Tag Archive: Film Stars


Quote of the Day, from my 2019 Calendar!

Quoting Doris Day

– Doris Day
(1922 – 2019)

Nuwan Sen’s Film Sense

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Mai May Movies 2019!

Like I did, back in Year 2015 & 2016, I decided do a Blog Post on all the films I saw within this Month of May, 2019!!!!!

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The

Feature Films

The Front Page (1931)

Watched on Sunday Afternoon, 12th May 2019! Downloaded Film!

A Downloaded Movie, downloaded way back in July 2017! Have a load of Downloaded films, from July 2017, am yet to see!

The Front Page (1931) is an interesting satire centered around the Press. Earl Williams (George E. Stone), a Caucasian/white American man and supposed Communist revolutionary, claiming innocence, is convicted of killing an Afro-American cop, and is to be hanged. The court press room, situated right next to the gallows, is waiting to cash in on the latest, and cover the hanging of Earl Williams. Sometimes we see how desensitized reporters can be; for them it’s just the next story. But when the convict escapes, and is found by reporter, Hildy Johnson (Pat O’Brien); who’s about resign, get married and leave for New York, from Chicago; yet keeps getting roped in by his conniving editor, Walter Burns (Adolphe Menjou); and when Hildy Johnson realizes that Earl Williams is innocent; Hildy is hell bent on proving Earl Williams’ innocence. Of course, for Hildy, it still is the latest scoop, but he wants to save an innocent man’s life as well. A hilarious comical take on the world of news-reporters, based on the play, The Front Page, by two ex-Chicago reporters, Ben Hecht and Charles MacArthur, which was 1st staged on Broadway in 1928!

This 1931 pre-Code comedy, is a premake of Howard Hawks’ His Girl Friday (194O), minus the ‘Girl Friday’, as intended in the original Broadway play (a play I haven’t read yet). But His Girl Friday is far more an enjoyable romp than The Front Page. Cary Grant and Rosalind Russell had great chemistry in the 194O classic, as a formally married couple having to work together, and the wife, Hildy (Russell); in lieu of the male Hildy (gender swap) from the original story; constantly getting pulled in by her editor/ex-husband (Grant) and the candlestick phones that keep ringing off the hook, even though she wants to get away and get married to someone else. His Girl Friday is among the greatest comedies ever made. Reporting is in their blood, the love for the job, for both (female) Hildy in His Girl Friday and (male) Hildy in The Front Page. The Front Page‘s Hildy is actually named Hildebrand Johnson, and ‘Hildy’ is short for Hildebrand, an affectionate nickname.

Though The Front Page, directed by Lewis Milestone, is not pure excellence (not just compared to His Girl Friday, but in general); it still comes really close! A Near-Excellent, brisk, fast paced, romp with witty dialogues; that is a must watch; especially for fans of film and literature!!!!! This movie was nominated for a trio of Oscars (‘Best Picture’, ‘Best Director’ & ‘Best Actor’ – for Adolphe Menjou) at the 4th Academy Awards! Lewis Milestone had already won two ‘Best Director’ Oscars. One for Two Arabian Knights (1927), in the ‘Comedy’ category, and the other for one of my favourites films on World War I, a pre-Code anti-war film, All Quiet on the Western Front (1930).

The Front Page is a near-Excellent comedy!!!!

My Rating: 9/10!

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La Chienne (1931)

Watched on Sunday Night, 12th May 2019! On TV5MONDE!

Directed by Jean Renoir, La Chienne (1931) is about a depressed married man who falls for a streetwalker (the title, the English translation of which reads as ‘The Bitch’, is a reference to her character; a character that is both conniving and foolish) and has a clandestine affair with her. Lulu (the streetwalker played by Janie Marèse) however uses the man that loves her, Maurice Legrand (Michel Simon), for the man she is in love with, her pimp, Dédé (Georges Flamant); who in turn uses her using Legrand, for his own personal gain. Legrand’s artworks are sold by Dédé making Dédé rich; and leaving Legrand a penniless vagrant.

A really good socially critical look at human relationships, showcasing how selfishly people use one another for their own benefits! La Chienne might not be an excellent French film by Renoir, yet it’s a very good thought provoking movie, with a brilliant concept. The finalé is both tragic and comic, at the same time. The satirical state of fate of mankind.

Actress, Janie Marèse, who played Lulu, was tragically killed in a car accident, soon after the filming wrapped up. Marèse’s real life lover, and her co-star, Georges Flamant (who debuted as Dédé, in La Chienne) was recklessly driving the car. He survived the accident, but his career was seriously damaged by the press.

La Chienne, released few months after Marèse’s death, was director Jean Renoir 2nd Sound film (as in with synchronized sound)!

My Rating: 8/10!

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Drums Along the Mohawk (1939)

Watched on Monday, 6th May 2019! Downloaded Film!

John Ford’s very 1st movie made in Technicolor, Drums Along the Mohawk (1939) was the 1st movie I watched this month (another Downloaded Movie, from almost two years ago).

Produced by Darryl F. Zanuck, this Historical story, is about a newly married couple who make a new home close proximity to White settlers at Mohawk Valley on the New York frontier and find themselves at the heart of the American Revolution of 1765 – 1783.

The Year is 1776, the newly married couple get roped in by Mohawk Valley’s settlers who’ve formed a local militia in anticipation of an imminent war against them, by Tories (British loyalists) and Tories’ American Indian allies. Soon war ensues, with women and children lending a helping hand. A crucial point of the plot is the Battle of Oriskany, a pivotal engagement of the Saratoga campaign, which was one of the bloodiest battles of the American Revolution. A small group of Brits, travelling south from Canada, invaded the Mohawk Valley as a diversion. Fort Stanwix, that was besieged, is depicted as Fort Schuyler in the film. Fort Stanwix was renamed Fort Schuyler in 1776, only after the battle. Plus, Britishers hand in the war, has been toned down, it’s practically non-existent. Apparently there are lot of minor inaccuracies. Especially, due to the brewing war in Europe at the time, Ford didn’t want to show the British as villains, as the Brits were fighting against German Nazis, the modern day villains, in a modern day war.

Though lacking in historical accuracy, the movie does manage to capture the essence of the American Revolution, through retelling of a small deviation branch of the war. Thus, it’s still a really good movie, led by Henry Fonda and Claudette Colbert. The colourful cinematography is breathtakingly beautiful, and the movie was nominated for two Oscars, including for ‘Best Cinematography’ (in Colour), to Ray Rennahan and Bert Glennon, at the 12th Academy Awards, held in 1940. Ray Rennahan was also nominated, the same year, for ‘Best Cinematography’ (in Colour), alongwith Ernest Haller; for (1939), for which Rennahan and Haller, won!! With the exceptional Gone with the Wind, in competition, it’s obvious that Drums Along the Mohawk didn’t have much scope. None the less, it’s still a really good movie.

My Rating: 8/10

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The

Short Films

Dream House (1953)

Watched on Friday, 10th May 2019! Online on YouTube!

Dream House (1953) is a short Indian English-Language Film, starring Ashok Kumar and Meena Kumari. An advertorial film from Dunlopillo, UK (a popular brand for pillows and mattresses in India at the time; which Kumar happens to have in his stylishly decorated home). I came across this beautifully filmed short flick by fluke, that Friday night! Shot inside Ashok Kumar’s house, with cool contemporary Indian interior design (love the décor), as Meena Kumari visits (for they’ve been rehearsing for director Bimal Roy’s Parineeta (1953) a.k.a. The Fiancee; based on a book by Sarat Chandra Chattopadhyay (sometimes credited as Sarat Chandra Chatterji), a beautiful novel; of which the English translation I read quite recently, maybe ’twas a year or so ago); this quick, less than 3 minutes, short film, is really worth checking out; especially for lovers of Indian cinema; specifically lovers of Bollywood classics from it’s golden age. It was lovely to see a barely 20 year old, Meena Kumari, in a colour film; back in the early 50’s. Seen her colour movies from later on (60’s & early 70’s); but never seen her in colour, when she was so young. Though she’s a good actress and was known as the tragedy queen, back in her hey days, am not a great fan of hers; unlike her contemporaries; like, Nutan, Nargis, Vyjayanthimala, Waheeda Rehman and Madhubala (to name a few Hindi Film actresses of the 1950’s & 60’s, that I adore). But I do admire Kumari in the movies she’s worked in. So it’s not like I dislike her, just not a starry-eyed favourite of mine. Young, Meena Kumari, looks elegantly beautiful in this advertorial short, in a red saree, with a fashionable high-collared blouse!

My Rating: 8/10!

Stars of the Foxy 50’s: Madhubala (1933-1969) and Meena Kumari (1933-1972)
LEFT: Candid shot of Madhubala (51′)
RIGHT: Meena Kumari in a scene from a movie (57′)

Feature Films

Mr. & Mrs. ’55 (1955)

Watched on Tuesday, 28th May 2019! Online on YouTube!

Guru Dutt’s Mr. & Mrs. ’55 (1955) is a hilarious farce, that works well to a certain point, but soon goes downhill.

The movie starts off with Pre-60’s Independent-minded Feminist, Seeta Devi (Lalita Pawar), holding a meeting on petitioning the courts to pass the Divorce Bill. Her secretary informs her, showing her the latest newspaper headline, that the Divorce Bill shall be passed. It’s a woman’s right, if she needs to separate from a bad husband/marriage! Meanwhile her niece, not yet 21, Anita Verma (Madhubala) has secretly gone to see a Tennis match. She has a major crush on Tennis player, Ramesh (a Guest Appearance by Al-Nasir), who does not reciprocate. As Anita tries to escape her aunt’s secretary, who has come to find her at the Tennis match, Anita bumps into a lazy wayward man, Preetam Kumar (Guru Dutt), who at once is smitten by her. Soon, we see Anita turn 21, and is to inherit her late father’s fortune; but according to his will she has to get married within a month of turning 21. The independent-minded aunt isn’t happy, the young girl with a crush on a tennis player, is. But when Ramesh turns down her proposal for marriage, she is crushed. Yet, the fact he plays Tennis is what she truly loves, not necessarily the player. If he didn’t play her favourite sport, she wouldn’t be so crazy about him. The aunt decides to buy a groom, who’ll agree to a divorce, once Anita inherits everything. Who does the aunt rope in, but none other than the jobless cartoonist, Anita accidentally bumped into early on in the movie; beloved, Preetam Kumar. The name ‘Preetam’ in Hindi means beloved.

The movie is laugh out loud hilarious, and the characters have been placed perfectly. Less than a year into Independence, the modern Indian progressive minded city’s educated and elite are beautifully showcased. The movie has some memorable songs, some not so; mostly picturized around Guru Dutt and/or Madhubala. But my favourite number is the comical song, “Jaane kahan mera, jigar gaya ji”, themed around the supporting characters played by Johnny Walker and Yasmin (a.k.a. Vinita Bhatt); during a lunch break at a clerical office. Hilarious, melodic and fun. Mr. & Mrs. ’55 starts to waver when Preetam kidnaps his wife and takes her to his village (today, that would be considered harassment, in itself). In the village she meets Preetam’s sister-in-law (played by Kumkum), who shows how a woman’s place is in her husband’s home, doing all the chores, having kids and taking care of them. An acceptance of domestic violence against wife as being the norm, is mentioned. So basically women have no rights. Cringe worthy. Let’s say it’s village mentality; but soon Anita, who falls for husband during this excursion (lets say a Stockholm syndrome of sorts) starts to feel the same way, and Seeta Devi, with a brain of her own, is shown as the villain of piece. Seriously?? Guru Dutt!?!?! This is when the movie starts to falter. Of course, this pre-second wave feminism, feminist, Seeta Devi, is shown to be a bit of an extremist; hating all men; but instead of providing a moderation, director Guru Dutt has brought out a narrow minded concept that the Indian woman’s place is at her husband’s feet. The other archaic extreme, with a false sense of patriotism. That’s when it disappoints. Mr. & Mrs. ’55 was considered a movie of societal relevance, back then. But it gives such a false message. So, out of the over 21⁄2 hours film, the 1st hour or so is brilliantly excellent, and continues being enjoyably fun for the most part for the next half hour, but falls short towards the last hour.

The 50’s housewife concept existed in the west too (the famed American Dream); but it’s not something artists/open-minded intellectuals condoned. Hollywood never glamorized portraying women to stoop so low. It’s as if, if anyone’s seen Mona Lisa Smile (2003), Julia Roberts’ free-thinking Art Professor were Seeta Devi, and she was shown as the villain of the piece. Mr. & Mrs. ’55 also reminded me of another Bollywood movie, that we watched a kazillion times as kids, Chhoti si Mulaqat (1967). It didn’t fare well with 60’s audiences either. But even though it did seem to some extent pro-wife’s place is at her husband’s home; it wasn’t this extreme, and was actually a very good plot and a near-Excellent movie. It dealt with child marriage, the mental dilemma of the bride as a grown up when she’s reminded of it, as she is about to wed the man she loves, and the modern Indian woman of the 60’s. Her mother is a very progressive woman; against whose knowledge the daughter was wed as child. But in a sense, to some extent, the movie does portray the mother as the villain of the piece. Yet, the plus side is, when the daughter (mostly out of curiosity) defies her mum, and decides that she should be with her husband (a husband she never knew); the husband turns out to be the man she falls in love with as an adult. Luckily! So all’s well, saved by a thread. At least, in the case of Chhoti si Mulaqat, her husband didn’t remain a village idiot, he grew up, studied, became a modern open-minded individual and came up to her standard; and earned his place, in her heart and her social circle. In Mr. & Mrs. ’55, Guru Dutt’s character is still pretty narrow-minded, even though he is a good guy and truly loves her. She definitely deserves better. It ends with the feeling, she’ll be his ideal Indian wife (like his sister-in-law), though it’s doubtful she’ll have to endure physical abuse by Mister ‘Beloved’. But the movie overall isn’t bad, just not great; ruined by that foolishness of where a woman’s place lies; and to some extent a hint against divorce and the Divorce Bill, itself.

In India, before 1955, divorce was not recognized by the Hindus, as according to the Hindu religion marriage is sacrament and not a contract. But with the codification of the Hindu Marriage Act of 1955, both men and women (of Hindu, Buddhist, Sikh and Jain, faith) are equally eligible to seek divorce. In Muslim societies, anywhere in general, the husband could divorce his wife for no reason, without a hitch, while for a wife it wasn’t an easy task to get a divorce, in some cases, not at all. The Dissolution of Muslim Marriages Act of 1939 made amendments for Muslim women in India to obtain divorce, comparatively easier. Christian marriages were (and still are) governed by Victorian era implemented, The Divorce Act of 1869, Parsis by the Parsi Marriage and Divorce Act of 1936, and Inter-racial/religious marriages The Special Marriage Act of 1954! The Hindu Marriage Act in 1955, was implemented on 18th May 1955. Mr. & Mrs. ’55, released the same year, was an acknowledgement of Modern India’s Hindu Marriage Act in 1955, from which the title of the movie was derived. But unfortunately, the hints on the fact that women should succumb to their man’s needs; even though the man in the movie is not a bad man, is still a bit too of an archaic mentality, even for that time. To show that women should succumb to blindly follow traditional values, is a major step backwards. A pity, such a fun flick, with such witty dialogues.

Guru Dutt’s character is a cartoonist, and the cartoons shown in the film were by R. K. Laxman; a style of drawing I recognized instantly, as I watched the film. In one scene, we see a hand drawing a caricature of Lalita Pawar, Guru Dutt and Madhubala. That’s obviously R. K. Laxman’s unaccredited hand. R. K. Laxsman’s creations were another plus for me.

Thus, Mr. & Mrs. ’55, was only averagely good, that too mainly thanks to the hilarious performance by bewitching beauty, Madhubala; and the brilliant, Lalita Pawar. Worth checking out. Even though the latter part, with it’s backward concept, along with the ending, sucked. Mr. & Mrs. ’55 was one of earliest Hindi movies to show an airport reunion, which was done to death, in much later Bollywood films.

Last movie I watched this month (May 2019).

My Rating: 6/10!

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Postscript:

All three stars mentioned here, Guru Dutt, Madhubala and Meena Kumari, died way before their time. Nicknamed, Tragedy Queen, Meena Kumari; who fought off depression and alcohol abuse, finally succumbed cirrhosis of the liver. She fell into a coma and soon left this world, on 31st March 1972, aged 38. The egoistic Guru Dutt; a truly great filmmaker (he has a better filmography than Mr. & Mrs. ’55) unhappily married to Geeta Dutt, and suffering from an Othello syndrome, finally committed suicide on 10th October 1964, after a couple of failed prior attempts. He was only 39 years old.

Born on Valentine’s Day, 1933, Madhubala, at a young age found out she had a hole in her heart (Ventricular septal defect), and won’t live that long. She completed many of her films by 1959, before her illness aggravated. She continued working while suffering through her illness, but by 1966 she was too weak, and could not finish her project, Chalak, co-starring Raj Kapoor. Chalak never saw the light of day. Mostly bedridden from weakening bones and spewing blood, she tried her hand at film direction. However her directorial debut with, Farz aur Ishq, was not meant to be. Ultimately succumbing to her illness, she died on 23rd February 1969, shortly after her 36th birthday; during the pre-production of Farz aur Ishq. Madhubala was admired in both senses, as a sex symbol of 50’s Bollywood (she was called Marilyn Monroe of Hindi Cinema), as well as one of the finest actresses of her time (she too has a way better résumé than Mr. & Mrs. ’55). Madhubala, also almost made it to Hollywood. Both, Life magazine’s James Burke, and American Film Director, Frank Capra, were impressed by her looks and work. James Burke clicked her pictures in 1951, and captioned them, “The Biggest Star in the World – and she’s not in Beverly Hills”. Frank Capra offered Madhubala a break into Hollywood and true international fame, but her father, worried about his sickly daughter travelling so far, politely declined the rich offer of her earning American dollars. Her Hollywood dream ended, then and there. Sad, none of them lived to be 40! Tragic!

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The 70’s

Feature Films

The Last Detail (1973)

Watched on Thursday, 23rd May 2019! Downloaded Film!

The Last Detail (1973) is a sad road trip where two Navy Chasers escort a kleptomaniac to prison. The young man is sentenced for 8 years, for the petty crime of stealing just $40! Good concept, sad story, but such a dull paced movie, it truly was a bore. The only saving grace were the acting talent roped in, including a virtually unknown Randy Quaid, at the time. Jack Nicholson is really good, as always, but did he really deserve to win a ‘Best Actor’ award at the Cannes Film Festival??????

Very Bad! Feel like dozing off, just writing about it.

My Rating: 3/10!

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The White Buffalo (1977)

Watched on Thursday, 9th May 2019! Downloaded Film!

A Western-cum-Adventure film produced by Dino De Laurentiis, The White Buffalo (1977) is another boring waste of time, made in the 70’s decade, that I saw this month. I’d say stay away from this film as well, though it’s not among the worst films ever made. This silly flick is actually beautifully shot in Colorado with it’s snow capped Mountains! What brilliant Cinematography!

Kim Novak has a small role it it! In a sense she’s the only interesting character, besides that ‘White Buffalo’ itself.

My Rating: 4/10!

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This Decade (2010’s)

Documentaries

Roger Vadim with 3rd wife, actress, Jane Fonda; seen here along with her brother, actor, Peter Fonda, in a water taxi in the Venice lagoon, in 1967

Room 237 (2012)

Watched on Saturday, 11th May 2019! Downloaded Film!

Room 237 (2012) is an analysis, with varied speculative theories, behind Stanley Kubrick’s Horror classic, The Shining (1980). Some interesting views through use of symbolism in the movie, but most are crazily extreme. The story of the cinematic version of The Shining (as the original story was a novel written by Stephen King, which apparently differs a lot from it’s cinematic adaptation; and in fact one theorist points out how Kubrick purposely kills off King’s vision, and hints on it in The Shining) metaphorically representing the Holocaust, and the Genocide of American Indians, makes sense, to some extent. BUT, the Apollo 11 Moon landing footage was fake, and directed by Stanley Kubrick (a ridiculous theory I’ve heard of from way before this movie was made), is going way too extreme. Of course, this crazed theorist, who compares the Kubrick’s Horror flick, to a 3D chess set, with various levels, states that he isn’t saying that the Moon Landing didn’t happen, just that the footage was fake. Quite ridiculous, with no factual proof to back his theories, and there won’t be (I sure hope not!). Capricorn One (1977) was a movie about a similar concept of a hoax. A film about NASA faking a Mars mission. In Minions (2015), there is a funny scene, where a Minion stumbles upon the set, where Stanley Kubrick is filming the Apollo 11 Moon landing; an obvious nod to this crazy documentary. The Apollo 11 Moon landing happened on 20th of July, 1969 (see my post The Greatest feat of the Space age: The day humans conquered the moon from July 2013). This year marks it’s 50th anniversary!!!!

So basically, Room 237, is a bunch of Kubrick crazed film fanatics, with unnecessarily extreme analysis, reading way too much into the classic psychological horror movie. Don’t expect an intelligent insight into The Shining, these are just mere observations. None the less, Room 237, is not a bad documentary. It’s average fare at the best. Check it out if you like, it’s watchable after all; especially if you are fan of . YET, watch Room 237, with a beach full of salt, a pinch won’t be enough!!!

My Rating: 6/10!

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Vadim, Mister Cool (2016)

Watched on Sunday Late Night, 26th May 2019! On TV5MONDE!

Vadim, Mister Cool (2016), chronicles the life of Roger Vadim, step by step, perfectly spending just enough time on each stage of his life! From him as a Film Producer/Director/Screenwriter, to a husband, a family man, his success and his downfall. Roger Vadim was notoriously known for sexploitation of his beautiful wives/life partners; but much as he himself feels, in a sense he liberated them from the confines of anti-sexual notions. This was before the sexual-revolution of the 60’s. And each wife/partner left him, once they made it as a sex siren, but becoming something far greater in the end. Yet he did give them that necessary push. 1st wife-Brigitte Bardot (a.k.a. B.B.), partner – Catherine Denueve and 3rd wife – Jane Fonda; all started off as sex symbols of the 50’s & 60’s, under him, and went onto do great work, as actresses, as well as in other fields. B.B. later became an Animal Rights Activist, Deneuve, one the greatest actresses of French Cinema, and Jane Fonda a political activist against the Vietnam War, Nixon administration as well as a fitness guru and actress of very influential American films. At the start of this year (on 4th of January, 2019), I saw Jane Fonda in Five Acts (2018), on HBO On Demand; a brilliant documentary with Jane Fonda herself speaking about her life and life choices. And of course, she speaks of her sex-siren days as Vadim’s wife, as well.

Both Roger Vadim’s success and downfall are credited to French New Wave Director, François Truffaut, who use to be a film critic for the Cahiers du Cinéma. Truffaut, though initially a fan, was mainly critical Vadim’s sexploitation of the fairer sex. But say what you may; whether Roger Vadim help liberate his women from societal pressures of the past, or was a notorious exploiter of women’s sexuality; he was a doting father. He not only adored his kids, but was a hands on father who took care of them. A stay at home dad, role reversal, while his wives went away for work. He was a feminist, in every sense of it. And his women admired him, and some are truly grateful for helping make their career, or at least give them a start. A push in the right direction. Roger Vadim was truly a fascinating personality.

Vadim, Mister Cool, is a Brilliant Television documentary, and great insight into a man’s life, both professional and personal. Loved it! This documentary was shown soon after Carré 35 (2017) ended, on the same cable television channel; TV5MONDE!

Excellent TV Documentary, one of the Best!!!!!!!
My Rating: 10/10!

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Carré 35 (2017)

Watched on Sunday Night, 26th May 2019! On TV5MONDE!

A very personal documentary, by actor, Éric Caravaca. This is the first documentary Caravaca directed. In Carré 35 (2017) Éric Caravaca speaks of a sister, he never knew existed. A sister that died before he was born. Researching his roots, his background, Éric Caravaca discovers his parents life in Algeria and Morocco, of a birth of sister, with autism and a congenital heart defect (back then known as Blue Baby Syndrome), and her ultimate death that his parents hid from him and his brother. This was before Caravaca’s parents came to Europe, and erased the life they had before, including burning all photos and film footage they had of his elder sister, Christine. The parents never spoke about her. Christine was buried in ‘Carré 35’, the French part of the cemetery in Casablanca, Morocco. Caravaca’s mother had never visited the grave. Having suffered a lot, she didn’t want to reminisce on her past. Towards the end of the documentary we see her finally visiting her baby girl’s grave.

A really tragic story where he interviews and (as his mother feels) interrogates his parents, and other relatives, trying to get the truth behind the secret history of his family’s hidden past. Heart-rending! Rather than doing an analysis of a film that in itself is an analysis of Éric Caravaca background, I’ll simply say, its must watch. Carré 35 was part of a series of Special Programs shown on TV5MONDE, in connection with Festival de Cannes 2019 (I couldn’t follow this year’s festival properly). Éric Caravaca was nominated for L’Œil d’Or (Golden Eye) Award, for Carré 35, English Title- Plot 35, at the 70th International Cannes Film Festival,held in May 2017.

My Rating: 8/10!

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Short Films

Uuquchiing (2018)

Watched on Tuesday Night, 14th May 2019! On TV5MONDE!

This short film was telecast soon after Chouf (2016) ended, on TV5MONDE itself.

Uuquchiing (2018), the title means ‘Blue Fox’ in the Inuit language of the Alaskan/Canadian/Greenland Eskimo. The movie is akin to The Butterfly Effect (2004) where a young Evan Treborn (Logan Lerman as the 7year old Evan & John Patrick Amedori as the 13 year old Evan) suffers blackouts and no memory of what happened during his blackout. Similarly here,in Uuquchiing, we see Camille (Johan Libéreau) having no recollection of how he got from one place to another, with no memory of what happened in between. But sadly this short film has such an abrupt sexual ending and no explanation of what happened and why?, it just left a bad taste in the end. You wonder what it was all about!?!?!

My Rating: 3/10!

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Feature Films

12 Years a Slave (2013)

Watched on Monday, 27th May 2019! Downloaded Film!

One of the finest films ever made. Steve McQueen has proven he’s one of the greatest filmmakers of our generation, with this Oscar winning epic masterpiece, 12 Year a Slave (2013). Finally got to see this movie. Had wanted to see it since it came out in 2013, and was even more interested when in won the Oscar for ‘Best Picture’ at the 86th Annual Academy Awards. Managed to download it almost two years ago, and finally, saw it this Monday. I still have so many films, downloaded close to two year ago, from back in July 2017.

The movie follows the true story of Solomon Northup (on whose book this movie is based on), a free Afro-American man from New York State; who conned into travelling to Washington,D.C., and then drugged by two white con-men, and sold into slavery, from where he was sent to work in the plantations of Louisiana, in the deep south. This was in 1841! For 12 years, Solomon Northup (played with excellence, by British actor of Igbo Nigerian decent, Chiwetel Ejiofor) suffers and struggles to keep himself alive through all the atrocities perpetrated on him by a sadistic slave owner (played by Michael Fassbender, another performer of excellent talent). Northup finally gets a chance to tell his story to a good Samaritan, a Canadian laborer and abolitionist, named Samuel Bass (Brad Pitt) when Northup accidentally, by luck, mentions he’s been to Canada. Such a tragic story.

Lupita Nyong’o, has a small, but crucial role in 12 Years a Slave; for which she won the ‘Best Supporting Actress’ Oscar. Been a fan of Nyong’o since she won the prestigious Golden statuette, even though I hadn’t seen any of her films, including 12 Years a Slave. I liked her personality that shone through, whenever and wherever, she was either interviewed or photographed. But, I wondered whilst watching this, as good as she was in this movie (and she definitely deserved the nomination); was she the best that year?? I actually liked Jennifer Lawrence’s performance in American Hustle (2013) much more, who was nominated in the same category as well.

None the less,12 Years a Slave, is among the greatest Hollywood films ever made. It was so long, the film ended way past midnight; it was like 00:40 am, when it finished, and around 1:00 a.m. on 28th May 2019, when I finally went to bed! ‘Twas totally worth it!!

Pure Excellence!!!!! The Best Movie, I saw this month!! May 2019!
My Rating: 10/10!

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Postscript:

Speaking of the following year’s Academy Awards, am surprised Abdellatif Kechiche’s La Vie d’Adèle (2013), English Title: Blue Is the Warmest Color, was not even nominated in the ‘Best Foreign Language’ category at the 2014 Oscars!!!! In fact both lead actresses, Léa Seydoux and Adèle Exarchopoulos, deserved to be nominated in the ‘Best Actress’ category as well (as neither was a supporting character), if not share a win. Blue Is the Warmest Color, won Palme d’Or at the 66th Cannes Film Festival, held in May 2013. For the very 1st time in the competition, both the lead actresses were awarded the Palme d’Or, along with the film’s director, Abdellatif Kechiche. 12 Years a Slave is definitely a brilliant bio-pic, and I loved it, but I feel this French film, was slightly better.

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Chouf (2016)

Watched on Tuesday Evening, 14th May 2019! On TV5MONDE!

Chouf (2016) literally meaning to “look” in Arabic, is a French film set within the drug cartels of Marseilles. In a Godfatherique style (à la The Godfather, 1972) the lead character, Sofian (played bu namesake, Sofian Khammes), a young man with a genius brain, an intelligent student, comes home for the holidays; and when a loved one gets shot, his whole world changes. In this case, unlike the The Godfather, Sofian joins the drug network to avenge his brother’s death; leaving behind his family and the progressive life, with a good education, he had hoped to be part of. His brother was a local gangster, a drug dealer, and is killed by another member of their secret network. We see Sofian getting dragged deeper and deeper into a life of crime, with no scope of an exit, as he tries to find out who was responsible for his brother’s death.

A really good movie, by Karim Dridi, who does not shy away from realistically showing us life in the French ghettos of Marseilles. Plus, the film, to some extent predictably, shows us how difficult it is too get away and lead a normal life, once someone gets deeply immersed into drug gangs in the brutally dangerous slum areas of Marseilles. Dridi’s Chouf, was released under the Special Screenings at the 69th International Cannes Film Festival held in May 2016.

Chouf too, like Carré 35, was shown as part of a series of Special Programs telecast on TV5MONDE, this month, in connection with Festival de Cannes 2019!!!!

My Rating: 8/10!

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Rutabaga (2018)

Watched on Monday, 13th May 2019! Online on iflix!

Director, Julien Botzanowsk’s horror flick, Rutabaga (2018) seemed to work till a certain point; but then it got ridiculously silly! The end was so stupid. Yet, I did like Botzanowsk’s naturalistic film direction as well as the acting talent roped in, including Julien Botzanowski, himself. But the movie itself was a waste of time, for me.

Interesting to note, 11 days after I saw and tweeted about it (as I tweet about every single movie; the Great, the Bad, the Hideous); I got a message, as a comment here on my Blog, by the director/lead actor of the movie (see my About page), thanking me. After all I did mention, on my tweet as well, that I liked his technique and talent, though not a fan of the cinematic outcome. This is not the 1st time, I got comments from the films directors; twice before two young french directors (Rocco Labbé and Sylvain Bressollette) wrote to me, once I blogged about their short films (see my Blog Posts, Portraits de Maîtresses: Rocco Labbé’s take on Charles Baudelaire, Le Ballon de Rouge (2012/2014) and Young Directors on my BLOG from December 2013, June 2014 & October 2014 respectively). Amazingly all three film directors happen to be French! What lovely, down to earth, good people to write to an odinary blogger/twitterian, like me. None the less, Rutabaga, was not a good movie; but again, Julien Botzanowsk is one to watch out for. Wishing him the best!

My Rating: 1/10

La Révolte des Innocents ()

Watched on Tuesday, 21st May 2019! On TV5MONDE!

Really good movie, based on a real incident!

Théo Frilet plays The Brave Judge, the English title of, La Révolte des Innocents (2018) though not the literal meaning. Set in France, in 1911, in an institute that’s gets a stipend from the government to educate poor children. The kids are not given an education, instead they are made to work, abused and exploited, by the keepers! The story is based on Louise Soliveau and Alexandre Landrin, who’ve been renamed, Joséphine Poliveau (played by Julie Ferrier) and Armand Sandrin (played by Bruno Debrandt) in this television movie. When a 10 year old child dies, under their care; the rest of the kids revolt. When the revolt is reported, this incident slowly starts to shed light on what has been happening at Les Vermiraux, the institute. A young judge, Emile Guidon () takes action and against all obstacles, facing lot of objections, keeps on going till the perpetrators, whose ill treatment and negligence led to the death of a child, are brought to justice.

This is a really good insight into a real life Dickensian Boarding house run by ruthless money hungry bigwigs that abused innocent children!  La Révolte des Innocents, ended past midnight; but just some minutes onto 22nd May 2019!

My Rating: 8/10!

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Nuwan Sen’s Film Sense

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Since Audrey Hepburn’s 90th Birth Anniversay (on 4th May 2019), twitter has been abuzz avec Hepburn tweets! I, of course, happen to be among the main culprits flooding Twitter, along with my fellow Twitterians/Audrey Hepburn fans, with Hepburn related tweets! Happily Guilty! So, thought I’d share my tweets, along with some other Twitterians’ tweets, posted on the 4th of May 2019, as well as post the 4th, within this last week, culminating today!

May the 4th Be with You (Tweets Posted on 4th May 2019)

#NSFS

Tweets Post the 4th (5th to 11th May 2019)

Nuwan Sen’s Film Sense (#NSFS)

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If Audrey Hepburn were alive today, she’d be 90 years old! Just imagine! It’s hard to even fathom; a post WWII, modern, youthful, energetic, fun-loving and fashionable, foxy 50’s generation; that gave us stars like Audrey Hepburn, Elvis Presley, Marilyn Monroe, James Dean, Elizabeth Taylor, Rock Hudson, Grace Kelly, Marlon Brando, et al; would ever grow old! And sadly most of them didn’t; and some died way way way too young. The era of cool! I remember it like it were yesterday, when we heard of Hepburn’s demise in January 1993, at the age of 63. I was 17 years old. Where did the 1990’s go?? Am already in my 40’s, and it’s Audrey Hepburn’s heavenly 90th Birthday, today!

To mark her 90th Birth Anniversary, Audrey Hepburn’s Birth place, Brussels, Belgium; is holding a special exhibition, titled Intimate Audrey, which began earlier this week; which includes contribution from Hepburn’s older son, Sean Hepburn Ferrer (who put together this exhibition).

I wish I was in Europe, right now. If any of my fellow bloggers/Hepburn fans are in Europe these days, and happen to be in Belgium, do check it out! From whatever media I’ve come across about the exhibition, it looks amazing. The exhibition includes the green “Vespa Farobasso” scooter she rode, in Roman Holiday (1953), my all time favourite movie; Hepburn’s own fashion drawings & humanitarian writings, and the Oscar statuette awarded posthumously for her humanitarian work.

A screen legend, a style icon, a kind human with a Big Heart!!!!!! My all time favourite actress!! Great personalities never really die! They live on, through us, their greatest fans, forever!!💓

❤ Hepburn ❤

Nuwan Sen’s Film Sense

 

Green Book (2018) wins BEST PICTURE, at the 91st Annual Academy Awards

The 91st Annual Academy Awards came and went, without a host, and without hitch (so I heard); BUT unfortunately I didn’t get a chance to watch it. This year’s Oscars were not telecast (LIVE or otherwise) on this side of the globe. Neither on Local Channels (which I normally don’t watch) nor on any of the foreign cable channels we get from India and the South East. I wouldn’t be surprised if the local cable operators sabotaged it’s telecast. So many instances where foreign channel’s schedule programs are blocked off and replaced with what these cable operators fancy!! BUT, I did check out highlights online, especially on Youtube, on Monday night!!

I was extra keen of watching this year’s show, as it was a Hostless show, for the first time in 30 years. My very 1st Oscars, was that particular Hostless Academy Award ceremony, from 1989. It introduced me to Rain Man (1988) and Jodie Foster. Of course, that wasn’t telecast LIVE (nothing non-Lankan back then was), but about a month later, on a local channel (most probably on Rupavahini, SL’s National television channel). If I recall correctly, it was after Lucille Ball passed away. AND Ball passed away on 26th April 1989 (The 61st Annual Academy Awards were apparently held on 29th March 1989, according to online sources). We use to watch The Lucy Show (1962 -1968) back then, I believe on ITN (Back in 80’s there were only two channels available here). I remember well, how Ball’s death was not announced, before airing an episode of the show, after her death, as is the custom. The network most probably had no idea who the star comedienne of the Lucy series of shows even was.

What’s more interesting, is 30 years after sitting through my Oscars, I learn the Oscars 1989, was supposedly the worst Oscars ever!!!! I wasn’t a fan of the corny Snow White, but I did enjoy the show. I remember Lucille Ball looking graceful, yet with her nutty laugh intact, in her final public appearance. Remember Walter Matthau, Roger Moore, Melanie Griffith with Don Johnson, Tom Cruise & Dustin Hoffman, and Jodie Foster walking up the stage, in her now famously known, off-the-rack, dress (of course, back then I didn’t know it was off-the-rack). It’s good though, Foster represented herself, today some people lose their identity representing a famous designer (especially if the fashion designer is more popular than star adorning their clothes).

Worst Oscars or not, it’s thanks to the 1989 Oscars, I’ve been following the Hollywood Stars, looking forward to catching the Oscar ceremony, every year, if possible!! Preferably LIVE!!

For more on Oscars 1989 & this Year’s Hostless Oscars……

Let the Pictures below do the talking!!!!!

Julia Roberts @ the Oscars (Year 2019)

Melissa McCarthy & Brian Tyree Henry present the Oscar Award for BEST COSTUME DESIGN to Ruth E. Carter (Oscars 2019)

Becky Neiman-Cobb & Domee Shi, bag the Award for BEST ANIMATED SHORT FILM, for Bao (2018)

Chalamet & Mom
Timothée Chalamet’s absence (and the Oscar snub) was pretty conspicuous, at the 91st Academy Awards

Comedienne, Lucille Ball (1911 – 1989) made her final public appearance, at the 61st Annual Academy Awards (Oscars 1989)

Jodie Foster wins the BEST ACTRESS Oscar in 1989

From this year’s Oscar win’s, I have only seen a shabbily edited version of Bao (2018). From the rest of the nominations, I’ve only watched, the Feature Film, A Quiet Place (2018) and the Live Action, Canadian Short Film, Fauve (2018). BEST PICTURE winner, Green Book (2018) is the movie, am really keen on checking out the most!!

Nuwan Sen’s Film Sense

Oh my DOG!! What a year it’s been.  hasn’t been that kind to me! But no year in this country has ever really been nice to me; especially within the last 9 years that I’ve lived here at a stretch (mostly as a bit of a recluse, despite how much I love to socialize). Stress, depression, and fighting off withdrawal symptoms (being on and off and on again, on meds), fighting off suicidal instincts, dealing with troublesome Lankan trolls on FB (I deactivated it 5 months ago, and keep reactivating briefly and deactivating it), to real life Lankans – judgemental, extremist, narrow-minded, hypocritical n’ inhumane humans, full of false pride, fake sense of patriotism & brainwashed nationalistic attitudes (Argh! Those Lankan egos); has been really bad. I practically hit Rock Bottom! But am a survivor. All my life, I’ve suffered on my own, survived on my own, and still surviving!! Yet, no matter what I go through, I brave a smile, be polite, struggle through utmost patience. AND nobody (unless they’ve read my personal posts) would ever be aware of what am going through.

Yet, trying to be as positive as possible, I have to say, finishing Arundhati Roy’s The Ministry of Utmost Happiness, and seeing Luca Guadagnino’s Call Me by your Name (2017), earlier this year, and falling in love with them to the extent that, Arundhati Roy’s second novel ended up being my all time favourite Book now; and Call Me by your Name, my favourite movie from this century and my second all time favourite movie; to me is a major Plus, that happened this year (see my posts That Book, That Movie (of 2017), Why “CALL ME BY YOUR NAME” deserves to win ‘Best Picture’ at this years OSCARS!!!!!, Photograph no.5, My TOP – 5 Films & My (past) TOP 10). But really, the only plus with a pulse, are my two common mongrels, my darling fur babies, that give me a reason to live. Their love for me is unconditional. Just the sound of their footsteps, brings a smile on my face. Love them dearly!! My innocent babies!! ❤

Another great plus to me, was meeting an old friend after almost two decades. We met day before yesterday, an American citizen (with Lankan roots) she currently resides in Denmark with her husband and kids; and is here on holiday. We spoke about the Year ; the best year of my teenage life; the year we first met. She mentioned how handsome I looked then 😉 , nice complement! I knew a lot of girls mother’s and elderly grannies, liked me (I was always pretty decent), but wasn’t aware of any peers thinking of me as handsome. I always considered myself pretty average (yes, Sri Lanka has always had a complex about their complexion, despite being a black/brown country and I was constantly reminded of being dark myself), but considering the amount of vain, yet hideous (not just looks wise but personality wise too), people I come across who actually rate themselves 8 and 10; am like Seriously??; in that case I must’ve been 110, back in the day!!! Although to me, it’s a beautiful heart that truly matters, looks are secondary; when I look back, I was actually quite a looker, didn’t really realize it at the time. 😏 Now am sounding as vain as the selfie culture of today. Vanity, thy name is Smartphones (ah! I actually finally gave in and got a Smartphone, my first – an iPhone 8Plus, this July). Thanks Sudi (my friend I just spoke of), for making me nostalgic, and now am thinking of my youth and looks -_- !! So that day, Saturday Late Afternoon to early evening, I spent with her, was great. I felt light and happy. Soon after, met an old schoolmate briefly that night, and she asked me whether I was high on sugar? Yup, guess it’s been ages since I actually looked happy too. Though I think of the past with nostalgia, I don’t live in the past, I live in the present and have no desire to go back. I want to move forwards, and keep hoping against home, that the BEST is Yet to Come!!! Looking forward for Better Future!!

I haven’t celebrated New Years eve, in ages. The last time I did something was, on 31st December 2006, when we went to see the fireworks over Sydney Harbour Bridge, whilst residing there. Post that, I’ve been home, mostly watching TV. End of last year, I got sick, so this year started off with me being ill. Down with the flu, added to stress and depression am constantly fighting off. This year has been, pretty sick (and not in a good way). Had no plans for today as well, so it was a pleasant surprise, when someone I recently befriended, messaged me this morning, invited me over to usher in the New Year. So looking forward to another, PLUS, this evening, and better year ahead!!

Always thinking as Positively as possible

Happy New Year, for 2019

Nuwan Sen

🎊👐 2😍19!!!!!! 💓

Richard Burton plays Philip Ashley, in the 1952 film adaptation of Daphne du Maurier’s acclaimed novel, My Cousin Rachel.

A constantly brooding, suspicious, miserable character, that we rarely see smile. Even his happiness (in rare moments when he seems to be happy) is superficial, taunted by his skeptical nature. His mental state, stained by the loss of his favourite cousin, who raised him, and with the guilt of harbouring lustful desires for a woman who might be the reason for his cousin’s untimely demise, eating away at him; Philip Ashley is never at peace. AND this character is portrayed with pure perfection, by the brilliant British Shakespearean actor, Richard Burton. Predominantly a British star, the UK’s Cornwall set My Cousin Rachel (1952) was Burton’s first foray into Hollywood and it earned him a Golden Globe Award for New Star of the Year – Actor in 1953.

Olivia de Havilland plays the ambiguous character of Rachel, in My Cousin Rachel (1952)

Daphne du Maurier’s My Cousin Rachel is about an orphaned kid, Philip, who is brought up by his wealthy cousin, Ambrose Ashley (played by John Sutton in the movie). Ambrose, while away in Italy, meets the widowed Contessa Sangalletti (a.k.a. Rachel), a distant cousin of theirs, and Ambrose and Rachel soon marry. But their marital bliss is short lived, as Ambrose dies of a brain tumour. Yet before his death, he manages to plant the seeds of suspicion on young Philip’s mind, that she’s been poisoning him. Thus, when Rachel comes over to Ambrose’s Cornwall estate, no matter how nice a person she seems to be, Philip is never at peace. He has a love-hate relationship with her; and he suffers throughout, due to the seeds of distrust having taken root in his mind. Even in the end, he is in agony, wondering whether she was guilty or innocent. Something that would haunt him for the rest of his life.

I really liked the ambiguous ending, for we never truly find out about Rachel, though we do feel she might be more innocent than guilty. She’s not a perfect person, but she most probably didn’t murder her husband, nor try to to kill off Philip, as he suspects. And as we get to know later, she doesn’t have any intention of taking over Ambrose’s estate, she doesn’t expect a dime. It’s all left to Philip.

With no real interest in making it in Hollywood, Richard Burton joined this project, due to the recommendation of director George Cukor (whom Burton had great respect for). Originally Cukor was planning to direct this cinematic adaptation of du Maurier’s Gothic novel. But when Cukor and du Maurier, read the first draft of the screenplay, they felt it was unfaithful to the novel, and were both disappointed. So Cukor dropped out. However the project went ahead, without Cukor, and the movie was ultimately directed by Henry Koster. The end result, though different to the novel, was excellent; mainly thanks to Burton’s brilliant acting talent, along with the rest of the cast. Even du Maurier was pleased with Burton’s performance, as well as certain shots filmed in the real Cornwall; but felt de Havilland didn’t capture the mystery of the character of Rachel, well enough. Even though I haven’t read the book, I agree, I felt de Havilland’s performance was quite lukewarm. She wasn’t bad, in fact she was interesting enough; but far from great. Then again the character she played was quite ambiguous, and hard to judge. None the less, the film is excellent; Burton Brilliant; and the cinematography by Joseph LaShelle, hauntingly beautiful. The Cornwall setting and the beach play quite an important role in this story, but I noticed it’s not as significant to the plot, as much as it (especially the representation of the beach) was, in Daphne du Maurier’s Rebecca; the 1940 film adaptation of which (by Alfred Hitchcock, starring de Havilland’s sister, Joan Fontaine) went on to win Oscars, for Best Picture and Best Cinematography. 1952’s My Cousin Rachel, was nominated for four Academy Awards, including one for Richard Burton (his 1st Oscar nomination), but it won none. Burton never won an Oscar, though he was nominated seven times, altogether.

Apparently, Olivia de Havilland didn’t get along with Richard Burton, whom she hated. She felt he was coarse, crude, unsophisticated. But then again, growing up, she wasn’t very kind to her own sister, Fontaine. Today, amazingly, Olivia de Havilland, is the one who is still alive. Most notable for her role as the kindly ‘Melanie Hamilton’, in Gone with the Wind (1939), de Havilland turned 102, on 1st July 2018, surpassing younger sister, Joan Fontaine, who passed away on 15th December 2013, less than two months after her 96th Birthday!

Olivia de Havilland, Audrey Dalton and Richard Burton, in a scene from My Cousin Rachel (1952)

Back in my teens, in the early 1990’s, I watched the 1983 BBC television mini-series, based on My Cousin Rachel, which apparently is comparatively more faithful to the novel, and which I loved too. YET, I loved this classic movie adaptation, I saw end of September 2018, online on Youtube, with not that clear a sound, and re-watched day before, even more. Although, if my memory serves me right, I do feel, Geraldine Chaplin in the 83′ version, most probably did more justice to the role of Rachel.

Recently there was another film adaptation of this book, released last year (2017), directed by Roger Michell, and starring Rachel Weisz and Sam Claflin, in the lead. Am yet to see this newer version, which has had some mixed reviews.

My Cousin Rachel (1952)

My Rating: Excellent – 10/10!!!!!!!!!!

Bookish Nuwan
Nuwan Sen’s Film Sense

#NuwanSensMovieSense

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This Blog Post, is my contribution to the, REGALING ABOUT RICHARD BURTON BLOGATHON, hosted by Gill of Real Weegie Midget!!!!!

Thank you Gill, for letting me take part in this Blogathon, dedicated to a such prolific British Actor of the Stage and Screen!

Nuwan Sen (NSFS)

Hollywood sweetheart (of the last two decades of the last century) Meg Ryan, was no doubt one of the Queens of Romantic Comedies of the 1980’s & 90’s, alongside Julia Roberts and Sandra Bullock. AND Ryan definitely came in THE BEST Rom-Com, of the 1980’s decade (and my favourite romantic comedy, from that particular decade, and among my personal favourite Rom-Coms, ever), When Harry Met Sally… (1989).

The Genre known as ‘ROMANTIC COMEDY’

The genre of the Romantic-Comedy, or more popularly known as the ROM-COM; should not be confused with silly notion of bad B-grade films, known as chick-flicks. A Rom-Com, surpasses those narrow minded extreme sexist attitudes of “Dude films/chick flicks/gay films (when used in a derogatory sense)”. Today, this century you don’t really get good romantic comedies. Most chick flicks, which are merely meant for giggly headed teenage girls, tend to ape the genre of Rom-com, but aren’t exactly Romantic comedies. Similarly, silly waste-of-time action packed films that tend to be dude films; aren’t really epic war/superb science fiction/crime/mystery/psychological thriller/horror/sports flicks (all movies have “action” in them, not just dude films with loads of special effects, meaningless violence, and little else). Great Romantic Comedies tend to go beyond gender, and are meant for a broader audience (ironically the broader audiences are limited to a narrow population of more open-minded individuals, with a good understanding and great taste, and true love for the cinematic art form). Films like It Happened One Night (1934), Sabrina (1954), Ariane – Love in the Afternoon (1957), Some Like It Hot (1959), The Apartment (1960), Breakfast at Tiffany’s (1961), Irma la Douce (1963), Annie Hall (1977), One Fine Day (1996), My Best Friend’s Wedding (1997), Notting Hill (1999), are more than just chick-flicks. These are some of the great films that come to mind, when I think of Romantic Comedies. These are great Romantic Comedies, that can be enjoyed by anyone with good taste. At the same time, if you looks at the list, you can also sense the decline of the Rom-com genre. As much as I love the three 90’s Rom-com, mentioned above, they are no where as great as their predecessors. I feel the best Rom-coms came in the 50’s and 60’s; and in other various decades there were one off great Rom-Coms. Like for example; in the 1930’s decade, It Happened One Night, is a uniquely excellent Romantic Comedy to have been made; and when in comes to the 70’s & 80’s, decade, When Harry Met Sally… and Annie Hall, happen to be the two great Rom-Coms, to come out. Annie Hall was of course, even more unique, ’cause it was an Art House Romantic Comedy. Notting Hill, my favourite Rom-Com from the 90’s decade, even though nowhere near as great as the Rom-Coms, of the previous decades, happens to be the last great Romantic Comedy, made till date. Today, movies made as Rom-Coms, are merely chick flicks, a poor excuse for the enjoyable Rom-Com. With the exception of Prime (2005), which happens to bit an Art House Romantic Comedy, and comes close to the level of the 90’s Rom-Com. But that too, it’s thanks to the supporting role by brilliantly versatile Meryl Streep, that I enjoyed the movie so much, when I watched it over a decade ago. So basically, a good Romantic Comedy (and just because a movie is based on Chick), does not make it a Chick-Flick (Juno, 2007, is about a smart chick, that doesn’t fall into category of the silly chick-flick; for it’s superb piece of a satirical drama, penned down by Diablo Cody and directed by Jason Reitman).

So Meg Ryan, luckily walked into the world of Cinematic Arts, when Romantic Comedies, still had a high standard. AND she appeared in one of the best Rom-Coms, ever made, When Harry Met Sally…!!!!!! Pure Excellence!!!!!!

Carrie Fisher & Meg Ryan in a scene from When Harry Met Sally… (1989)

When Ryan became Sally…

I wish I could’ve re-watched When Harry Met Sally…, before working on this Blogathon. But unfortunately, I didn’t get a chance to watch a single Ryan flick, specifically for this Blogathon. So like in quite a few previous instances, I’ll have to be completely dependent on memory. The character of “Sally” was loosely based on the film’s screenwriter, Nora Ephron. Yet, Ryan makes it her own. Unlike the moody, cynical character of “Harry” (Billy Crystal), Sally happens to be a very optimistic, direct, honest, fun loving, adorably a tad eccentric and cheerful character, who knows what she wants, and isn’t afraid to ask. The scene in the flight (if I remember correctly that’s where it takes place), where Sally orders some food, and specifically mentions how she wants it; metaphorically it reflects on her personality, showing how aware she is of how she exactly wants something done, without causing people trouble (for example, even in my case, when I order a Muffin or something which comes with ice-cream, I ask them to put it on the side, or if that’s too much trouble for them to comprehend, I’d rather have it without ice-cream, ’cause I don’t want my sponge getting soggy, and nor am I that crazy about ice-cream; same when it comes to Paper Dosa, I ask them to give me the potato masala on the side, rather than it stuffed inside; though I like other kinds of Dosa’s, Crêpes or Wraps, with filling, the wafer thin Paper Dosa tends to get soggy with a filling, and looses it’s unique crispiness).

When it came to the fake orgasm scene, it was thanks to Meg Ryan, it took place. The original script had no such scene, just the two discussing how women are good at faking an orgasm, but Ryan came up with idea actually doing a fake orgasm scene. AND she nailed it. Now it is one of the most infamous scenes in film history. Plus, it was filmed in an actual restaurant. The famous line, at the end of the scene, “I’ll have what she’s having”, is quipped by director, Rob Reiner’s, mother.

The best thing about the movie is the close friendship shared by the two lead characters. The movie basically is a study exploring the age old question, whether men and women can be just good friends. The answer is yes, they can. BUT, it also shows, how sex can ruin a good friendship. Which is so true. In any friendship, between the same sex or opposite sex (also depending on ones gender and sexual orientation), if either the two friends have sex with each other, or have sex with their best friend’s partner, sex could ruin a really good friendship. In this case, since it was a friendship between a straight male and straight female, the fact that they had sex with each other, is what ruined the great bond they had. Though, since this is a Romantic Comedy, they realize they are both madly in love with each other, and get back together, in a romantic sense. BUT in real life, this might not necessarily be the case. So the the main lesson actually is, not to sleep with a good friend, or their significant other (again depending on the gender and sexuality of you and your close friend).

Of course, the basis of a good relationship is also a good friendship, understanding and a mutual respect for each other, another fact this movie showcases, especially through the interviews at the end. But at the same time a meaningless sexual moment/one night stand is capable of destroying a truly good friendship.

Ryan & Hanks

Tom Hanks, who turned down the role of “Harry”, in When Harry Met Sally…, no doubt was the best co-star to compliment Meg Ryan’s perky characters in Rom-Coms (even though Billy Crystal and Meg Ryan had brilliant chemistry in When Harry Met Sally…, which too attributed to it being such a Rom-Com masterpiece). Meg Ryan shared a great on-screen chemistry with Tom Hanks, and appeared in three movies together. Ryan & Hanks, is a rare combination, and it would lovely to see them work together, again.

Meg Ryan & Tom Hanks in Joe Versus the Volcano (1990)

The pretty good, but far from great, Joe Versus the Volcano (1990), saw their first pairing together. The best thing about this movie is, it showcases Ryan’s talent, through three very varied characters. This movie is more of a farce, encompassing elements of Romantic and Screwball comedies; but not an all out Rom-Com. Especially as the romantic character comes in much later in the movie, with the third character (who happens to be the smartest and main character of the movie) played by Meg Ryan.

The near-excellent Rom-Com, and first movie of them together that actually is a Romantic Comedy in every sense, Sleepless in Seattle (1993), is their best pairing to date. The most beautiful concept of the film is the fact, that the two don’t truly meet till the very end, and each has fallen in love with other, through a mutual little friend.

The pretty good, again not so great, You’ve Got Mail (1998), re-unites the two, in the internet age. Another proper Romantic Comedy, about two people poles apart and bitter business rivals, who fall for each other.

Although, none of these three films (though Sleepless in Seattle really comes close) are out and out excellent movies, but the pairing Ryan and Hanks, their enjoyable roles, make these movies, fun to sit through. It’s thanks to their great acting ability, and perfect chemistry, that Joe Versus the Volcano and You’ve Got Mail, didn’t end up being bad to just average films.

Other Works & The New Century

Meg Ryan, besides appearing Romantic Comedies; some other Rom-Com’s include, Prelude to a Kiss (1992), French Kiss (1995), Addicted to Love (1997), Kate & Leopold (2001); has proven her acting capabilities through serious roles as well as other comedies.

In the Romantic Comedy, Addicted to Love, she co-stars alongside Matthew Broderick, to seek revenge on their exes who are having an affair. The flick is really enjoyable thanks to Ryan. Similarly Kate & Leopold (2001), a romance through two centuries, co-starring Hugh Jackman, as an 19th Century Duke, who falls (literally) into the 21st Century and falls (metaphorically) in love with a contemporary woman; is fun to sit through thanks to Ryan, as well as the disoriented seeming Jackman. Prelude to a Kiss (1992) and French Kiss, are two Romantic Comedies of hers, that I haven’t seen.

Serious Moonlight (2009)

When it comes to non-Romantic Comedies, she has done some amazingly brilliant roles. Be it, the heart-rending excellence, When a Man Loves a Woman (1994), the near-excellent, D.O.A. (1988) which stars her then husband, Dennis Quaid, Restoration (1995) and Serious Moonlight (2009), to the very good, Courage Under Fire (1996), the pretty good, I.Q. (1994), or the averagely good films like, The Presidio (1988), City of Angels (1998) and Proof of Life (2000), she is a natural, no matter how big or small, the role. Even in her minute role in Top Gun (1986), she makes sure her character is well noticed.

Of course, with the exception of When Harry Met Sally… (which I’ve watched quite a few times), I’ve seen all these movies eons ago, way back in the 9O’s and early noughties. The most recent Meg Ryan movie I saw was, Serious Moonlight, that too was like 8 year ago. Serious Moonlight was again a really enjoyable comedy (though quite underappreciated), mainly thanks to Ryan’s cuckoo performance, as well as her co-stars, Timothy Hutton, Kristen Bell and Justin Long.

Today happens to be, Meg Ryan’s 57th Birthday. Wishing Hollywood’s (80’s/90’s) Sweetheart, a very Happy Birthday. And all the best in her future endeavours.

Nuwan Sen’s Film Sense

This Blog Post, RYAN & ROM-COM, is my contribution to the, THE 3RD ANNUAL MEG RYAN BLOGATHON, hosted by Paul S of Pfeiffer Pfilms and Meg Movies (in celebration of Meg Ryan’s Birthday)!!!!!!

I’ve been very ill, and am going through a lot (both physically and mentally exhausted). BUT, as I promised to take part in this Blogathon, I somehow wanted to get it done today. I started writing in the late afternoon, and didn’t stop, till now, 9pm (2100hrs) in night. Glad to have managed to work on it, even last minute, with everything going on.

Thank you Paul, for letting me take part in this beautiful Blogathon.

Nuwan Sen

“The most precious jewels you’ll ever have around your neck are the arms of your children”

– Juhi Chawla
 Former Indian Beauty Queen, Bollywood Star, Actress & Activist
   (Born in 1967)

Pure Innocence: Young Juhi Chawla

Juhi Chawla, on holiday with her Family (husband & kids)

Juhi Chawla, in contemporary (mid-20th century onward) variations, of her traditional Punjabi Attire (Salwar Kameez)
LEFT (& two inset): Worn in a more elegant and glamorous style (with or without the shawl)
RIGHT (last two): Worn in a more casual sense (with or without shawl)

Nuwan Sen n’ STYLE
Nuwan Sen’s Film Sense
NSFS ()

When I saw this tweet yesterday afternoon, from my favourite Bollywood actress (from the 1990’s), I though I should do a post sometime, quoting her. And then, when I saw it was her 51st Birthday today; I knew I had to do a quick Blogpost.

My father and my (then teenage) sister, were lucky enough to meet Juhi Chawla, when she visited Sri Lanka, in the late 1990’s. This was during my Delhi University years (so ironically I was in India, when Ms. Chawla came to SL). My sister, totally in awe (Lucky kid!!), did ask Ms. Chawla for two autographs, and sent me one. Recently, Juhi Chawla re-visited this country, for a local function, with a bevy of Bollywood stars.

Wishing Bollywood’s Sweetheart, a very HAPPY BIRTHDAY!!!

All the best, please never stop acting, and continue your great activism!!!

from
Nuwan Sen (NSFS)

The ❝October Birthdayz❞ Blogathon 2018, finally comes to an End!

So the month of Halloween comes to an end, as does this Blogathon. As promised on 1st October, Year 2018; even though the Blogathon was allocated from 20th to 22nd October 2018; due to time constrains and various other reasons, as some bloggers might not be able to contribute a post, within those dates; I am doing a special post today (Halloween night) for the Latecomers.

So here are the contributions from the Fashionably Late 🙂 :-

Battling my own stress and depression, withdrawal symptoms (of getting off and re-getting on stress medication), going through a heavy headed flu (practically this whole month), adverse effects of diabetic meds making things worse (don’t get me started on people here, testing my patience to the limit, the root cause of my psychological distress, in turn resulting in additional physical ailments); this month of October hasn’t been very nice to me (nor has this year really, but this month feels extra worse), anyway this country has never been good to me; so am extra grateful to my fellow Bloggers, for helping me make this Blogathon a success.

A Very Big THANK YOU, to all of you, my dear Blog-pals. Despite going through a lot of pitfalls, being able to get this Blogathon done, thanks to your help, brings me some sort of contentment. Without your lovely contributions, this wouldn’t have worked. If possible, I’d like to make The ❝October Birthdayz❞ Blogathon an annual event (hopefully in a better environment in the future), on No Nonsense with Nuwan Sen.

As I couldn’t contribute a Blog-post for my own Blogathon, I thought I’d share some links, of my past posts, related to October Births :-

Once again, Thank You guys n’ gals !!

Nuwan Sen

P.S. Also see other participants with their contributions, for Day 1, Day 2 & Day 3, from The ❝October Birthdayz❞ Blogathon (DAY 1), The ❝October Birthdayz❞ Blogathon (DAY 2) and The ❝October Birthdayz❞ Blogathon (Day 3), respectively.

 

TWEETS ( 2018)

Nuwan Sen’s Film Sense
!

🧡