Tag Archive: Pop Art


The indirect vengeance of a non-visible villain. A villain that you never see, in his negative persona, on screen. YET, a villain who manages to torment his ex-wife, through his literary brilliance.

Tom Ford’s Nocturnal Animals (2016) is a masterpiece of filmmaking. A great piece of Cinematic Literature. Brutally direct, unnerving at times, difficult to sit through, and a class apart. One of the most sophisticatedly directed Hollywood thrillers of this century. Tom Ford is the future of American Cinema.
This post is full of spoilers, after all, it’s a character analysis.  

Nocturnal Animals is about a well to do, but unsatisfied, art gallery owner, Susan Morrow (Amy Adams), who one day receives a draft of a novel, written by her ex-husband, Edward Sheffield (Jake Gyllenhaal); with whom she has had no contacts, for almost two decades. Slowly as she reads the novel, it becomes clear, the entire book is a conniving, vengeful, manipulative attack, on Susan. His revenge, for what he feels, she had done to him, in real life, all those years ago. Her guilt, her past memories, start to painfully gore into her psyche. The concept of ‘The Pen is mightier than the Sword’ stabs deep, in this unique blend of two storylines, one real (the reality set in the movie), and other fiction (the book written by the villain of the piece).

The Two Gyllenhaal’s  
Jake Gyllenhaal plays two characters, one is Edward Sheffield, the writer, the other Tony Hastings, the fictional character, penned down by Edward. Both are shown as lovely human beings, nice/kind/caring/sensitive. A loving husband; any woman would be lucky to be married to.

We see Edward, of the past, from Susan proposing to him, defending him, loving him, and marrying him. But their lives are not going anywhere. He is a struggling writer, with not much ambition in life, and an inferiority complex, of being considered weak. Although, Susan never calls him weak, and defends him, when her mother (Laura Linney) calls him thus. Yet, the fact Susan considers him sensitive in felt like an attack on his manhood. Edward’s ego can’t handle it. Worse, when she leaves him for a more dashing, classy, young gentleman, Hutton Morrow (Armie Hammer); to whom Susan is married to, in the present; that seems like the nastiest thing she has done to him. Not really though, the worse was yet to come.

Then in comparison, and contrast, to Edward, we see Tony Hastings, the fictional character, in Edward’s novel (in fact we see Gyllenhaal as Tony Hastings, before we see him as Edward Sheffield). Like Edward, Tony, is a loving husband; and a father of a teenage girl; with a kind and caring personality. Tony sets out on a trip, with wife and daughter, in tow (played by Isla Fisher & Ellie Bamber, respectively), through the dark deserted roads cutting through America. Soon they are attacked, by a gruesome group of creepy men, headed by Ray Marcus (Aaron Taylor-Johnson). We see Tony, helpless, and unable to defend his wife and kid, from these devils (the vicious villains of the novel). We see, Tony, as a normal human being, not a superhero. Ironically, a realistic portrayal of a fictional character. What follows is a tense drama.

Amy Adams, with a copy of John Currin’s Nude in Convex Mirror, hanging behind her; in a scene from the film.

Bringing out the Invisible Villain
Amy Adams is the icing on the cake. It’s through her emotional turmoil, as she reads the book, that gives birth to the real villain of this movie. It’s Adams’ character, Susan, that brings out the villain of Gyllenhaal’s character, Edward, to light. Every word, every tragedy, in the book, is a deeply cruel allegory of what Susan had done to Edward (according to Edward), in the past.

As the tension unfolds in the book, we (the spectators), along with Susan, feel the taunting tenseness of the sequence, taking place on the road. That is a very unnerving scene, as these hooligans harass the Hastings family. Aaron Taylor-Johnson is superbly shocking, as the villain in the book, Ray Marcus. But we have to remember, that he is but a fictional villain; not a real one (real as set in the movie). At the same time, the drama of the book, like the reel reality, is so engrossing, we are drawn into this parable of realism. We sit there, watching this long uncomfortable sequence, hoping the family will be sparred from these devils in human form.

As we see, a helpless Tony Hastings, not being able to help his wife and kid; after all normal human beings aren’t superhero’s, it’s a cry of Edward’s own inferiority complex, of himself being weak willed, as Edward assumed Susan felt about him. Even towards the end of the novel, Ray, calling Tony weak, is a hint, on Susan looking down on Edward (according to Edward), even though she never felt that way. And Tony proving, with a gun, he’s not weak anymore, is a metaphor of Edward proving, with his words, that he’s not weak anymore, either.

Jake Gyllenhaal, in his Edward Sheffield persona; in Nocturnal Animals (2016)

The shocking scene, where Tony finds his wife and daughter, raped, murdered, and kept in a suggestive manner in the nude; is an allegory of Susan’s secret abortion of Edward’s child, unbeknownst to him. In the present Susan has an adult daughter, Samantha Morrow (India Menuez), with her current husband, Hutton Morrow. But back then, she killed their child, worse she was accompanied by her then lover, Hutton Morrow. It’s obvious that Edward had kept a grudge, for close to two decades, because of it.

In the book, Tony has help, in the form a cop, a Good Samaritan, Bobby Andes, played by Michael Shannon (another brilliant role). But in the real world, Edward seems to have managed on his own. Edward at the same time, needn’t have gone so far, as to specifically send her the unpublished draft of his novel, titled Nocturnal Animals (a nickname he had for her, as she’s a night bird, who finds it difficult to sleep), and dedicated to her; as karma, had got her already.

Susan isn’t happily married. It is hinted that her husband is unfaithful. She is mostly alone, surrounded by material objects, living in a massive box of a stylish house. A modern day, glass, fortress, she seems to have created for herself. No real human connection. Her only child lives somewhere else. She’s succeeded in life, as a career woman, but not in happiness, not in living her life to fullest. She’s filthy rich, but not a soul near her. A rich loner, unhappy, and somewhat of a recluse. Edward’s final stab, at her, and her loneliness, is at the end of the movie. Where he agrees to meet her, at a posh restaurant; but stands her up. She ends up all alone, stood by everyone she cared for. It’s Edward’s revenge, fully accomplished.

Behind the Scenes: Amy Adams & Tom Ford, on the sets, during the making of the movie.

The Aesthetics   

Nocturnal Animals is a stylish thriller; dark, neo-noir, masterpiece; brilliantly filmed. Kudos to Tom Ford for bringing out something so unique; yet so Hitchcockian. The film is pure artistry, at it’s best. The symbolic aesthetics, the spot on imagery; the likes of, the bathtub scenes, shower scenes, the dead nude wife/sleeping nude daughter, et al; are perfectly synchronised. The entire movie, is a brilliant study of the cinematic arts. A must for all film fanatics, and it ought be taught to all film students, in film schools.

PIX: ME, with Jeff Koons’ Balloon Dog (Magenta); at Château de Versailles (a.k.a. Versailles Palace), in France (30th September 2008).

The start of the movie itself, hints on the aesthetic superiority of the film, as real life flabby nude women, are showcased in a virtual art form, at an exhibition. Also a hint on the compare and contrast of the reality and fiction, that’s to follow, in Nocturnal Animals. These massive heaving nudes, reminded me of the study of the naked monstrosity depicted in Jenny Saville paintings. Speaking of ‘’, the films itself showcases famed artworks, from more contemporary (post-post modernist) creations like, Balloon Dog by Jeff (the king of ), Nude in Convex Mirror by John Currin (pictured above), Damien Hirst’s Saint Sebastian, Exquisite Pain, an ‘Untitled’ artwork by Mark Bradford;  to past artworks from the mid/late-20th Century, like the popular, post-modernist artist, Andy Warhol’s Shadow, Joan Mitchell’s Looking for a Needle and Alexander Calder’s 23 Snowflakes; to name some. Of course, all these artistic creations play a vital symbolic role, in the movie.

Revenge an artwork by the Art Department of Nocturnal Animals & Tom Ford, is symbolic of what the storyline of the film itself happens to be. An unnoticeable revenge. A revenge, that seems innocent; but in reality is pure torture, for the person it’s indirectly been enacted on.

Besides being a critically acclaimed masterpiece and equally visually stunning, Nocturnal Animals, is an artist’s heaven, a fashionista’s must have collectable, an interior decorator’s dream décor inspiration, and a modern architect’s ornamental wonder. A special shout out to the amazing crew of the film; especially, Abel Korzeniowski, for his haunting musical score, Seamus McGarvey, for his photographic brilliance, Christopher Brown, for his art direction, Shane Valentino, for his production design, and Meg Everest, for her art décor.

With a superb cast, backing it, and pure excellence, in every cinematic element of the film, including a great storyline, and helmed by Tom Ford, Nocturnal Animals is amongst the best films, ever made. Truly, one of a kind.
My Rating: 10/10!!!!!
This post is my contribution to The Great Villain Blogathon 2017! A Blogathon hosted by Ruth of Silver ScreeningsKristina of Speakeasy and Karen of Shadows & Satin. Thank you Ruth, Kristina and Karen; for getting me involved in this blogathon. Thoroughly enjoyed being part of it.

I ended up watching this downloaded movie, twice (downloaded, ‘cause as such great films never come to cinema’s, in this aesthetically depressive country; yet it’s only just been almost a couple of months, since I first started downloading films, on the net). The first time I watched it, was last week (last Wednesday, to be more specific); which gave me the unique concept, I was hoping to find, to take part in this Blogathon; and then again, this Sunday. A special thank you, to Tom , for bringing out such a fantastic film, after all these years. Nocturnal Animals (), based on Austin Wright’s novel, Tony and Susan, is Ford’s second feature film. The first was, based on a another genius writer’s, superb novella, A Single Man, by Christopher Isherwood. This adaptation of Isherwood’s quick read, was released in 2009. Love the Ford Movie, Love the Isherwood Book. So Ford took his time, between two films, without rushing into things; and the result of which being, nothing but Excellence!!!!!  

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I was nominated for the 3Days 3Quotes Challenge by fellow blogger Akhiz Munawar, last week. A bit delayed, but here I am, finally taking up the challenge.

Audrey Hepburn  by Daniel Janda

Audrey Hepburn, Pop-Art, by Daniel Janda

THE RULES:-
The rules are pretty simple. Thank the person who nominated you. Post a Quote each day for 3 days, consecutively. And each day Nominate 3 of your fellow blog-pals, to take part in it.

My Gratitude to Akhiz Munawar
Thanks man, for thinking of me for this interestingly fun challenge. And am really sorry for the, almost, one week delay.

My QUOTE of the DAY

For attractive lips, speak words of kindness,
for lovely eyes, seek out the good in people,
for a slim figure, share your food with the hungry,
for beautiful hair, let a child run his or her fingers
through it once a day,
for poise, walk with the knowledge you’ll never walk alone.
– Audrey Hepburn
(1929-1993)

Audrey Hepburn, photographed, by Richard Avedon

Audrey Hepburn, photographed, by Richard Avedon

When Audrey Hepburn; one of the most beautiful, talented, kind-hearted & sophisticated, actresses that ever lived; was asked to share her beauty tips, she wrote something really unexpected. The above quote is a small portion of her unique advice to young girls (which can be attributed to young boys too) on how to truly be a beautiful person, both in the inside as well as outside. Audrey Hepburn besides being a talented actress, and a fashionista, with a unique sense of style, was a child war hero (during WW-II), and a philanthropist, who gave her latter life to help poverty stricken children around the globe. She was also appointed as the Goodwill ambassador for UNICEF, in 1989. A contributor to the UNICEF since 1954, she worked for the organisation from 1988, till close to her demise from cancer, in January 1993, aged 63.

My Trio of Nominations

Cindy Bruchman, a published author, historian, Navy veteran & Film Blogger
Silver Screenings (Ruth), a Classic Film Blogger
Alex Raphael, the king of quotes, his blog is full of famous quotes by Great Personalities, as well as fictional characters (from books/films et al), & a fellow Film Blogger

Nuwan Sen (Quoting Quotes of the brilliantly famous)

The Swinging Sixties
1966 Blow-UpThe 1960’s was a very unique decade, of the 20th century, when the world changed for the better. An era, thanks to which, we live in (or rather should live in) a more open minded world, with a freer lifestyle, with lesser (or rather should, with no) prejudice. An era, which brought about Equal Rights, Feminism (Women’s Lib),  The Hippies, the second (and more worldwide) phase of The Sexual Revolution (as opposed to The Sexual Revolution of the Roaring 20’s, which was limited to certain regions in the western world), Black Pride movement, Gay Pride movement, Youth Rebellions of 68’, Woodstock of 69’, Stonewall Riots of 69’, Motown Records, Rock Music, Experimentation with Psychedelic Drugs, Birth Control Pill, Popular Music, The Beatles, The British Invasion of Pop & Rock, Ravi Shankar, Elvis Presley, Andy Warhol, Pop-Art, Pink Floyd, Jimi Hendrix, Martin Luther King, Jr., Socialists, Radical political influences, 32 African countries gaining Independence, The Indian ‘Hungryalist Quartet’, China’s ‘Great Leap Forward’, The Vietnam War, The American Counterculture, The Kennedy’s, The Space Age (the world put a man on the moon), Supercomputers, Sketchpads, Spacewar (first video game), Japanese Cars, Summer of Love, Flower Power, Peace, Love and anti-war sentiments.

The beginning of the 60’s decade, and the latter part of the 60’s, were so different, as if they belonged to two terrifically different era’s. This was a period that globalisation actually took place. Added to which fashion, art and music, travelled beyond borders. The Beatles were influenced by Indian music, especially the sounds of the Sitar. Short Indian Kurta’s, Hindu beads, African Batik styles, South American Poncho’s, were loved by the Hippies. Similarly western geometric styles, and bright designs, were adapted to Asian clothing. The era was famed for, mini-skirts, of swinging London, and skin tight Salwar-Kameezes, in India (inspired by the western tight skirts). A very glamorous decade, with it’s massive bouffant hairstyles, tight clothes and short skirts. And as the decade proceeded, the hairdo’s went higher, as did the hemlines.

Bollywood superstar, Sharmila Tagore, became the first Indian actress to don a Bikini on the cover of a glossy magazine, in 1966. This was an Independence Special issue.

Bollywood superstar, Sharmila Tagore (though not the first Indian to wear a Bikini), became the first Indian actress to don a Bikini on the cover of a glossy magazine. In the Year: 1966. This was an Independence Special, issue of Filmfare (August 1966).

The modern Bikini, though invented in 1946 (prior to which slightly bigger, two piece swimsuits, baring the midriff, existed), gained popularity internationally only in the 1960’s. Prior to which, general women preferred traditional, one piece, swimwear, though a lot of glamour girls were seen in tiny Bikini’s in magazines, films, et al. Yet young men, were quite comfortable, in tiny swimming trunks. Today it’s the exact opposite.

And in Cinema: 1960’s

The invent of the Merchant Ivory Productions took place, making Indian English Language films, avec a highly international standard (started by a trio of well (western) educated friends, Ismail Merchant, James Ivory & Ruth Prawer Jhabvala). They brought something new to Indian Cinema, in the 60’s & 70’s (unlike the Western Orientalist craze for Bollywood today, and the assumption that all Indian Cinema falls under the category of Bollywood, whilst Bollywood only makes Hindi Language films (out of the 122 major languages, and many more sub-dialects, spoken in India), and is mostly associated with commercial cinema, mainly with song & dance), and a special, new-found, global admiration for mystic & spiritual India. The Hippie culture had a major influence in India and Nepal.

In the west, the 60’s, revolutionised Cinema. In Europe, Art Cinema, especially The French New Wave (La Nouvelle Vague), brought out a modernist (non-commercial, yet loved by modern intellectual youths) form of film, as never before; with François Truffaut and Jean-Luc Godard at the helm. Elsewhere, Swedish film director Ingmar Bergman, Chilean film director Alexandro Jodorowsky, Polish film directors Roman Polanski & Wojciech Jerzy, Italian film directors Michelangelo Antonioni, Federico Fellini & Pier Paolo Pasolini, Japanese film director Akira Kurosawa, and Indian film directors Satyajit Ray, Mrinal Sen & Ritwik Ghatak (all in the Bengali language) brought about their own masterpieces of Art Cinema, with an International standard, in their respective countries.

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Hollywood wasn’t far back, and Who’s Afraid of Virginia Woolf? (1966), was America’s answer to the European Art House. Directed by Mike Nichols (this was his directorial debut feature), starring Elizabeth Taylor, Richard Burton, George Segal & Sandy Dennis, and based on a play by Edward Albee, Who’s Afraid of Virginia Woolf?, is today, considered a culturally relevant, a historically noteworthy, and an aesthetically significant, masterpiece of the American Art Film.

Movies also began to break taboos of sex, nudity and violence, with controversial directors like Pier Paolo Pasolini, Federico Fellini & Bernardo Bertolucci (in Italian Films), Roger Vadim (French Films), Roger Corman (American Films) and Raj Kapoor (Bollywood – Hindi Commercial Films), to name a few. The 60’s are also remembered in conjunction with the Spaghetti Westerns, a short lived trend, begun by Italian film director, Sergio Leon.

The Year: 1966

Tunisian-born Italian actress of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

Tunisian-born, Italian actress, of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

1966 saw, the Acid Test (a series of parties, in the mid-late 60’s, centred around the use of the psychedelic drug LSD, a.k.a. Acid) take place, at the historic music venue in San Francisco, California, The Fillmore. These acid trips lasted throughout the rest of the decade. The spy-plane, SR-71 Blackbird (which had it’s first flight in 1964), started operation. Cabinet Member, Robert C. Weaver, became the first African American to hold a cabinet position in the United States. Indian Prime Minister, Indira Gandhi, was elected Prime Minister of India, making her the first, and only, woman Prime Minister, in India, to hold office till date. She was also the second longest serving Prime Minister of India. Luna 9, an unmanned spacecraft landed on the Moon, making it the first controlled rocket-assisted landing. Later same year, Luna 10, was also launched, by the Russians. The Lunar Orbiter 1, the first U.S. spacecraft to orbit the moon, was also launched, much later, that year. A head to head space race. The Australian Dollar was introduced. John Lennon made the controversial remark, that ‘The Beatles were more popular than Jesus’; which, though there were no problems when it was first published in the United Kingdom, got him into trouble with Christian communities in the United States, when it was republished in the States. The Crown Princess of the Netherlands married a German, which sparked protests against the Groom. Meanwhile demonstrations were held, across the United States, against the Vietnam War. The opening of the Parliament of the United Kingdom was televised for the very first time. Ian Brady and Myra Hindley were finally convicted, for the murder of three children, in UK. In New York, thirteen square blocks of low rise buildings were cleared for construction of the World Trade Center (Twin Towers), and groundbreaking for the construction began.

Superstar Sophia Loren on the cover of LIFE (September 1966 issue) YEAR: NINETEEN SEXTY SEX

Superstar Sophia Loren on the cover of LIFE (September 1966 issue)
YEAR: NINETEEN SEXTY SEX

Star Trek (1966-1969), a sci-fi series, made it’s television debut, in America. The Black Panther Party was founded in USA. Japan introduced the Toyota Corolla. Chinese students were chased out of the Soviet Union. The Mothman was introduced, when a couple reported that they saw a strange moth like creature, in the States. Author Truman Capote, hosted a lavish, Black & White, masquerade ball, which was credited as being the Party of the century. Jack L. Warner sold Warner Bros. to Seven Arts Productions; And Hollywood actor, Ronald Reagan, was elected, as the Governor of California.

Sadly, 1966 also saw the demise of greats, such as; famed Swiss Sculptor Alberto Giacometti, notorious American gossip columnist Hedda Hopper, iconic Silent Film-star Buster Keaton, neo-classical Italian Artist Gino Severini, American Artist & Illustrator Maxfield Parrish, British Author Evelyn Waugh, German Expressionist Film producer Erich Pommer, Hollywood method-actor Montgomery Clift, American Poet & Art Critic Frank O’Hara, French Writer & Poet André Breton, Canadian Beautician & Entrepreneur Elizabeth Arden, and Cartoonist Walt Disney (the most prominent figure of the animation industry worldwide); to name some.

Now let’s have a look at some of the films that were released in:-
1966: The Year dubbed as Nineteen Sexty Sex!!!

Hays Code was almost nearing it’s death (the dreaded censorship laws that could have, but thankfully didn’t, kill off, the cinematic arts; with it’s silly rules and regulations), and Hays (the man who implemented these rules) himself had already been dead for just over a decade. The world was going through a new found sexual revolution, as was the film industry, especially Hollywood. And the out-dated production code by William Hays, was getting impossible to enforce (which was finally, completely, abandoned in 1968).

Boeing, Boeing (1965), was a quite hilarious comedy, with Tony Curtis &  Jerry Lewis in the lead. Though released in 1965, it's film posters, hinted what the following year should be known as.

Boeing, Boeing (1965), was quite a hilarious comedy, with Tony Curtis & Jerry Lewis, in the lead. Though released in 1965, it’s film posters, hinted at, what the following year, should be known as.

In April 1966, at the 38th  Annual Academy Awards, the family entertainer, Sound of Music (1965), grabbed the ‘Best Picture’ Oscar, winning five out of it’s ten nominations. Fred Zinnemann’s, A Man for all Seasons (1966), a historical biographical movie, based on an excellent play by Robert Bolt, ended up bagging six Oscars, the following year, including for ‘Best Picture’, ‘Best Director’ and ‘Best Actor’, at the 39th Annual Academy Awards. Thus making it the best film of 1966. Love the movie, love the play. But let’s have a look at some of the movies, that defined the 60’s, and more specifically, Year: Nineteen Sexty Sex.

Blow-Up (1966), a near excellent British Film, by Italian director, Michelangelo Antonioni, is no doubt the perfect insight into the latter half of 60’s decade. Fashion, fashion photography, and sexy sizzling costumes of Swinging London, it encompasses the late 60’s to perfection. A very 60’s, Sexty Sex, film, set in the world of modern fashion, with a modern, youthful and open-minded, insight into the changing world.

Blow-Up (1966) - a movie that defined the 60's!!!!! TOP LEFT: Sarah Miles TOP RIGHT: Veruschka von Lehndorff & David Hemmings BOTTOM RIGHT: David Hemmings & Veruschka von Lehndorff  BOTTOM RIGHT: Topless/Shirtless Vanessa Redgrave & David Hemmings

Blow-Up (1966) – a movie that defined the late 60’s!!!!!
TOP LEFT: Sarah Miles
TOP RIGHT: Veruschka von Lehndorff & David Hemmings
BOTTOM LEFT: David Hemmings & Veruschka von Lehndorff
BOTTOM RIGHT: Topless/Shirtless – Vanessa Redgrave & David Hemmings

The plot deals with a fashion photographer, who one day accidentally takes shots of something, he shouldn’t have, in a park. Then a mysteriously beautiful woman walks into his life, under very suspicious circumstances. David Hemmings played the photographer, and Vanessa Redgrave, the mysterious beauty. The film also features a line of breathtakingly talented beauties, including Sarah Miles, Jane Birkin and German born fashion model, Veruschka von Lehndorff (daughter of a Prussian Count who was involved in a plot to assassinate Hitler, and thus killed for it), to name some. In addition to that, the film has some notable cameo’s by several well known personalities from 1966. Especially, worth watching out for a performance, by English Rock-Band, The Yardbirds. Hemmings’ character was inspired by the real life, Swinging London, photographer, David Bailey.

Blow-Up dared to be quite sexually provocative, especially for that era, and when it was released in the United States, it was in direct defiance with the ridiculous Hays Code. In fact, Blow-Up’s subsequent critical, and box-office, success, was a crucial cinematic-historical moment, leading to the ultimate elimination of the out-dated production code, in 1968.

Next let’s have a look at Sexty Sex’s Who’s Afraid of Virginia Woolf?, which I mentioned earlier. One of my favourite films ever, which also happens to be among my own TOP-10 all time favourite movies (See my list Why I love …. from November/December 2012 on IMDB). Love the movie. Love the Book (Play).

My favourite film of Year: Nineteen Sexty Sex

My favourite film of Year: Nineteen Sexty Sex

The film is about, a miserable middle-aged couple, who regret their life together, having not achieved all they had hoped and desired for, when young. Set within one night, the older couple invite a younger couple for drinks, and play out their disappointments, with one another, at the younger couples’ expense.

Elizabeth Taylor, who was still in her early 30’s, at the time, is successfully turned into a bitter old frumpy woman in her 50’s. Yet, this violet eyed beauty, oozes with sex appeal, and easily seduces the younger married man. Taylor’s character, Martha, not only seduces the younger man, but the audience as well, openly, in front of her weak willed husband (played by real life husband, Richard Burton). Especially, watch out for her re-entry, after she changes her clothes; as the old woman, walks into the living room, in a low-cut, deep cleavage bearing outfit; she is still a far superior sexual being, than the mousy little wife of the younger man, Nick (played by George Segal), Honey (Sandy Dennis). Showcased with a shadowy outline, suggesting a sexual act in progress, seen through a bedroom window, this is another 60’s movie, which not only revolves around sexual human relationships; the older husband & wife, the younger husband & wife (a marriage based on a “hysterical pregnancy”), and the adulterous one night stand; but their vulgar tongued bitterness, is blatantly thrown at audiences, quite unapologetically. It’s an excellent movie, meant for mature audiences. Not just mature in age, but maturity of the mind, is a necessity, to watch an intellectual movie like this. Beautifully filmed in Black & White, the film is a complete psychoanalysis of the young and the old. The 60’s dared to release a movie like Who’s Afraid of Virginia Woolf?, which surpasses time, and can be relevant in any human relationship, in any era.

Sex on the Dance Floor: Liz Taylor & George Segal

Sex on the Dance Floor: Liz Taylor & George Segal

Then there is a really seductively intimate dance number, between Taylor and Segal, which is pure sex on the dance floor. My favourite movie from Nineteen Sexty Sex, Mike Nichols’ directorial debut, Who’s Afraid of Virginia Woolf?, is a must watch, for any film buff, students of Cinema Literature, and students of Literature in the print form.

Natalie Wood was seen in two sexy releases, that year. One was the near excellent comedy, Penelope (1966), in which she plays a bored rich kleptomaniac, who robs her own husband’s bank (thus, the film/character namesake – is tagged as being, “the world’s most beautiful Bank-Robber”); and the other, a more serious, sizzling with heat, and female sexuality, movie, set in the depression era, in the Deep American South; This Property Is Condemned (1966). Another excellent masterwork of adult cinema. The latter film flaunts it’s female lead’s sexuality, thus feels more at-your-face sexual, than the comedy mentioned here. Also see my post Condemnation of a woman during the Depression era of the American south and Mai May Movies 2015 from May 2015.

Scenes from This Property is Condemned (1966)

Scenes from This Property is Condemned (1966)

Whilst the west, was coming to terms with exploring sexual topics in cinema, in the east, Indian cinema, specifically Bollywood’s commercial cinema, was starting open up topics of sex themselves. In Aakhri Khat (1966), we see a ditched beggar woman, die on the streets Bombay. Originally from Kulu district, of the state of Himachal Pradesh, she comes to Bombay, bearing child, to find the reason for her sufferings, Govind (Rajesh Khanna), a sculptor. Once the woman dies, the toddler is left on the buzy streets to fend for himself.

Directed by Chetan Anand, majority of the movie, is filmed with a hand-held camera, following a 15 month old infant, let loose in the city, taking in all the city sounds, under the cinematic direction of cinematographer, Jal Mistry. It’s an excellent movie. Am not going to go deep into the film. The implication of pre-marital sex wasn’t necessarily something new. But there is one beautiful scene, I’d like to mention. As the lost hungry child roams around the city, unaware of the death of his mother, he comes across a semi-nude statue of his mothers’, made by his father, Govind. The child at once recognises his mum, but doesn’t realise, it’s just a sculpture. The hungry crying child, is now delighted he found his mum, he feels safe, and slowly climbs it and tries to drink milk from her breast. That scene is so sad, so touching, your heart lets out. In one way there is a sense of eroticism, seeing a child trying to drink milk from a statue, but it’s also a heartrending moment in the movie. Aakhri Khat is an excellent movie, and this was superstar, Rajesh Khanna’s, very first role.

Vyjayanthimala in and as Amrapali (1966), based on the true life tragic story of a courtesan in 500 BC.

Vyjayanthimala in and as Amrapali (1966), in this historical epic, based on the true life, tragic story, of a courtesan, in 500 BC.

Bollywood actress, of southern Indian ancestry, Vyjayanthimala, appeared in two sexy roles, in 1966. One was, where she played a Princess, in Suraj (1966). An enjoyable enough movie, with beautiful songs, and an average story line. An OK venture, showcasing Vyjayanthimala’s sexy gait and bewitching beauty. But it was the historical epic, biographical movie, about a real life courtesan, Amrapali (1966), which was one of the best films she’s ever done, and encompasses her sexuality to the utmost. The concubine, mistress, of a tyrannical King, her dances, the beautiful body, is pure eroticism, and pure art. Set in 500 BC, under the rein of King Ajatashatru of Magadha empire, this is one of my favourite Bollywood films, and one of my favourite historical/Biographical epics. Amrapali was directed by Lekh Tandon.

Both these excellent Bollywood movies (Aakhri Khat & Amrapali), were selected as India’s official entry for the ‘Best Foreign Language Film’ category at the Academy Awards, but neither were selected as Oscar nominees.

Besides these Bollywood commercial films, 1966, also so the release of the Indian Art House Film, from the state of Bengal (in Bengali); Satyajit Ray’s Nayak (1966). A feminist writer, played by Sharmila Tagore, and a Bengali film star, played by Uttam Kumar, meet by chance in a train, travelling from Calcutta to New Delhi. Reluctant at first, for the feminist writer is full of contempt towards film stars, she ultimately decides to interview him. The whole movie, is a train journey, mainly set the restaurant car, where she interviews him. But the film is also a journey of understanding one another. The actor, slowly opens up, without hiding behind a façade, whilst the feminist softens her outlook towards the world of showbiz. By the end of the journey, as they part their ways, both have improved, through this journey of self-discovery, and an understanding of a non-judgemental outlook towards fellow human beings. One of my favourite Bengali movies, by one of the greatest Indian directors ever.

Cul-de-Sac 66'

Heading back to the United Kingdom, Polish director, Roman Polanski’s, Cul-de-Sac (1966), is another interesting, sexual and psychological thriller. A very weird movie dealing with sexual frustration, alienation and of-course the input of horror. A very good movie, which has all the Polanski trade-marks, seen in most of his films. Also see my post Roman Polanski & His Films from a couple of years ago.

Getting back to Hollywood, my favourite director, Alfred Hitchcock’s, Torn Curtain (1966), a movie that deals with an American physicist defecting (in pretence) onto the Iron Curtain, more specifically East Germany. Set and made, during the Cold War, and starring Julie Andrews and Paul Newman, this is not considered among the best of Hitchcockian films. Yet it’s still an excellent movie. Hitchcock was intrigued by the defection of British diplomats Guy Burgess and Donald Maclean to the Soviet Union in 1951, and thus the idea behind Torn Curtain was born.

Julie Andrews and Paul Newman in Torn Curtain (1966)

Julie Andrews and Paul Newman in Torn Curtain (1966)

The film has a very mild sex scene, with Andrews and Newman, in the beginning of the film. Yet, straight out of family entertainers like Mary Poppins (1964) and The Sound of Music, seeing Julie Andrews do a sex scene, was shocking for American audiences back then. But by the early 70’s, there were so much more, graphic, sex sequences, in movies like, A Clockwork Orange (1971), Last Tango in Paris (1972) and Don’t Look Now (1973), to name a few, that even the idea of being shocked at the sex scene in Torn Curtain was laughable. Paul Newman, also appears nude in a shower scene, but seen through a glass, the nudity isn’t that clearly visible.

Ebony Magazine covers from 1966, depicting celebs with their families.

Ebony Magazine covers from 1966, depicting celebs with their families.

1966, wasn’t all about sex, there were some beautiful non-sexual family films like, Born Free (1966), Mera Saaya (1966), How to Steal a Million (1966), Anupama (1966), Dil Diya Dard Liya (1966), A Man for all Seasons (mentioned above), for example. Yet the Audrey Hepburn movie, How to Steal a Million, can also be categorized as a  stylishly, sleek n’ sexy, movie of 1966. Other sexy films of 66’, include, Fantastic Voyage (1966), Teesri Manzil (1966), Frankie and Johnny (1966), 7 Women (1966), Love in Tokyo (1966), Teesri Kasam (1966), etc etc …

Scene from Masculin Féminin (1966)

Scene from Masculin Féminin (1966)

Then there are Sexty-Sex films I haven’t seen, but would love to, like, Un Homme et une Femme (1966), Masculin Féminin (1966), The Battle of Algiers (1966), Voyna i Mir Part-I & II (1966), Alfie (1966), Shiroi Kyotō (1966), Persona (1966), Is Paris Burning? (1966), The Face of Another (1966), Fahrenheit 451 (1966), The Sand Pebbles (1966), The Appaloosa (1966), The Russians Are Coming the Russians Are Coming (1966), The Chase (1966), Madame X (1966), Funeral in Berlin (1966), Any Wednesday (1966), Triple Cross (1966 ), Made in U.S.A (1966), Hawaii (1966), La Curée (1966), The Blue Max (1966), Sex Quartet (1966), Gambit (1966), Kenka Erejî (1966), The Trouble with Angels (1966), The Professionals (1966), Sedmikrásky (1966), Daimajin (1966), Trunk to Cairo (1966), Au Hasard Balthazar (1966), Incompreso (1966), The Deadly Affair (1966), Pearls of the Deep (1966), Harper (1966), Our Man in Marrakesh (1966), Grand Prix (1966), Khartoum (1966), O Slavnosti a Hostech (1966), Andrei Rublev (1966), Nevada Smith (1966), The Fortune Cookie (1966), Arabesque (1966), The Wild Angels (1966), Tokyo Drifter (1966), Maya (1966), Uccellacci e Uccellini (1966), Seconds (1966), The War Is Over (1966), Faraon (1966), Kaleidoscope (1966), Ah Güzel Istanbul (1966), The Poppy is also a Flower (1966), Ostre Sledované Vlaky (1966), La noire de… (1966), Mamta (1966), The Pornographers (1966), Le Deuxième Souffle (1966), Krylya (1966), The Sandwich Man (1966), Chappaqua (1966), Syskonbädd 1782 (1966), Yeh Raat phir na Aaygi (1966), A Man Called Adam (1966), Es (1966), Signore & Signori (1966), Onna no Mizûmi (1966), Apa (1966), Les Créatures (1966), Zatôichi umi o Wataru (1966), Footsteps in the Snow (1966), La Vida de Pedro Infante (1966), Kiba Ôkaminosuke (1966), The Embryo Hunts in Secret (1966), Seasons of Our Love (1966), Una Vergine per il Principe (1966), After the Fox (1966), etc etc …. and so many more.

The cover of Film Review from December 1966

The cover of Film Review from December 1966

And then there are films that I haven’t watched, that am not that crazy about, but which are sexualised films (especially using actresses, with beautiful bodies, rather than acting talent – mostly B-movies, B-Horror/B-Sci-fi films), some of which were quite famous back in 1966, and some that sound so silly they were hardly worth mentioning, and audiences back then weren’t that crazy about checking out. The likes of, One Million Years B.C. (1966), Women of the Prehistoric Planet (1966), Dracula: Prince of Darkness (1966), Once Before I Die (1966), Blood Bath (1966), Queen of Blood (1966), The Ghost in the Invisible Bikini (1966), Kill Baby, Kill (1966), Take Me Naked (1966) and Single Room Furnished (1966), to name some.

The 1960’s: One Great Decade!!!!!
The Year 1966: One Unique Year, especially for Cinema!!!!!

Veruschka and David Hemmings in Blow-Up  YEAR:1966

Veruschka and David Hemmings in Blow-Up
YEAR:1966

This post is about Sex in Film & the Sixties, and more specifically in 66’ (a.k.a. Sexty Sex); (Ironic, considering the fact, that my previous post, dealt with virginity, in Year 2015).

Meant for More Mature Audiences!!!!!
(Immature Adults – Stay Clear)

Nuwan Sen’s Film Sense
Nuwan Sen’s Historical Sense

This post, is my contribution for the Classic Movie History Project Blogathon, organised by fellow Bloggers of, Silver Screenings (Ruth), Movies Silently (Fritzi) & Once Upon a Screen (Aurora); and sponsored by Flicker Alley.
History Project  (JUNE 2015) LOGOThank you Ruth, Aurora and Fritzi for letting me be part of this interesting Blogathon. It’s five minutes to Midnight !!!!! Good Night!!!!! 🙂

Regards
Nuwan Sen

Kolkata Traffic Police use a Poster depicting The Beatles famed Abbey Road Picture, to get pedestrians to stop jaywalking, in India.

Kolkata Traffic Police use a Poster depicting The Beatles famed Abbey Road Picture, to get pedestrians to stop jaywalking, in India.

The fab four known as  were the most influential British band of the last century. Though they lasted just one decade (as a group), from 1962 to 1970, their iconic status, shall never diminish. Here’s a look at various Beatle loving artists’ creations, using techniques derived from various art movements, that existed pre, during & post, . (Also see my  #01 to #33 from March 2013 to February 2014). For this Blog-Post, I’ve incorporated my aesthetic knowledge with my love for this iconic 60’s Boy Band!!!!

RENAISSANCE ART
(Beginning in Italy, renaissance artistic styles date back to the 1200’s, a style that lasted till about mid-17th century)
Beatles RenaissanceFamous artists of this movement include, Paolo Uccello, Piero Della Francesca, Sandro Botticelli, Leonardo da Vinci, Raphael, Michelangelo, Caravaggio, Artemisia Gentileschi (the first woman to dare to become an artist, in that era, and thus condemned for it), Giovanni Bellini, Jan Van Eyck, Joos van Cleve, and many many others.

REALISM (a.k.a. NATURALISM)
(famous in the 1850’s, lasted a very short period of time)

The Beatles by Eduard Kazaryan - Kok Tobe Mountain in Almaty, Kazakhstan

The Beatles by Eduard Kazaryan – Kok Tobe Mountain in Almaty, Kazakhstan

Though Realism was a trend that was famous, during the 1850’s, the seeds of Realism, are present way back in the late 1700’s. If you see works like Francisco Goya’s Retrato de Martín Zapater from the 1790’s & The Family of Charles IV, from Year 1800, or Eugène Delacroix’s Portrait of Dr. François-Marie Desmaisons, from 1832-33, those are very realistic and somewhat dull, portraiture works of art.

Tom Murphy's The Beatles in The Liverpool Art Cafe

Tom Murphy’s The Beatles in The Liverpool Art Cafe

Some famous artists that existed during this period, included, Gustave Courbet, Théodore Géricault, Honoré Daumier, Karl Bryullov, Jean-Hippolyte Flandrin and Rosa Bonheur, to name a few. Being a successful artist of the 19th century, Rosa Bonheur represented the New Woman (a feminist ideal that emerged in the 19th century, which in turn influenced feminism of the 20th Century).

MODERN ART (a.k.a. MODERNISM)
(Late 19th & early 20th Century)
Modern Art styles that existed within the last two centuries, happen to be my favourite, after the Renaissance period. Although, I do love the Romantics and the Realist, of the 18th Century too, yet not to the same extent as the Renaissance or the Modern. There’ve been various art movements within Modern Art, from Impressionists to Surrealist. Surrealism happens to be my favourite art movement, and Salvador Dalí, my all time favourite artist, ever since I discovered him (and his work), as a teenager in the 1990’s.

Impressionism/Post-Impressionism (two avant-garde art movement)  
(Prominent during 1870’s & 1880’s)

The Beatles (Abbey Road) watercolor by Fabrizio Cassetta

The Beatles (Abbey Road) watercolour by Fabrizio Cassetta

LeRoy Neiman The Beatles Painting

LeRoy Neiman The Beatles Painting

The Beatles watercolor by Fabrizio Cassetta

The Beatles watercolour by Fabrizio Cassetta

The Beatles by Paul Meijering

The Beatles by Paul Meijering

My favourite Impressionist artists include Paul Cézanne, Pierre-Auguste Renoir, Edgar Degas, Claude Monet, Vincent Van Gogh, Paul Gauguin, Henri de Toulouse Lautrec, Camille Pissarro, Gustav Klimt, Édouard Manet, Amrita Sher-Gil, Cristóbal Rojas, Dragan Mihailovic, Alfred Munnings, Harold & Laura Knight, Florence Carter Wood, Isaak Brodsky, Eugène Delacroix, Albert Tucker, Arthur Boyd, Paul Cadmus, etc etc…. When it comes to Impressionist/Post-Impressionist artists, majority of my favourite artists, as a collective, exist from this particular period.

The Beatles watercolour (Artist Unknown)

The Beatles watercolour (Artist Unknown)

The Beatles watercolour (Artist Unknown)

The Beatles watercolour (Artist Unknown)

Art Nouveau (an avant-garde art movement)  
(1890’s to 1910’s)

John Lennon of The Beatles (Artist Unknown)

John Lennon of The Beatles (Artist Unknown)

Alphonse Mucha, Antoni Gaudí, Gustav Klimt, Jules Chéret and Henri de Toulouse-Lautrec, to name a few, were a part of the Art Nouveau movement.

The Beatles - Art Nouveau (Artist Unknown)

The Beatles – Art Nouveau (Artist Unknown)

Expressionism (an avant-garde art movement)  
(Early 20th Century)

Curt McDowell's nude Beatles

Curt McDowell’s nude Beatles

Gustave Moreau, Egon Schiele, Lucian Freud, Antoni Gaudí and Edvard Munch, were some of the famous Expressionist artists.

Ken White's nude Beatles

Ken White’s nude Beatles

Cubism (an avant-garde art movement)   
(Starting from the early 20th century, from 1910’s onwards)

Beatles Cubist (Artist Unknown)

Beatles Cubist (Artist Unknown)

Beatles Cubist (Artist Unknown)

Beatles Cubist (Artist Unknown)

The Beatles (Unknown Artist)

The Beatles (Unknown Artist)

David Adickes The Beatles

David Adickes’ The Beatles

The Beatles Monument (aprx 7000 pounds & 36 ft) in Houston, USA

The Beatles Monument (aprx 7000 pounds & 36 ft) in Houston, USA

The Beatles Monument (aprx 7000 pounds & 36 ft) LargeThe great Cubists include, Pablo Picasso, Georges Braque, Jean Metzinger, Marcel Duchamp, Juan Gris and Albert Gleizes, to name some. Henri Matisse, Henry Moore, Jackson Pollack, Amedeo Modigliani, Piet Mondrian, Sidney Nolan and M.F. Hussain, happen to be some other famous artists known for artworks involving distortion & abstract.

The Beatles (Artist Unknown)

The Beatles (Artist Unknown)

Tom Whalen's The Beatles

Tom Whalen’s The Beatles

The Four Musicians (Beatles) - This is a direct copy of The Three Musicians by Pablo Picasso

The Four Musicians (Beatles) – This is a direct copy of The Three Musicians by Pablo Picasso

Surrealism (an avant-garde art movement)   
(From the 1920’s onwards)

The Beatles (Artist Unknown)

The Beatles (Artist Unknown)

Insects Beatles - beetles artwork (Artist Unknown)

Insects (Beatles) – beetles artwork (Artist Unknown)

Beatles Surreal (Artist Unknown)

Beatles Surreal (Artist Unknown)

The Beatles painting by Daniel Janda

The Beatles painting by Daniel Janda

The Yellow Submarine by Belius

The Yellow Submarine by Belius

Surrealism – with Dreamy, Psychological, Freudian (Sigmund Freud, not Lucian Freud) & Fantastical elements – happens to be my favourite art movement ever, especially from the modernist era. Not just in art, but also in literature & cinema. As is Magical realism. Salvador Dalí, happens to be my all time favourite artist ever. Georgia O’Keeffe, Frida Kahlo, Diego Rivera, René Magritte, Terry Gilliam and Giorgio de Chirico are some other influential surrealists.

The Beatles & Elvis Presley (Artist Unknown)

The Beatles & Elvis Presley (Artist Unknown)

The Beatles by A.Pedicelli

The Beatles by A.Pedicelli

Sam Van Olffen's Beatles

Sam Van Olffen’s Beatles

The Beatles by David Ballinger

The Beatles by David Ballinger

POST-MODERNISM
(The 1950’s, 60’,70’s & early 80’s)
The most popular art form during Post-modernist era, no doubt was Pop Art styles of Andy Warhol, Roy Lichtenstein, Martin Sharp, Richard Avedon, George Segal, Tom Wesselmann, Wayne Thiebaud et al. Other post modernists artists include Harold Stevenson, Duane Hanson, David Salle, Claes Oldenburg, Susan Rothenberg, Robert Moskowitz, Wes Wilson, Pablo Amaringo, Yoko Ono, David Vaughan, Robert Mapplethorpe, Jörn Pfab and Brett Whiteley, to name some greats.

The Beatles sculpture by Jörn Pfab (1970) in Hamburg, Germany

The Beatles sculpture by Jörn Pfab (1970) in Hamburg, Germany

David Wynne in 1964 with his sculpture of The Beatles

David Wynne in 1964 with his sculpture of The Beatles

Terry McGunigle and Joe Forrest  created the 8x16ft  Mount Fab Four

Terry McGunigle and Joe Forrest created the 8x16ft Mount Fab Four

Spirit of The Beatles by Kris Atkinson

Spirit of The Beatles by Kris Atkinson

The Beatles (Artist Unknown)

The Beatles (Artist Unknown)

The Beatles by Hector Monroy

The Beatles by Hector Monroy

Pop Art (an avant-garde art movement)  
(from the mid-1950’s to the early 80’s)

Richard Avedon's The Beatles

Richard Avedon’s The Beatles
from 1967

Los Beatles (Artist Unknown)

Los Beatles (Artist Unknown)

With it’s psychedelic hues and acid painting techniques, Pop Art happens to be my favourite Post-Modernist medium.

Beatles - Beetles on Abbey-Road (Artist Unknown)

Beatles – Beetles on Abbey-Road (Artist Unknown)

ART AFTER POST-MODERNISM (a.k.a. POST-POST-MODERNISM)
(Emerging towards the end of 1980’s decade, and into the 21st century)

The latest trends of art (from the late 80’s onwards), includes the deconstructive styles of Blobism (or Bloberism), an architectural movement, inspired by the 50’s, Sci-fi, B-movie, The Blob (1958), starring Steve McQueen, in his first leading role. Architect Frank Gehry happens to one of the most well known faces behind, the amoeba shaped building designs, known as, Bloberism.

The Beatles - Poultry chicken wire by Ivan Lovatt

The Beatles – Poultry chicken wire by Ivan Lovatt

Yet, one of the latest trends in art today, is the Re-use of Refuse, using all kinds of waste material, letting nothing go to waste, including bodily fluids.

The Beatles rubber soul by Darin Shock

The Beatles rubber soul by Darin Shock

The Beatles by Jeff Zuck

The Beatles by Jeff Zuck

Artists involved with this Post-Post-Modernism movement include Tracey Emin, Damien Hirst, Bill Viola, Shilpa Gupta, Mathew Barney, Chris Ofili, Wang Guangyi, Yukinori Yanagi, Andres Serrano, The Chapman Brothers, Félix González-Torres, Takashi Murakami, Jeff Koons, Renée Cox, David Osagie, Alexander Kosolapov, Koya Abe, Maurice Heerdink, Ruben Ortiz-Torres, Elizabeth Peyton, David LaChapelle, Sebastian Horsley, Chris Dyer and Jenny Saville.

Nuwan Sen’s Art Sense
Nuwan Sen n’ The Beatles
Nuwan Sen’s Music Sense  

One Lovely Blog Award

I’ve been nominated for the One Lovely Blog Award by the blogger who goes as, A Guy without Boxers, a nudist, named Roger, with a very picturesquely risqué blog. I was nominated early last month (3rd November 2014), when I wasn’t here in SL, but travelling Down Under. So congrats Roger, and thank you for nominating me & my blog, No Nonsense with Nuwan Sen.
One Lovely Blog AwardLike any Blog Award in general, the recipient has to meet certain requirements, and here they are :-

1. Thank the person who nominated you, and post the award Logo. DONE (above).

2. Share seven facts about yourself.

(I) I am a born film buff. My first word as a baby most probably was ‘movies’, not ‘mamma’ like normal babies.
(II) I am an artist as well (Oil Paintings mainly) where too the concepts are mostly based on Cinema. I consider myself as an artiste with an ‘e’, due to my artistic nature in general.
(III) I love to read and write. Currently reading Ben Okri’s The Age of Magic, and am constantly writing.
(IV) I am still a virgin, partially by my own choice, as I’ve never had the desire to jump into bed with just anyone, to please other people, and yet never had the luck to be with the one I want to.
(V) I was born in New Delhi, India, to Sri Lankan parents, and having studied at the British School, in Delhi; Stafford International, in Colombo; University of Delhi, in Delhi; University of Luton, in Luton, UK; College of Fine Arts, at the University of New South Wales, in Sydney, Australia; and having lived in six countries, in three continents, and travelled around those three continents; I consider myself ‘International’, a citizen of the world, I go beyond borders.
(VI) English is my first language, as I studied in English all my life, and my brain works in English. Though my mother tongue is Sinhala.
(VII) Paris is my favourite city in the world, from the cities I’ve lived in, and the Country of Switzerland as a whole, and watery city of Venice, are my two favourite places, from the places I’ve visited.
DONE

3. Nominate 15 bloggers for the award and inform them of their nomination.

Through my previous experiences, am aware that many of my bloggers don’t like to continue this chain. And it doesn’t really feel right to just nominate a few. So I shall be kind enough to bend the rules for you here, as I did once before for The Liebster Award. Thus I nominate all my fellow Bloggers, who visit my blog and wish to continue this chain.
DONE

So wish you all the best, and thank you Roger for specifically nominating me, and again sorry for the delay on working on this post.

Cheers
Nuwan Sen

Sydney Suburbs and the way back

At a Shopping Mall (L-R) Loku, Mum, Me & Pam Achchi (My Great Aunt)

Coffee At a Shopping Mall
(L-R) Loku, Mum, Me & Pam Achchi (My Great Aunt)

Continuing towards the end of our holiday in Oz.
On Thursday the 13th, initially I kept it as my day, to travel into the city (Sydney), check out the Art Exhibition ‘Pop to Popism’; featuring some works of the greatest post-modernist artists ever such as Andy Warhol, Roy Lichtenstein, David Hockney, Martin Sharp, Brett Whiteley et al, at the Art Gallery of NSW; and to meet some of my friends from (COFA, UNSW) University days who are still residing Down Under (including Aussies). I had it all planned out, with my busy old friends to meet at various times that day. Then came another good news, the day before, that Pam Achchi (my Great Aunt, my mother’s aunt, Loku’s mother), whose nursing home was under quarantine all this time (see my post Holidaying in Australia (NSW)), though not lifted, she was allowed to go out. So, as I really wanted to see her too, Loku (my mother’s first cousin), mum & I, visited her in Blacktown (a far suburb of Sydney). Thus I changed my plans to leave for the city after having lunch with Pam Achchi & co. But plans never really work out the way you want. We got delayed getting to the nursing home, and then lunch. Some of my friends had dropped out, due to other prior engagements. So ultimately I ditched the rest of my poor friends for my great aunt, as it was absurd going all the way from Blacktown to the city (which could take more than hour by train) and from the city to the Art Gallery, and then to the rest of the places. When I called them up, they were really disappointed. Only other option now left was for them to come to Airport the next afternoon. Anyway, at least we got to speak to each other on the phone. That was a good thing. Some thing’s better than nothing. We even spoke the next day, just as my flight was about to take off.

On the way to Blacktown, we came upon a DELHI ROAD (named after by birth city ;)  )

On the way to Blacktown, we came upon a DELHI ROAD (named after my birth city 😉 )

All the films (DVD) and a few books, I bought in Australia.

All the films (DVD’s) and three books, I bought in Australia.

Thus, after a quick lunch, in lieu of the city, ditching my peers, I went to a nearby shopping complex, with the trio of old ladies 😉 (pictured right at the top). As per my luck turned out, there was a DVD sale there. I had already bought a few DVD film’s in Adelaide, and later in Chatswood (a suburb in Sydney’s Northshore), but I went crazy here, and bought around 15 films. Altogether, by the time I reached SL, I had 26 DVD’s with me. It was a day well spent.

Dropping off Pam Achchi Mum with Pam Achchi, at the Nursing home.

Dropping off Pam Achchi
Mum with Pam Achchi, at the Nursing home.

After dropping off Pam Achchi at her nursing home, we went back to Loku’s home, and that evening Carlo (my father’s first cousin) picked us up, and we went to his place for dinner. T’was nice to see his Chinese wife, Chin Chin, after such a long time.

At Loku’s, in Castle Cove, same evening (L to R) Carlo, Mum & Loku

At Loku’s, in Castle Cove, same evening
(L to R) Carlo, Mum & Loku

At Carlo & Chin Chin’s Mum with Carlo, Chin Chin and their twin daughters.

At Carlo & Chin Chin’s
Mum with Carlo, Chin Chin and their twin daughters.

Next morning, 14th November, 2014, packing, and cleaning up, like crazy. Late morning, close to noon, Dennis (Loku’s husband) and I went for some last minute shopping at Westfield in Chatswood. I ended up buying a few more movies.

Dennis & Loku, with Mum; when they dropped us at the Sydney Kingsford Airport.

Dennis & Loku, with Mum; when they dropped us at the Sydney Kingsford Airport.

Thus came an end to our Australian tour. After a quick lunch, we headed to Sydney’s Kingsford Airport. On the Qantas flight from Sydney to Singapore, I finally watched Magic in the Moonlight (2014), a Woody Allen comedy.

In Transit At the Singapore Changi International Airport

In Transit
At the Singapore Changi International Airport

At the Singapore (Changi International) Airport, Duty Free, I just casually asked at a chocolate stall, whether they had any Neuhaus chocolates, and Voilà!!! they did. It’s been my favourite chocolate, since I tasted Neuhaus chocolates, in Belgium, in 2003, pushing down Ferrero Rocher, my favourite since my early teenage years, to second place. It’s been almost a decade, since I last tasted Neuhaus. I had to buy it. It didn’t last a week though. Anyway, on the Emirates flight from Singapore to Colombo, I watched The Two Faces of January (2014), a movie based on a Patricia Highsmith novel. I didn’t touch Ben Okri’s The Age of Magic during these two flights, and haven’t touched it since my flight from Adelaide to Sydney on the 8th of November (see my post Holidaying in South Australia). I ought to get back to reading Ben Okri. We reached Sri Lanka, on 15th early morning, at 1:40 am. My father came the next day. My sister and her husband on the 19th of November, 2014.

Thus ended our Australian tour.

Nuwan Sen n’ Travel
Nuwan Sen’s Travel Sense

P.S. THIS ALSO HAPPENS TO BE MY 200th POST!!!!!

Adelaide & Hahndorf

Cowboy Down Under Hahndorf, Australia

Cowboy Down Under
Hahndorf, Australia

On the 2nd of November, 2014, afternoon, I left Colombo, along with my mother, sister and brother-in-law (my sister’s husband), for a trip to Australia. We flew in a well spacious Emirates (code-share with Qantas) flight, to Singapore, and from Singapore in a congested Qantas Flight (with good enough service though) to Sydney, and from Sydney in a, comparatively better, domestic, Qantas flight to Adelaide. Thus, after almost two days of travel, we arrived in Adelaide on the evening of 3rd November, 2014. I was half dead, by the time we reached Franklin Central Apartments (where we had rented an apartment for the duration of our stay in Adelaide) in the city centre, after all I hadn’t had a wink of sleep in the three flights to Adelaide from Colombo.

It was nice to be back in Australia after 6½ years, though it was my first time in Adelaide. Back when I was living in Sydney (New South Wales), between June 2006 and June 2008, I had covered most of the Australian Eastern coast, from The Great Barrier Reef, Cape Tribulation, Cairns, Kuranda, Townsville, Magnetic Island et al up North East (Queensland), to Melbourne (Victoria) and the Great Ocean Road tour through Bells Beach, The Grotto up to see The Twelve Apostles, South East. But this was my first time in the state of South Australia. And I’ve never ventured towards the Western territory of Aussie land till date. Plus, this was also the first time I travelled down under with my family. My sister and father, had visited Australia (Sydney), back in September-October 2011, but this was the first time for my mum and my sister’s husband. And the first time for all of us in Adelaide (SA).

On the Emirates Flight I watched most of Boyhood (2014), and latter part of it in the Qantas Flight to Sydney. I mostly read Ben Okri’s The Age of Magic in the flight to Sydney, a book I bought at the Singapore (Changi International) Airport, whilst on transit. Coincidentally, it was a novel related to travel. A philosophical look at a train journey from Paris, France to Basel, in Switzerland. I couldn’t complete it though. In the third flight (Sydney to Adelaide), I tried to watch Magic in the Moonlight (2014), a Woody Allen flick, which I switched off, as I was too tired.

On 4th morning, though still a bit tired, I started to feel better, and we headed off to Hahndorf. An old German town, founded in 1838, by Captain Dirk Hahn, in the suburbs of Adelaide. Hahndorf literally means Hahn’s Town. I fell in love with the small European Town, and it’s friendly atmosphere. We walked around the streets, had a great lunch at ‘The Hahndorf Inn’. I even had some beer. Being a person who doesn’t enjoy drinking, especially alcohol, it was a pretty big deal. The last time I had any alcohol was six years ago. So it’s that rare I’d taste alcohol. I am not anti-alcohol, I just don’t enjoy drinking, I never did. Otherwise I have a sweet tooth and love desserts, and most of the ones I love have alcohol in them. Thus it’s not for any moral or religious reason that I don’t drink, but simply ‘cause I don’t like to. Beer even less so, as I generally give more preference to sophisticated liquor, like wine, cherry, champagne, and chocolate based liqueurs. But I can’t go to a German inspired habitation and expect to taste classy drinks and not taste their Beer. Otherwise, in lieu of beer, I ought to taste nothing at all. Along with the Beer we had a great pork based meat platter. The three of us really enjoyed it, and my vegetarian mother, enjoyed her Pretzel Bread appetiser.

Strawberry Fields, Hahndorf, Australia.  (L-R) My Sister, My Mum, My Sister’s  Husband.

Strawberry Fields, Hahndorf, Australia.
(L-R) My Sister, My Mum, My Sister’s Husband. PIX: Nuwan Sen

The highlights of Hahndorf, were being able to see a Museum related to Sir Hans Heysen (a German born, Australian, pastoral artist, that I wasn’t that well aware of) at the Heritage Museum & Art Gallery (which was also the information centre for the town), and of course the strawberry picking. My mum, did the most picking, and I the least 🙂 . Hey, I was busy taking pictures of the beatific strawberry fields, not that I didn’t pick any strawberries, I just picked comparatively very little, while she filled up a whole box. Of course my sister did the second best, but I doubt her husband did much picking either. I saw him ordering everyone around more and less picking. Ha!! None the less we did have fun. Next day Mum & I went to the shops, at Rundle Mall. That evening my father joined us in Adelaide. He left SL, two days after we did.

With Matthew Flinders, in Adelaide, Australia.

With Matthew Flinders, in Adelaide, Australia.

On the 6th, it was my day, my lone day. Thus the lone wolf, scavenged through Adelaide, towards ‘The Art Gallery of South Australia’. On the way I saw some interesting sculptures/statues/busts of famed people, including Mary Lee; a 19th century, Irish-Australian, social reformer and a feminist of the suffragist movement of South Australia; and Matthew Flinders (pictured above), English navigator and cartographer, the first person to circumnavigate Australia and identify it as a continent. The art gallery wasn’t that massive, and housed very little amount of works, compared to many a galleries I’ve visited in Europe, Asia and Australia itself. There were very few famed Australian artists, the likes of Grace Crowley, Sidney Nolan and Martin Sharp. But one of my favourite Australian Artists, Brett Whitely (see my post Beatle News #8 …& Brett Whiteley), was missing. Of course I’ve seen some of his works earlier, at ‘The Art Gallery of New South Wales’, in Sydney, when I use to live there (2006-2008). And I had seen a Sidney Nolan Exhibition, in early 2008, at ‘The Art Gallery of NSW’, as well. But I wished more Ozzie artists were hung at ‘The Art Gallery of South Australia’, as well. They did have some European works too, including Impressionist artist, Camille Pissarro, whose works I had seen at the Museé d’Orsay in Paris, France, when I lived there back in 2008-2009. There was also an interesting exhibition of etchings by G.B. Piranesi. Plus a post-post modernism exhibition by recent artists, using cut glass and lighting. Post the Art Gallery I checked out the ‘University of Adelaide’ and visited the ‘South Australian Museum’ briefly. All in proximity to each other. Along all these walks I met some really interesting people to talk to, which I hardly get out here. After the Museum closed I headed back to the Rundle Mall, and shopped for some books at Dymocks , and then headed to the cinema. Palace Cinema. And ended up watching Fury (2014), starring Brad Pitt and Logan Lerman. After the movie, it was late night, I walked back, met some French and German Rickshaw wallah’s. Had a nice chat with them as well. T’was a nice long day, by myself.

Cowboy in a Rickshaw With a German Rickshaw wallah

Cowboy in a Rickshaw
With a German Rickshaw wallah

On the 7th was my sisters MBA graduation ceremony (from the Australian Institute of Business), the main reason we went Down Under, in the first place. The Ceremony took place at the Adelaide Town Hall, and there was formal dinner post that at the Gallery on Waymouth. My sister did her degree in Colombo from AIB, but she had her post-graduation ceremony down there. Gallery on Waymouth was an interesting, purposely Kitsch style, Art Gallery style, café, with a Graffiti wall at the side entrance. Inside, I loved a couple of works inspired by Andy Warhol and an old Australian Matchbox cover, by an unknown artist, bringing Pop Art to the 21st century and giving it an Oz twist.

MBA Graduation Ceremony @ Adelaide Town Hall (Left to Right) Me (Nuwan Sen), My Dad, My Mum, The Post Graduate (My Baby Sister - Sachinta), The Chairman of AIB (Prof. Selva Abraham), and Sachinta's husband (Umesh).

MBA Graduation Ceremony @ Adelaide Town Hall
(Left to Right) Me (Nuwan Sen), My Dad, My Mum, The Post Graduate (My Baby Sister – Sachinta), The Chairman of AIB (Prof. Selva Abraham), and Sachinta’s husband (Umesh).

On the 8th of November, 2014, we left Adelaide for Sydney. On this Qantas flight, I was planning to check out Magic in the Moonlight (2014), which I couldn’t on the way to Adelaide. But this Qantas flight didn’t have any screens per seat. Thus I lounged back in my chair and got back into reading Ben Okri’s The Age of Magic.

Nuwan Sen n’ Travel