Tag Archive: Suave2017


Remembering the late Shashi Kapoor (1938-2017); on his 80th Birth Anniversary!!

Shashi Kapoor was no doubt the most versatile and International celebrity to come out of India. An actor, director and Producer; who not only worked in Bollywood films (both Art & Commercial); but worked in regional Indian films; Indian English-Language Film (in fact he was the first star of the renowned Merchant/Ivory Productions; before they went onto make British gems), as well as British movies!! And he was a renowned stage artiste as well; who formed the famed Prithivi Theatre; fulfilling his father’s, Prithviraj Kapoor’s, dream. Added to which, he had a good reputation; as being one of the nicest people ever. A charming, kind-hearted, friendly personality; and morally superior to most people, in general. Shashi Kapoor died on 4th of December, 2017. He was 79 years old!

I’ve posted this quote, from one of his Bollywood films; Silsila (1981)

Hum gayab hone waalo mein se nahi hai … jahan jahan se guzharte hai jalwe dikhate hai … dost toh kya, dushman bhi yaad rakhte hai

….which in English roughly translates to ….

We are not ones to easily vanish; …. wherever we go, we show them our charm; ….. that not only friends, even foes shall remember us

…. and that quote truly sums up, what this charismatic celebrity is to his loved ones and fans alike. True to any great personality, they’ll never be forgotten; and shall live on forever, through people who admire them. RIP Shashi Kapoor, Stephen Hawking, Sridevi, and other greats people we lost in recent times.

Nuwan Sen’s Film Sense

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Couldn’t sleep a wink last night, kept getting up to check the time. Finally got off my bed by 4:30am (0430hrs); made my instant coffee, and got ready to catch the Oscar Red Carpet coverage LIVE (on this side of the Globe), at 5am (0500hrs); and continued to watch the entire show, until the finalé at 10:20am (1020hrs).

James Ivory giving his Oscar speech; after winning for Best Adapted Screenplay, for Call me by your Name (2017)
89 year old Ivory (who’ll turn 90 in June) became the oldest person to win an Oscar, ever!!

I was pretty disappointed, when Call me by your Name (2017) and Loving Vincent (2017); didn’t win the golden statuettes, for ‘Best Picture’ and ‘Best Animated Picture’, respectively. BUT I wasn’t surprised either. Though I haven’t watched The Shape of Water (2017) and Coco (2017); which won the earlier mentioned awards; in their respective categories; I highly doubt, they are as unique, as the naturalistic delicate love story that was Call me by your Name, and the spectacular literally moving impressionist artwork that was Loving Vincent. Added to which Coco also grabbed the award for ‘Best Achievement in Music written for Motion Pictures (Original Song)’. Poor Sufjan Stevens; his “Mystery of Love”; is such an amazingly melodious creation. Love that song.

Yet, luckily James Ivory was awarded the trophy ‘Best Adapted Screenplay’; for Call me by your Name. Aged 89, this was the very first Oscar win for Ivory; making him the oldest Oscar winner ever. Being one third of the trio behind the famed Merchant/Ivory Productions (which included Ismail Merchant and Ruth Prawer Jhabvala), and today, with only Ivory being among the living, of the trio; he gave a heartfelt speech paying tribute his two co-producers/directors/writers and close friends. I’ve been a fan of Merchant/Ivory Productions since I can remember. They made some brilliant Indian English language films, from the beginning of the 60’s decade, to the early 80’s; before they went onto make beautiful British Heritage Films, like the E.M. Forster trilogy for instance; A Room with a View (1985), Maurice (1987) & Howards End (1992); and other eloquent creations set in eras of elegance.

Another touching speech, that was given, was by Frances McDormand; who nabbed the ‘Best Performance by an Actress in a Leading Role’ Oscar, for Three Billboards Outside Ebbing, Missouri (2017). Albeit pretty hysterically; but heartfelt. She got all the female nominees and winners to get up, and stand with her (though not on stage). I was really happy when, as expected, Gary Oldman won ‘Best Performance by an Actor in a Leading Role’ for Darkest Hour (2017). For he was brilliant as Churchill, and ’twas not just ’cause of the prosthetics. He truly embodied the character. At the end of his speech, he asked his mother to put on the kettle, for he was bringing home an Oscar. Darkest Hour, quite deservedly, also won for ‘Best Achievement in Makeup and Hairstyling’. Jordan Peele, became the first Afro-American Screenwriter, to win the prestigious award for ‘Best Original Screenplay’; for his horror venture, Get Out (2017). Though Dunkirk (2017) sadly lost out to Blade Runner 2049 (2017) for ‘Best Achievement in Cinematography’; it did bag a few in technical categories.

During the In Memoriam, the academy paid tribute to various stars like Harry Dean Stanton, Roger Moore, Chuck Berry, Jerry Lewis, et al. Added to these great American celebrities, they had also mentioned actor Shashi Kapoor (1938-2017); the very first star of  Productions; which was not a surprise, as he was an international star. But, somewhat of surprise, of course a pleasant one at that, was the inclusion of Sridevi (1963-2018), a national star of India; who bridged the gap between Bollywood (Films mainly made in the national language of India, Hindi) and South Indian Cinema (she’s worked in various South Indian languages made in various Southern Indian States).

Black & Gold: Lupita Nyong’o & Sandra Bullock

Rita Moreno, when she won for Best Actress in a Supporting Role for
West Side Story (1961), at the 34th Academy Awards, in April 1962; along with Best Actor in a Supporting Role winner (for the same film), her co-star, George Chakiris (L); and actor Rock Hudson (R)

From Oscars 1962 to Oscars 2018: 86 year old Rita Moreno, wore the same skirt she wore when she won the award for Best Actress in a Supporting Role; 56 years ago

Fashion and a great sense of style, are a dominant feature at the Academy Awards; and this year, it was the Black & Gold combination that struck me as the best. Both Lupita Nyong’o & Sandra Bullock, looked amazing in their Black & Gold garb; but it was the 86 year Rita Moreno, who stole the show; when she wore the skirt that she originally wore for the Oscars, in 1962. She topped it off with a strapless black top, simple jewellery, a headband, gloves, and spectacles. She made spectacles look good. The attire that disappointed me the most, was the crude chandelier of a dress, that hung on Salma Hayek. Too gaudy for my taste!!!

In a chic pantsuit, Emma Stone presents the Oscar for Best Achievement in Directing; which went to Guillermo del Toro for The Shape of Water (2017)

Red n’ Bright: Meryl Streep & Allison Janney
Allison Janney won the Oscar for Best Performance by an Actress in a Supporting Role for I, Tonya (2017)

True Blue: Nicole Kidman & Jennifer Garner

The Gentlemen looked dashing in their tuxedos; but it’s always the Ladies who steal the show at Award Ceremonies; or any function, when it comes to dress sense. But what is even more impressive is when a Lady dons a Trouser suit; and at this year’s , it was the chic style adorned by Emma Stone, that caught my eye!!!👁

Overall, the 90th Annual Academy Awards, was an interesting show; with no slip-ups this time!! And Jimmy Kimmel did a wonderful job, second time round. Bringing in Bonnie and Clyde (1967) veterans; Warren Beatty & Faye Dunaway; a second time, as well (after last years debacle), was a icing on the cinematic cake.

Congratulations to all the Winners!!! Here’s to 2018!!

Nuwan Sen

Nuwan Sen n’ Style

Timothée Chalamet with his mother, and Armie Hammer with his wife (Oscars 2018)

Comical moment with host Jimmy Kimmel and Helen Mirren

Daniel Kaluuya congratulates Jordan Peele on winning the Best Original Screenplay Oscar (inset) Daniel Kaluuya

Nuwan Sen Film Sense
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The Feature-Length Movies released in 2017, that I have seen so far. From the Best to the Worst!!!!!

TOP Films of 2017 (10 Star Rating Each)

  • Call me by your Name (2017)
  • Loving Vincent (2017)
  • Dunkirk (2017)
  • T2 Trainspotting (2017)
  • Die Göttliche Ordnung (2017) – English Title: The Divine Order
  • The Hungry (2017)
  • Battle of the Sexes (2017)
  • Darkest Hour (2017)

The Rest of the films of 2017, from the Close to Excellence to Average to bad to the most Pathetic!

  • Veeram (2017) – Alternate Title: Veeram Macbeth! My Rating: 9/10
  • Downsizing (2017) My Rating: 7/10
  • All Nighter (2017) My Rating: 7/10
  • Space Between Us (2017) My Rating: 5/10
  • Vishka (2017) My Rating: 4/10
  • Life (2017) My Rating: 3/10
  • Begum Jaan (2017) My Rating: 1/10
  • Judwaa 2 (2017) My Rating: 1/10
  • Fifty Shades Darker (2017) My Rating: 1/10
  • The Institute (2017) My Rating: 1/10

I’ve only mentioned of films meant for Cinematic release (even though I watched most of them on the small screen, or smaller yet on my Laptop); and that too, if they were first released last year, only (doesn’t matter which country they made their debut in; and doesn’t matter if I saw them last year itself, or more recently, within the last two months of 2018). Plus, I have only listed Feature films, no Short films, like In a Heartbeat (2017), No-One (2017) and The Colour of his Hair (2017); to name a few. Neither have I added any Television Anthology series (where a one season is considered a “Limited Series”; thus like a loooong movie) like, ‘Season1’ of Feud (2017 onwards) or ‘Season3’ of Fargo (2014 onwards) for instance (which were both excellent shows, by the way), or any other TV series released in 2017, like 13 Reasons Why (2017 onwards), for example! Nor have I mentioned any mini-series/TV movies of documentaries, from last year. So far, from this year’s releases, I’ve only watched Padmaavat (2018), and that was a way way way over top, disappointment.

So, like most of you, my fellow film fanatics; am really looking forward to watching the 90th Annual Academy Awards, LIVE; on 5th March 2018, early morning (on this side of the Globe)!!!!!

May the Best Picture win!!!!!

Nuwan Sen Film Sense
#90thAcademyAwards
#Oscars2018

#‎NuwanSensFilmSense

Call Me By Your Name (2017): The Perfect Picture

A very pure form of storytelling, brought out by Luca Guadagnino, Call me by your Name; is one of the greatest English Language movies to come out of this century. The innocence, the romance, the sensuality; Guadagnino seduces his audiences into a heart-rending love affair; with the 17 year old Elio Perlman (Timothée Chalamet), his desire for the much older archaeology scholar, Oliver (Armie Hammer); and the Italian landscape. In the past, I’ve spoken about Why I love, films like Roman Holiday (1953), Jules et Jim (1962), Annie Hall (1977); et al; on IMDB!! The purity of the realistic, natural feel of these tear jerker romances, and sad, yet beautifully told love stories, with a mature understanding of human emotions; immerses you into these movies, empathizing with the characters; and being deeply involved with their intellectual conversations; understanding, and accepting their bonds, along with their eventual separations or tragic rides to death of their romantic flings (either metaphorically or literally). The style also reminded me of the Art Films of Éric Rohmer; especially Pauline à la Plage (1983); English Title – Pauline at the Beach (which was, also a coming of age story, released in the year Call me by your Name is set in); and Rohmer’s famed “Tales of the Four Seasons” series of films.

Everything about this movie is uniquely brilliant. The story/narrative (based on the novel by André Aciman); the script/screenplay by the renowned James Ivory (collaborated with Luca Guadagnino and Walter Fasano); the music/soundtrack by Sufjan Stevens; the cinematography by Sayombhu Mukdeeprom; film edit by Walter Fasano, the film direction by Luca Guadagnino; – They all come together to bring out something pure and touchingly sublime.

From the artistic title credits, at the beginning; which look like chalk on board (most probably a shout out to the 80’s, when chalk was still used on Blackboards; by the 90’s schools slowly transitioned to Whiteboards with gel markers) with pictures of Hellenistic sculptures showcasing the beauty of the male form; to the finalé, with the burning fire in the cold winter reflecting on Elio’s crying face (like an allegory of his burning desire; being submerged with an unbearable depression of lost love); as the end credits roll; with Sufjan Stevens lending his vocals to the melonchonic Visions of Gideon; this movie completely encapsulates the audience emotions. Though the movie might have ended, the deep impact it leaves us with, stays on for days and days. It feels so real.

Regardless of it being a love story between man and a boy; the emotional turmoil, of experiencing first love, is something every human being can relate to; immaterial of his/her sexual orientation and racial/religious background. It’s a great coming age story, of two gay men; shown in such a naturalistic and non-judgemental manner; it makes one believe in love and romance. The best line of the movie is delivered by Perlman Sr. (i.e. Elio’s father), played by Michael Stuhlbarg; towards the end of the movie. Such an understanding parent, who doesn’t condemn his son’s act of love, with a much older man. Both Elio’s father and mother, Annella Perlman (played elegantly by British born actress, Amira Casar); are very accepting, modern, open-minded individuals; who trust their teenage son’s maturity; yet cuddle and shower him with love kids desire from their parents. Age has nothing to do with maturity. There are so many fully grown immature adults in the world; incapable of intellect, deep though and understanding. Here we see a teenager, along with his caring parents; who are highly mature and sophisticated, in dealing with emotional problems with dignity.

Speaking of elegance and dignity; the Perlman’s definitely are a very privileged family; yet they aren’t obsessed with materialism; even though their superior taste in the world of arts is well acknowledged. They are well in tune with nature and their natural surroundings around the beautiful Villa, in the region of Lombardy, in Northern Italy; that they reside in. We see Elio and Oliver (an American Jewish visitor for the summer, working as an assistant to Elio’s father) exploring the natural countryside, cycling, swimming and dancing. Added to which, we see Elio as a book worm and a lover of classical music.

From the music, to the cinematography, the atmosphere created within; the entire movie seduces us, without necessary showcasing graphic sex. The much talked about peach scene, has a naïvety entwined with it’s sensuality; as erotic as it is, it’s also a touching moment. Elio’s desire to penetrate Oliver is obvious (as it’s led to believe Elio is on the receiving end), the touching of the soft skin on the peach, exploring the hole atop, it’s aesthetically sensual without being cheap and vulgar; yet Elio feels humiliated when Oliver teases him for it. Innocence, eroticism and misery, all rolled in one; making one feel sorry for Elio.

Nature and the aesthetic male nude, play a crucial role in the movie. There is a scene where the archeology professor (i.e. Elio’s father, mentioned above) takes Elio and Oliver to see the ancient Kouros statues that have washed up close to shore, at Lake Garda. Elio and Oliver admire the statue of the male form in all it’s beauty; later the Professor tells Oliver of his admiration for the bronze kouroi, the aesthetic male nude of the bygone era; an understanding of artists’ affections for the youthful male body (which practically was like an understanding, and acceptance, in part of the professor, of Oliver’s love for the Professor’s fully developed young son). And then there is a scene where we see Oliver’s naked physique standing in the dark, from behind, standing at a windowsill; and his beautiful body looks like a Hellenistic works of art, discovered at the Lake Garda, itself. Armie Hammer was 30 years old, and in marvellous shape, when he did this role. The then, 21 year old, Timothée Chalamet, is very believable as a 17 year old Elio, who looks 15. Yup, Chalamet; is capable of portraying an even younger teenager, if he had to. What is more impressive is the fact, that both these actors are actually heterosexual; yet they play their on-screen homosexual romance with such ease, it makes the movie entirely more believably brilliant. And the atmosphere created with the landscape and background score; helps us cherish their beautiful May/December romance, admiringly.

Speaking of music, Call me by your Name also has a great soundtrack; especially with Elio being a musical prodigy of sorts. We get to hear Elio’s own renditions of maestros of classical music, the likes of Bach; and the way Liszt might have played Bach. Added to which there are some beautiful modern day songs, like Sufjan Stevens Mystery of Love and the very 80’s Love my Way by The Psychedelic Furs (from their 1982 album, Forever Now). Speaking of the 80’s; as I mentioned earlier, this movie is set in the Summer of 1983. Yet, Luca Guadagnino manages to make the 80’s feel very today. In other words; instead of making the 80’s, vintage; without making the setting a blast from the past; Guadagnino transports us, the audience back; making us feel as if we are currently living in the 1980’s. It feels like the present. The movie unravels in front of our eyes, as if it were happening, at this moment. Not in a nostalgic sense.

Teenage angst, sexual awakening, first crush; these are coming of age themes; all humans can relate to (whether it’s a love for an older person; where the adult reciprocates; or whether it’s a painful experience of unrequited love). Elio, in one sense, is a very lucky teenager; he not only falls in love; but his love with an adult is consummated (without marriage, of course). Added to which, he has very understanding parents, who give him the freedom teenagers desire, without suffocating him; at the same time, they are there for him, when he needs them the most. When Elio, heartbroken, calls his mum to come and get him; his mother rushes to his aid. The father, consoles the heartbroken child, advising him, not to stop feeling human emotions; because of the pain of losing his first love. Yet, we do sympathize, with Elio. The moment, he whispers “Elio, Elio, Elio” (reminiscence of a romantic moment they shared, where they called each other with their own names; “Call me by your name, and I’ll call you by mine”); to his ex-lover over the phone”, pulls at your heart strings. And Elio sitting and staring at the fire, the emotionally devastated state he is in, when he finds out, Oliver is getting married to a woman; is heartbreaking. Similar, yet so different, to the silent; not speaking a word, yet facial expressions betraying their emotions; type ending from Roman Holiday. That Peck & Hepburn love story is till date, my all time favourite movie; and Call me by your Name, no doubt is my favourite gay themed love story; and amongst my favourites from this century.

This artistically told delicate romance, made with a small budget; has been nominated for 4 Oscars. From ‘Best Motion Picture of the Year’, to ‘Best Performance by an Actor in a Leading Role’, to ‘Best Adapted Screenplay’, to ‘Best Achievement in Music Written for Motion Pictures (Original Song)’ for Mystery of Love; all the nominations are deservedly so; yet it is sad, that Luca Guadagnino, has not been nominated for his superb film direction. Call me by your Name, should at least bag the top prize, for ‘Best Picture’; if not for all four. Yet, I highly doubt, Timothée Chalamet, would win the ‘Best Actor’ trophy; as the academy tends to look at the Body of Work as well (which is absurd, as there is something called a ‘Lifetime Achievement Award’ for that); but anyway, I felt Gary Oldman did a slightly more brilliant role (of playing past British Prime Minister, Winston Churchill), in Darkest Hour (2017). Besides Call me by your Name and Darkest Hour; the only other ‘Best Picture’ nominee I’ve seen is, Dunkirk (2017). All three films are superb in their own right; but Call me by your Name, definitely deserves the coveted Oscar statuette, THE most. No matter, how great, the rest of the films nominated are; I highly doubt, that any of them come close to the unique masterpiece that is Call me by your Name!!!!!

Call Me By Your Name (2017)
My Rating: 10/10 !!!!!!!!!!

I first watched Call me by your Name, last month, on 11th January 2018, streamed online, on a useless website, with a pathetic copy of the film (the quality was soooo bad); BUT the movie was totally worth it. The fact I fell in love with this movie, despite watching it in such bad quality; says a lot about what a great movie it is. So I wanted to re-watch it, on a better quality. Earlier this month, I downloaded a copy of the film, from another site. It took 7 hours or so; felt like the whole day. To see, it was a 30 second clip, stating, to watch the full movie, go to some website!! I was infuriated, and utterly disappointed. Then, on 22nd February 2018, I downloaded it from the site I started downloading films, for the first time, last year (see my post Mardi-Gras, Movies-Gay from March 2017). Initially Call me by your Name was not available on the said site. It took only a couple of hours, and I watched it for a second time, then and there. The quality of the downloaded version was crisp and clear (sadly just the English subtitles for the French and Italian segments were not available; but I can make out some phrases in French, anyway ’twas not much of an issue). The film was worth re-watching, in better quality. It’s sad these great movies are rarely shown in Cinemas here; even then they don’t last for more than a week (watched Darkest Hour, at the Cinema; which lasted only one week). I’d love to re-experience this movie, away from the Laptop; and on the big wide screen someday. Until then ….

Later!!!!!
Nuwan Sen
(Nuwan Sen’s Film Sense)

🍑🍑🍑🍑🍑🍑🍑🍑🍑🍑

Merry Christmas 2017 !!!!!

Originally a Pagan Ritual, worshiping Sol Invictus, the Sun God (which started in the Roman Empire in 274AD, on the shortest day of the year); the Christians took over some 60 years later, to celebrate the birth of Christ (Jesus Christ was not born on Christmas Day; his birth date is unknown, but speculated to be somewhere in the height of Summer, in July or August); coinciding with the Winter solstice. Today, the 2st century, it’s no more just a Christian religious holiday (except for the deeply devout), but an international holiday season. It does not matter, whether you are Christian/Anglican/Protestant/Catholic (or from any other religious branches pertaining to Christianity) or NOT; Religious or NOT; everyone one loves Christmas. No more, is it just to mark the birth of Christ; but fun filled holiday season, for all (whoever wants to enjoy this holiday).

’tis the season to jolly ……..

 

Have a Ball !!!!!

Christ might not have been born of Christmas Day, but these famous people were….

…..among many others!!

MERRY CHRISTMAS TO ALL MY FELLOW BLOGGERS!!!!

Nuwan Sen

#NuwanARTS
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Photograph-V

On Facebook, I was challenged; on the 1st of November, Year 2017, to post a Black&White picture per day, without posting any people, and no explanations, yet it had to do with my life. This was a 7 day challenge, that ended today. Whilst, the rest of the photographs are pretty self explanatory (to some extent at least), this is a picture, which is very personal, and has to do with my childhood on wards, till date. It does not simply depict my love for Books & Films!!!

So here is an explanation for this picture, I posted on FB, for Day V (i.e. 5th November 2017) :-

So past 4th midnight, I thought of posting something uniquely personal for Day V, of the B/W photography challenge. I started taking out the close near dear reads and views, from my shelves, and set them on my bed. It was already next day, with 9/10ths of a moonlit sky shining above the wet clouds outside. At 00:55 am, 5th morning, I took the snapshot. Yet, ’twas a pity, I won’t be able to explain it. But today morning, after posting the last picture of the challenge, I went back to this. And decided, I can’t explain it on FB, but I have a Blog, where I can.

So the picture; let us start with Audrey Hepburn. So, as many of my fellow bloggers and close friends are aware, that Hepburn happens to be my all time favourite actress. I’ve been a fan of hers since I watched My Fair Lady (1964), as a little kid, back in the mid-1980’s. I wanted to grow up and marry her, and remember asking my mum, how old Hepburn was (of course I realized Audrey Hepburn was somewhat older than me, but what I didn’t realize at the time was that this musical, set during the Edwardian era, was made long before I came into existence). Anyway, Audrey Hepburn starred alongside the suave gentleman, Gregory Peck, in ROMAN HOLIDAY (1953), which happens to be my all time favourite movie. I watched this in the summer of 1994, just before my 19th Birthday, whilst living in New Delhi, India. Plus, 1994 was the best year of my teenage life (coming of age in Shit Lanka was a nightmare, so it was a refreshing change to go back to India in 94′, after a hellish six year stay in monstrous Lanka. And now am back, going through a lot of stress due to being stuck in a narrow minded extremist country like Shit Lanka. Been here for just over eight years now. Getting anything done in SL is a hassle, including trying to work on this simple blog-post without unnecessary disturbances and distractions). Anyway, even though a fan of Hepburn since childhood, it was once I watched ROMAN HOLIDAY, I truly fell in love with Hepburn. AND soon both her debut movie; about a Princess walking around the scenic architectural delights of ancient Rome, in modern day Italy, as a commoner, having an accidental fling, a tragic love story set in 24 hours, this B/W tearjerker romance that pulls at your heartstrings; along with Hepburn herself, became my all time favorite movie, and actress, respectively. I was simply smitten by her charmingly naturalistic acting. In 2003, after handing in my final dissertation titled “Marriage on Hitchcock Films: From Rebecca to Marnie”, for my MA in International Cinema, at the University of Luton, Luton, UK; I treated myself to an Audrey Hepburn Box-Set of Video Cassettes, which included my all time favourite, ROMAN HOLIDAY. The cassette cover that can be seen on the picture above.

Having mentioned Hitchcock, many of you know Alfred Hitchcock is my all time favourite director; and that REBECCA (1940) happens to be my favourite Hitchcockian classic. Thus, when I was studying his movies, doing an out and out psychoanalysis of varied character sketches, from his best period of Hollywood movies (his first 25 years in Hollywood) for my final dissertation of 25,000 to 30,000 words; I bought some of his movies, and rented others, in Oslo, Norway (as that’s where I resided, during my final semester, as I had no classes; thus working full time 5½ days a week, and concentrating on my dissertation on Saturday evenings and Sunday the whole day; I was exhausted). The video tape of REBECCA which can be seen above was one of movies I bought. But there is more of a history I share with Hitchcock’s REBECCA. I fell in love with this hauntingly magnificent tale of woman living under the shadow of her husband’s dead first wife; when I first saw it as a kid, in the mid-80’s. So this most probably was my all time favourite, till I watched ROMAN HOLIDAY, almost a decade later. Around that time, at school, The British School, in New Delhi, India, we had to write a film review. REBECCA being fresh in my mind, I remember writing my very first film review, on this noirish perfection by Alfred Hitchcock, aged 11; whilst I was in Senior-I. Later, aged 12½/13, I read Daphne du Maurier’s Rebecca (on which the Hitchcockian masterpiece was based on). And this so called women’s book, my very first piece of Adult Fiction, instantly became my all time favourite novel, and it remained no.1 till aged 20, I read the English translation of CITY OF JOY, a French novel by Dominique Lapierre. I bought the book of CITY OF JOY (pictured above) in 1994, though I read it later. And from the age of 20, till now (I’m 42 now), it has remained my favourite novel. BUT, am currently reading Arundhati Roy’s latest novel, THE MINISTRY OF UTMOST HAPPINESS (pictured above as well), since I located it at the end of August 2017 (yup, am a very slow reader; and it’s not like I get to read my book every single day); and THE MINISTRY OF UTMOST HAPPINESS seems to be fast becoming my all time favourite. That I’ll know for sure, once I finish reading it.

From Novels, to non-fiction; FREEDOM’S DAUGHTER: LETTERS BETWEEN INDIRA GANDHI AND JAWAHARLAL NEHRU 1922-1939 (also pictured above), edited by Sonia Gandhi; happens to be my favourite text of non-fiction; which I read in my mid-20’s. When it comes to print media, there seems to be a major Indian connection. It’s just a mere coincidence. But still, even though with unfortunate Sri Lankan roots, that constantly try to pull me down into the mud with them, I was born and brought up in New Delhi, India. And I had a pretty good childhood (maybe not necessarily a great one, as I was badly bullied in school, it was still better, than when we ventured south into an inhumane and war torn island). Thus having such a strong Indian connection (altogether spent 17 years of my life in New Delhi, 12½ years in row); and a soft corner for my Birth city; plus being a movie maniac; I cannot, not add, my favourites in films, to do with India. My favourite Indian movie, is a Bengali/English bilingual Art House Movie, from the state of West Bengal, directed by Aparna Sen. I bought the DVD of THE JAPANESE WIFE (2010), which can be seen above, along with Kunal Basu’s book of Short Stories (one of which happens to be the basis of this movie), when I visited New Delhi in November/December 2010, on holiday. This was a holiday I took to India, after a break of 9½  years. Aged 35, I thoroughly enjoyed the short story, of The Japanese Wife, as well as the movie. Having watched Indian films throughout my life (especially Bollywood movies, though I happen to be a bit of an Art House snob), it’s amazing how Aparna Sen’s cinematic adaptation of THE JAPANESE WIFE, ended up becoming my favourite Indian movie ever. But having been brought up on Bollywood commercial cinema, I cannot not point out my favourite commercial Hindi Film, from Bombay (now Mumbai) from the state of Maharashtra, India. Mahesh Bhatt‘s ARTH (1982), the DVD of which can be seen above as well. ARTH; which I actually first saw as a kid, and few times later; is a reel life adaptation based on Mahesh Bhatt‘s real life extramarital affair with actress Parveen Babi, who suffered from schizophrenia. A tragic beautiful mind, that soon left the film industry once her illness was out in the open, thanks to this excellently made movie. died under mysterious circumstances, in 2005 (see my post related to her Death Anniversary from January 2013).

Speaking of extramarital affairs and coming back to short stories, I read Anton Chekhov’s THE LADY WITH THE DOG (pictured above), an adulterous love story, when I was 15. This Russian romantic short, happens to be my all time favourite short story, till date (du Maurier’s The Apple Tree, comes a close second). My favourite novella (a text too small to be a novel, yet way too long to be considered a short story), happens to be Truman Capote’s BREAKFAST AT TIFFANY’S (pictured above as well); which I bought, and read, in 2009, whilst living in the most beautiful city in the world, Paris, France. Fell in love with this beautifully written piece of prose, a quick read (Anthony Burgess’ A Clockwork Orange, happens to be next favourite novella, and I love Kubrick’s surreal adaptation, from 1971, of the book, as well). The movie version of Breakfast at Tiffany’s (1961), which also happens to be among my favourite films, directed by Blake Edwards, also stars my all time favourite actress, Audrey Hepburn.

So, I’ve come a full circle, from Hepburn to Hepburn!!!! Almost like a of .


#‎NuwanSensFilmSense
Bookish Nuwan (NS)

Today is Sen’s official . ❤ AND she is 3 years old. Time sure flies, she was just a tiny 5 week old saved puppy when I brought her home, in December 2014. How fast she’s grown up!! No celebration today, now she’s a big girl. 😀 Sharing some pictures of Gingy & , from today morning.

Gingerella‘s previous two Birthday’s

1st Birthday (1st November 2015)

Though I was going through a lot of stress and depression that particular day, as well, I somehow managed to get it all organised and have a small celebration; roping in my two best friends in this country, Saki & Rozanne; and I invited Saki’s then girlfriend as well! Thus ’twas a nice little Birthday Party for naughty little Gingerella Sen.

Gingy’s 1st Birthday Party!!
L to R: Nuwan Sen, Gingerella Sen, Rozanne de Silva & Sakvithi de Silva (The de Silva’s are unrelated)

Gingy & I, at her B’day party, with Saki and his girlfriend

2nd Birthday (1st November 2016)

Of course for Gingy’s 2nd Birthday, neither of my friends could make it. But I still had a li’l party, with 2 year old Gingy, and a 10 month old Nudin!!!

Gingerella’s 2nd Birthday Party (1st November 2016) 10 month old Nudin looks on wondering what’s up with Papa Nuwan (Gingy is not in this picture)

Gingerella’s 2nd Birthday (1st of November, Year of the Sweets; Sweet Year 2016)
Pretty in PINK: My Baby Girl in her Pink Party Dress

3rd Birthday, Today Morning

The Birthday Girl, Gingy, plays with her little brother, Nudin, today morning!!
An antique style, B/W creation, of one of the colour stills above!!

Loads of Love, to my darling four-legged babies!! ❤

Nuwan Sen

❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤ ❤

Ink-tober 2017, has come to end. Today, was the last day!!

A recently befriended fellow artist, told me about this. Ink-tober, is a drawing challenge started by illustrator and animator, Jake Parker, back in 2009. So every October, he gives a challenge for 31 days, with one topic per day. People storm the net, posting their ink sketches per day with the hashtags #inktober & #inktober2017! So I joined the challenge, this year. I couldn’t work on it every day, but when I could, I took my time to work on a proper drawing (or did a quick rough sketch), and posted them on Facebook; and a few on Twitter; with the above mentioned hashtags##!!

So now that the month has come to an end, and I’ve done 17 works for Ink-tober, I thought I’d share it with my fellow Bloggers!! 😀

DAY 1: SWIFT

My Topic: SWIFT HAND MOVEMENT

DAY 2: DIVIDED

My Topic: THE DIVISION OF PEACE

DAY 3: POISON

My Title: THE ORIGINAL POISONED APPLE, POISONED WITH KNOWLEDGE OF GOOD AND EVIL

DAY 4: UNDERWATER

My Title: UNDERWATER FANTASY

DAY 5: LONG

My Title: LADY LONG LEGS COVERED IN BELL BOTTOMS!

DAY 6: SWORD

My Title: PESHWA BAJI RAO I (1700-1740), OF THE MARATHA EMPIRE, & THE FLEXIBLE SWORD THAT SLAY HIS OPPOSING ARMIES

DAY 7: SHY

My Topic: SHY GIRL

DAY 8: CROOKED

My Topic: … AND THEY ALL LIVED IN A CROOKED LITTLE HOUSE

DAY 9 to DAY 15, I didn’t have time to work on anything!!!!!

DAY 16: FAT

My Title: THE FAT MAJA WITH GIANT BABY RING-NECKED DOVE (STREPTOPELIA CAPICOLA) PERCHED ON HER ELBOW
(Inspired by Francisco Goya’s LA MAJA DESNUDA, a.k.a. THE NUDE MAJA)

DAY 17: GRACEFUL

My Topic: GRACEFUL PRINCESS WITH BABY STREPTOPELIA CAPICOLA, AND POTTED PLANT OF EUPHORBIA CONTINIFOLIA!!

DAY 18: FILTHY

My Topic: FILTHY SELFIES IN GARBAGELAND!!

DAY 19: CLOUD

My Title: EUPHORIA: TO BE ON CLOUD 9

DAY 20 to DAY 22, again I couldn’t work on any drawings/sketches!!

DAY 23: JUICY

My Title: JUICY KISS

DAY 24: BLIND

My Title: BLIND BRAINWASHED LOVE FOR HELL ON EARTH, LAND OF PURE EVIL!!

DAY 25 to DAY 28, yet again I had to take another break from drawing!!

DAY 29: UNITED

My Topic: UNITED STATE OF OPEN-MINDEDNESS !!!!!

DAY 30: FOUND

My Topic: FILM NUWA – FILM SCHOOL & PRODUCTION HOUSE, FOUNDED BY NUWAN SEN, IN THE NEAR FUTURE (HOPEFULLY)

DAY 31: MASK

My Topic: MASKS OF DECEPTION

So that’s it. All 17 creations, I did this month, some good, some not so great!!!

So which of these drawings/quick sketches do you like? Which Topic/Title of mine, interests you the most?

Enjoy

Nuwan Sen

#NuwanARTS

Welcome to September 2017!!!!!

Come September, and signs of fall, with it’s colourful Autumn leaves should be taking form, on one side of the globe; whilst blossoms with a hint of Spring ought to be appearing on the other; while here in the tropics, of heaty humidity, the monotonous weather never changes, much like anything else, ever (at least never for the better).

Yet, lets welcome this new month with open arms; and let us keep hoping, against hope, that things shall improve. So, to all my fellow bloggers, wish you a great new month!!!!! 😀

So to start this month off, I have a questionnaire, related to Films, and this month of September 2017!!!

Q.1 What’s the first film that comes to your mind, when you hear the name ‘September’?

Q.2 What’s your favourite film, with ‘September’ in the title?

Q.3 Have you seen any, or are you planning to watch a, movie today, the 1st of September, Year 2017?

Q.4 Is/Are there any movie release/s, this month, wherever you reside, that you are really looking forward to?

Q.5 Is/Are there any film related function/s, this month, wherever you reside, that you are really looking forward to?

Nuwan Sen’s Film Sense

 

Happy Friendship Day 2017

A very Happy Friendship Day, to all my friends, all around the globe!! To Real life Buddies, to Reel life Characters!! To Best of Pals, to Blog Pals!! To Live Mates, to Virtual Mates!! To Life Pals, to e-Pals!! And to Family, that I actually have a Friendship with, and not associate just for namesake!!

Enjoy

Nuwan Sen ❤

**Special Note**

To all my faithful bloggers, sorry I haven’t blogged in a while. A lot of depressive forces prevented me from working on this blog. But don’t fret, I shall be back in the World of Blogging, ASAP!!!! 🙂

NS.