Tag Archive: The 1950’s


Photograph-V

On Facebook, I was challenged; on the 1st of November, Year 2017, to post a Black&White picture per day, without posting any people, and no explanations, yet it had to do with my life. This was a 7 day challenge, that ended today. Whilst, the rest of the photographs are pretty self explanatory (to some extent at least), this is a picture, which is very personal, and has to do with my childhood on wards, till date. It does not simply depict my love for Books & Films!!!

So here is an explanation for this picture, I posted on FB, for Day V (i.e. 5th November 2017) :-

So past 4th midnight, I thought of posting something uniquely personal for Day V, of the B/W photography challenge. I started taking out the close near dear reads and views, from my shelves, and set them on my bed. It was already next day, with 9/10ths of a moonlit sky shining above the wet clouds outside. At 00:55 am, 5th morning, I took the snapshot. Yet, ’twas a pity, I won’t be able to explain it. But today morning, after posting the last picture of the challenge, I went back to this. And decided, I can’t explain it on FB, but I have a Blog, where I can.

So the picture; let us start with Audrey Hepburn. So, as many of my fellow bloggers and close friends are aware, that Hepburn happens to be my all time favourite actress. I’ve been a fan of hers since I watched My Fair Lady (1964), as a little kid, back in the mid-1980’s. I wanted to grow up and marry her, and remember asking my mum, how old Hepburn was (of course I realized Audrey Hepburn was somewhat older than me, but what I didn’t realize at the time was that this musical, set during the Edwardian era, was made long before I came into existence). Anyway, Audrey Hepburn starred alongside the suave gentleman, Gregory Peck, in ROMAN HOLIDAY (1953), which happens to be my all time favourite movie. I watched this in the summer of 1994, just before my 19th Birthday, whilst living in New Delhi, India. Plus, 1994 was the best year of my teenage life (coming of age in Shit Lanka was a nightmare, so it was a refreshing change to go back to India in 94′, after a hellish six year stay in monstrous Lanka. And now am back, going through a lot of stress due to being stuck in a narrow minded extremist country like Shit Lanka. Been here for just over eight years now. Getting anything done in SL is a hassle, including trying to work on this simple blog-post without unnecessary disturbances and distractions). Anyway, even though a fan of Hepburn since childhood, it was once I watched ROMAN HOLIDAY, I truly fell in love with Hepburn. AND soon both her debut movie; about a Princess walking around the scenic architectural delights of ancient Rome, in modern day Italy, as a commoner, having an accidental fling, a tragic love story set in 24 hours, this B/W tearjerker romance that pulls at your heartstrings; along with Hepburn herself, became my all time favorite movie, and actress, respectively. I was simply smitten by her charmingly naturalistic acting. In 2003, after handing in my final dissertation titled “Marriage on Hitchcock Films: From Rebecca to Marnie”, for my MA in International Cinema, at the University of Luton, Luton, UK; I treated myself to an Audrey Hepburn Box-Set of Video Cassettes, which included my all time favourite, ROMAN HOLIDAY. The cassette cover that can be seen on the picture above.

Having mentioned Hitchcock, many of you know Alfred Hitchcock is my all time favourite director; and that REBECCA (1940) happens to be my favourite Hitchcockian classic. Thus, when I was studying his movies, doing an out and out psychoanalysis of varied character sketches, from his best period of Hollywood movies (his first 25 years in Hollywood) for my final dissertation of 25,000 to 30,000 words; I bought some of his movies, and rented others, in Oslo, Norway (as that’s where I resided, during my final semester, as I had no classes; thus working full time 5½ days a week, and concentrating on my dissertation on Saturday evenings and Sunday the whole day; I was exhausted). The video tape of REBECCA which can be seen above was one of movies I bought. But there is more of a history I share with Hitchcock’s REBECCA. I fell in love with this hauntingly magnificent tale of woman living under the shadow of her husband’s dead first wife; when I first saw it as a kid, in the mid-80’s. So this most probably was my all time favourite, till I watched ROMAN HOLIDAY, almost a decade later. Around that time, at school, The British School, in New Delhi, India, we had to write a film review. REBECCA being fresh in my mind, I remember writing my very first film review, on this noirish perfection by Alfred Hitchcock, aged 11; whilst I was in Senior-I. Later, aged 12½/13, I read Daphne du Maurier’s Rebecca (on which the Hitchcockian masterpiece was based on). And this so called women’s book, my very first piece of Adult Fiction, instantly became my all time favourite novel, and it remained no.1 till aged 20, I read the English translation of CITY OF JOY, a French novel by Dominique Lapierre. I bought the book of CITY OF JOY (pictured above) in 1994, though I read it later. And from the age of 20, till now (I’m 42 now), it has remained my favourite novel. BUT, am currently reading Arundhati Roy’s latest novel, THE MINISTRY OF UTMOST HAPPINESS (pictured above as well), since I located it at the end of August 2017 (yup, am a very slow reader; and it’s not like I get to read my book every single day); and THE MINISTRY OF UTMOST HAPPINESS seems to be fast becoming my all time favourite. That I’ll know for sure, once I finish reading it.

From Novels, to non-fiction; FREEDOM’S DAUGHTER: LETTERS BETWEEN INDIRA GANDHI AND JAWAHARLAL NEHRU 1922-1939 (also pictured above), edited by Sonia Gandhi; happens to be my favourite text of non-fiction; which I read in my mid-20’s. When it comes to print media, there seems to be a major Indian connection. It’s just a mere coincidence. But still, even though with unfortunate Sri Lankan roots, that constantly try to pull me down into the mud with them, I was born and brought up in New Delhi, India. And I had a pretty good childhood (maybe not necessarily a great one, as I was badly bullied in school, it was still better, than when we ventured south into an inhumane and war torn island). Thus having such a strong Indian connection (altogether spent 17 years of my life in New Delhi, 12½ years in row); and a soft corner for my Birth city; plus being a movie maniac; I cannot, not add, my favourites in films, to do with India. My favourite Indian movie, is a Bengali/English bilingual Art House Movie, from the state of West Bengal, directed by Aparna Sen. I bought the DVD of THE JAPANESE WIFE (2010), which can be seen above, along with Kunal Basu’s book of Short Stories (one of which happens to be the basis of this movie), when I visited New Delhi in November/December 2010, on holiday. This was a holiday I took to India, after a break of 9½  years. Aged 35, I thoroughly enjoyed the short story, of The Japanese Wife, as well as the movie. Having watched Indian films throughout my life (especially Bollywood movies, though I happen to be a bit of an Art House snob), it’s amazing how Aparna Sen’s cinematic adaptation of THE JAPANESE WIFE, ended up becoming my favourite Indian movie ever. But having been brought up on Bollywood commercial cinema, I cannot not point out my favourite commercial Hindi Film, from Bombay (now Mumbai) from the state of Maharashtra, India. Mahesh Bhatt‘s ARTH (1982), the DVD of which can be seen above as well. ARTH; which I actually first saw as a kid, and few times later; is a reel life adaptation based on Mahesh Bhatt‘s real life extramarital affair with actress Parveen Babi, who suffered from schizophrenia. A tragic beautiful mind, that soon left the film industry once her illness was out in the open, thanks to this excellently made movie. died under mysterious circumstances, in 2005 (see my post related to her Death Anniversary from January 2013).

Speaking of extramarital affairs and coming back to short stories, I read Anton Chekhov’s THE LADY WITH THE DOG (pictured above), an adulterous love story, when I was 15. This Russian romantic short, happens to be my all time favourite short story, till date (du Maurier’s The Apple Tree, comes a close second). My favourite novella (a text too small to be a novel, yet way too long to be considered a short story), happens to be Truman Capote’s BREAKFAST AT TIFFANY’S (pictured above as well); which I bought, and read, in 2009, whilst living in the most beautiful city in the world, Paris, France. Fell in love with this beautifully written piece of prose, a quick read (Anthony Burgess’ A Clockwork Orange, happens to be next favourite novella, and I love Kubrick’s surreal adaptation, from 1971, of the book, as well). The movie version of Breakfast at Tiffany’s (1961), which also happens to be among my favourite films, directed by Blake Edwards, also stars my all time favourite actress, Audrey Hepburn.

So, I’ve come a full circle, from Hepburn to Hepburn!!!! Almost like a of .


#‎NuwanSensFilmSense
Bookish Nuwan (NS)

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A strict Calvinist missionary from New England, marries a young girl who’s been pining for her beloved sea captain; from whom she hasn’t heard from, for two years. Soon the missionary, with wife in tow, sets sail for a new life, in a new land, known as the islands of Hawaii. Cultures clash, religious ideals clash, between the blinded Calvinist Ministers and the equally blinded Hawaiian natives, while caught in the middle of all this, is the young new bride, who tries to be the mediator. Added to this, whilst pregnant with her first child, the sea captain she yearned for at one time, touches the shores of Hawaii, only to cause chaos and mayhem, in the once paradise islands.

Such a brilliant classic, an epic saga of civilising the tribes of the Hawaiian islands; is an underappreciated gem of a movie, that spans three decades. Based on the third chapter ‘From the Farm of Bitterness’, of an even more epic scale novel, Hawaii by James A. Michener, the story is known for it’s historical accuracy. Plus, the lead male character of Reverend Abner Hale (Max von Sydow), is loosely based on the life of missionary Hiram Bingham I; leader of the first group of American Protestant missionaries from New England, who introduced Christianity to the Hawaiian islands. Added to which the character of Queen Malama (Jocelyne LaGarde) was based on Queen Ka’ahumanu, the actual ruler of Maui when the missionaries reached these beautiful islands. Yet, though the film’s historical background is spot on, the tale is fictional, and not based on a true story, just inspired by one.

Julie Andrews and Max Von Sydow

The ever wonderful Julie Andrews plays the minister’s young bride, Jerusha Bromley Hale. The sensible, the practical and the open minded personality, who dares to argue with her husband for the sake of the lovely innocent natives, at the same time, tries to make the natives understand her husband’s point of view. She’s compassionate, and understanding, without judging anyone or taking any sides. She’s the one who tries to bring a truce. Meanwhile, a mother to three kids (as the movie goes forward), she keeps having to deal with the animosity between her adamant husband, and the equally adamant captain she had once hoped to marry. The equally adamant captain, is played by Richard Harris.

Directed by Oscar winning director, George Roy Hill, with such a superb cast, this critically acclaimed movie, was the 2nd highest-grossing film of 1966; yet it’s a wonder this movie hasn’t gained much popularity, since. Is it because it’s too long ?? The original cinematic release was 189 minutes long (thus over 3 hours long); but the version I saw, was the edited version, of a 161 minutes (thus practically ½ an hour of film footage was missing). As a true film buff, I’d really like to watch the film in it’s entirety, with the missing ½ hour.

Richard Harris, Julie Andrews and Max Von Sydow

The screenplay co-written by Dalton Trumbo (see my post Trumbo 9/11 from September 2016, as well) and Daniel Taradash; Hawaii, originally was slated to star Audrey Hepburn and Alec Guinness, in the lead; and Rock Hudson as the Captain. And director Fred Zinnemann was meant to helm the project. But as Zinnemann and Trumbo had conflict of interest, Zinnemann walked out of the Director’s chair. Soon, forces of nature took over, and due to bad weather, and various other reasons, the project was delayed, not just a few years, but by over half a decade. Actors Gene Hackman and John Cullum, were known for their appearances in film, pre-fame. Added to which the film is notable for making the (unaccredited) debut of actress, Bette Midler; as well as the only film appearances of, Jocelyne LaGarde (who gained an Oscar nomination in the ‘Best Supporting Actress’ category, making her the only performer in Academy Award history to be nominated for the only performance ever given), and Max von Sydow’s two sons, Henrik von Sydow and Clas S. von Sydow.

I can imagine Audrey Hepburn doing justice to role of Jerusha Bromley Hale; just as brilliantly as Julie Andrews, has done. Alec Guinness would have been just as spot on, as the adamant Reverend Abner Hale, as Max von Sydow was. And no doubt, Rock Hudson would have been even more dashing in Richard Harris’ shoes, as Captain Rafer Hoxworth. Pity, despite it’s success in 1966, and having been nominated for seven Oscars (the following year), the film hasn’t aged well. To some extent, it does feel like a film made in the 50’s, than the 60’s. But I still enjoyed it, and despite a few minor flaws, I can’t accuse Hawaii of being anything, less than pure excellence.

I watched Hawaii late Sunday night, on 11th June 2017, but actually downloaded this movie, beginning of last month (May 2017).

Hawaii (1966)
My Rating: 10/10!!!!!

Nuwan Sen’s Film Sense

There’ve been quite a few fantastical tales, on celluloid reels, of humans falling in love with the unreal, and vice versa. Lets take a look at some great, and some far from great, renditions of this unusual phenomena, explored mainly on the Big Screen. Fairy tales for more mature audiences (teenagers and/or adults), if you may.
What brought about this sudden urge to write about unrealistic romances, portrayed in a realistic style on celluloid? I watched, Her (2013), back in March 2015 (on 22nd), and never got to write about it (of course films today aren’t made on celluloid, but am speaking in a general term, to reference cinema of the past). Plus it brought about memories of some really great films (as well as certain terrible movies), I’ve watched in the previous decades, going way back to my childhood.

In Her, a writer, Theodore (Joaquin Phoenix) falls for an electronic voice, without a body (voiced by Scarlett Johansson). In Lars and the Real Girl (2007) a lonely, simple headed, man, Lars (Ryan Gosling) falls for a sex toy, a female without a voice.

In Ruby Sparks (2012) a writer, Calvin (Paul Dano) creates a fictional character Ruby Sparks (played by Zoe Kazan) that comes to life. He fall in love with her, but treats her like his possession, in contrast to the sex toy, to whom, Lars, tends to show so much respect and affection towards. Ironically Lars doesn’t treat the sex toy as play thing, but Calvin treats Ruby, as a toy, making her do what he wants. An egoistical male’s god complex, of being in control of his woman. While Lars of Lars and the real Girl and Theodore from Her, are the exact opposite. Of course, when Theodore finds out the voice of Her is ‘in love’ with thousands of other human beings, he starts to feel jealous, knowing he wasn’t special. While we sympathise with Theodore and Lars, we can’t help but feel Calvin is a bloody prick.
Stranger than Fiction (2006), has a similar unreal premise, but am yet to watch it, so I shan’t comment on it further.

In the animated movie, Corpse Bride (2005), a man, Victor Van Dort (voiced by Johnny Depp), accidentally marries a corpse (voiced by Helena Bonham Carter). Of course in this case, it’s the corpse, who falls for the human. Yet, the corpse, itself, was a human being once, who was tricked and murdered by her paramour, on her wedding day. Similarly in the comedy, Memoirs of an Invisible Man (1992), an Invisible man (Chevy Chase) and a woman (Daryl Hannah), fall for each other, yet the invisible man, being an actual human being, it makes it comparatively realistic. As in the case of Mr. India (Anil Kapoor) in Mr. India (1987), a vigilante who can become invisible with help of a devise created by his late father, happens to be the romantic object of many a women. He is still a human being. Yet, we see, the reporter, Seema (Sridevi), fall for the invisible vigilante, than his human self. In fact, she initially despises ‘Mr. India’ in his human form as Arun Verma, unaware that he is in fact her invisible hero. In Hollow Man (2000) and Invisible Strangler (1978), once the protagonists of these movies, find they can get away anything, in their invisible form, nothing stops them from acting on their lustful desires, committing rape/murder, on beautiful women.

In various superhero tales, you find a similar dilemma, as in Mr. India, faced by the love interest of the story. In Superman (1978), reporter Louis Lane (Margot Kidder) falls in love with Superman (Christopher Reeve), who actually is an alien from a distant planet. But she refuses to acknowledge, the affectionate advances from her co-worker Clark Kent, who happens to be her superhero in his human avatar. There have been quite a few ‘Superman’ films since.

Of course Superman is from another planet. But if you take other superhero’s; American conceptions like Batman (played on the Big Screen by many stars from 1966 till date), Spider-man (Nicholas Hammond, in the 70’s, Tobey Maguire, Andrew Garfield & Tom Holland, this century), or Bollywood creations like Shahenshah (Amitabh Bachchan) from Shahenshah (1988) and Krrish (Hrithik Roshan) from Krrish (2006) and Krrish 3 (2013), sequels to Koi…. Mil Gaya (2003); in all these stories, the superhero happens to be human, with superpowers, but their leading ladies don’t necessarily, easily, fall for the man, but have more of a desire for the vigilante, unaware the two are one and the same. In love with not just the unreal, but impending danger as well. Dangerous, risk taking, hero’s, seem sexually more appealing to the fairer sex, than a realistic human companion. These kind of films actually also put pressure on growing young men. As kids, most guys like the idea, of imagining themselves as superhero’s, for fun. But when in their teens, it’s more to do with appeasing the opposite sex, through false perceptions of masculinity, showcased in such movies. Sometimes foolishly young men might try and take unnecessary risks, just to get the attention of their female peers, with disastrous consequences.
If you take classic fairytales, we read as little children, like Beauty and Beast and Princess and Frog, this phenomena of man and beast is nothing new. Yet at the same time, both the ‘Beast’ and the ‘Frog’, are actually human beings, making it somewhat acceptable for children. If you take Greek mythology, there is the famous tale of Minotaur, where the Minotaur is the result of the Queen of Crete mating with a white bull. Added to which there are plenty of tales of Gods and human love stories, as well, in Greek Mythology. Then there is Shakespeare’s A Midsummer Nights Dream. There have been plenty of movie versions of these classic tales and great old literature. In I, Frankenstein (2014); as I stated on twitter ‘another 21st century ruination of a 19th century classic’; this dull horror movie ends with the hint, that Frankenstein’s monster, a man made being, has found a human companion, after searching for over 200 years. On a lighter vein, in not so great films (yet no where as near as terrible as I, Frankenstein), like the comedy, Hercules in New York (1970), Arnold Schwarzenegger falls from the skies (and not to forget Schwarzenegger’s ridiculous Terminator franchise, from 1984 onwards, with the craziest and cheesiest storylines, ever). Like in Corpse Bride, a man accidentally awakens a goddess, in the near pathetic, Goddess of Love (1988), while in Love-Struck (1997) we see a woman who doesn’t believe in love (Cynthia Gibb) fall for Cupid (Costas Mandylor) and vice versa; and Cupid has to decide if he wants to leave his immortal form, and become human. Similarly in City of Angels (1998), an angel (Nicolas Cage) gives up his human form, for his love for a human being (Meg Ryan). Date with an Angel (1987) is about another union between a man and beautiful angel.

In the 80’s and 90’s, there were quite a few teen comedies, based on this concept of unrealistic love, helping a young man find the perfect looking partner, especially if the lead character is a geek or considered a loser, who cannot attain the affections of the opposite sex.

Weird Science (1985) and Virtual Sexuality (1999), are two films I haven’t watched, but the concept of the two teen movies, are the same. In Weird Science, two geeks create a ‘perfect’ woman (Kelly LeBrock), while in Virtual Sexuality, a girl creates herself a ‘perfect’ man (Rupert Penry-Jones).

Similar to Corpse Bride and Goddess of Love, in Mannequin (1987), an artist (Andrew McCarthy) falls for a Mannequin (Kim Cattrall). Big (1988) and Date with an Angel; the two movies combined resulted in the crappy Bollywood take, that was Chandra Mukhi (1993). The film was so bad, that it was credited as being a Salman Khan idea (the lead actor of the movie). Getting back to Tom Hanks, star of Big, back in the 80’s he did a lot of run on the mill comedies; that weren’t great, but were enjoyable enough, thanks to Hanks. In Splash (1984), we see Hanks falling for a mermaid. This adult fairy tale, is similar to the classic children’s fairy tale, The Little Mermaid.
Funny though, how all these Hollywood romances, dealing with unreal love, where the perfect looking lover, be it a mannequin, a fairy, a goddess or mermaid, were all hot white women. What happened to the browns, blacks and yellows? Where are the gays and lesbians? Are they considered less than perfect???? Added to which why is it most of time a man finding the perfect mate? And that too preferably a Blonde one? Even better if the blonde’s in a red hot attire? Like the sequence in The Matrix (1999), where Neo (played by Keanu Reeves), suddenly turns to take a good look at a blonde in a red dress. Why did she have to be blonde? What if he saw an African-American? or an Indian beauty? What if he turned to look at a man? Even in Virtual Sexuality, though it’s creation is a male, the man is a white male, Blond, with a perfect physique. Of course when it came to the Bollywood films, the perfect hero/heroine are both Indian’s, obviously. But United States of America, is a diverse country with all colours and creeds, where the indigenous people of the country are actually Red skinned, not white. Yet the 80’s (and 90’s to a certain extent) target audience, were the straight white American youth. Even though these reached beyond borders. And in a way, 80’s was one of the worst periods for Hollywood, with a load crappy B-movies, being made. Not all, but most, including these fantasy flicks.

Getting back on the topic of films based on unrealistic romances, there are some interesting films of ghosts and people falling for one another. Like in Corpse Bride (discussed above), these dead spirits were humans at one time, and are scavenging earth ’cause of some unfinished business. In the classic Bollywood film, Ek Paheli (1971), a modern man, Sudhir (played by Feroz Khan) falls in love with a mysterious woman (Tanuja), whom we discover later, to be a spirit of a dead pianist, who had committed suicide, during the Post-war era. The only way for the two to be together is, if Sudhir leaves his bodily form, releasing his spirit. Similarly in Somewhere in Time (1980), a modern day Chicago playwright, Richard Collier (Christopher Reeve) falls for a photograph of an Edwardian beauty, a stage actress, Elise McKenna (Jane Seymour). He manages to travel back in time through self hypnosis (see my post DVD Films From Last Month PART-II from December 2014). Yet, they can’t be together, as he’s thrown back into the late 70’s, due to a small mistake, he made, where she doesn’t exist anymore. The only way for them to be together, is for him to die of a broken heart, and letting their spirits unite in heavenly paradise forever.

In Paheli (2005) the exact opposite happens, a woman falls for a ghost, who’s taken her husband’s human form, and trapped her real husband’s spirit.

In Ghost (1990), when a banker, Sam Wheat ( Patrick Swayze) is killed by his best friend, he tries desperately to communicate with his fiancée, an artist, Molly Jensen (Demi Moore), with the help of psychic, Oda Mae Brown (Whoopi Goldberg). While in Love Can Be Murder (1992) a ghost of a former private detective brings chaos into the life of a living private detective, (Jaclyn Smith).

Then, there are on-screen figures/cartoon characters, where the real world intervenes with the celluloid/animated characters. In Who Framed Roger Rabbit (1988), an animated character; based on classic Hollywood stars, Rita Hayworth, Veronica Lake and Lauren Bacall; seduces more than one human in the movie, and spectators alike. Purple Rose of Cairo (1985), has a movie character, walk off the screen and seduce his most ardent fan.

Getting back to man and beast/alien, PK (2014), sees a humanoid alien fall for a human. E.T. the Extra-Terrestrial (1982), shows a great friendship between an alien and a human child. Planet of the Apes (1968) there is a famous kiss, between a man and an ape. In The Animal (2001) a man becomes sexually attracted to a goat in heat. He talks to the goat while rubbing her back and sloppily kisses her on the head. He then slaps her butt. All the popular Hulk films have a love interest

The Sixth Sense (1999), Warm Bodies (2013), Transcendence (2014), The Fly (1958 & 1986), The Ghost and Mrs. Muir (1947), Bewitched (2005), Pleasantville (1998), Ex Machina (2014), all have similar unusual human and non-(real)human interactions.
The Stepford Wives (1975 & 2004), tells of how an intelligent woman finds it difficult, to integrate into a narrow minded society, when she moves into a new neighbourhood. Of course, all the wives (in the original 75’ film) turn out to be machines (while in the 04’ version, only one husband turns out to be a robot, while the other wives have been brainwashed). This is also symbolical, of how difficult it is, when a lone intellectual person gets trapped in an archaic society, that constantly tries to drag him or her down with them. I personally know how hard is to stay afloat, without changing for the worse, living in an extremist narrow minded country. It’s not easy not to be influenced by negativity. And just like Katharine Ross (in the original), and Nicole Kidman (in the comical remake); I have to fight to stay sane, not to be swayed by the rest.

In Moon (2009), we see a clone in love with the image of a dead human; while in The Space between us (2017), a human born in Mars feels like an Alien on Earth; and falls for a human, who decides to leave with him to Mars.
Then there are people who fall for wordsmiths, that they’ve never met. In Saajan (1991) we see a woman (Madhuri Dixit) fall deeply in love with a poet (whom, nobody knows what he looks like), when a man claiming to be the poet (Salman Khan) seduces her, she falls for him. But does she truly love him? If he turns out not to be the poet, would she still love this man? In the Bengali (Bengali/English bilingual)Art Film, The Japanese Wife (2010) and the Hindi (Hindi/English bilingual) Art Film, The Lunchbox (2013), two people have an entire love affair through letters, without ever meeting each other. In The Japanese Wife, they even get married; through ink.

Last but not the least, lets have another look at the union of onscreen humans & Aliens (besides ‘Superman’). Similar to Meet Joe Black and Paheli (as spoken of earlier) Jeff Bridges in Starman (1984), plays an alien who clones himself, into a dead man’s form; and gets the widow to help him escape. In The Man Who Fell to Earth (1976), David Bowie plays a humanoid alien, sleeping around with women of earth. And not to forget the Vampires/Werewolves and human unions; in films like, Nosferatu (1922), Nosferatu the Vampyre (1979), The Hunger (1983) and the recent Twilight franchise.

Some great films on this unusual conception, some terrible, and some in between. But when they bring out something exceptional, those films are really worth checking out.

An ode to unrealistic romances.

Nuwan Sen’s Film Sense

Special Note: I actually worked on this post, one day (on the 22nd of April 2015), exactly a month after I watched the movie, ‘Her’, in March 2015, I wrote most of In Love with the Unreal, and left it incomplete, hoping to work on it the next day or so. I never got back to it, and left it pending. Then, five months later, in September 2015, I re-worked on it a bit, stopped, and didn’t touch it at all through out the Sweet Year of 2016. So it was just hanging there, untouched and incomplete.…That is until today. This was my second incomplete post, from April 2015, that I left unpublished; the other being The Beatles in Art movements through the ages. But I did mange to post in … the following month, May 2015. Anyway, back in April that year, I hardly got anything much done, so far as blogging was concerned. I only posted one blog-post, i.e. The Great Villain Blogathon: Juhi Chawla as corrupt politician ‘Sumitra Devi’ in GULAAB GANG (2014), on the 15th of April, 2015. Now there are no more pending posts. All done!!

Nuwan Sen (Pending Posts from April 2015 !! All Complete!!!!!)
Also see (my), Nu Film Site of Nuwan Sen – Nu Sense on Film (nu Sense on Film), started in August 2015.

Now though, later in Year , am actually planning to close nu Sense on Film!!! I prefer to continue blogging here, on No Nonsense with Nuwan Sen.

Nuwan Sen


(1929-1993)

Remembering Audrey Hepburn, on her 88th Birth Anniversary!!!

Audrey Hepburn; a brave kid during the second world war who participated in the Dutch resistance, a beautiful young ballerina, a Tony & Oscar winning actress of the stage & screen, a Hollywood icon, a classy Fashionista, a kind humanitarian, a caring philanthropist, and a Goodwill Ambassador for UNICEF; who gave herself completely to serving poverty stricken, and ailing, children, across, Africa, South America and Asia!! A modern day saint!!

A mini-pictorial tribute, to this unique personality!!

Nuwan Sen

 

Queer Movies, and the month of Mardi-Gras

10 years ago, on 3rd March 2007, I witnessed the Sydney Gay & Lesbian Mardi Gras (simply known as Mardi-Gras, down under). This was when I was a student, doing my MA in painting (2006-2007), at COFA (College of Fine Arts), UNSW (University of New South Wales). It was a spectacular event, with gaudily glittering floats, semi naked bodies, cute kids, and the Sydney Mayor. In full swing, in the Australian summer, it went on, from dusk till dark.

The Mardi-Gars festival, is actually a carnival before Lent, in the Christian calendar. BUT, in Sydney, it’s a Pride carnival. Mainly due to the fact, that during the Pride month (which happens to be the summer month of June); is in the heart of winter, down under; where seasons go in the exact opposite direction to the norm. Christmas down under, is in the height of the hot sweltering summer. Thus, the Pride March, down under, has been interwoven with the Mardi-Gras; and is known as the Sydney Mardi Gras!! This takes place, on the first Saturday, of March. And thus, this year, it was held on 5th March 2017!!

In 2008, it was on the 1st of March, 2008. By now, I’d completed my 2nd Masters, and I was temporarily working as an ‘International Student Advisor’, at the ISS (International Student Services), in UNSW. I did not attend it that year (in fact, March 2007, has been the only Mardi-Gras carnival I’ve seen, so far). But I did, go and see, one movie, at the Mardi Gras Film Festival, held in Sydney, in February 2008. The movie was, The Houseboy (2007); and it was pathetic. One of the worst films I’ve ever seen.
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Downloading

Towards the end of last month, I came across a fellow film buff, from Pakistan, on Twitter, with whom I ended up chatting (something I rarely do, that too on Twitter). Soon I befriended him, on FB (Facebook). And on his FB timeline, he had mentioned Mahershala Ali, an actor of Muslim faith, who won the Oscar, for ‘Best Supporting Actor’ for Moonlight (2016), at the 89th Academy Awards, held on the 26th of February 2017; and how proud he felt of being a Muslim, himself, for the very first time. I simply asked him whether he’d seen Moonlight, and that I’d love to. He told me he had watched it twice; and said he’d send me the link to download the movie. And he did.

Now, back to 10 years ago; Year 2007!! I was dead against piracy, and downloading movies on the web, et al. I remember how my Australian friends & flatmates, use to react; feeling embarrassed at doing such things themselves. But I have been living in Sri Lanka, for 7½ years now, and not being able to watch any good movies (as they practically are never shown in Cinema’s here); I’ve had to rent or buy films occasionally, that happen to pirated copies. See my posts on Life of Pi  (2012) and Mud (2012) from October 2013.

But, luck had me travelling to, places like:-
New Delhi, India, between 2010 & 2012 (where you don’t see pirated copies in street shops, unlike Sri Lanka, and have to (literally) go to an underground market, if you want cheap pirated copies); where I not only got to buy good original DVD’s (even though they were with Indian copyrights, thus they have to be approved by the Indian Censor board, and certain films, have a universal rating, with sex and nudity edited out; and though am against censorship, I prefer to buy original DVD’s, than badly pirated ones, found in good shops, in Colombo and it’s suburbs, in Sri Lanka), but also got to see some great films on the Big Screen, on the superb Cineplex’s of New Delhi (see my list on IMDB titled Oscar Winners … and then some 2012, from March 2012).
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Adelaide & Sydney (once again), Australia, in November 2014; where too, I watched a couple of the superb films, on the big screen, plus bought many a DVD’s (see my Blogpost Holidaying in Australia, comes to an end from November 2014).

Meanwhile, back in Sri Lanka, I’ve tried to download films, from certain sites; either I get an error message, or it’s not available in this country, or something or the other. So, only way, I’d watch films online, is if they were available on Youtube; and late last year, streamed a few on iflix. But, as I mentioned above, that this nice new (virtual) friendly acquaintance of mine, sent me a link. And on the night of 28th February 2017; I started to download, Moonlight. By the time, I finished downloading the film, it was next morning, i.e. 1st March 2017. Thus Moonlight, was my very first successful download. And within the next few days, I downloaded four more s; in conjunction, with the month of (or rather the last week of), Sydney’s version, of the Mardi-Gras festivities.
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5 Queer Movie, within the first 5 Days, of March 2017

So here are my mini-critiques on the 5 films, I’ve downloaded so far (downloaded for the very first time). And unlike the pathetic film I saw at the  Mardi Gras Film Festival; except for one here (which too was Averagely good), all the rest of the films were pure excellence of Cinematic magic.
Thus, here is my own little ‘Queer Film Festival’!!!!!!
Beware of some spoilers below!!!!!
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1. MOONLIGHT (2016)

An Art-House Film, that bagged the ‘Best Picture’ Oscar, this year; a rarity, and a win after a fumble at the Academy Awards, that almost felt like Moonlight, had not won.

Moonlight is a touching portrayal of a young, afro-American, gay man, Chiron, brought up in a rough neighbourhood, in Miami, Florida, USA. With a drug addicted, emotionally unstable and abusive, mother; plus being bullied and beaten up in school; Chiron grows up to be a thuggish looking drug dealer, with a heart of gold. The finalé with the admission of virginity, by a very masculine, strong built man, pulls at your heart strings. This is a brilliant, coming of age, drama, about sexuality, true love, and what it’s like to be black in America, especially in a poverty stricken neighbourhood. Directed by Barry Jenkins, who won the ‘Best Director’ Oscar; Moonlight is a powerful piece of though provoking cinema. This is also Jenkins’ directorial, feature film, debut.

Ashton Sanders & Jharrel Jerome in a scene from Moonlight (2016)

The strong built, Trevante Rhodes, brings out such a sensitive performance; through a character, that outwardly generally feels frightening, with his gold chain, and gold teeth; and tough, overtly masculine, act; that touches deep, seeping into your veins, feeling the pain he’s going through. What a beautiful human being the character of Chiron is. The movie is told in three chapters, with three actors, playing one character, Chiron, in three stages of his life. Thus, the film has a main character (Chiron the protagonist of the film), but no lead actor, as such. The trio of actors perfectly essay the role of Chiron. In fact, the whole ensemble cast is terrific.

Mahershala Ali; who won the Oscar, for ‘Best Supporting Actor’ (making him the very first Muslim to win an Oscar, in the acting category); plays a kindly drug dealer, who becomes a mentor, a father figure, for little Chiron. Overall an excellent movie, that deserved the ‘Best Picture’ award, at the 89th Academy Awards, held last month. Moonlight, was the first film with an all-black cast, and the first LGBT film, to win an Oscar, for ‘Best Picture’ ever.

Watched Moonlight, late Wednesday night (1st of March, 2017)!!

My Rating:-
Excellent!!! 10/10!!
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2. CAROL (2015)

A Christmas Carol, a beautiful Christmas romance, and a wonderful, lesbian, love story.

Cate Blanchett is superb as ever, nothing surprising about that fact. Todd Haynes, is an equally great director, again nothing new about that. But, Rooney Mara, WOW!!! What a brilliant performance. I’ve seen excellent films, starring Mara, in small roles, like in The Social Network (2010) and Her (2013); but I hardly noticed her in these movies. So she definitely was the surprise packet in Carol, for which Rooney Mara, tied in, for the ‘Best Actress’ win, at the 68th Annual Cannes Film Festival, in May 2015 (see my posts The 68th Cannes Film Festival finalé and Winners & Disappointments – at Cannes 2015, from May 2015).

Carol, is based on a novel by Patricia Highsmith, titled The Price of Salt. Though am a fan of Highsmith thrillers, I haven’t read this particular novel. This story, is very different to Highsmith books (at least that’s what I gathered from the movie). While most Highsmith literature has to do with crime, interwoven with themes of sexuality; The Price of Salt seems to be, an out and out, love story, of two beautiful women; living in a male oriented, homophobic, world. Sadly, this is the world, a great American writer like, Patricia Highsmith, a lesbian herself, had to survive in, in the 1950’s.

Carol is a beautiful heart warming Christmas romance, set in America, in the foxy 50’s, starring two fantastic foxy actresses. Rooney Mara carries ’s charm and simplicity, with grace; and bold Blanchett, is outstanding as ever. Carol, has the potential of being, a future Hollywood classic. While Moonlight, is a brilliant, low-budget, American indie-film; Carol is the quintessential, modern day, Hollywood romance.

I had the luck of seeing Cate Blanchett, in real life, down under. Heavily pregnant, she came to UNSW, to see a digital television exhibit, at our University; in early 2008. I actually didn’t recognise her at once. For one thing I wasn’t aware she was pregnant. So, when I saw a heavily pregnant lady, come out of the exhibit, in a massive pair shades, with a little boy, and stare right at me; I didn’t really pay much heed to her (I was waiting to go inside, with a couple of friends; waiting for whoever was inside to come out). But I did feel she looked familiar. Then she removed her dark glasses (for our benefit 😀 ), and started speaking to a person in a wheelchair, quite near me. It was her voice I recognised, and it’s only then I looked at her. After she left, I asked the students working the exhibit, and they confirmed it was her!! If I already knew she was pregnant, I would’ve recognised her instantly.

Watched Carol late night, on the 2nd of March, 2017!!

My Rating:-
Excellent!!! 10/10!!
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3. HOLDING THE MAN (2015)

Above: Actors Ryan Corr & Craig Stott; as Timothy Conigrave & John Caleo, respectively; in the film, Holding the Man (2015)
Below: The real-life Timothy Conigrave & John Caleo

What better day to watch an Australian Gay-themed film, than on the night of, Sydney’s Gay & Lesbian Mardi Gras parade. Of course being on this side of the Ocean, there is no way I can attend the parade, down under, in all it’s splendour. But instead, I watched an Australian Queer Film, based on a memoir; which was the basis of a stage play, with the same title, by Tommy Murphy (who is also accredited with the screenplay for this movie), that came out in 2006; whilst I was in living in Sydney. The play was a big hit in Sydney; and in 2007, I remember seeing an interview with Tommy Murphy, on a local television channel in Sydney. Unfortunately I never got to see the play.

As I mentioned, Holding the Man, is based on the true story, of Timothy Conigrave’s (stage artiste, writer & activist), 15 year love affair with John Caleo (who died of AIDS); which Conigrave penned down, in a book called, Holding the Man. Conigrave completed this book shortly before dying of an AIDS-related illness, himself, in October 1994, at the age of 34 (a month before his 35th Birthday).

Holding the Man, is a tragic story, chronicling the life of two gay men, in Melbourne, Australia, who fall in love as teenagers, in the 1970’s; and survive all odds, when the land of Oz, was still very homophobic. It’s a pity, Timothy Conigrave and John Caleo, weren’t able to see, how much the world has changed today, and how much more open, Australia is to gay culture today. In fact, Sydney is the next gay capital of the world, after San Francisco, in USA. BUT, no matter how open and free, homosexuality is down under, today; sadly many a Australians do take Gay people for a joke. Homosexuality is no laughing matter. People can still be pretty cruel, and inhumane, even in Australia, towards the LGBTIQ community.

Watched Holding the Man, late night, on the 4th of March, 2017. The movie finished past midnight!! A sad beautiful tale, filmed beautifully by director, Neil Armfield. This is among the rare greatest Australian films, I’ve seen.

My Rating:-
Excellent!!! 10/10!!
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4. REFLECTIONS OF A GOLDEN EYE (1967)

Brando & Taylor, on the sets of Reflections in a Golden Eye (1967)

Based on the novel, Reflections in a Golden Eye, by Carson McCullers; this beautifully made movie, with a uniquely stunning photographic technique, was directed by John Huston, starring Elizabeth Taylor, in the lead, with Marlon Brando, Brian Keith, Julie Harris and Robert Forster. This was Forster’s debut role, where he played a sexual desire, of Brando’s character.

The main plot of the movie, revolves around the wife of a Major, stationed in a US Army post in the American South in the late 1940’s. The said wife is played by Elizabeth Taylor. A young new Private (Forster), has a perverted obsession, who voyeurs around the violet eyed beauty (Taylor), watching her naked body reflect through the golden brown lens of his eye. It’s a beautifully filmed, movie about a peeping Tom; unaware, of the Major (Brando), the husband, of his sexual desire, himself has a repressed homosexual desire for the Private. Seeing the Private’s naked golden body, many a times in the brown woods, only adds to the Major’s already uncomfortable want for a young man, he cannot have.

Despite a great story line, and the beautiful photographic technique, the film isn’t without it’s flaws. The most visible one being, that of Taylor’s character. Though the film is set in the late 40’s, Elizabeth Taylor’s look, just doesn’t feel the post-war period. With the latest hairdo’s and fashionable dress sense, straight out of the 60’s; Taylor is magnificently more modern, than the setting of the movie. Another flaw is, the movie starts to bore in the middle, especially after the death of a mentally unstable character, played by Julie Harris. Added to which, Huston could have focused more on the Major’s repressed sexuality; i.e. the character played by Marlon Brando.

A scene from the film, Reflections in a Golden Eye (1967); featuring Robert Forster, in the original release of the picture, with the golden hue, that did not impress audiences.

Initially the movie was released, with a golden hue enveloping the movie, as a reference to a drawing of a golden peacock, in the movie; a golden peacock in whose eye, the world is a mere reflection. But audiences did not seem to get this symbolic aspect, thus the original copy was withdrawn from cinema’s, and a normal coloured version re-released. I saw the ordinary colour version, but I’d love to check out Huston’s original aesthetic creation; with the warm sepia tint, over the colour film.

None the less, it’s a very admirable effort by John Huston. I watched Reflections in a Golden Eye on Sunday afternoon, 5th March 2017!!!!

My Rating:-
Average Fare!! 6/10!
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5. SUNDAY BLOODY SUNDAY (1971)

Last but not the least, most probably my favourite of the lot. What a clever, unusual film. The 60’s & 70’s were definitely the period that Hollywood ruled; bringing out bold unique plots.

Starring Peter Finch, Glenda Jackson and Murray Head; and brilliantly directed by John Schlesinger; Sunday Bloody Sunday, is a very mature, open minded, intelligent story. Murray Head plays a bisexual; who has two partners. One, played by Finch, and the other by Jackson. And each is aware of the other’s existence; and have a mature understanding, and acceptance, of the other, though neither of the, young bisexual scientific artist’s, partners have met each other. What’s more interesting, is how decent these people are, and in what a civilised manner, they handle sharing the same partner. They go on living a very normal life, with their lover, who finds time to spend with both, his male lover, as well as his female lover.

This is a very modern outlook, we don’t really see in this century. Of course, there are plenty of films on threesomes, extreme sexual deviations; but most of the time it’s showcased in a sleazy manner. That’s the beauty of this film, despite having a homosexual man and heterosexual woman, sharing one lover, there is nothing sordid about it. It’s so sophisticatedly handled, and is made to feel, so normal, and that too in a movie, that came out in the 70’s decade; it’s a wonderful feat.

One of the most intellectually adult movies, I’ve ever come across. Peter Finch, is spot on, as the elderly gay man, who is not seen suffering because of his sexuality, and who happens to a well to do Jewish doctor. Glenda Jackson plays a divorcee, who suffers from a childhood trauma, during the war. And each of them lives a relatively happy life, sharing one man, without suffocating the lover. And the lover, being bisexual, enjoys openly romancing both. And yet, it’s only the two of them he romances, and he doesn’t hide the fact he’s also seeing the other. So technically he is faithful to both his lovers.

A lot does happen in the movie, but it’s more character based, where these three people live a very civilized life, in a very normal manner, with acceptance and understanding. Isn’t this the kind of normal acceptance, of people who are different, and understanding them, that could make the world a better place. In a way, a very futuristic attitude. It’s a society that doesn’t have to fight for Gay Right’s, or Women’s Lib, et al; why?? ‘cause gay men and women are seen, living a relatively liberal lifestyle, with no judgement. Their friends accept them, friends’ children play with them, they are asked to take care of the kids, they trust each other; isn’t this the kind of normality, that ought to really exist, in today’s world, but sadly does not. Schlesinger, though set the movie in the 70’s itself, has forecasted a very progressive future, which should have made it’s way, by now.

This British film, is a masterpiece of cinematic intellect. A must watch. The Best film, in this list, I watched Sunday Bloody Sunday, late Sunday night (5th March 2017); the movie ended past midnight. Totally worth it!!

My Rating:-
Excellent!!! 10/10!!
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So that’s all folks, the 5 films I watched, within the first 5 days, of this month. Four of which, were pure excellence!!!

Nuwan Sen’s Film Sense

sidney-poitiers-90th-birthday

To Sidney Poitier Esq.  

Dear Sir,
            First of all, let me wish you a very Happy 90th Birthday. And a big congratulations for being in the acting profession, on both the stage and the screen, for over 70 years.
           Thank you sir, for making it in Hollywood, at a time, when non-Caucasian celebrities, were a rarity. Most of Hollywood was initially made up of, the British, various European countries, Canada, and a few Americans (though those Americans who found fame, were limited to the stars of the fairer skin). Yet, considering the fact, that many a notable Hollywood personalities, were mostly British (and from other Western European countries); it’s obvious that Hollywood is actually, made up of immigrants. Yet, a very big thank you, to you, Sir Poitier, for not only being a leading actor, from the 1960’s (a decade when the world began to change, for the better) onwards; but also, for being the first black male actor, to win an Oscar.
           Legendary, Hattie McDaniel, beat you to it, by winning in the, Best Supporting Actress, category, at the 12th Academy Awards, in 1940; for her brilliant role, as ‘Mammy’, in Gone with the Wind (1939). Thus, making her, the very first African American to win an Oscar. So in a way, she paved the way for you. But it’s only when you won, for Lilies of the Field (1963), at the 36th Academy Awards, in 1964; that darker skinned stars truly started getting a recognition. Of course, in the 70’s, there were a lot of Blaxploitation (a.k.a. Blacksploitation) films. A pity, Afro-Americans, were being reduced to cliché’s. BUT, luckily you were not part of the Blaxploitation cinema, of the 1970’s (not to my knowledge, anyway). So, thank you, for not falling into that trap, and keeping a dignified edge, for Black stars, yet to shine. Plus, thank you, for opening up an avenue for non-white acting talent, in general, in Hollywood. Today, a British born actor, with Indian roots, is nominated for an Oscar; i.e. Dev Patel, who has been nominated in the Best Supporting Actor, category, for his role, of an Indian brought-up abroad, in Lion (2016). So, you started it, by being the first non-white actor to make it in Hollywood (which was already full of white immigrants); and today there are quite a few immigrants, from Europe, Asia, Africa, Australia and South America (of various skin tones), making it, in the most celebrated film industry, in the world.

Classic Bromance: Sidney Poitier & Tony Curtis in The Defiant Ones (1958)

Classic Bromance: Sidney Poitier & Tony Curtis in The Defiant Ones (1958)

          Growing up I had heard about you, but had watched very few films, of yours; like Sneakers (1992), and your directorial ventures, like, Stir Crazy (1980) and Hanky Panky (1982), for instance; but it was in my late teens/early adulthood, when I saw, Stanley Kramer’s Guess Who’s Coming to Dinner (1967), that you became one of my favourite stars. What a brilliant movie!! It’s my second favourite film, of yours. My first, is no doubt, the British film, To Sir, with Love (1967), directed by James Clavell. I had heard of , To Sir, with Love, since I was a kid (in the late 80’s). BUT, it was only, finally in 2005, that I got watch it. I actually saw it on the Big Screen, when it was shown at Russian Centre, here. But it’s rarely I get to see good cinema here, especially on the Big Screen. I’ve actually, only seen three classics, at the Russian Centre. First was, Gone with the Wind, in 2002. Then, To Sir, with Love, in 05’. And finally, Tess (1979), in 2012. So it’s that rare (see my Blog post on Tess from October 2012). Of course, the Ethnic Centre, in Colombo, is, comparatively better. It’s still been a while, since they last showed anything worthwhile; but this week, they are showing two of your movies; the above mentioned, Lilies of the Field, and The Defiant Ones (1958). Both are on my Watchlist. And am really keen on going and watching these two films, this week. I heard, you play a modern day saint, in Lilies of the Field. A really kind human being. Humanity, is the best religion to preach. Kindness and open-mindedness, is sadly something still missing in today’s world of greed and materialism. In, The Defiant Ones, I heard, that your co-star, Tony Curtis requested, that your name appeared alongside his, above the movie title. This was a progressive first for you, and all other (non-white) skinned actors. How kind, it was, of Tony Curtis, to request something, so unheard of, at the time. He didn’t see your skin colour, but the fact, that you were a talented actor, and a lead character, in the movie, and not a supporting one. Blackboard Jungle (1955), A Patch of Blue (1965) and In the Heat of the Night (1967), are three other movies, in my Watchlist, that am really keen on checking out.

Sidney Poitier receiving the Presidential Medal of Freedom from President Barack Obama, in 2009

Sidney Poitier receiving the Presidential Medal of Freedom from President Barack Obama, in 2009

             Besides being a talented actor, you’ve also been a great diplomat. In real life, you’ve played the role of an ambassador for the Bahamas, to Japan; for a decade, between 1997 and 2007. Concurrently you were also the Bahamas ambassador to UNESCO. This most probably was the greatest, and the most significant, role, in life, you had to play.
On top of all the film awards, you’ve received, I must congratulate you, on receiving the great honours, of the KBE (Knight Commander of the Order of the British Empire) in 1974; and more specifically, the Presidential Medal of Freedom, by the previous American President, Barack Obama. Again, thanks to you, paying the way for African Americans, in the United States; Barack Obama, was the very first African American president, that USA, finally had. Him winning the election, in the end of 2008, and becoming the President in January 2009; and during his tenure, the Supreme courts ruling, of same-sex marriage to be a fundamental right, in June 2015; America showed progression. Being an avid supporter of Equal Rights, you shall agree, how progressive and open minded the country was getting. BUT, a pity, with Trump’s triumph, at the elections, held in November 2016, the country seems to have taken a step backwards. None the less, there is still hope for improvement; and the 2017 Women’s March, held last month (in January 2017), not just in your part of the world; but around the globe, is enough proof!! You too were part of an equality march, back in 1963; the March on Washington, headed by Martin Luther King Jr.
              The last time you worked, on screen, was sixteen years ago. I hope, something that interests you comes up, and you wind up doing another impressive role, even today. Or a great directorial opportunity comes your way. I don’t feel, you’ve retired from the film industry, yet.
              And lastly, Thank You, once again, for your great contribution, to the world of Cinema.
                                                                     Wishing you the best of health and happiness
                                                                                                                             With Regards
                                                                                                                                    Nuwan Sen

This Blog Post, in the form of a letter, is my contribution to the, 90 Years of Sidney Poitier Blogathon, hosted by , of The Wonderful World of Cinema.

sidney-poitier-blogathon

Thank you Virginie; for letting me take part, in this wonderful Blogathon.
Please also do check out my Blog posts, To Sidney, with Love and South Africa, The Apartheid, Missing Diamonds and The Wilby Conspiracy, from 20th February 2013 & 23rd December 2014, respectively.

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense

Happy New Year 2017

Wishing all my fellow Bloggers a Peaceful, stress free and Happy; New Year, for YEAR 2017!!!

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Sean Connery

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Out of the Se7en, Suave n’ Sophisticated Gentlemen pictured above, which is your favourite photograph??? And can you guess all seven classily dressed people above????

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense

P.S. Today also happens to be ’s 1st Official Birthday!! Plus (Atta) my maternal Grandfather’s, 97th Birth Anniversary!!

Nuwan Sen ❤

Last Friday (on 18th of November, Year 2016), watched the DVD of The Devil is a Woman (1935). A story of a man’s obsession for a woman he could never own; and a woman who refuses to be any man’s possession.
the-devil-is-a-woman-marlene-dietrich-1Set in the early 1900’s, during the Spanish carnival season; a hedonistic period of merry making; the entire story revolves around, a woman who seeks pleasure for the self, with no care for others feelings. At the same time, the men who lust for her are no saints themselves; and they deserve what they get (or rather not get), in return. The Devil is a Woman, is based on a French novel, La Femme et le Pantin by Pierre Louÿs; the English title of which reads as, The Woman and the Puppet.
the-devil-is-a-woman-marlene-dietrich-2The Synopsys
The movie begins with the carnival, in the beginning of the last century, in southern Spain, where a wanted man, Antonio Galvan (Cesar Romero), for his revolutionary ideals, walking through the merriment, sees a beautiful veiled woman. He’s instantly infatuated. The woman, he finds out, is called Concha Pérez (Marlene Dietrich). Soon he meets an old friend at the pub, an ex-military officer, Captain Don Pasqual ‘Pasqualito’ Costelar (Lionel Atwill), and tells him of his interest for a woman named Concha. Pasqualito then cautions Antonio against her, telling him to be careful of that woman, and soon Pasqualito tells him of his own past experience, when he fell for Concha, five years before. Told in flashback we see Captain Pasqualito’s obsession for Concha Pérez (back in the late 1800’s, and how she constantly tricks him, and runs off with his money. As the movie proceeds, we realise what a fool Pasqualito is, and at the same time, how violent and nasty he can be.

Marlene Dietrich and Lionel Atwill in a scene from the film.

Marlene Dietrich and Lionel Atwill in a scene from the film.

The Character roles
Marlene Dietrich is hilariously superb as a morally questionable character. Yet she hardly lets the two lead men, enjoy her lips, let alone her body. She definitely cons them, and especially uses, the Captain, Pasqualito, for his money. At the same time we don’t feel sorry for Pasqualito either, for he can be brutal. True, she not much of a lady, at the same time she is honest on issues of her untrustworthiness, but what right has he to hit her black and blue. It makes him less of a man, and not enough to even pity the fool. She, at the same time, is a bold woman, who doesn’t let men overpower her, mentally. After she’s beaten by Pasqualito, she comes off unscathed, with not a care in the world. I’ve seen very few movies of Dietrich, and her portrayals are generally that of very serious characters (with a touch of humour, perhaps); but never seen her do something so farcically fun. Thus, this was something really different for her. A comical Dietrich is practically unheard of. And I loved her mischievous performance. Lionel Atwill is superb as a fool in lust, than love. It’s amazing how much Atwill resembled Josef von Sternberg (the director of the movie). Was there reel life, imitating the real? Was von Sternberg obsessed with Dietrich, and thus portrayed her as a devilish woman (though not necessarily as heartless and vindictive, as the men in movie see her as) in this film? She’s definitely not evil, as the title suggests, though men who can’t have her, might accuse her of being so, out of spite. None the less, after collaborating in seven movies together, this was the last film Dietrich and Josef von Sternberg worked on. He was a superb director, and she was his discovery. A pity, they went on to make movies for another couple of decades (Dietrich even longer, further down the years), but they never ever worked together again. YET, the collaboration of one director, with one actress, creating cinematic magic, in seven films, is till date, unmatched in the history of cinema.

Marlene Dietrich and Cesar Romero in a scene from the film.

Marlene Dietrich and Cesar Romero in a scene from the film.

Besides, Dietrich and Atwill, Cesar Romero is hilarious, as an exiled rebel, secretly in back in Spain, whose character of Antonio Galvan, despite listening to the former Captain’s advise, and agreeing on having nothing to do with Concha; gets a bout of amnesia (not literally), and goes running straight into the arms of Concha. Of course, Pasqualito’s advise, wasn’t out of any good intention, but more due to his own desire to own Concha, for himself; to get Antonio Galvan, out of the picture. The rest of the supporting cast are just as enjoyable in their respective roles; Concha’s mother, a con woman herself; the one-eyed woman who practically makes fun of Pasqualito’s desperate state, straight to his face; the governor, Don Paquito (Edward Everett Horton), who himself has his brain in his crotch, when it comes to the affairs of the seductive Concha; etc etc etc… The actors, and the superb direction by Josef von Sternberg, make the movie, with hardly much of a plot to speak of, an enjoyable affair.

Marlene Dietrich, on the sets of the film, (inset - right) Costume Designer, Travis Banton

Marlene Dietrich, on the sets of the film, (inset – right) Costume Designer, Travis Banton

One of the elegant Edwardian costumes designed, in White Chiffon and Lace, by Travis Banton, for Marlene Dietrich.  The photograph above, this sketch, shows Dietrich in this particular outfit, on the sets of The Devil is a Woman (1935)

One of the elegant Edwardian costumes designed, in White Chiffon and Lace, by Travis Banton, for Marlene Dietrich.
The photograph above, this sketch, shows Dietrich in this particular outfit, on the sets of The Devil is a Woman (1935)

The Production Design & Costumes
With the beautiful scale of art design and marvellous costumes, this movie would have looked spectacular, if it were made in colour. In fact, the film won the award for ‘Best Cinematography’ at the Venice Film Festival.

The costumes itself, besides being marvellous, are symbolic as well. We see Dietrich character wear a lot of lace, and hide her face in veils and masks. It pertains to her personality, as well, besides her love for fine things. Her hiding her face behind a literal mask, could mean she’s also hiding behind a metaphorical one, as well. Is she just a vulnerable young woman, afraid of being owned, afraid of commitment, just pretending to be a femme fatal?? Does she just pretend to have a block of “Ice” where she should have a heart?? Does she really not care, for anyone?? The duel sequence tells us otherwise. We get to see what’s actually beneath her nonchalant attitude. As does her visit to the hospital to see Pasqualito. When she lets go of Antonio Galvan, we see she’s trying to save him from being arrested. Of course (spoiler alert), last minute, at the border crossing, she refuses to run off to Paris with Galvan. She won’t leave her beloved Spain, but at the same time it doesn’t specifically show her going back to Pasqualito, either. She’s an independent woman, even at the end, and belongs to no one.

RIGHT: Audrey Hepburn in How to Steal a Million (1966) LEFT: Marlene Dietrich in The Devil is a Woman (1935)

RIGHT: Audrey Hepburn in How to Steal a Million (1966)
LEFT: Marlene Dietrich in The Devil is a Woman (1935)

The Audrey Hepburn Connection
Getting back to the beautiful costumes (literally speaking), they are the zenith and nadir of fashion. We see her in poverty, conning Pasqualito in gaudy costumes, in the flashbacks (towards the end of the 19th century), and as a very fashionable lady, in glamorous attire in the, movie settings, present (early 20th century). Some of these gorgeous costumes (of the 1900’s), by Travis Banton, reminded me of the stylish costumes of Audrey Hepburn, from My Fair Lady (1964). Of course, both the movies are set during the Edwardian era, one in Spain, the other in UK. But these two movies comprise some of the most stylish costumes from that period, before the Great War; over a hundred years ago. Of course, My Fair Lady is set in the 1910’s, whilst The Devil is a Woman, is set in the late Victorian, to the beginning of the Edwardian era. At the same time the British era’s don’t necessarily apply to Spain. Dietrich’s costumes in the flashbacks are more like that of a gypsy woman (I haven’t posted any of the pictures with gaudy costumes above, but just the more fashionably elite attire, worn by the glamorous Dietrich, thus, below I’ve posted a couple of hideous costumes, worn by her, seen in flashback sequences). Again here, her cheap glittery attire, seen in flashback, to the more elegant Edwardian outfits, in the, films, present day, could again by symbolic of her character. It seems to showcase her improvement in taste, her sophistication, and her growth, as a individual, and not just as a fashionista. In the more elite settings, we see Dietrich’s character have a heart, though see refuses to openly show her kinder, and more vulnerable, side. As I mentioned earlier, she’s seen hiding behind masks, a plenty, both literally and figuratively.

Despite the stylish costumes, worn mainly, in the latter part of the movie, the lace eyewear, worn by Marlene Dietrich, at her initial entrance into the movie’s carnival (she’s seen in lace eyewear more than once), reminded me of the black lace eyewear, worn by Audrey Hepburn, in How to steal a Million (1966), released in the year know as Sexty-Sex!! Of course, How to steal a Million, was set in the mid-60’s itself.

Couple of gaudy costumes, worn by Marlene Dietrich, in the movie, in the flashback sequences, set in the Victorian era.

Couple of gaudy costumes, worn by Marlene Dietrich, in the movie, in the flashback sequences, set in the late-Victorian era.

One thing missing here, is Dietrich’s trade-mark, sharp, clean-cut, masculine trouser suits. Her androgynous sexual ambiguity, and her bold masculine femininity, is something missing in this movie. We don’t see her, even in drag, at least once. Another rare differentiation from her usual roles. Pretty much out of her comfort zone, yet ironically this is supposedly one of Marlene Dietrich’s favourite roles ever. It’s definitely a very non-Dietrich role, in very non-Dietrich attire. Especially in those ridiculous gypsy style clothing, she’s practically unrecognizable.

The Controversy
The movie met heavy censorship, back in the day. Spain was outraged with the depiction of Spanish people in the movie. And once the Spanish government threatened to boycott all Hollywood films, Paramount Studio’s got hold of all prints in circulation, and burned them all. But Marlene Dietrich saved a copy, for herself, thus the movie still survives, in the 21st century. None the less a very bold movie, to come out of the 30’s, and most probably unacceptable back then (due to the crazed Hays Code of Law), that a woman should find herself in charge of herself, and not running behind a man.

The Dietrich DVD’s
Back in mid-September 2016, my father went to the States, for a an official visit. I asked my sister, who lives in USA, to get me some books and DVD’s, and sent her a massive list. She sent me most of the books, and six DVD’s. One of the DVD’s was a collection of Marlene Dietrich films, titled, “Marlene Dietrich: The Glamour Collection”, comprising of five of her films. I watched Morocco (1930) and Blonde Venus (1932), last month (October 2016) itself. Am yet to watch the rest from her collection.
the-devil-is-a-woman-marlene-dietrich-through-the-gateThe Dietrich Films
The first I heard of Marlene Dietrich, was as a teenager, in 1992, the year Dietrich died, aged 90. I saw a magazine full of her glamorous pictures. The first film of hers, that I know of, that I watched, was in 2002. When I was doing my MA in International Cinema (2002-2003), at the University of Luton, Luton, UK; in my first semester, for the module, ‘Post-colonial and third Cinema’, we mostly studied Asian and African movies (third world Cinema). BUT we also watched a Hollywood classic set in Africa, studying the orientalist attitude towards the third world. The film was, The Garden of Allah (1936), starring Dietrich alongside Charles Boyer. Post that I saw her in more mature, yet secondary, roles, like in the noir-classic, Touch of Evil (1958), and, the Audrey Hepburn, rom-com, Paris – When It Sizzles (1964).

And then last month, I saw her; first, in, the near excellent, Blonde Venus (as I mentioned earlier), alongside Herbert Marshall and Cary Grant; and then, in the very good, Morocco, with Gary Cooper, with whom she had a brief love affair in real life. What’s interesting in these movies, is the fact, though an independent woman, in both films, her love for a man, ultimately dictates her life. Morocco was tragic, the way she ultimately runs like a slave after her man. Both movies were sad in their own way. Whilst Blonde Venus had a happy ending, with the family reunited, Morocco was depressing, to what she became in the end. This is where The Devil is a Woman, differs. She seems better off alone, in the end. Marlene Dietrich’s character can also be considered, that of an existentialist, a free spirited individual, who shapes her own destiny.

Though not an excellent piece of cinema, it comes pretty close. Especially worth checking out for; Josef von Sternberg superb direction and cinematography, the fabulous costumes by Travis Banton, and last but not the least, for the, uniquely fun filled, performance by Marlene Dietrich.

The Devil is a Woman (1935)
My Rating: Near Excellent 9/10!!

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Last year, in October 2015, fellow blogger, Akhiz Munawar, nominated me for The Sunshine Blogger Award. I somehow never got to accept the said nomination, and do a post for it. Procrastinating, so far as my Blog is concerned, in general, due to various reasons (added to which haven’t really been feeling full of sunshine lately, in a country clouded with negativity). None the less, since this Blog award, wasn’t “Year” specific, I decided, it’s never too late. Thus, here is my post, accepting, and thanking, my Blog-pal, to FB-pal, and hopefully future real life pals, Akhiz Munawar, for nominating, me, rather “No Nonsense with Nuwan Sen”, for, The Sunshine Award!!

sunshine-awardThis is my second The Sunshine Award (with a different Logo though). In fact, back in December 2013, this was the very First Award nomination my Blog received.

So Here are The Rules :-

– Thank the person who nominated you. Done!!
– Answer the questions from the person who has nominated you.
– Nominate some other bloggers for this award.
– Write the same amount of questions for the bloggers you have nominated.
– Notify the bloggers you have nominated.

The Questions :-

Q1. Who is your favourite historical personality, your favourite saying by them?
A1. There are so many, hard to choose just one!! From great philosophers like Confucius and Socrates, from the ancient era, to great humanitarians like John Lennon and Princess Diana, from towards the end of the last century; there are many. But if I have to select one, I think I’ll go for Mother Teresa.
Quote of Mother Teresa!! Well, this is something I actually heard, when I was still in school, back in 1980’s. Apparently she had been speaking to, the then American President, Ronald Regan, at The White House, and I remember verbatim, the words she was supposed to have uttered to him, when he had asked about poverty in India; “India might have a lot of poverty, but America has spiritual poverty”!!!

Q2. Hope, Faith or Love? If you are given a choice to choose only one that will stay with you for the rest of your life which will you choose?
A2. LOVE!!! … as in a Lover; ‘cause that is something missing in my LIFE!!

Q3. What’s the biggest problem of your country and what’s the sure shot and effective/fastest way to solve it?
A3. Extremist, narrow-minded, Hitler mentality.
Literally cut open their heads and pour some sense into them (I highly doubt that would have much of an impact either, but that’s last remaining option 😦 )

Q4. Your all-time Favourite Movie and Song?
A4. Roman Holiday (1953).
Imagine by John Lennon

Q5. When you are angry how do you express it?
A5. Silent treatment!!! Unless I’ve lost patience, then it’s BOOM (vocally that is 😀 ).

Q6. Is John Snow Dead?
A6. Who??? Ha!! Don’t know, don’t care!! I haven’t watched Game of Thrones, but am aware of this fictional character from the show!!
Done!!

The Nominees are :-
Now here I shall bend the rules a little (Rules are meant to be broken after all)!! I know how many Bloggers dislike being nominated, as it feels a hassle to continue this chain of Blog Awards. Thus, I nominate all my fellow bloggers. If you, like or comment, on this post, consider you’ve accepted the nomination. Plus, the questions, are the same as above, except for Question number 6!! This is my Q6, for you all!! What’s you favourite Television series, from within the last five years? And Why?    
Done!!

Thanks again, Akhiz!!! ONE Year Late, but – Better Late Than Never!!
Cheers
Nuwan Sen

In 1956, the very 1st video tape recorder was invented. And by 1963 videocassette recorders were invented. But since, initially, it was intended only for the professional sector, it was way too expensive for the general public to afford for home use. The first consumer video cassette was introduced by SONY in 1971. The VHS (Video Home System) was released in Japan in late 1976 and in the USA in early 1977. So after being in use for 60 years, and surviving for almost 40 years in homes around the globe, the production of, the Video Cassette player, has finally come to an end. In July 2016, FUNAI Electric, in Osaka, Japan, the last remaining manufacturer of VHS recorders; which had been producing VHS-playing VCR’s for 33 years; announced, it would cease production of videocassette players by the end of the month !!!!!!

nuwans-collection-of-films-dvdvhs-008

Ironically it was 33 years ago, in late 1983, that we got our very 1st videocassette player. I was 8 years old. By the age of 9/10, I was a pro when it came to VCR’s and VHS cassette’s. I use to love recording stuff off the tube (televisions, that existed in another era). By the 1980’s, thanks to the videocassette player, cinema’s saw a major decline in numbers. People preferred to watch movies, in the comfort of their home. In fact, as a kid, it’s only once or twice, we went to the cinema, in the 80’s. But we use to go out on other outing a lot back then. By the mid-90’s thanks to the multiplexes, cinemagoers multiplied. Back in New Delhi, India, during my Delhi University (DU) years, we students went to the Cineplex’s, just to witness the new trend of having many a screens in one theatre. Plus it was a classy experience, unlike the best (one screen) cinema’s in Colombo, Sri Lanka, at the time. Soon Laser Disc’s (LD’s) & Video Compact Disc’s (VCD’s), started entering the market. I remember, how back in the late 90’s, I was talking with my fellow batch mates in DU, and I recall verbatim, that I said “Call me old fashioned, if you like, but I prefer the old videocassette, to these Laser Disc’s and VCD’s”; and they nodded in agreement. In fact I wasn’t a fan of sticky VCD’s at all (but loved the concept of audio CD’s, since I first saw/listened to them in the late 80’s, even though, I was still buying audio cassettes, in the late 90’s, as well).

My Audrey Hepburn collection of Videocassettes (from September 2003)

My Audrey Hepburn collection of Videocassettes (from September 2003)

By the early 2000’s, I was still buying video cassettes, mainly in regard to my Master’s course, in England. In Luton, UK, in September 2003, just after I handed in my final dissertation, titled “Marriage in Hitchcock Films: From Rebecca to Marnie for my MA in International Cinema, I treated myself to a collection of Audrey Hepburn movies, by buying a box set containing, five videocassettes (four out of the five were movies I had already seen). AND it was thoroughly worth it, being a big Audrey Hepburn fan!!!!!

The Dual System (VHS-deck & DVD player, combo system) I bought in Oslo in December 2003; we still use!!

The Dual System (VHS-deck & DVD player, combo system) I bought in Oslo, in December 2003; we still use!!

Videocassettes on one side

Videocassettes on one side …

... DVD's on the other.

… DVD’s on the other.

In Oslo, in December 2003, I bought a Dual System (VHS-deck & DVD player, combo system); and still kept recording films/TV-miniseries from television onto video cassettes, until about 2005!!! I saw a Christmas offer, in a catalogue, back then, and I knew it would be perfect for us (our family), for we had so many videocassettes from the 80’s onwards, and a few VCD’s, in our house in SL. Not to forget the few home movies (we had on old video tapes), of what we had filmed, in our childhood to teenage years. Of course, all those (older) cassettes are rotting away in a store cupboard. Hope I can salvage the home movies, at least. It’s only within the last decade, that I haven’t done any kind of video recording at all. Of course, since 2004 onwards, I’ve bought quite a few DVD’s, around the globe, adding to my ever growing private home library of books and movies (also see my post Holidaying in Australia, comes to an end, from November 2014).

My Film Library: My Private DVD collection

My Film Library: My Private DVD collection

My Film Library: My Private collection of Movies (Videocassette's & DVD's)

My Film Library: My Private collection of Movies (Videocassettes & DVDs)

My Film Library: My Private collection of Movies (Videocassette's & DVD's)

My Film Library: My Private collection of Movies (Videocassettes & DVDs)

So the video cassette survived, well into the early part of the 21st century. Even VCD’s couldn’t kill the tape. But now, DVD’s, downloading, online viewing, watching movies on your iphone/smart phones, et al, people hardly would look at their old video tape’s, let alone watch them. And finally now the last remaining manufacturer of VHS has ceased production. It’s the end on an era!!! But since some of my old cassettes, from the early noughties, are still in working condition, I’ll still be watching them, once in a while.

Other Movies in our house

Other Movies in our house

Other Videocassettes in our house (most still in working order)

Other Videocassettes in our house (most still in working order)

Other Videocassettes in our home (most still in working order)

Other Videocassettes in our home (most still in working order)

The 80’s  & 90’s: Old Videocassettes, from our childhood/teenage years, in a store cupboard (doubt they work at all)!!!!!

The 80’s & 90’s: Old Videocassettes, from our childhood/teenage years, in a store cupboard (doubt they work at all)!!!!! The few VCDs, are fine though!!

My Film Library: (Last, but not the least) SIX new DVDs, a recent acquisition of mine (from just last month)!!

My Film Library: (Last, but not the least) SIX new DVDs, a recent acquisition of mine (from just last month)!!

To the good old videocassette, that’s been part of my life, since childhood!! We’ll always have fond memories. Thanks to videocassettes, my love for good cinema, survived forever; through an aesthetically depressive society, such as SL, that has no respect or an understanding for the fine arts, especially the fine beauty of cinematic arts. ❤ Love Film!!!!!!!

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