Tag Archive: Non-Violence


Happy Birthday Ashaji

Asha Bhosle, one of two most prolific singers of Bollywood (the other being her elder sister, Lata Mangeshkar) turns 85 today.

Born as Asha Mangeshkar, on 8 September 1933, in Sangli State, in the Bombay Presidency of British India, she started her singing career at the age of 9, in 1943; especially to earn for her family (her father died a year earlier, in 1942, Lata Mangeshkar was 13). Though Lata started acting in stage plays at the age of 5, both sister’s, Lata and Asha took up singing professionally, after their father’s demise. At 16, Asha eloped with 31 year old Ganpatrao Bhosle. Her husband and in-laws mistreated her. One day, the ever suspecting Ganpatrao Bhosle, threw a very pregnant Asha Bhosle (pregnant with their third child) out their house, along with their two kids. The Bhosle’s divorced in 1960. Somewhere in the 1960’s, she met music composer, Rahul Dev Burman, six years her junior, with whom Asha Bhosle collaborated on a number of songs. The two first worked together on Teesri Manzil (1966). A decade and half later, Asha Bhosle married Mr. Burman, in 1980. They later amicably separated due to financial difficulties. Yet they worked together until his death in 1994. In the mid-90’s, Asha Bhosle joined the the latest trend at the time, of remixing songs. She experimented with remixing old tunes of the 60’s & 70’s, that she had worked on with her second husband, the love of her life, R. D. Burman (whom she adoringly called “Panchamda”). Her two albums, dedicated to Burman, titled, Rahul and I (Volume 1 & 2), were hugely popular in the 90’s; despite criticism by many, against Bhosle, for tampering with good old melodies. Well into her 60’s by then, she joined the indipop scene of the 90’s, and went along with the India’s MTV and Channel V craze of the times. On 8th October 2012, a month after Bhosle celebrated her 79th Birthday, tragedy struck. Her unhappily divorced daughter, Varsha Bhosle, a singer and journalist, committed suicide.

Today, the very versatile Bhosle; who has over 12,000 songs to her credit (including 20 odd songs in, non-Hindi, Indian languages and various other foreign languages), recipient of the Dadasaheb Phalke Award and the Padma Vibhushanand, and who has been named the most recorded artist in music history, by the Guinness Book of World Records (in 2011), still leads a very active life in Mumbai, India. AND she is showing no signs of backing down, and is in no hurry to retire. In 2016, she released her most recent album, titled 82 (named after her age at the time).

I’ve grown up watching Bollywood movies, and from her 75 year career, here are my Top-25 favourite Asha Bhosle songs, she sang for Hindi Feature Films, only (she has sung, as a playback singer, for non-Hindi language films, as well as, for non-film songs in various languages, including in English).

oooooooooooooooooooooooooooooooooooo

TOP 25

oooooooooooooooooooooooooooooooooooo

1. “Dum Maro Dum” from Haré Rama Haré Krishna (1971)

This drug infused number, from one of my favourite Bollywood movies, became a Hippie Anthem in the 70’s. Miss Asia Pacific winner, from 1970, Zeenat Aman (a new comer in the world of the cinematic arts at the time, and not really known for her acting chops), was close to brilliant as a Hippie woman (whom Bhosle, lends her vocals to for this song), in this movie. Aman won a a Filmfare Award for ‘Best Supporting Actress’ and a BFJA Award for ‘Best Actress’. Soon she would be the ‘it’ girl, the Bollywood sex-symbol, of 1970’s decade. Unfortunately her sex-symbol avatar would overshadow her talent, and she was used by directors more as a bikini bombshell, than an actress. But she does have some good character roles to her credit, yet isn’t really known for her acting prowess. Director and co-star, Dev Anand (who plays Aman’s estranged brother, estranged due to their parents divorce, in the film), didn’t use the song in it’s entirety, in the movie; as he felt the hip number would overshadow his movie.

None the less, Asha Bhosle’s future husband, composer R. D. Burman’s, “Dum Maro Dum”, was a big hit, and a Hippie favourite. Bhosle went onto win a Filmfare Award for ‘Best Female Playback Singer’; and the song reached a cult status in India and abroad.

This film happens to have one of the best depictions of a Hippie Commune, on celluloid. Haré Rama Haré Krishna (1971) itself, revolves around a group of Hippies, set within few days, in Kathmandu, Nepal. Although Hippiedom was a counterculture youth movement born in the 1960’s, in USA, it spread around the world (the late 60’s was a time when globalization truly took place). With Hippie’s interest in Hinduism and Buddhism, many made their way into India (especially North India) and Nepal. Soon many modern youth from cities like New Delhi and Bombay, embraced Hippiedom with their open-minded, all inclusive, attitudes, and rebelled against tradition Indian notions. The Hippie sub-culture, was very prominent throughout the 70’s decade (and to some extent in the early 80’s), in Northern India and Nepal. Which in turn influenced Bollywood films of the time. Another reason American influenced Hippie lifestyles gained popularity as a subculture, amongst the literary elitist Indian youth (up north), was thanks to the British band, The Beatles, going and living in India, at the ashram of Maharishi Mahesh Yogi, in Rishikesh, in 1968. Other western celebrities followed suit, and young, well educated, Indians from prominent families, were not far behind. Of course, most Hippies were too drugged to remember how cool they were. But, none the less, Hippie influence played a major role in modernizing India, back in those decades.

2. “Chura Liya” from Yaadon Ki Baaraat (1973)

A pair of glasses clink, then she strums a few chords in a guitar. And some of the most melodious lyrics come to life.

From playing a Hippie girl, in the previous movie, we see her transform into a sophisticated young lady, for this movie.

Picturized yet again on Zeenat Aman, this is a mesmerizing melodic tune. Romantic, dreamy, with the guitar strumming a lovely tune and words to die for, this song pulls at your heart strings. Although, it’s not a completely original composition. The opening lines of “Chura Liya” were copied from the 60’s song, “If It’s Tuesday, This Must Be Belgium”, sung by Dutch singer, Bojoura. None the less, this Hindi song is pure seduction, hypnotically transporting us into dreamy romanticism. Composer, R. D. Burman, used actual cups and saucers to create the tinkling sound of the song.

Zeenat Aman, looks amazingly chic and elite, in that fashionably simple white culottes, adorned with a choker neck, broach and earrings. This elegant white outfit is my favourite from any Bollywood movie ever. Simple and sophisticated, it compliments and contrasts beautifully, with her light cappuccino skin tone. Naturalistic sense of style, a look that is very 70’s!!!!!

3. “In Ankhon Ki Masti Ke” from Umrao Jaan (1981)

Bejeweled from head to toe, a courtesan, from mid-19th century Lukhnow, sings “In Ankhon Ki Masti Ke”. The movie was Umrao Jaan (1981), based on the 1905 Urdu novel, Umrao Jaan Ada by Mirza Hadi Ruswa. Based on a true story, the real life courtesan, Umrao Jaan, had shared details of her life story, with the author, Mirza Hadi Ruswa.This historical bio-pic is made with such perfection, from the set designs to the costumes, and make-up (down to the Mehendi on her hands and feet), made to resemble the period it was set in. The mid-19th century was a very chaotic time in Indian history, under the British Raj, which gave rise to the Indian Rebellion of 1857.

The classical poetic rendition by Asha Bhosle, is a melancholic ghazal, performed by actress, Rekha! Rekha (later nicknamed as Madame Ré), happens to be one of my favourite Bollywood actresses ever. A very versatile actress, she made her mark in both, commercial Bollywood films, as well as Indian Art House Cinema (Parallel Cinema) made in Hindi and English (i.e. Indian English Language movies). Rekha won the National Film Award for Best Actress, for Umrao Jaan. She was honoured with the Padma Shri by the Government of India, in 2010.

4. “Do Lafzon Ki Hai, Dil Ki Kahaani” from The Great Gambler (1979)

With the breathtaking backdrop of Venice, this song sung in a gondola, is one of the most beautifully lyrical love songs ever. Picturized around, Bollywood’s Badshah, the Big B himself, Amitabh Bachchan (my favourite Bollywood actor, since childhood); accompanied by Zeenat Aman (lip syncing to Bhosle). It’s basically Aman’s character translating the gondolier’s love song, into Hindi, telling a story of love and woe, to her lover (played by the Big B).

Amitabh Bachchan, voted the “Star of the Millennium”, happens to be the most influential actor in the history of Indian cinema, nationally and globally. Bachchan, was appointed as an International UNICEF Ambassador in 2005, and was awarded the Padma Shri (1984), the Padma Bhushan (2001) and the Padma Vibhushan (2015) for his contributions to the arts. The Government of France honoured him with its highest civilian honour, Knight of the Legion of Honour, in 2007. He made his Hollywood debut, at the age of 70, in Baz Luhrmann’s The Great Gatsby (2013).

5. “Yeh Ladka Hai Allah” from Hum Kisise Kum Naheen (1977)

Kajal Kiran, looking trés chic, in a fuchsia pink short kurta and bell-bottoms (a very 70’s, casual chic, fad), runs around singing, how difficult it to make any sense to this uptight man. Hilarious and clever, the entire song is a dialogue, that neither interprets, what the other is trying to say. Especially towards the end, the girl has no actual idea, what he’s talking about, through his lyrics.

6. “Duniya Mein, Logon Ko” from Apna Desh (1972)

Sung alongside her husband, composer, R. D. Burman (who lends his voice to Rajesh Khanna), this was a hit, mainly thanks to unusual gruffy gurgling vocal sounds made by Burman. That distinct sound and rhythm, became a R. D. Burman trademark. Bhosle wasn’t far behind (singing for Mumtaz), matching vocals perfectly in step, to Burman. Again worth to note the stylish attire. Rajesh Khanna looking slick as ever, in those gold-rimmed octagon shades with green lenses (somewhat resembling John Lennon’s rose tinted round sunglasses, and Khanna looks like a ‘Beatle’ himself, to some extent, here), and that red velvet n’ white designer suit. Mesmerizing Mumtaz, with her natural peaches n’ cream skin, and a blonde wig, looks like a Scandinavian beauty. The eclectic music and dancing is well in sync, and the flawless beauty, Mumtaz, with her deep plunging neckline, double slit, maxi dress, glides barefoot on the smooth terrazzo floor with such ease. In the movie, the duo are in the guise of foreign (Caucasian) investors, to expose corruption at the hands of a conniving trio.

R. D. Burman revolutionized Indian music forever, with this song.

7. “Raat Ke Hamsafar” from An Evening in Paris (1967)

Shammi Kapoor and Sharmila Tagore roam around the streets of Paris, to this romantic tune, colour coordinated in navy blue. From the 70’s, now we go back to the 60’s. The era of bouffant hairdo’s, mini-skirts and shift dresses. Here we see Tagore in a tightly draped saree, with a small, tie-knot on the back, blouse. Sharmila Tagore was the first Bollywood actress to appear in a bikini, on a magazine cover, in 1966 (see my Blog-post Classic Movie History Project Blogathon – 1966: The Year dubbed as Nineteen Sexty Sex from June 2015). She wasn’t the first to dare to wear a bikini, but no Indian actress had appeared in the skimpy two-piece on a cover of glossy publication before. Tagore was another versatile actress, who transcended genres, appearing in Bollywood commercial films, as well as Art Films, made in Bengali, Hindi and English (again, Indian English Language movies). She led the Indian Censor Board, between 2004 and 2011, became the National UNICEF Goodwill Ambassador for in India in 2005, and she was one of the “International Competition’s” Jury Members at the 2009 Cannes Film Festival.

8. “Sapna Mera Toot Gaya” from Khel Khel Mein (1975)

Aruna Irani laments in chains, on the loss of her lover. In flashback sequences we see, her lover was Rakesh Roshan. Beautiful, heart rending, stage performance on the tragedy of falling in love and surviving after tragically losing one’s lover.

9. “Kya Dekhte Ho” from Qurbani (1980)

70’s sex symbol, Zeenat Aman, shows her assets, in a heavily cleavaged top, in this song, alongside director and co-star, Feroz Khan. Interestingly in the song, she asks, what he is looking at and what he wants? Of course he replies he is looking at her face and desires her affection, as she flaunts her gorgeous feminine body and unabashedly her soft female sexuality. This ever-green song bagged Qurbani (1980) a special award. Qurbani, was a Bollywood remake of the, English Language, Italian film, Un Uomo da Rispettare (1972), a.k.a. The Master Touch, directed by Michele Lupo.

10. Namak Halaal (1982)

This movie stars three out of five of my favourite Bollywood superstars of the 70’s & 80’s (See my list Bollywood FIVE from July 2018 on IMDB); Amitabh Bachchan, Shashi Kapoor and Parveen Babi. Parveen Babi sizzels in a one-piece gold attire, with gold stilettos. Glittering away, she looks sexy and sophisticated, without looking cheap and gaudy. Parveen Babi, is known for her trade-mark hair-do, straight long hair, with the famous parted Parveen Babi bangs. But here, she sports a loose perm, and the style looks very early 80’s, and very up to date. Yet, she makes that look her own as well. Her simple n’ stylish dance steps, in high heels (except for one long shot, panning around the room, Babi does barefoot), works well with Bhosle’s vocals. The glamorously expensive set design gels well with this night club number.

The late Shashi Kapoor, hailing from the Kapoor clan (Bollywood’s Royal family) was India’s International star. Not only did he act in, direct and produce, movies in Bollywood and non-Bollywood (including Art Films and Indian English Language films), Kapoor also appeared in British Films of great repute. He is also known as Merchant Ivory Productions’ very first hero. He was honoured with the Padma Bhushan (2011) and Dadasaheb Phalke Award (2014). Sadly, both Shashi Kapoor (the most beautiful man of Hindi Cinema, inside out, both looks and personality wise) and Parveen Babi, are no more. Both suffered from depression, in their lives. Kapoor, due to the loss of the love of his life, actress, Jennifer Kendal, to cancer in 1984 (he never fully recovered from it); and Babi, due to sad life experiences, failed relationships, loneliness and paranoid schizophrenia. She became a recluse later in life, and distrusted everyone. She died all alone, due to organ failure and diabetes, and nobody was aware of her death, till her body was discovered, three days later.

Both Shashi Kapoor and Parveen Babi, were well literate, and two highly intellectual minds, of the Indian film industry. Babi was a graduate of English Literature. Earlier this year, Hollywood paid tribute to actor Shashi Kapoor (along with actress Sridevi), when they honoured Kapoor and Sridevi, in the “In Memoriam” segment, at the 90th Annual Academy Awards 👠 held in March 2018.

oooooooooooooooooooooooooooooooooooo

11. “O Saathi Chal” from Seeta Aur Geeta (1972)

Bollywood’s Dream Girl, Hema Malini (another of my favourite Bollywood actresses, growing up), skirts through obstacles as she sings skating with Sanjeev Kumar. In real life, Sanjeev Kumar was madly in love with Hema Malini, but she didn’t reciprocate. She was in love with Dharmendra (who also acts in this movie), whom she later married.

Hema Malini, along with Parveen Babi, held the Number.1 Bollywood position, in two decades, the 70’s & 80’s, a rarity for an actress in Bollywood. Hema Malini can be see in the picture atop, in a pink saree, walking behind Asha Bhosle. This song again, is a good insight into the casual fashion, of the times. Well tailored trouser suits, and Hema Malini, matches hers with a lilac blouse with long cuffs, stylish purple (tie-down) waistcoat and a purple scarf tied like a hairband, and earrings, while Kumar dons a (buttoned-up) jacket with a khadi collar/Nehru collar.

12. Medley of Several Songs from Hum Kisise Kum Naheen (1977)

This dance n’ song competition from Hum Kisise Kum Naheen (1977) is super enjoyable. We grew up watching this movie, a kazillion times. Bhosle lends her vocals towards the end, to the song “Mil Gaye, Hum Ko Saathi, Mil Gaye” lip synced by actress, Kajal Kiran, in red bell-bottoms, a red poncho over a halter-neck top, with red platform shoes. Seriously!!! The stylish fashions of the 70’s! WOW!!!! The tailored trouser suits, wide belts, bandanas, floppy long hair, naturalistic minimalist make-up!! One of the main reasons I love the styles of the 70’s, most probably is because I grew up, in 80’s & early 90’s, watching Bollywood films from the 60’s, 70’s and early 80’s. The late 60’s & the 1970’s decade, were truly eras of cool. And their disco numbers were fun, stylish, avec a very modern outlook. And these songs are truly Timeless!!!!!

Added to which, the stylish set design, with the dual circular stage, just amazing. This compilation short-songs, is a really good insight into the sights, sounds and styles of a truly unique decade. Again, very 70’s!!!!!

13. “Yeh Mera Dil” from Don (1978)

As the sultry “Mata Hari” type character, played by Helen (of Anglo Indian & Burmese roots, in real life) seduces and Underworld Don, played by Amitabh Bachchan, to get him arrested by the cops, she sings and dances to this seductive club number. Don is responsible for the death of her fiancé. Of course, her plan backfires and is killed by the Don, instead.

14. “O Haseena Zulfanwaali” from Teesri Manzil (1966)

From watching Helen play a spy seductress, we go back a decade, and see Helen do a sexy cabaret, from the 60’s thriller, Teesri Manzil (1966). Helen happens to be the most popular Bollywood dancer, till date. She was known as Bollywood’s own “Nautch” girl, of the 1950’s, 60’s, 70’s & early 80’s. Yes, she reined the on-screen cabarets, for four decades. She looks great in the Spanish flamenco dress (she is seen in three different attires, including a reddish-pink flamenco dress). The late Shammi Kapoor, too, looks dashing in that platinum toned blazer with salmon pink lapels.

Teesri Manzil was the first collaboration of Bhosle and Burman.

15. “Zuby Zuby Jalembu” from An Evening in Paris (1967)

From one 60’s Bollywood cabaret to another 60’s Bollywood cabaret. This time picturized with Sharmila Tagore. Donning what looks like a blend of a playboy bunny suit and a burlesque attire, a la Moulin Rouge, Tagore foxily prances around to this rhythmic number. She does justice to the slutty character she essays, in this song.

16. “O Mere Sona Re Sona Re” from Teesri Manzil (1966)

A blend of the old and the new (at the time), a style that should be out-dated, has surprisingly stood the test time, and aged pretty well. Must have something to do with the fact, the remixed release by Bhosle, herself, in the 1990’s, brought about a new found appreciation for this number. Also check out the very 60’s, shift skirt style, skin-tight slawar-kameez, worn by Asha Parekh. In the 60’s, the slawar-kameez, became really tight, and instead of having two side slits, the tops had one slit in the back, to ape the tight skirts of west. Very 60’s, very Indian!!!!!

17. “Hum Ko To Yaara Teri Yaari” from Hum Kisise Kum Naheen (1977)

This use to be my favourite song from this movie, as a kid, but growing up, as I matured, and understood the lyrics and tunes, “Yeh Ladka Hai Allah”, with its deeper meaning (See no.5, atop) became, my favourite from Hum Kisise Kum Naheen (1977). None the less, this is a fun filled song, and again, the stylish bell-bottom trouser suits of the 70’s. So cool!! Especially the camel coloured leather suit worn by Rishi Kapoor. Kajal Kiran’s white bell-bottom attire with the red shawl, and white purse/handbag, too looks really hip.

This fashionable generation most probably didn’t expect to grow old. It’s truly hard to believe, such stylish modern Indians of the 70’s, are in their 70’s today (some would still be in their 60’s). These were stylish attire our parents, in their prime, wore, and for younger generations, grandparents. They were so much more cooler than people today. In fact, our dress sense seems pretty bland, in comparison.

18. “Raat Baaki Baat Baaki” from Namak Halaal (1982)

As Bhosle croons “Raat Baaki Baat Baaki”, picturized around Parveen Babi (alongside Shashi Kapoor and Amitabh Bachchan), we see Babi’s tensed character in a dilemma. She is hosting a party in a ship, and her mission is to help kill Kapoor’s character, or her mother shall meet her end. Might seem pretty clichéd, but women in history have found themselves being put in uncomfortable situations. Here we see Babi, in her trademark hairstyle, with the famous Babi bangs, and minimalist make-up, she was famous for, back in the 1970’s. She sure had think, luscious, long tresses. AND, she looks gorgeous in that figure hugging black dress, with a long slit at the back, adorned with simple long earrings and high heels. Very Classy!! There is a thing about wearing black badly, not everyone can carry it with grace and elegance. Babi sure could, and she looks bewitchingly beautiful in it.

19. “Aaja, Aaja, Main Hoon Pyaar Tera” from Teesri Manzil (1966)

Back to the “Third Floor”, i.e. Teesri Manzil (1966), this time with a night club scene of the 60’s. And yes, the twist was a craze in 60’s India as well. Asha Parekh (playback singer Bhosle, of course) looking mod, in tight black pants and a pink top, twists around with Shammi Kapoor, to this crazy beat.

20. “Sare Shahar Mein” from Alibaba Aur 40 Chor (1980)

Based on the, 18th century, Arabian Nights tale, Ali Baba and the Forty Thieves, this Indian-Soviet Russian co-production, has some memorable songs. More interesting for children than adults, it’s set designs and Arabian costumes are amazing, as well. This particular Arabian style song, is more memorable, for it’s a duet, Bhosle sings with her elder sister, Lata Mangeshkar. This song is picturized with Hema Malini (for whom Mangeshkar sings) and Zeenat Aman (sung by Bhosle), who are stuck among two groups of gangs. Hema Malini’s real-life husband, Dharmendra, playing reel-life husband, Ali Baba, makes an appearance at the end of the song, wondering what’s wrong with these two women.

21. “Reshmi Ujala Hai” from Sharmeelee (1971)

Picturized on, Marathi actress and dancer, Jayshree T. (who also worked in some Bollywood movies), we see her do a striptease at an elite club. We also see, the lead actress of the movie, Rakhee, in a dual role; one watches the show from above, as the other enters the club later, with her husband (played by Shashi Kapoor). Lyrically seductive, Jayshree T. dances (and strips) holding a pair of, aesthetically placed, still rings. She’s also joined in by a muscular male stripper, later.

22. “Parde Mein Rahne Do” from Shikar (1968)

Another Arabian dance, and another Dharmendra – who walks in the middle of song, still looking quite confused (see no.20, above); or rather surprised in this case. This time though, the film has a contemporary setting, and the Arabian style number, is actually a stage show. The lead actress of this murder mystery, Asha Parekh, performes as an Arabian princess, who pleads people not to lift her Pardah (or Purdah), and expose her identity. Another beautiful song, by Asha Bhosle, sung in an Arabian style. Shikar, literally means The Hunt!!!!!

23. “Hum Jab Honge Saath Saal Ke” from Kal Aaj Aur Kal (1971)

Past, Present and future clash!!!!! In this song, the couple ask one another; when they grow old, and their youthful looks have faded, all wrinkled up, and unable to do much for each other; whether the other will still be there for them. What’s truly fascinating is that, Randhir Kapoor and Babita (the couple the song is picturized around), married in real life, after the release of this movie, in 1971, itself. They later separated, in 1988, due to their elder daughter’s desire in pursing an acting career (conflict of interest). Babita, left with her two daughters. Several years later, Randhir Kapoor finally came around, accepting his two daughters’ film careers, and showing his support. AND thus, almost two decades after the couple split up, Randhir Kapoor and Babita reconciled in 2007. So now they are actually together again, in their old age. Both are 71 years old now.

This movie, Kal Aaj Aur Kal (1971), literally translating to Yesterday, Today and Tomorrow, has three generations of Kapoor’s starring as three generations in conflict. The Grandfather (played by Prithviraj Kapoor) and the grandson (Randhir Kapoor) are constantly at loggerheads. Caught in the middle, is Raj Kapoor (son of one, father to the other). He understands his son’s progressive thoughts, who rebels against foolish backward traditional notions, such as the cast system, and a woman’s place is in the home by her husbands side, and all that archaic rubbish. But at the same time, Raj Kapoor’s character, is afraid to speak up against his ageing father, who is stuck in his old ways of habit, foolish and ignorant, who still believes in cast system, blinded by religious faith, and finds it difficult to accept the changing times (of the late 60’s & 70’s), including influences of American Hippie lifestyles on Indian society. Prithviraj Kapoor’s character, can’t stand women’s lib, feminism, women daring to wear skirts instead of Indian clothes, women driving, women daring to divorce their husbands, hippies, unmarried couples, premarital sex and promiscuous lifestyles of modern youth. So there are good and bad points, brought out from both sides. But mainly, the open-minded grandson brings out the good points. There is this one hilarious moment, when the grandfather is repulsed at seeing a write-up in a newspaper about a woman divorcing her husband. He speaks of how great Sita (from Valmiki’s Ramayana) was, where she has to undergo an Agnipariksha (trial by fire) to prove her chastity to her husband (after being saved, post her kidnapping by the ten headed Ravana, king of Lanka); and how now women have no qualms about leaving their men. Randhir Kapoor wittily retorts, that there was no such as divorce in ancient times, otherwise Sita would have divorced Ram as well. It’s a rib-tickling moment, and seeing the annoyed horrified look on the Grandfather, is priceless.

This movie came out during the height of globalization of human attitudes and it reflects the changing times in India, at that period. Ever progressive, especially amongst the city folk and the well educated, specially in Northern India, it’s a country that has always moved forward. Of course, it’s a slow n’ steady progress. Transgender acceptance as a ‘third gender’, and India’s Supreme Court ruling from day before yesterday (6.9.2018), legalizing gay sex, thus decriminalizing it as a sexual offense, overturning Section 377 (a colonial rule, introduced in 1861, during the British Raj), is proof of it’s slow and steady rise. India being a third world country, and that too a (hard to maintain) massive one, with an equally massive population of over a billion people, with a high illiteracy rate – mainly due to poverty (something impossible eradicate in such a vast nation), it’s surprising how far they have come, despite their pitfalls. With progressive Indian cities (economically and psychologically), press freedom, freedom to voice one’s opinion, Indian intellectuals and artistic society’s constant leap forward; one can just imagine – if India were a tiny nation, with a small population, less poverty (which practically equals to no illiteracy) – India would be a first world country floating in the Indian ocean, today.

24. “Piya Tu, Ab To Aaja” from Caravan (1971)

Another strip-tease, this time, yet another cabaret performance, by Bollywood’s famed “Nautch” girl, Helen. The stage show, in the movie, is an entire story being told by an unhappy woman, waiting for her man, at a club. The clock strikes midnight, and slowly customers start to leave. Ultimately it’s just her, drinking her misery away. Soon, her lover comes. She’s ecstatic!! She daces, strips, twirls on a pole, and ends up with him in a birdcage. The song, the performance and the props are very symbolic, to the runaway girl (played by Asha Parekh), seated watching the stage show. Caravan (1971) was inspired by the low-budget, 1950’s American Independent film, Girl on the Run (1953).

25. “I love You – Haré Rama Haré Krishna” from from Haré Rama Haré Krishna (1971)

Back to the Hippie Haven (see no.1, right at the top), with another Hippie melody, from Haré Rama Haré Krishna. Composer R. D. Burman’s later trademark style is visible here, before he himself lent his voice to “Duniya Mein, Logon Ko” (see no.6, above), from Apna Desh (1972).

With lyrics like “Black or white, we are all inclusive, nobody here is an alien” in Hindi, it’s no wonder many modern Indian youth openly embraced Hippie’s bohemian life styles, and rebelled against ignorant traditionalist, back then. Bhosle sing for Zeenat Aman, and Usha Iyer (now known Usha Uthup); who use to be a famous (literally underground) nightclub singer of the 60’s, in Madras, South India (before she made it up north, in Bollywood); sings the English verses. Noticed by actor Shashi Kapoor, the first two songs she sung as a playback singer, were for, the Indian English movie (Merchant/Ivory Production), Bombay Talkie (1970) starring Shashi Kapoor along with his wife, British actress, Jennifer Kendal (where Usha Iyer did an English number), and of course, the English verses in this song, “I love You – Haré Rama Haré Krishna” from Haré Rama Haré Krishna.

oooooooooooooooooooooooooooooooooooo

English Couplets

Besides my Top-25, Asha Bhosle numbers, I thought I’d add a couple of, non-film, English numbers she appears in.

As Asha Bhosle was experimenting with re-mixing her old tunes, and Cable TV’s MTV and Channel V phenomena, of the 90’s, Bhosle sang this English number (in English) with the 90’s British Boy Band, Code Red, for the Indian version, of their song “We Can Make It”, from their album, Scarlet, released in 1997. Code Red, was a group, that only lasted five years.

Australian cricketer, Brett Lee, wrote and recorded the song, “You are the One for Me”, with Asha Bhosle, when he was in India, for the 2006 ICC Champions Trophy. Not such a great song, and the tune feels like a cheesy copy of the country song, “Juke Box Blues” by June Carter (later known as June Carter Cash).

Bhosle’s Ode to a famed British Band

The song, “Dekho, Ab To, Kisi Ko Nahi Hai Khabar” from Janwar (1965), is not just an out and out direct copy of The Beatles “I Want to Hold Your Hand“, but an ode to them. The famed British Invasion of the American music industry, had invaded India too. This was the second British Invasion to hit India, but this musical invasion was one that India embraced and welcomed openly. “Dekho, Ab To, Kisi Ko Nahi Hai Khabar” features a boy band aping The Beatles, giving the background vocals, while Shammi Kapoor, looking like a ‘Beatle’ himself, prances around singing and dancing. Actress, Rajshree (whom Bhosle lends her voice to), in that blonde wig and tight dress, looks a bit like, Bulgarian-French singer, Sylvie Vartan. Rajshree most probably was modeled on her (also see my first two posts regarding in January 1964, from January 2014).

The setting of the song is that of a Wedding Reception. Towards the end, the Bride and Groom, join in the twist. Yes, as I said before, the twist was a craze in India, in the 60’s. Some Bollywood movies of the noughties, still had musical numbers which showcased the twist, in all it’s splendor. Towards the end of this song, we also see, the late Shammi Kapoor’s father, the late Prithviraj Kapoor.

The Brits tribute to Asha Bhosle

In 1997, the British alternative-rock group, Cornershop, paid tribute to Asha Bhosle, with their song, “Brimful of Asha”. It was an instant hit, in the UK, and India.

A Tête-à-Tête between an Indian Legend from the previous Century & a 21st Century British Singer (of Indian roots)

To round up the number of videos added here, to ’30’, I thought I’d add this conversation piece, between the legendary Asha Bhosle (who was presented with the ‘The Lifetime Achievement Award’), and British singer, Jay Sean, at the 2nd Asian Awards, held in the United Kingdom. The two sing a few lyrics, from my 2nd favourite Asha Bhosle song, “Chura Liya”.

oooooooooooooooooooooooooooooooooooo

Saaz (1997)

Saaz (1997) is a brilliant movie, which was loosely based on the lives of the two sisters, Lata Mangeshkar and Asha Bhosle. The movie shows a sibling rivalry, which both sisters deny. The siblings were actually very close as kids, but when Asha ran away and got married (mentioned above), Lata felt her sister had been irresponsible and abandoned her, and Lata was left to earn for the family alone. The two were not in speaking terms for a long time. But it had nothing to do with their singing talent, or that Asha Bhosle playing second fiddle to her elder sister, as the movie suggests. Lata openly disapproved of the alliance. Later, the two made-up. Asha Bhosle called Saaz, a three hour exaggerated waste-of-time. Why couldn’t the filmmakers simple ask the two sisters, for their real-life story and make a proper bio-pic.

None the less, Saaz is a beautiful movie, and Shabana Azmi does a brilliant job, essaying the role loosely based on Bhosle.

Mai (2013)

Asha Bhosle stands next to the film poster, of her movie, Mai (2013)

Though Asha Bhosle, has appeared in cameos as a singer in a film or two, and a couple of short films, she made her acting debut, at the age 79, in Mai (2013). A very good movie, and Bhosle was superb in it, as a 65 year old lady, suffering from Alzheimer’s disease, and neglected by her children and grandchildren (except for one daughter who cares for, played by Padmini Kolhapure). Critic’s praised her amazing performance. So far, she hasn’t appeared in any movie, post Mai.

Wishing the very versatile, Asha Bhosle, a very Happy 85th Birthday. Keep on Singing!!!!!!

oooooooooooooooooooooooooooooooooooo

Nuwan Sen n’ Style

Nuwan Sen n’ Music

Nuwan Sen’s Film Sense

Nuwan Sen’s Fashion Sense

oooooooooooooooooooooooooooooooooooo

 

Advertisements

On this Day …………

Martin Luther King jr. – Maya Angelou – Zulfikar Ali Bhutto

TWO EXECUTIONS

The Civil Rights Activist

On the evening, of 4th April, 1968; globally well know American activist, Martin Luther King Jr., was shot by James Earl Ray. King Jr. succumbed to his wounds, and died an hour after the fatal incident. He was 39 years old. Today marks the 50th Anniversary of his death!!

The People’s Leader

Educated at Berkeley and Oxford, Zulfikar Ali Bhutto, was a very prominent and progressive figure in Pakistani politics, in the 1970’s.  First as the President of Pakistan (1971 to 1973), and then as the Prime Minister of Pakistan (1973 to 1977). On the 5 of July, 1977, the military, led by General Muhammad Zia-ul-Haq, staged a coup, Operation Fair Play; relieving Prime Minister Bhutto of power. After various appeals and legal battles, Bhutto was finally sentenced to death. On 4th April 1979, 51 year old, Zulfikar Ali Bhutto was hanged to death, at Central Jail Rawalpindi. General Muhammad Zia-ul-Haq imposed Martial Law, and his military dictatorship ruled Pakistan, until his death in 1988, in a plane crash. Zulfikar Ali Bhutto’s eldest daughter, Benazir Bhutto, soon came into power, after the death of her father’s assassin; bringing an end to military rule, and in turn becoming the first woman leader of Pakistan; as well as the very first woman to head a democratic government in a Muslim majority nation. The irony is, the more modern, open-minded, progressive country of the United States of America, is yet to have a female leader. Benazir Bhutto, too was assassinated, in 2007. She was 54 years old.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

BIRTH OF A CAGED BIRD

The Poet

Maya Angelou was born on April 4th, 1928; in St. Louis, Missouri, USA. She was named Marguerite Annie Johnson. Having gone through childhood trauma, including rape and child abuse, she grew up to be a prolific poet, singer, and civil rights activist. Having published 7 autobiographies; the most well known happens to be I Know Why the Caged Bird Sings from 1969. This memoir helped increase black feminist writings in the 1970’s. She received many accolades in her lifetime, including the Presidential Medal of Freedom, 2011, which was presented by President Barack Obama. After suffering from poor health, in her old age, Maya Angelou died on the morning of May 28, 2014.

Éric Rohmer – Pareveen Babi – Roger Ebert

THREE GREAT FILM PERSONALITIES

The French Director

According to IMDB, French Film Director, Éric Rohmer, was born on the 4th of April, 1920. BUT, this is disputed by other sites, including Wikipedia’s “Rohmer” page (although if you go to other links, on Wikipedia, his birthday is listed as 4th April). But the Year is definitely, 1920. None the less, he was among the most influential directors, of French New Wave movement. Aged 89, he died on January 11, Year 2010.

Bollywood Babi69

If Parveen Babi were alive, she would’ve been 69 years old. Born into a noble Muslim family, in Junagadh, Gujarat, India; on 4th April 1949; grew up to be the quintessential heroine of 70’s Bollywood. With her minimalistic modern style (parted Babi bangs & bellbottoms) and brilliant acting talent, she captivated audiences of that era; as both a star and an intellectual actress. She was the first Bollywood star to appear on the front page of America’s Time magazine (July 1976 issue) as the modern face of Indian Cinema. But, alas, she suffered from schizophrenia, almost her entire life. Once her illness was out in the open, thanks to Mahesh Bhatt’s feminist films, Arth (1982); she left the industry (in 1983, after completing her film projects; which were released throughout the 80’s decade, keeping her fame intact) and took refuge under the patronage of U. G. Krishnamurti, and embarked on a spiritual journey. She returned in the late 80’s, by now suffering, not just from her ailments; but from deep depression as well. Soon she became a recluse. Parveen Babi died all alone, on 20th January 2005, and no body knew; until two days later. Her death, till date, is not clear as to what truly happened; police ruled out any foul play, and apparently she starved to death. She was 55 years old. Bollywood ought to have been more empathetic towards her.

The Death of a 1975 Pulitzer Prize Winner

Roger Ebert, the most prestigious American Film Critic, who was a film critic for Chicago Sun-Times, from 1967 until his death; won a  Pulitzer Prize for Criticism, in 1975. Ebert was the first Film Critic, to be awarded the Pulitzer Prize. Having lived with cancer of the thyroid and salivary glands since 2002, Aged 70, Roger Ebert, died on 4th April 2013; as he was preparing to leave the hospital.

Nuwan Sen’s Historical Sense
Nuwan Sen’s Film Sense

Born into a Buddhist family, I grew up considering myself a Buddhist. And growing up I did believe and practice the philosophical side of this so called “more of a philosophy than a religion” religion. Which I genuinely believed in the past, was to be an honest; good hearted, intellectual, kind, caring, loving, open-minded, understanding, empathetic, humane; human being. But having lived in Sri Lanka, a so called Buddhist country for 19½ years altogether (6 years in a row in my teens; between the ages of 12½ to 18½; and now, for just over 8 years so far, plus short periods of times in between), I found the practice of Lankan Buddhists as the most evil practice anywhere; with the most cruel, inhumane, Buddhist people I’ve come across (so far as I am concerned at least) in the world. A Buddhist country that has given me sooooo much of stress, depression and misery; I’d be an idiot to have any love for this country or this extremist religion.

Lankan people, in general tend to possess, very extremist ideologies; no matter what the religion or race (after all, there was an almost 30 year unnecessary civil war between the Sinhalese and the Tamil, which could have been resolved eons ago without so much bloodshed, death and destruction). One can understand illiteracy and poverty as a core reason for such ignorance and hatred (although poverty is no excuse for cruelty), but the more educated, so called intellectual, rich, sophisticated (whether one is actually sophisticated and hold any form intellect, among Lanka’s rich n’ pretentious elite, is quite debatable; money does not bring about intellect or sophistication) society of Sri Lanka, are no better; when it comes to religious and racial extremism. Especially when it comes to foreign delegates; you’ll find Lankan’s all smiles and welcoming (but these smiles might not be genuine); behind a foreigners back, Lankan’s can be sarcastic, with crude humour. Or, they might directly say something utterly insulting and racist, in their own mother tongue; but with a plastic smile pasted on their face; so as to not let the foreigner know, how locals actually feel about their alien presence here. Why? you wonder. One, Travel is a major industry in SL, and the country’s economy grows through tourism; as well as foreign aid (another reason to have kept the war going on for so long, from both sides). Of course, this reason mainly applies to people with an actual understanding of economical growth (or lack of it), in the country. And Two, Sri Lankan people are rarely honest. They can be sadistically blunt and sarcastically insulting to other Lankan’s quite directly; and never necessarily show any genuine friendship and love to anyone, in general. A fake friendship could exist, if it reaps benefits. People here are not ashamed of doing anything wrong, just getting caught. Of course all this is in general sense, that applies, not to everyone, but, to the majority of this hellish country. A country that’s quite literally “hot as HELL”, although that’s not the only thing that makes this country hell on Earth. Paradise, it definitely is not!!!!!

What’s worse is this ingenuine hypocritical traits are passed down by parents to their young. I’ve met and heard people, especially Sri Lankan’s living abroad in secrecy (illegal immigrants), who are teaching their children, to do wrong; but not get caught. Plus, Lankan’s tend to teach kids all these false customary acts of tradition, but no real respect and/or etiquette. In fact, the tradition of going down on all fours in front of elders, as if to give them a blow job, is pretty distasteful. The way heavily cleavage women, squat down with their heaving breasts sweeping the floor, in front of horny orange robed monks, the hypocrisy and fakeness of it, is pathetically disgusting. Oh, it doesn’t matter how indecent people are in behaviour; and how disrespectful their actions tend to be; so long as, end of the day, they squat and pretend to show respect in front of their elders and other fraudulent monkeys (umm!! I mean monks). Respect should lie in one’s heart, without real respect, all these brainwashed robotic customary acts are baseless and utterly ridiculous.

Look at all the Temple Bullshit, in Sri Lanka. All blindly following customary acts, given down by traditions, which are less to do with Buddhism, and more to do with fear motivation. So basically if I don’t go and worship at the temple, and get blessings from a dead man (for the Buddha died centuries ago), bad things will happen to me, no matter how good a human I might be. Doesn’t that make Buddhism, Evil???? I highly doubt religion is meant to be so vengeful. In fact according to Buddhism, one is not to blindly accept everything given down by tradition. There is so much unnecessary evils that take place in this country in the name of culture, false pride, fake sense of patriotism and inhumane archaic traditions. The simple act of piercing a baby girl’s ears, ’cause girls are supposed to have holes, including in their ears, is quite a distasteful tradition. If a girl (or even a guy) want’s to wear rings, they’d pierce all over their body if they desire to, when they grow up. Why put a baby girl through so much of pain and tears in the name of tradition????

Premarital sex is a no no. Yet people do practice it, in secrecy, and then they hypocritically talk about Lankan culture, and all that nonsense, as if the utmost devout. Marriage is a license for people to have sex here. Most men here being Mama’s boys; the mother is the servant and the wife the prostitute (or the wife could encompass both traits, equally). Virginity, especially in (unmarried) women, is held with high regard. A married couple indulging in a sexual relationship (immaterial if they procreate, or just have sex for sexual pleasure) is acceptable; but a decent good person, who might want to be in a proper relationship with one person (but does not believe in the concept of marriage), is shunned if he desires to have sex, even if it’s just with one partner. A man being a bachelor, does not mean he’s a playboy. There are more promiscuous individuals, who are actually in wedlock, than out of it. Not that there is anything wrong with being promiscuous, if one is open about it, and doesn’t use people, to their advantage. I, aged 42, am still a virgin; partially by choice. And I’m neither ashamed nor proud, of the fact that I don’t have sex life, and never had one. And nobody has the right to judge me for it. And I don’t believe in the fact one should stay a virgin, till they get married, either. Marriage is not a necessity for me, neither is sex. But yes, the desire for sex exists. Of course, I want to have sex, it’s normal, but with a person I am attracted to. I have fallen in love many times, but ’twas always unrequited love, thus nothing happened. The point is, being a pretty decent fellow, I don’t believe in jumping into bed with any Tom, Dick, or Hariendre, walking down the street. Nor do I believe in the concept marriage (it’s not a necessity for me to legalize a sexual relationship, not that I’m against it). So I find myself fighting both worlds, the side that thinks I’m a loser for not having sex, for not having gone on a date, and the side that thinks I ought to get married. I don’t believe in getting married for the sake of it either. Wouldn’t I be ruining two lives, if I did so??? I am as open minded as you get. Way too open minded an individual, with a brain of my own, thank you, for such a narrow minded country. So basically, neither do I believe in jumping into bed, or taking the plunge into matrimony, to please others. Period!!! Anyway, if I had a partner ( I wish I did, or do, in the near future, at least once); and we wish to get married, I highly doubt we’ll be able to get married the way we’d want, in a society still residing in the dark ages.

Plus the hypocrisy of weddings in this country, where do I even begin. The show and pomp weddings in the name of tradition, or worse Buddhism (as Buddhism is the exact opposite); tend to be the worst. It’s interesting how so many couples climb the Poruwa (wedding altar) in their glittery gaudy traditional attire, as if they were the virgin Mary, prior to the ceremony. Makes old hags very happy. Don’t get me started on how people suck up to the older generation here, and then degradingly make fun of them behind their back. As I stated earlier, no real respect exists here. Plus, the so called Lankan traditional weddings have very little do with this disgraceful country’s traditions or actual religion. The Bride dressed in white (a western tradition started by Queen Victoria); of course here it’s a Kandyan Osariya worn in white by the bride, with a lot of jewelry, and one long necklace, appropriately placed as if cover their breasts and vagina (whilst the lusty blood red Osariya actually feels more traditional; and appropriate, considering the fact, how many brides are actual virgins to don the virginal white on their wedding day); the bestman/men, pageboy/s, bridesmaid/s and flowergirl/s; the pouring of milk of clay pots stacked on top of each other (à la the champagne being poured on stacked up crystalware, in the west); the cutting of Kiribath (milk-rice pudding) since the late 90’s (similar to cutting the wedding cake, another copied western tradition); etc etc ….. An elegant grand wedding, if one desires it, is fine; but hypocriticality of calling it as per Lankan culture, or worse as per Buddhist culture (where as Buddhism is about simplicity, and grand scale weddings are not); and the use of the Nilamé kit/Tuppotia (a traditional show off garb worn by Kandyan Lankan’s attributed to the temple known as the Dalada Malgawa; especially donned at the Dalada Malgawa Perehara (parade)) is what’s wrong. Again the fact that the Nilamé kit, is attributed to Kandyan Buddhists, itself is a wrong concept. Buddhism is the exact opposite of the show and pomp, practiced by the Dalada Malgawa; where Buddha’s tooth relic is placed inside a gold gilded mini stupa, and no one can actually see the relic, but the admire the gold casing it’s covered up in. It definitely looks beautiful, but how do we really know, their is a relic in there, let alone a Buddha’s tooth??? And the treatment, torture and use of chained up Elephants by the Dalada Malgawa; to be showcased at the Perehara; is pure Animal Cruelty!!!!!! Completely goes against the teachings of Buddhism.

Of course, Animal rights activists in Colombo argue that these Elephant in Sri Lanka should be protected because it’s a Sub Species; found nowhere else in the world (which is an argument more to do with a Sri Lankan ego, than Animal Rights). BUT,  Sub species or not, imprisonment and maltreatment of animals is still imprisonment and maltreatment; be it Elephants, Oxen or Dogs. Animal torture is still animal torture, be it a unique Sri Lankan species of Elephants or not. Besides the Dalda Maligawa Perehara is all show and pomp, in the name of Buddhism. That’s the biggest irony; again, “Buddhism is the exact opposite of showing off”!! Going back to the hypocrisy of Lankan weddings for instance; what’s worse is that they have weddings at temples as well (temples never had weddings here in the past, but it’s like Buddhists are competing with Christians, for Christians do have Church Weddings). The wedding, in the proper sense, was meant to be at the Bride’s family home, and Home Coming function, at the Grooms. What’s even worse is that, at these weddings sometimes the  groom comes to wedding seated on a chained suffering elephant. Or even a teary frightened little baby elephant. Surly people can’t be that ignorant, not to notice an animal suffering. No animals should be used in this manner!!!

And getting back to the ridiculous show and pomp padres in the name Buddhism, hosted by the famed Buddhist temple in Kandy; the act of participating in the perahara is also very traumatic for the elephants. Elephants don’t like bright lights and loud noises, and they are alarmed by objects moving rapidly at the edge of their field of vision. Even a tourist watching the show should realize how stressed these elephants in deep distress are. So these animals that are among the most intelligent on the planet are being repeatedly subjected to traumatic experiences in the name of human pageantry. And, as I stated earlier, according to Buddhism people aren’t suppose to blindly carry traditions, handed down by ancestors. If the use of/harming of, Animals, were officially banned; then this Perehara nonsense would have to stop, automatically. It won’t completely put an end to ill treatment of animals; but it’s a start. Look at Canary Islands and Catalonia, they banned bullfighting, despite it being a brutally famed Spanish tradition. Animals, be it Elephants or bulls, aren’t lucky to take part in these festivities, for they’ve been tortured to a point they don’t even know that they are elephants/bulls. These animals are meant to be wild and free, with their own families, not meant to used for sick pleasures of the inhumane human beings. Eating meat might be a necessary evil (though that’s also debatable), ill treatment of animals is not!!

Everything from illtreatment of wild animals, to illtreatment of domesticated animals exists. How Cattle and Poultry are treated here, is a different argument; but let’s get to the fact how pets are mistreated here, especially Cats & Dogs. Doggism exists to the utmost in this Doggist nation of so called Buddhists. There have been many factual articles of how dog meat was being sold as venison, and other meats; and small fish from dirty canals were being sold as seafood. Most victims of these cons, happen to be foreign tourists, who love to try out local delicacies (and they sure do, unknowingly). In July this year, many prestigious Sri lankan Universities, poisoned stray dogs in the most inhumane manner and watched them screeching in pain for hours as they died. Pregnant cats were being buried alive. And many more stories emerged with pictures and video clips in newspapers and social media. What a lovely Buddhist country this is?? Yes, they can be so proud of this nation???

Of course, local Buddhists believe, humans are a superior being, and that humans that have been bad in previous births, are reborn as animals; thus they feel it’s OK to illtreat animals, and to turn a blind eye to animal suffering. Buddhism does NOT SAY, it’s OK to illtreat animals, even though the theory of Karma and rebirth, exists in Buddhist scriptures.

Karma itself is a questionable subject. Karma sounds really great in theory. So people who ill treat you, will get it back someday. It could be in their next birth. But their is dark side to this. So if you have apparently done something unthinkable in your past life, you are doomed in this life no matter what you do? nor matter what a good human you are? I’m not taking about rewards, but just to be content with life. But apparently I can’t because I was apparently a monster in my past birth?? That’s terrible!! So basically there is no hope what so ever for a peaceful happy life. Karma is a bitch!!!! Of course I don’t believe in re-birth. In the sense, that there is no factual proof of it’s existence. But I keep an open mind, so I don’t really say, that re-birth does not exist per se, but that I don’t know. And to be quite honest, nobody really knows what happens after one dies, until they actually die. It might be the end of it, or heaven and hell (as Christians believe), or re-birth, or something else entirely. Nobody really knows, with a 100% assuracy. And I’m in no hurry to find out (even though there have been times so depressing, that I’ve felt the desire to find out, but no, not in any real hurry).

And getting back to dogs, and concept of apparently humans being re-born as dogs, or other, according to their karma, brought forward from their previous life. If being born a dog, is to atone for a sin committed in your past birth; one ought to wonder, aren’t dogs way kinder and innocent than humans. In fact, Dog is better than God. Of course, the Buddha is not a god, but supposedly a great human being, who walked the earth centuries ago. Yet all humans are flawed creatures, nobody is perfect. BUT the Buddha was supposedly a perfect mortal being. Yet, if you think of it, as Prince Siddhartha, he got tired of having sex with his woman, and thus finally abandoned his wife, and new born baby. Sure, he gained enlightenment or whatever later; BUT what he did at that moment is unapologetic. To leave his wife, at such a crucial moment in their life. A very selfish act. And for all you know, the Buddha was gay; that might be the reason he grew tired of constantly screwing a woman. Yet ironically, Homosexuality is frowned upon, specifically by Lankan Buddhist. Further proof of his sexuality could be the fact, when the Mara (a demon in Buddhist mythology, considered as fact, by most Buddhists) sent his beautiful daughters to seduce the Buddha, he wasn’t perturbed. Because he was so pure, or was there another reason for it? Jokes apart, if Buddha, or any religious leaders were actually homosexual (and there is NOTHING wrong with being gay), the irony is, that the Most homophobic societies exists within these religious circles. While religious people ought to be more open, accepting, kind, generous and non-judgemental.

People here tend to show prejudice to everything possible. Let’s take a look at peoples preference towards the fairer skin tones, as an acceptance of beauty. Buddha was supposedly beautiful, because of his fair skin. What proof is there, that he was fair??? It’s pretty much similar to the portrayal of Christ as white. Christ wasn’t Caucasian, as he was from the middle east, but he could’ve been fair skinned. And Buddha being from Northern India (he was born in Lumbini, Nepal of today, back then Lumbini was part of India), it’s possible that he was fairer. But fairness does not necessarily mean attractiveness. There are lot of dark skinned, or jet black, people with sharp beautiful features, who tend to be just as attractive, or even prettier. The Indian sub-continent tends to be favourable towards the fair skin tones. But, North India, Nepal & Pakistan, tend to be fairer skinned anyway. Sri Lanka is a BLACK Country (or at least dark skinned); here the prejudice is far more absurd, of “the pot calling the kettle black” syndrome, quite literally. But being black skinned is not a fault. Fairer skinned people here insult Dark skinned people & Dark skinned people here tend to insult darker skinned people, and so on, even with the use of the ‘N’ word (used in a more derogatory sense, than a friendly manner). Once when somebody, almost as dark as me, called me a Nigger; I told him, if he actually said that to a black person (meaning people of actual African decent) he would have got it. The irony is, that whilst studying in New Delhi, a group of Africans, called me “White”!!!! Back in my mid-20’s, when I came to Sri Lanka, with a superb Modeling Portfolio, done in Delhi; I tried give it a try here. I was asked to bleach my skin. Am not ashamed of my dark skin, but Lankan’s do have a major complex about their complexion. And I wasn’t as dark as I am today. The guy, who called me a “Nigger”, bleached his skin, went onto be a quite good looking model (endorsing ‘Fair & Handsome’ fairness creams) and a pathetic actor (that people adore), in Sri Lanka. Am glad of my decision not to take that false route.

Whether Buddha was fair skinned or not, nobody would really know, but I doubt he would have differentiated among skin tones, or put labels on standards of Beauty. Sri Lanka’s racism is far worse, than that of the British, America or Australia; where too racism exists, besides being multicultural societies. Of course Sri Lankan’s do have a dislike for Caucasians as well, but just that (as I mentioned above), they bow down to white skin, but back bite like anything. They are not genuine about their racism. European tourists are called Sudha/Sudhi (a derogatory term for white skinned male/female), or Karapota (Cockroach, maybe ’cause of the white blood roaches tend to have); but Karapota is more of a term used for the Dutch & Portuguese Burgher communities here. Muslims are called Tambia, and so on. You find Racism in SL, towards skin tones, other religions besides their own, and other races besides their own; et al, and is far worse, than anywhere else. The rest of the world, most people know about it, be it corruption, racism, violence etc etc … Very few have even heard of the insignificant dot of island on the world’s map, or it’s disturbingly negative attributes.

Of course, this actor I brought up earlier wasn’t a bad person, as such. I just brought him up as an example, how dark skinned people insult other, even slightly darker than them, to the extent of using the “N” word (I’ve gone through far worse psychological, and to some extent physical, abuse, especially through the hands of Sri Lankan’s, and more specifically by Lankan Buddhists, residing all over the world). No, the untalented superstar of Lankan cinema, in not a bad person, but just a bloody fool, and quite an unhygienic one at that (the irony of people disliking dogs, and other animals, because they feel animals are unclean, is quite laughable; my dogs are way cleaner than most people in this country). And this person is an advocate of Buddhism in the country. And a vegetarian (how much of a vegetarian is another debatable fact, a lot of fishertarians call themselves vegetarians. Fish are living things that can feel too, and they suffer the most, caught in a net, as they die; and don’t get me started on seafood that are boiled alive). I am not a vegetarian, but I don’t behave like I’m going to die without meat. I can go for/and have gone for, months without eating any meat. But most non-vegetarian Buddhist here behave as if they are die without meat. Their greed for animal flesh, or in any other manner, is revolting. Of course, this does not mean, just ’cause a person is vegetarian, they are better people, or that they treat animals with love and kindness. All religions, and races, within this country prefer to believe, only their beliefs/race is right, and the best. But Buddhism, which is not meant to discriminate, tends to be the worse kind of supremacist attitude prevalent in this so called Buddhist nation.

Look at the Sri Lankan flag itself, with a devilish looking Lion holding the sword, and archaic representation of Sinhalese supremacy (thus the country itself has this archaic mentality of the dark ages, respecting a royal lion of an  non-progressive nation), with the Bo-leaf on the four corners (symbolic of Buddhism), of the maroon background (maroon colour represents the Sinhalese race). But what’s worse is, who or what is the lion showing the sword to?? The Green & Saffron stripes, representing the Hindu’s & the Muslims, respectively. So basically, instead of protecting the minority groups of the country (the Christians & the Catholic Burgher’s are not even touched upon) the lion is saying, don’t fuck with us Sinhalese Buddhist, we rule!!! Either way, why should the flag have something to say for, or against, any religion or race. Shouldn’t it represent something a bit more universally significant, blending harmoniously with flags of other nations, in simplicity; without trying to ape an archaic royal mentality.

The Swastika, is an ancient symbol in Hinduism, Buddhism and Jainism, attributed to the Aryan race. Again peoples fascination for fairer skin, can date back to the Buddha’s era. The Buddha himself being from the Aryan race (non-Buddhist are known as anāryas) was supposedly beautifully fair skinned (as mentioned above). So the Aryan race is fair skinned, and our own roots are Indo-Aryan, but through evolution under the hellish sun, we have really dark skin, yet our sharp features give away our Aryan roots. But what’s wrong is the Swastika’s racist roots, that gave way to Hitler’s Nazi regime to use it as the symbol of Aryan supremacy. And even today white supremacists, neo-Nazi groups, use it. And in Sri Lanka, it has become a symbol of Buddhist supremacy. And it’s interesting to note, how a lot Sri Lankan’s believe Hitler was right to cleanse the world of Jews. Plus local Buddhists attitudes towards the Muslims is pretty much the same as Nazi attitudes towards the Jews!!! And there are various schools of thought when it comes to Buddhism, and Sri Lankan’s feel, only their Buddhism is correct; even which they don’t really practice properly.

Even still, what proof is there, what Buddha was to have said, was actually said. Buddhist preaching were never written down at the time of the Buddha. Buddhists text were first said to be written down about 400 years after the death of Buddha. Prior to that, doctrines were passed down orally, from generation to generation. And like Chinese Whispers, the doctrines would have changed completely by the time the texts were finally written down. The best religion to me is humanity, to be a good decent human being. Something badly missing in this country. And that’s what the crux of any religion is, which has been distorted by time. More so, in this narrow minded country where a falsified Buddhism is held with high regard.

The irony of it all. In my late 20’s whilst living in England, I was so much more into Buddhism (without ever looking down on any other religion), that practically every Sunday, if possible, I’d go to a Thai Buddhist Monastery there (which again for Sri Lankan’s is a problem, as that is not supposed to be our kind of Buddhism), to meditate. So in England I was more of a practicing Buddhist, and when I came to Sri Lanka, the hypocrisy of it all here, got me off it. By my 30’s I was more of a Free Thinker than a Buddhist, but I still had respect for the religion I was born into. But just over two years ago, I was being so stressed by cruel Buddhists of this country, that I finally renounced the religion and denounced the practice of it in Sri Lanka. I lost any love I had for this country in my mid-30’s, after having being patient for so long; and finally removed Buddhism and lost all respect for the hypocritical sadistic practices and attitudes of Sri Lankan Buddhism, a few months after I turned 40!!!!! In fact, I had gone through so much pain, that particular day, that I did a kind of personal blog post, that I had never posted before, despite all the stress and depression I’ve gone through most of my life, surviving on my own. See my post Day of Depression from September 2015. The day I finally removed Buddhism!!!!!!

Evil forces of Sri Lankan Buddhism, prevented me from working on this post (as it has been doing for ages anyway, trying to prevent me from Blogging about anything, period); but I persevered. I started working on this over a month ago, but I finally got to finish it today. Hope I’ve manged to make all the necessary points I needed to.

Nuwan Sen n’ Social Issues

 

Happy Friendship Day 2017

A very Happy Friendship Day, to all my friends, all around the globe!! To Real life Buddies, to Reel life Characters!! To Best of Pals, to Blog Pals!! To Live Mates, to Virtual Mates!! To Life Pals, to e-Pals!! And to Family, that I actually have a Friendship with, and not associate just for namesake!!

Enjoy

Nuwan Sen ❤

**Special Note**

To all my faithful bloggers, sorry I haven’t blogged in a while. A lot of depressive forces prevented me from working on this blog. But don’t fret, I shall be back in the World of Blogging, ASAP!!!! 🙂

NS.

A strict Calvinist missionary from New England, marries a young girl who’s been pining for her beloved sea captain; from whom she hasn’t heard from, for two years. Soon the missionary, with wife in tow, sets sail for a new life, in a new land, known as the islands of Hawaii. Cultures clash, religious ideals clash, between the blinded Calvinist Ministers and the equally blinded Hawaiian natives, while caught in the middle of all this, is the young new bride, who tries to be the mediator. Added to this, whilst pregnant with her first child, the sea captain she yearned for at one time, touches the shores of Hawaii, only to cause chaos and mayhem, in the once paradise islands.

Such a brilliant classic, an epic saga of civilising the tribes of the Hawaiian islands; is an underappreciated gem of a movie, that spans three decades. Based on the third chapter ‘From the Farm of Bitterness’, of an even more epic scale novel, Hawaii by James A. Michener, the story is known for it’s historical accuracy. Plus, the lead male character of Reverend Abner Hale (Max von Sydow), is loosely based on the life of missionary Hiram Bingham I; leader of the first group of American Protestant missionaries from New England, who introduced Christianity to the Hawaiian islands. Added to which the character of Queen Malama (Jocelyne LaGarde) was based on Queen Ka’ahumanu, the actual ruler of Maui when the missionaries reached these beautiful islands. Yet, though the film’s historical background is spot on, the tale is fictional, and not based on a true story, just inspired by one.

Julie Andrews and Max Von Sydow

The ever wonderful Julie Andrews plays the minister’s young bride, Jerusha Bromley Hale. The sensible, the practical and the open minded personality, who dares to argue with her husband for the sake of the lovely innocent natives, at the same time, tries to make the natives understand her husband’s point of view. She’s compassionate, and understanding, without judging anyone or taking any sides. She’s the one who tries to bring a truce. Meanwhile, a mother to three kids (as the movie goes forward), she keeps having to deal with the animosity between her adamant husband, and the equally adamant captain she had once hoped to marry. The equally adamant captain, is played by Richard Harris.

Directed by Oscar winning director, George Roy Hill, with such a superb cast, this critically acclaimed movie, was the 2nd highest-grossing film of 1966; yet it’s a wonder this movie hasn’t gained much popularity, since. Is it because it’s too long ?? The original cinematic release was 189 minutes long (thus over 3 hours long); but the version I saw, was the edited version, of a 161 minutes (thus practically ½ an hour of film footage was missing). As a true film buff, I’d really like to watch the film in it’s entirety, with the missing ½ hour.

Richard Harris, Julie Andrews and Max Von Sydow

The screenplay co-written by Dalton Trumbo (see my post Trumbo 9/11 from September 2016, as well) and Daniel Taradash; Hawaii, originally was slated to star Audrey Hepburn and Alec Guinness, in the lead; and Rock Hudson as the Captain. And director Fred Zinnemann was meant to helm the project. But as Zinnemann and Trumbo had conflict of interest, Zinnemann walked out of the Director’s chair. Soon, forces of nature took over, and due to bad weather, and various other reasons, the project was delayed, not just a few years, but by over half a decade. Actors Gene Hackman and John Cullum, were known for their appearances in film, pre-fame. Added to which the film is notable for making the (unaccredited) debut of actress, Bette Midler; as well as the only film appearances of, Jocelyne LaGarde (who gained an Oscar nomination in the ‘Best Supporting Actress’ category, making her the only performer in Academy Award history to be nominated for the only performance ever given), and Max von Sydow’s two sons, Henrik von Sydow and Clas S. von Sydow.

I can imagine Audrey Hepburn doing justice to role of Jerusha Bromley Hale; just as brilliantly as Julie Andrews, has done. Alec Guinness would have been just as spot on, as the adamant Reverend Abner Hale, as Max von Sydow was. And no doubt, Rock Hudson would have been even more dashing in Richard Harris’ shoes, as Captain Rafer Hoxworth. Pity, despite it’s success in 1966, and having been nominated for seven Oscars (the following year), the film hasn’t aged well. To some extent, it does feel like a film made in the 50’s, than the 60’s. But I still enjoyed it, and despite a few minor flaws, I can’t accuse Hawaii of being anything, less than pure excellence.

I watched Hawaii late Sunday night, on 11th June 2017, but actually downloaded this movie, beginning of last month (May 2017).

Hawaii (1966)
My Rating: 10/10!!!!!

Nuwan Sen’s Film Sense

french-online-film-festival-poster

Last month, on the culture segment, ENCORE, on FRANCE24; I saw Lisa Nesselson, speaking about an online French Film Festival (FFF)!! It wasn’t until, the night of, the 20th of January, 2017; that I finally got to check it out. All the short films, in the festival, were free; and apparently, in some countries, including our neighbouring country, India, ALL Films were Free!! So, I got to watch some of the short films, on 20th, last month (as I stated earlier); but I didn’t get to the watch some more until, the 11th & 13th of February 2017!! I wish I could have done a post about this earlier; as the Festival finished on the 13th of February, 2017. Pity, I hardly got to watch all the short movies, let alone, BLOG about it, sooner (I did not watch a single, full feature length, movie). BUT, I DID Tweet about the festival, initially, the very next day (after I first saw it), on the 21st of January, 2017, so that at least my followers on Twitter would be aware of it, just in case they already didn’t know about it. Even though, it’s too late to catch any of the films, from the festival site, do check out the website, “www.myfrenchfilmfestival.com”!!

So here is a look, at my quick take(s) on French Shorts, from the virtual Festival!!
………………………………………………………………………………………….

Vincent Cassel in a scene from Violence en Réunion (2015)

Vincent Cassel in a scene from Violence en Réunion (2015)

Short Films, I watched on 20th January 2017
SET OF SEVEN7

A Done Deal (2015/16) a.k.a. Une Formalité

A hilarious short film about a hit man, who is asked to take out a man to coffee, and shoot him later in an alley. But instead, the intended victim, ends up being a real pain in the arse; driving the hit man into near insanity. The most enjoyably piece of farce française, in the Festival.

This Canadian film, stars, actors, Steve Laplante and Richard Fréchette, as the hit man and his mark, respectively. Une Formalité was co-directed by Pierre-Marc Drouin and Simon Lamarre-Ledoux.

Funny, yet violent!! Excellent movie!!!!!
My Rating:- On FFF: 5/5  On IMDB: 10/10

Overpass (2015) a.k.a. Viaduc

A teenager risks his life, in the middle of the night, to do a  graffiti, on a flyover (a.k.a. overpass). The next morning, there is talk of picking up his brother from the airport. The scene at the airport, is sad, once we understand, what they meant, by picking up the brother. BUT, it is when we realise what the young teenager was writing, on the flyover; that it really pulls at your heartstrings. A poignant Canadian film, directed by Patrice Laliberté.

Young newcomer, Téo Vachon Sincennes, gives a heartrending performance!!

Touching! Another Excellent Short!!!!!
My Rating:- On FFF: 5/5  On IMDB: 10/10

Group Violence (2015) a.k.a. Violence en Réunion

Headed by a celebrated French actor, like Vincent Cassel, how can this movie go wrong. Vincent Cassel, plays an ex-street fighter, who is trying not to go back to his old violent ways. But it’s not as easy, as it seems.

Really good take on the western fear of Islam; and how a group of thugs; headed by Cassel’s character, use that, by covering up in a burka, and walking in the streets in the hours of darkness, to intimidate the cops on night patrol. An excellent short film, mostly due to Cassel conveying so much through expression, and less dialogues. Pure Perfection!!!!!
My Rating:- On FFF: 5/5  On IMDB: 10/10

4XD (1964) a.k.a. 4 Fois D

The Classic short film in the competition, is a nostalgic trip to beautiful French femmes of the 60’s decade. Near excellent documentary short, thanks to director Philippe Labro’s, directorial debut, naturalistically filming, Mireille Darc, Marie Dubois, Françoise Dorléac, and my favourite French actress, Catherine Deneuve (see my post 3.3.3.3 from July 2015, as well).

Year 2017, also marks the 50th Death Anniversary of Françoise Dorléac, the elder sister of Catherine Deneuve. Dorléac’s untimely death, at the age of 25, was due to car accident; when the car flipped and burnt. Françoise Dorléac had tried to open the door, was unable to do so, thus was incinerated. The police could only identify her remains, through the fragments of a cheque book, a diary and her driver’s licence. A tragic loss, to world of cinema.

Beautifully filmed in Black & White, 4 Fois D, is really worth checking out, if you are fan of these classic French stars!! An Ode to Beautiful Women!! Close to Excellence!!!!!
My Rating:- On FFF: 4½/5  On IMDB: 9/10

Téo Vachon Sincennes in Viaduc (2015)

Téo Vachon Sincennes in Viaduc (2015)

1992 (2016)

The year is 1992! A lonely, gay, 17 year old, only has a video camera for a friend. He films everything around him, all the time. Soon he develops a crush on a 23 year old. After a night of sexual pleasure, he films the sleeping, naked body of , his 23 year old, on night stand. What would happen when the teenager’s father see’s the tape!!

Director, Anthony Doncque, has brought out a very touching, coming of age drama; of what it was like to be a gay teenager, in the early 90’s!! It’s interesting to see how the father handles it, when he discovers his son is gay. Young Louis Duneton, and Matthieu Dessertine; play the teenager, and his older sexual desire, respectively. Alain Beigel, plays the father of the 17 year old lone youngster.

Really Good Queer Short!!!!
My Rating:- On FFF: 4/5  On IMDB: 8/10

The Plumber (2016) a.k.a. Le Plombier

Méryl Fortunat-Rossi’s, Belgian movie, Le Plombier, is a hilarious film, full of sex sound. Behind the scenes of the porn industry, a Flemish man, who generally dubs, for animated characters, in cartoons; goes into lend his voice, for a blue movie. The results are idiotically comical. Though there is no actual skin show, the movie is very adults only, thanks to the various sounds, explored by the dubbing crew of characters.

Erotically Funny!! Quite Enjoyable!!!!
My Rating:- On FFF: 3½/5  On IMDB: 7/10

The Geneva Convention (2016) a.k.a. La Convention de Genève

Two group of teenagers are getting ready for a fight, over somebody owing someone money. One young man, tries to act as a mediator; and thus unfortunately gets roped into it. But when the person, the money is owed to, walks in, with no violence in his mind, the movie takes a comical turn.

Pretty Good Coming of Age, movie!!!!
My Rating:- On FFF: 3½/5  On IMDB: 7/10

………………………………………………………..

Short Film, I watched on 11th February 2017
LONE1 RANGER

Flesh & Volcanoes (2014/15) a.k.a. La Chair et Les Volcans

An ailing adolescent girl, lives with her father, in Auvergne; a beautiful region in France, popular for it’s dormant volcanoes, and natural hot springs. The young lonely girl deals with daily constraints of living in this little village, with a lot of patience. But there is a limit to her patience; and her inner volcano could easily burst out, any day now, and make her do something completely irrational.

Pretty good, specially thanks to surreal hallucinogenic qualities interwoven into the film. Though I wasn’t a fan of the abrupt runaway, at the end. Still Quite Good!!!!
My Rating:- On FFF: 3½/5  On IMDB: 7/10

…………………………………………………………

Short Films, I watched on 13th February 2017
FIVE5 FILMS

In Deep Waters (2014) a.k.a. Dans les Eaux Profondes

A beautiful creation in animation, blending 3D & 2D artwork. Yet, quite an unnerving experience. Is it possible, to spend nine months, in your mother’s womb, with the corpse of your dead twin, and never know about it. Does the feeling of loneliness, fear of being alone, have something to do with?

This is a beautifully shocking tale, of three lonely people, who are unaware; the reason they don’t feel whole; is ’cause of  the fact, that they were meant to be a twin; but their sibling died in the womb, in the initial stages of pregnancy. Scary, Excellent!!!!!
My Rating:- On FFF:  5/5  On IMDB:   10/10

A Town Called Panic: Back to School (2016) a.k.a. La Rentrée des Classes

A beautifully animated children’s movie. I thoroughly enjoyed this. Love the stop motion animation, process, used in this.

In a school, an astronaut named, Monsieur Youri (an obvious allegory on Soviet Russian cosmonaut, Yuri Gagarin; the first human to venture into space and orbit the earth, in 1961. See my Blogpost The American Civil War & Yuri Gagarin from April 2013) arrives; and tasks the students to measure the distance between the Earth and the Moon. The prize; a trip to the moon, with Monsieur Youri, in his rocket. It’s hilarious how, a Cowboy, a Red Indian, and a group of farm animals, try to find the distance, from the Earth to the Moon.

Comically Excellent!!!!!
My Rating:- On FFF:  5/5  On IMDB:  10/10

Veil of Silence (2016) a.k.a. Un Grand Silence

Set in 1968, in a sanatorium for pregnant teenagers, expecting unwanted children, a well-to-do young pregnant girl is sent, by her parents; to avoid scandal. Being the only well-to-do girl, she finds it hard to fit in with the other, more rebellious, and somewhat jealous, peers. She faces a dilemma, when she doesn’t want to give up her baby, and go back to her wealthy family; and start anew.

A very tragic film, about the hypocritical world; which doesn’t necessarily denounce teenage sex, but does so, to the unfortunate result, of pre-marital sex. It’s absurd, how an unplanned pregnancy is looked down on; and mainly it’s just the woman carrying the child who bears the burden, of being a societal outcast. Of course, this is set in the late 1960’s, in a more rural country side.

Starring Nina Mazodier, in the lead, Un Grand Silence is the directorial debut of Julie Gourdain. The movie also stars, Sonia Amori, Clarisse Normand and Louise Legendre.

The last film, I watched, of the festival, and it went on till close to half past midnight; thus finished on 14th February 2017 (St. Valentines Day), on this side of the ocean. Very Good!!!!
My Rating:- On FFF:  4/5  On IMDB:   8/10

Juliet’s Band (2016) a.k.a. La Bande à Juliette

A French film bordering on sexual harassment, tells of a group of art students, who travel to one of their batch mate, Juliette’s, holiday home in Normandy. Here she introduces the others to her childhood friend. Soon her childhood friend, tells Juliette, about one of art students constantly hitting on her, and treating her in a discriminating manner. But, Juliette doesn’t believe her own close friend. A sad film, where we ourselves wonder whether Juliette’s friend is just crying wolf (as she’s suppose to have done in the past), or telling the truth.

Beautifully filmed, in a lovely house, yet a very slow moving, movie. But still, enjoyable enough. La Bande à Juliette, happens to be the directorial debut, of newcomer, Aurélien Peyre. The movie, from France, stars a beautiful young cast, including Pauline Acquart, Adrien Schmück, Phénix Brossard, Aurélien Vacher, Fanny Lamblin, Faustine Levin and Lucas Audineau.

Average Fare!!!
My Rating:- On FFF:  3/5  On IMDB:   6/10

The Last Frenchman (2015) a.k.a. The Last of the Frenchmen, and Le Dernier des Céfrans

What is it to be French? A pretty good story on Muslim youngsters, with Middle Eastern/African roots, born in France. Technically they are French, born and brought up in France; but when one young Muslim boy goes to enlist in the French army; he’s questioned, as to where his loyalties stand. Added to which, it’s difficult for him to tell his fellow ‘Muslim’ French friends, that he is enlisting.

The movie starts off with the French Muslim youngsters; going to the mosque, then hanging out, making fun, of one of the gang, for dressing up in outdated clothing; from Back to the Future (1985), et al. Then one of them, goes off to enlist. We see an identity crisis, these kids are neither here nor there. They are born French; but their roots aren’t. Thus, they are not accepted in either societies, without scepticism.

There is a scene, where the lead young man, waiting to enlist, is standing at a bus stand, named Frantz Fanon. This could be symbolic, as the; Martinique born, Afro-Caribbean psychiatrist, philosopher & revolutionary; the late, Frantz Fanon, spoke in detail, on the subject of identity crisis in the fields of post-colonial studies. Back in 2002-2003; when I was studying for my MA in International Cinema; I used his very first published book, Black Skin, White Masks, as a reference for various assignments, specifically on Post-colonial Cinema. Black Skin, White Masks, is a deep psychoanalysis, on effects of colonial subjugation upon Black people.

Despite a really good concept, and interesting metaphors, it feels like a waste. Quite a dull movie!! Only short film, in the online festival, that I did not care for, much; although I liked the idea, of the message the movie was trying to convey. Pretty Bad Film though!!
My Rating:- On FFF:  2/5  On IMDB:   4/10

……………………………………………………..

That’s all Folks!!
french-online-film-festivalThere were two short films, I couldn’t watch; i.e. Mother(s) (2015) a.k.a. Maman(s), and Of Shadows and Wings (2015) a.k.a. D’Ombres et d’Ailes; as, when I finished watching Un Grand Silence; it was already, past midnight (as I have stated above). Thus, unfortunately, I couldn’t see the last two available films, mentioned here. Plus, there were a couple of films, that were not allowed, in this country!!

One of the Classic Feature films, on the festival site, was, Agnès Varda’s Cleo from 5 to 7 (1962) a.k.a. Cléo de 5 à 7. Though I did not watch it online; I saw this excellent movie, some years ago. It’s French New Wave, classic. A Must Watch!! I gave it a 10/10, rating back then (also see my Blog-post Being mesmerised by ‘The Umbrellas of Cherbourg’ from August 2013). Sad, I couldn’t watch, any of the full length films, in the festival.

None the less, from the short films I watched, quite a few of them, were really worth it. Do check them out, if you get a chance, to do so!!

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense

french-short-films

John Lennon, what can I say!!! He’s my favourite Beatle, a Peace Activist & a modern day saint. Artiste Extraordinaire!!!!
John LennonIMAGINE!!! A world without John Lennon, The Beatles and Lennon & Ono’s Peace Activism and Pacifism. Impossible! I can’t!! The world wouldn’t be what it is today; the open minded, free spirited, sphere, with comparatively lesser wars than the epical carnages that history chronicles. He brought Peace through his music, his lyrics and the famous Bed-In’s. People are more understanding (or should be) than ever before. Not that the world is full of empathicalists today (far from it, especially in this island, that I live in), but the world is slowly improving for the better to some extent (see ’s, existentialist character, Jo Stockton, teach her co-star a thing or two about ‘Empathicalism’, in one of her movies, in my Blog post, for Audrey Hepburn’s 85th from May 2014). And John Lennon, along side his second wife, artist, Yoko Ono, played an important role, for this ever changing world, in the late 60’s & 70’s. If he were alive today, John Lennon would be celebrating his 75th Birthday, on this day, with his messages of peace, love & equality. A sad loss of a legend, a humanitarian, a believer of Equal Rights, a man without borders and an intellectual.
John Lennon SupermanTo John Lennon (1940-1980)!!!!! A & a real life Superhero!!

Initially, as a kid, when I first saw the music video of Lennon’s Imagine, featuring John Lennon & Yoko Ono, I felt a bit bored. But slowly I started loving the lyrics, the music crawled under my skin, and I started having a great admiration for The Beatles as a whole. And by the early 90’s, Lennon’s Imagine, was, and till date is, my all time favourite song. Since the early 90’s, I’ve read so much on The Beatles, especially Lennon and Paul McCartney, the songs they co-wrote, and have listened to practically every single song The Beatles, and post-Beatles Lennon, ever released. More recently, mid-2007, whilst living in Sydney, Australia, I watched The U.S. vs. John Lennon (2006), on the Big Screen, down there. A very inspiring documentary focusing on Lennon’s quest for world peace, the famed War Is Over posters, anti-Vietnam war protests; and specifically emphasising the futile attempts by President Richard Nixon’s, American, government, to silence him. John Lennon managed to shake Nixon’s government to the edge of paranoiac fear, just through his songs, especially Give Peace a Chance. An exceptional documentary, and am glad I got to watch, The U.S. vs. John Lennon, on the Big Screen. I’d generally rarely watch a documentary in the cinema, but ’twas totally worth it!!

John Lennon with his fellow Beatles; including best pal, Paul McCartney; in the mid-60’s

John Lennon (far right), with his fellow Beatles; including best pal, Paul McCartney (in the middle); in the mid-60’s

John Lennon was also a feminist (see my post Beatle News #10 from April 2013), who took his wife’s, Yoko Ono’s, surname, on the 22nd of April, 1969, as a middle name, through an official ‘Deed of Change of Name’. Thus changing his name from John Winston Lennon to John Winston Ono Lennon, a month after they were married (in March 20th, 1969). Proper Feminism is about Equal Rights, between men and women, thus it’s not essential for one to own a pair of breasts to be a feminist. Being a believer of Equal rights myself, I consider myself a feminist as well; though being a free thinker and a believer of equal rights on varied issues of race, religion, gender and sexuality, the tag of feminism alone isn’t enough to describe who I am. None the less, I believe in the stone faced feminism of the 60’s & 70’s, and am a die hard fan of John Lennon, not just due to his music, but for the kind of great humanitarian he was.

John Lennon & Yoko Ono, during their famous Bed-In’s for Peace, in 1969

John Lennon & Yoko Ono, during their famous Bed-In’s for Peace, in 1969

In early 2012, I was in New Delhi, India, during the annual World Book Fair, and, among many, ended up buying two books on the Beatles; The Beatles: The Days of their Life by Richard Havers (copyright:2010) and A Hard Days Write: The Stories behind every Beatles Song (New and Updated Edition (copyright:1994, new edition:2010)) by Steve Turner. I started blogging in March 2012, and meanwhile, after going through theses books, they soon inspired me to start a segment, on my Blog. Do check out all my Beatle News, from #1 to #33, I posted between March 2013 and February 2014, especially the ones on , and their famous ’s () and Bagism, for World Peace (including Beatle News #4, Beatle News #5, Beatle News #11, Beatle News #12 and Beatle News #16).

°°°°°°°°°°°°°°°°°°°°°°°°
Beatle News  #34:
On Tuesday, 6th of October, thousands of people joined together to form a human Peace sign in honour of John Lennon’s 75th Birth Anniversary, three day before his birthday. This tribute took place in Central Park’s East Meadow, New York, in the United States of America. I wish I was there, as one of the participants. His widow, Yoko Ono, is currently helping to fund a mobile studio called The Lennon Bus, in his name, to help music students and aspiring songwriters. This year also marks the 35th Death Anniversary of John Lennon, who was shot by a deranged fan, on the 8th of December, 1980.

°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

John Lennon & Yoko Ono with their newborn, Sean Ono Lennon, in 1975.

John Lennon & Yoko Ono with their newborn, Sean Ono Lennon, in 1975.

Today also happens to be, Lennon’s second son’s (Lennon & Ono’s only child together), Sean Ono Lennon’s, 40th Birthday as well. Both Lennon & Ono have a child each, from their previous marriages as well.

Sean Ono Lennon earlier this year (April 2015)

Sean Ono Lennon, who turns 40 today, in a picture taken earlier this year, in April 2015.

Sean Taro Ono Lennon was born on John Lennon’s 35th Birthday, on the 9th of October, 1975. A parent couldn’t have asked for a better birthday present than that. Going back to John Lennon’s feminism, after the birth of Sean Lennon, John became a house husband and stay-at-home dad, taking full responsibility for the care of his younger child, until John Lennon was killed five years later. Though, no where near as famous, as his post-modernist, aesthetically superior, parents, Sean Ono Lennon, too is a music artiste and activist, in his own right.

Sean Ono Lennon, who turns 40 today, in a picture taken earlier this year, in April 2015.

Sean Ono Lennon, who turns 40 today, in a picture taken earlier this year, in April 2015.

To John Lennon and Sean Lennon, who were born this day, 75, & 40, years ago, respectively. John Lennon shall forever live on through his brilliant musical legacy and Peace activism. And wishing Sean Ono Lennon all the best, and hope he’ll keep carrying the torch forward (the legacy of his father), like his mother, Yoko Ono has continued to do so. Have a fantastical 40th Birthday, Sean Ono Lennon.

Nuwan Sen n’ The Beatles
Nuwan Sen’s Music Sense

The classic western, Gunfight at the OK Corral (1957), is based on an actual event that transpired, in Tombstone, Arizona, USA, in the late 19th Century. There was a gunfight between the Earp brothers and the Clanton clan of outlaws, that lasted 30 seconds, and this movie traces the steps that led to the disastrously notorious shootout, at OK Corral, on, 26th of October, 1881.

The Arrival of a Lady!! It’s interesting to note, how the people of the town are dressed is similar earthly tones, blending into the backdrop. Contrasting to the greyish, reddish & brownish hues, we see a lady dressed in dark green with a green parasol. This use of contrasting colour, in the scene, itself tells us, that she’s an outsider, and all the townsfolk notice her. Added to which, from her attire and elegant gait, one can tell, that she’s a classy lady, travelling through. The fact she’s a lady, is further confirmed later on, with her sophisticated mannerisms and eloquent speech. And she’s a bold woman, from the 19th century, not afraid to travel on her own. This is none other than the arrival of Laura Denbow (played by Rhonda Fleming), a very respectable charcter. Yet she finds herself in trouble with the law, on her first day in town. She’s arrested and imprisoned, for playing a man’s game, i.e. Poker. For the law of that state, prohibits women from gambling. It’s OK for men to gamble though. Soon the lady in question and the towns Sheriff, Wyatt Earp (Burt Lancaster), who arrested her, would fall for each other, and decide to marry. But fate would have something else in store.

The Arrival of a Lady!!
It’s interesting to note, how the people of the town are dressed is similar earthly tones, blending into the backdrop. Contrasting to the greyish, reddish & brownish hues, we see a lady dressed in dark green with a green parasol. This use of contrasting colour, in the scene, itself tells us, that she’s an outsider, and all the townsfolk notice her. Added to which, from her attire and elegant gait, one can tell, that she’s a classy lady, travelling through. The fact she’s a lady, is further confirmed later on, with her sophisticated mannerisms and eloquent speech. And she’s a bold woman, from the 19th century, not afraid to travel on her own. This is none other than the arrival of Laura Denbow (played by Rhonda Fleming), a very respectable charcter. Yet she finds herself in trouble with the law, on her first day in town. She’s arrested and imprisoned, for playing a man’s game, i.e. Poker. For the law of that state, prohibits women from gambling. It’s OK for men to gamble though. Soon the lady in question and the towns Sheriff, Wyatt Earp (Burt Lancaster), who arrested her, would fall for each other, and decide to marry. But fate would have something else in store.

Lawman, Wyatt Earp (Burt Lancaster), of Dodge City, Kansas, USA, on the verge of getting married to his beloved, Laura Denbow (Rhonda Fleming), receives a letter from his brother asking him to help clean up an outlaw mess in Tombstone, Arizona. In Tombstone, Earp, discovers Ike Clanton (Lyle Bettger) is involved in stealing Mexican cattle. Wyatt Earp, now being made US Marshal, with authority over the whole country, bans the use of firearms in Tombstone. Having failed to bribe Earp, Clanton, with murderous intent, isn’t happy, and accidentally kills the youngest of the Earp brothers. Now Wyatt Earp, has only vengeance in his mind, and along with his brothers, and Doc Holliday (Kirk Douglas), sought out to get rid of the Clanton menace for good.

As the Sheriff is away, having romantic moment in the woods, with his beloved, the mob comes into town, and disrupts everything.

As the Sheriff is away, having romantic moment in the woods, with his beloved, the mob comes into town, and disrupts everything.

The look of the movie is simply amazing. Love the impressive cinematography by Charles Lang. The dusty backdrops of cowboy country, is beautifully captured, and the use of colour to symbolically focus on a trait of personality, is used to perfection. It’s interesting to note how well the sets are designed, in dull brownish hues, along with certain costumes (designed by the famed Edith Head) used to compliment or contrast the backdrop, as an allegory to showcase, the difference between characters, who tend to belong to this desert town, blending into the landscape, and who doesn’t. Secondary, is the storyline, that’s based on a real historical incident, and how well the narrative works in the movie. Not a dull moment, though told in a very relaxed manner, building up the characters, of ordinary people of a small town, and showcasing how they ultimately end up being involved in a, willingly or unwillingly, historical moment in time, with which their names would simultaneously end up being associated with. Watch out for a very young Dennis Hopper, as the little brother of Ike Clanton, who’s unwillingly forced to join his brother, against the Earps & Holliday.

A young, baby faced, Dennis Hopper, as Billy, the kid brother of the Clanton’s, who innocently gets roped in on the gunfight.

A young, baby faced, Dennis Hopper, as Billy, the kid brother of the Clanton’s, who innocently gets roped in on the gunfight.

Produced by Hal B. Wallis, directed by John Sturges, and starring Burt Lancaster and Kirk Douglas in the lead, this is a really interesting movie to sit through. It chronicles the tale of how a peace loving sheriff, who doesn’t even carry a gun, is forced to lead a gunfight against a lynch mob. The cast is brilliant, as is the story line. Love the cinematography, and the set décor. It’s thanks to this combination that the film happens to be amongst the most celebrated of Hollywood westerns. But yet, it’s no where as great as, High Noon (1952), The Searchers (1956), The Misfits (1961), The Outrage (1964) and 3:10 to Yuma (2007), to name some excellent Hollywood films of the ‘Western’ genre; or near excellent flicks like, The Left Handed Gun (1958), The Unforgiven (1960), Butch Cassidy and the Sundance Kid (1969) and Australia’s The Proposition (2005). Still, Gunfight at the OK Corral, is a really enjoyable flick, in league with famed westerns like, Love Me Tender (1956), Rio Bravo (1959), A Fistful of Dollars (1964) and Unforgiven (1992).

Watched Gunfight at the OK Corral, on Monday, 14th September, 2015. One of the DVD’s I brought from Australia in November 2014 (Also see my 200th post Holidaying in Australia, comes to an end). I still have a few movies, I bought Down Under, left to watch. The last one I watched, was This Property is Condemned (1966), back in May 2015 (see my posts Condemnation of a woman during the Depression era of the American south, Mai May Movies 2015 and Classic Movie History Project Blogathon – 1966: The Year dubbed as Nineteen Sexty Sex). Prior to that I managed to watch quite few of those DVD’s last year in November/December 2014, itself. Also see my post Gunfire @ OK Quarrel on my new website, from today itself.

Gunfight at the OK Corral (1957)
My Rating: Very Good!! 8/10!!!!

Nuwan Sen’s Film Sense
————————————————————

In front of the Salt March Monument, in New Delhi, India (Sept 2011), whilst on holiday in India.

In front of the Salt March Monument, in New Delhi, India (Sept 2011), whilst on holiday in India.

On the 12th of March 1930, Mahatma Gandhi started the famous Salt March (a.k.a. Dandi March and/or Salt Satyagraha). A march which began in ‘Sabarmati Ashram’, in a suburb of Ahmadabad, in the state of Gujarat (located in Western India) and culminated in the coastal city of Dandi (in Gujarat itself), to make salt, to challenge the tax imposed on salt under the British Raj. As he continued on this 24-day, 240-mile (390 km) march, to produce salt without paying tax, thousands of Mahatma Gandhi’s followers joined in. Gandhi broke the salt laws at 6:30 am on the 6th of April, 1930, which ignited various acts of civil disobedience against the salt laws of the British Raj by millions of Indians. This was a significant event, in Gandhi’s non-violent struggle against British oppression, in colonial India.

Today marks the 85th Anniversary of the beginning of the famous Indian Salt March. One of the main events that finally led to the Independence of India, in 1947. This historic Salt March inspired various other marches around the globe. One of the most significant influences, of this brainchild, in the modern world, was that of the Selma to Montgomery march/es of 1965, 50 years ago, this month, in the United States of America. The Selma to Montgomery marches, were in protest, as part of the American Civil Rights movement, demanding that black American citizens, be given the right, to exercise their constitutional right to vote, in defiance of segregationist repression, that still existed in 60’s USA. Martin Luther King Jr., whose inspiration for his non-violent activism, was none other than Mahatma Gandhi, helped organize the Selma to Montgomery marches of 65’.

Nuwan Sen’s Historical Sense (नुवन सेन)

Also See:-

The day that paved the way for India’s Independence

Sixty Six years of Indian Independence

Republic Day of India & Australia Day

The Oscars Ceremony : Year 2015

On Sunday night (1st March 2015), watched the 1962 French New Wave flick Le Combat dans L’île. One of the best among, film française (French Films).

Jean-Louis Trintignant and Romy Schneider in a scene from Le Combat dans L'île (1962)

Jean-Louis Trintignant and Romy Schneider in a scene from Le Combat dans L’île (1962)

This masterpiece of the Nouvelle Vague (French New Wave), directed by Alain Cavalier, deals with a husband and a wife, a political assassination attempt, tested friendships and infidelity. It’s a brilliant movie starring Jean-Louis Trintignant and Romy Schneider, as husband and wife; and Henri Serre, as a close friend, kind confidant and ultimate lover.

Jean-Louis Trintignant, plays a foolish man, conned into a rebellious group, and, though not necessarily an abusive husband, definitely a bully of a husband, and a very possessive and untrusting husband, with a major inferiority complex. Yet he isn’t as sceptical, in fact happens to be pretty gullible, when it comes to outside negative influences, that doesn’t concern his marriage. He resides in Paris, France, with his beautiful wife.

One day Clément (Jean-Louis Trintignant), gets involved in a political assassination attempt, which happens to be the brainchild of Serge (Pierre Asso), his superior, among the underground rebels; unaware to Clément’s wife, Anna (Romy Schneider). It is Clément who pulls the trigger, under the guidance of Serge, during attempt to kill a famous French politician. Soon Clément is forced to abscond, along with Anna, to his childhood friend, Paul’s (Henri Serre) home, a safe haven, in the countryside. Here Clément learns, that it’s actually Serge who betrayed him. Thus he vows to take his revenge, for his own folly, in trusting Serge with his life. Paul, being a modern day democrat, and an advocate of non-violence, is horrified by Clément’s involvement in the failed assassination attempt, and throws him out of his house. Yet for Clément, with nothing but vengeance in his mind, takes no heed to Paul’s contempt towards him, and leaves for South America, in search of Serge, leaving Anna behind.

Anna is devastated, and falls into a grave depression, but Paul, along with the help of Cécile (Diana Lepvrier), Paul’s housemaid, pulls her out of it. Soon news of Clément being a wanted man, for the murder of Serge, reaches France. With no news from Clément, Paul and Anna fall into each others arms. But soon Clément returns, and now devoured by jealousy, after he learned of his wife’s infidelity, keeps challenging Paul to a dual. Sensible Paul keeps refusing. But the immature Clément wouldn’t let the couple, that is now expecting a child together, be, and wouldn’t stop harassing them until Paul agrees to a fair fight. It’s a matter of honour for, the archaic mentality of the male chauvinistic, Clément. While Paul and Anna, are more open minded, practical, and nice couple, who seem perfect for each other. But thanks to the brashness, of Clément, the story is headed for an, uncalled for, shootout, with tragic consequences.

BEHIND THE SCENES: The cast of Le Combat dans L'île, having fun on the sets.

BEHIND THE SCENES: The cast of Le Combat dans L’île, having fun on the sets.

Character Analysis  
Clément is a failure in life, which gives rise to his unkind ways, violent mentality, inferiority complex and insecurity. He is an extremist fool. He beats his wife, yet he truly loves her. Loves her to the brink of suffocation. His physical appearance adds to his characterization. He is a good looking bloke, yet not well rewarded in height, and not as handsome as his close friend Paul. It’s an interesting contrast between the two friends. Paul is tall, handsome, kind, sensible and practical. A perfect gentleman. While Clément is brash, unsympathetic, immature, moody, rough and unsophisticated in mannerism. Anna is a former actress, who’s left the stage, after getting married. She seems to have an existentialist personality. Clément is very possessive of her, he feels he own her. Anna rebels against his domineering behaviour, and is constantly horrified of his violent tendencies, yet she almost always ultimately gives in, letting him have his way. She revolts against his brutishness, but yet, at the same time, is submissive. She loves and fears him and seems tired of fighting, yet she doesn’t accept his negative attitude towards life. In fact, once she tells him, that he is ‘‘killing her’’. She means metaphorically, as well as his physical bullying towards her. The way he strangles her neck with lust, as he kisses her. He treats her as his property, property he loves to death. But what’s more ironic here is, as she tells him, he’s ‘‘killing her’’, metaphorically, he is actually ready to kill the traitor, Serge, the man who betrayed him. Three really intriguing character sketches here. Anna’s love for Clément, shows her love for a passionate romance, at the edge of being deadly. Yet, when she finally falls for Paul, it’s more of a settle-down kind of love affair. Relaxed, along with a kinder and gentler man, a complete contrast to her ruthless, obsessive, husband. With Paul she’s ready to start a family, and live happily. That is until, Clément comes back and gets ready to ruin her stress free life.

Symbolism of the Landscape: The Secluded Isle  
The countryside where Paul lives is beautiful. Especially Paul’s little Isle, with his Tudor style house atop; with the dark timber frameworks, and white plaster; along with a river flowing below. It’s picture perfect. A happy private and scenic retreat, away from habitation. Perfect for a couple in love, a relaxed lifestyle, and great for bringing up a family. It’s such a romantically  beautiful landscape. A place which landscape artists would love to paint, poets would love to write about, and writers would love to use to muse about their next venture. Yet, the place can also be symbolic, of isolation, loneliness and insecurity. Ultimately this beautiful location is where all the drama unfolds. The climax. The final combat in the isle, takes place, as the title suggests. This is where the fire and ice (as the English title of the movie, Fire and Ice, suggests) face each other. While the fire tries to melt the ice, the ice tries to extinguish the fire. One through foolish provocation, the other forced against his will.

A marvellous movie by Alain Cavalier, with a superb cast. Romy Schneider happens to be one of my favourite actresses, from European cinema. Schneider is of Austrian birth, but she’s acted in French, Italian, German and English language movies. Le Combat dans L’île happens to be her first venture into the Nouvelle Vague. French actor, Henri Serre, happens to be the star, of my all time favourite French flick, director François Truffaut’s New Wave classic, Jules et Jim (1962), which happens to be part my all time favourite, Top-10 Films (see my list of critiques titled Why I love …. from November/December 2012 on IMDB).

Le Combat dans L’île, is a blend of Art Cinema meets a thriller, combined with a love story, a tragedy, and more than a pinch of the element of noir. The film itself, like the character of Anna, embodies an existentialist undercurrent. A beautiful directorial debut feature by Alain Cavalier

Le Combat dans L’île (1962). Pure Excellence!!!!! 10/10!!!!

Nuwan Sen’s Film Sense