Tag Archive: Photography


Quoting Lauren Bacall

I figure if I have my health, can pay the rent and I have my friends, I call it ‘content’”
– Lauren Bacall
     (1924 – 2014)

Quoting Quotes of the Brilliantly Famous. Today happens to be, the very bold n’ ballsy, Lauren Bacall’s, 94th Birth Anniversary!!!

Nuwan Sen’s Film Sense
Nuwan Sen n’ Style
Nuwan Sen (Quoting Quotes)

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Gingerella

Today is NATIONAL DOG DAY (NDD)!!!!! Why not International or WORLD DOG DAY! This year marks an extra-special Day of the Dogs, as according to the Chinese Calendar, Year , happens to be the YEAR of the DOG (狗 戌)!

PIX: The Banner Atop, with my furry friends/fur babies, from a picture taken a little while ago, today (Sunday Evening).

Above: My older dog (Born in 2014), , pictured relaxing on my bed, in my room, mid-August (15th August 2018)

Below: My younger dog (Born in ), , pictured in our front yard, in a very playful mischievous mood, last month (24th July 2018)

Nudin

Wishing all our Canine friends, around the globe, and all dog lovers, a very happy Special DOG DAY, for 2018!!!!!

Love all animals

Be kind to animals

Be humane

Nuwan Sen

There was a time when women use to raise a hem to get a him. Well not anymore (there is not much left to raise in most modern dresses, anyway). AND definitely not the dignified British Royals. But ever wonder, how their soft graceful chiffon dresses never truly fly up, a la Marilyn Monroe style, even in the windiest weather. Royal fashion tricks reveled below.

Marilyn Monroe, when her dress blew up, and ended her marriage

Back in windy Autumn of 1954, during the shoot of The Seven Year Itch (1955), actress Marilyn Monroe was filmed with her dress billowing (a very famous scene from this classic comedy, with the iconic Monroe, halter-neck, light shaded, ivory cocktail dress) at Lexington Avenue, in Manhattan, New York City (USA). This shoot lasted several hours, surrounded by around two thousand spectators, and photographers. The scene was re-shot later in a studio, and both, edited together, ended up in the movie. The jealous Joe DiMaggio, Marylin Monroe’s baseball player husband, was far from impressed. And their marriage ended. What did he expect?? He was married to a much loved actress, and that too a sultry sex-symbol of the 50’s decade. If her sex-siren image, hurt his male chauvinistic pride so much, why did he marry her in the first place?? This popular image has been recreated by many, post Monroe’s death, one of the most notable, that comes to mind is, Kelly LeBrock’s famous red satin dress, from The Woman in Red (1984).

Duke & Duchess of Cambridge: Prince William & Kate Middleton

Today I came across an unusual article, on Yahoo UK, about how the royals have managed to keep their dresses from flying high. So apparently when it comes to the younger royals, a la Kate Middleton and Meghan Markle, they use static underwear to keep their dresses in place. Yup, undergarments that help keep your dress in place. But how did royals manage to do so, in the past?????

It seems the Queen of England, Queen of United Kingdom and other Commonwealth realms, Queen Elizabeth II, wore dresses with lead curtain weights sewn into her hemlines. Of course, it depends on the fabric. If the Queen wore chiffon dresses, which she did, quite often, in summer months, a pea size lead, or a tiny lead chain, is sewn into the hems. It’s hard to say, whether the late Queen Mother (Elizabeth II’s mother), and her favourite grand-daughter-in-law, the late Princess Diana, did the same. But they sure were just as dignified, in their lifetime.

So below are some, not so Marilyn Monroe style, billowing moments, of the Royal Ladies.

Queen Elizabeth II, during a trip Down Under

Princess Diana battles through windy weather, in Italy

Prince Charles watches, as Camilla Parker Bowles pays tribute to the late Marilyn Monroe

The Queen in Trousers

Queen Elizabeth II in Trousers

Of course, the more sensible thing to wear, especially in windy weather, is a pair of trousers. It’s decent, it’s elegant, it’s fashionable, it’s comfortable, as well as practical. Of course, the queen is rarely seen in trousers, even though she wears them, a plenty.  That’s because the Queen wears trousers, casually, mostly during her private time, with family, at home, for leisure activities, sports and holidays. She is rarely seen in more formal trouser suits/pant suits, during formal functions or visits. In fact, when it comes to her formal engagements, she loves romantic vintage dresses, and loves bright colours with matching hats and coats. Nothing beats Princess Diana’s chic fashion sense, when it comes to the British royals, but the queen has her own signature style, and she is a fashionista in her own right. Apparently Kate Middleton follows suit (pun intended), and loves to wear fashionable dresses for formal engagements, than trouser suits; though casually she might be seen in all-American jeans.

Thus, the secrets to how the Royals remain fashionably dignified in bad weather, reveled.

Nuwan Sen n’ STYLE
Nuwan Sen’s Fashion Sense
Nuwan Sen’s Historical Sense

 

Quoting Quotes of the Brilliantly Famous

I hate it when people say ‘come back to earth’ or ‘stop dreaming so big,’ 
it destroys all the hope someone had for something
     – Xavier Dolan
    (Born in 1989)

Nuwan Sen’s Film Sense!!!!!

Immaterial of how accurate the facts from Sanjay Dutt’s life depicted in Sanju (2018) are, as a movie, this cinematic adaptation works flawlessly. Especially thanks to Ranbir Kapoor’s brilliant performance, as actor, Sanjay Dutt. Kapoor encompasses the essence of Dutt jr. to perfection. He feels Sanju, in every way possible, not just thanks to the prosthetics and make-up (although they do help), but the way Dutt moves, talks, his mannerisms; Kapoor manages to capture the Dutt persona, with excellence. Amazingly, Ranbir Kapoor is not a fan of method acting; denouncing great method acting skills of the likes of classic method actors, Marlon Brando, James Dean & Amitabh Bachchan to Aamir Khan & Leonardo DiCaprio (from more recent times); but Kapoor feels like he’s turned himself into one, to become Dutt, inside out.

Am generally not a great fan of Ranbir Kapoor (with his stale jokes, unfunny idiosyncrasies and a boring on-screen personality), but when he wants, he has proven himself capable of doing good roles; with movies like Barfi! (2012) – another excellent movie (a movie that almost made me a fan of Ranbir Kapoor), Bombay Velvet (2015) – an average fare (veering towards bad than good), yet Kapoor is quite good in his role, and now with Sanju (2018) – Ranbir Kapoor’s best role to date. If he follows this with similar good film choices with a good script, he’ll be going places.

Ranbir Kapoor belongs to Bollywood’s film royalty, the “Kapoor” clan. He is the fourth generation of Kapoor’s to grace the screen, along with his successful cousins, Karishma (also credited as, Karisma) & Kareena Kapoor (stars of the 90’s & noughties, respectively). Ranbir Kapoor is the great-grandson of the renowned theater & film personality, Prithviraj Kapoor, grandson of the legendary, Raj Kapoor, and son of chocolate boy hero of the 70’s & 80’s, actor, Rishi Kapoor. Ranbir Kapoor’s mother too, is a well known Bollywood actress, 70’s superstar, Neetu Singh. AND if young Kapoor comes in more movies, like Barfi! and Sanju, he’ll definitely make the family name proud. The sad thing about young Kapoor, is not that he comes in bad films, but sometimes he takes on some really really cheap roles. Box office failures are fine, critically bad movies, are fine too; but so long as he stops doing really cheap ones, even if he doesn’t have good movies to his name, at least he won’t be looked down as a lowly cheap comedian. Look at Barfi! it was mostly a comedy (an ode to great comedians like Charlie Chaplin and Donald O’Connor), but there was nothing cheap about it. So if he loves comedy, he ought to do more of it, without being cheap and tasteless. He is such a good actor, when he wants to be. AND he’s proved himself, with his portrayal of; a member of another family belonging to another Bollywood royalty, the second generation of the Dutt’s, to grace the silver screen; Sanjay Dutt (a.k.a. Sanju).

The Women in ‘Sanju’s’ Life (the reel & the real)

Manisha Koirala as Nargis Dutt

When it comes to women in Dutt jr.’s life, who best to start with, but his graceful mother; Mother India herself, Bollywood superstar of the 50’s, Nargis. Nargis, was a talented actress and a beautiful star, of classics like Andaz (1949), Awaara (1951), Deedar (1951), Shree 420 (1955) and (her most notable) Mother India (1957), to name some. It’s during the shooting of Mother India, when during an accidental fire on the set, actor Sunil Dutt (who was playing her wayward son, in the movie) ran in and rescued her. Both sustained injuries, and film was halted. Dutt was hospitalized, and Nargis nursed him to back health, and they soon fell in love. Eventually they got married, resulting in Sanjay Dutt’s existence, his controversial life, which in turn inspired a magnificent movie. If the sets of Mother India, never caught fire, during a shoot of a fire scene (both were professional actors, and neither used stunt doubles), Sunil Dutt and Nargis might never have happened (a Hindu-Muslim love story of the late 50’s), and Sanjay Dutt would never have been born. Sadly, Nargis Dutt, succumbed to cancer, and died at the young age of 51, in 1981 (less than a month away, from her 52nd Birthday).

Manish Koirala, a brilliant actress of the 90’s & early noughties (who has actually worked with actor Sanjay Dutt, as well), does an incredible role, as a middle-aged Nargis Dutt. Back in 1994, when 1942: A Love Story (1994) starring Koirala alongside Anil Kapoor, was released; there was this famous umbrella scene which was reminiscent of a scene from the song Pyar Hua, Ikrar Hua… from Shree 420, beautifully showcasing an on-screen romance between, Raj Kapoor (Ranbir Kapoor’s grandfather) and Nargis (off-screen too, Raj Kapoor and Nargis were known to be lovers, and were in a long term relationship, back in the late 40’s & early/mid-50’s, but as he was a married Hindu man, not willing to leave his wife for this beautiful Muslim actress, he was madly in love with, Nargis finally broke it off. This was before Mother India happened, and fate took a different route). The fact is, back in 1994, everyone spoke of how the Nepali born, Manisha Koirala, felt a lot like Nargis; especially thanks to that red umbrella scene, at the start of the song, Rim Jhim Rim Jhim from 1942: A Love Story. And almost 2½ decades later, we see Koirala play, an older version, of the renowned actress of 50’s Bollywood.

Manisha Koirala does not feel like Nargis in Sanju. But she essays the role with grace and elegance, and one can imagine, a middle aged Nargis being just as beautiful, kind and elegant. The few scenes with the Mother and son (a mother, who tries to hide her ailing health from the son; and a drugged out son, who witnesses his mother’s death, but is unaware of whether what happened moments before she died, was real or was he hallucinating – something Dutt jr. would regret for the rest of his life) are truly heart rending.

Manisha Koirala, herself, is a cancer survivor. She mentioned how difficult it was to relive the trauma, while playing another person, and that too such a well reputed actress, suffering through cancer.

Sonam Kapoor as Ruby

Adorable Sonam Kapoor, does a touching portrayal of Sanjay Dutt’s girlfriend of the early 80’s. In the movie, the character is fictionalized, and named Ruby. Yet, it’s obviously based on actress, Tina Munim (now Tina Ambani), who was his beautiful girlfriend, at the time. We see Ruby and her parents ridiculed and suffer, at the hands of Dutt jr., again and again. Young Dutt, is so heartless, even when Ruby’s father (a comical cameo by Boman Irani) dies, he has no feelings for Ruby’s family, but his own selfish desire to own her.

Even, when his friend convinces Ruby (as she is about to marry an NRI, as per her parents wish) that Dutt truly loves her, and she leaves her fiancé to marry Dutt jr., Sanju is way too drugged and enjoying an acid trip at home. He has sold the ‘mangalsutra’ (a necklace that an Indian groom ties on the bride’s neck, during an authentic Indian wedding ceremony) he made for her, with a Penguin (Ruby’s favourite bird), for drugs. She had been waiting for ages at the registrar’s office to get married to him (in a civil marriage). The scene where she confronts the drugged out Sanju, inquiring where her ‘mangalsutra’ is, and the drugged-out Dutt insultingly puts the toilet seat on her neck, breaks your heart. How much more can she take? She of course, comes to her senses and breaks up, but feels no animosity towards him. Did young Tina Munim really go through so much, because she loved him?? It’s hard to say, how much is fictional, how much real; but young love can be blind, blind to their partner’s faults. Kudos to her for braving up, and finally leaving him. Which Munim actually did, and she later married Anil Ambani, son of Indian business tycoon, Dhirubhai Ambani; whose life inspired the excellent epic movie, Guru (2007) starring Abhishek Bachchan and Aishwarya Rai.

The song Mein Badhiya, Tu bhi Badhiya…, from Sanju, which was originally picturized with Sonam Kapoor (and I had seen, and loved the retro 60’s/early70’s style song on Youtube), had been edited. The first bit of the song is there, but the entrance of Sonam Kapoor, driving into the studio, and consequent dance sequence, are not in the movie. The rest of the songs aren’t that entertaining. Except for “Kar Har Maidaan Fateh“, which has a deep meaning dealing with with Dutt’s victory over his drug abuse, Dutt’s surreal LSD fueled trip with “Ruby, Ruby” and the fun filled, Mein Badhiya, Tu bhi Badhiya…, the rest songs from the soundtrack are not that great or memorable, and quite unnecessary. The few classic tunes hummed by various cast members are interesting, and nostalgic.

Sonam Kapoor, happens to be one of my favourite actresses of today. Initially, I loved her as a fashionista (see my post Bollywood’s young Fashionista turns 29 today from June 2014), and since watching her brilliant role in Neerja (2016), a movie I got to see on the big screen, she’s gained more of my respect as a film artiste (also see my post TEN (Plus+2) Movies released Last Year from January 2017). Sonam Kapoor is the daughter of Anil Kapoor, star of films like Mr. India (1987), 1942: A love Story (which I spoke of earlier), and of course the Oscar winning British Film, Slumdog Millionaire (2008) – which propelled daddy Kapoor towards Hollywood fame and international appreciation.

Dia Mirza as Manyata Dutt

Dia Mirza does a decent enough role as, Manyata Dutt, Sanjay Dutt’s second official/third unofficial (explanation further down) and current wife. Dia Mirza was an Indian Beauty Queen, who went onto win the title of Miss Asia Pacific 2000. She later appeared in quite a number of Indian films, but wasn’t that great a success, besides being quite a capable actress. Even here, she doesn’t have much of a role, but she still manages to make it her own, and be noticed, as the ever supporting wife. Sanjay Dutt has two little children (twins) from his current wife (i.e. from Manyata), and an older daughter from his first marriage. Dutt was married to actress, Richa Sharma, in the late 80’s. They married in 1987, and within two years she was diagnosed with a brain tumor. Dutt and Sharma separated, apparently sometime after the diagnosis. She died in 1996, in her parents home, in the United States of America. After a major court battle, the custody of their child was handed over to the maternal grandparents (i.e. Richa Sharma’s parents). Dutt’s eldest daughter still lives with her maternal grandparents, in New York, USA. Soon Dutt was involved with model, Rhea Pillai, with whom he had a long-term relationship, who stood by his side, during his first jail stint. In fact, Rhea Pillai was his second wife, through a temple marriage (which makes her his second wife, in an unofficial/unregistered sense). But they went their separate ways/divorced in 2008. He married his third wife (officially/registered second marriage), Manyata Dutt, in 2008, itself. She has been standing by her man through thick and thin, since.

Both, his first wife, and his unofficial second wife, are missing in this bio-pic, Sanju. The movie does mention, he is a notorious womanizer, and has slept with 300 odd women, including prostitutes; but portrays him in a monogamous relationship, since his marriage to Mayanta Dutt (which might be true). Yet the film fails to even mention his first two marriages, let alone that he has an older daughter, from his first marriage. Not to mention how many illegitimate kids, he might have spawned.

Manyata Dutt, celebrated her 40th Birthday, on 22nd July 2018.

Anushka Sharma as Winnie Diaz

Anushka Sharma plays Winnie Diaz, a fictional writer, who is roped into write Sanjay Dutt’s biography. Such a person, apparently never existed. It’s through her eyes, we mostly see Dutt’s life unfold, as she does her research. Though fictional, she is an interesting addition to the movie, where she records different aspects of Dutt’s life through different interpretations, by an interesting array of people. But, it’s mostly Sanju’s character that narrates the story (flashbacks into the 80’s & 90’s), and the rest is shown in real time.

Karishma Tanna playing a slut

Karishma Tanna, plays the love interest of Kamlesh Kanhaiyalal Kapasi (Vicky Kaushal), a village idiot and Sanju’s best friend, who is still a virgin. Through jet lag, Kamlesh Kanhaiyalal Kapasi falls asleep, and Sanju (being the notorious playboy who self-admittingly has slept with over 300 women) screws Pinky, with no hang-ups whatsoever. What a jerk?? He might be a playboy, BUT at least, in this context, he ought to have though of his friend, who has been there for him throughout. Sure, the woman is a slut, herself, and has no calms of sleeping with her boyfriend’s best friend, who also happens to be an actor; but Dutt could have walked out, for the sake of his friend. What’s worse is, Dutt jr. has no conscience, he does not feel bad for his friend, for hurting his best friend. Dutt feels devoid of any feelings, in this instance.

It’s hard to say how real the character of Pinky is, but Karishma Tanna most probably portrays, any random slut, responsible for Dutt’s arousal. Yeah, the bugger is so innocent, right???

The trio of actresses playing Sanjay Dutt’s two sisters

Three virtually unknown actresses, play Dutt’s sister’s (the two daughter’s of Sunil and Nargis Dutt). In real life, Namrata and Priya Dutt played a major role in their brother, Sanjay Dutt’s life. Especially Priya Dutt, who was there supporting him, throughout his prison years, along with their father, Sunil Dutt. But the two sisters are hardly noticeable, and have practically no dialogues. Blink, and you’ll miss them.

Back in November 2010, during a visit to New Delhi, India, I came across this non-fiction book, Mr and Mrs Dutt: Memories of our Parents, written by Namrata Dutt Kumar and Priya Dutt. A wonderfully written book, about their family life, struggles and what not. A really interesting biographical read with a spread of a stunning collection of Black&White photographs (colour photographs have been printed in Black&White, for a monotonal viewing pleasure). The fact it was written by Sunil and Nargis Dutt’s daughters made me more interested in reading it, and it was truly worth it. A keepsake. Sadly, more prominence hasn’t been given to these two girls, in the movie, especially Priya Dutt.

‘Sanju’s’ Two Male Anchors

Paresh Rawal as Sunil Dutt

Paresh Rawal, plays the ever worried father, Sunil Dutt. Worried about his wife’s deteriorating health, worried about his son’s drug addiction and later jail terms. Rawal, feels nothing like Sunil Dutt, but he does a good enough role of a worried father. Any father, worried about his son’s life. He doesn’t play Sunil Dutt, but he plays a concerned father, beautifully.

As much as the movie is about Sanjay Dutt, it is also about Sunil Dutt. The great bond between a father and son, and the father’s never ending trials and tribulations for the sake of his wayward son. Sunil Dutt comes across as a saint, and in a sense he was. Both Sunil and Nargis Dutt were known for their humanity. And humanity is the religion they preached to  their kids, even though Dutt jr. didn’t adhere to their preaching.

Though we see the father going out of his way to save his son, in various instances, one crucial fact is missing. To get bail for his son, through an opposing political party ruling the state of Maharashtra, at the time, Sunil Dutt, a Congress party politician, did not contest in Mumbai’s next election. That’s just one of the things he had to forgo, for the sake of his son.

The scene where Sunil Dutt, a Hindu, mentions he was threatened by an underworld Muslim don, when he wanted to marry Nargis, a Muslim; is bogus. As Nargis was in a long-term relationship with Raj Kapoor, a Hindu, and that too a married man, long before she met Sunil Dutt. Plus, the Bombay (now Mumbai) underworld was not that powerful in the 50’s, when Sunil Dutt and Nargis got married. In fact, Haji Mastan (whom Dutt refers to in the movie), gained power only in the 60’s & 70’s. Haji Mastan’s life was inspiration behind, the Bollywood movies, Deewaar (1975) and Once Upon a Time in Mumbaai (2010).

Vicky Kaushal as Kamlesh Kanhaiyalal Kapasi

It’s hard to say, who Kamlesh Kanhaiyalal Kapasi is based on, but he is way too good a friend for Sanju. Various sorces attribute the character to be either Dutt jr.’s close friend Paresh Ghelani, or actor Kumar Gaurav. I don’t know much about this Paresh Ghelani, other than the fact that he is a close friend of Sanjay Dutt’s. So it’s hard to say, whether the fictional character played by Vicky Kaushal is based on him or not. But Kaushal’s character is definitely not based on Kumar Gaurav. True, Kumar Gaurav too is a close friend of Sanjay Dutt’s. Yet, Kamlesh Kanhaiyalal Kapasi comes across as an unsophisticated village fool, with a good heart, and genuine personality. Kumar Gaurav too might be known to have a good heart and down to earth personality, yet he was a highly sophisticated young man, and 80’s film star, and is truly a sophisticated mature gentleman, today. Gaurav, son of Rajendra Kumar (Rajendra Kumar played the other son of Nargis, and brother to Sunil Dutt, in Mother India) married Namrata Dutt in 1981 (and since then she goes as Namrata Dutt Kumar). Gaurav and Sanjay Dutt had a falling out, when Gaurav married Dutt jr.’s sister, but they regained their friendship, and Gaurav too stood by his brother-in-law, throughout his prison term. So like Sanjay Dutt’s sister’s, Gaurav doesn’t have a part in the movie, in fact he is missing altogether, more like Sanjay Dutt’s first two wives.

Though we see Dutt jr. being a good, though somewhat troublesome, friend; in real life Sanjay Dutt is known to have put several friends in trouble, to the extent of them getting arrested along with him.

The Verdict

There are lot of discrepancies in the movie, on the facts from Sanjay Dutt’s life, which has led to criticism of whitewashing Dutt’s image (after all the film was directed by Rajkumar Hirani, a close friend of Sanjay Dutt). Which could be true, as despite all his flaws, he comes out a troubled human with a good heart, whom we sympathize with. But if you had never heard of Sanjay Dutt, didn’t know anything about his life, and watch this movie; immaterial of the source material being fact or fiction; you’d love this. And that’s how a film ought to be judged. A movie should be able to stand on it’s own merit, it doesn’t matter that it’s based on a book, a play, a real-life incident, et al. No harm in doing a comparison, with your knowledge of it’s source material, but what truly matters is, how well it works as a movie. So, although mostly fictionalized, with removal of key characters and moments applicable to Dutt’s life, is a pity; overall it’s an amazingly well made movie. And I loved it.

Sanju (2018)
My Rating: Excellent – 10/10 !!!!!

I watched Sanju, on Thursday, 19th of July, 2018, at the Liberty Cinema.

Nuwan Sen’s Film Sense

The 71st Cannes Film Festival finally came to an end, last night. The Palme d’Or for Year 2018, was awarded to 万引き家族 Manbiki Kazoku (2018) a.k.a. Shoplifters, to film director, Hirokazu Kore-eda, by Jury President Cate Blanchett. Like the previous two lazed posts, for this year, let the pictures do the talking.

Palme d’Or Winner for 2018: Japanese director Hirokazu Kore-eda (seen here with Cate Blanchett)

Caméra d’Or Winner: Lukas Dhont

Grand Prix: Spike Lee (Benicio del Toro looks on, as Lee gives his speech)

Lebanese director Nadine Labaki speaks after winning the Cannes Jury Award for Capernaum (2018); as her husband, Khaled Mouzanar, and actor Gary Oldman, look on

Special Palme d’Or was awarded to the legendary Jean-Luc Godard, for Le Livre d’Image (2018) a.k.a. The Image Book
Actress Cate Blanchett seen here holding the Golden Palm

Congratulations to all the winners (including the ones not mentioned here) of the Cannes Film Festival for 2018!!!

Nuwan Sen’s Film Sense

Film Director, N. Padmakumar, standing next to a poster of his debut fictional movie, at the 21st Busan International Film Festival; in Busan, South Korea

Hari Aziz; as the name (Hindu first name & Muslim surname) itself suggests; is a mixed breed. His father is from Northern India, with Muslim roots; and his mother from South India, darker in complexion, with Hindu roots. Thus, Hari Aziz is a hybrid of a mixed race couple. Since both his intellectual parents are agnostic in nature, he has nothing to worry. They live quite a posh life, in Mumbai, India. Yet, when financial difficulties arise, we watch them getting poorer and poorer, moving into middle class housing, to even worse lower income apartments, as they descend deeper into the real India. Real, modern-day, independent India, infested with small minded archaic mentalities, extremists ideologies, thuggery and violence.

Directed by Padmakumar Narasimhamurthy, A Billion Colour Story (2016) is beautiful Indian-English language movie, shot brilliantly in Black & White, which ironically turns into colour, when the most colourful personality of this tragic tale is shot dead. I had never heard of Padmakumar Narasimhamurthy, until day before yesterday, when I watched this art movie. This is his debut feature film, he released a documentary in the summer of the same year; in the middle of the Year of the Sweets, in June 2016. A Billion Colour Story was released, later, in Autumn, that year.

With an amazing array of unknown, yet superb naturalistic acting talent, with brilliantly penned out characters, and an equally brilliant script (which too was written by Padmakumar Narasimhamurthy); this movie is a must watch. Out of all the actors, it’s the child actor, Dhruva Padmakumar; playing 11 year old, Hari Aziz, the narrator of the film; to look out for. He’s a lovely character – intelligent, very mature (in a world full of immature adults); yet shy and bashful, when a young girl, Sophia (Keya Kalyan), asks him whether he’d like to be her boyfriend. He blushes adorably. He’s a self sufficient, and trustful, kid; that his parents need not worry about. Brought up in an open-minded environment, he’s given the necessary freedom a child deserves. But of course, that doesn’t mean he is neglected. He’s showered with well endowed love and affection, and truly spoilt, to the core. No harm in spoiling him, he’s not a brat, far from it. He’s a really smart, good-hearted, kid. He knows everything there is to know about the world, thanks to his curiosity to find out about anything he hears, on his own smart phone. He doesn’t abuse the net, wasting on unnecessary hogwash, but uses his phone as it’s namesake suggests, smartly. This was Dhruva Padmakumar’s very first film appearance, and the only credited role, till date.

Vasuki, Dhruva Padmakumar and Gaurav Sharma; in a scene from A Billion Colour Story (2016)

Hari Aziz’s father, Imran Aziz (Gaurav Sharma), is lovely person. An open-minded personality, a great husband, a loving father; practically perfect. But all humans are flawed creatures, some more than others. He is a pragmatist, yet not practical. A clash of terms, let me explain. As I stated, he is a very open minded individual; not a religious person, fights against formalists – extremist attitudes, fights for justice, but is somewhat blinded by his love for his country. Despite everything going wrong, as they lose money, sink into poverty, and see inhumane attitudes, surrounded constantly with negative energy, pulling them down (it’s very hard stay afloat and positive in such a society, and I know from personal experience of having associated Sri Lankans, all over the world, and still constantly having to go through it, in this country of my own unfortunate roots, full of Lankan egos); his belief in humanity, that India is a beautiful country full of beautiful people, survives. True, India is a beautiful country; with some amazing people, but when there is so much animosity towards their inter-racial union, from both sides; he ought to have been somewhat less saintly, and a bit more intelligent. His, this, blind faith, brings about a stressful ruination of his happy life, to the extent of an imminent danger, not just to himself, but friends and family. Though am not familiar with Gaurav Sharma’s work, he seems to have starred in quite a few unheard of Hindi Films, that are critically declaimed. Yet, just because he starred in some bad movies does not necessarily mean he is a bad actor. He was superb in A Billion Colour Story; and he essayed the role of a modern man, with Muslim roots, with blind love and hope for his country, struggling to survive in a formalist, narrow-minded, society, to perfection.

Hari Aziz’s mother, Parvati Aziz (played with perfection, by a little known, South Indian actress, Vasuki); is, like her husband, yet another intelligent, modern, optimistic and very progressive individual; yet she has no blind faith in India. She loves the country, as much as her husband, but she is well aware of it’s conservative backdrop, that will never accept their interracial union, nor ever want to change for the better. She’s aware of the people’s simple minded nature, stuck in their archaic brainwashed ways, that will never learn to think for themselves. Their is no hope, and it’s not even worth trying to educate and improve such people. A total waste of time and energy. No use preaching to fools. Yet, she supports her husband unconditionally. She’s more practical than her husband. A superb wife, with a brain of her own; and the perfect mother. In this sense, the trio of family members are lucky to have each other. The perfect, free-thinking, modern family. And, they are lucky to have a great group of like minded friends. But yet, they have to deal with everyday, unnecessary stressful problems; due to self centered, inhumane people. The more they are pulled down, into living around such a cruel ignorant society; the worse life gets.

Director, Padmakumar Narasimhamurthy, seen here with his son, child actor, Dhruva Padmakumar

The family strives through heavy patience, surviving and surviving, until one day tragedy strikes. That’s when they lose all hope, and decide to leave the country (we learn earlier on that the couple met in Australia, whilst studying there). But just as they are about to leave, a ray of new hope comes there way; but at what cost. It’s too late, no matter what they do, the best thing about their life is no more; and they’d have to live with that guilt consciousness for the rest of their lives. No matter what, they’ll feel in their hearts, it was their own fault.

It’s a beautifully made, sad, heart-rending, story; told wittily through the eyes of a child. The only big flaw, was the film’s producer, Satish Kaushik’s, cameo; as a fictional film producer, named, Chopra. The scene itself, might not have been that long. YET, it drags on a bit, that it brought a “break in the continuity” of the story (a similar statement is used later in the movie); and those few minutes felt like an hour. Post that scene, the film itself felt a bit dull, for a little while (maybe due to the aftermath of that scene, making me lose interest a bit). Then it caught the pace, and moved on smoothly.

Satish Kaushik is notorious for his not so great directorial work, on Bollywood comedies and melodramas; as well as acting in them. Yet, he is a good writer, for he did co-wrote the dialogues, of one of the most notable comedies of Bollywood ever, Jaane Bhi Do Yaaro (1983); and of course he had to act in that too. And with A Billion Colour Story, he’s proved himself as a producer as well. His first (co-)production was, Mr. India (1987); a pretty good children’s film; with Anil Kapoor (an international star today), the late Sridevi (who recently died in a drowning accident), little Aftab Shivdasani (a not so well regarded Bollywood actor, as an adult star), and of course, yours truly; Satish Kaushik, as a character called “Calendar”. But he was fun in that.

Besides the stellar performances; not just by the lead trio, but also the supporting cast; including, Neha Chauhan, Swapnil Ralkar, Sumit Suri, Shashank Karmarkar and Rashmi Somvanshi (not familiar with any of them, but loved them in this film), to name some; the movie is shot spectacularly in Black and White (as I mentioned earlier). Nothing in life is Black and White, not even in a Black and White picture; there are always shades of grey. And this film itself is a great study of human psychology; the black, the white, and greys that blur the lines in between. The man responsible for the symbolic cinematography is none other than the film director, Padmakumar Narasimhamurthy, himself.

Dhruva Padmakumar, the child star of A Billion Colour Story, is the son of the film director, Padmakumar Narasimhamurthy (a.k.a. N. Padmakumar). No harm in a bit of nepotism, if they can get the job done; and Dhruva Padmakumar is a very talented young man, who does a wonderful job in the movie. With eloquent English, he narrates with pure poetry, and acts with a natural ease, making his realistic character, very relatable.

A Billion Colour Story (2016)
My Rating: Near Excellent – 9/10!!!!

N. Padmakumar’s next venture, supposedly, will be set in Sri Lanka; set against the religious and racial conflicts of this country; based on a short story by him. That would be interesting, and am really looking forward to checking it out.

I watched, A Billion Colour Story, on 2nd of May, 2018; rented on Peo TV (our Cable operator).

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NSFS

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Today happens to be, the great humanitarian, ‘s, 89th Birth Anniversary !!!!!!

Nuwan Sen’s Movie Trivia!!!!

Correct Answers to the Quiz (my previous blog-post)

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A.1

Hollywood’s Million Dollar smile: Marilyn Monroe

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A.2

Best of the Brits (with Nigerian roots): David Oyelowo

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A.3

Bollywood’s Million $Dollar smile (converted to Indian Rupees₹, of course 😀 ): Madhuri Dixit

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A.4

One of the last two great Pop Stars, of the last Century (80’s & 90’s): Michael Jackson

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A.5

Foxy Frenchwoman, an International Superstar: Marion Cotillard

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Thank you fellow Bloggers for your participation!!!

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Who am I?? Guess who these 5 super smiles/toothy grins belong to!! 😁

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Q.1

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Q.2

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Q.3

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Q.4

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Q.5

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CLUES: Take a look at the Tags below.

Answers: I shall post the Answers as another Blog Post, in a weeks time, after some of you’ve given this a try.
Enjoy

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P.S. Also see my posts Question Time # 009: Beautiful Eyes °°/Answers to Questionnaire no.9 👀 & Question # 014: Luscious Lips 💋/Answers to Questionnaire no.14 (Luscious Lips 💋) from May 2015 & March 2018; respectively!! 😁

On this Day …………

Martin Luther King jr. – Maya Angelou – Zulfikar Ali Bhutto

TWO EXECUTIONS

The Civil Rights Activist

On the evening, of 4th April, 1968; globally well know American activist, Martin Luther King Jr., was shot by James Earl Ray. King Jr. succumbed to his wounds, and died an hour after the fatal incident. He was 39 years old. Today marks the 50th Anniversary of his death!!

The People’s Leader

Educated at Berkeley and Oxford, Zulfikar Ali Bhutto, was a very prominent and progressive figure in Pakistani politics, in the 1970’s.  First as the President of Pakistan (1971 to 1973), and then as the Prime Minister of Pakistan (1973 to 1977). On the 5 of July, 1977, the military, led by General Muhammad Zia-ul-Haq, staged a coup, Operation Fair Play; relieving Prime Minister Bhutto of power. After various appeals and legal battles, Bhutto was finally sentenced to death. On 4th April 1979, 51 year old, Zulfikar Ali Bhutto was hanged to death, at Central Jail Rawalpindi. General Muhammad Zia-ul-Haq imposed Martial Law, and his military dictatorship ruled Pakistan, until his death in 1988, in a plane crash. Zulfikar Ali Bhutto’s eldest daughter, Benazir Bhutto, soon came into power, after the death of her father’s assassin; bringing an end to military rule, and in turn becoming the first woman leader of Pakistan; as well as the very first woman to head a democratic government in a Muslim majority nation. The irony is, the more modern, open-minded, progressive country of the United States of America, is yet to have a female leader. Benazir Bhutto, too was assassinated, in 2007. She was 54 years old.

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BIRTH OF A CAGED BIRD

The Poet

Maya Angelou was born on April 4th, 1928; in St. Louis, Missouri, USA. She was named Marguerite Annie Johnson. Having gone through childhood trauma, including rape and child abuse, she grew up to be a prolific poet, singer, and civil rights activist. Having published 7 autobiographies; the most well known happens to be I Know Why the Caged Bird Sings from 1969. This memoir helped increase black feminist writings in the 1970’s. She received many accolades in her lifetime, including the Presidential Medal of Freedom, 2011, which was presented by President Barack Obama. After suffering from poor health, in her old age, Maya Angelou died on the morning of May 28, 2014.

Éric Rohmer – Pareveen Babi – Roger Ebert

THREE GREAT FILM PERSONALITIES

The French Director

According to IMDB, French Film Director, Éric Rohmer, was born on the 4th of April, 1920. BUT, this is disputed by other sites, including Wikipedia’s “Rohmer” page (although if you go to other links, on Wikipedia, his birthday is listed as 4th April). But the Year is definitely, 1920. None the less, he was among the most influential directors, of French New Wave movement. Aged 89, he died on January 11, Year 2010.

Bollywood Babi69

If Parveen Babi were alive, she would’ve been 69 years old. Born into a noble Muslim family, in Junagadh, Gujarat, India; on 4th April 1949; grew up to be the quintessential heroine of 70’s Bollywood. With her minimalistic modern style (parted Babi bangs & bellbottoms) and brilliant acting talent, she captivated audiences of that era; as both a star and an intellectual actress. She was the first Bollywood star to appear on the front page of America’s Time magazine (July 1976 issue) as the modern face of Indian Cinema. But, alas, she suffered from schizophrenia, almost her entire life. Once her illness was out in the open, thanks to Mahesh Bhatt’s feminist films, Arth (1982); she left the industry (in 1983, after completing her film projects; which were released throughout the 80’s decade, keeping her fame intact) and took refuge under the patronage of U. G. Krishnamurti, and embarked on a spiritual journey. She returned in the late 80’s, by now suffering, not just from her ailments; but from deep depression as well. Soon she became a recluse. Parveen Babi died all alone, on 20th January 2005, and no body knew; until two days later. Her death, till date, is not clear as to what truly happened; police ruled out any foul play, and apparently she starved to death. She was 55 years old. Bollywood ought to have been more empathetic towards her.

The Death of a 1975 Pulitzer Prize Winner

Roger Ebert, the most prestigious American Film Critic, who was a film critic for Chicago Sun-Times, from 1967 until his death; won a  Pulitzer Prize for Criticism, in 1975. Ebert was the first Film Critic, to be awarded the Pulitzer Prize. Having lived with cancer of the thyroid and salivary glands since 2002, Aged 70, Roger Ebert, died on 4th April 2013; as he was preparing to leave the hospital.

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