Tag Archive: Spy thriller


Go Gay: A Pride Month Special
Celebrate Pride (One Year)

One year ago, today, on the 26th of June, 2015, the Supreme Court of the United States of America, legalised same-sex marriage, nationwide!!! This was not just a big win for America, but the world. Even though, Canada, was the first country, outside Europe, to legalise same-sex marriage; and besides Europe, being more tolerant, and open-minded, than anywhere in the world (Netherland was, not just the first European country, but the first country, in the world, to legally recognise, same-sex union); this win in the United States, marked a historic moment, for the entire world. One small step for America, a giant leap for the future of the world (with apologies to Neil Armstrong). Today, Asia, is the only continent, where, not a single country, allows, same-sex unions (although Israel accepts same-sex marriages performed overseas, and in India & Nepal, it’s not explicitly prohibited). In most countries, in Asia and Africa, homosexuality, is a still a criminal offence (including here, in Sri Lanka).

So, to celebrate the very 1st anniversary, of the American Supreme Court’s ruling, of the Obergefell v. Hodges trial; in favour of gay-marriage; I’ve decided to do a blog-post, on the top most (my personal favourite) gay-teamed, Feature Films of The Big Screen! Only movies, where, either the central theme, revolves around a homosexual character, or the main plot, of the movie, deals with sexuality itself, are included here. So here they are, the crème de la crème:-

COOL CLASSICS – That Dared!!!

Rope (1948)
An Alfred Hitchcock classic!! Hitchcock’s very first film made in colour; is loosely based on the notorious ‘Leopold & Loeb’ case of 1924. This is oldest movie I’ve seen, that dared to showcase, a homosexual couple. Even though in negative sense. Not that their sexuality is portrayed negatively, but the fact that the gay couple, also happen to be a couple of murders, is what makes them being a gay couple, more acceptable, during that time period. This was during a height of the dreaded Hays Code. Yet, thanks to the sophistication of Hitchcock’s direction, the movie doesn’t directly state the couple of guys, living together, are a gay couple; but it’s obvious to critical eye, what Hitchcock is implying. Besides, Nathan Leopold and Richard Loeb, were a gay couple, on whom, the two “roommates” of the movie, are based on.

None the less, Rope, is an excellent, suspenseful, thriller, that doesn’t discuss their sexuality, but rather the murder, the couple commits. The two men in question, strangle their former classmate, just to prove their superiority of intellect, by murdering an inferior human being. To the two, psychologically disturbed lovers, this ‘Perfect Murder’, is a true work of art, of geniuses.

Starring James Stewart, Farley Granger, John Dall and Joan Chandler; this is a must see, especially, for any fan of Hitchcock’s. Rope is specifically notable for taking place in real time, plus the brilliant editing, that makes it appear as if the whole movie was shot in a single continuous shot. This was achieved by the use of really long takes. No close ‘cuts’!!! Excellent piece of Hitchcockian drama.

Am glad, my all time favourite director, dared to bring out something, that was still a taboo, without any trepidation. Yet, do it in such a way, as to get away from the censors. Hitchcock was no doubt, a clever genius!!!!!

TOP: Farley Granger, Dick Hogan and John Dall; in Alfred Hitchcock’s Rope (1948) BELLOW: Shirley MacLaine and Audrey Hepburn; in William Wyler’s The Children’s Hour (1961)

TOP: Farley Granger, Dick Hogan and John Dall; in Alfred Hitchcock’s Rope (1948)
BELOW: Shirley MacLaine and Audrey Hepburn; in William Wyler’s The Children’s Hour (1961)

The Children’s Hour (1961)
A very bold movie to come out in the early 60’s. The issue of lesbianism, dealt so sophisticatedly, at a time, before the hippies and the sexual revolution, were yet to take place, changing the mind set of society for the better. And the best part is, my all time favourite star of class, plays the lead in it. Audrey Hepburn, who else.

Directed by William Wyler, and starring Audrey Hepburn and Shirley MacLaine, as two school teachers, at a girls hostel run by them; the movie is a about a child that cries wolf; and who accuses the two teachers of being a lesbian couple. This is a shocking story, of how one child’s, nasty lie, ruins, the lives of the teachers, who are ultimately left with nothing. What’s more surprising, is towards the end, when it is revealed that one of the teachers, is actually a lesbian, who’s had to repress her feelings towards the other teacher; afraid of how she’d react. The movie ends in a tragic note. It’s a touching, and a beautifully made movie, that dared to bring out such a tender issue, when the world was still not open enough to accept homosexuality, that too on Hollywood’s celluloid.

Kudos to director, William Wyler, for bringing out such a bold gem like, The Children’s Hour, back in the beginning of the 60’s decade. Wyler directed some marvellously enjoyable fare, back in the day; the likes of, Wuthering Heights (1939), Roman Holiday (1953), Ben-Hur (1959), How to Steal a Million (1966) and Funny Girl (1968); to name some.

Ludwig (1972)
A Luchino Visconti masterpiece, on the life of King Ludwig-II of Bavaria. A brilliant Historical film, about a tragic King, who suffered due to his sexual repression (he was gay), and thus plunged into insanity. The question of his clinical insanity remains unresolved, till date.

Helmut Berger, perfectly, essayed this role, with ease, of the mad King of Bavaria. Romy Schneider, reprised her role of Empress Elisabeth of Austria, which she earlier starred as, in Austria’s, Sissi, trilogy (1955, 1956 & 1957). Also see my post Sissi : 115th Death Anniversary of Empress Elisabeth of Austria from September 2013.

Directed by, Italy’s, Luchino Visconti, Ludwig, has an interesting array of International stars, including, Trevor Howard, Silvana Mangano, Nora Ricci, Helmut Griem, John Moulder-Brown, Sonia Petrovna and Adriana Asti; to name some. A must watch, for any Film/History Buff.

Cabaret (1972)
This is a really good, beautiful n’ camp, musical. Based on segments; especially the segment on ‘Sally Bowles’; of Christopher Isherwood’s, famed Berlin diaries, that he novelised into, Goodbye to Berlin. Love the movie, love the book; enjoyed the book more, of course.

By the 70’s, homosexuality was out in the open; with quite a few campy movies being released. Thus, the trio of leads, Michael York, Liza Minnelli and Helmut Griem, playing gay/bisexual characters, would have been pretty acceptable, by then. The movie is set, in a sleazy night club, in 1930’s Berlin, Germany; as the Nazi Party rises to power around them.

Since many a true movie buffs, most probably have watched Cabaret, and loved it, it’s the novel, Goodbye to Berlin, that I’d highly recommend. It’s really worth a read. In fact, I just read it last year, around this time (June 2015); although, I actually bought it, during my trip down under, back in November 2014.

Victor/Victoria (1982)
From one campy musical, to another; this time, starring the singing and dramatic sensation, Julie Andrews. Andrews plays a woman, who in a guise of a man, performs on stage, as a woman. So basically, she plays a woman, who pretends to be man, in feminine drag. It’s a hilarious musical, again set in the underground gay clubs, this time, of 1930’s Paris, France. James Garner plays the confused millionaire; and owner of multiple clubs in Chicago, USA; who falls in love with her, even though he is straight. Confused, as to why he is in love with her; ’cause he is made to believe this is a gay man, performing dressed as a woman, on stage.

Last of the great musicals, of the last century. Since I have this on tape (old video cassette), I’ve watched it a few times. But still, the last time I saw this movie was, most probably, close to a decade ago. An exceptional musical, directed by Blake Edwards; Julie Andrews’ husband.

Another Country (1984)
This movie is based on a true story, about a Cambridge spy, that defected to the communist east; i.e. Soviet Russia (USSR). With a stellar cast, including, Rupert Everett, Colin Firth and Cary Elwes, this is a brilliant British bio-pic, on a disillusioned member of the ‘Cambridge Five’ spy ring, Guy Burgess.

The BBC mini-series Cambridge Spies (2003), too was based on the actual Cambridge Spies, of the 1930’s. Both, this movie, and the mini-series, are exceptional. A must see for any Modern History Buff!!
Maurice (1987)Maurice (1987)
A movie about repressed homosexuals, set in the Edwardian England. This masterpiece of Heritage cinema, a Merchant/Ivory production, is among the greatest British films ever made. Love this movie, based on E.M. Forster’s controversial novel. This is one rare gay-themed classic, that shows a happy ending, with hope, for a young gay couple, that too, in a very constricted era.

Starring James Wilby, Rupert Graves and Hugh Grant; this, Merchant/Ivory piece of British Brilliance, is a must watch for any film, and literature, buff.

The Last Emperor (1987)
Based on the life of Emperor, Henry Pu Yi; the last of the Emperors of China (the final ruler of the Qing dynasty), and his brief rein, within the walls, of the Forbidden City; this is an extraordinary bio-pic, by director, Bernardo Bertolucci. The film won 9 Oscars, including one for ‘Best Picture’.

Pu Yi’s two depressed wives, are shown to have a sexual affair of their own. So not out an out a lesbian film, yet it’s a classic that dared to show two women’s affection for each other, quite openly. An excellent masterpiece, of movie making.

THE NINETIES & NOUGHTIES – Still risking it!!
By the 1990’s there were quite a few, good, gay-themed, movies coming out of the celluloid closet, and onto the big screen. But the 21st century cinema, has been pretty marvellous, for the amount of, excellent, gay-themed films, that have got recognition around the globe. More than ever before.

My Own Private Idaho (1991)
Based on William Shakespeare play, Henry IV, the movie is about a pair of hustlers, played by River Phoenix and Keanu Reeves. Directed by Gus Van Sant, this movie also happens to be an interesting road movie, taking the young men on a journey of self-discovery; and a brilliant flick, focusing on, male prostitution.

Swoon (1992)
This excellent movie, made in black & White, is based on the actual gay lovers, of the roaring 20’s; Richard Loeb and Nathan Leopold Jr., who kidnapped and murdered a child. Another superb flick.

Ironic, that Alfred Hitchcock’s Rope (I’ve spoken about, above); which was loosely based on this very same criminal act, executed by these lovers; was made in colour; and this 90’s, more direct approach; was filmed in Black & White. I spoke about this movie, once earlier. See my post ~Famed Female Cinematographer turns 55 today from July 2014.

Fresa y Chocolate (1993)
Known as Strawberry and Chocolate, in English, this Spanish language, Cuban, film; is a very political movie about a gay communist, who falls for a young heterosexual man. A coming-of-age story, told via a close, gay/straight, friendship. Beautiful, touching, and pure excellence.

Fresa y Chocolate, stars Jorge Perugorría, Vladimir Cruz, and the film direction, happens to be a joint collaboration, by Tomás Gutiérrez Alea and Juan Carlos Tabío.
Priest (1994)Priest (1994)
A superb British film, starring Linus Roache, as a catholic priest torn between his faith and sexuality. The film also stars, Tom Wilkinson and Robert Carlyle. A heart-rendering deeply touching, movie, by the late Antonia Bird.

Interview with the Vampire: The Vampire Chronicles (1994)
Based on Anne Rice’s acclaimed novel, Tom Cruise, plays a gay vampire, who turns his lustful desire (Brad Pitt), into a vampire as well. It’s an epic hellish tale, of the blood lusting lives of, the two male vampires, who roam for centuries, along with a child, a little vampire (Kirsten Dunst); who practically is like a child the couple adopted. A Vampire Love Story, about a  happy Vampire Family. Move away, Twilight films (2008, 2009, 2010, 2011 & 2012). Of course the movie doesn’t directly state, that it’s about a gay vampire; but the homoerotism, between the two men, makes it quite obvious, as to why, Cruise’s lonely character saved, the other man, by turning him into a vampire as well. He needed his mate alright!! 😉

Fire (1996)
Two neglected housewives fall into arms of each other. Superb Art House Indian film, by Deepa Mehta; starring Shabana Azmi and Nandita Das, in the lead. This is the first of Mehta’s elemental trilogy. Watched ages ago, but just over a decade ago, I wrote a small critique online, on IMDB.

Check it out (Link:- http://www.imdb.com/user/ur7151691/?ref_=nb_usr_prof_0 Scroll Down)

Wilde (1997)
Tragic bio-pic based on the life of famed poet, playwright & author, Oscar Wilde. Starring Stephen Fry and Jude Law, as the lovers, Wilde and Lord Alfred Douglas (a.k.a. Bosie), respectively; this is a touchingly sensitive portrayal of the kind hearted Wilde’s love for a selfish, prick of a, younger man. This British flick has a great star cast, including the legendary Vanessa Redgrave, Michael Sheen, Tom Wilkinson; along with gay cameo’s by Ioan Gruffudd, Orlando Bloom and Adam Garcia.

Mrs. Dalloway (1997)
The whole life of a woman unfolds in one day. Vanessa Redgrave plays the titular character, of Mrs. Dalloway, based on a novel by Virginia Woolf. Mrs. Dalloway is hosting a party, and as she prepares for the party, she reflects on her past. Her sexual repression, in a time when homosexuality was a taboo, is represented, in a way, where, she herself doesn’t consider herself a lesbian; but assumes her feelings towards a woman, is, as that of, a heterosexual male. Her sexuality is fluid. Then again, this was set during the Edwardian era, up to the 1920’s. Beautiful movie. Have had the book, for ages, but am yet to read it.

Directed by Marleen Gorris, this movie also stars, Rupert Graves, Natascha McElhone, Michael Kitchen, John Standing, Lena Headey and Alan Cox.

Bombay Boys (1998)
A hilarious Indian English-language comedy, about a trio young Indians, who’ve been living abroad, coming to India. One of those guys, comes to find himself, and he sure does.

Enjoyable satire, hinting on the underworld ties, towards the Bollywood film industry. Kaizad Gustad directorial debut, is a must watch. The film stars, Rahul Bose, Naveen Andrews, Naseeruddin Shah, Roshan Seth, Tara Deshpande and Alexander Gifford.

The Talented Mr. Ripley (1999)
My favourite movie from the 1990’s. Love the Book! Love the Movie!! Love them both equally.

Based on Patricia Highsmith’s brilliant novel, this was directed by the late Anthony Minghella. This is the movie that made me a fan of Jude Law; shifting from Matt Damon. See my more in-depth critique on The Talented Mr. Ripley, in my list, My favourite J-Law Movies, on IMDB, from five years ago.

Boys Don’t Cry (1999)
Superb flick, for which, Hilary Swank, bagged the ‘Best Actress’ Oscar; in the millennium year; Year 2000!!!!

A girl guises herself as guy, to find herself; with disastrous consequences. Directed by Kimberly Peirce, this beautiful movie, speaks on repressed sexual desires and gender issues. The film also stars, Chloë Sevigny and Peter Sarsgaard.

Before Night Falls (2000)
An American Biographical movie, on Cuban poet and novelist, Reinaldo Arenas. Directed by Julian Schnabel, Javier Bardem, takes the lead, as the famed poet, who was imprisoned for being an openly gay writer. Superb!!

Frida (2002)
Another bio-pic, this time on, artist Frida Kahlo; who openly flaunted her bisexuality. A brilliant, English Language, film on, Mexican painter, and her husband/artiste colleague, Diego Rivera. Frida Kahlo’s art was her autobiography; as she depicted all the key moments in her life, in her artwork. This movie, aesthetically, chronicles it.

Directed by Julie Taymor; Salma Hayek plays Frida Kahlo, so effortlessly, she feels Kahlo, in every way. This no doubt, is the best role, essayed by Salma Hayek. Can’t think of anything Hayek has worked on, that ’s better. Besides she doesn’t need to, for this movie, no doubt, is her biggest triumph.

Left: British Author, Virginia Woolf  Right: Mexican Artist, Frida Kahlo

Left: British Author, Virginia Woolf
Right: Mexican Artist, Frida Kahlo

The Hours (2002)
From an artist, to a writer; The Hours, is a partial Bio-pic, on author Virginia Woolf. The issues concerning lesbianism is three different era’s, this movie, stars Meryl Streep, Nicole Kidman and Julianne Moore. Each character plays a lesbian woman, that exists, in three different periods in time. Yet, they are all connected, through Virginia Woolf’s Mrs. Dalloway (see the movie from 97’, mentioned above).

Woolf, writes it; another reads it; and another lives the life of it’s heroine. Nicole Kidman took home the Oscar, for ‘Best Actress’, for her brilliant performance, as, acclaimed author, Virginia Woolf. An excellent movie, by Stephen Daldry!!

Possession (2002)
Two literary sleuths unearth the amorous secret of two Victorian poets, one of whom was in a lesbian relationship.

Lesbianism/bisexuality in the Victorian era. Another excellent flick; with Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam and  Jennifer Ehle.

The Dreamers (2003)
Another great, by Bernardo Bertolucci. This time about a trio of young dreamers, living in their own little world, away from the Paris riots of 68’.

A lot of fun and games, and plenty of homoerotism. Though it doesn’t directly show the two guys engage in any sexual interaction, there is more than a hint, that the two have done it; possibly more than once. Check out my write-up, on Bernardo Bertolucci & His Films from March 2014; to read more about Bertolucci films, including the two, I’ve spoken of here. Bertolucci’s, The Last Emperor and The Dreamers!!!!!

Carandiru (2003)
This Brazilian movie, is set in the largest prison, in São Paulo, Brazil. The inmates consist, of a lot of, gay, bisexual, transgender personalities, and a vulnerability, towards infecting themselves, with the AIDS virus.

This superb flick is based on the notorious, Carandiru massacre, of 1992. With deaths of 111 inmates, this massacre, is considered to be a major human rights violation, in the history of Brazil. Directed by Héctor Babenco, the film stars, Luiz Carlos Vasconcelos (as a doctor) and Rodrigo Santoro (as a transsexual inmate).

Bright Young Things (2003)
Based on Evelyn Waugh’s novel Vile Bodies, this movie is set in the late 1920’s, 30’s & 40’s, London. The movie is about fun loving youth, that existed in the roaring 20’s (through to the 1940’s). Michael Sheen, plays a gay man, that has to leave the country, to avoid prosecution, due to his sexuality. A thoroughly enjoyable film.

The book is more of a futuristic look at world, published in 1930. Thus it’s not that realistic; as no great depression, affects the fun loving youth. But I haven’t read the book yet, though I have it in my collection. Thus it’s hard for me to judge. But, knowing about the content helps, as the film isn’t accurate in it’s period, that it’s set in. Feels Roaring 20’s throughout, than more depressive 1930’s. None the less, it’s an excellent movie, and this was the directorial debut, of actor Stephen Fry.

Alberto Ferreiro and Gael García Bernal; in a scene from, Pedro Almodóvar’s, La Mala Educación (2004)

Alberto Ferreiro and Gael García Bernal; in a scene from, Pedro Almodóvar’s, La Mala Educación (2004)

La Mala Educación (2004)
An excellent Art House film, which also happens to be my favourite Spanish movie ever. Pedro Almodóvar is my favourite director from Spain; and he’s brought out some marvellous movies. This is my favourite film of his.

The movie stars, Mexican actor, Gael García Bernal, in the lead, who does a superb performance of a transvestite, on reel; although we later discover, he isn’t really one, just pretends to be one. García Bernal is another brilliant actor, and no doubt, my favourite Mexican star. He’s had some uniquely great roles, from the noughties, onwards. La Mala Educación, is a must see.

Kinsey (2004)
Kinsey, is based on the life of famed sexologist, Alfred Charles Kinsey. He founded the Institute for Sex Research at Indiana University, today known as the Kinsey Institute for Research in Sex, Gender, and Reproduction. He’s most famous for his publications, on his study of, human sexual behaviour.

As Kinsey (played by Liam Neeson) prefers to experience, everything first hand, he does so, with homosexuality, as well (along with Peter Sarsgaard’s character). This is another, excellently educational, biographical film.

A Home at the End of the World (2004)
This brilliant modern epic, chronicles the lives of two best friends, one of whom is gay, the other gay-ish, from the 1960’s to the 1980’s. A beautiful tale, starring Colin Farrell, Robin Wright and Dallas Roberts.

De-Lovely (2004)
A beautiful musical bio-pic, on composer Cole Porter. Chronicles his, hidden sexual, life and career. It’s De-Lovely!!! The movie stars, Kevin Kline and Ashley Judd; with notable cameo’s by, Sheryl Crow, Robbie Williams, Alanis Morissette and John Barrowman; in various musical appearances. A very enjoyable, dramatic, and a tear-jerker of a, musical.

Was Nützt die Liebe in Gedanken (2004)
Also known as, Love in Thoughts (in English), this is an intriguing German movie, starring Daniel Brühl and August Diehl. The movie is about a shy virgin poet, and his openly gay, aristocrat, friend. The movie showcases an all-night party, and deals with a suicide pact. A superb German film.

Brokeback Mountain (2005)
Most probably, the most popular gay-themed epic ever. This is one of the greatest epic tales, to come out of Hollywood; along the lines of, Gone with the Wind (1939), War and Peace (1956), Doctor Zhivago (1965), The Godfather trilogy (1972, 1974 & 1990), and in this century, Cold Mountain (2003); to name some.

Ang Lee’s magnum opus, is about a secret love affair, between two cowboys, who fall for each other, whilst working together, as young men, back in the 1960’s. They get married, to women, have kids, time flies, but their love for each other never dies. A tragically beautiful epic-Love Story!! It’s a pity, the movie was deprived of the ‘Best Picture’ trophy, at the Academy Awards, the following year. However, the film starring, Heath Ledger, Jake Gyllenhaal, Anne Hathaway and Michelle Williams; did bag a trio of Oscars. ’Twas, Ang Lee’s, very first Oscar win; out of the two, he’s won so far; for ‘Best Achievement in Directing’.

Breakfast on Pluto (2005)
No doubt the best role, that Cillian Murphy, has ever done. He plays a transvestite, from Northern Ireland, back in the 1970’s. The film chronicles his/her life, through the political struggles, of Northern Ireland, to her life in London, as a prostitute; all in the pursuit of finding her biological mother. It’s a sad touching story, of a person not accepted in her own town, for being different, and her quest to find maternal love.

Based on the novel, Breakfast on Pluto, by Patrick McCabe; this is a brilliantly heart-rendering movie. A must see, British/Irish, flick, directed by Neil Jordan. Year 2005, was a great year for LGBT movies, made in the English language; especially in the commercial sphere.

Also see my list Kill Ian Murphy from November 2011 (Nuwan Sen), on IMDB.

Capote (2005)
This Bio-pic, is based on Truman Capote’s research for, his acclaimed novel, In Cold Blood. The basis for this particular novel, was inspired by an actual murder, of a Kansas family. The four members of the Herbert Clutter family, were brutally killed, by two young men; Richard (Dick) Hickock and Perry Smith. The two men were falsely informed, that the house contained a safe with $10,000. However, there no such safe, and the duo murdered the entire family. During his research, Truman Capote extensively interviewed Perry Smith, in prison. Basically, Capote, psychoanalysed, and got to understand the inner workings of the criminal mind. The movie, of , In Cold Blood (1967), is a brilliant cinematic venture, based on the novel. The movie, Capote, is based on Capote’s research, on the 1959 murder.

Year 2005, was definitely a year, when actors did daringly challenging roles; and the late Philip Seymour Hoffman, won an Oscar, for his portrayal of the late Truman Capote, one of my favourite American authors. Also want to add, that Catherine Keener was superb as, author, Harper Lee.

Kevin Zegers and Felicity Huffman; in Duncan Tucker’s Transamerica (2005)

Kevin Zegers and Felicity Huffman; in Duncan Tucker’s Transamerica (2005)

Transamerica (2005)
From a epic journey of a transvestite, in the United Kingdom, in Breakfast on Pluto, to a journey on the road, with a transsexual, in the United States, in Transamerica (2005); year 2005, sure was a brilliant cinematic journey for the other sexes (as I stated earlier).

Here, actress, Felicity Huffman, plays the transsexual, who’s had (is going through) a sex change, from a man to a woman; when he/she finds out, that, she has a son (Kevin Zegers), from a one night stand, Huffman’s character had with a woman, when she was a young man. Soon the female father, and son, take a road trip. Superb road flick, by Duncan Tucker. Felicity Huffman, should have won the ‘Best Actress’ trophy, at the Academy Awards, in 2006.

Heights (2005)
Heights is a movie, set in New York, with various storylines, crisscrossing, each other. In one, James Marsden, plays a closeted homosexual, married to a woman (played by Elizabeth Banks).

Another beautiful movie, in the style of, I Heart Huckabees (2004), Crash (2004), Babel (2006), Little Children (2006) et al, which culminate into a brilliant climax. Heights, also stars Glenn Close, Isabella Rossellini and Jesse Bradford. This is the only feature length film, directed by, screenwriter, Chris Terrio. Thus he’s a ‘one film’ wonder, for now.

Infamous (2006)
While Philip Seymour Hoffman, did a brilliant job, playing Truman Capote; Toby Jones in Infamous, felt Truman Capote, in every way possible. From the short height, the rounded face, the small make of a genius, that Capote was; Toby Jones managed to get himself into character with perfection.

It’s rare, I would enjoy two movies, that were made on the same tale, but both, Capote and Infamous, are equally superb. Both based on Capote’s research for In Cold Blood. Watch out for Sandra Bullock’s excellent performance as Harper Lee. Yes, this movie, is the exact same story, with the same lead characters, as Capote.

The History Boys (2006)
The History Boys, as the title suggests, is full of Boys!! Set in a Grammar School, in 1980’s Britain; the movie is about a group of unruly teenage boys. Mainly their relationship towards a young, highly intellectual, professor. A very enjoyable movie, with an old gay lecturer, who enjoys giving the boys a lift on his bike; and the assessment of the possibility of the younger lecturer being gay himself; especially through the seduction of this said young lecturer, by one of the teenage schoolboys.

A superb comedy/drama, based on a play by Alan Bennett, and directed by Nicholas Hytner. The movie stars, Stephen Campbell Moore, Dominic Cooper, Richard Griffiths, Penelope Wilton, Georgia Taylor, and a cast full of charming young men.
Life in a Metro (2007)
Life in a Metro and Barfi! (2012), are definitely, two great Bollywood flicks, by Anurag Basu. He ought to do more movies like that. Like, the earlier mentioned, Heights, this is also a potpourri, about various people living in a metropolis. In this case, in Mumbai. Among the people, there also happens to be a closeted gay couple, who use a female colleague (who’s clueless of their sexuality), when one’s family, visits Mumbai. Hilarious at times, at times heart provoking, this is among the Best of Bollywood.

This movie has a stellar cast, including, Dharmendra, Nafisa Ali, Shilpa Shetty, Irrfan Khan, Konkona Sen Sharma, Kay Kay Menon, Sharman Joshi, Shiney Ahuja and Ashwin Mushran, to mention some.

Les chansons d’amour (2007), a.k.a. Love Songs (in English)
An enjoyable musical, about a threesome (a guy and two girls). The trio of lovers, enjoy their youthful, carefree, life in Paris, until the death of one of the girls. This forms a rip in the relationship of the two left behind, and movie concentrates on how the death of a loved one, affects the other two.

But soon the focus shifts, as a young gay man, forms an infatuation, towards the guy (of threesome). Before soon, the two men are singing and rolling around in bed.

This is a beautifully made, romantic movie, without making the subject matter, sleazy in anyway. As if a threesome is the norm, and the world has accepted homosexuality whole heartedly. What a lovely movie, handled so sophisticatedly, by director, Christophe Honoré. Starring Louis Garrel, Clotilde Hesme, Ludivine Sagnier and Grégoire Leprince-Ringuet; this is a lovely, modern day, French, musical, to come out in recent times.
Milk (2008)Milk (2008)
A beautiful and tragic, bio-pic, on the life of California’s first openly gay elected official, and iconic American gay-activist, Harvey Milk. Set in the 1970’s, and another excellent political flick, directed by Gus Van Sant, this is among the greatest biographical films ever made. Sean Penn won an Oscar, for his touching performance, as Harvey Milk; Dustin Lance Black took home the Oscar for the ‘Best Original Screenplay’. The movie has roped in a brilliant star cast, of straight actors, playing gay roles; including James Franco, Emile Hirsch, Diego Luna and Alison Pill.

Doubt (2008)
Starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis, this is another brilliant film, about the doubt in the mind of a nun, whether she accused, a gay priest, of paedophilia, by mistake.

A very sensitive subject matter, this movie is set in a Catholic School, in the early 1960’s. This, must watch, movie, is directed by John Patrick Shanley, based on his own play. Pure Excellence, lead by Streep!!!!!

A Single Man (2009)
Love the Book, by Christopher Isherwood!! Love the Movie!! Love them both equally!!

Set in sizzling 60’s, the story is about, one day, in the life, of a gay English Professor, living in Los Angeles, California, in USA. One year, after the death of his lover, he sets out to kill himself, at the end of the day; but the events of the day, change his mind. Of course, in the book, he doesn’t try to kill himself, but the end result is the same.

This is a very stylishly made film, by Fashion Designer, Tom Ford (which also happens to be his very first directorial venture); starring Colin Firth, Julianne Moore, Matthew Goode and Nicholas Hoult.

J’ai tué ma Mère (2009), a.k.a. I Killed My Mother (in English)
Unlike all the other films, I’ve spoken of here; majority of which I watched eons ago, within the previous two decades; I watched J’ai tué ma Mère, quite recently, in this decade. In fact, I saw this fabulous flick, just last month, this year!!

See my Blog-Post, Mai May Movies 2016 from May 2016!!!!!

David’s Birthday (2009)
Although, I watched this movie, some years ago, I did work on it, for a Blogathon I took part in, last year, this month.

See my Blog-Post, Beach Party Blogathon: Italian Film ‘Il Compleanno’, in English – ‘David’s Birthday’ (2009) from June 2015.
Natalie Portman in Black Swan (2010)Black Swan (2010)
In the last year, of the first 10 years, into the 21st century, Darren Aronofsky’s Black Swan was released; for which Natalie Portman bagged the ‘Best Actress’ Oscar, the following year.

This is a brilliant movie, about a split personality, of a dancer, as she performs two roles, that of the white swan, and the black swan. The darkness of the black swan’s soul, starts take over her life. The movie also explores her sexuality, through an explicitly psychodynamic lesbian sex sequence. Nathalie Portman, Mila Kunis, Barbara Hershey, along with French actor, Vincent Cassel; are superb in their respective roles.

THE LAST FIVE YEARS – The Future is Here!

Laurence Anyways (2012)
Another brilliant Canadian movie, by young Xavier Dolan; I mentioned his first movie above, J’ai tué ma Mère. This time, a movie dealing with the issue of a transgender personality. A man who slowly transforms into a woman, ’cause he feels like a woman. But he isn’t a gay man. So basically he turns himself from a straight man, to a lesbian woman. The movie is an epic, that deals with the slow transformation, over the years, and stresses on how it affects his near and dear ones. Especially his beloved wife.

Laurence Anyways, stars, Melvil Poupaud, Suzanne Clément and Nathalie Baye. Along with this, director Xavier Dolan films, are among the best Canadian films, I’ve come across. The American television movie, Normal (2003), has pretty much the same premise.

La vie d’Adèle – Chapitres 1 et 2 (2013)
Known as, Blue is the Warmest Colour, in English; this is an exceptional lesbian themed film, about two young French girls, by, Tunisian-French, director Abdellatif Kechiche.

The French movie is about, the sexual awakenings, of a young girl, through a girl she met by chance. A girl with short-cropped blue hair. The two fall deep in love, and experiment an erotic romance. Beautifully made, this sensual film stars, Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche and Jérémie Laheurte. One of the best, lesbian-themed, films, ever made. Pure Indulgence!

The Imitation Game (2014)
Another great bio-pic; this time on famed Cryptanalyst/Mathematician & Theoretical Biologist, Alan Turning. The man behind the famed ‘Turing Test’. The movie is set during World War II, when he decrypted, German intelligence codes, for the British government. At the age of 39, Alan Turning, was convicted, under indecency laws, for Homosexual acts, in 1952.

Directed by, Norway’s, Morten Tyldum, and having roped in a superb cast; including, Benedict Cumberbatch (as Turing), Keira Knightley, Matthew Goode, Charles Dance, Mark Strong, Allen Leech and Matthew Beard; this a superb, English-Language, bio-pic, to come out in recent times.

Eisenstein in Guanajuato (2015)
Yet another bio-pic!! This is about one of silent cinema’s greatest film director’s, i.e. Russian born, Sergei Eisenstein. The man responsible, for bringing out, Bronenosets Patyomkin (1925), a.k.a. Battleship Potemkin (in English). Battleship Potemkin, is a propaganda film, based on the mutiny that occurred in June 1905, when the crew of the Russian battleship, Potemkin, rebelled against their officers. This Soviet Russian film, Battleship Potemkin, is today, amongst the greatest films ever made; and one of my personal favourites, of the silent era. It’s a brilliant cinematic artwork, in the field of visual aesthetics.

Eisenstein in Guanajuato, deals with Eisenstein’s trip to Guanajuato, in Mexico, and his gay sexual odyssey, in the 1930’s, after he achieved fame for Battleship Potemkin. Definitely a great Peter Greenway flick; and now Greenway is working on a sequel to Eisenstein in Guanajuato. Finnish actor, Elmer Bäck, essays the role of the famed Sergei Eisenstein, with ease. He does a brilliant job, and viewers are transfixed onto the screen, thanks to him, the superbly satirical dialogues, and the breathtaking cinematography. A must watch!!

10 Star Rating, for each of the above!! All the films I’ve spoken about are nothing less the EXCELLENT!!!

OTHER FILMS

Above: Whoopi Goldberg and Margaret Avery; in  Steven Spielberg’s The Color Purple (1985)  Below: Queen Latifah and Tika Sumpter; in Dee Rees’s Bessie (2015)

Above: Whoopi Goldberg and Margaret Avery; in Steven Spielberg’s The Color Purple (1985)
Below: Queen Latifah and Tika Sumpter; in Dee Rees’s Bessie (2015)

There are many excellent films with gay characters or (sometimes subtle) gay themes; like in; Rebecca (1940), Les Enfants Terribles (1950), Strangers on a Train (1951), Cat on a Hot Tin Roof (1958), Ben-Hur (1959), Some Like it Hot (1959), Lawrence of Arabia (1962), In Cold Blood (1967), The Damned (1969), A Clockwork Orange (1971), Midnight Express (1978), The Color Purple (1985), Proof (1991), As Good as it Gets (1997), My Best Friend’s Wedding (1997), American History X (1998), Billy Elliot (2000), La Face Cachée de la Lune (2003), Little Miss Sunshine (2006) and Meet Bill (2007) (to name some); that I haven’t included here. Mainly because their main plot doesn’t revolve around homosexuality, or a homosexual character; but they do have gay characters, with quite prevalent, supporting roles; or sometimes even a very significant gay sub-plot, sometimes indirectly. But it’s not the main plot, nor does it have anything to do with the lead characters, thus have omitted some of these greats. Then there are gay-themes in television films like Family Album (1994), Common Ground (2000), No Night Is Too Long (2002), Normal (2003), Prayer for Bobby (2009), Christopher and His Kind (2011), The Normal Heart (2014), et al; that I haven’t spoken of here, as, for this post, I’ve concentrated on Cinematic ventures, only. Nor have I spoken of any short-films, as well; like the brilliant, Fishbelly White (1998) and Blessure (2009); or like the pretty good, Week-end à la Campagne (2007) and Homophobia (2012). Then again, haven’t seen that many Gay-shorts. Not to mention, there are some superb television series (sit-coms, mini-series, long serials et al), such as, Oz (1997-2003), Will & Grace (1998-2006), Cambridge Spies (2003), Angels in America (2003), American Horror Story (2011 onwards), The New Normal (2012-2013), Empire (2015 onwards), Bessie (2015), etc etc….; that openly explore Gay issues, and/or have gay lead characters.

Above: Mark Rendall and  Logan Lerman; in Richard Loncraine’s My One And Only (2009) Below: Kristen Stewart and  Juliette Binoche; in Olivier Assayas’ Clouds of Sils Maria (2014)

Above: Mark Rendall and Logan Lerman; in Richard Loncraine’s My One And Only (2009)
Below: Kristen Stewart and Juliette Binoche; in Olivier Assayas’ Clouds of Sils Maria (2014)

I also want to make a Special Mention, on some other near excellent to really good, gay-themed movies (of the Big Screen); From the Near-Excellent (with a 9 Star Rating), to the Very-Good (with an 8 Star Rating). These movies are really worth watching. The likes of; Voulez-vous Danser avec Moi (1959), Teorema (1968), Midnight Cowboy (1969), Deliverance (1972), The Rocky Horror Picture Show (1975), Dog Day Afternoon (1975), Caligula (1979), American Gigolo (1980), La Ley del Deseo (1987), Less Than Zero (1987), Philadelphia (1993), The Adventures of Priscilla, Queen of the Desert (1994), The Basketball Diaries (1995), Love and Death on Long Island (1997), Midnight in the Garden of Good and Evil (1997), No se lo Digas a Nadie (1998), Gouttes d’eau sur Pierres Brûlantes (2000), Presque Rien (2000), The Broken Hearts Club: A Romantic Comedy (2000), Y tu Mamá También (2001), Das Experiment (2001), Yossi & Jagger (2002), Food of Love (2002), Le Temps qui Reste (2005), Crustacés & Coquillages (2005), Douches Froides (2005), Where the Truth Lies (2005), Kinky Boots (2005), Death at a Funeral (2007), Evening (2007), Little Ashes (2008), Latter Days (2008), Taking Woodstock (2009), Everybody’s Fine (2009), My One and Only (2009), Kill Your Darlings (2013), The Kids Are All Right (2010), Bombay Talkies (2013) and Clouds of Sils Maria (2014); to name some.

TOP: Edouard Collin and Théo Frilet; in  Olivier Ducastel and Jacques Martineau’s Nés en 68 (2008) BOTTOM: Fawad Khan and Sidharth Malhotra; in Shakun Batra’s Kapoor & Sons (2016)

TOP: Edouard Collin and Théo Frilet; in Olivier Ducastel and Jacques Martineau’s Nés en 68 (2008)
BOTTOM: Fawad Khan and Sidharth Malhotra; in Shakun Batra’s Kapoor & Sons (2016)

There are other many great movies, I’ve heard of, like, Tea and Sympathy (1956), Victim (1961), The Servant (1963), Les Amitiés Particulières (1964), Reflections in a Golden Eye (1967), Les Biches (1968), The Boys in the Band (1970), Entertaining Mr. Sloane (1970), Fortune and Men’s Eyes (1971), Morte a Venezia (1971) Sunday Bloody Sunday (1971), Ai no korîda (1976), Die Consequent (1977), Una Giornata Particolare (1977), Un hombre llamado Flor de Otoño (1978), Querelle (1982), Kiss of the Spider Woman (1985), My Beautiful Laundrette (1985), The Crying Game (1992), Voor een Verloren Soldaat (1992), Xi Yan (1993), Fucking Åmål (1998), Gods and Monsters (1998), Better Than Chocolate (1999), Monster (2003), Grande École (2004), The 24th Day (2004), C.R.A.Z.Y. (2005), Huhwihaji Anha (2006), Nés en 68 (2008), Plein Sud (2009), Einayim Petukhoth (2009), Les Amours Imaginaires (2010), Habitación en Roma (2010), An Fei ta Ming (2010), 80 Egunean (2010), Howl (2010), Ludwig II (2012), The Broken Tower (2011), Sal (2011), On the Road (2012), Tom à la Ferme (2013), Margarita with a Straw (2014), Yves Saint Laurent (2014), Saint Laurent (2014), Aligarh (2015), Carol (2015), The Danish Girl (2015), Holding the Man (2015), Kapoor & Sons (2016), et al; yet I haven’t watched any of them; but have read some very positive reviews, along with good ratings, for them. These are some gay-themed films, am really keen on checking out.

So here’s to a more open-minded society; the future of equality, understanding human associations, personalities and reason. Giving everyone a fair chance, as they deserve. Here’s to a Brighter Future!!!!!

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense
Films 2005

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Another month of MAI MAY MOVIES, comes to an end!!
May Mai Movies for 2016Yet again, there are some beautiful movies, I watched, within this one year, that I never got to write about. Especially, the latter lot of DVD’s; that I bought Down Under, in November 2014 (majority of the films, I bought in Adelaide & Sydney; I had managed to watch back in November/December 2014 itself, and write about them, and a few last year, 2015, but here are some films I couldn’t so far); including, Lorenzo’s Oil (1992) – watched on 7th December 2015 (which coincided with the one year anniversary, of my adoption of ), In Cold Blood (1967) – watched on 16th February 2016, A Streetcar Named Desire (1951) – watched on 11th March 2016 (’twas a, 2Disc, Director’s Cut DVD; a collectors item, with a lot of special features, and documentaries), and On the Waterfront (1954) – watched on 21st March 2016 (now I just had one more film I bought in left, which I finally watched toady afternoon; see the last film on this list). There were also the trio of superb Hindi Films (DVD’s), I got down from New Delhi, India, in February 2015 (thru my old man, who flew to New Delhi, last February, on an official visit, to the Indian capital). The three films were, Haider (2014) – watched on 10th March 2015, The Lunchbox (2013) – watched on 3rd December 2015 (managed to watch, at least 2/3, last year itself), and Mary Kom (2014) on 12th January 2016! And, not to forget, the three Big Screen gems, I saw this year, at the local Cinema; the near excellent, historical epic, Bajirao Mastani (2015) – in January 2016; Leo’s Oscar winning performance (prior to the Oscars), in The Revenant (2015) – in February 2016; and, the true life story of a brave young girl, who sacrificed her life to save the lives of hundreds of passengers on board Pan Am Flight 73, which terrorists had hijacked, in 1986, in Neerja (2016) – in March 2016!!!!! Plus so many other movies; at festivals, special screenings, cable TV/channels et al.

So here is the run down, on all the films I watched, this month (May 2016) :-  

The Hero: Love Story of a Spy (2003) – An out and out Bollywood commercial film. This movie, was actually somewhat a waste of my time, but wasn’t all that bad. Quite OK actually, with an interesting enough premise. Both, Sunny Deol and Preity Zinta, were pretty good in their respective roles. BUT, the one to watch out for, was the former beauty queen, Miss World 2000, Priyanka Chopra (who’s now made her way into the United States, playing the lead in the ABC television series Quantico (2015 onwards)), in her Bollywood debut. Not only does she mesmerise you with her, cool n’ classy, disposition, but also her performance. This was the first movie, I watched this month.

Watched The Hero: Love Story of a Spy, rented on our cable television.

My Rating: Average Fare – 5/10!!!
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Black Sea (2014) – Leading with Jude Law, the film comprises of an all male star-cast, compressed into an old dilapidated submarine. This British, adventurous thriller, film, is about a gold hunt, in the depths of the Black Sea, off the coast of Georgia (the Eurasian country). It’s a good insight into human tolerance, especially when people from two different backgrounds have to work together, to achieve the same goal. This movie is really worth watching, though not among the greatest adventure films, ever made.

Watched Black Sea on HBO On Demand.

My Rating: Very Good – 8/10!!!!
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Harry, un Ami qui vous Veut du Bien (2000) – Watched this movie for a 2nd Time! I first saw this, some years ago. A movie about a man’s obsession with a married man, which proves disastrous, to the married man’s family. Very Hitchcockian, with it’s very claustrophobic atmosphere, set in a lonely house in the countryside. It’s so beautiful, and really good. My original rating stands. Though not necessarily an excellent piece of cinema, it’s really good, and was worth watching a second time.

Watched Harry, un Ami qui vous Veut du Bien on TV5MONDE.

My Rating: Very Good – 8/10!!!! (My Original Rating)
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Les Rides (2014) short film – An OK tale about a group of, fanatic four, senior citizens, who plot to run away from their Old Peoples Nursing Home. This 13 minute short film, is interesting enough, but not that great. Liked the magical realism, input.

Watched Les Rides on TV5MONDE.

My Rating: Average Fare – 6/10!!!
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Nightingale (2014) – A brilliant ‘One Man Show’, with David Oyelowo. Being the only actor, in this movie, set within the confines of his home, Oyelowo carries the entire movie on his shoulders. He plays a psychotic, lonely, war veteran, who is waiting for/expecting, a visit from an old friend. A truly tragic film, that’s worth checking out, for the performance of perfection, by British actor, of Nigerian roots, David Oyelowo, alone. The movie, on the whole, could have been better though.

Watched Nightingale on HBO On Demand.

My Rating: Pretty Good – 7/10!!!!
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Brigitte Bardot in Voulez-vous Danser avec Moi (1959)

Brigitte Bardot in Voulez-vous Danser avec Moi (1959)

Voulez-vous Danser avec Moi (1959) – A hilariously fun filled crime comedy, set in a dance school, in Paris. The movie is about a happily married man, who gets caught into blackmail, for no real fault of his, and in turn for a murder, in a dance school. He is assumed to be the culprit, and only his wife believes he is actually a victim of circumstance. Soon she ventures into the school, in the guise of a dance teacher, to solve the crime on her own, against the wishes of her husband. Henri Vidal is hilarious as the husband, as are the other supporting characters, in their respective roles; with interesting cameos by Serge Gainsbourg and Dawn Addams. But, it’s Brigitte Bardot, as the bewitchingly beautiful and innocent wife, who steals the show, with her stunning performance, her perfect comical expressions and the dancing diva’s well choreographed movements. She’s hilarious, she’s fun. And thanks to her cutesy spy work, she’s the one that ultimately solves the mystery. A sexy young Miss. Marple, or Mrs. Pollifax, if you may (with apologies to Agatha Christie and Dorothy Gilman, respectively).

This movie is a must see, especially if you love Bardot. On IMDB it seems to have an average rating, but I couldn’t help laughing. And kudos to the movie, for  daring to showcase, one hell of comical sequence that takes place in, a queer club, with drag performances, in an acceptable manner; and this was a movie that came out in the 1950’s. In fact, to portray homosexuality, cinematically in the open, as being normal, would have been groundbreaking, back in the day.

Sadly, 40 year old actor, Henri Vidal, died soon after he made this movie. This was his last screen appearance!

Watched Voulez-vous Danser avec moi on TV5MONDE.

My Rating: Near Excellent – 9/10!!!!
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Kill the Messenger (2014) – A Biographical film, on journalist Garry Webb, who committed suicide in 2004. The film is set in the mid-1990’s, when he uncovered the CIA’s major role in bringing in huge amounts of cocaine into the United States. It’s a beautiful, and sad, story about a man, who truly tries to make “America great again”, by exposing the big shots, responsible for ruing his country; thus his family might have to pay the ultimate price for it.

The movie dulls at time, and the suspense isn’t necessarily continuous. You tend to lose focus at times. Yawn a bit, here and there. But it’s still quite good, and worth seeing at least once.

Watched Kill the Messenger on HBO On Demand.

My Rating: Pretty Good – 7/10!!!!
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Squatters (2014) – Two homeless youngsters, break into a house of a wealthy family, when the family is on vacation. The son of the rich family, and one of the homeless kids, fall for each other. The movie actually went pretty well, until the love angle ruined it for me, somewhat. Still the whole experience, was not that bad. In fact, the ageing, Richard Dreyfuss, and the young, Thomas Dekker, were pretty good in their respective roles.

Watched Squatters on HBO Signature.

My Rating: Average Fare – 6/10!!!
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Jean-Claude Brialy, le Goût des Autres (2013) – An interesting insight into the life of legendary French film star, Jean-Claude Brialy. This documentary delves deep into the star’s life of hosting parties to his close friends, in his big mansion. With appearances by celebrities, Alain Delon, Nana Mouskouri, Claudia Cardinale, et al; ’twas an enjoyable show.

Watched Jean-Claude Brialy, le Goût des Autres on TV5MONDE.

My Rating: Very Good – 8/10!!!!
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Poltergeist (1982) – A much awaited venture, I finally watched it. ‘twas a very good horror film. I wouldn’t exactly call it an excellent movie, nor among the greatest of the horror genre (in fact it seemed a tad silly towards the end), but I thoroughly enjoyed this piece of supernatural drama. In fact, as the movie sees it’s ghosts through the eyes of a child, it gives it a creepy cuteness.

The film’s lead character, is the child star, Heather O’Rourke. She’s the first human, to feel the presence of the Poltergeists. And the movie revolves around, her capture, by the spirits, and a couple of television sets. But to me, the star of the film, was their golden retriever named ‘E. Buzz’ (pictured below). In fact this dog, plays a prevalent role, in the entirety of the film. A Very Good Horror Classic!!

Curse of the Poltergeist: Both kids playing the two daughters, died, in real life, within the 80’s decade. Dominique Dunne, who plays the teenage daughter, was murdered by strangulation, by her boyfriend, in 1982, itself. She was 22. And O’Rourke, suddenly fell ill, and died of a cardiac arrest, at the age of 12, in 1988.

Watched Poltergeist on HBO.

My Rating: Very Good – 8/10!!!!
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Horror Films Above: Poltergeist (1982) Below: As Above, So Below (2014)

Horror Films
Above: Poltergeist (1982)
Below: As Above, So Below (2014)

As Above, So Below (2014) – Silly Horror movie, filmed in the ‘Blair Witch Project’ style. No where near as great as The Blair Witch Project (1999). Only saving grace of this, pretty idiotic, horror flick, was that it actually showed the real catacombs of Paris (which I visited back in 2009), before venturing further deep, under the catacombs. As they ventured deeper the film got sillier still.

Though not the worst film experience ever, it’s still quite pathetic. And the movie defies gravity. The more and more, they went deeper into the underworld, I actually expected them to come out of the Pacific Ocean, on the other side of the globe! Yet, actors, Ben Feldman and François Civil (pictured above) were actually good enough in their respective roles.

Watched As Above, So Below on HBO On Demand.

My Rating: Pretty Bad – 4/10!!
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Le Lieu du Crime (1986) – I really enjoyed this film, starring Catherine Deneuve, Nicolas Giraudi, Wadeck Stanczak, and the yesteryear starlet, Danielle Darrieux. The way the movie began, it reminded me of Charles Dickens’ Great Expectations (which also happens to be my favourite Dickens novel). The movie centres around, a young boy named Thomas (Giraudi), who’s mother (Deneuve), falls in love with the criminal (Stanczak); Thomas meets, early on in the movie; and has a one night stand, on a rainy night, with tragic circumstances. With a superb cast, headed by Catherine Deneuve, this movie, is really a unique tale, revolving around a ‘boy who cried wolf’. The kid is such a story maker, nobody, except his mother, believes his story, about what he witnessed. This coming of age, tale, is a must see, especially if you are a fan of Catherine Deneuve, like me. And the kid is brilliant, an added bonus.

Watched Le Lieu du Crime on TV5MONDE.

My Rating: Very Good – 8/10!!!!
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Into the Storm (2014) – Yet another, idiotically disastrous, disaster film. About a unimaginably massive tornado ravaging a small town called Silverton. The one good thing about this flick, was that it showed the, ironically calm, inside (the eye) of the tornado. Calm within the storm.

Watched Into the Storm on HBO On Demand.

My Rating: Near Worst, film experience, ever – 2/10!
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Timbuktu (2014) – A masterpiece of movie making!! The term ‘Timbuktu’ is generally a synonym, for some remote unknown place. But, it is in actuality, a name of a city, in Mali, in West Africa. I was always aware it was a place, somewhere in Africa, but this is the first time I saw something/anything about the place known as Timbuktu. The city is full of, beautifully designed, aesthetic, mud huts.

The film itself, is very sad, and a superb Art House film, about the lives of the poor inhabitants of Timbuktu, under Jihadists control. Anyone even slightly opposed to their strict laws, are punished severely. This movie is based around a cattle herder, and his nuclear family, relaxedly residing away from the city of Timbuktu, in the sand dunes of the Sahara Desert. But, sadly, he gets pulled into the city, and imprisoned/sentenced to death, for an accidental crime, he didn’t plan to commit.

Director, Abderrahmane Sissako, has brought out a brilliant piece of socially touching experience; and this film took home two prizes, at the 67th Cannes Film Festival, held in 2014. Sissako was also nominated for the Palme d’Or, that year, for Timbuktu. Plus it won the ‘Best Film’ award, at the Africa Movie Academy Awards; along with a ‘Best Director’ win for Sissako.

Watched Timbuktu on TV5MONDE.

My Rating: Excellent – 10/10!!!!!
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L.A.dy Dior (2011) – This is an advertorial Short film, starring my favourite French star of today, Marion Cotillard. Cotillard plays a crazed actress, who can’t handle the pressure of being the face of a famous brand of handbags (‘L.A.dy Dior’, obviously). A hilarious 6 minute short, where she ultimately throws a tantrum, which only helps the advertising campaign. Enjoyable enough, thanks to Marion Cotillard. Love L.A.dy Cotillard!!!!

Watched L.A.dy Dior online, on Youtube.

My Rating: Pretty Good – 7/10!!!!
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LEFT: Marion Cotillard in L.A.dy Dior (2011) RIGHT: Xavier Dolan in J’ai Tué ma Mère (2009)

LEFT: Marion Cotillard in L.A.dy Dior (2011)
RIGHT: Xavier Dolan in J’ai Tué ma Mère (2009)

J’ai Tué ma Mère (2009) – The two prominent factors, that make this film so uniquely impressive, is the fact, that Xavier Dolan’s directorial debut, was written by Dolan, at the age of 16, and he was still only 19 years old, when he directed it. The movie was released at the 62nd Cannes Film Festival (rather it premiered at the ‘Director’s Fortnight’), in 2009. Not only did Dolan, get a standing ovation, he also walked away, with three awards, at the festival, that year. I first heard about this film, and Xavier Dolan, in May 2009.

The movie, itself is so brilliantly made, and moving, I was hooked to the screen from start to finish, engulfing each and every emotional moment felt by it’s characters. The depth of human emotion, portrayed in the film, is so painfully real, my heart just leapt out. This is amongst the best movies, that I’ve ever seen, and ‘twas a long awaited venture, pour moi.

J’ai Tué ma Mère, which, when translated into English, means, ‘I Killed my Mother’, is a semi-autobiographical film, by Xavier Dolan. It’s deals with a tiresome mother/son relationship. They both love each other, and neither is a bad parent nor bad child, but they were just not meant to live together. Hubert (Dolan) believes he was born into the wrong family, rather, more specifically, the wrong mother (played by Anne Dorval). And he wishes to get away from her clutches, as soon as possible. But Hubert, is still a 16 year old, thus it’s impossible to get away at that young age. His father, who left when Hubert was a little kid, is no where in sight (who turns up only to make a brief appearance, to intervene in the son’s life, and makes things worse for poor Hubert). You sympathise with Dolan’s juvenile character, Hubert, and understand what he’s going through. But, at the same time, he’s still only 16, and has a freedom, some 16 year olds would only dream to have. Plus, his mother is not all that bad. Mothers can be really stressful sometimes, even to their adult kids. But Hubert’s mother, comparatively, hardly does anything to stress him out, even though he seems to lose his patience with her. She’s neither strict, nor harsh. He does what he wants. She doesn’t necessarily interfere with his studies, or future plans. YES, she’s not perfect, nobody really is, but she’s far from being the worst mother ever. Yet, Hubert feels suffocated, and annoyed, with her existence. When the mother finds out about her son’s sexuality, she doesn’t seem to mind that he is gay, but what disappoints her is, the fact she had to find out about it from someone else, rather than her own son. Thus, she’s also an open-minded woman. At the same time, Hubert, isn’t necessarily a closeted homosexual. He is open, but doesn’t seem to think it necessary to let her know, that he has a boyfriend (played by François Arnaud). The film doesn’t deal with Hubert’s sexuality as such, for that’s not what the story is about. The story is about his love-hate relationship with his mother. His sex life, has nothing to do with it. Instead of a girlfriend, he just happens to have a boyfriend, in a very acceptable and normal manner. That’s how the world today, should be. Of course, there is a gay-bashing scene, towards the end. Most probably, just to tell us, that’s something Dolan had to deal with too, in real life, and/or to show us, that the world is still not as broad-minded, as it ought to be.

The film isn’t all serious and depressing, it has plenty of comical interludes. In fact, the movie is sad, but not at all depressing to watch, and very entertaining. Xavier Dolan is really sweet, and adorable, even when he is angry. I love the scene where he comes home one night, all drugged (a one time thing, in the film), and wakes his mother lovingly. She is not at all angry at him. Dolan’s character is really sweet, when he tries to be extra nice to his mother. Of course, he’s not patient enough, for the niceties to last, and his mother doesn’t really help either. Yet, both of them, are actually good people.

There is plenty of screaming matches, in the film, plenty of drama, and more than enough comical moments, to make you cry and laugh (sometimes at the same time), with a few, very Dolanisque surreal moments!! One of the best films ever made. Dolan’s now, most probably, my favourite Canadian director, and definitely my youngest favourite film director. The only other, directorial venture, of his I’ve seen is, Laurence Anyways (2012); another brilliant Canadian film.

Watched J’ai Tué ma Mère on TV5MONDE.

My Rating: Excellent – 10/10!!!!!
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Tere Bin Laden: Dead or Alive (2016) – Tagged as the “million dollar fake”, this is an almost brilliant piece of satire, from Bollywood.

Released earlier this year, a sequel/prequel to Tere Bin Laden (2010); which came before, the actual Osama Bin Laden was killed; this is a hilarious movie, about what happens post the death of this, FBI’s, most wanted terrorist. Both, the Americans, and a Taliban arms dealer, try to get hold of a Bin Laden look-alike, an Indian actor (played by Pradhuman Singh). The Americans want to film, the death of the fake bin Laden, to prove to the world, that they’ve actually killed, this founder of al-Qaeda, whilst the arms dealer, wants to use the doppelganger, as proof, that Bin Laden is still alive.

The movie is a hilarious parody, on both, the Taliban regime, and America’s ‘War on Terror’. I haven’t seen the original Tere Bin Laden (poster pictured, right atop). In fact I had assumed, that’s the movie, I watched on Sunday morning, the original film, till I read the synopsis now, on IMDB, and realised actor, Manish Paul (who plays a Bollywood director, responsible for making the ‘Osama bin Laden’ doppelganger, popular; and in turn putting their lives in danger), didn’t even star in the first one. So I actually tweeted the wrong movie. Slightly disappointed about that. Now I really want to watch, the original. A lot of people, who loved the original, seem to have hated this. But I really enjoyed this farcical film. It’s definitely worth a watch. Plus, there were no cheap antics, like puking, or passing out excess gas, or any other stale jokes, or anything sickeningly grotesque, that make you feel disgusted, instead of actually enjoying a film. So, I thought it was a really clever comedy. Thus, kudos to director, Abhishek Sharma, for bringing out, such a fun movie, to sit through.

Just wanted to add, an explanation for the title. ‘Bin’ or ‘Bina’ in Hindi, means ‘Without’, and ‘Tere’ means ‘Yours’. Thus the, first three words, of the title could either translate as, ‘Without You Laden’ or ‘Yours, Bin Laden’; I think the latter sounds more like it. Either way, the pun is on the word ‘Bin’. It would have been a more hilarious pun for the word ‘Bin’, if it were in English (title/film), considering what the word ‘Bin’ stands for in the English language. Throw it in the Bin Laden!!!!!

Watched Tere Bin Laden: Dead or Alive on Star Plus.

My Rating: Near Excellent – 9/10!!!!
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Airlift (2016) – Set in Kuwait, this is based on a true story, of the airlift of Indians based in Kuwait, during the Invasion of Kuwait by Saddam Hussein’s Iraq, carried out from the 18th of August, 1990 to 20th October, 1990!! Air India, along with Indian Airlines, helped evacuate 170,000 people by civil airliners, whilst 500 people left by a ship, during the Gulf War. It took 63 days. This happens to be the biggest rescue mission, of human evacuation, in the world. Two Indian’s living in Kuwait; South Indian Businessmen, Mathunny Mathews, from Kerala; and North Indian, billionaire, Harbajan Singh Vedi, from Punjab, putting their ethnic differences aside, came together, and ended up playing a major role, in helping get Indians to safety.

The movie, however, is a fictional account, combining the two Indian’s heroic work, into one character called, Ranjit Katyal (played by Bollywood star, Akshay Kumar). Indian actress, Nimrat Kaur, plays his wife. A near brilliant Bollywood commercial venture, by director, Raja Krishna Menon, about a story that deserved to be told. Thanks to Bollywood movies like Neerja and Airlift, more recent, modern Indian history, won’t be forgotten.

Watched Airlift on Colors (a channel I practically never watch, glad I did on Sunday night).

My Rating: Near Excellent – 9/10!!!!
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10 Things I Hate about You (1999) – A modern, late 20th Century, adaptation of, William Shakespeare’s 16th century comedy, The Taming of the Shrew.

This comedy, could have easily veered towards being just another teenage chick flick, but it’s much more than that. I was pleasantly surprised, how much I enjoyed sitting through this flick. The movie has a brilliant young cast, including the late Heath Ledger, along with Julia Stiles, Joseph Gordon-Levitt, Andrew Keegan and Gabrielle Union. The movie also stars comedians Larry Miller and Allison Janney, in supporting roles.

Set in a High School, the film is about softening up an uptight girl, who refuses to date. All the absurdism of a perfect Shakespearean comedy, from the 1590’s, brought into the modern world of youth, of the 1990’s. I thoroughly enjoyed it. But it would have been more interesting, if I did actually get to watch it, as a teenager/young adult, than today.

I recently mentioned this movie, last month. See my Blog-post Shakespeare: Intellectual Minds and Beyond!!, from April 2016.

Watched 10 Things I Hate about You on HBO On Demand.

My Rating: Near Excellent – 9/10!!!!
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Jacques Bernard in Les Enfants Terribles (1950)

Jacques Bernard in Les Enfants Terribles (1950)

Les Enfants Terrible (1950) – Watched this, collaboration of two greatly creative talents, today afternoon!! Loved it, just as much as the book!!

3½ years ago, I read Rosamond Lehmann’s English translation, of Jean Cocteau’s famed French novella, Les Enfants Terrible!! Author, artist and film personality, Cocteau’s book, was illustrated, with his own artwork, as well. Being an artist(e) myself, I not only, loved the book, for it’s literature, but also for Cocteau’s works of modern art. And, I blogged about the book; when my Blog, was still pretty young (almost 9 months old). Later, 1½ years ago, when I visited Australia, I bought a lot of DVD’s, including the film adaptation of, Les Enfants Terrible. But it’s only now, I finally got to watch this movie. This is the last, of the movies, I bought Down Under!!

Les Enfants Terrible, the movie, is a brilliant adaptation, of an equally superb, piece of, inked, fiction. Author Jean Cocteau (a film director himself), supposedly, commissioned Jean-Pierre Melville, to make the movie, based on his beloved novel. Beautifully photographed, with dim, darkly lit, interiors; skilfully directed, with superb acting talents, the moody expressions, along with, Jean Cocteau’s, own vocals lending the narration, this is one hell of an extraordinarily exceptional piece of cinema. Now, amongst my, favourite French films, ever.

The movie, was practically word to word, as I remembered reading in the  novel. The only major difference, for me, was the fact that, I envisioned the brother and sister, Paul and Elisabeth (played by Edouard Dermithe and Nicole Stéphane, respectively, in the movie), as two pre-teens, in the start of the book, who gradually transform, into young adulthood, later on. Same with their friend, Gerard (Jacques Bernard). But in the movie, they seemed liked young adults/late teens, from the very beginning. None the less, the film was perfectly made, as perfect, as perfection goes. The crazed games, played by the siblings: their weirdly possessive, yet ambiguous, relationship; isolated, cut off, from the rest of the world; this movie is a deep psychoanalysis into the crazy human psyche, almost just as much as the book. It, like the book, reminded me of Bernardo Bertolucci’s, The Dreamers (2003). The Dreamers, was set in 1968 Paris, during the student riots.

The actress to look out for, in Les Enfants Terrible, is Renée Cosima, who plays Paul’s two androgynous sexual attractions; a young boy named Dargelos, in the first half, and later on a girl (model) named Agathe (since I had read the book, I realised that, the school bully, Dargelos, was being played by a female, in the guise of a male; though it’s really not at all noticeable, otherwise). Her transformation, from a thuggish young boy, to a beautiful young lady, is incredible. It’s hard to believe, the dirty rugged boy, and marvellous model, who shows off her elegant legs, is played by, the one and the same, young French actress Renée Cosima.

With it’s surreal dreamy moments, towards the end, Les Enfants Terrible, is almost Shakespearean, the way it’s conveyed. The inevitable tragedy, that lies ahead, is obvious. The game, they played in their ‘ROOM’, of irritating one another, when younger; continues, to a final finish, that can end, only with death. A sad film. The novel came out in the Roaring 20’s, but the film, seems to be set, in the modern day, i.e. the post-war 1940’s!!

Love the Movie!! Love the Book!! Love the Book more, actually; but as a film, this is an excellent watch. Also do check out my quick write-up, on the novel, Les Enfants Terribles (The Book), from December 2012!!!!!

Watched Les Enfants Terrible on DVD.

My Rating: Excellent – 10/10!!!!!
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Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense
Mai May Movies 2016

The Swinging Sixties
1966 Blow-UpThe 1960’s was a very unique decade, of the 20th century, when the world changed for the better. An era, thanks to which, we live in (or rather should live in) a more open minded world, with a freer lifestyle, with lesser (or rather should, with no) prejudice. An era, which brought about Equal Rights, Feminism (Women’s Lib),  The Hippies, the second (and more worldwide) phase of The Sexual Revolution (as opposed to The Sexual Revolution of the Roaring 20’s, which was limited to certain regions in the western world), Black Pride movement, Gay Pride movement, Youth Rebellions of 68’, Woodstock of 69’, Stonewall Riots of 69’, Motown Records, Rock Music, Experimentation with Psychedelic Drugs, Birth Control Pill, Popular Music, The Beatles, The British Invasion of Pop & Rock, Ravi Shankar, Elvis Presley, Andy Warhol, Pop-Art, Pink Floyd, Jimi Hendrix, Martin Luther King, Jr., Socialists, Radical political influences, 32 African countries gaining Independence, The Indian ‘Hungryalist Quartet’, China’s ‘Great Leap Forward’, The Vietnam War, The American Counterculture, The Kennedy’s, The Space Age (the world put a man on the moon), Supercomputers, Sketchpads, Spacewar (first video game), Japanese Cars, Summer of Love, Flower Power, Peace, Love and anti-war sentiments.

The beginning of the 60’s decade, and the latter part of the 60’s, were so different, as if they belonged to two terrifically different era’s. This was a period that globalisation actually took place. Added to which fashion, art and music, travelled beyond borders. The Beatles were influenced by Indian music, especially the sounds of the Sitar. Short Indian Kurta’s, Hindu beads, African Batik styles, South American Poncho’s, were loved by the Hippies. Similarly western geometric styles, and bright designs, were adapted to Asian clothing. The era was famed for, mini-skirts, of swinging London, and skin tight Salwar-Kameezes, in India (inspired by the western tight skirts). A very glamorous decade, with it’s massive bouffant hairstyles, tight clothes and short skirts. And as the decade proceeded, the hairdo’s went higher, as did the hemlines.

Bollywood superstar, Sharmila Tagore, became the first Indian actress to don a Bikini on the cover of a glossy magazine, in 1966. This was an Independence Special issue.

Bollywood superstar, Sharmila Tagore (though not the first Indian to wear a Bikini), became the first Indian actress to don a Bikini on the cover of a glossy magazine. In the Year: 1966. This was an Independence Special, issue of Filmfare (August 1966).

The modern Bikini, though invented in 1946 (prior to which slightly bigger, two piece swimsuits, baring the midriff, existed), gained popularity internationally only in the 1960’s. Prior to which, general women preferred traditional, one piece, swimwear, though a lot of glamour girls were seen in tiny Bikini’s in magazines, films, et al. Yet young men, were quite comfortable, in tiny swimming trunks. Today it’s the exact opposite.

And in Cinema: 1960’s

The invent of the Merchant Ivory Productions took place, making Indian English Language films, avec a highly international standard (started by a trio of well (western) educated friends, Ismail Merchant, James Ivory & Ruth Prawer Jhabvala). They brought something new to Indian Cinema, in the 60’s & 70’s (unlike the Western Orientalist craze for Bollywood today, and the assumption that all Indian Cinema falls under the category of Bollywood, whilst Bollywood only makes Hindi Language films (out of the 122 major languages, and many more sub-dialects, spoken in India), and is mostly associated with commercial cinema, mainly with song & dance), and a special, new-found, global admiration for mystic & spiritual India. The Hippie culture had a major influence in India and Nepal.

In the west, the 60’s, revolutionised Cinema. In Europe, Art Cinema, especially The French New Wave (La Nouvelle Vague), brought out a modernist (non-commercial, yet loved by modern intellectual youths) form of film, as never before; with François Truffaut and Jean-Luc Godard at the helm. Elsewhere, Swedish film director Ingmar Bergman, Chilean film director Alexandro Jodorowsky, Polish film directors Roman Polanski & Wojciech Jerzy, Italian film directors Michelangelo Antonioni, Federico Fellini & Pier Paolo Pasolini, Japanese film director Akira Kurosawa, and Indian film directors Satyajit Ray, Mrinal Sen & Ritwik Ghatak (all in the Bengali language) brought about their own masterpieces of Art Cinema, with an International standard, in their respective countries.

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Sandy Dennis, George Segal & Elizabeth Taylor, in a scene from Who’s Afraid of Virginia Woolf? (1966)

Hollywood wasn’t far back, and Who’s Afraid of Virginia Woolf? (1966), was America’s answer to the European Art House. Directed by Mike Nichols (this was his directorial debut feature), starring Elizabeth Taylor, Richard Burton, George Segal & Sandy Dennis, and based on a play by Edward Albee, Who’s Afraid of Virginia Woolf?, is today, considered a culturally relevant, a historically noteworthy, and an aesthetically significant, masterpiece of the American Art Film.

Movies also began to break taboos of sex, nudity and violence, with controversial directors like Pier Paolo Pasolini, Federico Fellini & Bernardo Bertolucci (in Italian Films), Roger Vadim (French Films), Roger Corman (American Films) and Raj Kapoor (Bollywood – Hindi Commercial Films), to name a few. The 60’s are also remembered in conjunction with the Spaghetti Westerns, a short lived trend, begun by Italian film director, Sergio Leon.

The Year: 1966

Tunisian-born Italian actress of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

Tunisian-born, Italian actress, of Sicilian parentage, Claudia Cardinale, on the cover of (the July 1966 issue of) LIFE magazine

1966 saw, the Acid Test (a series of parties, in the mid-late 60’s, centred around the use of the psychedelic drug LSD, a.k.a. Acid) take place, at the historic music venue in San Francisco, California, The Fillmore. These acid trips lasted throughout the rest of the decade. The spy-plane, SR-71 Blackbird (which had it’s first flight in 1964), started operation. Cabinet Member, Robert C. Weaver, became the first African American to hold a cabinet position in the United States. Indian Prime Minister, Indira Gandhi, was elected Prime Minister of India, making her the first, and only, woman Prime Minister, in India, to hold office till date. She was also the second longest serving Prime Minister of India. Luna 9, an unmanned spacecraft landed on the Moon, making it the first controlled rocket-assisted landing. Later same year, Luna 10, was also launched, by the Russians. The Lunar Orbiter 1, the first U.S. spacecraft to orbit the moon, was also launched, much later, that year. A head to head space race. The Australian Dollar was introduced. John Lennon made the controversial remark, that ‘The Beatles were more popular than Jesus’; which, though there were no problems when it was first published in the United Kingdom, got him into trouble with Christian communities in the United States, when it was republished in the States. The Crown Princess of the Netherlands married a German, which sparked protests against the Groom. Meanwhile demonstrations were held, across the United States, against the Vietnam War. The opening of the Parliament of the United Kingdom was televised for the very first time. Ian Brady and Myra Hindley were finally convicted, for the murder of three children, in UK. In New York, thirteen square blocks of low rise buildings were cleared for construction of the World Trade Center (Twin Towers), and groundbreaking for the construction began.

Superstar Sophia Loren on the cover of LIFE (September 1966 issue) YEAR: NINETEEN SEXTY SEX

Superstar Sophia Loren on the cover of LIFE (September 1966 issue)
YEAR: NINETEEN SEXTY SEX

Star Trek (1966-1969), a sci-fi series, made it’s television debut, in America. The Black Panther Party was founded in USA. Japan introduced the Toyota Corolla. Chinese students were chased out of the Soviet Union. The Mothman was introduced, when a couple reported that they saw a strange moth like creature, in the States. Author Truman Capote, hosted a lavish, Black & White, masquerade ball, which was credited as being the Party of the century. Jack L. Warner sold Warner Bros. to Seven Arts Productions; And Hollywood actor, Ronald Reagan, was elected, as the Governor of California.

Sadly, 1966 also saw the demise of greats, such as; famed Swiss Sculptor Alberto Giacometti, notorious American gossip columnist Hedda Hopper, iconic Silent Film-star Buster Keaton, neo-classical Italian Artist Gino Severini, American Artist & Illustrator Maxfield Parrish, British Author Evelyn Waugh, German Expressionist Film producer Erich Pommer, Hollywood method-actor Montgomery Clift, American Poet & Art Critic Frank O’Hara, French Writer & Poet André Breton, Canadian Beautician & Entrepreneur Elizabeth Arden, and Cartoonist Walt Disney (the most prominent figure of the animation industry worldwide); to name some.

Now let’s have a look at some of the films that were released in:-
1966: The Year dubbed as Nineteen Sexty Sex!!!

Hays Code was almost nearing it’s death (the dreaded censorship laws that could have, but thankfully didn’t, kill off, the cinematic arts; with it’s silly rules and regulations), and Hays (the man who implemented these rules) himself had already been dead for just over a decade. The world was going through a new found sexual revolution, as was the film industry, especially Hollywood. And the out-dated production code by William Hays, was getting impossible to enforce (which was finally, completely, abandoned in 1968).

Boeing, Boeing (1965), was a quite hilarious comedy, with Tony Curtis &  Jerry Lewis in the lead. Though released in 1965, it's film posters, hinted what the following year should be known as.

Boeing, Boeing (1965), was quite a hilarious comedy, with Tony Curtis & Jerry Lewis, in the lead. Though released in 1965, it’s film posters, hinted at, what the following year, should be known as.

In April 1966, at the 38th  Annual Academy Awards, the family entertainer, Sound of Music (1965), grabbed the ‘Best Picture’ Oscar, winning five out of it’s ten nominations. Fred Zinnemann’s, A Man for all Seasons (1966), a historical biographical movie, based on an excellent play by Robert Bolt, ended up bagging six Oscars, the following year, including for ‘Best Picture’, ‘Best Director’ and ‘Best Actor’, at the 39th Annual Academy Awards. Thus making it the best film of 1966. Love the movie, love the play. But let’s have a look at some of the movies, that defined the 60’s, and more specifically, Year: Nineteen Sexty Sex.

Blow-Up (1966), a near excellent British Film, by Italian director, Michelangelo Antonioni, is no doubt the perfect insight into the latter half of 60’s decade. Fashion, fashion photography, and sexy sizzling costumes of Swinging London, it encompasses the late 60’s to perfection. A very 60’s, Sexty Sex, film, set in the world of modern fashion, with a modern, youthful and open-minded, insight into the changing world.

Blow-Up (1966) - a movie that defined the 60's!!!!! TOP LEFT: Sarah Miles TOP RIGHT: Veruschka von Lehndorff & David Hemmings BOTTOM RIGHT: David Hemmings & Veruschka von Lehndorff  BOTTOM RIGHT: Topless/Shirtless Vanessa Redgrave & David Hemmings

Blow-Up (1966) – a movie that defined the late 60’s!!!!!
TOP LEFT: Sarah Miles
TOP RIGHT: Veruschka von Lehndorff & David Hemmings
BOTTOM LEFT: David Hemmings & Veruschka von Lehndorff
BOTTOM RIGHT: Topless/Shirtless – Vanessa Redgrave & David Hemmings

The plot deals with a fashion photographer, who one day accidentally takes shots of something, he shouldn’t have, in a park. Then a mysteriously beautiful woman walks into his life, under very suspicious circumstances. David Hemmings played the photographer, and Vanessa Redgrave, the mysterious beauty. The film also features a line of breathtakingly talented beauties, including Sarah Miles, Jane Birkin and German born fashion model, Veruschka von Lehndorff (daughter of a Prussian Count who was involved in a plot to assassinate Hitler, and thus killed for it), to name some. In addition to that, the film has some notable cameo’s by several well known personalities from 1966. Especially, worth watching out for a performance, by English Rock-Band, The Yardbirds. Hemmings’ character was inspired by the real life, Swinging London, photographer, David Bailey.

Blow-Up dared to be quite sexually provocative, especially for that era, and when it was released in the United States, it was in direct defiance with the ridiculous Hays Code. In fact, Blow-Up’s subsequent critical, and box-office, success, was a crucial cinematic-historical moment, leading to the ultimate elimination of the out-dated production code, in 1968.

Next let’s have a look at Sexty Sex’s Who’s Afraid of Virginia Woolf?, which I mentioned earlier. One of my favourite films ever, which also happens to be among my own TOP-10 all time favourite movies (See my list Why I love …. from November/December 2012 on IMDB). Love the movie. Love the Book (Play).

My favourite film of Year: Nineteen Sexty Sex

My favourite film of Year: Nineteen Sexty Sex

The film is about, a miserable middle-aged couple, who regret their life together, having not achieved all they had hoped and desired for, when young. Set within one night, the older couple invite a younger couple for drinks, and play out their disappointments, with one another, at the younger couples’ expense.

Elizabeth Taylor, who was still in her early 30’s, at the time, is successfully turned into a bitter old frumpy woman in her 50’s. Yet, this violet eyed beauty, oozes with sex appeal, and easily seduces the younger married man. Taylor’s character, Martha, not only seduces the younger man, but the audience as well, openly, in front of her weak willed husband (played by real life husband, Richard Burton). Especially, watch out for her re-entry, after she changes her clothes; as the old woman, walks into the living room, in a low-cut, deep cleavage bearing outfit; she is still a far superior sexual being, than the mousy little wife of the younger man, Nick (played by George Segal), Honey (Sandy Dennis). Showcased with a shadowy outline, suggesting a sexual act in progress, seen through a bedroom window, this is another 60’s movie, which not only revolves around sexual human relationships; the older husband & wife, the younger husband & wife (a marriage based on a “hysterical pregnancy”), and the adulterous one night stand; but their vulgar tongued bitterness, is blatantly thrown at audiences, quite unapologetically. It’s an excellent movie, meant for mature audiences. Not just mature in age, but maturity of the mind, is a necessity, to watch an intellectual movie like this. Beautifully filmed in Black & White, the film is a complete psychoanalysis of the young and the old. The 60’s dared to release a movie like Who’s Afraid of Virginia Woolf?, which surpasses time, and can be relevant in any human relationship, in any era.

Sex on the Dance Floor: Liz Taylor & George Segal

Sex on the Dance Floor: Liz Taylor & George Segal

Then there is a really seductively intimate dance number, between Taylor and Segal, which is pure sex on the dance floor. My favourite movie from Nineteen Sexty Sex, Mike Nichols’ directorial debut, Who’s Afraid of Virginia Woolf?, is a must watch, for any film buff, students of Cinema Literature, and students of Literature in the print form.

Natalie Wood was seen in two sexy releases, that year. One was the near excellent comedy, Penelope (1966), in which she plays a bored rich kleptomaniac, who robs her own husband’s bank (thus, the film/character namesake – is tagged as being, “the world’s most beautiful Bank-Robber”); and the other, a more serious, sizzling with heat, and female sexuality, movie, set in the depression era, in the Deep American South; This Property Is Condemned (1966). Another excellent masterwork of adult cinema. The latter film flaunts it’s female lead’s sexuality, thus feels more at-your-face sexual, than the comedy mentioned here. Also see my post Condemnation of a woman during the Depression era of the American south and Mai May Movies 2015 from May 2015.

Scenes from This Property is Condemned (1966)

Scenes from This Property is Condemned (1966)

Whilst the west, was coming to terms with exploring sexual topics in cinema, in the east, Indian cinema, specifically Bollywood’s commercial cinema, was starting open up topics of sex themselves. In Aakhri Khat (1966), we see a ditched beggar woman, die on the streets Bombay. Originally from Kulu district, of the state of Himachal Pradesh, she comes to Bombay, bearing child, to find the reason for her sufferings, Govind (Rajesh Khanna), a sculptor. Once the woman dies, the toddler is left on the buzy streets to fend for himself.

Directed by Chetan Anand, majority of the movie, is filmed with a hand-held camera, following a 15 month old infant, let loose in the city, taking in all the city sounds, under the cinematic direction of cinematographer, Jal Mistry. It’s an excellent movie. Am not going to go deep into the film. The implication of pre-marital sex wasn’t necessarily something new. But there is one beautiful scene, I’d like to mention. As the lost hungry child roams around the city, unaware of the death of his mother, he comes across a semi-nude statue of his mothers’, made by his father, Govind. The child at once recognises his mum, but doesn’t realise, it’s just a sculpture. The hungry crying child, is now delighted he found his mum, he feels safe, and slowly climbs it and tries to drink milk from her breast. That scene is so sad, so touching, your heart lets out. In one way there is a sense of eroticism, seeing a child trying to drink milk from a statue, but it’s also a heartrending moment in the movie. Aakhri Khat is an excellent movie, and this was superstar, Rajesh Khanna’s, very first role.

Vyjayanthimala in and as Amrapali (1966), based on the true life tragic story of a courtesan in 500 BC.

Vyjayanthimala in and as Amrapali (1966), in this historical epic, based on the true life, tragic story, of a courtesan, in 500 BC.

Bollywood actress, of southern Indian ancestry, Vyjayanthimala, appeared in two sexy roles, in 1966. One was, where she played a Princess, in Suraj (1966). An enjoyable enough movie, with beautiful songs, and an average story line. An OK venture, showcasing Vyjayanthimala’s sexy gait and bewitching beauty. But it was the historical epic, biographical movie, about a real life courtesan, Amrapali (1966), which was one of the best films she’s ever done, and encompasses her sexuality to the utmost. The concubine, mistress, of a tyrannical King, her dances, the beautiful body, is pure eroticism, and pure art. Set in 500 BC, under the rein of King Ajatashatru of Magadha empire, this is one of my favourite Bollywood films, and one of my favourite historical/Biographical epics. Amrapali was directed by Lekh Tandon.

Both these excellent Bollywood movies (Aakhri Khat & Amrapali), were selected as India’s official entry for the ‘Best Foreign Language Film’ category at the Academy Awards, but neither were selected as Oscar nominees.

Besides these Bollywood commercial films, 1966, also so the release of the Indian Art House Film, from the state of Bengal (in Bengali); Satyajit Ray’s Nayak (1966). A feminist writer, played by Sharmila Tagore, and a Bengali film star, played by Uttam Kumar, meet by chance in a train, travelling from Calcutta to New Delhi. Reluctant at first, for the feminist writer is full of contempt towards film stars, she ultimately decides to interview him. The whole movie, is a train journey, mainly set the restaurant car, where she interviews him. But the film is also a journey of understanding one another. The actor, slowly opens up, without hiding behind a façade, whilst the feminist softens her outlook towards the world of showbiz. By the end of the journey, as they part their ways, both have improved, through this journey of self-discovery, and an understanding of a non-judgemental outlook towards fellow human beings. One of my favourite Bengali movies, by one of the greatest Indian directors ever.

Cul-de-Sac 66'

Heading back to the United Kingdom, Polish director, Roman Polanski’s, Cul-de-Sac (1966), is another interesting, sexual and psychological thriller. A very weird movie dealing with sexual frustration, alienation and of-course the input of horror. A very good movie, which has all the Polanski trade-marks, seen in most of his films. Also see my post Roman Polanski & His Films from a couple of years ago.

Getting back to Hollywood, my favourite director, Alfred Hitchcock’s, Torn Curtain (1966), a movie that deals with an American physicist defecting (in pretence) onto the Iron Curtain, more specifically East Germany. Set and made, during the Cold War, and starring Julie Andrews and Paul Newman, this is not considered among the best of Hitchcockian films. Yet it’s still an excellent movie. Hitchcock was intrigued by the defection of British diplomats Guy Burgess and Donald Maclean to the Soviet Union in 1951, and thus the idea behind Torn Curtain was born.

Julie Andrews and Paul Newman in Torn Curtain (1966)

Julie Andrews and Paul Newman in Torn Curtain (1966)

The film has a very mild sex scene, with Andrews and Newman, in the beginning of the film. Yet, straight out of family entertainers like Mary Poppins (1964) and The Sound of Music, seeing Julie Andrews do a sex scene, was shocking for American audiences back then. But by the early 70’s, there were so much more, graphic, sex sequences, in movies like, A Clockwork Orange (1971), Last Tango in Paris (1972) and Don’t Look Now (1973), to name a few, that even the idea of being shocked at the sex scene in Torn Curtain was laughable. Paul Newman, also appears nude in a shower scene, but seen through a glass, the nudity isn’t that clearly visible.

Ebony Magazine covers from 1966, depicting celebs with their families.

Ebony Magazine covers from 1966, depicting celebs with their families.

1966, wasn’t all about sex, there were some beautiful non-sexual family films like, Born Free (1966), Mera Saaya (1966), How to Steal a Million (1966), Anupama (1966), Dil Diya Dard Liya (1966), A Man for all Seasons (mentioned above), for example. Yet the Audrey Hepburn movie, How to Steal a Million, can also be categorized as a  stylishly, sleek n’ sexy, movie of 1966. Other sexy films of 66’, include, Fantastic Voyage (1966), Teesri Manzil (1966), Frankie and Johnny (1966), 7 Women (1966), Love in Tokyo (1966), Teesri Kasam (1966), etc etc …

Scene from Masculin Féminin (1966)

Scene from Masculin Féminin (1966)

Then there are Sexty-Sex films I haven’t seen, but would love to, like, Un Homme et une Femme (1966), Masculin Féminin (1966), The Battle of Algiers (1966), Voyna i Mir Part-I & II (1966), Alfie (1966), Shiroi Kyotō (1966), Persona (1966), Is Paris Burning? (1966), The Face of Another (1966), Fahrenheit 451 (1966), The Sand Pebbles (1966), The Appaloosa (1966), The Russians Are Coming the Russians Are Coming (1966), The Chase (1966), Madame X (1966), Funeral in Berlin (1966), Any Wednesday (1966), Triple Cross (1966 ), Made in U.S.A (1966), Hawaii (1966), La Curée (1966), The Blue Max (1966), Sex Quartet (1966), Gambit (1966), Kenka Erejî (1966), The Trouble with Angels (1966), The Professionals (1966), Sedmikrásky (1966), Daimajin (1966), Trunk to Cairo (1966), Au Hasard Balthazar (1966), Incompreso (1966), The Deadly Affair (1966), Pearls of the Deep (1966), Harper (1966), Our Man in Marrakesh (1966), Grand Prix (1966), Khartoum (1966), O Slavnosti a Hostech (1966), Andrei Rublev (1966), Nevada Smith (1966), The Fortune Cookie (1966), Arabesque (1966), The Wild Angels (1966), Tokyo Drifter (1966), Maya (1966), Uccellacci e Uccellini (1966), Seconds (1966), The War Is Over (1966), Faraon (1966), Kaleidoscope (1966), Ah Güzel Istanbul (1966), The Poppy is also a Flower (1966), Ostre Sledované Vlaky (1966), La noire de… (1966), Mamta (1966), The Pornographers (1966), Le Deuxième Souffle (1966), Krylya (1966), The Sandwich Man (1966), Chappaqua (1966), Syskonbädd 1782 (1966), Yeh Raat phir na Aaygi (1966), A Man Called Adam (1966), Es (1966), Signore & Signori (1966), Onna no Mizûmi (1966), Apa (1966), Les Créatures (1966), Zatôichi umi o Wataru (1966), Footsteps in the Snow (1966), La Vida de Pedro Infante (1966), Kiba Ôkaminosuke (1966), The Embryo Hunts in Secret (1966), Seasons of Our Love (1966), Una Vergine per il Principe (1966), After the Fox (1966), etc etc …. and so many more.

The cover of Film Review from December 1966

The cover of Film Review from December 1966

And then there are films that I haven’t watched, that am not that crazy about, but which are sexualised films (especially using actresses, with beautiful bodies, rather than acting talent – mostly B-movies, B-Horror/B-Sci-fi films), some of which were quite famous back in 1966, and some that sound so silly they were hardly worth mentioning, and audiences back then weren’t that crazy about checking out. The likes of, One Million Years B.C. (1966), Women of the Prehistoric Planet (1966), Dracula: Prince of Darkness (1966), Once Before I Die (1966), Blood Bath (1966), Queen of Blood (1966), The Ghost in the Invisible Bikini (1966), Kill Baby, Kill (1966), Take Me Naked (1966) and Single Room Furnished (1966), to name some.

The 1960’s: One Great Decade!!!!!
The Year 1966: One Unique Year, especially for Cinema!!!!!

Veruschka and David Hemmings in Blow-Up  YEAR:1966

Veruschka and David Hemmings in Blow-Up
YEAR:1966

This post is about Sex in Film & the Sixties, and more specifically in 66’ (a.k.a. Sexty Sex); (Ironic, considering the fact, that my previous post, dealt with virginity, in Year 2015).

Meant for More Mature Audiences!!!!!
(Immature Adults – Stay Clear)

Nuwan Sen’s Film Sense
Nuwan Sen’s Historical Sense

This post, is my contribution for the Classic Movie History Project Blogathon, organised by fellow Bloggers of, Silver Screenings (Ruth), Movies Silently (Fritzi) & Once Upon a Screen (Aurora); and sponsored by Flicker Alley.
History Project  (JUNE 2015) LOGOThank you Ruth, Aurora and Fritzi for letting me be part of this interesting Blogathon. It’s five minutes to Midnight !!!!! Good Night!!!!! 🙂

Regards
Nuwan Sen

One of the classiest British celebrities, and one of my favourites, especially among the suave and sophisticated actors, with eloquent command of the English language, has finally hit the Big 4&O.
Hugh Dancy, born on the 19th of June, 1975; in Stoke-on-Trent, in the county of Staffordshire, in the United Kingdom; to a University Professor (in Philosophy); though a student of literature, had no desire to follow the academic route, like his father. Yet, acting was something he got into, by fluke; ‘twas luck by a chance conversation in a café.

Hugh Dancy is a graduate from the University of Oxford, with a degree in English Literature & Language.

I’ve been a fan of his, since I first saw him in the television mini-series, Daniel Deronda (2002), 11½ years ago (I taped the show, and have watched it a couple of times since then). Post which, I’ve watched, and loved, his work in; the two television mini-series’, David Copperfield (2000) & Elizabeth I (2005); and films like; The Sleeping Dictionary (2003), Evening (2007); from which, one of his co-stars, ended up being his future wife; The Jane Austen Book Club (2007), Adam (2009) and Confessions of a Shopaholic (2009); whether the films were great, good or just average fare.

He’s a superbly qualified, yet somewhat underrated, example, of terrific talent; who definitely deserves more of a recognition, internationally. The fact that he’s got charming good looks, is just an added bonus. One of the best thing about Dancy is, that he hasn’t fallen prey to the franchise, like many a credible actors, in recent times. And I hope he never does. This kind gentlemanly genius, with a reputation to match, no doubt, has really good taste.

Only role of his, that I wasn’t that crazy about, was from, Martha Marcy May Marlene (2011). In which, though it was a pretty good movie, he hardly had much of a role.

From his movies, I haven’t seen yet, am really keen on seeing; Black Hawk Down (2001), Shooting Dogs (2005), Hysteria (2011) and the television mini-series, Deadline Gallipoli (2015). Hugh Dancy is currently involved in the long running, American television series, Hannibal (2013-till date).

Hugh Dancy is married to Claire Danes, whom he met on the sets of Evening (as mentioned above). Another favourite star of mine, especially love her nutcracker (with apologies to Tchaikovsky) role of ‘Carrie Mathison’ in the political, spy-thriller (TV series), Homeland (2011-till date).

Love the Handsomely Dashing, Hugh Dancy.

Wishing Hugh Dancy, all the best, with his great acting career ahead. And life as it is. Happy 40th Birthday!!!!

Nuwan Sen
Nuwan Sen’s Film Sense
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Finally here they are, the correct answers to the Hitchcock quiz from March 2015 (Question Time # 008: HITCHCOCK !!!!!)

A.1 1940 Film

Joan Fontaine, Laurence Olivier, Gladys Cooper & Reginald Denny in a scene from Rebecca (1940)

L to R: Joan Fontaine, Laurence Olivier, Gladys Cooper & Reginald Denny in a scene from Rebecca (1940)

(i) The still is from Rebecca (1940), based on the 1938 novel, Rebecca, by Daphne du Maurier.
(ii) The correct statements are:-
(e) This was Hitchcock’s first Oscar nomination, for ‘Best Director’.
(h) This was Hitchcock’s first Hollywood movie.
(j) This was Hitchcock’s first Oscar winning film, for ‘Best Picture’.
(iii) Joan Fontaine plays the nameless character in the movie. Judith Anderson plays the icy ‘Mrs. Danvers’, to eerie perfection.
(iv) It was Sir Laurence Olivier, who received a knighthood, in 1947.
(v) Joan Fontaine was born in Japan, on 22nd October 1917. She passed away on the 15th of December, 2013, aged 96 (see my post Happy 96th Birthday: Joan Fontaine from 22nd October 2013).

A.2 Film 46’
(i) Notorious (1946), contains the longest kiss, and one of the most romantic kisses ever (of 2½ minutes), between Cary Grant & Ingrid Bergman, in history of cinema.
(ii) It’s Ingrid Bergman, as ‘Alicia Huberman’, who is used as a modern day Mata Hari, by the Americans.
(iii) It is Alicia Huberman (Bergman), who is slowly poisoned daily, in small doses, through her coffee, by her husband, Alex Sebastian (played by Claude Rains), and her mother-in-law, Madame Anna Sebastian (played by Leopoldine Konstantin). The slow poisoning act, through coffee, is Madame Anna Sebastian’s brainchild.

A.3 British Original & Hollywood Remake

Left: The original (Black & White) British film from 1934. Right: The Hollywood colour remake from 1956.

Left: The original (Black & White) British film from 1934.
Right: The Hollywood colour remake from 1956.

(i) The movies pictured above are both named The Man Who Knew Too Much. The original British film is from 1934, and the Hollywood remake from 1956.
(ii) The song Que Sera Sera, appeared in the 1956 version, and was sung by Doris Day.
(iii) Yes, Que Sera Sera won the Oscar for ‘Best Song’  in 1957.
(iv) In the 1934 version, the family are on vacation, in Switzerland. No, in the Hollywood re-make the family holiday is set in Morocco.
(v) The gender of the child that gets kidnapped is :-
(a) Female in the 1934 movie
(b) Male in the 1956 film

A.4 Young Alfred Hitchcock & the Silent era

Young Hitchcock(i) The young girl standing behind Hitchcock in the picture is Alma Reville, his wife and collaborator. As the saying goes, “Behind every successful man there is a Woman (telling him he’s  wrong 🙂 )”.
(ii) The Pleasure Garden (1925), was the very first, completed, feature film, made by Alfred Hitchcock.
(iii) Mr. & Mrs. Smith (1941) was the only light-hearted Romantic/Screwball comedy, Hitchcock made in America.
(iv) The Short Night, should have been Alfred Hitchcock’s last film, but the project was cancelled in 1979, due to his ill health. The film never got beyond the early pre-production stage.

A.5 Colour & Hitchcoerotism

Rope Lovers:  John Dall and Farley Granger

Rope Lovers: John Dall and Farley Granger

(i) Rope (1948). Yes, it was Hitchcock’s first film in colour.
(ii) Rope is loosely based on the notorious ‘Leopold and Loeb’ case of 1924. Nathan Leopold Jr. and Richard Albert Loeb, two wealthy students at the University of Chicago, kidnapped and murdered a 14 year old boy, Robert (Bobby) Franks, in 1924. The duo killed young Bobby, to prove their intellectual superiority.

A.6 Hitchcock & the surrealist artist

Nuwan Sen’s ART Sense  Nuwan Sen’s NOIR Sense

Nuwan Sen’s ART Sense
Nuwan Sen’s NOIR Sense

(i) This famous surreal dream sequence is from Spellbound (1945), and surrealist artist, Salvador Dalí, was responsible for this beautiful creation. Of course the original dream sequence was about 20 minutes long, but being too lengthy, it was cut during editing, and only 2 minutes appear in the final film. I’d love to see the original footage, of 20 minutes. It could be a short film in itself.
(ii) Gregory Peck and Ingrid Bergman star as two psychoanalysts. It is Gregory Peck’s character, who suffers from a phobia.

A.7 Hitchcock 007
(i) Sean Connery stars, as the male lead, in Hitchcock’s Marnie (1964).
(ii) Sean Connery appeared in Marnie, after the release of the first two films from the James Bond franchise, Dr. No (1962) and From Russia with Love (1963).

A.8 Hitchcockian Train Journey’s

TOP: Dame May Whitty, Margaret Lockwood & Michael Redgrave in the 1938 noir classic. BELOW: Farley Granger & Robert Walker in the 1951 Highsmith adaptation.

TOP: Dame May Whitty, Margaret Lockwood & Michael Redgrave in the 1938 noir classic.
BELOW: Farley Granger & Robert Walker in the 1951 Highsmith adaptation.

(i) & (ii) The stills are from, the British film, The Lady Vanishes (1938), and the Hollywood classic, Strangers on a Train (1951).
(iii) Strangers on a Train was based on a novel by Patricia Highsmith.

A.9 Rebecca (1940). Why? See my critiques under lists No Name (20th October 2011), Joan Fontaine (1940 & the 40’s) ‘TOP FIVE’ (April 2012) and Why I love …. (November/December 2012) on IMDB.
Hitch Rebecca
A.10 Psycho (1960)

Two months too late. Sorry for the delay, for a lot has happened since I did the questionnaire, thus didn’t have time to work on it. So today, I practically took part in the quiz myself.
Thank you fellow Bloggers, for giving up your valuable time, to take part in this quiz, related to my all time favourite director.

Nuwan Sen n’ Film Noir
Nuwan Sen’s Film Sense
Nuwan Sen’s Hitchcockian Sense

Alfred Hitchcock, known as the master of suspense, was one of the greatest film directors ever. He started his career during the silent era, and completed it towards the end of the hippie era, even working, close to his demise. From Silent movies to talkies, from British films to Hollywood, from eerie love stories to crime, from classy film noir to B-movie horror, he’s done it all (Sometimes even blending all the genres into one). Nobody can dispute the fact he was a true genius, and one of the most talented and versatile (yet unique) personalities to have ever existed. And no doubt, nobody can call themselves a true film buff, if they lack Hitchcockian knowledge.

So here is my Hitchcockian Questionnaire. Play along and enjoy.

Q.1 1940 Film

Laurence Olivier, Joan Fontaine & Reginald Denny from this haunting classic from 1940.

Laurence Olivier, Joan Fontaine & Reginald Denny in a scene from this haunting classic from 1940.

(i) From which film; and based on which novel, by which author; is the above still from?

(ii) This was a ‘First’, in more than one category, for Alfred Hitchcock. Which three lines from below are correct :-

(a) This was Hitchcock’ s first Silent Movie.
(b) This was Hitchcock’s first Talkie.
(c) This was Hitchcock’s first Musical.
(d) This was Hitchcock’s first British film.
(e) This was Hitchcock’s first Oscar nomination, for ‘Best Director’.
(f) This was Hitchcock’s first film as an actor.
(g) This was Hitchcock’s first Bollywood movie.
(h) This was Hitchcock’s first Hollywood movie.
(i) This was Hitchcock’s first directorial venture.
(j) This was Hitchcock’s first Oscar winning film, for ‘Best Picture’.

*Remember, only three, of the above ten, statements, is correct.

(iii) Which one, of the three actors, pictured in the still, plays a nameless character, in this movie? Who plays the icy ‘Mrs. Danvers’ (not pictured)?

(iv) Which actor, from the still, was given a knighthood, in 1947?

(v) Which actor, from the trio pictured, was born in Japan, and died on 15th of December, 2013, aged 96?

Q.2 Film 46’

Cary Grant & Ingrid Bergman's 2½ minute kiss.

Cary Grant & Ingrid Bergman’s 2½ minute kiss.

(i) Which Hitchcockian film, pictured above, contains the longest notorious kiss (2½ minutes), in history of cinema? (HINT: Clue in the question itself)

(ii) Which of the two actors, in the picture above, plays a modern day, post World War – II, Mata Hari?

(iii) Which one, of the two characters shown, is slowly poisoned, through his/her coffee, daily, in the film, and by whom?

Q.3 British Original & Hollywood Remake

Peter Lorre (in the 1934 British Original),  Doris Day & James Stewart (in the 1956 Hollywood Re-make)

Peter Lorre (in the 1934 British Original), Doris Day & James Stewart (in the 1956 Hollywood Re-make)

(i) What’s the title of the two movies (pictured here), which was originally made by Hitchcock in the United Kingdom, and released in 1934; and later re-made by Hitchcock again, in the United States, and released in 1956.

(ii) Which film version, 1934 or 1956, was the song Que Sera Sera from?

(iii) Did the Doris Day song, from the 1956 version, win the Oscar for ‘Best Song’  in 1957?

(iv) In which country, are the family on vacation, in the 1934 film? Is the family holiday, in the Hollywood re-make, set in the same country as well?

(v) What’s the gender of the child that gets kidnapped in the :-
(a) 1934 version
(b) 1956 version

Q.4 Young Alfred Hitchcock & the Silent era
Young Hitchcock(i) Who is the young girl standing behind Hitchcock, in this picture? What is her relationship to him?

(ii) What was the very first, completed, feature film, made by Alfred Hitchcock, and which year was it released?

(iii) Hitchcock made only one light-hearted Romantic/Screwball comedy in America, what was it called?

(iv) What’s the name of the film that would have been the last film release of Alfred Hitchcock, but was cancelled in 1979, due to his ill health?

Q.5 Colour & Hitchcoerotism

Farley Granger & John Dall play partners in life & crime, in this homoerotic 1948 classic.

Farley Granger & John Dall play partners in life & crime, in this homoerotic 1948 classic.

(i) From which movie, is the above picture from? One of Hitchcock’s most experimental films, set in real time, was it also his first colour film?

(ii) This 1948 movie, was Alfred Hitchcock’s first depiction of Homosexuality, though only hinted on the subject matter, which real-life notorious scandal was this movie based on?

Q.6 Hitchcock & the surrealist artist
Dalí Spellbound(i) From which film, is this surreal dream sequence from, and who was the famous artist, who created these sets?

(ii) Who are the two lead stars of this psychological thriller, set in a mental asylum, who play two psychoanalysts? Which one is suffering from a phobia?

Q.7 Hitchcock 007

Tippi Hedren & Sean Connery (in a film from 1964)

Tippi Hedren & Sean Connery (in a film from 1964)

(i) In which Hitchcockian film, did Sean Connery, act in?

(ii) Did Connery appear in this film, before or after, he started acting in the James Bond franchise?

Q.8 Hitchcockian Train Journey’s

TOP: Dame May Whitty, Margaret Lockwood & Michael Redgrave in the 1938 noir classic. BELOW: Farley Granger & Robert Walker in the 1951 Highsmith adaptation.

TOP: Dame May Whitty, Margaret Lockwood & Michael Redgrave in the 1938 noir classic.
BELOW: Farley Granger & Robert Walker in the 1951 noir Highsmith adaptation.

(i) From which two films, where the train is significant to the plot, are the two above stills from?

(ii) Which of them is a British film, and which, a Hollywood venture?

(iii) Which of them was based on a Patricia Highsmith novel?

Q.9 Which is your favourite Hitchcock film, and why?

Q.10 Which of these, from Hitchcock’s two B-movie Horror films, Psycho (1960) and The Birds (1963), is your favourite?  

Nuwan Sen n’ Film Noir
Nuwan Sen’s Film Sense
Nuwan Sen’s Hitchcockian Sense

Watched the enjoyable British thriller, set in South Africa, at the height of the Apartheid, starring Sidney Poitier and Michael Caine, as two very different characters, who are brought together, as two wanted men by the secret police, forced to make their great escape together, across the border, in The Wilby Conspiracy (1975). One of the DVD’s I bought down under.
Wilby Conspiracy posterSet in the 1970’s itself, Sidney Poitier plays Shack Twala, an anti-apartheid activist. The day he is released from prison, after serving ten years for his nationalistic conduct, he, along with his Afrikaner defence attorney, Rina Van Niekirk (Prunella Gee in her introductory cinematic role), and her English boyfriend, visiting British engineer, Jim Keogh (Michael Caine), are on the way to Rina’s home to celebrate; but on the way, South African police trouble Shack Twala for not having an identity pass with him. Rina and Jim Keogh, intervene, and all three find themselves on the run. But Shack Twala, has to retrieve some diamonds stolen ten years ago, to fund their revolutionary movement, known as the, Black Congress (most probably a pseudonym for the African National Congress), which he gave an Indian friend, Dr. Anil Mukarjee (Saeed Jaffrey), a dentist, for safe keeping. Dr. Mukarjee, for his own safely, had thrown the diamonds into a deep pit. Now, with the secret police, led by Major Horn (Nicol Williamson), hot on their heels, Shack Twala, his lawyer, Rina Van Niekirk, her lover, Jim Keogh, and two Indian dentists, Dr. Mukarjee and Dr. Persis Ray (former Beauty Queen, Miss India for Miss Universe 1965, Persis Khambatta, in her first British film), hatch a plan, to get the diamonds, and fly across the border to Botswana, and safety, with the help of Rina’s reluctant, estranged, husband, Blane van Niekerk (Dutch actor Rutger Hauer, in his first British film).

Interestingly the police, have many a chances, to catch the fugitives, but why don’t they?? They seem to have a whole other agenda following the men on the run. And what’s ‘The Wilby Conspiracy’??? It’s only at the end we find out, who, and what, ‘Wilby’ might signify.
Wilby ConspiracyIt’s an engaging political thriller, made and set, when it was still hard to be a free black man, in racially conflicted, South Africa. The best thing about the movie are the two leads, played by Sidney Poitier and Michael Caine. They are both superb actors, and the movie explores their unexpected friendship. Saeed Jaffrey, was really good, as the weak willed dentist, who secretly supports the Black Congress. Persis Khambatta was not bad, as a dentist having her own secret agenda for helping the two fugitives. She served more as a love/lust interest for Poitier. Prunella Gee’s not much of an actress, at least not in her first feature film here. Rutger Hauer was pretty good. And Nicol Williamson was brilliant as the villain of the piece. This movie was a first for many of the stars, including Prunella Gee, Persis Khambatta and Rutger Hauer.
Wilby Conspiracy sceneThe Wilby Conspiracy is a pretty fast paced movie, that moves quickly from one crisis to another, to an unexpected surprise ending. It also gives an insight  into racial friction between the whites and blacks, as well as the blacks and browns, yet at the same time we see secretive alliances between all these races, who act together against injustices of the country. It’s also a great chase film, a road movie, at the same time an intriguing enough political thriller.

 Prunella Gee

Prunella Gee

Spoiler Alert: The entrance of the leader of the Black Congress, most probably representing Nelson Mandela in exile, was an interesting twist at the end.

Though not a great film, a pretty good venture, worth checking out.
Rating: 7/10 !!!

Nuwan Sen’s Film Sense.

DVD Films From Last Month PART-I

Under The Skin poster

As I mentioned in my post Holidaying in Australia, comes to an end, I ended up buying 26 films from Australia. I reached SL on the 15th of November, 2014, and started watching the DVD’s on the 16th, the very next day, itself.

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Art House Horror – Under The Skin

On Sunday afternoon, the 16th of November, 2014, I watched Under The Skin (2013). The film is about an Alien is human clothing, who drives around Scotland, UK, seducing horny men and devouring them. But when she suddenly sympathises with an inexperienced man suffering from facial neurofibromatosis (Adam Pearson, a man actually suffering from this rare disease was taken for the part), she lets him go. She tries to enter the human world, and be one of them, rather than use them to her benefit. Yet the more human she becomes, the more vulnerable she becomes to animalistic humans.

One of best Science-fiction/Art House/Horror films I’ve come across. It’s an unrealistic film, yet filmed so excellently realistic in style, like a documentary documenting this Aliens hungry escapades, involving the male flesh. To the extent of reality, the scenes filmed with Scarlett Johansson (who plays the Alien seductress) picking up men, were actual conversations with non-actors, men on the streets, filmed with many a hidden cameras in her van. That’s why those scenes were so naturalistic, because they weren’t acting, nor did they recognize Scarlett Johansson. Again the scene where she is walking on the street and suddenly falls down, walking into a shopping mall, et al, were all filmed with passers by unaware. Of course the men she’s seen with, where they are submerged into an abyss of liquid, leaving their skin behind, were obviously unknown actors.

Under The Skin (2013)

Under The Skin (2013)

The movie’s got beautiful cinematography, brilliantly filmed, capturing the Scottish Highlands, as well as in a surrealistic sense of the story, where the naked young men are dissolved inside the black space of the extraterrestrial world. There’ve been so many films about Aliens visiting/falling to/residing on earth, including Close Encounters of the Third Kind (1977), Superman (1978), E.T. (1982), Starman (1984), Independence Day (1996), Men in Black (1997), The Faculty (1998), War of the Worlds (2005), I am Number 4 (2011) and The Darkest Hour (2011) to name some (and most of the films, especially the latter lot, mentioned, are pretty crap; in fact E.T. is the only excellent film mentioned above, Superman was very good, Men in Black was pretty good, and the rest range from OK to pretty bad to some of the worse films ever made). But the movie which, Under The Skin, is closest to, and reminds me of, is, The Man Who Fell to Earth (1976), with one of the legends of the pop music scene, David Bowie. The artistic, realistic, style, with an extraterrestrial walking through Earth, all are similarly in sync with the Bowie classic. Especially the slow, convincingly simulated realism, with an alien’s perspective of the human world, that takes it’s time to tell a story. Slow doesn’t necessarily mean it has to be boring, and Under The Skin, is far from boring, and much better than the pretty good B-movie classic, The Man Who Fell to Earth.

The scene where the alien starts to peel off her human skin, and reveals her inner Alien self, is a touching sequence. One can’t help but feel sorry for her more humanistic alien character in this inhumanly human world. The beauty sheds her skin to reveal the beast inside, which ends up being a more beautiful character than many indifferent beautiful people on Earth. One sympathises with her, despite what her alien personality lead her to do in the beginning of the film, before she saved one of her victims, letting out the naked man, suffering facial neurofibromatosis, run free.

The British director of, the near excellent gangster movie, Sexy Beast (2000) and, the pretty good film analysing re-birth, Birth (2004), Jonathan Glazer, has brought out a near excellent artistic venture with Under The Skin. Among the next best in science fiction and horror films. 9/10!!!!

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Lost in Space – Gravity

On 19th November, 2014, watched the excellent science fiction flick set in space, Gravity (2013).

An Exceptional movie of one woman’s lone struggle, whilst lost in space, of resilience and survival. Being all alone floating in the darkness of outer space, without any human contact, nor any visible plant or animal life, could be a formidable experience. Speaking of suffering from loss and loneliness on planet Earth, it’s hard to even conceive what it must be like for Dr. Ryan Stone (the character played by Sandra Bullock), out there in the inhabitable eternal blackness, circumnavigating afloat, with our habitable planet afar, in sight. Gravity is both a psychological and visual treat, by Mexican director Alfonso Cuarón. The only other movie of his I’ve seen till date is, the near excellent Mexican film, Y Tu Mamá También (2001), starring, my favourite Mexican actor, Gael García Bernal, along with his real life best buddy, Diego Luna. I watched Y Tu Mamá También a decade ago, whilst residing in Portsmouth, UK, in mid 2004.

On the sets of GRAVITY, Alfonso Cuarón directing Sandra Bullock & George Clooney

On the sets of GRAVITY, Alfonso Cuarón directing Sandra Bullock & George Clooney

Gravity is among the best movies set in space, coming fourth in line, after 2001: A Space Odyssey (1968), which no doubt is the best Space-age film ever, Interstellar (2014), the next best, another visually stunning intellectual experience, and of course the animated movie, WALL·E (2008), comes a close third. Says a lot about how great WALL·E is, considering the fact, am not that crazy about animated movies.

One of the best sequences in the film happens to be Dr. Ryan Stone trying to contact the human world, and ends us speaking to Aningaaq, an Eskimo residing in a Fjord in Greenland. Of course Aningaaq isn’t showcased in this movie, but I also watched, the 7 minute short film, Aningaaq (2013), which was on the DVD as well, directed by Jonás Cuarón, son of Alfonso Cuarón. An excellent prequel/sequel to Gravity. Aningaaq, shows us the Eskimo’s side of the communication, during radio contact with Dr. Ryan Stone. They speak two different languages, thus don’t understand one another. The DVD also contained the insightful documentary of how man’s been polluting the space around Earth, narrated by Ed Harris, Collision Point: The Race to Clean up Space (2014).

Another sequence is, soon after the radio contact, sole survivor, Dr. Ryan Stone’s hallucination, of fellow astronaut, Matt Kowalski (George Clooney). It’s this hallucination that helps her not give up so easily. The ghost of Matt Kowalski guides her, giving her the necessary push, to somehow make it back home, to Mother Earth.

Alfonso Cuarón, deservedly won the Best director Oscar for Gravity, making him the first Hispanic and Mexican to win an Academy Award for ‘Best Director’. Gravity, won 7 Oscars, out of the 10 nominations, including for ‘Best Visual Effects’ and ‘Best Cinematography’. 10/10!!!!!   

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Romance & Revenge – Indiscreet

Watched the classic Rom-Com starring Cary Grant and Ingrid Bergman, Indiscreet (1958), on 20th November 2014.

Ingrid Bergman with Cary Grant in INDISCREET (1958)

Ingrid Bergman with Cary Grant in INDISCREET (1958)

Based on a play by Norman Krasna, Indiscreet, is about an actress of the British stage, who’s just entered her middle ages, and falls for a man who is unable to get a divorce from his wife, thus can never marry the woman he loves. Once she finds out he’s been lying to her all this time to avoid the subject of marriage, a bold a woman as she is, she concocts an excellent plan to take revenge, which ends up blowing up on her face, and his.

This is the second pairing of Cary Grant and Ingrid Bergman, since their outstanding performance in the Hitchcock masterpiece of film noir, Notorious (1946). Contrasting to the nerve wrecking, psychologically disturbingly excellent noir piece, the Hitchcock classic was, here we see the two stars in a lighter vein, in a hilarious comedy. Might not be the greatest romantic comedy ever, but it’s really worth checking out, especially for fans of Bergman & Grant. They are superbly and eccentrically funny. 8/10!!!! 

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Gay Cancer of the 80’s – The Normal Heart

Based on real events, watched the television movie The Normal Heart (2014), on 21st November 2014.

One of the best gay-themed films to come out in recent times. Based on the life of gay activist, and playwright, Larry Kramer (based on his autobiographical play), The Normal Heart, is a superb insight into the early days of the HIV/AIDS virus. Back in the early 80’s, it was dubbed as a ‘Gay Cancer’, as the AIDS epidemic only seemed to be attacking homosexual men. The American government did nothing about it, as it didn’t seem to affect anyone who wasn’t engaged in sexual intercourse with the opposite sex. A very depressingly educational film, yet made beautifully, and worth really checking out.

Larry Kramer’s character, Ned Weeks (played by Mark Ruffalo), even goes on to accuse the American government of being involved in a conspiracy to kill off the entire homosexual community of the United States. Who could blame him for feeling that way back then. Julia Roberts plays Dr. Emma Brookner, a wheelchair bound doctor (due to polio), who happens to be the only doctor, who dares to do any research to help AIDS patients. Taylor Kitsch, in one of his rare great roles, plays Bruce Niles, a closeted activist, who’s less vocal and forward, unlike Ned Weeks. There are smaller, yet effective roles, by famous television stars, such as BD Wong, Jim Parsons, Jonathan Groff and Frank De Julio, to name a few. But the icing on the cake, is Matt Bomer’s deeply effective realistic performance, as newspaper reporter, for the New York Times, Felix Turner, the lover of Ned Weeks, who’s dying of AIDS. Bomer lost 40 pounds for his role, turning himself into a sickly looking individual, contrasting to the bewitchingly attractive character we see him as, earlier on, in the movie. The best performance of Bomer’s I’ve seen till date.
The Normal HeartOn this DVD, I also watched an insightful documentary called, How To Start A War (2014). A profound look at the true story behind The Normal Heart and the life of playwright Larry Kramer.

The Normal Heart, bagged the Emmy for ‘Outstanding Television Movie’ along with another win for ‘Outstanding (Non-Prosthetic) Makeup for a Television Miniseries or Movie’. From Mark Ruffalo to Alfred Molina to Matt Bomer, six cast members were nominated for Emmy Awards, including one for ‘Outstanding Supporting Actress in a Television Miniseries or Movie’, for Julia Roberts. Plus director Ryan Murphy and writer Larry Kramer, were nominated as well, along with a couple of nominations for cinematography and casting. Sadly none of these categories garnered a win at the Emmy’s. But the cast et al, did win some awards at various other award ceremonies.

The Normal Heart, is a really touching, emotional and educational film, that should be shown/taught in schools. 10/10 !!!!!   

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Advocated Entrapment  – The Firm

On Sunday night, the 23rd of November, 2014, watched The Firm (1993), a thriller based on a John Grisham novel.

Sydney Pollack’s slick thriller, based on the Grisham novel, is a very 1990’s flick. After a young lawyer, Mitch McDeere (Tom Cruise), foolishly falls into an entrapment through advocacy, we see him hatch up an intriguing plan so that neither the Law Firm, nor the FBI, can screw up his life. It’s a very stylish, typical Grisham style thriller, though I haven’t read this particular book of his.

The Firm (1993)

The Firm (1993)

This was an era when Tom Cruise still had taste, when it comes to selecting a venture to work in. Cruise has worked in some exceptional projects back in the late 80’s and 90’s. It’s a pity his roles today aren’t that well selected. He’d rather make a load of money than prove himself as an actor, and he is a good actor, when he comes in good, worthwhile, movies. Movies that he’ll be remembered for in the future. It’s sad. Get back onto doing more challenging roles, like in Rain Man (1988), Born on the Fourth of July (1989), A Few Good Men (1992), Interview with the Vampire (1994), Jerry Maguire (1996),  Minority Report (2002), The Last Samurai (2003), and Valkyrie (2008), to name a few. These movies showcase his ascend as an actor.

With a great cast including Gene Hackman, Ed Harris, Holly Hunter (who was nominated for the ‘Best Supporting Actress’ Oscar for her role here); Jeanne Tripplehorn, Hal Holbrook, David Strathairn, Gary Busey and Wilford Brimley; The Firm, is really worth checking out. A very good adaptation. 8/10!!!!

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Nuwan Sen’s Film Sense

To and fro Australia, I got to watch a few of the latest film releases, in mid air, on the tiny little screen. Here is the run down.
InFlight FilmsBoyhood (2014)
I watched Boyhood (2014), on the 2nd/3rd of November 2014, mostly on the Emirates flight, from Colombo to Singapore, and the latter bit in the Qantas flight from Singapore to Sydney. (See my post Holidaying in South Australia)

12 years in the making, taking a big risk, film director Richard Linklater has brought out an exceptional piece of movie making in the history of cinema. America’s answer to European Art Cinema, one of the best to come out in recent years. Set within the 12 years the movie was made in, we literally see, the lead actor, Ellar Coltrane (playing Mason) grow up in front of our eyes, from ages 6 to 18; as does Lorelei Grace Linklater (real life daughter of the film director, who plays Samantha, Mason’s older sister). And the best part is their parents, played by Ethan Hawke and Patricia Arquette, naturally mature within those 12 years, sans make-up, or computer graphics, to make them look older.

The premise of the film is extremely simple. The movie is a coming of age story, coinciding with the child’s own real-life coming of age, and the battle adults face, as two separated parents, bringing up their two children, to the best of their ability, as well as possible, in the 21 century United States, from 2002 till date. Though separated, both are very good parents to their children. The movie could easily be translated as ‘Parenthood’, just as much as it is ‘Boyhood’. Majority of the film  is literally filmed per year, showing us the children in each age, but in some places it skips a year.

Richard Linklater’s 12 year risk, shot in real-time, has paid off, by taking up such a simplistic storyline, and turning it into a marvellously stylistic and artistic piece of cinematic experience. One of the Best films 0f Year 2014.

Love the cast, Love the movie, Love everything about it. Such an authentic piece of realistic cinema. Pure Artistry! 10/10 for Excellence!!!!!
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Magic in the Moonlight (2014)
Watched the Woody Allen comedy, Magic in the Moonlight (2014) on the Qantas Airways flight from Sydney to Singapore, on the 14th of November 2014. (See my posts Holidaying in South Australia & Holidaying in Australia, comes to an end)

Set in the roaring 20’s, on the French Riviera, this comedy is about a fraudulent magician, a snobbish Englishman (Colin Firth), who tries to unmask yet another deceitful spiritualist (Emma Stone), in turn falling for her and her gag. It’s an enjoyable enough old school comedy, yet it starts to be too predictable and falter towards the end. Definitely not Woody Allen’s finest directorial venture, and no where near his unmatchable Art House, romantic comedies, from back in day, like Annie Hall (1977) and Manhattan (1979). But he’s still definitely got the knack for farcical story telling, yet Magic in the Moonlight is not one of them.

OK fare. 6/10 !!!       
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The Two Faces of January (2014)
Watched The Two Faces of January (2014), on the 15th of November 2014, early morning/past 14th midnight, on the next flight, Emirates Airlines, from Singapore to Colombo. (See my post Holidaying in Australia, comes to an end)

Being a fan of Patricia Highsmith crime thrillers, I was really looking forward to watching this latest Hollywood cinematic adaptation by, Iranian born British director, Hossein Amini. My favourite Highsmith book happens to be The Talented Mr. Ripley, and I enjoyed reading Strangers on a Train as well. Added to that, I also love their film adaptations. Hitchcock’s excellent adaptation that was Strangers on a Train (1951). René Clément’s French thriller, Plein Soleil (1959/60), with Alain Delon as Mr. Ripley, based on Highsmith’s The Talented Mr. Ripley. Anthony Minghella’s The Talented Mr. Ripley (1999) starring Jude Law and Gwyneth Paltrow, with Matt Damon playing Mr. Ripley. And of course, though not as excellent as the previous three, the very good adaptation that was, Ripley’s Game (2002), starring an exceptional John Malkovich as Mr. Ripley.

The Two Faces of January starts off well, and is pretty well made, transporting us back to the early 1960’s Athens. The suspenseful thriller is almost Hitchcockian till the main crime takes place. Post that, it starts to waver somewhat. Being based on a Highsmith crime, the storyline is really good, but the film seems in a rush to tie up any loose ends and finish the movie as soon as possible. It doesn’t let the story develop, nor the characters. If the movie wasn’t made just in 96 minutes, and took it’s time a bit more to tell the story, Highsmith’s work could have been done justice to. There are some flicks which are unnecessarily too long, and waste a lot time on unnecessary stuff, while here it’s the exact opposite. It’s tries too quickly to bind things together, killing of the cinematic experience, into a tight, and very hurried up, 96 minutes. This is Hossein Amini second film, and first feature length work, as a director.

Good Try, by the director, with an OK/watchable outcome. 6/10 !!!                  
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Nuwan Sen’s Film Sense
Nuwan Sen n’ Travel/Film

Judging the film by the titles.
Doesn’t matter whether I love these movies or not, I love these interesting film titles. They sound pretty cool.
Film Titles
I took part in a poll on IMDB, about favourite film titles. In two parts, it asked us to select our favourite film title, pre-1975 & post-1975. For pre-1975, I chose A Clockwork Orange (1971) as my favourite title, and for post-1975, I chose Eternal Sunshine of the Spotless Mind (2004) as my favourite title. For overall favourite title I chose A Clockwork Orange, of course. See their polls as well Run-Off: The Best Film Title EverRun-Off: The Best Film Titles Part I & Run Off Poll: The Best Film Titles Part II.

Have your ever loved the title of a movie, but not necessarily the film? Let me know your favourite film title, from a literary sense. I love most of the 100 movies listed below, some more than others. But the list is mainly to do with my favourite film titles, some are based on novels, plays etc etc.. that I happen to love too. There might be many a films I’ve missed out, as I’ve narrowed this down to just 100 films out of the zillion that exist. Feel free to add, and let me know your favourite title of a film, not your favourite film, unless of course they are one and the same.

A Clockwork Orange (1971)

Cat on a Hot Tin Roof (1958)

To Kill a Mockingbird (1962)

Fiddler on the Roof (1971)

Eternal Sunshine of the Spotless Mind (2004)

Anne of the Thousand Days (1969)

A Room with a View (1985)

Thank you for Smoking (2005)

Woman in the Dunes (1964)

Who’s Afraid of Virginia Woolf ? (1966)

Chariots of Fire (1981)

Catch Me If You Can (2002)

Confessions of a Dangerous Mind (2002)

The Last Emperor (1987)

Gone With The Wind (1939)

Breakfast at Tiffany’s (1961)

Breakfast on Pluto (2005)

Y Tu Mamá También (2001)

The Lady Vanishes (1938 & 1979)

36, Chowringhee Lane (1981)

Last Tango in Paris (1972)

La Mala Educación (2004)

Through a Glass Darkly (1961)

The Triplets of Belleville (2003)

The Great Gatsby (2013)

The Sheltering Sky (1990)

I Heart Huckabees (2004)

1947 Earth (1998)

3:10 to Yuma (2007)

Carnage (2011)

Heat and Dust (1983)

Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb (1964)

The Year of Living Dangerously (1982)

Caesar and Cleopatra (1945)

Rebecca (1940)

Casablanca (1942)

Anna Karenina (1935 & 2012)

Cleopatra (1963)

Malèna (2000)

The Knife in the Water (1962)

Double Indemnity (1944)

Zwartboek (2006)

The Namesake (2006)

Good Will Hunting (1997)

Jules et Jim (1962)

Muqaddar Ka Sikandar (1978)

The Cider House Rules (1999)

Balzac and the Little Chinese Seamstress (2002)

Close Encounters of the Third Kind (1977)

The Silence of the Lambs (1991)

Interview with the Vampire (1994)

No Country for Old Men (2007)

A Passage to India (1984)

The Man Who Knew Too Much (1934 & 1956)

The Man Who Fell to Earth (1976)

The Americanization of Emily (1964)

Lawrence of Arabia (1962)

Shakespeare Wallah (1965)

Saving Private Ryan (1998)

West Side Story (1961)

Silver Linings Playbook (2012)

The Pelican Brief (1993)

Roman Holiday (1953)

City Lights (1931)

A Few Good Men (1992)

12 Angry Men (1957 & 1997)

Salaam Bombay! (1988)

Silkwood (1983)

Four Weddings and a Funeral (1994)

The 39 Steps (1935)

The Thirty-Nine Steps (1978)

Charlie Wilson’s War (2007)

Singin’ in the Rain (1952)

Life of Pi (2012)

The Iron Lady (2011)

To Sir, with Love (1967)

My Fair Lady (1964)

Sleeping with the Enemy (1991)

Metropolis (1927)

Paris, Texas (1984)

Erin Brockovich (2000)

Chinatown (1974)

Hideous Kinky (1998)

Rosemary’s Baby (1968)

The Wizard of Oz (1939)

Brief Encounter (1945)

Tess (1979)

Modern Times (1936)

WALL-E (2008)

Gentlemen Prefer Blondes (1953)

Trainspotting (1996)

The Rainmaker (1997)

Easy Rider (1969)

The Sound of Music (1965)

Doctor Zhivago (1965)

Latter Days (2003)

The Sheik (1921)

Notting Hill (1999)

Dans Paris (2006)

Wilde (1997)

This is not in order of my favourite films; as I like Breakfast at Tiffany’s more than A Clockwork Orange, and Gone With The Wind more than both of them put together, and Roman Holiday, which happens to be my all time favourite movie is no.63 in the list; but in order of my favourite titles, of unique names, that tend to have a nice ring to them. Would like to hear about your favourites.

Nuwan Sen’s Film Sense
Nuwan Sen’s Film Title Sense