Tag Archive: Paintings


According to the Chinese Calendar, I was born in the YEAR of the RABBIT! And today is the start of the Chinese New Year 2023, and this year happens to be the YEAR of the RABBIT!

Of course, I didn’t know the year of my birth (Year1975) was the Year of the Rabbit till I was like in my late teens or early 20’s! AND even then, I didn’t know which following years were the RABBIT year! But this time I got to know! So here is a quick post wishing everyone celebrating the Rabbit, a very Happy New Year!!!!!!

Also see my Blog Posts related to the The YEAR of DOG from February & August 2018!

All the Best, to all my fellow Bloggers and Twitterians!

Nuwan Sen (Nu Wan SEN)

Da Vinci & Di Caprio: The Two LEO’s
Q.1° Given the chance to be a famous ‘Leonardo’ in your life, which Leo would You prefer to be? And Why?

a) Leonardo Da Vinci

b) Leonardo Di Caprio

c) A combination of both

d) Another Leo, altogether (Please specify, who & why)

Q.2° If, to the previous question, your answer was (c); which of these combined traits would you like to own? [You may answer, if you wish to, even if your answer for the previous question wasn’t (c)]

a) Da Vinci’s Brain (intellect) & Di Caprio’s Heart (seemingly kind personality/down to earth persona)

b) Da Vinci’s Artistic Talent & Di Caprio’s Looks

c) Da Vinci’s Looks & Di Caprio’s Acting Talent

Q.3° Which of these would like to possess?

a) Da Vinci’s (approximately) 550 years of fame, as one of the most celebrated artists in the world

b) Di Caprio’s 25 years of fame, as a talented actor and modern day humanist

Q.4° What is your favourite :-

a) Da Vinci Scientific/futuristic artwork?

b) Di Caprio Film?

c) Da Vinci Painting?

d) Di Caprio Film Character?

Q.5° If you could, which of these would you like to do?

a) Travel back in time, and meet Da Vinci

b) Do Di Caprio, in the present (or by going back in time)

c) Both

Nuwan Sen
Nuwan Sen’s Film Sense
Nuwan Sen n’ the ART’s
#‎NuwanSensFilmSense
nu Sense on Film
#NuwanARTS
&

Day of Depression

Your Roots Can Enslave You by Ion Vincent Danu

Your Roots Can Enslave You by Ion Vincent Danu

Going through a great deal depression today, more than usual. I try my best to survive in this god awful hell hole. Have been for the last six years. Blogging helps, yet even trying to get a blog post done, has been an impossibility lately. I generally tend to have a lot of patience. But today it all just blew apart. I just couldn’t take it anymore. I feel sick inside. Yet, am a survivor. Beats me why? And what for? I tried to do all kinds of stuff to try and distract me, but nothing seems to work today. So ultimately am here blogging; an unexpected, unplanned, blogpost. What better way to try and let go of this unhappiness I feel, by writing a post. Then again, posting this painting; titled, Your Roots Can Enslave You, by (Romanian born) Canadian artist, Ion Vincent Danu; is an even better way to portray, through art, what I’m going through. It sums up how I feel at this very moment, stuck in a narrow minded society, which constantly tries to drag me down. Someday I shall escape all this. At least that false hope is what keeps me going.

Pouring my heart out.
Nuwan Sen

Kolkata Traffic Police use a Poster depicting The Beatles famed Abbey Road Picture, to get pedestrians to stop jaywalking, in India.

Kolkata Traffic Police use a Poster depicting The Beatles famed Abbey Road Picture, to get pedestrians to stop jaywalking, in India.

The fab four known as  were the most influential British band of the last century. Though they lasted just one decade (as a group), from 1962 to 1970, their iconic status, shall never diminish. Here’s a look at various Beatle loving artists’ creations, using techniques derived from various art movements, that existed pre, during & post, . (Also see my  #01 to #33 from March 2013 to February 2014). For this Blog-Post, I’ve incorporated my aesthetic knowledge with my love for this iconic 60’s Boy Band!!!!

RENAISSANCE ART
(Beginning in Italy, renaissance artistic styles date back to the 1200’s, a style that lasted till about mid-17th century)
Beatles RenaissanceFamous artists of this movement include, Paolo Uccello, Piero Della Francesca, Sandro Botticelli, Leonardo da Vinci, Raphael, Michelangelo, Caravaggio, Artemisia Gentileschi (the first woman to dare to become an artist, in that era, and thus condemned for it), Giovanni Bellini, Jan Van Eyck, Joos van Cleve, and many many others.

REALISM (a.k.a. NATURALISM)
(famous in the 1850’s, lasted a very short period of time)

The Beatles by Eduard Kazaryan - Kok Tobe Mountain in Almaty, Kazakhstan

The Beatles by Eduard Kazaryan – Kok Tobe Mountain in Almaty, Kazakhstan

Though Realism was a trend that was famous, during the 1850’s, the seeds of Realism, are present way back in the late 1700’s. If you see works like Francisco Goya’s Retrato de Martín Zapater from the 1790’s & The Family of Charles IV, from Year 1800, or Eugène Delacroix’s Portrait of Dr. François-Marie Desmaisons, from 1832-33, those are very realistic and somewhat dull, portraiture works of art.

Tom Murphy's The Beatles in The Liverpool Art Cafe

Tom Murphy’s The Beatles in The Liverpool Art Cafe

Some famous artists that existed during this period, included, Gustave Courbet, Théodore Géricault, Honoré Daumier, Karl Bryullov, Jean-Hippolyte Flandrin and Rosa Bonheur, to name a few. Being a successful artist of the 19th century, Rosa Bonheur represented the New Woman (a feminist ideal that emerged in the 19th century, which in turn influenced feminism of the 20th Century).

MODERN ART (a.k.a. MODERNISM)
(Late 19th & early 20th Century)
Modern Art styles that existed within the last two centuries, happen to be my favourite, after the Renaissance period. Although, I do love the Romantics and the Realist, of the 18th Century too, yet not to the same extent as the Renaissance or the Modern. There’ve been various art movements within Modern Art, from Impressionists to Surrealist. Surrealism happens to be my favourite art movement, and Salvador Dalí, my all time favourite artist, ever since I discovered him (and his work), as a teenager in the 1990’s.

Impressionism/Post-Impressionism (two avant-garde art movement)  
(Prominent during 1870’s & 1880’s)

The Beatles (Abbey Road) watercolor by Fabrizio Cassetta

The Beatles (Abbey Road) watercolour by Fabrizio Cassetta

LeRoy Neiman The Beatles Painting

LeRoy Neiman The Beatles Painting

The Beatles watercolor by Fabrizio Cassetta

The Beatles watercolour by Fabrizio Cassetta

The Beatles by Paul Meijering

The Beatles by Paul Meijering

My favourite Impressionist artists include Paul Cézanne, Pierre-Auguste Renoir, Edgar Degas, Claude Monet, Vincent Van Gogh, Paul Gauguin, Henri de Toulouse Lautrec, Camille Pissarro, Gustav Klimt, Édouard Manet, Amrita Sher-Gil, Cristóbal Rojas, Dragan Mihailovic, Alfred Munnings, Harold & Laura Knight, Florence Carter Wood, Isaak Brodsky, Eugène Delacroix, Albert Tucker, Arthur Boyd, Paul Cadmus, etc etc…. When it comes to Impressionist/Post-Impressionist artists, majority of my favourite artists, as a collective, exist from this particular period.

The Beatles watercolour (Artist Unknown)

The Beatles watercolour (Artist Unknown)

The Beatles watercolour (Artist Unknown)

The Beatles watercolour (Artist Unknown)

Art Nouveau (an avant-garde art movement)  
(1890’s to 1910’s)

John Lennon of The Beatles (Artist Unknown)

John Lennon of The Beatles (Artist Unknown)

Alphonse Mucha, Antoni Gaudí, Gustav Klimt, Jules Chéret and Henri de Toulouse-Lautrec, to name a few, were a part of the Art Nouveau movement.

The Beatles - Art Nouveau (Artist Unknown)

The Beatles – Art Nouveau (Artist Unknown)

Expressionism (an avant-garde art movement)  
(Early 20th Century)

Curt McDowell's nude Beatles

Curt McDowell’s nude Beatles

Gustave Moreau, Egon Schiele, Lucian Freud, Antoni Gaudí and Edvard Munch, were some of the famous Expressionist artists.

Ken White's nude Beatles

Ken White’s nude Beatles

Cubism (an avant-garde art movement)   
(Starting from the early 20th century, from 1910’s onwards)

Beatles Cubist (Artist Unknown)

Beatles Cubist (Artist Unknown)

Beatles Cubist (Artist Unknown)

Beatles Cubist (Artist Unknown)

The Beatles (Unknown Artist)

The Beatles (Unknown Artist)

David Adickes The Beatles

David Adickes’ The Beatles

The Beatles Monument (aprx 7000 pounds & 36 ft) in Houston, USA

The Beatles Monument (aprx 7000 pounds & 36 ft) in Houston, USA

The Beatles Monument (aprx 7000 pounds & 36 ft) LargeThe great Cubists include, Pablo Picasso, Georges Braque, Jean Metzinger, Marcel Duchamp, Juan Gris and Albert Gleizes, to name some. Henri Matisse, Henry Moore, Jackson Pollack, Amedeo Modigliani, Piet Mondrian, Sidney Nolan and M.F. Hussain, happen to be some other famous artists known for artworks involving distortion & abstract.

The Beatles (Artist Unknown)

The Beatles (Artist Unknown)

Tom Whalen's The Beatles

Tom Whalen’s The Beatles

The Four Musicians (Beatles) - This is a direct copy of The Three Musicians by Pablo Picasso

The Four Musicians (Beatles) – This is a direct copy of The Three Musicians by Pablo Picasso

Surrealism (an avant-garde art movement)   
(From the 1920’s onwards)

The Beatles (Artist Unknown)

The Beatles (Artist Unknown)

Insects Beatles - beetles artwork (Artist Unknown)

Insects (Beatles) – beetles artwork (Artist Unknown)

Beatles Surreal (Artist Unknown)

Beatles Surreal (Artist Unknown)

The Beatles painting by Daniel Janda

The Beatles painting by Daniel Janda

The Yellow Submarine by Belius

The Yellow Submarine by Belius

Surrealism – with Dreamy, Psychological, Freudian (Sigmund Freud, not Lucian Freud) & Fantastical elements – happens to be my favourite art movement ever, especially from the modernist era. Not just in art, but also in literature & cinema. As is Magical realism. Salvador Dalí, happens to be my all time favourite artist ever. Georgia O’Keeffe, Frida Kahlo, Diego Rivera, René Magritte, Terry Gilliam and Giorgio de Chirico are some other influential surrealists.

The Beatles & Elvis Presley (Artist Unknown)

The Beatles & Elvis Presley (Artist Unknown)

The Beatles by A.Pedicelli

The Beatles by A.Pedicelli

Sam Van Olffen's Beatles

Sam Van Olffen’s Beatles

The Beatles by David Ballinger

The Beatles by David Ballinger

POST-MODERNISM
(The 1950’s, 60’,70’s & early 80’s)
The most popular art form during Post-modernist era, no doubt was Pop Art styles of Andy Warhol, Roy Lichtenstein, Martin Sharp, Richard Avedon, George Segal, Tom Wesselmann, Wayne Thiebaud et al. Other post modernists artists include Harold Stevenson, Duane Hanson, David Salle, Claes Oldenburg, Susan Rothenberg, Robert Moskowitz, Wes Wilson, Pablo Amaringo, Yoko Ono, David Vaughan, Robert Mapplethorpe, Jörn Pfab and Brett Whiteley, to name some greats.

The Beatles sculpture by Jörn Pfab (1970) in Hamburg, Germany

The Beatles sculpture by Jörn Pfab (1970) in Hamburg, Germany

David Wynne in 1964 with his sculpture of The Beatles

David Wynne in 1964 with his sculpture of The Beatles

Terry McGunigle and Joe Forrest  created the 8x16ft  Mount Fab Four

Terry McGunigle and Joe Forrest created the 8x16ft Mount Fab Four

Spirit of The Beatles by Kris Atkinson

Spirit of The Beatles by Kris Atkinson

The Beatles (Artist Unknown)

The Beatles (Artist Unknown)

The Beatles by Hector Monroy

The Beatles by Hector Monroy

Pop Art (an avant-garde art movement)  
(from the mid-1950’s to the early 80’s)

Richard Avedon's The Beatles

Richard Avedon’s The Beatles
from 1967

Los Beatles (Artist Unknown)

Los Beatles (Artist Unknown)

With it’s psychedelic hues and acid painting techniques, Pop Art happens to be my favourite Post-Modernist medium.

Beatles - Beetles on Abbey-Road (Artist Unknown)

Beatles – Beetles on Abbey-Road (Artist Unknown)

ART AFTER POST-MODERNISM (a.k.a. POST-POST-MODERNISM)
(Emerging towards the end of 1980’s decade, and into the 21st century)

The latest trends of art (from the late 80’s onwards), includes the deconstructive styles of Blobism (or Bloberism), an architectural movement, inspired by the 50’s, Sci-fi, B-movie, The Blob (1958), starring Steve McQueen, in his first leading role. Architect Frank Gehry happens to one of the most well known faces behind, the amoeba shaped building designs, known as, Bloberism.

The Beatles - Poultry chicken wire by Ivan Lovatt

The Beatles – Poultry chicken wire by Ivan Lovatt

Yet, one of the latest trends in art today, is the Re-use of Refuse, using all kinds of waste material, letting nothing go to waste, including bodily fluids.

The Beatles rubber soul by Darin Shock

The Beatles rubber soul by Darin Shock

The Beatles by Jeff Zuck

The Beatles by Jeff Zuck

Artists involved with this Post-Post-Modernism movement include Tracey Emin, Damien Hirst, Bill Viola, Shilpa Gupta, Mathew Barney, Chris Ofili, Wang Guangyi, Yukinori Yanagi, Andres Serrano, The Chapman Brothers, Félix González-Torres, Takashi Murakami, Jeff Koons, Renée Cox, David Osagie, Alexander Kosolapov, Koya Abe, Maurice Heerdink, Ruben Ortiz-Torres, Elizabeth Peyton, David LaChapelle, Sebastian Horsley, Chris Dyer and Jenny Saville.

Nuwan Sen’s Art Sense
Nuwan Sen n’ The Beatles
Nuwan Sen’s Music Sense  

On the Ides of March (15th March), 2015, my maternal grandmother, known simply as Attammi to us (among all her grandkids), passed away. She was 93 years old.

Attammi in a wheelchair. This was the last Picture I took of Attammi (24th June 2014)

Attammi in a wheelchair. This was the last Picture I took of Attammi (24th June 2014)

Was it a shock? A sad surprise? Not really, we were sort of prepared for it, as she had been ill for sometime now. But still, is anyone ever really ready, no matter how anticipated. It’s still sad. When I heard mum that morning, on the phone, speaking about a peaceful death, a chill ran through my spine. I felt it was my beloved Attammi. Still I preferred to believe I might be mistaken. Then mum told me the news. I wasn’t shocked, I had felt it a minute or so ago. We spoke about her for a little while. Neither of us shed a tear, but the pain of her loss was within us. Then Suddenly mum said she needed to cry. I told her to please do. She did, reducing her pain a little, but I still couldn’t. Mum & sis left that day itself, on Sunday. It was the next morning, I finally shed a few tears, before leaving. Dad & I, left for Veyangoda, on Monday morning, the day of the funeral. Once I saw Attammi lying there, peaceful in her coffin, I felt a bit better. I haven’t cried till now. But have been pensively reflecting on all the great memories I shared with her, and planning on working on this tribute to her long journey from an angelic little girl, to her great love marriage, to her philanthropic work for the Kegalle hospital, to letting her two elder daughters travel abroad, to travelling abroad herself, to becoming a mischievous Grandmamma, to accepting the changing modern world through her grandchildren, to losing the great love of her life (her husband) to an accident, to witnessing her grandkids marriages, to turning into a Great Grandmother. She had a beautiful long life, full of ups and downs and survival.

Attammi & I On Attammi's 90th Birthday (18 Jan 2012)

Attammi & I
On Attammi’s 90th Birthday (18 January 2012)

Mini-Bio, Memories & Timeline
(avec excerpts from Atta’s personal ‘Diary of Events’)

Attammi made her entrance into this world, in the Roaring 20’s, in Ceylon, under the British Raj, as Leelawathie (Leela) Dissanayake, to James and Julie Dissanayake, on the 18th of January, 1922. Much loved as a baby, unlike most little ones, she was considered a, non-mischievous, saint of a child. Growing up surrounded by eight siblings, she was the second child and the elder daughter.

Attammi’s parents having eloped, they were estranged from Attammi’s mother’s relatives for a period of time. The first time Attammi met her cousin, my maternal grandfather (Atta to us), was when she was just beginning her teens. Attammi’s mother, was the younger sister, of Atta’s father. But since Attammi’s mother, Julie, had run off and married in secret, Atta’s father had cut her off from his life. It’s hard to say whether the brother and sister ever reconciled, but it took more than a decade or so for Atta’s father to soften down enough to allow any interaction among the cousins (after all blood is thicker than water), and thanks to which my grandparents finally met. For Atta and Attammi, it was love at first sight. Sounds cheesy in today’s non-romantic, digital age, cyber sexed, universe, but it’s true. My maternal grandparents were the most romantic couple I ever knew in real life.

– Silent Love Story

Atta met his first cousin, Wije (Attammi’s elder brother), for the very first time, in 1935. Soon a friendship developed and one day on a visit to Bandarawella, Wije’s family home, Atta was introduced to Wije’s sister (Atta’s future wife). Atta was just 15, and Attammi just 13. A Ceylonese Romeo and Juliet. On the 14th of January 1936, Atta (aged 16) wrote on his diary how madly he was in love with her, but never mentioned it, as he felt they were too young. A couple of years later, when he was 18, he told his father. His father asked him to abandon this insanity. Thus Atta decided not to pursue it any further, but, in his heart, he always held a “soft corner for this girl”, as he stated in his diary (See excerpt from Atta’s Diary of Events). In 1939, Atta was recruited into the Army (British controlled Armed forces of Ceylon), with advent of the Second World War.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

Meanwhile, Attammi, waited to hear from Atta, but kept her love for him to herself. Almost a decade went by without her mentioning anything to anyone, but secretly pined for the young man she fell madly in love with, as a 14 year old, her first and only love. In her early 20’s, as proposals started to come her way of fine young suitors, she rebuffed them all. Finally she told her younger brother, Pragne, about her secret crush. Pragne wrote to Atta, letting him know, that my grandmother was still holding on to hope for a future with him. And that if Atta is not interested, to let her know, so that she can move on. Atta was pleasantly surprised, for though he had been in love with her, he never knew she had felt the same. He had barely spoken to her. In January 1944, Atta let his father know, that he truly loved this girl, he barely knew, and was finally granted permission to woo her. My grandparents briefly courted, for a few years, whenever they could meet (as they lived quite a distance to each other, and travel within the island was comparatively more of a hassle, and was slower in speed). Atta lived in Mayfield, and Attammi in Bandarawella. Soon ‘D-Day’ was here, and the long awaited romantics, finally got married on the 10th of July, 1947. And thanks to this beautiful union, my mum is in existence today, and in turn us.

Atta & Attammi on their wedding day.  (10th  July 1947)

Atta & Attammi on their wedding day.
(10th July 1947)

Being a couple of modernists, in their day and age, Attammi was one of the rare brides, to incorporate the traditional Kandyan saree, along with a western veil. And back then it wasn’t a controversy, thanks to the open-minded elite, of that day and age. But in more recent times, in the late 1990’s and the early noughties, to be more specific, with the increasing rate of hypocrisy in this country, along with a fake sense patriotism that exists today, and false pride of being Sri Lankan, a lot of Lankan’s seem  horrified that anyone could dare to wear the traditional Kandyan with an English inspired veil, and that too back in 1940’s. My Grandfather wore a three-piece suit, but that’s acceptable, in this sexist minded country, of the 21st century. I, for one, am proud, to be a descendant of such an intelligent Grandfather, and such a kind-hearted Grandmother (I have never met a gentler soul), and their rare perfect union, with a modern outlook towards life. In a way, though sad, am glad they are no more, to experience, this inhumane extremist society, of racial and religious divisions, and jealousy (after all it’s considered a GREEN country, and not necessarily due to the environment), narrow minded attitudes, with the kind of Hitler mentality (minus the power, thank god) that exists today, in a country that my Grandparents use to hold in such high regard once. They had a peaceful co-existence of a near perfect companionship of contentment, living happily, through majority of the 20th century, and being able to witness the start of the 21st.

– Atta

The year 1920 began, with the birth of my maternal grandfather (Atta). Atta was born as Ekanayake Mudiyanselage Ariyachandra Ekanayake (later simply known as Ariya Ekanayake), in British Ceylon, on the 1st of January, 1920, to James and Agnes Ekanayake. Atta’s mother was a widow with a daughter, when James Ekanayake fell in love with her. James and Agnes married on 4th December 1912. Yet it would be seven years, and almost a month, later, that James would finally become a father for the first time, with Atta’s birth. Atta hardly got to know his mother, as on the 8th of March, 1922, when Atta was just two years old, his mother died, due to postnatal complications, four days after giving birth to a baby girl. Atta’s father later re-married, and the Atta’s step-mother lived up to her status of a being a real ‘stepmother’. She deeply disliked all three of her stepchildren. Besides Atta’s elder half-sister, from his mother’s first marriage, Atta had quite a few younger half-siblings from his father’s second marriage. Some, not all, of his half-siblings, were pretty much like their mother. Atta as the eldest son was obliged to help and make his younger siblings happy in every way possible, and spent majority of his life taking care of every single need of his ungrateful half-siblings, who never seemed satisfied. Relatives sure can be poisonous sometimes. I personally don’t believe in  associating family just for namesake. If there is no genuine friendship within the family, such family members are definitely not worth it. I had a great rapport with both Atta & Attammi, more than any other grandchild of theirs shared with them.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

In April 1932, when Atta was 12 years old, his paternal grandfather died, at the Kandy hospital. It was at his grandfather’s funeral that Atta met his aunt (his father’s estranged younger sister, Attammi’s mother) for the very first time. In August 1932, Atta’s “father took up billet at Mayfield” estate. It’s in Mayfield that Atta would later meet his first cousin (Attammi’s elder brother) in April 1935. Atta’s unkind stepmother, started to suffer mentally in the early 1930’s, and soon was admitted to a Metal hospital in April 1933.

– WW-II & post

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

Aged 19, Atta joined the Army, and with the start WW-II, his “battery took charge of Hoodstower and Ostenburg at Trincomalee”. Atta describes this time of his life as the “worst period” of his “army life”. In October 1943, he was sent to Bombay (now Mumbai), in India, for Coast Artillery training. This is a period he loved, and has told me personally, how much he enjoyed his stay in Bombay, befriending a lot of foreigners. He competed with many Indians, Anglo-Indians and Burmese, and beating them all, was ranked 1st in his course. After he left the army, Atta temporally worked as a clerk, and later trained in the Health Unit’s sanitary department, and took up a job as a Sanitary Inspector. As he disliked this job, he resigned a couple of months after he got married. And in October 1947, he “took up appointment in the CGR” (Ceylon Government Railway). For which he worked for the rest of his life till he retired.

(All lines within double quotes, are straight from Atta’s ‘Diary of Events’.)

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

– Independence & post   

On the 15th of August, 1947, the neighbouring country, India gained independence from the British (see my post Sixty Six years of Indian Independence from August 2013), making India the first British colony to do so. As a result of which, various other British colonies started to gain independence as well. And Ceylon became an independent country the following year, in 1948.

Whilst working for the CGR, Atta was transferred many a times to various locations in Ceylon. My grandparents and mother, have oft spoken about the great times they had, their wonderful experiences, living in beautiful bungalows, making newer friends, from various parts of the country, as they travelled around. ’twas almost like working for a diplomatic mission, but instead of travelling around the globe, they got to travel around the country.

Yet, in October 1948, when Atta was transferred to Colombo, his wife couldn’t accompany him. Attammi was in her first trimester of her pregnancy, expecting their first child, my mother. Atta had written in his diary, as how difficult it had been for him, to leave his pregnant wife. Luckily he was in Colombo for only a very short period of four months. Soon he was transferred to Nawalapitiya, on the 1st of February, 1949, and Attammi joined him on the 7th of February, 1949. Thus on the 24th of May, 1949, my mother came into this world, as Lalitha Damayanthi Ekanayake (a.k.a. Lala, Lala-Damayanthi & Dammi) in Nawalapitiya, and Ariya & Leela Ekanayake’s life as devoted parents began.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

Throughout the 1950’s, wherever Atta was based, his whole family travelled,  living in various locations around the island, from Nawalapitiya To Haputale to Induruwa to Kosgoda. But as the children started to grow older, Atta felt they should have one base, especially as not to break their education, by changing schools. Thus he built a house, and on 3rd January, 1961, they moved into their new permanent home, in Kegalle. So throughout the 60’s and 70’s, the family lived in Kegalle, along with their family pet, or rather my mother’s dog, whom she named ‘Tiny’. Since then, Atta travelled alone wherever he was required to do so. And therefore my mother studied at St. Josephs Convent, in Kegalle, along with her two younger sisters.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

India became a Republic on 26th January 1950. Yet it took another 22 years for Ceylon to become a republic, and the island did so, on 22nd May 1972, and was renamed as Sri Lanka. Yet Sri Lankans have not much of a regard for it’s republic day, as they have for their day of independence.

– History repeats itself.  

Like Atta & Attammi, my parents met for the first time, when they were teenagers. Mum was about 15, and dad was a couple of years older than her. Mum had fallen madly in love with him. She didn’t see him again, as a teen, except for briefly coming across him once more in the 60’s. In her early 20’s, the two older sisters (my mum and her younger sister) overheard Atta mention that they were of marriageable age. My mum having no desire to marry; as she wanted to do a job, and higher studies, plus she had a secret crush on my dad, whom she hadn’t seen in ages; wasn’t too happy about it. My mother’s sister, wrote to my father, who was residing in New Delhi, India, with his family by then, letting him know, and apologised in advance if he had someone else in his life. My father in the meantime, had broken up with his Indian girlfriend. And he accepted. My parents didn’t really court, as they were residing in two different countries, but wrote to each other regularly. It would be a couple of years later, that they would see each other, all set to marry. When my mum first saw him as an adult, in 1973, she was shocked. He had long floppy hair, long sideburns, wearing a tight shirt, and bellbottoms. He looked like a hippie and definitely not, the man she had fallen in love with. Atta told my father, that if my father wishes to marry Atta’s daughter, he ought to cut his hair. He did so. And thus on the 10th of December, 1973, my parents wed. And my mum was Mrs. Senadhira now.

Atta & Attammi, with My Parents :- Top: On my Parents wedding day (10th December 1973)  Below: On my Parents 25th Wedding Anniversary (December 1998)

Atta & Attammi, with My Parents :-
Top: On my Parents wedding day (10th December 1973)
Below: On my Parents 25th Wedding Anniversary (December 1998)

– Bharat Darshan  

Soon after the wedding, my parents left for New Delhi, India, in December 1973 itself.

On the night of 21st June 1975, Lala-Damayanthi went into labour, and 26 minutes past midnight (thus 22nd June early morning), with my birth, Atta & Attammi became grandparents, for the first time; ‘twas the longest day of the year. I was born in New Delhi, India.

Little ME: With my maternal Grandparents on my first Trip to Sri Lanka in 1976 (Me aged One)

Little ME: With my maternal Grandparents on my first Trip to Sri Lanka in 1976 (Me aged One)

Whilst, living in Delhi, we use to travel to Sri Lanka a lot, especially during the Indian Summer holidays (May-June-July), or, during Delhi’s Winter Vacation (December-January). I travelled to Sri Lanka for the first time, during the Winter Vacation of 1976, aged one. Atta & Attammi, however visited India twice in the 70’s. First time was before I was born, and next was in 1978, when I was three years old. Being Buddhists, we all travelled to all the Buddhist destinations in India and Nepal.

My maternal Grandparents Second trip to India. Atta & Attammi, my parents & I, in New Delhi, India, in 1978.

My maternal Grandparent’s Second trip to India. Atta & Attammi, my parents & I, in New Delhi, India, in 1978.

Attammi has often reminisced about her two trips to India. Atta had been so proud of my mum. My mother was working at All India Radio (A.I.R), at the time, as a Newsreader, Announcer & Translator, as did my father, who was also in charge of the Sinhala service at A.I.R. Attammi told me how happy she felt, when my mum took her to see the red bricked round offices, and Attammi described the circular stairway, inside the building. I envy her, for I haven’t seen the inside of A.I.R. It’s a stylish Office building. Added to which my parents had a very international group of friends, including Indians, Chinese, Burmese, Thai, Russian, French, Tanzanians, et al, who worked for their respective stations at A.I.R. We lived at Asia House Flats at the time. My mum has always maintained, that those were the best years of her life.

My maternal Grandparents, Mum & I (a three year old me seated on our first car and shielding the sun from my eyes) in front of India Gate, New Delhi, India in 1978.

My maternal Grandparents, Mum & I (a three year old me seated on our first car and shielding the sun from my eyes) in front of India Gate, in New Delhi, India, in 1978.

Attammi also told me once, how when one day Attammi and I were alone at home, I had asked for Pani (water in Hindi). She had no idea what I needed, and kept showing me various stuff, toys, clothes et al. I just kept asking for Pani. A little while later, the cleaning woman had come, and when I asked for Pani, had poured me a glass of water. Attammi said that she felt so bad, that she had assumed the three year old little innocent kid was desperately in want of some materialistic object, and never guessed he was just thirsty. Due to this incident she would remember the term Pani, for the rest of her life.

India had been Attammi’s first trip abroad, and she was one of the few people I know, who held beautiful memories of her two trips there, and being able to see my mum happily settled in New Delhi, was an added bonus, for both Atta & Attammi.

On the 20th of October, 1980, my pretty little baby sister was born, in New Delhi, India. She was a tiny pink baby, named Sachinta (Sachi) Senadhira. Atta & Attammi became grandparents for a second time, and this was their first granddaughter.

Two Mothers & Two Daughters L-R: Attammi, my sister Sachi, and my mum, at Mum's home (PIX: October 2011)

Two Mothers & Two Daughters
L-R: Attammi, my sister Sachi, and my mum, at Mum’s home (PIX: October 2011)

In 1983, as all of Atta & Attammi’s children (except for mum, who was in Delhi) were moving towards Colombo, Atta decided to move to a closer proximity to Colombo, themselves, yet live in a place, they could enjoy the relaxation of country life. Thus he sold off their house in Kegalle, and all the land, including Paddy fields, he owned in Uttuwangkanda, for a very minimal fee, to the workers of the fields, and he had already, in the past, let the caretaker, build a house for himself, in a plot of land, for free. Atta got a earful, for doing so, from certain half-sisters, who felt he should have given it to them instead of doing the poor workers a favour. Ahg!! Toxic relatives!!! Atta never condemned their behaviour, and let his step-mother, and her kids, treat him badly all his life. Of course, all of Atta & Attammi’s parents, were dead and gone by the 1980’s, including Atta’s Step-mom.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

Having left their beautiful home in Kegalle, on the 4th of February, 1983, Atta purchased a nice looking property, in Veyangoda. Almost two weeks later, on the 17th of February, 1983, my grandparents, along with their son, moved into their new home, where Atta & Attammi, lived for the rest of their lives. Their son, and his family, are the current occupants of the Veyangoda house.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

In the same year, 1983, in the month of September, my father joined the mission (the Sri Lankan High Commission, in New Delhi, India), as a Third Secretary, which was the beginning of his diplomatic career.

– Getting to know my Grandparents better

As a child, my maternal grandparents, like my paternal grandparents, were Achchi & Seeya. Achchi meaning Grandmother, and Seeya meaning Grandfather, in Sinhala. In 1988, we came to live in Sri Lanka, from New Delhi, India, for good. Soon, my sister and I were admonished against calling our maternal grandparents Achchi & Seeya anymore, as all our younger cousins called them Attammi & Atta. We obliged and loved calling them Attammi & Atta. So for the first 12½ years who were Achchi & Seeya, to me, their eldest grandchild, were now Atta (Grandpa) & Attammi (Grandma). We didn’t mind, and thought it cool, to be able differentiate the two pairs of grandparents, like it’s done in India. In the Hindi language, Dadaji & Dadima, are paternal grandparents, and Nanaji & Nanima, are maternal grandparents. So our Nana & Nani, were Atta & Attammi, since 1988 to eternity.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

In 1988, my parents bought a plot of land, and built a house, and we moved in January 1990. And have been living here, on no.56, Siripura, since then (except whenever we lived abroad). The day we moved into our new house was one of the happiest days of Atta’s life, as he felt we were settled down. My mother having her own house to her name, was a relief for Atta. And it is my mother who has lived in this house the most. The rest of us have lived abroad on and off, while, except for in 1994 (when we all – my parents, sister & I – went back to live in New Delhi, India, together as a family, for a year), she only travelled abroad on holiday.

As I was coming of age, these crucial years were unfortunately spent mainly in Sri Lanka (12½  to 18½ years of age), yet on the plus side, it was during this period of my life I really got to know both pairs of grandparents, and other relatives. A few nice relatives, and many many ‘green’ ones, and very Sri Lankan (and definitely not in a good way). Today I have an allergic reaction to such people.

When I was 15 (a month away from turning 16), in May 1991, I sat for my GCE London O/Levels. Atta’s gift to me, for completing my O/L’s, was letting me read his massive personal Diary. That was the first time I came across this biographical work of his, and I really enjoyed his romantically penned down poetic prose. He had never let anyone touch this book till then, not even his children. Atta had two diaries; one massive one, written so eloquently; and another ‘Diary of Events’, in point form, marking essential events in his life. I have kept a few diaries, but not so systematically as he did. But I generally too, do, tend to mark down essential events, and being a film buff, all the movies I watch, on my calendar at least. I guess I get it from him. But I haven’t necessarily saved them all up. Today, I haven’t the faintest idea, as to what happened to the massive, very informative diary of Atta’s. But luckily, my mother did manage to locate, and save, Atta’s less descriptive ‘Diary of Events’, after his death, from which I have a few excerpts here, in this post. Of course I caught the writing bug from both sides of my family. My fathers side happens to be a family with a journalistic background, while my mother and her father (Atta), happen to be skilled in the aesthetic form of penning down their thoughts.

Excerpt from My Calender (March 2015)  Although not as systematically as Atta, in my own way, I too tend to mark down essential events in my life.

Excerpt from My Calender (March 2015)
Although not as systematically as Atta did, in my own way, I too tend to mark down essential events in my life, in my calendar at least.

In 1995; exactly 73 years after the death of Atta’s mother, due to complications relating to childbirth; on 8th March, 1995, my paternal Grandmother (Achchi) died at the Bangkok airport. She was residing in Australia by then, both my paternal grandparents having migrated down under, in the early 1990’s. Achchi came to Sri Lanka, on her own, for a holiday, and after spending a month with us, en route to Sydney, whilst on transit in Bangkok, Thailand, she suffered a heart attack. It took practically a week to get her body back to Sri Lanka. This was the loss of my very first  grandparent. It was on Attammi’s shoulder, 19½  year old me, cried on.

Excerpt from Atta's Diary of Events

Excerpt from Atta’s Diary of Events

By June 1996, I had got into Delhi University, in New Delhi, India. Atta and Attammi were delighted. Being their eldest grandchild (I happen to be the eldest grandchild, on both sides of my family), I was the first grandkid to get into college (University). I left in July 1996.

As I mentioned earlier, I was very close to my maternal grandparents. We shared very similar interests. Atta & I had a lot in common. Atta & I shared a love for English Literature (my mother too was a student of English Literature), classic cinema (Atta mostly loved Westerns, and since childhood, besides being a fan of films, I always had a thing for the cowboy look, with the cowboy hat, checked shirts, tight jeans, and boots, and I till date love to dress up like an American cowboy of the Old West, or try to come as close to it as possible (also see my post Holidaying in South Australia from November 2014) ), and we shared a love for old English songs like; She’ll be coming ‘round the mountain, Oh! Susanna, My Bonnie lies over the Ocean, Isle of Capri, Wooden Heart, Welcome to my world and What a Wonderful World; to name a few, and ballroom dance. As a young gentleman, he was member of an elite club, where he use to go ballroom dancing. He spoke about it often, how it was a form tap dance (not the metallic heel & toe styles of Fred Astaire/Ginger Rogers, Gene Kelly/Debbie Reynolds/Donald O’Connor, Sammy Davis Jr. and/or  Gregory Hines). It was a form of dance, where the male would tap on the shoulder of another male on the dance floor, and step in as the next lead dance partner, to the female follower. Atta had danced with quite a few fair ladies back in the day, but he had a reputation of being a real gentleman. Attammi knew about his love for dance, and after marriage he took her with him. But Attammi wasn’t much of a dancer. Thus Atta stopped going to club altogether. If he couldn’t dance with his wife, he had no interest in dancing with anyone else. But he did dance, whenever there was a family get together. Though Atta & I shared a lot more in common, than Attammi & I, it was Attammi, I was closest to among all my relatives. I loved her dearly, and anyone who knew her even briefly, adored her almost as much.

Atta & Attammi, my sister & I, at Home (56, Siripura). Picture taken on my 20th B'day (22nd June 1995)

Atta & Attammi, my sister & I, at Home (56, Siripura). Picture taken on my 20th B’day (22nd June 1995)

– Attammi & I

Attammi was the kindest person I ever knew personally, and everyone who knew her, adored her, and she adored everyone she met. I don’t think she ever disliked anyone. She was one the most non-judgemental persons I knew. She was a great fan of, and had great respect for, the British monarchy, especially the late Queen mother (wife of King George VI, and the mother of Queen Elizabeth II & Princess Margaret), the reining Queen Elizabeth II and the late Princess Diana. She was also a fan of local actresses Rukmani Devi and Iranganie Serasinghe, lace, embroidery, Edwardian white lace dresses and colonial designs. Yet she knew how to move along with the times. She had her own fashion statement, which involved her trademark long necklace. She never liked to leave the house in the way she was dressed at home, though she was always neatly attired. She didn’t accept all changes, yet she was curious to learn of new trends. She liked the bouffant hairstyles of the 60’s, but wasn’t a fan of the mini-skirts, which was a craze in Sri Lanka in the 70’s. Except for my mum, practically every youngster Attammi knew wore mini-skirts in that decade (graceful or not), including her other two daughters. She didn’t like it, but she didn’t speak against it. She accepted women wearing pants though, and didn’t mind my mum wearing bellbottoms in the 70’s. She felt it was both fashionable and practical, and pretty decent at the same time. In fact once she told me she actually liked my mother’s trademark (casual) attire, with her short tunic style Indian Chikan Kurta’s with trousers/Jeans, that my mum has been wearing since the 70’s till date. A perfect blend of the east and west. Yet Attammi herself, never left her traditional Kandyan saree, her Malaysian inspired lungi’s and long gowns. The only thing she added to her wardrobe, was the Kaftan, in the early 80’s, for it was similar to her long gowns. Then the 1990’s came, she accepted the styles of her grandchildren. I remember, when I was 17, I ripped a pair of corduroy jeans, and I asked Attammi to stitch a few patches (on non-ripped areas, of course!). While mum was horrified at me ripping my pants, like a hippie, my grandmother was really excited with the project. She watched in awe, as I cut the two kneecaps, and below one butt, on the pants, slowly removing the horizontal threads, neatly loosening the vertical threads. Not only did she enjoy it, she gave me her own tips. She told me we could add bottle caps, make my pants look really flashy and cool. She was fun, and a great friend. In fact, as a teenager, I use to jokingly call her my ‘girlfriend’. She was no doubt my favourite grandparent.

We were so different, yet so alike. We had really interesting conversations. Of course we didn’t agree all the time. I wasn’t exactly a granny’s boy. After all I have my own brain. Yet we’d discuss and debate. She learnt to accept modernity. She didn’t understand modern art, especially my art, but understood there has to be something deeper and conceptual. She’d listen to reason, and not dismiss anything just because it’s new, yet she was very nostalgic of the good old days. Of course with the 21st century, she wasn’t a great fan of the kind of noisy music, jumping up and down kind of dance popular in this country today, nor did the digital age interest her. She definitely wasn’t a fan of rap, crap and hip-hop. A craze here today. She was a calm and peaceful person in general, and not a fan noise pollution. In fact her voice was hardly audible. We use to joke, what she might sound like when she needed to wisper. She was a person who loved to speak of the way she use to travel in tram cars and double-decker buses (both of which cease to exist here before I came into existence), and the old train journey. Yet in her old age, about a decade or so ago, she even rode on the back seat of a motorbike for the first time, with a helmet, and thoroughly enjoyed it.

Tongue-in-Cheek: Attammi goes French, in a Beret, I brought from Paris (26th October 2008)

Tongue-in-Cheek: Attammi goes French, in a Beret, I brought from Paris (26th October 2008)

Attammi always enjoyed my blunt directness, especially when directed to narrow minded, hypocritical comments by Sri Lankans. I remember once when a woman in hippie style skirt & blouse (a terrible fad here), was talking nonsense as to women wearing pants, being indecent, and not being a Sri Lankan outfit et al. I mentioned that the skirt & blouse wasn’t a Sri Lankan outfit either. Attammi cracked up laughing. She was so glad I wasn’t like the present generation of Sri Lankans. Once I remember, standing in queue, in front of the Dalada Maligawa (Buddhist Temple of the Sacred Tooth Relic), in Kandy. There was a board asking people not to wear pants inside the temple. I joked that maybe we should remove are trousers before we go in. Attammi started laughing. Though a very silent person, Attammi’s beautiful laughter was audible and very supportive. Of course the pants statement was directed at women. But the hypocrisy of it all, women are seen walking in bikini tops, and short skirts, inside the temple, and even the traditional Kandyan saree, some people wear it, with plenty of cleavage, open backs, belly popping, tops. And the traditional cloth & jacket, don’t even let me start. And the more conservative pant suits are considered indecent. That’s Sri Lanka. Thank God, that was never my grandparents. Though very traditional in attire (in a more decent fashion, than most so called traditionalist of this country), Attammi was very open-minded.

– Philanthropic acts of kindness

At Attammi's place, on the day of the  Veyangoda Dané (December 2008). A Dané she gives on every December Full Moon Day, since the 1980's. She is seen here with two of her creations. The table cloth, and the patchwork seat cover, all made by Attammi. She was superb in needle work craftsmanship.

At Attammi’s place, on the day of the Veyangoda Dané (December 2008). A Dané she use to give on every December Full Moon Day, since the 1980’s. She is seen here with two of her creations. The table cloth, and the patchwork seat cover, all made by Attammi. She was superb in needle work craftsmanship.

Since the early 1980’s, on (Unduvap Poya) full moon day, every December, she gave a Dané (Alms Giving), to about a 100 Síl attained laymen/laywomen, at a Buddhist temple, in Veyangoda, to commemorate Bhikkhuni Sangamitta’s arrival in Ancient Ceylon, in the 3rd century BC, along with a sampling of the Bo-tree, in Bodh Gaya, India, under which Prince Siddhartha Gautama is said to have attained enlightenment, and thus later known as Lord (Gautama) Buddha, whose teachings were the foundation of Buddhism. Bhikkhuni Sangamitta, daughter of Emperor Ashoka of India (304 BC – 232 BC), was the first Buddhist nun to visit this island. She was sent here, along with several other nuns, by the Indian Emperor, to start a lineage of nuns or Bhikkhunis (fully ordained female Buddhists). So Attammi was a feminist of sorts in her own right. Back in the 1960’s she helped patients at the Kegalle Hospital, by taking them meals and stitching clothes for the maternity ward, all by herself, and not for money. She helped the poor with food and clothing. She even gave up her own valuable time, along with Atta by her side, inserting herself, to help needy relatives. She was a practicing Buddhist. Though pretty devout, she accepted the fact that I am a free thinker, and that I didn’t blindly accept anything and everything, just because it was tradition, or stated in religion. But I never put down anyone’s religious beliefs either. She actually liked, I had a mind of my own, and my blend of practicality from the west, and sentimentality of the east. She liked the fact that I am very honest and direct, yet my capability to be diplomatic at the same time. She liked the fact I showed her respect, as my grandmother, at the same time, I could be open with her, as if she were a peer. A true friend.

– Atta’s Demise

The last time I saw Atta alive, was about a month before he died. I was working as a journalist (editorial staff), for a local newspaper then. I mentioned to him that I had applied to a University, in England, to do a Masters. He was pleased, but he gave me a worried look, and said that he was getting too old to worry now. I asked him, “what is there to worry, Atta?”. But that’s Atta, always worried for everyone he cares about. He was worried when my mother went to India in the 70’s , worried when his second daughter went to the middle east in the 70’s, worried when I went to India in the 90’s, worried when my sister went to India in the 90’s. He could never stop worrying.

On 15th May 2002, Atta paid a visit to someone who had taken ill. On his way back, a speeding car ran over him, killing Atta instantly. Atta was a very healthy, 82 year old, when he died. It was tragic, and a sudden shock for all of us. Although; as Atta was so dependant on Attammi; Attammi use to worry, if she were to die before he did, how he would manage on his own, she felt lost without him. And it would be sometime, before she could get on with her life again. Atta and Attammi, were one of those rare couples, that loved each other so much, that it was difficult to think of them, being able to go on living, without one another. Unfortunately for my sister, who was studying for her Bachelors in Delhi University, and had her final year exams at the time, could not attend Atta’s funeral. It was very difficult for her at the time. We let her know he passed away, but didn’t tell her how he died, until she got back.

Atta renewed his handwritten will, a numerous times, practically each decade. The first was in the 60's, and the last was closer to his death.

Atta renewed his handwritten will, a numerous times, practically each decade. The first was in the 60’s, and the last was closer to his death.

About the speeding car that killed my grandfather, that same vehicle had been involved in another accident, killing a young pedestrian, sometime before it killed my grandfather. The driver was a young man, who was a pilot trainee, at the time. Most Sri Lankans excused him, saying he must have been driving the car as if he were flying a plane. What a foolishly idiotic thing to say. If this man can’t handle driving a car carefully, how can he take the responsibility of flying a passenger jet, where the safety of hundreds of passengers is concerned. The man’s family offered us money, but we refused. What good was that. His pilot licence and driving licence should have been revoked. But no such thing has ever happened. In fact, he is still speeding along the streets, with a legal licence that allows him to do so. Welcome to Sri Lanka!!!!

But at least I get to write about it now. The pen is mightier than the sword. Or is it?? Definitely not in this country. A month after Atta’s death, I got my conditional offer letter, from the University of Luton. Even if he wasn’t alive to hear about it, at least I managed to tell him, I had applied for it. I left for England in September 2002.

– Moving along and finding newer reasons to rejoice

Few years after Atta’s death, Attammi finally learnt to let go, there were upcoming events, that would provide her with another reason to continue living. In May 2005, I came back to Sri Lanka, by now a post-graduate, having completed my first Masters, an MA in International Cinema (2002-2003), from the University of Luton, Luton, United Kingdom. Plus my sister was getting married.

Sachi’s wedding took place in our house, at 56, Siripura, on 19th May, 2005. Subsequently, Attammi’s various other grandchildren followed suit, and got married, within the next seven years. Unlike Atta, Attammi had the luck of seeing five of her grandchildren, out of eight, get married. Meanwhile, I went and lived in Sydney, Australia, for a couple of years, where I did a second masters, MA in Painting (2006-2007), at the College of Fine Arts, University of New South Wales. And later resided in Paris, France for almost a year. With new found happiness in Attammi’s life, and giving another shot at a will to live, till she was meant to go, Attammi even did a cataract operation, on both her eyes, in the latter half of her 80’s. She ended up being able to see better than any of her descendants. In fact we had to squint to see, what she could see afar. She spent her widowed life, dividing her time, staying at her various children’s homes for short periods of time. But she could never stay too long in one location. Soon she was to reach another milestone in her life.

Attammi & I at a cousin's (One of Attammi's granddaughter's) wedding (August 2010)

Attammi & I at a cousin’s (Attammi’s fifth grandchild’s/third eldest granddaughter’s) wedding (August 2010)

On the 10th of August, 2010, Attammi became a Great-Grandmother, for the first time. My first cousin (Attammi’s fourth grandchild, and second eldest granddaughter), gave birth to a baby girl. This is the first significant event in her life; from becoming a mother, to an in-law, to a grandparent, to a grandmother-in-law, to a great grandparent; that wasn’t related to our family, Lala Damayanthi’s husband and kids.

– Attammi, after turning 90.

On, 18th January 2012, Attammi celebrated her 90th Birthday. Year 2012, would be the last year, she’d be fit travel around.

It was really sad, when she fell ill. Back in December 2012, she fell down, near her bed, while trying to wear her slipper. She was rushed to the hospital, having broken her hip and leg. When I went to see her, she was delirious. She was lying in her ward bed, with a massive plaster on her leg, plucking imaginary flowers. She had no idea where she was, and of her surroundings. I walked up to her, bent down close to her ear, and slowly whispered “Attammi”. She suddenly jerked, stopping what she was doing, and looked at me, and a happy smile came over her tired face. She had recognised me. She asked me something pointing to the roof, and then lost herself to her imaginary world again. We stayed all night as her leg was being operated on, fitted with a metal plate on her thigh.

She soon recovered, and started walking with the help of a walker. I visited her as regularly as possible, which made her really happy, yet sad when we left. Ironically, on the Ides of March (15th of March), 2013, I wrote a blog post, in which I spoke of Atta as well, in regard to Shakespeare’s play on Julius Caesar, Caesar was killed on the Ides of March (see my post Beware, The Ides of March are upon us from a couple of years ago). Atta had been dead for 10 years and 10 months exactly, on 15th March 2013. I even read it to Attammi, back then. Who knew then, that a couple of years later, she’d die on the very same day.

She fell down several times, within the last two years. I saw her grow weaker, and this was the first time I witnessed a person deteriorate with age. She was just skin and bones, and mostly bedridden. Yet, she could manage to briefly sit up with great difficulty. The last time I took a photograph of hers, was in June 2014 (see PIX right at the top). The last time I saw her alive, was when I visited her in December 2014, on Unduvap Poya day, the day of the Dané that Attammi’s been giving since the 1980’s. That day I didn’t go with the others to the temple, but stayed behind with her, as did my mother and aunt. We (my parents, sister, her husband, & I) had travelled to Australia, back in November 2014. I showed Attammi the photographs of the trip on my blog, and spoke about Pam Achchi, Attammi’s sister-in-law (Pragne’s wife), who resides down there (see my post Holidaying in Australia, comes to an end from November 2014) et al. She even asked me about my blonde highlights, on my hair (for I have never tinted my hair prior to this). We had a nice chat, and a nice pleasant day. I never got to see her alive after that.

Atta & Attammi, in Good ol' days.

Atta & Attammi, in the Good ol’ days.

Coincidentally, both Atta & Attammi, died on a 15th day of a month, that too a month of which, the first two letters spell ‘Ma’. Atta died on 15th May 2002, and Attammi on 15th March 2015. 12 years and 10 months apart, exactly.

Attammi was one of the most selfless people I knew. She helped everyone and anyone she could, without expecting anything in return. It’s hard to believe she is no more. She didn’t leave us at once. She helped us get ready for her death. Instead of easing her pain, by dying suddenly, she suffered for about a year, bed ridden, lending us time to prepare. Even in death, this was a selfless act, on her part. It’s already been over 15 days, since her demise. I guess I have been dragging this blog post, ‘cause I wasn’t ready to let go. Once I finish this post, it feels as if it might be over. But I have to let go now. Can’t just sit here typing away. It’s time for me to say Goodbye to my darling Grandmother. She’s no more………………………………………….……………………………………………………………

With Attammi’s passing, now I have One Less reason to visit sri lanka, let alone live here, and Zero reason to ever go to veyangoda.

Attammi might have left this world, but her memories shall stay alive, within our hearts, till the end of our days, and maybe more.

With lots of love
A tribute to my most beloved Attammi, a true friend & confidant.
Your eldest Grandchild,
Nuwan Senadhira (a.k.a. Nuwan Sen)

Atta & Attammi’s Life through pictures

My Great Grandparents On the Left, Atta's parents. I'm not sure who the little girl, in front of Atta's mother,  in the picture is, or the Gent & Lady in the middle, nor the Gent standing on the right. The Lady seated, on the right, in an Edwardian attire,  is Attammi's Mother (Atta's father's sister), before she got married.

My Great Grandparents
On the Left, Atta’s parents.
I’m not sure who the little girl (squatting on the floor), in front of Atta’s mother, in the picture, is, or the Gent (standing) & Lady (seated) in the middle are, nor do I have any inkling, as to who, the Gent standing on the far right, is. The Lady seated, on the right, in an Edwardian lace attire, is Attammi’s Mother (Atta’s father’s sister), before she got married.

Attammi, in her younger days, in saree (Indian Style), before she got married.

Attammi, in her younger days, in a saree (Indian Style), before she got married.

Excerpt from Atta's Diary of Events, from the latter the part of the 40's decade, leading up to his marriage, and post.

Excerpt from Atta’s Diary of Events, mostly from the latter the part of the 40’s decade, leading up to his marriage, and post.

An invitation, from Attammi's parents, for an AT HOME, an informal social gathering, prior to my grandparents wedding.

An invitation, from Attammi’s parents, for an AT HOME, an informal social gathering, prior to my grandparents wedding.

My (maternal) Grandparents, on their wedding day (10th JULY 1947)

My (maternal) Grandparents, on their wedding day (10th JULY 1947)

Ariya & Leela get married (10th July 1947)

Ariya & Leela tie the knot (10th July 1947)

Atta & Attammi on their Wedding Day (10th July 1947)

Atta & Attammi on their Wedding Day (10th July 1947)

The newly married couple (my grandparents seated), with Attammi's younger brother, Pragne, standing behind.

The newly married couple (my grandparents – seated), with Attammi’s younger brother, Pragne, standing behind.

My Grandparents with my mum.

My Grandparents with my mum.

Mother & Daughter Attammi with her first child (my mom), when she was a baby.

Mother & Daughter
Attammi with her first child (my mom), when she was a baby.

Atta & Attammi. with their eldest daughter (my mom).

Atta & Attammi with their eldest daughter, Lala-Damayanthi (my mom).

Attammi with her two eldest children (my mum & her sister), in the early 50's.

Attammi with her two eldest children (my mum & her sister), in the early 50’s.

Atta & Attammi travelling with their two elder daughters (my mother & her younger sister), in the early 50's.

Atta & Attammi travelling around Ceylon, with their two elder daughters (my mother & her younger sister), in the early 50’s.

Brothers & Sisters : Attammi avec her siblings.

Brothers & Sisters
Attammi avec her siblings (She is seated, in a chair, on the right hand side).

Atta & Attammi, with all four of their children, in Kegalle.  My mum being the eldest, is seen standing in the middle in the back row, flanked by her two younger sisters, and her younger brother (the youngest in the family), standing in front of my mum.

Atta & Attammi, with all four of their children, in Kegalle (in Ceylon), in 1966.
My mum being the eldest, is seen standing in the middle in the back row, flanked by her two younger sisters, and her younger brother (the youngest in the family), standing in front of my mum.

Atta's entry in his Diary, the first time he became a proud Father-in-law (10th December 1973).  The Day his eldest daughter Lala-Damayanthi took the plunge.

Atta’s entry in his Diary of Events, the first time he became a proud Father-in-law (10th December 1973). The Day his eldest daughter Lala-Damayanthi took the plunge.

The Proud Parents, now turn In-Laws. My (maternal) Grandparents @ my parents wedding, in Kegalle (10th December 1973)

The Proud Parents, now turn In-Laws.
My (maternal) Grandparents @ my parents wedding, in Kegalle (10th December 1973)

Attammi, with her back turned, on her eldest daughter's wedding day.

Attammi, with her back turned, on her eldest daughter’s wedding day. The Ceremony took place in their home, in Kegalle.

Atta, with his back turned towards the couple, walking in the opposite direction, during his daughter & new son-in-law, Sugi's, wedding ceremony (10th December 1973).

Atta, with his back turned towards the couple, walking in the opposite direction, during his daughter & new son-in-law, Sugi’s, wedding ceremony (10th December 1973).

Atta & Attammi, with their first grandchild (Me aged one), on my first trip to Sri Lanka (1976).

Atta & Attammi, with their first grandchild (Me aged one), on my first trip to Sri Lanka (1976).

My Grandparents, parents & me (aged three), in New Delhi, India (when Atta & attammi came there for a holiday), in 1978.

My Grandparents, parents & me (aged three), in New Delhi, Capital of India, located in Northern India (when Atta & attammi came there for a holiday), in 1978.

Buddhist Pilgrimage Atta & Attammi, my parents & I, at Lord Buddha's birthplace, next to the base of the Ashoka Pillar, in Lumbini, Nepal (1978).

Buddhist Pilgrimage
Atta & Attammi, my parents & I, at Lord Buddha’s birthplace, next to the base of the Ashoka Pillar, in Lumbini, Nepal (1978).

Buddhist Pilgrimage Atta & Attammi, my parents & I, in Sarnath, a suburb of Varanasi (where Gautama Buddha is said to have given his first sermon about the fundamental principles of Buddhism), in the state of Uttar Pradesh (UP), in Northern India, in 1978.

Buddhist Pilgrimage
Atta & Attammi, my mother & I, in Sarnath, a suburb of Varanasi (where Gautama Buddha is said to have given his first sermon about the fundamental principles of Buddhism), in the state of Uttar Pradesh (UP), in Northern India, in 1978.

Buddhist Pilgrimage My Grandparents, mom & I, in Shravasti (where the Buddha, is said to have spent 24 Chaturmases (a holy period of four months), in UP state, in Northern India (1978).

Buddhist Pilgrimage
My Grandparents, mom & I, in Shravasti (where the Buddha, is said to have spent 24 Chaturmases (a holy period of four months), in UP state, in Northern India (1978).

Atta & Attammi at their second child/daughter's wedding (22nd January 1980), in Kegalle.

Atta & Attammi at their second child/daughter’s wedding (22nd January 1980), in their home, in Kegalle.

My Sister, Sachi, & I, on holiday in Sri Lanka. With my grandparent at their new home, in Veyangoda (Early 80's).

My Sister, Sachi, & I, on holiday in Sri Lanka. With my grandparent at their new home, in Veyangoda.

Above: An exactly, 11 years, and 11 month, old  me, with Atta & Attammi, at my Uncle's (my father's youngest brother's) wedding ceremony, on the 22nd of May, 1987 (Exactly 15 years after SL became a republic, and exactly one month prior to my 12th Birthday). This was my first holiday, without my parents, I stayed in Sri Lanka for over a month during my summer holidays. It was my worst holiday ever. I don't personally know the short kid, standing next to me, who was about the same age as me, at the time. We were both Page Boys, at the wedding, and I was also the Ring Bearer (this was the second time I was a Page Boy, the first was (aged 4) at my mother's youngest sister's wedding, in March 1980 .  Below: My maternal Grandparents, congratulating, my father's Brother and his new Bride. The professional cameraman afar, is the 11 years, 11 months, old me, with my first very own camera. I loved that camera back then.

Above: An exactly, 11 years, and 11 month, old me, with Atta & Attammi, at my Uncle’s (my father’s youngest brother’s) wedding ceremony, on the 22nd of May, 1987 (Exactly 15 years after SL became a republic, and exactly one month prior to my 12th Birthday). This was my first holiday, without my family (parents n’ sister). I stayed in Sri Lanka for over a month during my summer holidays. It was my worst childhood holiday ever.
P.S. I don’t personally know the short kid, standing next to me, who was about the same age as me, at the time. We were both Page Boys, at the wedding, and I was also the Ring Bearer (this was the second time I was a Page Boy, the first was (aged 4) at my mother’s youngest sister’s wedding, in March 1980 .
Below: My maternal Grandparents, congratulating, my father’s Brother and his new Bride. The professional cameraman afar, is the 11 years, 11 months, old me, with my first very own camera. I loved that camera back then.

Before laying the foundation stone, @ 56, Siripura  The new plot of land, my parents bought, before we built a house. On my sister's 8th Birthday (20th October 1988) Our family came to live in SL, for good, in January 1988. We bought this land, built a house, and moved in, in January 1990. In this picture: we all took turns cleaning the land, before laying the foundation stone, on Sachi's 8th Birthday. Attammi is seen .. Behind her is Achchi (my paternal grandmother). Dressed in a blue frock, is the B'day girl. In a pink dress, a cousin of mine (my mother's niece). A lanky tall 13 year old me. And my mother (far right).

Before laying the foundation stone, @ 56, Siripura
The new plot of land, my parents bought, before we built a house. PIX: On my sister’s 8th Birthday (20th October 1988)
Our family came to live in SL, for good, in January 1988. Later, the same year, we bought this land, built a house, and moved in, in January 1990.
In this picture: We all took turns, on Sachi’s 8th Birthday, cleaning the land, before laying the foundation stone.
Attammi is seen with the mamotie. Behind her is Achchi (my paternal grandmother). Dressed in a blue frock, is the B’day girl. In a pink dress, a cousin of mine (my mother’s niece). A lanky tall 13 year old me, in really short shorts (very 80’s). And my mother (far right).

Two Mothers & Two Daughters My grandmother, mother & sister (22nd October 1989).

Two Mothers & Two Daughters
My grandmother, mother & sister (October 1989).

(L to R) Atta, my mum, Mum's cousin (Attammi's niece), My younger mum's sister, and Attammi @ a function (1990)

(L to R) Atta, my mum, Mum’s first cousin (Attammi’s niece), My mum’s younger sister, and Attammi @ a function (in 1990)

Attammi with her eldest granddaughter, my sister, Sachi.

Attammi with her eldest granddaughter, my sister, Sachi.

On Attammi's 70th Birthday (18th January 1992).

On Attammi’s 70th Birthday (18th January 1992).

Atta &Attammi's 45th Wedding Anniversary, celebrated at our place (56 Siripura) 1992.

Atta & Attammi’s 45th Wedding Anniversary, celebrated at our place (@ 56 Siripura) in JULY 1992.

At my maternal Grandparents 45th Wedding Anniversary celebration. Atta & Attammi avec some of their grandchildren. 17 year old me, being oldest (and tallest) grandchild/grandson, is standing right behind the elderly couple. My 11 year old sister (the second oldest grandchild, and eldest granddaughter), in white, is standing, on the right side of the picture. Sachi is actually wearing our mother's bridal attire, minus the shawl/fall (July 1992)

At my maternal Grandparents 45th Wedding Anniversary celebration.
Atta & Attammi avec some of their grandchildren. 17 year old me, being the oldest (and tallest) grandchild/grandson, is standing right behind the elderly couple. My 11 year old sister (the second oldest grandchild, and eldest granddaughter), in white, is standing, on the right side of the picture. Sachi is actually wearing our mother’s bridal attire, minus the shawl/fall (July 1992)

Attammi avec her two eldest grandchildren (Sachi & I).

Attammi avec her two eldest grandchildren (Sachi & I). Me-aged 17.

YEAR: 1994 Atta & Attammi, with their eldest grandchild/grandson (Me, aged 19, on holiday in SL), and their youngest grandchild/granddaughter (aged One).

YEAR: 1994
Atta & Attammi, with their eldest grandchild/grandson (Me, aged 19, on holiday in SL), and their youngest grandchild/granddaughter (Kasini – aged One).

(L to R) My Grandmother, my aunt (my father's youngest brother's wife), and Mom (@ Mom's home - 56, Siripura), at my 21st Birthday Party (22nd June 1996). That was the last birthday I celebrated with a party.

(L to R) My Maternal Grandmother, my Aunt (my father’s youngest brother’s wife), and Mom (@ Mom’s home – 56, Siripura), at my 21st Birthday Party (22nd June 1996). That was the last birthday I celebrated with a party.

Attammi celebrates her 75th Birthday, with the love of her life, Atta (January 1997)

Attammi celebrates her 75th Birthday, with the love of her life, Atta (January 1997)

Golden Jubilee Atta & Attammi celebrate their 50th Wedding Anniversary (JULY 1997) On the floor, left side of the photograph, is a painting I did & gifted my grandparents with. 50 years of marital bliss ( a rarity today).

Golden Jubilee
Atta & Attammi celebrate their 50th Wedding Anniversary (JULY 1997), in Veyangoda
On the floor, left side of the photograph, is a painting I did & gifted my grandparents with.
50 years of marital bliss (a rarity today).

Golden Jubilee Atta & Attammi, with their eldest daughter's family. Seated My mother, My Grandfather, My Grandmother, and My father. Standing: My Sister & I This was the first time, Sachi (aged 16), wore a sari. Attammi was so pleased, it touched her heart. Such a pleasant surprise to see  her eldest granddaughter, in a sari (that too in the kandyian style). JULY 1997

Golden Jubilee
Atta & Attammi, with their eldest daughter’s family.
Seated: My mother, My Grandfather, My Grandmother, and My father.
Standing: My Sister & I
This was the first time, Sachi (aged 16), wore a sari. Attammi was so pleased, it touched her heart. Such a pleasant surprise to see her eldest granddaughter, in a sari (that too in the kandyian style). JULY 1997

Attammi, with her two elder daughters, at my aunt's place. My mom's seated in the middle (21st June 1998).

Attammi, with her two elder daughters, at my aunt’s place. My mom’s seated in the middle (21st June 1998).

Mum & Attammi, at a dinner party (at our place, 56, Siripura), hosting Sachi's completion of her A/levels (4th July 1998).

Mum & Attammi, at a dinner party (at our place, 56, Siripura), hosting Sachi’s completion of her A/levels (4th of July, 1998).

Silver Jubilee  My Grandparents, with my parents, at my parents 25th Wedding Anniversary (at our place - 56, Siripura). DECEMBER 1998

Silver Jubilee
My Grandparents, with my parents, at my parents 25th Wedding Anniversary (at our place – 56, Siripura).
DECEMBER 1998

Father-Daughter Dance Ballroom genius, Atta, waltzes with his eldest daughter, Lala-Damayanthi, during the celebration of her, 25 years of marriage, to Sugi (December 1998)

Father-Daughter Dance
Ballroom genius, Atta, waltzes with his eldest daughter, Lala-Damayanthi, during the celebration of her, 25 years of marriage, to Sugi (December 1998)

At my mum's 50th Birthday party, at mums (@ 56, Siripura). Sachi & I, seen in the background. My parents & my grandmother in the foreground. Behind Attammi, is her youngest grandchild (my youngest cousin, from my mother's side).  MAY 2009

At my mum’s 50th Birthday party, at mums (@ 56, Siripura).
Sachi & I, seen in the background. My parents & my grandmother in the foreground. Behind Attammi, is her youngest grandchild (my youngest cousin, from my mother’s side).
MAY 1999

At my mum's 50th B'day Celebration (L to R) My Great Aunt (Attammi's younger sister), Ammi (my mother), and Attammi (my maternal Grand-mum).  MAY 1999

At my mum’s 50th B’day Celebration (@ our home).
(L to R) My Great Aunt (Attammi’s younger sister), Ammi (my mother), and Attammi (my maternal Grand-mum).
MAY 1999

On my sister (Sachi's) 21st Birthday celebration. Atta & Attammi, with their eldest, now 21 year old) Granddaughter (October 2001)

On my sister (Sachi’s) 21st Birthday celebration(at our place @ 56, Siripura).
Atta & Attammi, with their eldest (now 21 year old) Granddaughter (October 2001).

Attammi with her three elder granddaughter's, at Mum's (56, Siripura). My grandmother is resting her head on my sister.

Attammi with her three elder granddaughter’s, at Mum’s (@ 56, Siripura).
My grandmother is resting her head on my sister, Sachi.

Attammi (September 2005)

Attammi (September 2005) @ 56, Siripura.

Attammi with her eldest Grandchild (Me aged 33) at my Aunt's (October 2008)

Attammi with her eldest Grandchild/Grandson (Me aged 33) at my Aunt’s (October 2008)

On Attammi's 87th B'day (18th of January 2009)

On Attammi’s 87th B’day (18th of January 2009)

Attammi & I, at a Reception. December 2009

Attammi & I, at a Reception.
December 2009

Attammi (with back turned), with me, at a function. December 2009

Attammi (with her back turned), and I, @ a Reception.
December 2009

My Grandmother (with her back turned), with her daughter (my mom), at her daughter's (@ 56, Siripura). OCTOBER 2010

My Grandmother (with her back turned), with her daughter (my mom), at her daughter’s (@ 56, Siripura).
OCTOBER 2010

My (maternal) grandmother, with my sister, Sachi, at Sachi's 30th B'day Party (October 2010). This was the last grand scale function we had at our home. And Attammi was present for all the family functions we had at 56, Siripura.  Who knew back then that this (her eldest Granddaughter's Birthday celebration, would be Attammi's last party at her eldest daughter's house.

My (maternal) grandmother, with my sister, Sachi, at Sachi’s 30th B’day Party (October 2010). This was the last grand scale function we had at our home. And Attammi was present for almost all the family functions we had at 56, Siripura.
Who knew back then that this (her eldest Granddaughter’s Birthday celebration), would be Attammi’s last party at her eldest daughter, Lala-Damayanthi’s, house, she’d be able to attend.

Attammi, my sister & my mum, at our place (56, Siripura).  This most probably was the last time she could visited us. October 2011

Attammi, my sister & my mum, at our place (56, Siripura).
This most probably was the last time she visited us.
October 2011

The Great Grandmother (L-R), My Aunt (Attammi's second daughter, my mum's younger sister), with her eldest grandchild/granddaughter, on her lap (her younger grandchild/granddaughter is seen in the crib), my mum, me, & Attammi, at my Aunt's (April 2012).

The Great Grandmother
(L-R), My Aunt (Attammi’s second daughter, my mum’s younger sister), with her eldest grandchild/granddaughter, on her lap (her younger grandchild/granddaughter is seen in the crib), my mum, me, & Attammi, at my Aunt’s (April 2012).

Nuwan Sen’s Roots
Nuwan Sen’s Family Album
Nuwan Sen’s Historical Sense

One Lovely Blog Award

I’ve been nominated for the One Lovely Blog Award by the blogger who goes as, A Guy without Boxers, a nudist, named Roger, with a very picturesquely risqué blog. I was nominated early last month (3rd November 2014), when I wasn’t here in SL, but travelling Down Under. So congrats Roger, and thank you for nominating me & my blog, No Nonsense with Nuwan Sen.
One Lovely Blog AwardLike any Blog Award in general, the recipient has to meet certain requirements, and here they are :-

1. Thank the person who nominated you, and post the award Logo. DONE (above).

2. Share seven facts about yourself.

(I) I am a born film buff. My first word as a baby most probably was ‘movies’, not ‘mamma’ like normal babies.
(II) I am an artist as well (Oil Paintings mainly) where too the concepts are mostly based on Cinema. I consider myself as an artiste with an ‘e’, due to my artistic nature in general.
(III) I love to read and write. Currently reading Ben Okri’s The Age of Magic, and am constantly writing.
(IV) I am still a virgin, partially by my own choice, as I’ve never had the desire to jump into bed with just anyone, to please other people, and yet never had the luck to be with the one I want to.
(V) I was born in New Delhi, India, to Sri Lankan parents, and having studied at the British School, in Delhi; Stafford International, in Colombo; University of Delhi, in Delhi; University of Luton, in Luton, UK; College of Fine Arts, at the University of New South Wales, in Sydney, Australia; and having lived in six countries, in three continents, and travelled around those three continents; I consider myself ‘International’, a citizen of the world, I go beyond borders.
(VI) English is my first language, as I studied in English all my life, and my brain works in English. Though my mother tongue is Sinhala.
(VII) Paris is my favourite city in the world, from the cities I’ve lived in, and the Country of Switzerland as a whole, and watery city of Venice, are my two favourite places, from the places I’ve visited.
DONE

3. Nominate 15 bloggers for the award and inform them of their nomination.

Through my previous experiences, am aware that many of my bloggers don’t like to continue this chain. And it doesn’t really feel right to just nominate a few. So I shall be kind enough to bend the rules for you here, as I did once before for The Liebster Award. Thus I nominate all my fellow Bloggers, who visit my blog and wish to continue this chain.
DONE

So wish you all the best, and thank you Roger for specifically nominating me, and again sorry for the delay on working on this post.

Cheers
Nuwan Sen

Beatle News  # 8

  • 1963 – John Lennon’s first wife Cynthia (Powell) gives birth to a son; John Charles Julian Lennon. Julian Lennon turns 50 today.

John and Julian

Nuwan Sen’s Music Sense. Nuwan Sen & The Beatles ().

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Brett Whiteley (1939-1992)

Brett Whiteley self portrait 

 Yesterday, the 7th of April 2013, was Australian artist Brett Whiteley’s 74th Birth Anniversary.

 I actually wanted to write about him yesterday, but it was such a busy and tiring day, that I couldn’t get around to doing so.

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Brett Whiteley's Balcony (Feb 2008)

 

Brett Whiteley, was one of the first Australian artists of the latter part of the 20th century, I got to hear about when I first went to live in Sydney, Australia in 2006. Almost instantaneously I fell in love with his unique curviest figurines; but it was his landscape painting of the Circular Quay’s (Sydney Cove), that ended up being my favourite piece (pictured above in Feb 2008). In January 2008, Wendy Whiteley (his ex-wife) had a talk, at the Art Gallery of New South Wales, in Sydney, and I was part of her eager audience, where this fashionista, with her trademark African inspired headscarf, spoke about their life in London during the swinging 60’s et all. Quite an interesting insight into her husbands life, the 60’s & 70’s, and London back then.  The Whiteley’s only child, late actress, Arkie Whiteley, was born in London in 1964. Brett and Wendy divorced in 1989. Brett Whiteley died of a drug overdose in 1992, Janice Spencer (his last girlfriend) died of a heroin overdose in 2000, and his daughter Arkie died of cancer in 2001.  

Wendy Whiteley, one time muse to Brett, who had posed many a times for him (pictured below), is today known as the grande dame of the Sydney art scene, where she resides. An cultural icon in her own right.

Wendy by Brett

Wendy by Brett

Nuwan Sen’s Art Sense

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French Symbolist artist, Gustave Moreau, was born on 6th of April, 1826. Symbolism, was a 19th century art movement of by the French, Russians and the Belgians; more prominent in the latter half of the century.

Musée Gustave Moreau (Sept 2009) Moreau's House, now a museum

 

Moreau, was lucky enough to be born into a very highly cultured couple with a great taste and respect for the arts. His father was an architect, who encouraged his son’s artistic talent, and his mother took care of her son’s delicate health for the rest of her life. Moreau never married and remained with his mother, until her death. In 1895, Moreau extended his home to create sufficient space for a massive studio to house all his works, so that it could end up being a museum after his death. Moreau died in 1898, after contracting stomach cancer an year earlier.

I wasn’t that familiar with Gustave Moreau’s work, until I went to live in Paris in 2008, but it was more than an year later that I finally got to know what his works were like up close and personal, when I visited the Gustave Moreau Museum in Sept 2009, just days before leaving Paris. Most of his works are biblical references and mythological images. Being a student with a background of Art, Literature (including the classics – Greek & Roman literature) and cinema; I fell in love with Moreau’s unique works. I spent practically an entire day studying his numerous works. The museum closes for lunch and re-opens, so I went in the morning, saw some of his works, went out had my lunch, and was standing outside his house before they re-opened. Moreau had done more than 8,000 paintings and over 13,000 drawings and watercolours in his lifetime, and most of his works are housed at the Musée Gustave Moreau. Not all his works are up on the wall, some are in cupboard forms that you open and each work is inside a glass that you have to keep opening till you reach the end. His works reminded me of another era, influences of the renaissance, neoclassicism, also some works had a feel for the impressionist; and as the 20th century French writer and poet, André Breton, famed for his Surrealist Manifesto’s, had thought of ‘Moreau as a precursor of Surrealism‘. Surrealism, happens to be my favourite modern art style, that began in the 1920’s, and Salvador Dalí, happens to be my favourite surrealist artist ever. 

In 1891, Gustave Moreau became a professor at Paris’ École des Beaux-Arts, an institute I wish I could have been a part of. Most of his students were to be famed artists of the future. The likes of Henri Matisse, Georges Rouault, Jules Flandrin, Theodor Pallady and Léon Printemps; were all his students.

Gustave Moreau was a true artist, in the sense his works weren’t for sale. That’s one of the main reasons he wasn’t as famous as his peers. But Moreau was a genius, and since he wasn’t for sale, most of his works are all available for viewing, in one location, his house, i.e. Musée Gustave Moreau (Gustave Moreau Museum), in Paris. How many artist works are available to view within one location, not that many, and definitely not a collection like this.

Musée GM (NS)

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Couple of my Artworks derived from Moreau.

Aprés Moreau

 

Nuwan Sen’s Art Sense, Nuwan Sen’s Artworks.

124 years today, Gustave Eiffel, officially inaugurated the Eiffel Tower, on the 31st of March, 1889.

Paris Je t'aime (Summer 2008)

Paris Je t’aime (Summer 2008)

              The Eiffel Tower

Initially, the Tower was built as the entrance for the 1889 World Fair, it ended up being the iconic landmark of the city of Paris, France.

In May 1884, Maurice Koechlin, an engineer drew an outline for a tall metal structure for the World Fair to be held five years later. Eiffel wasn’t that enthusiastic in the beginning, but sanctioned a further study into it with Koechlin and another engineer Émile Nouguier, and got architect Stephen Sauvestre to add the decorative elements to make it more aesthetically appealing.

After facing a lot problems and protests, work on the foundations finally started in January 1887. And towards the end of March 1889, the tower was complete. It was officially opened on the 31st of March 1889. And played it’s role as the entrance to world fair of 1889, Exposition Universelle, held between 6th May & 31st October 1889, to celebrate the centennial (100th anniversary) of the storming of the Bastille, which was beginning of the French Revolution.

After the fair, the tower had a permit to stand for 20 years. It was to be dismantled in 1909. But after the permit expired, Paris decided to keep it a little longer, as it could come in handy for communication purposes. Then the first World War came, powerful radio transmitters were fitted to the tower which jammed German communications. This seriously hindered German advances to Paris in 1914. During the second World War, lift cable were cut in  the Eiffel Tower, so that Hitler and his soldiers would have to climb steps to the top to hoist the swastika. The flag blew away within hours. Hitler chose to stay on the ground. It was said that Hitler conquered France, but did not conquer the Eiffel Tower. With the world going through a number of disasters, both man made and natural, the Eiffel Tower stood high and erect withstanding the test of time.  

The Eiffel Tower, was the tallest man made structure in the world, when it was built, and it held that title for 41 years, till in 1930, when the Chrysler Building was made in New York, U.S.A.  In 1957, with the addition of an antenna atop the Eiffel Tower, it is now taller than the Chrysler Building and it is the second-tallest structure in France, today.

Paris (Spring 2005) Euro-trip 2005

Paris (Spring 2005) Euro-trip 2005, April 2005

Paris 2009 (pre-Autumn 2009)

Paris 2009 (pre-Autumn 2009)Sept 2009

 Paris et moi (Paris & Me)

The first time I visited Paris was in April 2005. I was doing a one month Euro-trip. I started with Paris, on the 1st of April, where I saw the two famous landmarks, the Eiffel Tower and the Triumph d’arc. Left early next day for Geneva, Switzerland. Then on the 31st of April 2005, I left Den Haag (The Hague), Amsterdam, early morning, and via Brussels, Belgium, reached Paris station (not the main city) and straight to Charles de Gaulle Airport.

Then I got a chance to live in Paris for almost an year (between 2008 and 2009). A 100 days in 2008 (July-Oct 2008) & for less than six months in 2009 (March-Sept 2009). And I fell in love with this beautiful city. I wrote to my friends down under, “No wonder it’s called the city of love, ’cause you fall in love with Paris, the city itself.” And I did, with the city. I could just lose myself in the streets of Paris, just walking around, by the river seine, listening to street musicians on Pont des Artistes, with a view of the Pont Neuf, the street side book shops around the seine, with posters and prints of great artistic works and iconic images of Audrey Hepburn from Breakfast at Tiffany’s (1961) and Marilyn Monroe from The Seven Year Itch (1955); though all American (Hollywood flicks), very French in style; street café’s, the Shakespeare and co., the Notre Dame, museums etc etc.. I was in love with this highly cultured and artistic city of Paris. I just wish I could have been happier there, but atleast I had Paris back then. Facing loads of problems, thanks to SL’s there, one depressive moment in Sept 2008, as I was walking past the Eiffel Tower, I made a vow – that I wouldn’t climb the tower until I have, or have had, someone in life. I left Paris in Sept 2009. Three and half years later no such luck. Yet am glad I got a chance to live in such a beautiful city. Paris Je t’aime.   

Paris 2005-2009

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Some of my artworks, that depict Paris’ iconic landmark. 

Paris Sydney through the balcony (Nuwan Sen)

Paris Sydney through the balcony (Nuwan Sen)

Paris Sydney through the Balcony (oils on canvas) An impressionist work by me, inspired by the six countries I’ve lived in till date, and depicting mainly two of my favourite cities, but also incorporating other places I’ve lived in. Shall explain this painting in detail some other time.    Eiffel Tower in my Drawings-Sketches (2010 & 2011)

Top row: Left – Drawing, Horny Gargoyle watching over Paris (Feb 2010); Right – Rough Sketch of Paris Sydney through the Balcony (Feb 2010).

Bottom Row: Left – Drawing, My Favourite movie by decade: The 1940’s (Feb 2011); Right – Drawing, My Favourite Film on Film Buffs (Feb 2011).

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Nuwan Sen’s Historical Sense

Nuwan Sen’s Artworks

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Beatle News  #5

The Beatles at Strouds (62') & Bagism (69')

  •   1962 – The Beatles play in Stroud’s Subscription Rooms, a rare foray outside Liverpool.
  •  1969 – After the famous Bed-In, John & Yoko, fly to Vienna, Austria where they hold a press conference in a bag (Bagism); and send Acorns for Peace to every world leader.

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Nuwan Sen’s Music Sense. Nuwan Sen n’ Peace. Nuwan Sen & The Beatles ( ).

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Today is the 204th Birth Anniversary of 19th century French artist, Jean-Hippolyte Flandrin.

With Flandrin’s masterpiece ‘Jeune Homme Nu Assis au Bord de la Mer’ (Seated Young Male Nude by the Sea) from 1836 (Above me - not behind) at the Louvre (May 2009)

With Flandrin’s masterpiece ‘Jeune Homme Nu Assis au Bord de la Mer’ (Seated Young Male Nude by the Sea) from 1836 (Above me – not behind) at the Louvre (May 2009)

Jean-Hippolyte Flandrin (1809-1864)

Jean-Hippolyte Flandrin, born on 23rd of March, 1809, had an interest for the arts since his childhood. Yet he was forced into being a businessman by his parents. Still determined, in 1929, he went to Paris, and trained under the famed French Neoclassical painter, Jean Auguste Dominique Ingres (1780-1867); who eventually ended up not just being his teacher but his friend as well. Although Flandrin’s works were nowhere as great as  Ingres’, and even though Flandrin is not famed for leaving behind a great bulk of masterpieces, he did manage to make a mark with his one great painting ‘Jeune Homme Nu Assis au Bord de la Mer’ (Seated Young Male Nude  by the Sea) from 1836. Which I was lucky enough to come across, when I visited the Louvre for the 4th time (which was the last time I visited the Louvre) in May 2009.  

Unlike the renaissance era previously, when it comes to the neo-classical era of the 18th & 19th centuries, though they embody many a traits borrowed from the renaissance; there is a more photographic element to these newer paintings. Especially when it comes to human portraits and nudes.

That’s what’s most probably the best thing about ‘Jeune Homme Nu Assis au Bord de la Mer’, it’s almost photographic, it could almost feel as if it’s an actual photograph of a male nude with a seaside backdrop and not a painting. It’s also famous, for the body’s somewhat 3D effect with the roundedness of flesh on the flawless’ skinned human form. The nude in the forefront is almost cut-off, and protruding outwards towards us, while contrasting to this, the backdrop is flat and blends in. It has also been compared to the renaissance master, Leonardo da Vinci’s study of the human form from four centuries before, da Vinci’s Vitruvian Man, from 1490.

In 1857, first President of the French Republic, Napoleon III, nephew of Emperor Napoleon Bonaparte, bought ‘Jeune Homme Nu Assis au Bord de la Mer’, which is now housed at the Louvre, in Paris.

In 1853, Flandrin was elected to the Académie des Beaux-Arts. A decade later, he started to get ill, and just two days before his 55th Birthday, he died of smallpox, on the 21st, of March 1864.  

The Flandrin Pose

Flandrin’s ‘Jeune Homme Nu Assis au Bord de la Mer’,  due to it’s famous pose, is now more commonly known as The Flandrin Pose. And since the paintings advent to the public, The Flandrin Pose, has been re-created a zillion times till date. The most notable photography versions happen to be; Fred Holland Day’s (1864-1943), the first person in the U.S.A. to advocate that photography should be considered a fine art, version called Ebony & Ivory (from the late 19th Century, most probably 1897), which showcased a black male with a white statuette, taken inside a studio, Wilhelm von Gloeden’s (1856-1931) Caino (1902), who brought back the nude outside to a very rocky natural surrounding, and Karel Egermeier’s work for Paysage Olympique from 1924; to name a few. As time went by the image became more and more homoerotic, even though nothing sexual is implied in the original paining. The most controversial version most probably is photographer Robert Mapplethorpe’s (1946-1989); some of whose work I came across at an exhibition in London, back in Jan-Feb 2005, I do not remember the name of the small gallery that housed the exhibition; Ajitto (1981). Ajitto, was, like most of Mapplethorpe’s works, almost bordering on pornography. The still is of a black male inside a studio, on top of a stool, with his huge genitals shown hanging loose below. It’s the only re-creation of The Flandrin Pose that showcase male genitalia, that I have come across. In the 21st century, there was Richard Taddei’s painting, Meditation (2003), an interestingly slightly abstract and distorted image, with slight pop art feel, this work feels like a postmodernist work from the 1960’s. More recently I came across a work titled Flandrin’s Skateboarder, a picture taken somewhere between 2009 and 2012, by an unnamed photographer. Which was an interesting take on the classic. Here the nude is seated atop a skateboard, kept on a bench on a terrace/roof top with a chilly industrial background with leafless trees afar. And the nude is wearing a woolly beanie on his head. A stark contrast to the sunny summer appearance of Flandrin’s original, ‘Jeune Homme Nu Assis au Bord de la Mer’.

Nuwan Sen’s Art Sense

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