, of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

1966 saw, the Acid Test (a series of parties, in the mid-late 60’s, centred around the use of the psychedelic drug LSD, a.k.a. Acid) take place, at the historic music venue in San Francisco, California, The Fillmore. These acid trips lasted throughout the rest of the decade. The spy-plane, SR-71 Blackbird (which had it’s first flight in 1964), started operation. Cabinet Member, Robert C. Weaver, became the first African American to hold a cabinet position in the United States. Indian Prime Minister, Indira Gandhi, was elected Prime Minister of India, making her the first, and only, woman Prime Minister, in India, to hold office till date. She was also the second longest serving Prime Minister of India. Luna 9, an unmanned spacecraft landed on the Moon, making it the first controlled rocket-assisted landing. Later same year, Luna 10, was also launched, by the Russians. The Lunar Orbiter 1, the first U.S. spacecraft to orbit the moon, was also launched, much later, that year. A head to head space race. The Australian Dollar was introduced. John Lennon made the controversial remark, that ‘The Beatles were more popular than Jesus’; which, though there were no problems when it was first published in the United Kingdom, got him into trouble with Christian communities in the United States, when it was republished in the States. The Crown Princess of the Netherlands married a German, which sparked protests against the Groom. Meanwhile demonstrations were held, across the United States, against the Vietnam War. The opening of the Parliament of the United Kingdom was televised for the very first time. Ian Brady and Myra Hindley were finally convicted, for the murder of three children, in UK. In New York, thirteen square blocks of low rise buildings were cleared for construction of the World Trade Center (Twin Towers), and groundbreaking for the construction began.

Superstar Sophia Loren on the cover of LIFE (September 1966 issue) YEAR: NINETEEN SEXTY SEX

Superstar Sophia Loren on the cover of LIFE (September 1966 issue)
YEAR: NINETEEN SEXTY SEX

Star Trek (1966-1969), a sci-fi series, made it’s television debut, in America. The Black Panther Party was founded in USA. Japan introduced the Toyota Corolla. Chinese students were chased out of the Soviet Union. The Mothman was introduced, when a couple reported that they saw a strange moth like creature, in the States. Author Truman Capote, hosted a lavish, Black & White, masquerade ball, which was credited as being the Party of the century. Jack L. Warner sold Warner Bros. to Seven Arts Productions; And Hollywood actor, Ronald Reagan, was elected, as the Governor of California.

Sadly, 1966 also saw the demise of greats, such as; famed Swiss Sculptor Alberto Giacometti, notorious American gossip columnist Hedda Hopper, iconic Silent Film-star Buster Keaton, neo-classical Italian Artist Gino Severini, American Artist & Illustrator Maxfield Parrish, British Author Evelyn Waugh, German Expressionist Film producer Erich Pommer, Hollywood method-actor Montgomery Clift, American Poet & Art Critic Frank O’Hara, French Writer & Poet André Breton, Canadian Beautician & Entrepreneur Elizabeth Arden, and Cartoonist Walt Disney (the most prominent figure of the animation industry worldwide); to name some.

Now let’s have a look at some of the films that were released in:-
1966: The Year dubbed as Nineteen Sexty Sex!!!

Hays Code was almost nearing it’s death (the dreaded censorship laws that could have, but thankfully didn’t, kill off, the cinematic arts; with it’s silly rules and regulations), and Hays (the man who implemented these rules) himself had already been dead for just over a decade. The world was going through a new found sexual revolution, as was the film industry, especially Hollywood. And the out-dated production code by William Hays, was getting impossible to enforce (which was finally, completely, abandoned in 1968).

Boeing, Boeing (1965), was a quite hilarious comedy, with Tony Curtis &  Jerry Lewis in the lead. Though released in 1965, it's film posters, hinted what the following year should be known as.

Boeing, Boeing (1965), was quite a hilarious comedy, with Tony Curtis & Jerry Lewis, in the lead. Though released in 1965, it’s film posters, hinted at, what the following year, should be known as.

In April 1966, at the 38th  Annual Academy Awards, the family entertainer, Sound of Music (1965), grabbed the ‘Best Picture’ Oscar, winning five out of it’s ten nominations. Fred Zinnemann’s, A Man for all Seasons (1966), a historical biographical movie, based on an excellent play by Robert Bolt, ended up bagging six Oscars, the following year, including for ‘Best Picture’, ‘Best Director’ and ‘Best Actor’, at the 39th Annual Academy Awards. Thus making it the best film of 1966. Love the movie, love the play. But let’s have a look at some of the movies, that defined the 60’s, and more specifically, Year: Nineteen Sexty Sex.

Blow-Up (1966), a near excellent British Film, by Italian director, Michelangelo Antonioni, is no doubt the perfect insight into the latter half of 60’s decade. Fashion, fashion photography, and sexy sizzling costumes of Swinging London, it encompasses the late 60’s to perfection. A very 60’s, Sexty Sex, film, set in the world of modern fashion, with a modern, youthful and open-minded, insight into the changing world.

Blow-Up (1966) - a movie that defined the 60's!!!!! TOP LEFT: Sarah Miles TOP RIGHT: Veruschka von Lehndorff & David Hemmings BOTTOM RIGHT: David Hemmings & Veruschka von Lehndorff  BOTTOM RIGHT: Topless/Shirtless Vanessa Redgrave & David Hemmings

Blow-Up (1966) – a movie that defined the late 60’s!!!!!
TOP LEFT: Sarah Miles
TOP RIGHT: Veruschka von Lehndorff & David Hemmings
BOTTOM LEFT: David Hemmings & Veruschka von Lehndorff
BOTTOM RIGHT: Topless/Shirtless – Vanessa Redgrave & David Hemmings

The plot deals with a fashion photographer, who one day accidentally takes shots of something, he shouldn’t have, in a park. Then a mysteriously beautiful woman walks into his life, under very suspicious circumstances. David Hemmings played the photographer, and Vanessa Redgrave, the mysterious beauty. The film also features a line of breathtakingly talented beauties, including Sarah Miles, Jane Birkin and German born fashion model, Veruschka von Lehndorff (daughter of a Prussian Count who was involved in a plot to assassinate Hitler, and thus killed for it), to name some. In addition to that, the film has some notable cameo’s by several well known personalities from 1966. Especially, worth watching out for a performance, by English Rock-Band, The Yardbirds. Hemmings’ character was inspired by the real life, Swinging London, photographer, David Bailey.

Blow-Up dared to be quite sexually provocative, especially for that era, and when it was released in the United States, it was in direct defiance with the ridiculous Hays Code. In fact, Blow-Up’s subsequent critical, and box-office, success, was a crucial cinematic-historical moment, leading to the ultimate elimination of the out-dated production code, in 1968.

Next let’s have a look at Sexty Sex’s Who’s Afraid of Virginia Woolf?, which I mentioned earlier. One of my favourite films ever, which also happens to be among my own TOP-10 all time favourite movies (See my list Why I love …. from November/December 2012 on IMDB). Love the movie. Love the Book (Play).

My favourite film of Year: Nineteen Sexty Sex

My favourite film of Year: Nineteen Sexty Sex

The film is about, a miserable middle-aged couple, who regret their life together, having not achieved all they had hoped and desired for, when young. Set within one night, the older couple invite a younger couple for drinks, and play out their disappointments, with one another, at the younger couples’ expense.

Elizabeth Taylor, who was still in her early 30’s, at the time, is successfully turned into a bitter old frumpy woman in her 50’s. Yet, this violet eyed beauty, oozes with sex appeal, and easily seduces the younger married man. Taylor’s character, Martha, not only seduces the younger man, but the audience as well, openly, in front of her weak willed husband (played by real life husband, Richard Burton). Especially, watch out for her re-entry, after she changes her clothes; as the old woman, walks into the living room, in a low-cut, deep cleavage bearing outfit; she is still a far superior sexual being, than the mousy little wife of the younger man, Nick (played by George Segal), Honey (Sandy Dennis). Showcased with a shadowy outline, suggesting a sexual act in progress, seen through a bedroom window, this is another 60’s movie, which not only revolves around sexual human relationships; the older husband & wife, the younger husband & wife (a marriage based on a “hysterical pregnancy”), and the adulterous one night stand; but their vulgar tongued bitterness, is blatantly thrown at audiences, quite unapologetically. It’s an excellent movie, meant for mature audiences. Not just mature in age, but maturity of the mind, is a necessity, to watch an intellectual movie like this. Beautifully filmed in Black & White, the film is a complete psychoanalysis of the young and the old. The 60’s dared to release a movie like Who’s Afraid of Virginia Woolf?, which surpasses time, and can be relevant in any human relationship, in any era.

Sex on the Dance Floor: Liz Taylor & George Segal

Sex on the Dance Floor: Liz Taylor & George Segal

Then there is a really seductively intimate dance number, between Taylor and Segal, which is pure sex on the dance floor. My favourite movie from Nineteen Sexty Sex, Mike Nichols’ directorial debut, Who’s Afraid of Virginia Woolf?, is a must watch, for any film buff, students of Cinema Literature, and students of Literature in the print form.

Natalie Wood was seen in two sexy releases, that year. One was the near excellent comedy, Penelope (1966), in which she plays a bored rich kleptomaniac, who robs her own husband’s bank (thus, the film/character namesake – is tagged as being, “the world’s most beautiful Bank-Robber”); and the other, a more serious, sizzling with heat, and female sexuality, movie, set in the depression era, in the Deep American South; This Property Is Condemned (1966). Another excellent masterwork of adult cinema. The latter film flaunts it’s female lead’s sexuality, thus feels more at-your-face sexual, than the comedy mentioned here. Also see my post Condemnation of a woman during the Depression era of the American south and Mai May Movies 2015 from May 2015.

Scenes from This Property is Condemned (1966)

Scenes from This Property is Condemned (1966)

Whilst the west, was coming to terms with exploring sexual topics in cinema, in the east, Indian cinema, specifically Bollywood’s commercial cinema, was starting open up topics of sex themselves. In Aakhri Khat (1966), we see a ditched beggar woman, die on the streets Bombay. Originally from Kulu district, of the state of Himachal Pradesh, she comes to Bombay, bearing child, to find the reason for her sufferings, Govind (Rajesh Khanna), a sculptor. Once the woman dies, the toddler is left on the buzy streets to fend for himself.

Directed by Chetan Anand, majority of the movie, is filmed with a hand-held camera, following a 15 month old infant, let loose in the city, taking in all the city sounds, under the cinematic direction of cinematographer, Jal Mistry. It’s an excellent movie. Am not going to go deep into the film. The implication of pre-marital sex wasn’t necessarily something new. But there is one beautiful scene, I’d like to mention. As the lost hungry child roams around the city, unaware of the death of his mother, he comes across a semi-nude statue of his mothers’, made by his father, Govind. The child at once recognises his mum, but doesn’t realise, it’s just a sculpture. The hungry crying child, is now delighted he found his mum, he feels safe, and slowly climbs it and tries to drink milk from her breast. That scene is so sad, so touching, your heart lets out. In one way there is a sense of eroticism, seeing a child trying to drink milk from a statue, but it’s also a heartrending moment in the movie. Aakhri Khat is an excellent movie, and this was superstar, Rajesh Khanna’s, very first role.

Vyjayanthimala in and as Amrapali (1966), based on the true life tragic story of a courtesan in 500 BC.

Vyjayanthimala in and as Amrapali (1966), in this historical epic, based on the true life, tragic story, of a courtesan, in 500 BC.

Bollywood actress, of southern Indian ancestry, Vyjayanthimala, appeared in two sexy roles, in 1966. One was, where she played a Princess, in Suraj (1966). An enjoyable enough movie, with beautiful songs, and an average story line. An OK venture, showcasing Vyjayanthimala’s sexy gait and bewitching beauty. But it was the historical epic, biographical movie, about a real life courtesan, Amrapali (1966), which was one of the best films she’s ever done, and encompasses her sexuality to the utmost. The concubine, mistress, of a tyrannical King, her dances, the beautiful body, is pure eroticism, and pure art. Set in 500 BC, under the rein of King Ajatashatru of Magadha empire, this is one of my favourite Bollywood films, and one of my favourite historical/Biographical epics. Amrapali was directed by Lekh Tandon.

Both these excellent Bollywood movies (Aakhri Khat & Amrapali), were selected as India’s official entry for the ‘Best Foreign Language Film’ category at the Academy Awards, but neither were selected as Oscar nominees.

Besides these Bollywood commercial films, 1966, also so the release of the Indian Art House Film, from the state of Bengal (in Bengali); Satyajit Ray’s Nayak (1966). A feminist writer, played by Sharmila Tagore, and a Bengali film star, played by Uttam Kumar, meet by chance in a train, travelling from Calcutta to New Delhi. Reluctant at first, for the feminist writer is full of contempt towards film stars, she ultimately decides to interview him. The whole movie, is a train journey, mainly set the restaurant car, where she interviews him. But the film is also a journey of understanding one another. The actor, slowly opens up, without hiding behind a façade, whilst the feminist softens her outlook towards the world of showbiz. By the end of the journey, as they part their ways, both have improved, through this journey of self-discovery, and an understanding of a non-judgemental outlook towards fellow human beings. One of my favourite Bengali movies, by one of the greatest Indian directors ever.

Cul-de-Sac 66'

Heading back to the United Kingdom, Polish director, Roman Polanski’s, Cul-de-Sac (1966), is another interesting, sexual and psychological thriller. A very weird movie dealing with sexual frustration, alienation and of-course the input of horror. A very good movie, which has all the Polanski trade-marks, seen in most of his films. Also see my post Roman Polanski & His Films from a couple of years ago.

Getting back to Hollywood, my favourite director, Alfred Hitchcock’s, Torn Curtain (1966), a movie that deals with an American physicist defecting (in pretence) onto the Iron Curtain, more specifically East Germany. Set and made, during the Cold War, and starring Julie Andrews and Paul Newman, this is not considered among the best of Hitchcockian films. Yet it’s still an excellent movie. Hitchcock was intrigued by the defection of British diplomats Guy Burgess and Donald Maclean to the Soviet Union in 1951, and thus the idea behind Torn Curtain was born.

Julie Andrews and Paul Newman in Torn Curtain (1966)

Julie Andrews and Paul Newman in Torn Curtain (1966)

The film has a very mild sex scene, with Andrews and Newman, in the beginning of the film. Yet, straight out of family entertainers like Mary Poppins (1964) and The Sound of Music, seeing Julie Andrews do a sex scene, was shocking for American audiences back then. But by the early 70’s, there were so much more, graphic, sex sequences, in movies like, A Clockwork Orange (1971), Last Tango in Paris (1972) and Don’t Look Now (1973), to name a few, that even the idea of being shocked at the sex scene in Torn Curtain was laughable. Paul Newman, also appears nude in a shower scene, but seen through a glass, the nudity isn’t that clearly visible.

Ebony Magazine covers from 1966, depicting celebs with their families.

Ebony Magazine covers from 1966, depicting celebs with their families.

1966, wasn’t all about sex, there were some beautiful non-sexual family films like, Born Free (1966), Mera Saaya (1966), How to Steal a Million (1966), Anupama (1966), Dil Diya Dard Liya (1966), A Man for all Seasons (mentioned above), for example. Yet the Audrey Hepburn movie, How to Steal a Million, can also be categorized as a  stylishly, sleek n’ sexy, movie of 1966. Other sexy films of 66’, include, Fantastic Voyage (1966), Teesri Manzil (1966), Frankie and Johnny (1966), 7 Women (1966), Love in Tokyo (1966), Teesri Kasam (1966), etc etc …

Scene from Masculin Féminin (1966)

Scene from Masculin Féminin (1966)

Then there are Sexty-Sex films I haven’t seen, but would love to, like, Un Homme et une Femme (1966), Masculin Féminin (1966), The Battle of Algiers (1966), Voyna i Mir Part-I & II (1966), Alfie (1966), Shiroi Kyotō (1966), Persona (1966), Is Paris Burning? (1966), The Face of Another (1966), Fahrenheit 451 (1966), The Sand Pebbles (1966), The Appaloosa (1966), The Russians Are Coming the Russians Are Coming (1966), The Chase (1966), Madame X (1966), Funeral in Berlin (1966), Any Wednesday (1966), Triple Cross (1966 ), Made in U.S.A (1966), Hawaii (1966), La Curée (1966), The Blue Max (1966), Sex Quartet (1966), Gambit (1966), Kenka Erejî (1966), The Trouble with Angels (1966), The Professionals (1966), Sedmikrásky (1966), Daimajin (1966), Trunk to Cairo (1966), Au Hasard Balthazar (1966), Incompreso (1966), The Deadly Affair (1966), Pearls of the Deep (1966), Harper (1966), Our Man in Marrakesh (1966), Grand Prix (1966), Khartoum (1966), O Slavnosti a Hostech (1966), Andrei Rublev (1966), Nevada Smith (1966), The Fortune Cookie (1966), Arabesque (1966), The Wild Angels (1966), Tokyo Drifter (1966), Maya (1966), Uccellacci e Uccellini (1966), Seconds (1966), The War Is Over (1966), Faraon (1966), Kaleidoscope (1966), Ah Güzel Istanbul (1966), The Poppy is also a Flower (1966), Ostre Sledované Vlaky (1966), La noire de… (1966), Mamta (1966), The Pornographers (1966), Le Deuxième Souffle (1966), Krylya (1966), The Sandwich Man (1966), Chappaqua (1966), Syskonbädd 1782 (1966), Yeh Raat phir na Aaygi (1966), A Man Called Adam (1966), Es (1966), Signore & Signori (1966), Onna no Mizûmi (1966), Apa (1966), Les Créatures (1966), Zatôichi umi o Wataru (1966), Footsteps in the Snow (1966), La Vida de Pedro Infante (1966), Kiba Ôkaminosuke (1966), The Embryo Hunts in Secret (1966), Seasons of Our Love (1966), Una Vergine per il Principe (1966), After the Fox (1966), etc etc …. and so many more.

The cover of Film Review from December 1966

The cover of Film Review from December 1966

And then there are films that I haven’t watched, that am not that crazy about, but which are sexualised films (especially using actresses, with beautiful bodies, rather than acting talent – mostly B-movies, B-Horror/B-Sci-fi films), some of which were quite famous back in 1966, and some that sound so silly they were hardly worth mentioning, and audiences back then weren’t that crazy about checking out. The likes of, One Million Years B.C. (1966), Women of the Prehistoric Planet (1966), Dracula: Prince of Darkness (1966), Once Before I Die (1966), Blood Bath (1966), Queen of Blood (1966), The Ghost in the Invisible Bikini (1966), Kill Baby, Kill (1966), Take Me Naked (1966) and Single Room Furnished (1966), to name some.

The 1960’s: One Great Decade!!!!!
The Year 1966: One Unique Year, especially for Cinema!!!!!

Veruschka and David Hemmings in Blow-Up  YEAR:1966

Veruschka and David Hemmings in Blow-Up
YEAR:1966

This post is about Sex in Film & the Sixties, and more specifically in 66’ (a.k.a. Sexty Sex); (Ironic, considering the fact, that my previous post, dealt with virginity, in Year 2015).

Meant for More Mature Audiences!!!!!
(Immature Adults – Stay Clear)

Nuwan Sen’s Film Sense
Nuwan Sen’s Historical Sense

This post, is my contribution for the Classic Movie History Project Blogathon, organised by fellow Bloggers of, Silver Screenings (Ruth), Movies Silently (Fritzi) & Once Upon a Screen (Aurora); and sponsored by Flicker Alley.
History Project  (JUNE 2015) LOGOThank you Ruth, Aurora and Fritzi for letting me be part of this interesting Blogathon. It’s five minutes to Midnight !!!!! Good Night!!!!! 🙂

Regards
Nuwan Sen

It’s pure Sex on the Beach. Not literally, but the seascape, south of the Italian Riviera, beckons and seduces, the cast, along with the audience, into it’s balmy bright waters. The premise of the entire movie is a lusty seaside adventure, set in the stylish holiday resort, away from the Côte d’Azur.
Il Compleanno Beach 2A Quick Synopsis
On the beach strip, below Mount Circeo, four friends (two couples), are on a summer vacation. Then the son, of one of the couples’, shows up, which stirs up repressed desires, in the husband (a father himself – of a little girl) of the other, seemingly, more happily married couple.

The Two Couples on Holiday: Maria de Medeiros, Massimo Poggio, Alessandro Gassman & Michela Cescon

The Two Couples on the Beach Holiday: Played by (L-R) Maria de Medeiros, Massimo Poggio, Alessandro Gassman & Michela Cescon

The Beach Birthday Party    
David (played by Brazilian born, model & actor, Thyago Alves), a college student, studying in the states, joins his parents, Shary (Michela Cescon) and Diego (Alessandro Gassman), on their beach holiday, in Italy, to celebrate his upcoming 18th birthday, with them. His parents’ close friends, Matteo (Massimo Poggio) and his wife Francesca (Maria de Medeiros), are vacationing with them. Matteo, has known David, as a child, and even carried him in his arms. But when they meet now, David is all grown up, with a well sculpted physique to match. It’s lust at first site for Matteo, and he’s dying to see the, already, half naked, birthday boy, in his complete birthday suit, to it’s entirety.

The Seductive Beach
The movie starts off with the four friends at the Opera, watching Richard Wagner’s Tristan und Isolde, a tragic opera, set within the backdrop of the ocean. This beginning, itself, hints at the premise of the movie, in relation to ‘forbidden love’, and it’s consequences.

Thyago Alves in Il Compleanno (2009)

Thyago Alves in Il Compleanno (2009)

Soon the son arrives, and we start seeing the seeds of the, so called ‘forbidden love’, in this scenario, take root. The character of David, the college student, who also happens to be an underwear model (much to his father, Diego’s, dismay), is mostly seen walking around shirtless. Which only adds to the seduction of poor Matteo. Added to which the camera loves this shirtless wonder, just as much as the scenic Italian beaches. Both beautiful, yet could be tragic, if one ventures in too deep. The scene where Matteo is walking in the beach, unaware that David has gone for a midnight swim, is pure seduction. The dark midnight blue waters are mesmerizing, and out comes a wet David, all of a sudden, like a Greek god, a young Poseidon himself. The scene is spot on, sexualising the ocean, as a lusty element. The ocean is mostly showcased in the day time, in the sizzling heat; thus the wet Adonis figure, emerging onto the beach in the middle of night, adds to the fizz of the sizzle. Especially as Matteo is enamoured, by this, perfectly sculpted, statuesque beauty, akin to Michelangelo’s ‘Statue of David’.

The climax scene (pun intended); with Matteo and David, finally breaking out of their sexual repression, and getting intimate; and the tragic Operatic ending; killing off an innocent; is heart rendering. This sequence, of impending doom, is perfectly shot, with Wagner’s music in the background. In the finalé, the camera zooms onto the glittering ocean, just before the credits roll in.
Il Compleanno Beach 3Il Compleanno (2009), is a visually stunning movie, capturing the beauty of the ocean. With it’s purple hues in twilight, to the midnight blues, sizzling and sexual, and the golden waters under the setting sun. There is no real significance, as such, of the representation of the ocean, to go into deep analysis, here; but the picturisation, the cinematography, how the seascape is filmed, is just breathtaking.

Il Compleanno scene deuxA beautiful Italian movie, set in an equally beautiful Italian beach resort.

Nuwan Sen’s Film Sense

Beach Party Blogathon (June 2015
This post is my second, & final, entry for the Beach Party Blogathon, organised by Ruth of Silver Screenings and Kristina of Speakeasy (See my first entry, Beach Party Blogathon: The Significance of ‘The Beach’ in Hitchcock’s REBECCA (1940), from earlier this week)
Il Compleanno Beach 1Il Compleanno, might not be the best gay themed movie ever, but it definitely is still a brilliant piece of the cinema. I watched it some years ago, online. And I didn’t really get a chance to see it again. But the excellent shots of the sea, remained in my memory, enough to work on this post.
Beach party for Queer FilmA Big Thank you, once again, to Ruth and Kristina, for letting me be part of this interesting Blogathon. Enjoyed it to the utmost.

Cheers
Nuwan Sen

Last night I dreamt of the Ocean, with it’s fierce waves splashing against the humongous rocks, in the coastal county of Cornwall (with apologies to Daphne du Maurier).

Joan Fontaine & Laurence Olivier

Joan Fontaine & Laurence Olivier

Rebecca synopsis
Rebecca is dead, and we never see her throughout the movie/book. Yet, the essence of her presence, is felt throughout.

A widower, Maxim de Winter (Laurence Olivier) meets a naïve, nameless, paid companion (Joan Fontaine), to a rich socialite, Mrs. Van Hopper (Florence Bates), in Monte Carlo, Monaco, and the two get hitched.

Once their honeymoon comes to end, so does their stress free, romantic, happy life together, when they reach Manderley; de Winter’s ancestral home, in Cornwall. The spirit of his first/late wife is alive within every inch of the mansion, every brick and stone, and the household staff. Especially through the eerie Mrs. Danvers (Judith Anderson), the housekeeper.

Plus Rebecca’s death is submerged with a mysterious undertone.

One of the most interesting thing to note, about this story, a novel written by Daphne du Maurier, and adapted to the big screen by Alfred Hitchcock, is the fact that, the character of Rebecca, is non-existent, and the existing character of the second Mrs. De Winter (played by Fontaine), has no first name, and no née name (prior to marrying Maxim de Winter).
Rebecca Beach 3The Beach, the Ocean and the vast Seascape
The beach in the movie, is showcased as, being both, beautiful and frightening. Aesthetic and ferocious. Soothing and haunting.
Rebecca Beach 1The film begins, as does the novel, with the famous du Maurier line, “Last night I dreamt I went to Manderley again”, which is now in ruins. And then the film flashes back, and we are in the French Riviera, with the sea waters beating up on the rocks, where a middle-aged man is standing on the edge of a cliff, staring, with lost look on his face, down at the ocean below, as if ready to jump. And a young woman, at once shouts, “Don’t!! Stop!!”. This is the first encounter of Mr. de Winter, and his future/second wife. So the couple’s first meeting itself is at a Beach resort, in Monaco. Soon the two start enjoying each other’s company, travelling around the beautiful costal stretch, of the Côte d’Azur. Yet, there are times he seems lost, especially when he speaks of Manderley. Once, she tries to change the subject, by speaking how warm and lovely the waters in the French Riviera are, and that in England it’s hard to imagine going for a swim, until June. Then, she mentions a man drowned once, unaware that Rebecca, Maxim de Winter’s first wife, supposedly was killed in a drowning accident, whilst sailing; which obviously only further agitates Mr. de Winter. In the beginning of the movie itself, we see how the sea is represented positively, as beautiful, breathtaking, scenic, warm and inviting; yet also in a negative light, associated with death, drowning and destruction.
Rebecca Beach 4After a quick civil marriage at the registrar’s office, we see them in Cornwall, post honeymoon, venturing towards Manderley. The young new Mrs. de Winter suddenly gets a chill, as if of impending doom. Once they enter the stone edifice/mansion, there is feeling of something very bleak and unpleasant within, and the entrance of the stoic housekeeper, Mrs. Danvers, has the young bride’s nerves on edge.

The newly married couple’s room is on the East Wing, that has never been used before, and has no view of the ocean. Whilst Maxim & Rebecca’s room, use to be in West Wing, with a view of ocean, and which, with it’s massive windows and ornately carved doors, happens to be the most beautiful room in the house. From here onwards Manderley’s beach is represented in an eerie, foreboding, manner. Cold and damp. A stark contrast to the warmth and pleasantness of the sunshine stretch of the classy French Riviera. But we do see hints, of the statuesque, elegance and beauty, of what Manderley once stood for. And the second Mrs. De Winter, tries her best to bring back those glory days, back to, the life of the very respectable, Maxim de Winter, and his beloved Manderley.

The scene where the newly weds go for a walk in the estate of Manderley; just after the visit of Beatrice (Gladys Cooper), Maxim de Winter’s sister, and her husband, Major Giles Lacy (Nigel Bruce); a stairway to the beach below is shown, and we see that Mr. de Winter is afraid of something. He doesn’t want to descend downwards (not just literally, but also neither does he want to lose his status and honour; thus his attachment to Manderley, despite everything; nor bring back his haunting memories, associated with this particular beach). Their dog, Jasper, gets loose, and the new wife runs behind it, and comes across an isolated and neglected cottage, which has gone to wreck and ruin. She meets Ben (Leonard Carey) a crazy man who keeps repeating, “she ain’t comin’ back is she”. An obvious reference to the disappearance/death of Rebecca. Maxim de Winter’s reluctance to come to the beach, his new wife’s meeting with Ben, and de Winter’s angry reproach, afterwards, towards his young wife, for going into the cottage; all accounts to the fact, there is something mysterious and secretive, in relation to this private beach of theirs.

The West Wing: The most beautiful room in Manderley

The West Wing: The most beautiful room in Manderley

Almost soon after this incident, the scene involving the West Wing, is again in relation to the sea. The room in which once Rebecca slept, with an admiringly cruel undercurrent, is showcased by Mrs. Danvers, to the new Mrs. De Winter. As if in a trance, Mrs. Danvers tells the new bride, to just listen to the sea, and how soothing it is. Just then a ferocious wave splashes onto a rock, echoing a loud roar of pain and power. Yet, this manipulation on the vulnerable second Mrs. de Winter, backfires, and we see her gain strength momentarily, and get rid of all of Rebecca’s belongings, in the morning room, stating, “I’m Mrs. de Winter now.”

This is the first instance, we see, of her coming out of her shell of fear. Yet, the conniving Mrs. Danvers reciprocates, by conning her into dressing up in a mid-19th century ballroom dress, worn by an ancestor of de Winter, for the upcoming costume ball. Unfortunately, Rebecca had worn the exact same dress, for the costume ball held, the year before. Which only agitates Mr. de Winter, and shock some of the already present guests. We hear Beatrice gasp, uttering the words, “Rebecca”, in horror.

Now comes the most interesting sequence. The twist in the tale. The shocking climax. The foggy morning, the sea finally reveals, all the secrets of the de Winter household. The night of the costume ball, when second Mrs. de Winter, confronts Mrs. Danvers, about the outfit; and as Mrs. Danvers tries to, hypnotically, get the new bride to commit suicide, by jumping off the windowsill in Rebecca’s room, in the west wing; suddenly fireworks flare up, awakening them, as if from a trance. A diver had discovered the wreck of Rebecca’s sailboat, resting below on the ocean bed. But what’s worse is, Rebecca’s body too, was discovered inside the boat. Then who was the woman, Maxim de Winter identified as being Rebecca’s dead body, washed ashore, the night she went missing?

Joan Fontaine & Judith Anderson in a scene from Rebecca (1940)

Joan Fontaine & Judith Anderson in a scene from Rebecca (1940)

The day of revelation, the day of reckoning, is finally here. The day after the costume ball dilemma. It’s early in the morning, it’s still very dark. Through the fog blanketed strip of the private Manderley beach; that Maxim de Winter, early on feared to tread on; the new Mrs. de Winter, goes looking for her husband. She meets Frank Crawley (Reginald Denny); loyal friend of her husband’s, and her confidant; on the way. He let’s her know about the discovery of the boat. She ultimately finds the ever brooding, Maxim de Winter, in a state of despair, in the neglected cottage, where she first met Ben. Here he reveals to her what really happened the night Rebecca was killed.

This is one of the most interesting sequences, in the whole movie. As Maxim de Winter, sums up the happenings of the night Rebecca died, to his second wife; there is no flashback scenes, no ghostly figure hanging around, no windows/doors, shutting/opening abruptly, no glass breaking, nothing. The camera pans the room; from the sofa, and the coffee table, with an ash tray filled with cigarette butts, towards the door, where Mr. de Winter is standing, re-capping the events of that ill-fated night; and we, the audience, imagine Rebecca in the room. It must take a genius like Alfred Hitchcock to make that possible.

Here we, along with Joan Fontaine’s character, find out that Rebecca, wasn’t a nice person, as everyone believed she was. In fact, she flirted and seduced, everyone around her. She wasn’t a faithful wife. And this cottage was her hideout, where she brought her lovers. She fooled everyone. And that particular night, she had conned Maxim de Winter, into believing she was pregnant, with the child of her wayward cousin, Jack Favell (George Sanders).

Though mostly faithful to the novel, this is one of the major areas in plot, that the movie, Rebecca, differs to that of the book, Rebecca, due to silly censorship rules, Hays Code, of the time, under William H. Hays. But despite that setback, Hays couldn’t ruin the movie, and in fact, Hitchcock’s Rebecca ended up being a masterpiece. I want give away the main difference in plot here. Most of you film, and literature, buffs would already know. But those who don’t. Read the Book. Watch the Movie.

The movie, then lets us know, how Mr. de Winter, carried the dead body of Rebecca, placed it inside the boat, drilled holes, opened up the seacock’s, and sent it to sink in the middle of the ocean, never too be found. Until, unfortunately, a diver accidentally did. But the recovery of the boat and the body, weren’t exactly a bad thing. For the lead characters discover a whole lot of other truths. Like the fact that Rebecca wasn’t pregnant at all, it was something else altogether. The new wife, who’s been living under the shadow, of the dead wife, suddenly matures and finds strength, and is able to support her husband. Specially now that she knows, that Maxim never loved Rebecca, she’s not afraid anymore. When there are no more secrets between the couple, their bond strengthens. It’s still a very tragic movie. Mrs. Danvers can’t handle the truth, or rather what she is made to believe to be true, and takes it upon herself, to make sure, the newer couple could never lead a happy life in Manderley.
Rebecca towards the endJust like the oceans ferocious waves, the roaring fires engulfing the beautiful mansion of Manderley; with the figure of Mrs. Danvers in the west wing, and the burning monogrammed ‘R’ (for Rebecca), on the silky satin négligée case; are beautifully captured. There is some excellent cinematography here, especially the way the beautiful interiors, of Manderley, are filmed. A masterwork of cinema, by a mastermind of aesthetics, suspense and intrigue.

Facts relating to Rebecca
Released in 1940, Rebecca was altogether nominated for 11 Oscars at the 13th Academy Awards held in February 1941, and won 2 Oscars. One for ‘Best Picture’ (back then known as ‘Outstanding Production’) and one for ‘Best Cinematography’ to George Barnes. This was the 1st and only win, for a Hitchcock film, and for American cinematographer, George Barnes. The Oscar ceremony of 1941, was the very first time, that the winners names remained a secret, until they were announced, just before they received the prestigious trophy. Filmed in Black & White, when Hollywood was going through a newly discovered obsession with colour, Rebecca, which was Alfred Hitchcock’s very first American film, is considered one of the Best Films, within the 120 year old history of Cinema. Plus, the character of ‘Mrs Danvers’ (played by Judith Anderson), is known as one of the best villainous roles ever. Rebecca is one of the rare movies, which has an interesting blend of varied genres, that explores, film noir, romance, mystery, psychological thriller, Gothic literary horror, incest, adultery, crime and drama. Yet, despite all those ingredients, it’s a movie, made in such a way, that’s it’s suitable for all ages.

Pure Excellence!!!!! Pure Cinema!!!!!

I wrote this post for the Beach Party Blogathon, organised by Ruth of Silver Screenings and Kristina of Speakeasy.

Hitchcock’s Rebecca (1940), considered the best adaptation of Daphne du Maurier’s famed 1938 novel, happens to be my favourite movie adaptation of a novel, that I have read. Hitchcock is superb in creating atmospheric dread, and none the better, as he does here. Especially using the natural elements, such as the vast ocean. Rebecca is among my Top-5 all time favourite movies ever.

Beach Party Blogathon (June 2015)
Beach party for RebeccaThank you Ruth and Kristina, for letting me be part of this interesting Blogathon. Thoroughly enjoyed it.

Cheers
Nuwan Sen

Sometimes I end up watching such great movies, but I never get to blog about them. A good example is the three excellent films I watched in March 2015; Lee Daniels’ The Butler (2013), Haider (2014) and Her (2013). I never got a chance to write even a mini-critique on them. Thus this month I though, I should do a post, of all the films I watched in May, including the best, the bad and the not so bad.

My May Movies 2015

So here is a round up of the all the films (feature length, short film, television movie & television mini-series) I watched this month, May 2015.
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Le Vice et La Vertu (1963)

Le Vice et La Vertu (1963)Director Roger Vadim’s Le Vice et La Vertu, is mostly a chic sexploitation of his then life partner, Catherine Deneuve. Roger Vadim was a very aesthetically stylish director of his time, yet somewhat lacking in great story telling; who was notorious for the way he directed his two bewitchingly beautiful wives, Brigitte Bardot (in the 50’s) and Jane Fonda (mid-60’s to early 70’s), as well as his equally beautiful life partner, Catherine Deneuve (the early 60’s). All superb acting talent, but Vadim, preferred to turn them into sex-symbols of the 50’s & 60’s. Not that he was necessarily pervert, but he admired their beauty, femininity, elegance and grace; and he liked to flaunt their sexuality on screen. Yet, post-Vadim, all three femmes, went on to become some of the greatest acting talent, that existed/is still existing, in the international platform of cinematic geniuses. Especially when it comes to Deneuve and Fonda.

Le Vice et La Vertu, is a modern adaptation, inspired by, the notorious, Marquis de Sade’s, sadistic, 18th century text, Justine, ou Les Malheurs de La Vertu (Justine, or the Misfortunes of Virtue). Set during the second World War, the movie is about a group of elitist Nazi officers, residing in a remote Austrian chalet, who abduct pretty young French goddesses, and use and abuse them (sexually & otherwise) for their sexist/perverted/machismo pleasure.

Le Vice et La Vertu is beautifully filmed in black and white, yet unfortunately it’s not the best of movie viewing. This was Catherine Deneuve’s first notable role, and she plays the character of, the virtues, Justine, whose life is ruined by these monstrous Nazi officers.

It’s still a watchable movie, average fare. So do give it try for Vadim and Deneuve’s sake. It’s worth checking out, at least once. I watched Le Vice et La Vertu, on TV5MONDE. The first film, I watched this month.

My Rating: 6/10!!!
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American Hustle (2013)
Set in the 70’s, American Hustle, is based on real life events. As the movie starts it states that, “Some of this actually happened”.

The story is about the FBI (ABSCAM) operation, that took place in the 1970’s and early 80’s. An FBI agent (Bradley Cooper), ropes in two con-artists (Amy Adams & Christian Bale), to help him with a massive sting operation on catching corrupt American politicians red-handed.

Amy Adams

Love the movie, Love the 70’s setting, Love the cast. The acting talent involved is impeccable with Amy Adams, Christian Bale, Bradley Cooper, Jeremy Renner, Jennifer Lawrence, Louis CK, Jack Huston, Alessandro Nivola and Elisabeth Röhm. David O. Russell’s American Hustle, was nominated for 10 Oscars, but didn’t win any.

I watched this near perfect, Hollywood, vintage, crime drama, American Hustle, on HBO Hits.

My Rating: Near Excellence!!!! 9/10!!!!!
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Warm Bodies (2013)
A Zombie Rom-Com!!! Warm Bodies was surprisingly pretty good.

Nicholas Hoult plays a zombie, residing among other living dead, within the confines of an airport. Those first few minutes of the film, was hilariously excellent. It was like a short film, within the feature film. Then came the humans. And the zombie finds a pulse, and a heart beat.

This is where the film, directed by Jonathan Levine, starts to descend, and I felt it would end up being one of those tasteless, blood and gore, flicks, with a romantic input. But luckily it wasn’t that kind of a movie, and the romance didn’t really ruin the movie experience for me. I know the story sounds pretty silly, and certain parts of it are, but I actually enjoyed it, and ‘twas way better than what I expected it to be. In fact, it was altogether a fun ride.

Warm Bodies is told from the zombie’s perspective, which itself makes it pretty unique. I’d Love to read the novel by Isaac Marion, this comical take on this zombie apocalypse, is based on.

Watched Warm Bodies on HBO On Demand.

My Rating: 7/10!!!!
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Summer in February (2013)

Summer in february WeddingSummer in February is one of the most disappointing Heritage Films, I’ve seen till date. Based on a true story, this British film revolves around four famous Impressionist Artists (the Lamorna group), from the Edwardian era; especially the real life tragic love triangle involving two artists (Alfred Munnings, and his unhappy wife, Florence Carter-Wood) and a young military officer, Major Gilbert Evans.

Beautifully set, in the countryside, on the Cornwall seascape; with great potential, and capability, of being a really great film, Summer in February stars Dominic Cooper, Dan Stevens, Emily Browning, Shaun Dingwall, Hattie Morahan, Tom Ward-Thomas and Max Deacon. Directed by Christopher Menaul, the film is so poorly made, that it’s not really worth watching. Sadly a pretty bad movie, and a total waste of time.

Watched Summer in February on HBO On Demand

My Rating: 4/10!!
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Transcendence (2014)
I was pleasantly surprised. It’s actually a very good movie. Not one of those films, where special effects take over, and rule and ruin a movie. I already did a post, two weeks ago, soon after I watched it. Check it out – Transcendence of an already Superior Brain.

I saw, this really good, directorial debut by, Cinematographer, Wally Pfister, i.e. Transcendence, on HBO On Demand.

My Rating: 8/10!!!!
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This Property is Condemned (1966)
One of DVD’s I bought during my Aussie trip in November 2014. Money well spent, for Sydney Pollack’s This Property is Condemned; starring Natalie Wood and Robert Redford, which happens to be a brilliant piece of cinema; is definitely a keeper. Am glad it’s part of my movie collection. Sultry Wood is just breathtaking, in her flirty, yet naïve, role, in this cinematic wonder, set in the sizzling heat of the 30’s American deep south. I already did a post on this one-of-a-kind tragic love story, an elongated version of a one-act play by Tennessee Williams, soon after I watched it. The script was co-written by Francis Ford Coppola. To read my review on This Property is Condemned, see my post Condemnation of a woman during the Depression era of the American south, from less than two weeks ago.

This Property is Condemned Wood and Redford

This Property is Condemned is just the second DVD, I watched this year. Haider, I mentioned atop, was the first (and that was back in March 2015). I still have some of films I brought from Australia, late last year. And added to which, I got down a few Hindi films, from New Delhi, India, back in February 2015. Haider happens to be one of them. This Property is Condemned, is the best, and my favourite, movie, from among all these movies, I watched this month.

My Rating: Excellent!!!!! 10/10 !!!!!
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Good People (2014)
Starring James Franco (one of my favourite actors today), Kate Hudson, Tom Wilkinson, Omar Sy and Anna Friel; Danish director, Henrik Ruben Genz’s, Good People, shows how even a little greed can make the nicest people take a wrong turn in life.

Once a couple accidentally come across some stolen money, they decide to keep it for themselves, than turn it over to police. Soon the couple find themselves in trouble with, the deadly culprits responsible for the stolen cash, their adversary, and the cops. Quite generic, extremely uninventive, and very  predictable. Yet pretty good viewing. James Franco is brilliant, as is the rest of the cast. It’s thanks to these really good actors, that the movie is this good.

I watched Good People on HBO Hits

My Rating: 7/10!!!!
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Les Apaches (2013)
A totally senseless movie, dealing with teenagers, theft, and a senseless killing. It’s not even worth writing about. Really Bad! A waste of time.

I watched Les Apaches on TV5MONDE.

My Rating: 3/10!!
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Bessie (2015)
This television movie, is a really good Bio-Pic, on the life of legendary African-American blues singer, famously known as The Empress of the Blues, Bessie Smith.

Queen Latifah, as Bessie, does a superb job, paying tribute to an American icon. Directed by Dee Rees, the film also stars, Mo’nique, Charles S. Dutton, Mike Epps, Khandi Alexander, Oliver Platt, Bryan Greenberg and Michael Kenneth Williams.

Bessie, is the only television movie I watched this month, not counting the mini-series Olive Kitteridge, which I watched later.

Watched Bessie on HBO On Demand.

My Rating: 8/10!!!!
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Amour (2012)
A promise to love one another, till death do them apart. Sad, tragic and beautiful.

Austrian film director, Michael Haneke’s, Amour, is about a retired old couple, both music teachers, residing in Paris, enjoying life. They are seen leading a highly cultured, posh, tasteful, happy and relaxed life, going out to concerts, reading intellectual books and spending their free time well. And they are always together. Yet, one day the wife has stroke, and she’s bedridden. Her husband stays by her side, taking care of her, till her time is up.

Great acting, great direction, and a brilliant art-house film. A nouveau, new-wave, if you may. This French Film stars veterans, Emmanuelle Riva, Jean-Louis Trintignant and Isabelle Huppert.

Amour was nominated for 5 Oscars, including for ‘Best Picture’, ‘Best Director’, and a ‘Best Actress’ nomination for Emmanuelle Riva. Making her the oldest actress to be nominated for an Oscar that year. The 85th Academy Awards, was being held, on her 86th Birthday, itself. Pity she lost out to Jennifer Lawrence, for Silver Linings Playbook (2012). It’s also interesting to note, while Riva was the oldest nominee, the youngest ‘Best Actress’ nominee, was 9 year old, Quvenzhané Wallis, for Beasts of the Southern Wild (2012), that year.

Winner of the Palme d’Or, at the Cannes Film Festival, in 2012; and Oscar winner for ‘Best Foreign Language Film’, at the 85th Academy Awards, the following year; Amour is the best French Film, I watched, on TV5MONDE, this month. Plus, it’s the last Palme d’Or winner I watched (See my list Palme d’Or Winners – from the past, that I’ve watched so far, on IMDB, seen only 18 winners so far).

My Rating: Excellent!!!!! 10/10 !!!!!   
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Noah (2014)

Noah - Douglas BoothOne the least impressive Biblical adaptations on screen.

Logan Lerman (a young favourite of mine) as Ham, is nothing but a juicy piece of tasty looking ham, a total disappointment. Lerman, generally a really good actor, just hams it up, in this movie. Pun(s) intended.

With an impressive cast; including Anthony Hopkins, Russell Crowe, Jennifer Connelly, Douglas Booth and Emma Watson; Darren Aronofsky’s Noah is one of the most boring, and time consuming, films, I watched this month. Pretty Bad!

Watched Noah on HBO On Demand.

My Rating: 4/10!!
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Eight Below (2006)
Very good movie, set in Antarctica, and inspired by true events.

A story about how an abandoned group of dogs, survive the harshest of winters in the south pole. A very sad movie, beautifully made by Frank Marshall, and starring Paul Walker, Jason Biggs and Bruce Greenwood.

Eight Below

My puppy, Gingerella, sat through the whole movie with me, watching it from here and there, and being confused as to what those dogs were doing inside a flat wide screen.

Saw Eight Below on HBO On Demand.

My Rating: 8/10!!!!
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Bombay Velvet (2015)
Beautiful costumes. Era of the late 40’s, 50’s & 60’s captured well. Stylish. Nice music. Story pretty good. Acting pretty good (especially Karan Johar, who is spot on, in his cool, effeminate, villainous persona). Ranbir Kapoor’s hair do, and body language remind one of classic Bollywood hero’s like Kishore Kumar and Joy Mukherjee. Anushka Sharma captures the vintage styles to perfection. Yet, Anurag Kashyap’s Bombay Velvet, is a very poorly executed movie. It’s not a bad movie as such, it’s just not a good film either. And definitely not worth sitting through on the Big Screen. And I watched it on the Big Screen. The travel, the time, the traffic, the heat, the sweat, and icily freezing film hall (which made you feel you were watching the film up in the Alps, open air), were not worth the trouble I had to go through to watch this movie. Bombay Velvet is just the third film I watched on the Big Screen this year. The first two being; P.K. (2014) & The Theory of Everything (2014), in January and February 2015, respectively.

Average fare! Nothing to miss! OK venture!

My Rating: 5/10!!!
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Les Invasions Barbares (2003)
A hilariously excellent comedy, with a touch of sadness. Les Invasions Barbares, a.k.a. (English title) The Barbarian Invasions, is about a dying man, spending his last days, in the company of his old friends, flames, his ex-wife and his estranged son. It’s witty, crazy, sad, and a lot of fun. Simply Hilarious!!!!!

Directed by Denys Arcand, the movie comprises of actors, Rémy Girard, Stéphane Rousseau, Dorothée Berryman, Marie-Josée Croze, Louise Portal, Toni Cecchinato, Marina Hands and Yves Jacques.

One of the Best Canadian films I’ve seen. Watched, this Oscar winning, Les Invasions Barbares on TV5MONDE.

My Rating: Excellent!!!!! 10/10 !!!!!  
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Papa Oom Mow Mow (2014)
The only short film I watched this month.

This short film is about a young punk, a rebel, who doesn’t find happiness in his way of life. Set in Rouen, France, Papa Oom Mow Mow, does a superb depiction of the 1980’s. Especially with the punk hairdo’s and very 80’s fashionable attire. But, it is just an average film, not a great movie to sit through.

Watched Papa Oom Mow Mow on TV5MONDE, just after Les Invasions Barbares.

My Rating: 5/10!!!
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Olive Kitteridge (2014)
True this is not a movie, but a mini-series. Yet a mini-series, is almost like a four hour long television movie. Thus, Olive Kitteridge, the only mini-series I watched this month, has every right to be on this list.

Olive Kitteridge

The show revolves, around a depressed, miserable woman, Mrs. Olive Kitteridge, living in a fictional, sleepy, New England town, in Maine, USA. It specifically explores Mrs. Kitteridge’s relationship; with her husband, Henry Kitteridge; son, Christopher Kitteridge; family acquaintances; and other townsfolk. Olive is very good at keeping her emotions to herself, not letting anyone in. Beneath her harsh exterior, lies a soft heart, and thus she suffers for it, all on her own. Whilst others dismiss her as an unfeeling, crude and sarcastic, woman, with no feelings what so ever. Yet, Olive Kitteridge, too is woman, who’s very adamant, highly negative, stuck in her old ways, and never willing to change. At the same time, we see her open minded attitude, as well, especially when she tells off a narrow minded man, for rejecting his daughter, because of her sexual orientation. Olive Kitteridge, is a good housewife, but not a great wife. Her maternal instincts pop up, in concern for a miserable son of depressive woman, but Olive Kitteridge, herself , is far from being a perfect mother, to her own son. She is a complex character, who’s living, ’cause she is alive, leading an unhappy existence. Her routine life goes on and on, and she has no desire to continue living; yet she saves unhappy people from giving up on life, and who plot to end their own lives. At the same time, her complicated son resents her, for ruining his life, and making him feel like a failure, besides the fact he’s a well to do podiatrist.

Frances McDormand and Richard Jenkins are superb in the lead, as are the supporting cast, including John Gallagher Jr., Zoe Kazan, Brady Corbet, Cory Michael Smith, John T. Mullen, Peter Mullan, Jesse Plemons and Bill Murray

This excellent mini-series, is set, within a span of 25 years; from around 1980 (when the Kitteridge’s are in their middle-ages, with a teenage son), till about the mid-noughties (when the widowed Olive Kitteridge leads a lonely life into her old age). Beautifully filmed, with a bleak outlook throughout the show, the second episode has some really interesting sequences of magical realism. Yet, this is shown through the eyes of a depressed young medical student, thus not meant to seem realistic. It’s only in his mind. Yet it’s a surreal experience. The show, through various episodes deals with crime, drama, romance, desire, psychology, loneliness and tragedy. A must see!!!!!

Watched, this four part, mini-series, Olive Kitteridge, on HBO On Demand, within two days (two episodes each day).

My Rating: Excellent!!!!! 10/10 !!!!!   
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Michael Kohlhaas (2013)
The French Film, Michael Kohlhaas, is based on a novel, which is loosely based on the life of the merchant, Hans Kohlhase (1500-1540), a 16th century historical figure, from Germany.

The movie, is about an ordinary man, who seeks justice, for the insensitive treatment of his horses, his man servant, and later the murder of his wife. When turned down, he ends up plotting revenge against the whole elitist system.

Quite dull, but due to a pretty good storyline, the movie was watchable. Definitely not a great historical drama. Yet a must see for any history buff.

The movie; directed by Arnaud des Pallières; stars Mads Mikkelsen, in the lead (as Michael Kohlhaas), alongside Denis Lavant, Sergi López, David Kross, Swann Arlaud, Bruno Ganz, Amira Casar, Roxane Duran (in a cameo, as the Princess) and little Mélusine Mayance (as Michael Kohlhaas’ daughter).

Watched Michael Kohlhaas on TV5MONDE

My Rating: 6/10!!!
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Dolly ki Doli (2015)

Sonam kapoor as DollyHeaded by Sonam Kapoor in the lead, this is a comedy about a little group of swindlers, who rob the rich and vulgar, through Dolly (Kapoor), their star con-woman. She marries into these, Mama’s and Papa’s, boy’s, who haven’t much of backbone, and robs them blind on her wedding night. Meanwhile a cop, who seems to have a personal vendetta, against Dolly, is on the lookout for her.

Bollywood film, Dolly ki Doli, has the capability of being a really good, authentic, comedy, but it fails to deliver. A bit of drag, unmemorable songs, and the predictable love angle, kind of ruin it. But I do like the fact, the movie didn’t dive back into her past romance, of being ditched, and reason for her being a con woman. That’s all showcased within one flashback song sequence. And I did love the way the movie ended. The special appearances by, Saif Ali Khan, real life royalty playing a fictional Prince, and the breathtaking, Malaika Arora Khan, in a seductive musical number, were an added bonus.

Dolly’s character, was very well handled by fashionista Sonam Kapoor. Among her ditched line of grooms, we see, actors Rajkummar Rao and Varun Sharma, who don’t easily give up on her, nor the loot. The cop was played by Pulkit Samrat. This was the directorial debut of Abhishek Dogra.

Watched, the Hindi film, Dolly ki Doli, today (Sunday) afternoon, on Star Plus.

My Rating: 5/10!!
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