Tag Archive: Oscars


Richard Burton plays Philip Ashley, in the 1952 film adaptation of Daphne du Maurier’s acclaimed novel, My Cousin Rachel.

A constantly brooding, suspicious, miserable character, that we rarely see smile. Even his happiness (in rare moments when he seems to be happy) is superficial, taunted by his skeptical nature. His mental state, stained by the loss of his favourite cousin, who raised him, and with the guilt of harbouring lustful desires for a woman who might be the reason for his cousin’s untimely demise, eating away at him; Philip Ashley is never at peace. AND this character is portrayed with pure perfection, by the brilliant British Shakespearean actor, Richard Burton. Predominantly a British star, the UK’s Cornwall set My Cousin Rachel (1952) was Burton’s first foray into Hollywood and it earned him a Golden Globe Award for New Star of the Year – Actor in 1953.

Olivia de Havilland plays the ambiguous character of Rachel, in My Cousin Rachel (1952)

Daphne du Maurier’s My Cousin Rachel is about an orphaned kid, Philip, who is brought up by his wealthy cousin, Ambrose Ashley (played by John Sutton in the movie). Ambrose, while away in Italy, meets the widowed Contessa Sangalletti (a.k.a. Rachel), a distant cousin of theirs, and Ambrose and Rachel soon marry. But their marital bliss is short lived, as Ambrose dies of a brain tumour. Yet before his death, he manages to plant the seeds of suspicion on young Philip’s mind, that she’s been poisoning him. Thus, when Rachel comes over to Ambrose’s Cornwall estate, no matter how nice a person she seems to be, Philip is never at peace. He has a love-hate relationship with her; and he suffers throughout, due to the seeds of distrust having taken root in his mind. Even in the end, he is in agony, wondering whether she was guilty or innocent. Something that would haunt him for the rest of his life.

I really liked the ambiguous ending, for we never truly find out about Rachel, though we do feel she might be more innocent than guilty. She’s not a perfect person, but she most probably didn’t murder her husband, nor try to to kill off Philip, as he suspects. And as we get to know later, she doesn’t have any intention of taking over Ambrose’s estate, she doesn’t expect a dime. It’s all left to Philip.

With no real interest in making it in Hollywood, Richard Burton joined this project, due to the recommendation of director George Cukor (whom Burton had great respect for). Originally Cukor was planning to direct this cinematic adaptation of du Maurier’s Gothic novel. But when Cukor and du Maurier, read the first draft of the screenplay, they felt it was unfaithful to the novel, and were both disappointed. So Cukor dropped out. However the project went ahead, without Cukor, and the movie was ultimately directed by Henry Koster. The end result, though different to the novel, was excellent; mainly thanks to Burton’s brilliant acting talent, along with the rest of the cast. Even du Maurier was pleased with Burton’s performance, as well as certain shots filmed in the real Cornwall; but felt de Havilland didn’t capture the mystery of the character of Rachel, well enough. Even though I haven’t read the book, I agree, I felt de Havilland’s performance was quite lukewarm. She wasn’t bad, in fact she was interesting enough; but far from great. Then again the character she played was quite ambiguous, and hard to judge. None the less, the film is excellent; Burton Brilliant; and the cinematography by Joseph LaShelle, hauntingly beautiful. The Cornwall setting and the beach play quite an important role in this story, but I noticed it’s not as significant to the plot, as much as it (especially the representation of the beach) was, in Daphne du Maurier’s Rebecca; the 1940 film adaptation of which (by Alfred Hitchcock, starring de Havilland’s sister, Joan Fontaine) went on to win Oscars, for Best Picture and Best Cinematography. 1952’s My Cousin Rachel, was nominated for four Academy Awards, including one for Richard Burton (his 1st Oscar nomination), but it won none. Burton never won an Oscar, though he was nominated seven times, altogether.

Apparently, Olivia de Havilland didn’t get along with Richard Burton, whom she hated. She felt he was coarse, crude, unsophisticated. But then again, growing up, she wasn’t very kind to her own sister, Fontaine. Today, amazingly, Olivia de Havilland, is the one who is still alive. Most notable for her role as the kindly ‘Melanie Hamilton’, in Gone with the Wind (1939), de Havilland turned 102, on 1st July 2018, surpassing younger sister, Joan Fontaine, who passed away on 15th December 2013, less than two months after her 96th Birthday!

Olivia de Havilland, Audrey Dalton and Richard Burton, in a scene from My Cousin Rachel (1952)

Back in my teens, in the early 1990’s, I watched the 1983 BBC television mini-series, based on My Cousin Rachel, which apparently is comparatively more faithful to the novel, and which I loved too. YET, I loved this classic movie adaptation, I saw end of September 2018, online on Youtube, with not that clear a sound, and re-watched day before, even more. Although, if my memory serves me right, I do feel, Geraldine Chaplin in the 83′ version, most probably did more justice to the role of Rachel.

Recently there was another film adaptation of this book, released last year (2017), directed by Roger Michell, and starring Rachel Weisz and Sam Claflin, in the lead. Am yet to see this newer version, which has had some mixed reviews.

My Cousin Rachel (1952)

My Rating: Excellent – 10/10!!!!!!!!!!

Bookish Nuwan
Nuwan Sen’s Film Sense

#NuwanSensMovieSense

#‎NuwanSensFilmSense

This Blog Post, is my contribution to the, REGALING ABOUT RICHARD BURTON BLOGATHON, hosted by Gill of Real Weegie Midget!!!!!

Thank you Gill, for letting me take part in this Blogathon, dedicated to a such prolific British Actor of the Stage and Screen!

Nuwan Sen (NSFS)

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The ❝October Birthdayz❞ Blogathon (Day 3)

Costume Designer, Edith Head, celebrates her birthday with, actor, Mel Ferrer, and his beautiful wife, Audrey Hepburn; at a party hosted for Ferrer and Hepburn, at the Beverly Hills Hotel, in Los Angeles, California (circa. October 1955/1956)

So here are the Participants, for Day 3, of the The ❝October Birthdayz❞ Blogathon, with their contributions :-

  • On Walter Matthau (1st October 1920 – 1st July 2000)
    Paul of Pfeiffer Pfilms and Meg Movies, does an interestingly unique post, one of my personal favourite films ever, the brilliant comedy, Cactus Flower (1969), staring October born, Walter Matthau, along with Ingrid Bergman, Goldie Hawn & Rick Lenz (For Hawn & Lenz; who share a birthday, both being born on November 21st, in different years; Cactus Flower, was their debut movie). What’s unique about Paul‘s post, with his affection for Michelle Pfeiffer and Meg Ryan, is that he does a small analysis of what it would be like if Pfeiffer & Ryan were to replace Bergman & Hawn, respectively, in Goldie, Meg and Matthau, Michelle and Ingrid Bergman too: From Cactus Flower to a Pfantasy Pfeiffer Pfilm
    NSFS
  • On Roger Moore (14th October 1927 – 23rd May 2017)
    Gill at Realweegiemidget, sends in her third and final post for this Blogathon, where she pays tribute to her favourite (and definitely the most good looking, till date) on screen James Bond, Roger Moore, and she also speaks of his non-Bond roles, a parody on his 007 character and a movie she hasn’t seen (i.e. his final performance), in FILM… Remembering When Roger Moore Hit the Bullseye and Moore
    NSFS
  • On the Birth of Cinema with Roundhay Garden Scene (Birth-date: 14th October 1888) & Joseph Ignatius Breen (14th October 1888 – 5th December 1965)
    Tiffany at pure entertainment preservation society, writes a long essay, focusing on; French inventor, Louis Le Prince’s Roundhay Garden Scene (1888), filmed at Oakwood Grange (Le Prince’s in-laws house) in Leeds, West Yorkshire, England, UK, which is believed to be the oldest surviving film in existence; the (till date) unsolved mysterious disappearance of Louis Le Prince, as he was planning to exhibit his ‘moving picture’ invention; and delves deep into the life of, American film Censor, Joseph Ignatius Breen, known for enforcing the Motion Picture Production Code (a.k.a. Hays Code) under Will H. Hays; and Breen’s contributions to the Golden Age of Hollywood. Breen came into this world, in the United States of America, the same day, Roundhay Garden Scene was filmed, in the United Kingdom. Tiffany Brannan discusses all this, and more, in her essay, Clean with Breen: “October 14, 1888: The Birthday of the Motion Picture and Its Greatest Contributor” for “The Second Annual Great Breening Blogathon” & “The October Birthdayz Blogathon” – Tiffany Brannan
    NSFS
  • On All Hallows’ Eve (Birth-date: 31st October circa.1556), Bela Lugosi (20th October 1882 – 16 August 1956), Guillermo del Toro (Born on 9th October 1964), along with a couple of great Horror Giants of Literature & Cinema, who, were not born, but died during this month of Halloween, Edgar Allan Poe (19th January 1809 – 7th October 1849) & Vincent Price (27th May 1911 – 25th October 1993), respectively
    Reut of Moody Moppet, to go with the Horror month of Halloween, speaks of an anthology of Edgar Allan Poe’s macabre literary works, squished into an animated movie, where each story uses a different technique of animation. One segment is narrated by, the now Oscar winning film director, Guillermo del Toro. Another segment uses an archive voice recording from the 40’s, of Bela Lugosi (who shares his birth-date with my sister, 98 years apart) narration of Allan Poe’s short story, The Tell-Tale Heart. And another uses a caricature resembling, the legendary, Vincent Price. Reut Zriri ‏accounts all this under Extraordinary Tales (2013) – The ❝October Birthdayz❞ Blogathon
    NSFS

A Very Big Thank you, to my fellow bloggers, Paul, Reut, Tiffany‏ and Gill, for their contributions for Day 3 of the The ❝October Birthdayz❞ Blogathon. A a special thanks to Gill, for contributing 3 posts, for each day of the Blogathon, even though due to time constraints, she couldn’t do a post especially for this Blogathon, it was very nice of her to send me 3 previous posts, that go well with The ❝October Birthdayz❞ Blogathon.

Nuwan Sen’s Film Sense
Nuwan Sen n’ Style

P.S. Also see the participants and contributions, for Day 1 & Day 2, in my posts, The ❝October Birthdayz❞ Blogathon (DAY 1) and The ❝October Birthdayz❞ Blogathon (DAY 2), respectively.

Welcome!!!!!

The ❝October Birthdayz❞ Blogathon begins today

Actress, June Allyson, was born in the month of October (101 years ago), and I was born in June 😊 (the month, that is)
PIX: June Allyson on her Birthday, flanked by, husband/film director, Dick Powell (L), and co-star/young virtually unknown actor, Jack Lemmon (R); during the shoot of You Can’t Run Away from It (1956)

So Day 1, of the The ❝October Birthdayz❞ Blogathon, is finally here, and it’s my sister, Sachinta’s (a.k.a. Sachi) 38th Birthday. Spoke to her early morning (rather, face-timed her on What’s App), though it was still yesterday in the United States, where she resides. So Happy Birthday li’l sis, this is for you (at least inspired by this month being your birth month 🙂 )

Some photographs, of the Birthday Girl, reminiscing days gone by :-

Childhood

Sachi, on her 5th Birthday (20th October 1985) Cake: Our Mother’s Aesthetic Creation
PIX: At Home, Sri Lankan High Commission Residence, New Delhi, India

Sachi & I, Winter of 85′ (December 1985) On the way back to New Delhi from a trip to the “Bharatpur Bird Sanctuary”, in Bharatpur, State of Rajasthan, India

Mum & Sis, Horse ride in Nainital (March 86′)
During a trip to Nainital, a Himalayan resort town in the Kumaon region of the Northern State of Uttarakhand, India; in the Spring of 1986

In our Teens

Sis & I (Year 1993) in front of Tiny’s grave, at our mother’s ancestral home, in Kegalle, SL (Me just having turned 18, Sachi still 12)
Tiny was Mum’s pet dog, back in the 60’s & early 70’s. He died about a year after she married and left for New Delhi, India

Sis & I, In Ambepussa (Kegalle District) On the way to Kandy, SL (Year 1993)
Me, aged 18, Sachi is yet to turn 13

In her Twenties (in the 30th year of her life)

Sachi (aged 29), on holiday in Paris, France
PIX: Spring of 09′ (13th April 2009)

In our 30’s

With My Parents & Sister
PIX: At Sachi’s MBA Graduation Ceremony, in Adelaide, State of South Australia, Australia (7th November 2014)

With Sachi, the day before she left for the United States of America (the last time I saw her in ‘real life’ so far)
PIX: Me, still aged 39 (a month & 21 days away from turning 40) At Negombo Beach, SL (1st of May, Year 2015)

So here are the Participants, for Day 1, of the The ❝October Birthdayz❞ Blogathon, with their contributions :-

A Very Big Thank you, to my fellow bloggers, Michael, Rebecca and Gill, for their contributions for Day 1 of the The ❝October Birthdayz❞ Blogathon.

Nuwan Sen’s Film Sense
Nuwan Sen n’ Style

Welcome to a New Month, and to The October Birthdayz Blogathon 🍁 2018! 🎃🎃🎃🎃🎃🎃🎃🎃

October, is the tenth month of the Year, signifying the Orangey month of autumn in the Northern hemisphere, the orangish shades of maple leaves, associated with fall, and of course, the month of Halloween (with it’s Jack-o’-lanterns, carved out of orange pumpkins). Though Halloween’s roots originate in Christianity, All Hallows’ Eve, today (pretty much like Christmas), it’s more of a fun filled (non-religious) holiday, especially in the Northern American continent.

The month of October, also happens to be the birth month, of my sister, who actually lives in ‘Modern Day’ Halloween country – The United States of America (a.k.a. TrumpLand) itself. She’s been living there, residing in Princeton, New Jersey, USA, since May 2015. So, dedicating this Blogathon to my baby sister; who’ll complete the 38th year of her life, this month; I decided to host, The, very first, ❝October Birthdayz Blogathon! So in a sense, this Blogathon, is my gift to Sachinta’s upcoming 38th Birthday. Happy Birthday Sis!

So, my fellow bloggers/blog-pals/movie maniacs/film fanatics/cinema enthusiasts/bookish bums, you are all welcome. The Blogathon shall start on the 20th of October (my sister’s birthday) and end on 22nd of October. BUT, there are no hard and fast rules, as to when you can post. You can post, any day within the month, of October, effective immediately. So, even if you end up being fashionably late, do not fret, I shall do a special post for latecomers, on 31st October (Halloween night).

Though there are no hard and fast rules, on what or when you can post (it does have to be within this month), this Blogathon is to do with Movies, Movies and Movies. So below are some terms and conditions, on how to post, on any birthday associated with the Month of October. You are welcome to post, one or more, write-ups; as many as you like.

Some Simple Rules:

  • You are allowed to write about any famous or notorious personality, born in the month of October. But the write-up has to do with films (either Big Screen cinematic marvels or Small Screen movies made for television). So if you want to write about a non-film personality, the blog-post should be about a bio-pic based on his/her life, or a movie based on a true incident, where this particular ‘October born’ person played a pivotal part in (in which case, it has to be a charter-sketch of this famed person).
    [E.g. Mahatma Gandhi, Eleanor Roosevelt & Bonnie Parker, were born in the Month of October]
  • If you want to work on an author/playwright/poet, again it should either be a film based on their lives, or (in this case) a film adaptation of one of their works. BUT, it has to be a good movie (doesn’t matter how faithful the movie is to it’s source material). No judgemental and unoriginal clichés of “Books are better than Movies”, please. A good movie has to stand on it’s own merit, whether it’s based on a book or not. You are welcome to do an interesting compare and contrast (in which case both the book and movie ought to be critically acclaimed, or at least you should love both, the book as a book, and the movie as a movie)
    [E.g. Virgil, John Keats, Oscar Wilde & Joan Harrison, were born in the Month of October]
  • If you are writing on a movie starring an actor/actress, then it ought to be more of a character analysis, played by the ‘October born’ star. If there are more than one person born in October, appearing in the same movie, the review can be about the movie, but please focus more on the characters played by the ‘October born’ stars.
  • If it’s a film of an ‘October born’ director, then a movie review is more than enough, yet attributing to his unique directing techniques, as to how well the director crafted it.
  • If you want to speak about a cinematographer/music composer/playback singer/costume designer/set designer (in other words, a non-actor/actress or director, attached to the movie), please highlight this ‘October born’ person’s contribution, besides the film critique.
    [E.g. Costume Designer, Edith Head, and Music Composer, S.D. Burman, were born in the Month of October]
  • You are welcome to write about the personal life of an ‘October born’ film personality, instead of a movie they worked on, if you wish. Again, it ought to be a non-judgemental, non-sarcastic, sympathetic look at a person’s life and career. Exceptions are allowed, if the particular person was highly notorious (like a Nazi spy or a serial killer or something, who was/is a famous film personality).
  • If your, or your own Blog’s, birthday falls in the Month of October, you are welcome to include a bit about yourself/your Blog, within a film context.
  • Duplicates are allowed, but I would prefer, there were none, as there is a vast array of people born within the 31 days of October.
  • You are welcome to write about recently released movies and film personalities of the 21st century, as well; BUT I’d prefer if you were write about a movie/celebrity from the past centuries. There are so many forgotten gems of the past; from Roundhay Garden Scene (1888) (the oldest surviving moving picture – private family footage) to the Lumière Brothers 10 short films released in 1895 (the very first ‘Big Screen’ cinematic releases) to more contemporary greats from post war 40’s to the 1990’s; that need more exposure, and should to be spoken of.
  • Once you have decided, please mention what you shall work on, as a comment below; and once you’ve blogged about a film related subject matter, for this Blogathon, kindly post the link, as a comment below.

Kindly share my post, and invite other bloggers, to join in. And, last but not least, please help yourself to one or more, out of the 10, banners below, I specially made for the Blogathon.

Thank you and Enjoy

Nuwan Sen of No Nonsense with Nuwan Sen

Blogathon Banners

This is the second time I am hosting a Blogathon. The very first Blogathon (and the only one till now) I hosted, was back in September 2014 (See my Blog posts – The Essential 60’s Blogathon, The Essential 60’s Blogathon : Dr Strangelove, or How I Learned to Stop Worrying and Love the Bomb (1964) and The Essential 60’s Blogathon finalé from September/October 2014). But it wasn’t much of a success, as only four Bloggers (including me) took part in it. This year I hope it shall be more of a success, as I have a bigger blogging community now. Of course, even though am happily hosting this Blogathon, I shan’t take part it myself.

One of the main reasons, I shan’t work on a post for this Blogathon, is, ’cause am very sick (physically, mentally and otherwise). Since, I’ve been working on these banners, and a few more pictures/collages, within the last six days, to host this Blogathon, this month, I am forcing myself to somehow get this post done today, with a heavy sinus filled head, as the forces of Lankan nature are acting against me getting anything done. Am feeling quite exhausted, parched, dehydrated, with tired eyes, a cold and heaty throat and chest, as we speak; and writing this in a sort of a daze. I was down with the flu, when this year started, and am just as sick, as this beautiful month starts. I wonder whether am having an allergic reaction to the new diabetic meds I’ve been on for the last two weeks. I need to speak to my endocrinologist.

Anyway, I hope you shall all take part in this, my fellow Blog-pals and lovers of everything cinematic. I shall do three special posts (including your links of the posts you do) between 20th & 22nd October 2018, and a fourth n’ final one, for latecomers, on the 31st of October, 2018.

Also check out my twitter handle (https://twitter.com/Nuwansenfilmsen) I plan to post an  ❝October Birthdayz❞ special, on twitter, each day of of this month, as well.

Thank you in advance for your participation

Nuwan Sen’s Film Sense 🧡

On a Sunday afternoon, at Prescient 21, New York City, an assortment of coulourful characters, from crooks to thieves to innocent first time offenders, swarm around, waiting to be booked. One such character is a shoplifter, played by Lee Grant, witnessing all the crazy goings-on, in the squad room. Lee Grant reprises her well received role, in her film debut, in Detective Story (), for which she won the award forBest Actress at the Cannes Film Festival, in 1952.

Lee Grant in Detective Story (1951)

As the movie begins, Lee Grant arrives in a not-so-well maintained car, dragged by a shabby looking cop. She’s taken upstairs into the squad room of New York’s Prescient 21. Her crime – she picked up a purse, due to a kleptomaniac impulse. A bag she didn’t even like. And it seems this was a first time offense, or at least the first time she got caught. Naive, innocent, stressed and nerve-wrecking, she is more worried than she should be. In fact, the cop tells her, that it’s not as if she committed a murder, she most probably will be acquitted, with no charges; and it will all be a waste of his time.

When she is asked to call a lawyer, she’s apprehensive, the only lawyer she knows is married to her pregnant sister. But as things start to heat up in the squad room, she finally asks her brother-in-law for help. Meanwhile, we see what a good heart she has, and what a social person she is. She innocently tries to comfort a young girl, whose sister’s ex-boyfriend, is being booked for embezzlement. She tells one of the detective’s he is quite handsome, and doesn’t look like a cop. She is amused with a watch in a comic strip, and compares it to the wristwatch worn by the cop that arrested her. This shoplifter, might have accidentally committed a crime, but is a very genuine person. More genuine, than most cops. Of course, the cops here treat her well. When one brings her food, she is truly grateful. As Grant’s shoplifter leaves the station, she bids adieu, to all the detectives at Prescient 21.

Lee Grant is superb as a nervous wreck, a foolish and somewhat comical shoplifter. A bit of an oddball nut-bag. A very naturalistic twitchy portrayal of a scared little kitten, feeling guiltier than she should be. Grant learnt the weird New York accent, she uses in the play and movie, when she heard two girls on a crosstown bus. Yes, she eavesdropped on total strangers, not because she wanted to know what they were talking about, but to study their mannerisms. A true testament to great acting.

Based on a 1949 play by Sidney Kingsley, Detective Story, and directed by William Wyler, the movie comprises of a superb cast, including Kirk Douglas, Eleanor Parker, Joseph Wiseman, William Bendix, Craig Hill, et al. Set in a single day, the main plot of the story, however, is about a tough cop (played incredibly by Kirk Douglas), who doesn’t believe in second chances, with a temper he can’t control. As the movie progresses, he learns of a past mistake by his elegant wife (gracefully played by the beautiful Eleanor Parker), which he finds difficult to accept. He is not a forgiving man. Detective Story, is a brilliant movie, with many a sub-plots. Lee Grant is seen through most of the movie, and is well fashioned with a scarf over her shoulders (it’s worth checking out some of cool ties and suits worn by some of the male cast, as well, including Douglas and Wiseman). Basically the movie is, out and out, a Kirk Douglas venture. He is the protagonist, the only lead character of the film. The rest are all supporting characters, revolving around the main plot within Prescient 21. So it is baffling, why Lee Grant, won an award for Best Actress at the Cannes Film Festival, the following year. She was no doubt superb, yet she was a supporting character; as was the cop’s wife, Mrs. Mary McLeod (played by Eleanor Parker). Parker received a Best Actress Oscar nomination, along with Lee Grant, for Best Supporting Actress‘, at the Academy Awards. In fact, with just over 20 minutes appearance, Eleanor Parker’s performance is the shortest role, to ever be nominated for aBest Actress Oscar. Like Grant, Parker ought to have been nominated for a Best Supporting Actress Oscar, as well. The movie garnered two more nominations, including one forBest Director, for William Wyler. Detective Story lost out at the Oscars, but happens to be among greatest study of varied character-sketches, on film.

Lee Grant in a scene from Detective Story (1951)

Despite the accolades, Lee Grant received for her unique Oscar nominated performance, in Detective Story, she found it difficult to find work for the next decade. In 1952, she refused to testify against her husband at the HUAC (House Un-American Activities Committee) hearings, and thus was blacklisted. This was during the notorious McCarthy era, under which the Hollywood Blacklist began, in 1947; where famous people were being persecuted for supposedly having ‘Communist’ beliefs. Sadly many great influential personalities lost work during this period, including Hollywood celebrities, such as Charlie Chaplin, Orson Welles and Dalton Trumbo, to name some. Lee Grant was removed from the blacklist, in 1962, after which she rebuilt her career in film and television.

From playing a shoplifter in her first movie, her last Cinematic appearance was in a film titled, Going Shopping (2005). She hasn’t worked in films for the last 13 years, but she did appear on stage, where it all began, in a revival of Donald L. Coburn’s 1976 play, The Gin Game, in 2013; directed by her daughter, Dinah Manoff.

Detective Story (1951)
My Rating: Pure Excellence – 10/10 !!!!

Nuwan Sen’s Film Sense

This write-up, is my contribution, for The Lovely Lee Grant Blogathon, hosted by Gill of of Real Weegie Midget and Chris from Angelmans’s Place!!

Thank you Gill and Chris, for inviting me to join this Blogathon.

Nuwan Sen

#NuwanARTS
#‎NuwanSensFilmSense



#NuwanSensMovieSense

Who am I?? Guess who these 5 super smiles/toothy grins belong to!! 😁

°°
Q.1

°°
Q.2

°°
Q.3

°°
Q.4

°°
Q.5

°°
CLUES: Take a look at the Tags below.

Answers: I shall post the Answers as another Blog Post, in a weeks time, after some of you’ve given this a try.
Enjoy

Nuwan Sen’s Movie Sense
#NuwanSensMovieSense

#‎NuwanSensFilmSense

P.S. Also see my posts Question Time # 009: Beautiful Eyes °°/Answers to Questionnaire no.9 👀 & Question # 014: Luscious Lips 💋/Answers to Questionnaire no.14 (Luscious Lips 💋) from May 2015 & March 2018; respectively!! 😁

……………………… – – these lines were spoken by, the character of, Ann Shankland (played by Rita Hayworth); in a scene from the brilliant movie, Separate Tables (1958). Late last night, I watched this amazing downloaded movie; which has been magnificently transported from the stage to the screen. Separate Tables, directed by Delbert Mannis, is based on a collective of two one-act plays by Terence Rattigan (namely Table by the Window and Table Number Seven).

This entire very bold Hollywood movie, is rigged with Sexual Tension, Sexual Repression and Sexual Harassment! AND 2018, with Hollywood’s #MeToo movement, feels like the perfect time to watch this movie. With a spectacular cast confined into the lonely Beauregard Hotel in Bournemouth, in the southern coast of England, UK; the film deals with love, lust, loneliness, bitterness, desire and depression. The star that stole the show (for me) was Gladys Cooper, as the harsh, unpleasant and domineering, Mrs. Railton-Bell; although it’s Wendy Hiller (as Miss. Pat Cooper), that took home the Oscar, for ‘Best Actress in a Supporting Role’. Nominated for 7 Oscars, this movie grabbed two. The other went to, actor David Niven (for ‘Best Actor in a Leading Role’); for his marvelous performance as the kindly n’ somewhat comical, yet pretentious, retired army officer; Major Angus Pollock. Another sidekick worth checking out is May Hallatt, as the stoic, yet enjoyable, Miss Meacham (who appeared in the same role on the original, West End and Broadway, stage production)

Several story lines intersect one another; but there are two major tales, that surface to prominence. One deals with Major Angus Pollock’s close platonic friendship with a repressed spinster, Sibyl Railton-Bell (Deborah Kerr); and Sibyl’s mother’s (Mrs. Railton-Bell) various schemes to ruin it. When it’s reported in the newspaper, that Major Pollack has pleaded guilty of sexual harassment of six women, at a local cinema; this gives Mrs. Railton-Bell a perfect reason, not to just get the Major, away from her fragile daughter’s life (who on learning this has a sort of nervous breakdown), but to be thrown out of residence from the Beauregard Hotel; and sent as far away as possible, in disgrace, from Bournemouth. Apparently, the original draft of this 1954 British play, however, saw the Major, not pleading to a misdemeanour of sexual harassment of women, but homosexual importuning, and suffering from his sexual repression in a homophobic world. In the movie, he does hint at it; saying he can’t help the way he is, and speaking of how he was picked on, at school, for being less masculine. It’s a pity, due to code of ethics of that era; the play and film were repressed from showing, what it initially intended. By the changing of the sexual repression of a gay Major, into that of a straight man sexually harassing women; ironically makes it an actual perversion; that needs to be forgiven. A sympathetic light is thrown the way of the Major; but for something, that in reality is far worse than just being a gay man struggling to keep his sexuality a secret, at the same time secretly acting on his desires; ironically in a public place. The world has definitely come a long way since then; or has it?

The other story line deals with a divorced couple, who meet after several years, at the Beauregard Hotel. We discover that the sophisticated wife, Ann Shankland (Hayworth) had sent her ex-husband, John Malcolm (Burt Lancaster), to prison for assaulting her. The washed out, drunk, John Malcolm; is another lowly character, Mrs. Railton-Bell has no regard for. After divorcing John, Ann had later re-married and re-divorced; it appears to have happened more than once; but she’s never lost her love for John. John, though he has a secret girlfriend, Miss. Pat Cooper (whom he says, he wants to get married to), is still in love with Ann. John & Ann, suffer when they are together, and suffer when they are apart. It’s a love-hate relationship; that cannot survive, without one another. Despite the sexual assault and the tensed, stressful, coexistence; they need each other; in a savagely animalistic sense, of love and lust.

Separate Tables has some superb character sketches. An excellent study into human psychology in the modern era. Everything about the movie blends in beautifully; the characters, the set of the hotel, the dinning tables. Along with the two leading plots, the other story lines that intersect, include; a modern young couple secretly in love (Rod Taylor & Audrey Dalton); the compassionate and understanding, elderly, Lady Matheson (Cathleen Nesbitt); the “self sufficient” hotel owner/manager and secret lover of John Malcolm, Miss. Pat Cooper; the elderly gentleman, Mr. Fowler (Felix Aylmer); and the strong built and bravely blunt, Miss Meacham, who too like the Major, seems to be afraid of people, as she states comically “..they are so complicated, …that’s why I prefer horses”. She’s a tough broad, with a touch of masculinity; which could imply her own sexual repression, that of a lesbian woman, but that’s unclear. Of course, though a dull spinster herself, Miss Meacham, is very different to the other young spinster, whom we see openly suffer from sexual repression; i.e. Deborah Kerr’s Sybil (spoken of above). It is obvious that the homely, plain-Jane, Sybil (a complete contrast to her stylish mother), has feelings for the major; but she’s unable to do anything about it. The Major doesn’t reciprocate to her subtle advances, but happens to be sympathetic towards her. Again, which makes sense, as in the original draft, the Major was meant to be gay.

Another thing to look out for, are the glamorous costumes designed by Mary Grant, and the Oscar favourite, Edith Head. Overall a wonderful movie; despite the significant change of the homosexual subject matter, into sexual harassment towards women (even though one’s sexuality oughtn’t have been a crime, even back then; while sexual harassment, always should be).

Separate Tables (1958)
My Rating: 10/10 !!!!!!!!!!

Bookish Nuwan
Nuwan Sen’s Film Sense

P.S. Also see my Special Blog Post, I did yesterday, as a PAGE; That Book, That Movie (of 2017)!!

 

Couldn’t sleep a wink last night, kept getting up to check the time. Finally got off my bed by 4:30am (0430hrs); made my instant coffee, and got ready to catch the Oscar Red Carpet coverage LIVE (on this side of the Globe), at 5am (0500hrs); and continued to watch the entire show, until the finalé at 10:20am (1020hrs).

James Ivory giving his Oscar speech; after winning for Best Adapted Screenplay, for Call me by your Name (2017)
89 year old Ivory (who’ll turn 90 in June) became the oldest person to win an Oscar, ever!!

I was pretty disappointed, when Call me by your Name (2017) and Loving Vincent (2017); didn’t win the golden statuettes, for ‘Best Picture’ and ‘Best Animated Picture’, respectively. BUT I wasn’t surprised either. Though I haven’t watched The Shape of Water (2017) and Coco (2017); which won the earlier mentioned awards; in their respective categories; I highly doubt, they are as unique, as the naturalistic delicate love story that was Call me by your Name, and the spectacular literally moving impressionist artwork that was Loving Vincent. Added to which Coco also grabbed the award for ‘Best Achievement in Music written for Motion Pictures (Original Song)’. Poor Sufjan Stevens; his “Mystery of Love”; is such an amazingly melodious creation. Love that song.

Yet, luckily James Ivory was awarded the trophy ‘Best Adapted Screenplay’; for Call me by your Name. Aged 89, this was the very first Oscar win for Ivory; making him the oldest Oscar winner ever. Being one third of the trio behind the famed Merchant/Ivory Productions (which included Ismail Merchant and Ruth Prawer Jhabvala), and today, with only Ivory being among the living, of the trio; he gave a heartfelt speech paying tribute his two co-producers/directors/writers and close friends. I’ve been a fan of Merchant/Ivory Productions since I can remember. They made some brilliant Indian English language films, from the beginning of the 60’s decade, to the early 80’s; before they went onto make beautiful British Heritage Films, like the E.M. Forster trilogy for instance; A Room with a View (1985), Maurice (1987) & Howards End (1992); and other eloquent creations set in eras of elegance.

Another touching speech, that was given, was by Frances McDormand; who nabbed the ‘Best Performance by an Actress in a Leading Role’ Oscar, for Three Billboards Outside Ebbing, Missouri (2017). Albeit pretty hysterically; but heartfelt. She got all the female nominees and winners to get up, and stand with her (though not on stage). I was really happy when, as expected, Gary Oldman won ‘Best Performance by an Actor in a Leading Role’ for Darkest Hour (2017). For he was brilliant as Churchill, and ’twas not just ’cause of the prosthetics. He truly embodied the character. At the end of his speech, he asked his mother to put on the kettle, for he was bringing home an Oscar. Darkest Hour, quite deservedly, also won for ‘Best Achievement in Makeup and Hairstyling’. Jordan Peele, became the first Afro-American Screenwriter, to win the prestigious award for ‘Best Original Screenplay’; for his horror venture, Get Out (2017). Though Dunkirk (2017) sadly lost out to Blade Runner 2049 (2017) for ‘Best Achievement in Cinematography’; it did bag a few in technical categories.

During the In Memoriam, the academy paid tribute to various stars like Harry Dean Stanton, Roger Moore, Chuck Berry, Jerry Lewis, et al. Added to these great American celebrities, they had also mentioned actor Shashi Kapoor (1938-2017); the very first star of  Productions; which was not a surprise, as he was an international star. But, somewhat of surprise, of course a pleasant one at that, was the inclusion of Sridevi (1963-2018), a national star of India; who bridged the gap between Bollywood (Films mainly made in the national language of India, Hindi) and South Indian Cinema (she’s worked in various South Indian languages made in various Southern Indian States).

Black & Gold: Lupita Nyong’o & Sandra Bullock

Rita Moreno, when she won for Best Actress in a Supporting Role for
West Side Story (1961), at the 34th Academy Awards, in April 1962; along with Best Actor in a Supporting Role winner (for the same film), her co-star, George Chakiris (L); and actor Rock Hudson (R)

From Oscars 1962 to Oscars 2018: 86 year old Rita Moreno, wore the same skirt she wore when she won the award for Best Actress in a Supporting Role; 56 years ago

Fashion and a great sense of style, are a dominant feature at the Academy Awards; and this year, it was the Black & Gold combination that struck me as the best. Both Lupita Nyong’o & Sandra Bullock, looked amazing in their Black & Gold garb; but it was the 86 year Rita Moreno, who stole the show; when she wore the skirt that she originally wore for the Oscars, in 1962. She topped it off with a strapless black top, simple jewellery, a headband, gloves, and spectacles. She made spectacles look good. The attire that disappointed me the most, was the crude chandelier of a dress, that hung on Salma Hayek. Too gaudy for my taste!!!

In a chic pantsuit, Emma Stone presents the Oscar for Best Achievement in Directing; which went to Guillermo del Toro for The Shape of Water (2017)

Red n’ Bright: Meryl Streep & Allison Janney
Allison Janney won the Oscar for Best Performance by an Actress in a Supporting Role for I, Tonya (2017)

True Blue: Nicole Kidman & Jennifer Garner

The Gentlemen looked dashing in their tuxedos; but it’s always the Ladies who steal the show at Award Ceremonies; or any function, when it comes to dress sense. But what is even more impressive is when a Lady dons a Trouser suit; and at this year’s , it was the chic style adorned by Emma Stone, that caught my eye!!!👁

Overall, the 90th Annual Academy Awards, was an interesting show; with no slip-ups this time!! And Jimmy Kimmel did a wonderful job, second time round. Bringing in Bonnie and Clyde (1967) veterans; Warren Beatty & Faye Dunaway; a second time, as well (after last years debacle), was a icing on the cinematic cake.

Congratulations to all the Winners!!! Here’s to 2018!!

Nuwan Sen

Nuwan Sen n’ Style

Timothée Chalamet with his mother, and Armie Hammer with his wife (Oscars 2018)

Comical moment with host Jimmy Kimmel and Helen Mirren

Daniel Kaluuya congratulates Jordan Peele on winning the Best Original Screenplay Oscar (inset) Daniel Kaluuya

Nuwan Sen Film Sense
#90thAcademyAwards
#Oscars2018

#‎NuwanSensFilmSense

The Feature-Length Movies released in 2017, that I have seen so far. From the Best to the Worst!!!!!

TOP Films of 2017 (10 Star Rating Each)

  • Call me by your Name (2017)
  • Loving Vincent (2017)
  • Dunkirk (2017)
  • T2 Trainspotting (2017)
  • Die Göttliche Ordnung (2017) – English Title: The Divine Order
  • The Hungry (2017)
  • Battle of the Sexes (2017)
  • Darkest Hour (2017)

The Rest of the films of 2017, from the Close to Excellence to Average to bad to the most Pathetic!

  • Veeram (2017) – Alternate Title: Veeram Macbeth! My Rating: 9/10
  • Downsizing (2017) My Rating: 7/10
  • All Nighter (2017) My Rating: 7/10
  • Space Between Us (2017) My Rating: 5/10
  • Vishka (2017) My Rating: 4/10
  • Life (2017) My Rating: 3/10
  • Begum Jaan (2017) My Rating: 1/10
  • Judwaa 2 (2017) My Rating: 1/10
  • Fifty Shades Darker (2017) My Rating: 1/10
  • The Institute (2017) My Rating: 1/10

I’ve only mentioned of films meant for Cinematic release (even though I watched most of them on the small screen, or smaller yet on my Laptop); and that too, if they were first released last year, only (doesn’t matter which country they made their debut in; and doesn’t matter if I saw them last year itself, or more recently, within the last two months of 2018). Plus, I have only listed Feature films, no Short films, like In a Heartbeat (2017), No-One (2017) and The Colour of his Hair (2017); to name a few. Neither have I added any Television Anthology series (where a one season is considered a “Limited Series”; thus like a loooong movie) like, ‘Season1’ of Feud (2017 onwards) or ‘Season3’ of Fargo (2014 onwards) for instance (which were both excellent shows, by the way), or any other TV series released in 2017, like 13 Reasons Why (2017 onwards), for example! Nor have I mentioned any mini-series/TV movies of documentaries, from last year. So far, from this year’s releases, I’ve only watched Padmaavat (2018), and that was a way way way over top, disappointment.

So, like most of you, my fellow film fanatics; am really looking forward to watching the 90th Annual Academy Awards, LIVE; on 5th March 2018, early morning (on this side of the Globe)!!!!!

May the Best Picture win!!!!!

Nuwan Sen Film Sense
#90thAcademyAwards
#Oscars2018

#‎NuwanSensFilmSense

A LETTER TO VIOLET EYED HEAVEN: TO ONE OF THE MOST BEAUTIFUL WOMEN THAT GRACED THE HOLLYWOOD SCREENS

Elizabeth Taylor with her two great Loves
Left: Mike Todd (1950’s)
Right: Richard Burton (1960’s & 70’s)

Dearest Ms. Taylor,

              First of all, let me thank you, for contributing so much to the world of Cinematic Arts; with your marvelous performances; working tirelessly to bring us, film buffs, joy for eternity.

              Born in United Kingdom, to two American citizens, on the 27th of February, 1932; you moved to the United States of America, at the age of 7; in April 1939, as tensions of another war gripped Europe. Couple of years later, you started working in Hollywood, as per your mother’s wish. You were adored by Hollywood for your unique sharp features, raven hair and fair skin. Specifically it was your unique eyes, a genetic mutation; that grabbed their attention. Blue eyes that appeared Violet, and a double pair of natural eyelashes. A rare beauty, and a natural acting talent; proved through your first auditions. Casting directors found you different to other child actors of the time; and some were afraid of your direct open attitude. Growing up, you survived through many hurdles and hardships. Two of your baby teeth were pulled out, before they were ready to fall; to make you seem more mature. By the age of 12, you had no free time at all, as you attended school in the studio lot itself, and then you had to practice singing, dancing and the lines for next day’s scenes. You never really had a childhood, as you mentioned once, that your childhood ended, when you became a child star, as MGM controlled every aspect of your life. Born with scoliosis; in your preteens, whilst filming for National Velvet (1944), you had a bad fall and fractured your back, which went undetected for many years; for which you suffered in silence, your entire life. Yet the worse was yet to come.

              In May 1950, aged only 18, you married heir to the Hilton Hotels chain, Conrad Hilton Jr.! Beaten black and blue on your wedding night; and having gone through abuse at his hands, your parents were horrified when they found out. Eight months into your marriage the two of you divorced. This caused a public scandal, and it sadly reflected badly on you, not on the man who abused you. Then a year later, you were back in the United Kingdom; this time working on a British Film Ivanhoe (1952). During the filming of Ivanhoe, you met  the newly divorced actor, Michael Wilding (20 years your senior). He thought marrying a young innocent starlet like you, would aid his failing career; and you felt being an older gentleman he’d be kinder, and you’d feel secure. But ’twas far from a happy marriage. Egoistical men, little understood your compassion and sympathetic nature towards people suffering; including your kindness towards gay actors, Montgomery Clift, Rock Hudson and James Dean; to name a few. One of your main co-stars, of the epic, Giant (1956), James Dean was killed in a car crash, on 30th September 1955; before the movie was completed (although Dean had finished working on his scenes). You were devastated. Soon, yet another young actor was almost killed in a car crash, but you weren’t going to let history repeat itself. On 12th May 1956, during the filming of Raintree County (1957); when close friend and co-star, Montgomery Clift had a terrible accident (soon after leaving a dinner party at Wilding and your Beverly Hills home; when Clift fell asleep whilst driving); you rushed to his aid, and saved his life by literally shoving a hand down his throat, and pulling out his teeth, he was choking on. Your husband was not impressed. After giving Wilding two sons, and his philandering ways reached scandal magazines; you couldn’t take it anymore, and divorced him, in 1957. Having suffered through two bad marriages, you wouldn’t have wanted to experience that pain again. But then came Mike Todd (an even older gentleman, born on the 22nd of June, Year 1909; who had been married twice before, who’d lost his first wife to death, and next to divorce), an American Theater and film producer, who swept you off your feet. The first great love of your life.

              You and Mike Todd had a whirlwind romance. Married on 2nd February 1957; it was a third marriage for both, a 24 year old, you, and 47 year old Mike Todd. For the first time in your life, you were truly happy and deeply in love.You traveled around the world in Todd’s private jet, named The Liz (a.k.a. The Lucky Liz); a testament to your love for each other. In fact, Todd had released a film, Around the World in 80 Days (1956), based Jules Verne’s classic novel; which ended up winning five coveted Oscars, including for ‘Best Picture’; just over a month after you were married; at the 29th Annual Academy Awards. You were lucky for him; and you were lucky in love, for the very first time in your life. For once, both Todd and you, were in happy, like never before. Later that year, you gave birth to a beautiful baby girl; your very first daughter. A child born out of marriage filled with love and joy. On the first anniversary of the release of his Oscar winning film, Todd threw a grand party, as a celebration of his love for you. 18,000 of close friends were invited to this Madison Square Garden extravaganza. A live coverage of the event was held. Todd loved to boast, and why not, he was jubilant, as were you. A 14 foot high cake was made for the event, and you had to climb up to cut the cake. It was all show and pomp; but ’twas wasn’t hypocritical function in the name of traditions or customs you were carrying out; but a fun filled party. Apparently the party ended up with a very Hollywood  slapstick style food fight, thanks to a rowdy crowd; but you, Todd, your close friends and other elegant guests weren’t part of that. The television coverage of the party made it an Hollywood event of the century; and the function was deemed a flop. But did it matter, not really. This was your great love story, and you felt safe that nothing could ruin this euphoric romance. But then tragedy strikes…..

              On 21st March 1958, you were to fly with your husband to New York, where the Friars Club was to honour him the next night as Showman of the Year. But you were suffering from a bronchitis cold and a temperature 102°. You really wanted to go, but Todd insisted you stay at home and rest. Added to that there was a rainstorm outside. Actor, Kirk Douglas, your next door neighbour, was to accompany your husband. But, Anne Buydens (Douglas’ wife) had a bad feeling about the plane ride. They argued, but Buydens won, and Douglas missed the flight, and was mad at his wife for it. Mike Todd hugged you for a fifth time, part of him not wanting to leave you alone with your children. Even though ill, you were glowing with love and sadness and being apart. When Todd got onto his plane, he spoke to you once again, he called from the air-to-ground telephone, and told you he’ll call you once he lands in Tulsa, to re-fuel. But he never did. Despite the bad weather, the flight was considered safe enough, to fly smoothly. At 10:41pm (2241 hrs), left the airstrip , and headed to New York. The twin-engine Lockheed Lodestar plane suffered engine failure, went out of control and crashed killing all four people on board, including Mike Todd; the love of your life. It was 22nd March 1958, early morning, when the incident happened. Meanwhile Kirk Douglas recalls having missed the flight and mad at his wife, ” We were driving and not talking to each other, so we turned the radio on, and the announcer spoke of the shocking news of the plane crash. At the same time, you, sick in bed, unaware called up Todd’s personal secretary, as you were worried you hadn’t heard from him. Soon you got the shocking news, and your world came tumbling down.

              Your close friends, actresses, Debbie Reynolds and Shirley MacLaine, rushed to your side; staying there for a few days, and helping taking care of your three kids. Liz Todd was still a baby (she would never get to know her wonderful dad). Film director Howard Hughes, lent you his jet. There was hardly much left of Todd’s remains, as the plane had exploded on impact. The only items recovered from the wreckage were Todd’s wedding ring, and a pair of platinum cuff-links, gifted by Todd’s friend, actor and singer, Eddie Fisher (Debbie Reynolds’ husband). The funeral was in Chicago. You were so distraught, you threw yourself over the coffin. The pain of loss of someone you loved so dearly would have been unbearable. Two decades later, grave robbers would desecrate his remains, due to rumours of a $100,000/- diamond ring, said to have been placed in his coffin by you, before burial. His remains would be found, have to be reexamined by dental records once again, and reburied, in a secret location.

              Your next marriage, was the biggest mistake you made. You were grief stricken at the loss of Mike Todd, and Eddie Fisher, took advantage of it, and proposed marriage to you, admitting he had always been in love with you. You accepted without thinking of the consequences. You did not marry him for love, but for marriage security (this was still the 1950’s and marriage was considered, one of the main criteria for a woman to gain respect; today a woman does not need a husband anymore). But by accepting, you hurt your best friend, Fisher’s wife Debbie. Soon your image turned from grieving widow to homewrecker, in the eyes of the public. Both Debbie Reynolds and Carrie Fisher (Fisher and Reynolds  daughter); would eventually forgive you (Eddie Fisher is the one that abandoned them); but for the world to do so, it would take some more time (both Debbie Reynolds and Carrie Fisher died in December 2016). To add salt to your wounds; Mike Todd had accumulated a lot of debt, which meant you would have to earn to pay it back; due to pressure from film studios. Added to which, being on a contract, meant you owed MGM; to work for them. You had no choice but to work on a film you detested, due to this contract; BUtterfield 8 (1960). But you managed to convince them to cast husband no.4, Eddie Fisher, in a sympathetic role. Having a kind heart, you were more concerned about his image, than your own. Then you won an Oscar for BUtterfield 8! Even though you were nominated thrice for ‘Best Actress’, it was finally for the film you hated, that you bagged the award. You went crying up to the stage. You were definitely not thrilled; as you were forced into working for this movie, not ’cause you wanted to. Added to which your marriage to a spineless man, wasn’t working. Even though you’d give the marriage six years of your life. But, you needn’t fret, for your next great love, was just around the corner.

Elizabeth Taylor was no doubt THE most beautiful Cleopatra to grace the cinematic screens ever!

              Now, in 1961; you had finally completed your MGM contract, and were free of it. Not only that, you had won an Oscar, for ‘Best Actress’. 20th Century signed you on for their next big venture, a historical epic on the Queen of the Nile, Cleopatra. This would be your biggest venture yet, and a crucial turning point in your life.

              You became the first Hollywood actress to be paid $1 Million for the role; and this expensive production, of Cleopatra (1963), would be among the most loved Historical epics of all time. You’d end up being so closely identified with role; when film buffs hear the name “Cleopatra”; it’s your bewitchingly beautiful face, in ancient Egyptian garments, that come to mind. Cleopatra today is synonymous with your portrayal of her on celluloid (a role you almost lost the role, when you suffered from pneumonia). Added to which, you’d end up meeting the second love of your life, Richard Burton. The Burton-Taylor romance is one of the most talked about love stories, in the world of cinema (also see my Blog-post, Sexiest Couples of Hollywood from July 2016). Your violet eyes sparkled when you saw him, he felt the same, sparks flew; you were both unhappily married to different people. An extra-marital love affair started to ignite on the sets of Cleopatra. Like the character you were portraying, you were neither young nor innocent; but a bold brave new woman, afraid of no man. Like Cleopatra, who had two great loves in her life, Cesar and Anthony; you found your next great love, the actor playing Anthony, opposite you. In a sense, it was real-life, imitating reel-life; a reel life, based on a real life historical account from an ancient civilization. Soon paparazzi snapped you and your new lover, on a yacht in Ischia, Naples, Italy in 1962. Your scandalous new romance was out in the open. People, who hated your marriage to Fisher, started enjoying this affair with Burton. Whilst, the love story, with Mike Todd, turned you into a happily married family type of woman; this new romance showcased a side, people had never seen before. A sizzling sexy side of your persona. Your steamy romance was the talk of the town. Soon you divorced Fisher, in 1964; and married your new love, Richard Burton. 

Dubbed at Liz & Dick, you two would end up doing some of the greatest performances in your lives. You ended up appearing in 11 films together, and stage plays. The most notable film of which, happens to be, Mike Nichols’ Who’s Afraid of Virginia Woolf? (1966); for which you won your next ‘Best Actress’ award, at the 39th Annual Academy Awards (Oscars 1967). Who’s Afraid of Virginia Woolf? also happens to be among my Top 10, all time favourite movies. The movie itself, felt like reel-life, imitating real-life (a reversal of fortune from the time you filming Cleopatra). You two loved each other, were perfect for each other, bickering and fighting; you loved each other. You had a tempestuous relationship; mainly thanks to his alcoholism. Nor matter how much you loved him, you could not handle his drinking; and he was alleged to smoke at least a 100 cigarettes a day. Thus, after completing one more movie with him, coincidentally titled, Divorce His, Divorce Hers (1973), you finally divorced your second great love, in 1974.

Elizabeth Taylor & Richard Burton on the cover of NOVA (October 1966 issue)
Photographed by Douglas Kirkland

              But, both Burton and you, loved each other way too much. And reconciled, married in 1975. But this second marriage to Burton, wasn’t to last too long. You two divorced once again, this time for good, in 1976. Post that you married twice again; but that was more for companionship; and less to do with love, sex and romance. You were married to Republican politician, John Warner, and helped him with his electoral campaign. Meanwhile, you became an advocate for HIV and AIDS awareness, in the 80’s; along with actress Doris Day. You spent the 1980’s onward, raising money for various causes. You bravely persuaded President Ronald Reagan to acknowledge the disease for the first time in a speech in 1987, and publicly criticized presidents George H.W. Bush and Bill Clinton for lack of interest in combating the disease. You awarded for your humanitarian efforts, as well as for your contribution to the arts. You were the first celebrity to create a signature line of perfume. Soon other stars followed suit. And you founded a jewelry company, House of Taylor.

After having suffered most of your life, to physical ailments, mental depression and prescription drugs; you finally left the world of the living, aged 79, on the 23rd of March, Year 2011. But you live on, in our hearts; through your great cinematic ventures. You left behind a great legacy; as one of the last stars of classical Hollywood cinema, and also one of the first modern celebrities of Hollywood. You were among the lead actors, at the time Hollywood, and the world, went through a major transition. The 1960’s & 70’s decades.

               Here’s to you Ms. Elizabeth Taylor, a beautiful heart, and an equally beautiful actress. Thinking of you, on your 86th Birth Anniversary.

                                                                                                            Thanking you,

                                                                                        with Love, from one of your ardent fans, 

                                                                                                                             Nuwan Sen

picmonkey_image (12)

This Blog Post, in the form of a letter, is my contribution to the, THE ELIZABETH TAYLOR BLOGATHON, hosted by Crystal Kalyana of In The Good Old Days Of Classic Hollywood!!

 

Thank you Crystal, for letting me take part in this beautiful Blogathon.

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense