Tag Archive: Great Directors


On this Day …………

Martin Luther King jr. – Maya Angelou – Zulfikar Ali Bhutto

TWO EXECUTIONS

The Civil Rights Activist

On the evening, of 4th April, 1968; globally well know American activist, Martin Luther King Jr., was shot by James Earl Ray. King Jr. succumbed to his wounds, and died an hour after the fatal incident. He was 39 years old. Today marks the 50th Anniversary of his death!!

The People’s Leader

Educated at Berkeley and Oxford, Zulfikar Ali Bhutto, was a very prominent and progressive figure in Pakistani politics, in the 1970’s.  First as the President of Pakistan (1971 to 1973), and then as the Prime Minister of Pakistan (1973 to 1977). On the 5 of July, 1977, the military, led by General Muhammad Zia-ul-Haq, staged a coup, Operation Fair Play; relieving Prime Minister Bhutto of power. After various appeals and legal battles, Bhutto was finally sentenced to death. On 4th April 1979, 51 year old, Zulfikar Ali Bhutto was hanged to death, at Central Jail Rawalpindi. General Muhammad Zia-ul-Haq imposed Martial Law, and his military dictatorship ruled Pakistan, until his death in 1988, in a plane crash. Zulfikar Ali Bhutto’s eldest daughter, Benazir Bhutto, soon came into power, after the death of her father’s assassin; bringing an end to military rule, and in turn becoming the first woman leader of Pakistan; as well as the very first woman to head a democratic government in a Muslim majority nation. The irony is, the more modern, open-minded, progressive country of the United States of America, is yet to have a female leader. Benazir Bhutto, too was assassinated, in 2007. She was 54 years old.

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BIRTH OF A CAGED BIRD

The Poet

Maya Angelou was born on April 4th, 1928; in St. Louis, Missouri, USA. She was named Marguerite Annie Johnson. Having gone through childhood trauma, including rape and child abuse, she grew up to be a prolific poet, singer, and civil rights activist. Having published 7 autobiographies; the most well known happens to be I Know Why the Caged Bird Sings from 1969. This memoir helped increase black feminist writings in the 1970’s. She received many accolades in her lifetime, including the Presidential Medal of Freedom, 2011, which was presented by President Barack Obama. After suffering from poor health, in her old age, Maya Angelou died on the morning of May 28, 2014.

Éric Rohmer – Pareveen Babi – Roger Ebert

THREE GREAT FILM PERSONALITIES

The French Director

According to IMDB, French Film Director, Éric Rohmer, was born on the 4th of April, 1920. BUT, this is disputed by other sites, including Wikipedia’s “Rohmer” page (although if you go to other links, on Wikipedia, his birthday is listed as 4th April). But the Year is definitely, 1920. None the less, he was among the most influential directors, of French New Wave movement. Aged 89, he died on January 11, Year 2010.

Bollywood Babi69

If Parveen Babi were alive, she would’ve been 69 years old. Born into a noble Muslim family, in Junagadh, Gujarat, India; on 4th April 1949; grew up to be the quintessential heroine of 70’s Bollywood. With her minimalistic modern style (parted Babi bangs & bellbottoms) and brilliant acting talent, she captivated audiences of that era; as both a star and an intellectual actress. She was the first Bollywood star to appear on the front page of America’s Time magazine (July 1976 issue) as the modern face of Indian Cinema. But, alas, she suffered from schizophrenia, almost her entire life. Once her illness was out in the open, thanks to Mahesh Bhatt’s feminist films, Arth (1982); she left the industry (in 1983, after completing her film projects; which were released throughout the 80’s decade, keeping her fame intact) and took refuge under the patronage of U. G. Krishnamurti, and embarked on a spiritual journey. She returned in the late 80’s, by now suffering, not just from her ailments; but from deep depression as well. Soon she became a recluse. Parveen Babi died all alone, on 20th January 2005, and no body knew; until two days later. Her death, till date, is not clear as to what truly happened; police ruled out any foul play, and apparently she starved to death. She was 55 years old. Bollywood ought to have been more empathetic towards her.

The Death of a 1975 Pulitzer Prize Winner

Roger Ebert, the most prestigious American Film Critic, who was a film critic for Chicago Sun-Times, from 1967 until his death; won a  Pulitzer Prize for Criticism, in 1975. Ebert was the first Film Critic, to be awarded the Pulitzer Prize. Having lived with cancer of the thyroid and salivary glands since 2002, Aged 70, Roger Ebert, died on 4th April 2013; as he was preparing to leave the hospital.

Nuwan Sen’s Historical Sense
Nuwan Sen’s Film Sense

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……………………… – – these lines were spoken by, the character of, Ann Shankland (played by Rita Hayworth); in a scene from the brilliant movie, Separate Tables (1958). Late last night, I watched this amazing downloaded movie; which has been magnificently transported from the stage to the screen. Separate Tables, directed by Delbert Mannis, is based on a collective of two one-act plays by Terence Rattigan (namely Table by the Window and Table Number Seven).

This entire very bold Hollywood movie, is rigged with Sexual Tension, Sexual Repression and Sexual Harassment! AND 2018, with Hollywood’s #MeToo movement, feels like the perfect time to watch this movie. With a spectacular cast confined into the lonely Beauregard Hotel in Bournemouth, in the southern coast of England, UK; the film deals with love, lust, loneliness, bitterness, desire and depression. The star that stole the show (for me) was Gladys Cooper, as the harsh, unpleasant and domineering, Mrs. Railton-Bell; although it’s Wendy Hiller (as Miss. Pat Cooper), that took home the Oscar, for ‘Best Actress in a Supporting Role’. Nominated for 7 Oscars, this movie grabbed two. The other went to, actor David Niven (for ‘Best Actor in a Leading Role’); for his marvelous performance as the kindly n’ somewhat comical, yet pretentious, retired army officer; Major Angus Pollock. Another sidekick worth checking out is May Hallatt, as the stoic, yet enjoyable, Miss Meacham (who appeared in the same role on the original, West End and Broadway, stage production)

Several story lines intersect one another; but there are two major tales, that surface to prominence. One deals with Major Angus Pollock’s close platonic friendship with a repressed spinster, Sibyl Railton-Bell (Deborah Kerr); and Sibyl’s mother’s (Mrs. Railton-Bell) various schemes to ruin it. When it’s reported in the newspaper, that Major Pollack has pleaded guilty of sexual harassment of six women, at a local cinema; this gives Mrs. Railton-Bell a perfect reason, not to just get the Major, away from her fragile daughter’s life (who on learning this has a sort of nervous breakdown), but to be thrown out of residence from the Beauregard Hotel; and sent as far away as possible, in disgrace, from Bournemouth. Apparently, the original draft of this 1954 British play, however, saw the Major, not pleading to a misdemeanour of sexual harassment of women, but homosexual importuning, and suffering from his sexual repression in a homophobic world. In the movie, he does hint at it; saying he can’t help the way he is, and speaking of how he was picked on, at school, for being less masculine. It’s a pity, due to code of ethics of that era; the play and film were repressed from showing, what it initially intended. By the changing of the sexual repression of a gay Major, into that of a straight man sexually harassing women; ironically makes it an actual perversion; that needs to be forgiven. A sympathetic light is thrown the way of the Major; but for something, that in reality is far worse than just being a gay man struggling to keep his sexuality a secret, at the same time secretly acting on his desires; ironically in a public place. The world has definitely come a long way since then; or has it?

The other story line deals with a divorced couple, who meet after several years, at the Beauregard Hotel. We discover that the sophisticated wife, Ann Shankland (Hayworth) had sent her ex-husband, John Malcolm (Burt Lancaster), to prison for assaulting her. The washed out, drunk, John Malcolm; is another lowly character, Mrs. Railton-Bell has no regard for. After divorcing John, Ann had later re-married and re-divorced; it appears to have happened more than once; but she’s never lost her love for John. John, though he has a secret girlfriend, Miss. Pat Cooper (whom he says, he wants to get married to), is still in love with Ann. John & Ann, suffer when they are together, and suffer when they are apart. It’s a love-hate relationship; that cannot survive, without one another. Despite the sexual assault and the tensed, stressful, coexistence; they need each other; in a savagely animalistic sense, of love and lust.

Separate Tables has some superb character sketches. An excellent study into human psychology in the modern era. Everything about the movie blends in beautifully; the characters, the set of the hotel, the dinning tables. Along with the two leading plots, the other story lines that intersect, include; a modern young couple secretly in love (Rod Taylor & Audrey Dalton); the compassionate and understanding, elderly, Lady Matheson (Cathleen Nesbitt); the “self sufficient” hotel owner/manager and secret lover of John Malcolm, Miss. Pat Cooper; the elderly gentleman, Mr. Fowler (Felix Aylmer); and the strong built and bravely blunt, Miss Meacham, who too like the Major, seems to be afraid of people, as she states comically “..they are so complicated, …that’s why I prefer horses”. She’s a tough broad, with a touch of masculinity; which could imply her own sexual repression, that of a lesbian woman, but that’s unclear. Of course, though a dull spinster herself, Miss Meacham, is very different to the other young spinster, whom we see openly suffer from sexual repression; i.e. Deborah Kerr’s Sybil (spoken of above). It is obvious that the homely, plain-Jane, Sybil (a complete contrast to her stylish mother), has feelings for the major; but she’s unable to do anything about it. The Major doesn’t reciprocate to her subtle advances, but happens to be sympathetic towards her. Again, which makes sense, as in the original draft, the Major was meant to be gay.

Another thing to look out for, are the glamorous costumes designed by Mary Grant, and the Oscar favourite, Edith Head. Overall a wonderful movie; despite the significant change of the homosexual subject matter, into sexual harassment towards women (even though one’s sexuality oughtn’t have been a crime, even back then; while sexual harassment, always should be).

Separate Tables (1958)
My Rating: 10/10 !!!!!!!!!!

Bookish Nuwan
Nuwan Sen’s Film Sense

P.S. Also see my Special Blog Post, I did yesterday, as a PAGE; That Book, That Movie (of 2017)!!

 

Remembering the late Shashi Kapoor (1938-2017); on his 80th Birth Anniversary!!

Shashi Kapoor was no doubt the most versatile and International celebrity to come out of India. An actor, director and Producer; who not only worked in Bollywood films (both Art & Commercial); but worked in regional Indian films; Indian English-Language Film (in fact he was the first star of the renowned Merchant/Ivory Productions; before they went onto make British gems), as well as British movies!! And he was a renowned stage artiste as well; who formed the famed Prithivi Theatre; fulfilling his father’s, Prithviraj Kapoor’s, dream. Added to which, he had a good reputation; as being one of the nicest people ever. A charming, kind-hearted, friendly personality; and morally superior to most people, in general. Shashi Kapoor died on 4th of December, 2017. He was 79 years old!

I’ve posted this quote, from one of his Bollywood films; Silsila (1981)

Hum gayab hone waalo mein se nahi hai … jahan jahan se guzharte hai jalwe dikhate hai … dost toh kya, dushman bhi yaad rakhte hai

….which in English roughly translates to ….

We are not ones to easily vanish; …. wherever we go, we show them our charm; ….. that not only friends, even foes shall remember us

…. and that quote truly sums up, what this charismatic celebrity is to his loved ones and fans alike. True to any great personality, they’ll never be forgotten; and shall live on forever, through people who admire them. RIP Shashi Kapoor, Stephen Hawking, Sridevi, and other greats people we lost in recent times.

Nuwan Sen’s Film Sense

Couldn’t sleep a wink last night, kept getting up to check the time. Finally got off my bed by 4:30am (0430hrs); made my instant coffee, and got ready to catch the Oscar Red Carpet coverage LIVE (on this side of the Globe), at 5am (0500hrs); and continued to watch the entire show, until the finalé at 10:20am (1020hrs).

James Ivory giving his Oscar speech; after winning for Best Adapted Screenplay, for Call me by your Name (2017)
89 year old Ivory (who’ll turn 90 in June) became the oldest person to win an Oscar, ever!!

I was pretty disappointed, when Call me by your Name (2017) and Loving Vincent (2017); didn’t win the golden statuettes, for ‘Best Picture’ and ‘Best Animated Picture’, respectively. BUT I wasn’t surprised either. Though I haven’t watched The Shape of Water (2017) and Coco (2017); which won the earlier mentioned awards; in their respective categories; I highly doubt, they are as unique, as the naturalistic delicate love story that was Call me by your Name, and the spectacular literally moving impressionist artwork that was Loving Vincent. Added to which Coco also grabbed the award for ‘Best Achievement in Music written for Motion Pictures (Original Song)’. Poor Sufjan Stevens; his “Mystery of Love”; is such an amazingly melodious creation. Love that song.

Yet, luckily James Ivory was awarded the trophy ‘Best Adapted Screenplay’; for Call me by your Name. Aged 89, this was the very first Oscar win for Ivory; making him the oldest Oscar winner ever. Being one third of the trio behind the famed Merchant/Ivory Productions (which included Ismail Merchant and Ruth Prawer Jhabvala), and today, with only Ivory being among the living, of the trio; he gave a heartfelt speech paying tribute his two co-producers/directors/writers and close friends. I’ve been a fan of Merchant/Ivory Productions since I can remember. They made some brilliant Indian English language films, from the beginning of the 60’s decade, to the early 80’s; before they went onto make beautiful British Heritage Films, like the E.M. Forster trilogy for instance; A Room with a View (1985), Maurice (1987) & Howards End (1992); and other eloquent creations set in eras of elegance.

Another touching speech, that was given, was by Frances McDormand; who nabbed the ‘Best Performance by an Actress in a Leading Role’ Oscar, for Three Billboards Outside Ebbing, Missouri (2017). Albeit pretty hysterically; but heartfelt. She got all the female nominees and winners to get up, and stand with her (though not on stage). I was really happy when, as expected, Gary Oldman won ‘Best Performance by an Actor in a Leading Role’ for Darkest Hour (2017). For he was brilliant as Churchill, and ’twas not just ’cause of the prosthetics. He truly embodied the character. At the end of his speech, he asked his mother to put on the kettle, for he was bringing home an Oscar. Darkest Hour, quite deservedly, also won for ‘Best Achievement in Makeup and Hairstyling’. Jordan Peele, became the first Afro-American Screenwriter, to win the prestigious award for ‘Best Original Screenplay’; for his horror venture, Get Out (2017). Though Dunkirk (2017) sadly lost out to Blade Runner 2049 (2017) for ‘Best Achievement in Cinematography’; it did bag a few in technical categories.

During the In Memoriam, the academy paid tribute to various stars like Harry Dean Stanton, Roger Moore, Chuck Berry, Jerry Lewis, et al. Added to these great American celebrities, they had also mentioned actor Shashi Kapoor (1938-2017); the very first star of  Productions; which was not a surprise, as he was an international star. But, somewhat of surprise, of course a pleasant one at that, was the inclusion of Sridevi (1963-2018), a national star of India; who bridged the gap between Bollywood (Films mainly made in the national language of India, Hindi) and South Indian Cinema (she’s worked in various South Indian languages made in various Southern Indian States).

Black & Gold: Lupita Nyong’o & Sandra Bullock

Rita Moreno, when she won for Best Actress in a Supporting Role for
West Side Story (1961), at the 34th Academy Awards, in April 1962; along with Best Actor in a Supporting Role winner (for the same film), her co-star, George Chakiris (L); and actor Rock Hudson (R)

From Oscars 1962 to Oscars 2018: 86 year old Rita Moreno, wore the same skirt she wore when she won the award for Best Actress in a Supporting Role; 56 years ago

Fashion and a great sense of style, are a dominant feature at the Academy Awards; and this year, it was the Black & Gold combination that struck me as the best. Both Lupita Nyong’o & Sandra Bullock, looked amazing in their Black & Gold garb; but it was the 86 year Rita Moreno, who stole the show; when she wore the skirt that she originally wore for the Oscars, in 1962. She topped it off with a strapless black top, simple jewellery, a headband, gloves, and spectacles. She made spectacles look good. The attire that disappointed me the most, was the crude chandelier of a dress, that hung on Salma Hayek. Too gaudy for my taste!!!

In a chic pantsuit, Emma Stone presents the Oscar for Best Achievement in Directing; which went to Guillermo del Toro for The Shape of Water (2017)

Red n’ Bright: Meryl Streep & Allison Janney
Allison Janney won the Oscar for Best Performance by an Actress in a Supporting Role for I, Tonya (2017)

True Blue: Nicole Kidman & Jennifer Garner

The Gentlemen looked dashing in their tuxedos; but it’s always the Ladies who steal the show at Award Ceremonies; or any function, when it comes to dress sense. But what is even more impressive is when a Lady dons a Trouser suit; and at this year’s , it was the chic style adorned by Emma Stone, that caught my eye!!!👁

Overall, the 90th Annual Academy Awards, was an interesting show; with no slip-ups this time!! And Jimmy Kimmel did a wonderful job, second time round. Bringing in Bonnie and Clyde (1967) veterans; Warren Beatty & Faye Dunaway; a second time, as well (after last years debacle), was a icing on the cinematic cake.

Congratulations to all the Winners!!! Here’s to 2018!!

Nuwan Sen

Nuwan Sen n’ Style

Timothée Chalamet with his mother, and Armie Hammer with his wife (Oscars 2018)

Comical moment with host Jimmy Kimmel and Helen Mirren

Daniel Kaluuya congratulates Jordan Peele on winning the Best Original Screenplay Oscar (inset) Daniel Kaluuya

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The Feature-Length Movies released in 2017, that I have seen so far. From the Best to the Worst!!!!!

TOP Films of 2017 (10 Star Rating Each)

  • Call me by your Name (2017)
  • Loving Vincent (2017)
  • Dunkirk (2017)
  • T2 Trainspotting (2017)
  • Die Göttliche Ordnung (2017) – English Title: The Divine Order
  • The Hungry (2017)
  • Battle of the Sexes (2017)
  • Darkest Hour (2017)

The Rest of the films of 2017, from the Close to Excellence to Average to bad to the most Pathetic!

  • Veeram (2017) – Alternate Title: Veeram Macbeth! My Rating: 9/10
  • Downsizing (2017) My Rating: 7/10
  • All Nighter (2017) My Rating: 7/10
  • Space Between Us (2017) My Rating: 5/10
  • Vishka (2017) My Rating: 4/10
  • Life (2017) My Rating: 3/10
  • Begum Jaan (2017) My Rating: 1/10
  • Judwaa 2 (2017) My Rating: 1/10
  • Fifty Shades Darker (2017) My Rating: 1/10
  • The Institute (2017) My Rating: 1/10

I’ve only mentioned of films meant for Cinematic release (even though I watched most of them on the small screen, or smaller yet on my Laptop); and that too, if they were first released last year, only (doesn’t matter which country they made their debut in; and doesn’t matter if I saw them last year itself, or more recently, within the last two months of 2018). Plus, I have only listed Feature films, no Short films, like In a Heartbeat (2017), No-One (2017) and The Colour of his Hair (2017); to name a few. Neither have I added any Television Anthology series (where a one season is considered a “Limited Series”; thus like a loooong movie) like, ‘Season1’ of Feud (2017 onwards) or ‘Season3’ of Fargo (2014 onwards) for instance (which were both excellent shows, by the way), or any other TV series released in 2017, like 13 Reasons Why (2017 onwards), for example! Nor have I mentioned any mini-series/TV movies of documentaries, from last year. So far, from this year’s releases, I’ve only watched Padmaavat (2018), and that was a way way way over top, disappointment.

So, like most of you, my fellow film fanatics; am really looking forward to watching the 90th Annual Academy Awards, LIVE; on 5th March 2018, early morning (on this side of the Globe)!!!!!

May the Best Picture win!!!!!

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Call Me By Your Name (2017): The Perfect Picture

A very pure form of storytelling, brought out by Luca Guadagnino, Call me by your Name; is one of the greatest English Language movies to come out of this century. The innocence, the romance, the sensuality; Guadagnino seduces his audiences into a heart-rending love affair; with the 17 year old Elio Perlman (Timothée Chalamet), his desire for the much older archaeology scholar, Oliver (Armie Hammer); and the Italian landscape. In the past, I’ve spoken about Why I love, films like Roman Holiday (1953), Jules et Jim (1962), Annie Hall (1977); et al; on IMDB!! The purity of the realistic, natural feel of these tear jerker romances, and sad, yet beautifully told love stories, with a mature understanding of human emotions; immerses you into these movies, empathizing with the characters; and being deeply involved with their intellectual conversations; understanding, and accepting their bonds, along with their eventual separations or tragic rides to death of their romantic flings (either metaphorically or literally). The style also reminded me of the Art Films of Éric Rohmer; especially Pauline à la Plage (1983); English Title – Pauline at the Beach (which was, also a coming of age story, released in the year Call me by your Name is set in); and Rohmer’s famed “Tales of the Four Seasons” series of films.

Everything about this movie is uniquely brilliant. The story/narrative (based on the novel by André Aciman); the script/screenplay by the renowned James Ivory (collaborated with Luca Guadagnino and Walter Fasano); the music/soundtrack by Sufjan Stevens; the cinematography by Sayombhu Mukdeeprom; film edit by Walter Fasano, the film direction by Luca Guadagnino; – They all come together to bring out something pure and touchingly sublime.

From the artistic title credits, at the beginning; which look like chalk on board (most probably a shout out to the 80’s, when chalk was still used on Blackboards; by the 90’s schools slowly transitioned to Whiteboards with gel markers) with pictures of Hellenistic sculptures showcasing the beauty of the male form; to the finalé, with the burning fire in the cold winter reflecting on Elio’s crying face (like an allegory of his burning desire; being submerged with an unbearable depression of lost love); as the end credits roll; with Sufjan Stevens lending his vocals to the melonchonic Visions of Gideon; this movie completely encapsulates the audience emotions. Though the movie might have ended, the deep impact it leaves us with, stays on for days and days. It feels so real.

Regardless of it being a love story between man and a boy; the emotional turmoil, of experiencing first love, is something every human being can relate to; immaterial of his/her sexual orientation and racial/religious background. It’s a great coming age story, of two gay men; shown in such a naturalistic and non-judgemental manner; it makes one believe in love and romance. The best line of the movie is delivered by Perlman Sr. (i.e. Elio’s father), played by Michael Stuhlbarg; towards the end of the movie. Such an understanding parent, who doesn’t condemn his son’s act of love, with a much older man. Both Elio’s father and mother, Annella Perlman (played elegantly by British born actress, Amira Casar); are very accepting, modern, open-minded individuals; who trust their teenage son’s maturity; yet cuddle and shower him with love kids desire from their parents. Age has nothing to do with maturity. There are so many fully grown immature adults in the world; incapable of intellect, deep though and understanding. Here we see a teenager, along with his caring parents; who are highly mature and sophisticated, in dealing with emotional problems with dignity.

Speaking of elegance and dignity; the Perlman’s definitely are a very privileged family; yet they aren’t obsessed with materialism; even though their superior taste in the world of arts is well acknowledged. They are well in tune with nature and their natural surroundings around the beautiful Villa, in the region of Lombardy, in Northern Italy; that they reside in. We see Elio and Oliver (an American Jewish visitor for the summer, working as an assistant to Elio’s father) exploring the natural countryside, cycling, swimming and dancing. Added to which, we see Elio as a book worm and a lover of classical music.

From the music, to the cinematography, the atmosphere created within; the entire movie seduces us, without necessary showcasing graphic sex. The much talked about peach scene, has a naïvety entwined with it’s sensuality; as erotic as it is, it’s also a touching moment. Elio’s desire to penetrate Oliver is obvious (as it’s led to believe Elio is on the receiving end), the touching of the soft skin on the peach, exploring the hole atop, it’s aesthetically sensual without being cheap and vulgar; yet Elio feels humiliated when Oliver teases him for it. Innocence, eroticism and misery, all rolled in one; making one feel sorry for Elio.

Nature and the aesthetic male nude, play a crucial role in the movie. There is a scene where the archeology professor (i.e. Elio’s father, mentioned above) takes Elio and Oliver to see the ancient Kouros statues that have washed up close to shore, at Lake Garda. Elio and Oliver admire the statue of the male form in all it’s beauty; later the Professor tells Oliver of his admiration for the bronze kouroi, the aesthetic male nude of the bygone era; an understanding of artists’ affections for the youthful male body (which practically was like an understanding, and acceptance, in part of the professor, of Oliver’s love for the Professor’s fully developed young son). And then there is a scene where we see Oliver’s naked physique standing in the dark, from behind, standing at a windowsill; and his beautiful body looks like a Hellenistic works of art, discovered at the Lake Garda, itself. Armie Hammer was 30 years old, and in marvellous shape, when he did this role. The then, 21 year old, Timothée Chalamet, is very believable as a 17 year old Elio, who looks 15. Yup, Chalamet; is capable of portraying an even younger teenager, if he had to. What is more impressive is the fact, that both these actors are actually heterosexual; yet they play their on-screen homosexual romance with such ease, it makes the movie entirely more believably brilliant. And the atmosphere created with the landscape and background score; helps us cherish their beautiful May/December romance, admiringly.

Speaking of music, Call me by your Name also has a great soundtrack; especially with Elio being a musical prodigy of sorts. We get to hear Elio’s own renditions of maestros of classical music, the likes of Bach; and the way Liszt might have played Bach. Added to which there are some beautiful modern day songs, like Sufjan Stevens Mystery of Love and the very 80’s Love my Way by The Psychedelic Furs (from their 1982 album, Forever Now). Speaking of the 80’s; as I mentioned earlier, this movie is set in the Summer of 1983. Yet, Luca Guadagnino manages to make the 80’s feel very today. In other words; instead of making the 80’s, vintage; without making the setting a blast from the past; Guadagnino transports us, the audience back; making us feel as if we are currently living in the 1980’s. It feels like the present. The movie unravels in front of our eyes, as if it were happening, at this moment. Not in a nostalgic sense.

Teenage angst, sexual awakening, first crush; these are coming of age themes; all humans can relate to (whether it’s a love for an older person; where the adult reciprocates; or whether it’s a painful experience of unrequited love). Elio, in one sense, is a very lucky teenager; he not only falls in love; but his love with an adult is consummated (without marriage, of course). Added to which, he has very understanding parents, who give him the freedom teenagers desire, without suffocating him; at the same time, they are there for him, when he needs them the most. When Elio, heartbroken, calls his mum to come and get him; his mother rushes to his aid. The father, consoles the heartbroken child, advising him, not to stop feeling human emotions; because of the pain of losing his first love. Yet, we do sympathize, with Elio. The moment, he whispers “Elio, Elio, Elio” (reminiscence of a romantic moment they shared, where they called each other with their own names; “Call me by your name, and I’ll call you by mine”); to his ex-lover over the phone”, pulls at your heart strings. And Elio sitting and staring at the fire, the emotionally devastated state he is in, when he finds out, Oliver is getting married to a woman; is heartbreaking. Similar, yet so different, to the silent; not speaking a word, yet facial expressions betraying their emotions; type ending from Roman Holiday. That Peck & Hepburn love story is till date, my all time favourite movie; and Call me by your Name, no doubt is my favourite gay themed love story; and amongst my favourites from this century.

This artistically told delicate romance, made with a small budget; has been nominated for 4 Oscars. From ‘Best Motion Picture of the Year’, to ‘Best Performance by an Actor in a Leading Role’, to ‘Best Adapted Screenplay’, to ‘Best Achievement in Music Written for Motion Pictures (Original Song)’ for Mystery of Love; all the nominations are deservedly so; yet it is sad, that Luca Guadagnino, has not been nominated for his superb film direction. Call me by your Name, should at least bag the top prize, for ‘Best Picture’; if not for all four. Yet, I highly doubt, Timothée Chalamet, would win the ‘Best Actor’ trophy; as the academy tends to look at the Body of Work as well (which is absurd, as there is something called a ‘Lifetime Achievement Award’ for that); but anyway, I felt Gary Oldman did a slightly more brilliant role (of playing past British Prime Minister, Winston Churchill), in Darkest Hour (2017). Besides Call me by your Name and Darkest Hour; the only other ‘Best Picture’ nominee I’ve seen is, Dunkirk (2017). All three films are superb in their own right; but Call me by your Name, definitely deserves the coveted Oscar statuette, THE most. No matter, how great, the rest of the films nominated are; I highly doubt, that any of them come close to the unique masterpiece that is Call me by your Name!!!!!

Call Me By Your Name (2017)
My Rating: 10/10 !!!!!!!!!!

I first watched Call me by your Name, last month, on 11th January 2018, streamed online, on a useless website, with a pathetic copy of the film (the quality was soooo bad); BUT the movie was totally worth it. The fact I fell in love with this movie, despite watching it in such bad quality; says a lot about what a great movie it is. So I wanted to re-watch it, on a better quality. Earlier this month, I downloaded a copy of the film, from another site. It took 7 hours or so; felt like the whole day. To see, it was a 30 second clip, stating, to watch the full movie, go to some website!! I was infuriated, and utterly disappointed. Then, on 22nd February 2018, I downloaded it from the site I started downloading films, for the first time, last year (see my post Mardi-Gras, Movies-Gay from March 2017). Initially Call me by your Name was not available on the said site. It took only a couple of hours, and I watched it for a second time, then and there. The quality of the downloaded version was crisp and clear (sadly just the English subtitles for the French and Italian segments were not available; but I can make out some phrases in French, anyway ’twas not much of an issue). The film was worth re-watching, in better quality. It’s sad these great movies are rarely shown in Cinemas here; even then they don’t last for more than a week (watched Darkest Hour, at the Cinema; which lasted only one week). I’d love to re-experience this movie, away from the Laptop; and on the big wide screen someday. Until then ….

Later!!!!!
Nuwan Sen
(Nuwan Sen’s Film Sense)

🍑🍑🍑🍑🍑🍑🍑🍑🍑🍑

Photograph-V

On Facebook, I was challenged; on the 1st of November, Year 2017, to post a Black&White picture per day, without posting any people, and no explanations, yet it had to do with my life. This was a 7 day challenge, that ended today. Whilst, the rest of the photographs are pretty self explanatory (to some extent at least), this is a picture, which is very personal, and has to do with my childhood on wards, till date. It does not simply depict my love for Books & Films!!!

So here is an explanation for this picture, I posted on FB, for Day V (i.e. 5th November 2017) :-

So past 4th midnight, I thought of posting something uniquely personal for Day V, of the B/W photography challenge. I started taking out the close near dear reads and views, from my shelves, and set them on my bed. It was already next day, with 9/10ths of a moonlit sky shining above the wet clouds outside. At 00:55 am, 5th morning, I took the snapshot. Yet, ’twas a pity, I won’t be able to explain it. But today morning, after posting the last picture of the challenge, I went back to this. And decided, I can’t explain it on FB, but I have a Blog, where I can.

So the picture; let us start with Audrey Hepburn. So, as many of my fellow bloggers and close friends are aware, that Hepburn happens to be my all time favourite actress. I’ve been a fan of hers since I watched My Fair Lady (1964), as a little kid, back in the mid-1980’s. I wanted to grow up and marry her, and remember asking my mum, how old Hepburn was (of course I realized Audrey Hepburn was somewhat older than me, but what I didn’t realize at the time was that this musical, set during the Edwardian era, was made long before I came into existence). Anyway, Audrey Hepburn starred alongside the suave gentleman, Gregory Peck, in ROMAN HOLIDAY (1953), which happens to be my all time favourite movie. I watched this in the summer of 1994, just before my 19th Birthday, whilst living in New Delhi, India. Plus, 1994 was the best year of my teenage life (coming of age in Shit Lanka was a nightmare, so it was a refreshing change to go back to India in 94′, after a hellish six year stay in monstrous Lanka. And now am back, going through a lot of stress due to being stuck in a narrow minded extremist country like Shit Lanka. Been here for just over eight years now. Getting anything done in SL is a hassle, including trying to work on this simple blog-post without unnecessary disturbances and distractions). Anyway, even though a fan of Hepburn since childhood, it was once I watched ROMAN HOLIDAY, I truly fell in love with Hepburn. AND soon both her debut movie; about a Princess walking around the scenic architectural delights of ancient Rome, in modern day Italy, as a commoner, having an accidental fling, a tragic love story set in 24 hours, this B/W tearjerker romance that pulls at your heartstrings; along with Hepburn herself, became my all time favorite movie, and actress, respectively. I was simply smitten by her charmingly naturalistic acting. In 2003, after handing in my final dissertation titled “Marriage on Hitchcock Films: From Rebecca to Marnie”, for my MA in International Cinema, at the University of Luton, Luton, UK; I treated myself to an Audrey Hepburn Box-Set of Video Cassettes, which included my all time favourite, ROMAN HOLIDAY. The cassette cover that can be seen on the picture above.

Having mentioned Hitchcock, many of you know Alfred Hitchcock is my all time favourite director; and that REBECCA (1940) happens to be my favourite Hitchcockian classic. Thus, when I was studying his movies, doing an out and out psychoanalysis of varied character sketches, from his best period of Hollywood movies (his first 25 years in Hollywood) for my final dissertation of 25,000 to 30,000 words; I bought some of his movies, and rented others, in Oslo, Norway (as that’s where I resided, during my final semester, as I had no classes; thus working full time 5½ days a week, and concentrating on my dissertation on Saturday evenings and Sunday the whole day; I was exhausted). The video tape of REBECCA which can be seen above was one of movies I bought. But there is more of a history I share with Hitchcock’s REBECCA. I fell in love with this hauntingly magnificent tale of woman living under the shadow of her husband’s dead first wife; when I first saw it as a kid, in the mid-80’s. So this most probably was my all time favourite, till I watched ROMAN HOLIDAY, almost a decade later. Around that time, at school, The British School, in New Delhi, India, we had to write a film review. REBECCA being fresh in my mind, I remember writing my very first film review, on this noirish perfection by Alfred Hitchcock, aged 11; whilst I was in Senior-I. Later, aged 12½/13, I read Daphne du Maurier’s Rebecca (on which the Hitchcockian masterpiece was based on). And this so called women’s book, my very first piece of Adult Fiction, instantly became my all time favourite novel, and it remained no.1 till aged 20, I read the English translation of CITY OF JOY, a French novel by Dominique Lapierre. I bought the book of CITY OF JOY (pictured above) in 1994, though I read it later. And from the age of 20, till now (I’m 42 now), it has remained my favourite novel. BUT, am currently reading Arundhati Roy’s latest novel, THE MINISTRY OF UTMOST HAPPINESS (pictured above as well), since I located it at the end of August 2017 (yup, am a very slow reader; and it’s not like I get to read my book every single day); and THE MINISTRY OF UTMOST HAPPINESS seems to be fast becoming my all time favourite. That I’ll know for sure, once I finish reading it.

From Novels, to non-fiction; FREEDOM’S DAUGHTER: LETTERS BETWEEN INDIRA GANDHI AND JAWAHARLAL NEHRU 1922-1939 (also pictured above), edited by Sonia Gandhi; happens to be my favourite text of non-fiction; which I read in my mid-20’s. When it comes to print media, there seems to be a major Indian connection. It’s just a mere coincidence. But still, even though with unfortunate Sri Lankan roots, that constantly try to pull me down into the mud with them, I was born and brought up in New Delhi, India. And I had a pretty good childhood (maybe not necessarily a great one, as I was badly bullied in school, it was still better, than when we ventured south into an inhumane and war torn island). Thus having such a strong Indian connection (altogether spent 17 years of my life in New Delhi, 12½ years in row); and a soft corner for my Birth city; plus being a movie maniac; I cannot, not add, my favourites in films, to do with India. My favourite Indian movie, is a Bengali/English bilingual Art House Movie, from the state of West Bengal, directed by Aparna Sen. I bought the DVD of THE JAPANESE WIFE (2010), which can be seen above, along with Kunal Basu’s book of Short Stories (one of which happens to be the basis of this movie), when I visited New Delhi in November/December 2010, on holiday. This was a holiday I took to India, after a break of 9½  years. Aged 35, I thoroughly enjoyed the short story, of The Japanese Wife, as well as the movie. Having watched Indian films throughout my life (especially Bollywood movies, though I happen to be a bit of an Art House snob), it’s amazing how Aparna Sen’s cinematic adaptation of THE JAPANESE WIFE, ended up becoming my favourite Indian movie ever. But having been brought up on Bollywood commercial cinema, I cannot not point out my favourite commercial Hindi Film, from Bombay (now Mumbai) from the state of Maharashtra, India. Mahesh Bhatt‘s ARTH (1982), the DVD of which can be seen above as well. ARTH; which I actually first saw as a kid, and few times later; is a reel life adaptation based on Mahesh Bhatt‘s real life extramarital affair with actress Parveen Babi, who suffered from schizophrenia. A tragic beautiful mind, that soon left the film industry once her illness was out in the open, thanks to this excellently made movie. died under mysterious circumstances, in 2005 (see my post related to her Death Anniversary from January 2013).

Speaking of extramarital affairs and coming back to short stories, I read Anton Chekhov’s THE LADY WITH THE DOG (pictured above), an adulterous love story, when I was 15. This Russian romantic short, happens to be my all time favourite short story, till date (du Maurier’s The Apple Tree, comes a close second). My favourite novella (a text too small to be a novel, yet way too long to be considered a short story), happens to be Truman Capote’s BREAKFAST AT TIFFANY’S (pictured above as well); which I bought, and read, in 2009, whilst living in the most beautiful city in the world, Paris, France. Fell in love with this beautifully written piece of prose, a quick read (Anthony Burgess’ A Clockwork Orange, happens to be next favourite novella, and I love Kubrick’s surreal adaptation, from 1971, of the book, as well). The movie version of Breakfast at Tiffany’s (1961), which also happens to be among my favourite films, directed by Blake Edwards, also stars my all time favourite actress, Audrey Hepburn.

So, I’ve come a full circle, from Hepburn to Hepburn!!!! Almost like a of .


#‎NuwanSensFilmSense
Bookish Nuwan (NS)

Wuthering Heights by Emily Brontë, happens to be one of my favourite epic novels; a condensed version of which, we studied in Grade 8 (at Stafford International School), when I was 13 years old. Charlotte Brontë’s Jane Eyre too I read in my early teens; and later saw the extravagant play, based on Jane Eyre, by a British drama troop visiting New Delhi, India. So, having read two of the sisters works, out of the trio of published Brontë writers; Les Soeurs Brontë (1979), English title – The Brontë Sisters, supposedly the most accurately bleak biopic based on the lives of the famed Brontë’s; was definitely a must see for me, as both a lover of literature, and a diehard Film Fanatic!!!! And so I did, yesterday evening, when Les Soeurs Brontë, was telecast on TV5MONDE.

Pascal Greggory (as Branwell), Isabelle Adjani (as Emily), Isabelle Huppert (as Anne) and Marie-France Pisier (as Charlotte Brontë); in André Téchiné’s Les Soeurs Brontë (1979)

The title, Les Soeurs Brontë (1979), is a tad misleading, as there is a lot, over an hour, about the depressing life of the artist, Branwell Brontë (played by Pascal Greggory), the less famous brother, of the Brontë sisters. Thus the film ought to have been aptly titled, The Brontë Siblings, or simply The Brontë’s (or Les Brontë’s)!! The version I watched was the 115 minutes long movie, which was released at the 32nd Cannes Film Festival in May 1979; competing for the prestigious Palme d’Or. The original (unreleased) film is said to be around three hours long. I’d love to watch that version as well. Hopefully it will be released in it’s entirety on DVD, someday.

There have been very few English Language Biographical films/television mini-series, on the lives of the Brontë’s. Yet, ironically, this French epic, happens to be the most accurate re-telling of the Brontë family on the Big Screen. Set in wet and windy Yorkshire, the movie tells the story of the lives of the Brontë siblings, as adults. Thus, the two elder sisters, who died, aged 9/10 and 11, are not spoken of. We see the three famed sisters and only brother, living an averagely well enough life, though it’s still a pretty stoic existence, in the countryside. The mother is long dead, thus the rest of the household comprises of; their ageing, Anglican Minister, father; a spinster aunt (which hints, determining the fate of the Brontë children) and the housemaid. At the beginning of the movie, the brother, Branwell Brontë, paints a a portrait of the four living siblings; which is admired by the entire family. They have an artist in their midst. A painting, which later on, Branwell erases himself off of, as he nears his own death from depression.

The Three Sisters: The original Bramwell Brontë painting of the famed Brontë sisters (before they were famous)
Bramwell Brontë erased himself from the painting.

The tale of the Brontë’s is really a tragic one. And the movie is filmed beautifully, with superb cinematography, creating the atmosphere of pure misery, with a backdrop of a dull, dreary, cold, uninviting, capture of the Yorkshire moors. Despite leading an ordinary life, that won’t really amount to anything; these three Victorian women desire to make something of their lives. We see, a pre-20th century feminism, a 19th century subtle boldness, the three encompass. They aren’t very vocally vociferous about not being just household creatures serving men, but they somehow manage to enforce their desires in a very patriarchal society. Charlotte Brontë (Marie-France Pisier), the eldest sibling, is the most ambitious. She somehow convinces her aunt, to permit her to go and study French, in Brussels, Belgium; along with her younger sister, Emily Brontë (Isabelle Adjani). She wishes to come back and open a school. However, Emily ends up despising Brussels, especially as the two English Protestant sisters have to deal with residing in a Catholic country. Charlotte endures without agitation, as she wants to somehow study, at the same time we see her silently fall for her much older teacher. Meanwhile, Anne Brontë (Isabelle Huppert), finds work as a governess, with a wealthy English family. While the three sisters are away, the unsuccessful Branwell, has to deal with the death of their aunt; who dies from exhaustion from constipation. Funny, as it might sound today, it is sad, at one time such a thing existed, as medicine wasn’t advanced enough for ageing people suffering from constipation. Her death, gets all the three sisters to stop their academic/working lives and come back home; for the sake of their father and brother.

Father & Daughter: Patrick Magee & Isabelle Adjani in a scene from the film

From here we see a lot about Branwell Brontë. His affair with an older married woman. Him not achieving anything through his literary works. His depression when his lover leaves him (she leaves to be with her children, once her husband dies). To his ultimate demise. Of course the lives of the rest of the sisters are shown too; but he seems to be the protagonist for most of the film, until his death. Meanwhile, we see the father’s support of his children’s wishes; their father, Patrick Brontë (Patrick Magee). It’s as Branwell Brontë nears his death, from drugs and alcohol; we see the trio of Brontë sisters secretly publish a book each, under a male pseudonym.  Soon two of the sisters succumb to tuberculosis, and Charlotte Brontë is the only living sister, by the Operatic end of the movie. Charlotte too died young, at the age of 38.

With a great cast, the movie is well acted, perfectly directed, beautifully photographed; yet not without a few minor flaws. Branwell Brontë’s story is a bit of a bore; but overall, the entire movie is slow paced anyway. But the darkly depressing portrayal of the Brontë’s, make the icy brilliance of the movie, extremely realistic. With very naturalistic performances, we feel what they are going through. We feel the depressing tone of the film to near perfection. It’s hard not to be annoyed at Branwell Brontë though; and admire the sisters, especially Charlotte and Emily. Both Branwell and Charlotte suffer through unrequited love; but Charlotte bears it all, with a strong mind and unbroken spirit, even though with a broken heart, and ends up publishing a novel, which Branwell never gets to know about. But Branwell, when ditched by his older lover; takes refuge in alcohol and Opium; dies of tuberculosis, and passes his illness onto his two younger sisters, Emily and Anne, as well. Charlotte Brontë was, less than a year, older than Branwell.

Marie-France Pisier as Charlotte Brontë, in a scene from Les Soeurs Brontë (1979)

It’s sad, when the movie ends, we realize that none of the Brontë family members were aware of the three sisters accomplishments, other than the trio themselves, and most probably the father. The mother, the brother, the aunt, et al are dead, by the time the books are published and credited to the three sisters.

Marie-France Pisier, steals the show, as the eldest sibling, Charlotte, who survives everything, and everyone, that tries to pull her down. After Pisier, Isabelle Adjani, who plays Emily, is the next brilliant character sketch. Emily loves to trek through the moors, in men’s clothing. Not that she is a tomboy; but she dresses in trousers, as a practicality; as she tells her maid, “it makes me walk faster”. But she’s careful not to let anyone see her dressed in that manner, other than her own family. For a Victorian Lady to be dressed in trousers would have been a scandalous affair. Isabelle Huppert plays the youngest, and doesn’t have the sense of psychological strength of her elder sisters. But the dullest character is played by Pascal Greggory. Who to is actually superb, in doing a character role of a very weak human being. All the actors are superb, including stars like Patrick Magee, Hélène Surgère and Jean Sorel; to name a few, in their supporting roles. Hélène Surgère plays the aptly named Madame Robinson; the older married woman who seduces Branwell Brontë. I think the biggest flaw of the movie is that, too much of the plot is focused on Branwell Brontë; though the title suggests otherwise.  Yet, trust the French to bring out a masterful retelling of three of greatest writers of British literature. However, Patrick Magee, who is Irish; spoke his lines in English, and then dubbed into French. Though, I hate the idea of a movie dubbed in a different language, in general (I prefer reading subtitles in English of foreign language films I don’t understand); it really works well here.

The Three Actresses, who played the Brontë Sisters: (L to R) Marie-France Pisier, Isabelle Huppert and Isabelle Adjani

Overall a beautifully executed piece of cinema, a well made period drama, just slightly less than excellence for a few minor flaws.

Les Soeurs Brontë (1979)
My Rating: Near Excellent – 9/10!!!!


#‎NuwanSensFilmSense
Bookish Nuwan

Welcome to September 2017!!!!!

Come September, and signs of fall, with it’s colourful Autumn leaves should be taking form, on one side of the globe; whilst blossoms with a hint of Spring ought to be appearing on the other; while here in the tropics, of heaty humidity, the monotonous weather never changes, much like anything else, ever (at least never for the better).

Yet, lets welcome this new month with open arms; and let us keep hoping, against hope, that things shall improve. So, to all my fellow bloggers, wish you a great new month!!!!! 😀

So to start this month off, I have a questionnaire, related to Films, and this month of September 2017!!!

Q.1 What’s the first film that comes to your mind, when you hear the name ‘September’?

Q.2 What’s your favourite film, with ‘September’ in the title?

Q.3 Have you seen any, or are you planning to watch a, movie today, the 1st of September, Year 2017?

Q.4 Is/Are there any movie release/s, this month, wherever you reside, that you are really looking forward to?

Q.5 Is/Are there any film related function/s, this month, wherever you reside, that you are really looking forward to?

Nuwan Sen’s Film Sense

 

A strict Calvinist missionary from New England, marries a young girl who’s been pining for her beloved sea captain; from whom she hasn’t heard from, for two years. Soon the missionary, with wife in tow, sets sail for a new life, in a new land, known as the islands of Hawaii. Cultures clash, religious ideals clash, between the blinded Calvinist Ministers and the equally blinded Hawaiian natives, while caught in the middle of all this, is the young new bride, who tries to be the mediator. Added to this, whilst pregnant with her first child, the sea captain she yearned for at one time, touches the shores of Hawaii, only to cause chaos and mayhem, in the once paradise islands.

Such a brilliant classic, an epic saga of civilising the tribes of the Hawaiian islands; is an underappreciated gem of a movie, that spans three decades. Based on the third chapter ‘From the Farm of Bitterness’, of an even more epic scale novel, Hawaii by James A. Michener, the story is known for it’s historical accuracy. Plus, the lead male character of Reverend Abner Hale (Max von Sydow), is loosely based on the life of missionary Hiram Bingham I; leader of the first group of American Protestant missionaries from New England, who introduced Christianity to the Hawaiian islands. Added to which the character of Queen Malama (Jocelyne LaGarde) was based on Queen Ka’ahumanu, the actual ruler of Maui when the missionaries reached these beautiful islands. Yet, though the film’s historical background is spot on, the tale is fictional, and not based on a true story, just inspired by one.

Julie Andrews and Max Von Sydow

The ever wonderful Julie Andrews plays the minister’s young bride, Jerusha Bromley Hale. The sensible, the practical and the open minded personality, who dares to argue with her husband for the sake of the lovely innocent natives, at the same time, tries to make the natives understand her husband’s point of view. She’s compassionate, and understanding, without judging anyone or taking any sides. She’s the one who tries to bring a truce. Meanwhile, a mother to three kids (as the movie goes forward), she keeps having to deal with the animosity between her adamant husband, and the equally adamant captain she had once hoped to marry. The equally adamant captain, is played by Richard Harris.

Directed by Oscar winning director, George Roy Hill, with such a superb cast, this critically acclaimed movie, was the 2nd highest-grossing film of 1966; yet it’s a wonder this movie hasn’t gained much popularity, since. Is it because it’s too long ?? The original cinematic release was 189 minutes long (thus over 3 hours long); but the version I saw, was the edited version, of a 161 minutes (thus practically ½ an hour of film footage was missing). As a true film buff, I’d really like to watch the film in it’s entirety, with the missing ½ hour.

Richard Harris, Julie Andrews and Max Von Sydow

The screenplay co-written by Dalton Trumbo (see my post Trumbo 9/11 from September 2016, as well) and Daniel Taradash; Hawaii, originally was slated to star Audrey Hepburn and Alec Guinness, in the lead; and Rock Hudson as the Captain. And director Fred Zinnemann was meant to helm the project. But as Zinnemann and Trumbo had conflict of interest, Zinnemann walked out of the Director’s chair. Soon, forces of nature took over, and due to bad weather, and various other reasons, the project was delayed, not just a few years, but by over half a decade. Actors Gene Hackman and John Cullum, were known for their appearances in film, pre-fame. Added to which the film is notable for making the (unaccredited) debut of actress, Bette Midler; as well as the only film appearances of, Jocelyne LaGarde (who gained an Oscar nomination in the ‘Best Supporting Actress’ category, making her the only performer in Academy Award history to be nominated for the only performance ever given), and Max von Sydow’s two sons, Henrik von Sydow and Clas S. von Sydow.

I can imagine Audrey Hepburn doing justice to role of Jerusha Bromley Hale; just as brilliantly as Julie Andrews, has done. Alec Guinness would have been just as spot on, as the adamant Reverend Abner Hale, as Max von Sydow was. And no doubt, Rock Hudson would have been even more dashing in Richard Harris’ shoes, as Captain Rafer Hoxworth. Pity, despite it’s success in 1966, and having been nominated for seven Oscars (the following year), the film hasn’t aged well. To some extent, it does feel like a film made in the 50’s, than the 60’s. But I still enjoyed it, and despite a few minor flaws, I can’t accuse Hawaii of being anything, less than pure excellence.

I watched Hawaii late Sunday night, on 11th June 2017, but actually downloaded this movie, beginning of last month (May 2017).

Hawaii (1966)
My Rating: 10/10!!!!!

Nuwan Sen’s Film Sense