Tag Archive: The 1970’s


There’ve been quite a few fantastical tales, on celluloid reels, of humans falling in love with the unreal, and vice versa. Lets take a look at some great, and some far from great, renditions of this unusual phenomena, explored mainly on the Big Screen. Fairy tales for more mature audiences (teenagers and/or adults), if you may.
What brought about this sudden urge to write about unrealistic romances, portrayed in a realistic style on celluloid? I watched, Her (2013), back in March 2015 (on 22nd), and never got to write about it (of course films today aren’t made on celluloid, but am speaking in a general term, to reference cinema of the past). Plus it brought about memories of some really great films (as well as certain terrible movies), I’ve watched in the previous decades, going way back to my childhood.

In Her, a writer, Theodore (Joaquin Phoenix) falls for an electronic voice, without a body (voiced by Scarlett Johansson). In Lars and the Real Girl (2007) a lonely, simple headed, man, Lars (Ryan Gosling) falls for a sex toy, a female without a voice.

In Ruby Sparks (2012) a writer, Calvin (Paul Dano) creates a fictional character Ruby Sparks (played by Zoe Kazan) that comes to life. He fall in love with her, but treats her like his possession, in contrast to the sex toy, to whom, Lars, tends to show so much respect and affection towards. Ironically Lars doesn’t treat the sex toy as play thing, but Calvin treats Ruby, as a toy, making her do what he wants. An egoistical male’s god complex, of being in control of his woman. While Lars of Lars and the real Girl and Theodore from Her, are the exact opposite. Of course, when Theodore finds out the voice of Her is ‘in love’ with thousands of other human beings, he starts to feel jealous, knowing he wasn’t special. While we sympathise with Theodore and Lars, we can’t help but feel Calvin is a bloody prick.
Stranger than Fiction (2006), has a similar unreal premise, but am yet to watch it, so I shan’t comment on it further.

In the animated movie, Corpse Bride (2005), a man, Victor Van Dort (voiced by Johnny Depp), accidentally marries a corpse (voiced by Helena Bonham Carter). Of course in this case, it’s the corpse, who falls for the human. Yet, the corpse, itself, was a human being once, who was tricked and murdered by her paramour, on her wedding day. Similarly in the comedy, Memoirs of an Invisible Man (1992), an Invisible man (Chevy Chase) and a woman (Daryl Hannah), fall for each other, yet the invisible man, being an actual human being, it makes it comparatively realistic. As in the case of Mr. India (Anil Kapoor) in Mr. India (1987), a vigilante who can become invisible with help of a devise created by his late father, happens to be the romantic object of many a women. He is still a human being. Yet, we see, the reporter, Seema (Sridevi), fall for the invisible vigilante, than his human self. In fact, she initially despises ‘Mr. India’ in his human form as Arun Verma, unaware that he is in fact her invisible hero. In Hollow Man (2000) and Invisible Strangler (1978), once the protagonists of these movies, find they can get away anything, in their invisible form, nothing stops them from acting on their lustful desires, committing rape/murder, on beautiful women.

In various superhero tales, you find a similar dilemma, as in Mr. India, faced by the love interest of the story. In Superman (1978), reporter Louis Lane (Margot Kidder) falls in love with Superman (Christopher Reeve), who actually is an alien from a distant planet. But she refuses to acknowledge, the affectionate advances from her co-worker Clark Kent, who happens to be her superhero in his human avatar. There have been quite a few ‘Superman’ films since.

Of course Superman is from another planet. But if you take other superhero’s; American conceptions like Batman (played on the Big Screen by many stars from 1966 till date), Spider-man (Nicholas Hammond, in the 70’s, Tobey Maguire, Andrew Garfield & Tom Holland, this century), or Bollywood creations like Shahenshah (Amitabh Bachchan) from Shahenshah (1988) and Krrish (Hrithik Roshan) from Krrish (2006) and Krrish 3 (2013), sequels to Koi…. Mil Gaya (2003); in all these stories, the superhero happens to be human, with superpowers, but their leading ladies don’t necessarily, easily, fall for the man, but have more of a desire for the vigilante, unaware the two are one and the same. In love with not just the unreal, but impending danger as well. Dangerous, risk taking, hero’s, seem sexually more appealing to the fairer sex, than a realistic human companion. These kind of films actually also put pressure on growing young men. As kids, most guys like the idea, of imagining themselves as superhero’s, for fun. But when in their teens, it’s more to do with appeasing the opposite sex, through false perceptions of masculinity, showcased in such movies. Sometimes foolishly young men might try and take unnecessary risks, just to get the attention of their female peers, with disastrous consequences.
If you take classic fairytales, we read as little children, like Beauty and Beast and Princess and Frog, this phenomena of man and beast is nothing new. Yet at the same time, both the ‘Beast’ and the ‘Frog’, are actually human beings, making it somewhat acceptable for children. If you take Greek mythology, there is the famous tale of Minotaur, where the Minotaur is the result of the Queen of Crete mating with a white bull. Added to which there are plenty of tales of Gods and human love stories, as well, in Greek Mythology. Then there is Shakespeare’s A Midsummer Nights Dream. There have been plenty of movie versions of these classic tales and great old literature. In I, Frankenstein (2014); as I stated on twitter ‘another 21st century ruination of a 19th century classic’; this dull horror movie ends with the hint, that Frankenstein’s monster, a man made being, has found a human companion, after searching for over 200 years. On a lighter vein, in not so great films (yet no where as near as terrible as I, Frankenstein), like the comedy, Hercules in New York (1970), Arnold Schwarzenegger falls from the skies (and not to forget Schwarzenegger’s ridiculous Terminator franchise, from 1984 onwards, with the craziest and cheesiest storylines, ever). Like in Corpse Bride, a man accidentally awakens a goddess, in the near pathetic, Goddess of Love (1988), while in Love-Struck (1997) we see a woman who doesn’t believe in love (Cynthia Gibb) fall for Cupid (Costas Mandylor) and vice versa; and Cupid has to decide if he wants to leave his immortal form, and become human. Similarly in City of Angels (1998), an angel (Nicolas Cage) gives up his human form, for his love for a human being (Meg Ryan). Date with an Angel (1987) is about another union between a man and beautiful angel.

In the 80’s and 90’s, there were quite a few teen comedies, based on this concept of unrealistic love, helping a young man find the perfect looking partner, especially if the lead character is a geek or considered a loser, who cannot attain the affections of the opposite sex.

Weird Science (1985) and Virtual Sexuality (1999), are two films I haven’t watched, but the concept of the two teen movies, are the same. In Weird Science, two geeks create a ‘perfect’ woman (Kelly LeBrock), while in Virtual Sexuality, a girl creates herself a ‘perfect’ man (Rupert Penry-Jones).

Similar to Corpse Bride and Goddess of Love, in Mannequin (1987), an artist (Andrew McCarthy) falls for a Mannequin (Kim Cattrall). Big (1988) and Date with an Angel; the two movies combined resulted in the crappy Bollywood take, that was Chandra Mukhi (1993). The film was so bad, that it was credited as being a Salman Khan idea (the lead actor of the movie). Getting back to Tom Hanks, star of Big, back in the 80’s he did a lot of run on the mill comedies; that weren’t great, but were enjoyable enough, thanks to Hanks. In Splash (1984), we see Hanks falling for a mermaid. This adult fairy tale, is similar to the classic children’s fairy tale, The Little Mermaid.
Funny though, how all these Hollywood romances, dealing with unreal love, where the perfect looking lover, be it a mannequin, a fairy, a goddess or mermaid, were all hot white women. What happened to the browns, blacks and yellows? Where are the gays and lesbians? Are they considered less than perfect???? Added to which why is it most of time a man finding the perfect mate? And that too preferably a Blonde one? Even better if the blonde’s in a red hot attire? Like the sequence in The Matrix (1999), where Neo (played by Keanu Reeves), suddenly turns to take a good look at a blonde in a red dress. Why did she have to be blonde? What if he saw an African-American? or an Indian beauty? What if he turned to look at a man? Even in Virtual Sexuality, though it’s creation is a male, the man is a white male, Blond, with a perfect physique. Of course when it came to the Bollywood films, the perfect hero/heroine are both Indian’s, obviously. But United States of America, is a diverse country with all colours and creeds, where the indigenous people of the country are actually Red skinned, not white. Yet the 80’s (and 90’s to a certain extent) target audience, were the straight white American youth. Even though these reached beyond borders. And in a way, 80’s was one of the worst periods for Hollywood, with a load crappy B-movies, being made. Not all, but most, including these fantasy flicks.

Getting back on the topic of films based on unrealistic romances, there are some interesting films of ghosts and people falling for one another. Like in Corpse Bride (discussed above), these dead spirits were humans at one time, and are scavenging earth ’cause of some unfinished business. In the classic Bollywood film, Ek Paheli (1971), a modern man, Sudhir (played by Feroz Khan) falls in love with a mysterious woman (Tanuja), whom we discover later, to be a spirit of a dead pianist, who had committed suicide, during the Post-war era. The only way for the two to be together is, if Sudhir leaves his bodily form, releasing his spirit. Similarly in Somewhere in Time (1980), a modern day Chicago playwright, Richard Collier (Christopher Reeve) falls for a photograph of an Edwardian beauty, a stage actress, Elise McKenna (Jane Seymour). He manages to travel back in time through self hypnosis (see my post DVD Films From Last Month PART-II from December 2014). Yet, they can’t be together, as he’s thrown back into the late 70’s, due to a small mistake, he made, where she doesn’t exist anymore. The only way for them to be together, is for him to die of a broken heart, and letting their spirits unite in heavenly paradise forever.

In Paheli (2005) the exact opposite happens, a woman falls for a ghost, who’s taken her husband’s human form, and trapped her real husband’s spirit.

In Ghost (1990), when a banker, Sam Wheat ( Patrick Swayze) is killed by his best friend, he tries desperately to communicate with his fiancée, an artist, Molly Jensen (Demi Moore), with the help of psychic, Oda Mae Brown (Whoopi Goldberg). While in Love Can Be Murder (1992) a ghost of a former private detective brings chaos into the life of a living private detective, (Jaclyn Smith).

Then, there are on-screen figures/cartoon characters, where the real world intervenes with the celluloid/animated characters. In Who Framed Roger Rabbit (1988), an animated character; based on classic Hollywood stars, Rita Hayworth, Veronica Lake and Lauren Bacall; seduces more than one human in the movie, and spectators alike. Purple Rose of Cairo (1985), has a movie character, walk off the screen and seduce his most ardent fan.

Getting back to man and beast/alien, PK (2014), sees a humanoid alien fall for a human. E.T. the Extra-Terrestrial (1982), shows a great friendship between an alien and a human child. Planet of the Apes (1968) there is a famous kiss, between a man and an ape. In The Animal (2001) a man becomes sexually attracted to a goat in heat. He talks to the goat while rubbing her back and sloppily kisses her on the head. He then slaps her butt. All the popular Hulk films have a love interest

The Sixth Sense (1999), Warm Bodies (2013), Transcendence (2014), The Fly (1958 & 1986), The Ghost and Mrs. Muir (1947), Bewitched (2005), Pleasantville (1998), Ex Machina (2014), all have similar unusual human and non-(real)human interactions.
The Stepford Wives (1975 & 2004), tells of how an intelligent woman finds it difficult, to integrate into a narrow minded society, when she moves into a new neighbourhood. Of course, all the wives (in the original 75’ film) turn out to be machines (while in the 04’ version, only one husband turns out to be a robot, while the other wives have been brainwashed). This is also symbolical, of how difficult it is, when a lone intellectual person gets trapped in an archaic society, that constantly tries to drag him or her down with them. I personally know how hard is to stay afloat, without changing for the worse, living in an extremist narrow minded country. It’s not easy not to be influenced by negativity. And just like Katharine Ross (in the original), and Nicole Kidman (in the comical remake); I have to fight to stay sane, not to be swayed by the rest.

In Moon (2009), we see a clone in love with the image of a dead human; while in The Space between us (2017), a human born in Mars feels like an Alien on Earth; and falls for a human, who decides to leave with him to Mars.
Then there are people who fall for wordsmiths, that they’ve never met. In Saajan (1991) we see a woman (Madhuri Dixit) fall deeply in love with a poet (whom, nobody knows what he looks like), when a man claiming to be the poet (Salman Khan) seduces her, she falls for him. But does she truly love him? If he turns out not to be the poet, would she still love this man? In the Bengali (Bengali/English bilingual)Art Film, The Japanese Wife (2010) and the Hindi (Hindi/English bilingual) Art Film, The Lunchbox (2013), two people have an entire love affair through letters, without ever meeting each other. In The Japanese Wife, they even get married; through ink.

Last but not the least, lets have another look at the union of onscreen humans & Aliens (besides ‘Superman’). Similar to Meet Joe Black and Paheli (as spoken of earlier) Jeff Bridges in Starman (1984), plays an alien who clones himself, into a dead man’s form; and gets the widow to help him escape. In The Man Who Fell to Earth (1976), David Bowie plays a humanoid alien, sleeping around with women of earth. And not to forget the Vampires/Werewolves and human unions; in films like, Nosferatu (1922), Nosferatu the Vampyre (1979), The Hunger (1983) and the recent Twilight franchise.

Some great films on this unusual conception, some terrible, and some in between. But when they bring out something exceptional, those films are really worth checking out.

An ode to unrealistic romances.

Nuwan Sen’s Film Sense

Special Note: I actually worked on this post, one day (on the 22nd of April 2015), exactly a month after I watched the movie, ‘Her’, in March 2015, I wrote most of In Love with the Unreal, and left it incomplete, hoping to work on it the next day or so. I never got back to it, and left it pending. Then, five months later, in September 2015, I re-worked on it a bit, stopped, and didn’t touch it at all through out the Sweet Year of 2016. So it was just hanging there, untouched and incomplete.…That is until today. This was my second incomplete post, from April 2015, that I left unpublished; the other being The Beatles in Art movements through the ages. But I did mange to post in … the following month, May 2015. Anyway, back in April that year, I hardly got anything much done, so far as blogging was concerned. I only posted one blog-post, i.e. The Great Villain Blogathon: Juhi Chawla as corrupt politician ‘Sumitra Devi’ in GULAAB GANG (2014), on the 15th of April, 2015. Now there are no more pending posts. All done!!

Nuwan Sen (Pending Posts from April 2015 !! All Complete!!!!!)
Also see (my), Nu Film Site of Nuwan Sen – Nu Sense on Film (nu Sense on Film), started in August 2015.

Now though, later in Year , am actually planning to close nu Sense on Film!!! I prefer to continue blogging here, on No Nonsense with Nuwan Sen.

Nuwan Sen


(1929-1993)

Remembering Audrey Hepburn, on her 88th Birth Anniversary!!!

Audrey Hepburn; a brave kid during the second world war who participated in the Dutch resistance, a beautiful young ballerina, a Tony & Oscar winning actress of the stage & screen, a Hollywood icon, a classy Fashionista, a kind humanitarian, a caring philanthropist, and a Goodwill Ambassador for UNICEF; who gave herself completely to serving poverty stricken, and ailing, children, across, Africa, South America and Asia!! A modern day saint!!

A mini-pictorial tribute, to this unique personality!!

Nuwan Sen

 

This Blogathon, hosted by ‘Real Weegie Midget’, that I joined the last minute (as we just came across each others Blogs, just few days ago, and before I knew it, I was invited to take part in this new Blogathon), is in correspondence to actor Jack Nicholson’s 80th Birthday!! Thus, a VERY HAPPY BIRTHDAY, to a legendary genius of modern cinema, Jack Nicholson!! Wish him all the best in health and happiness in his old age. For this Blogathon, I’m paying a ‘Double Bill’ tribute, featuring Nicholson’s TWO Film releases, of 1966 (both Acid Westerns, with similar story line)!!!!!
Ride in the Whirlwind (1966)

Directed by Monte Hellman, and Written, Produced & Starring, a very young Jack Nicholson; the story is about an innocent man on run from a group of vigilantes.

Three cowboys, including a young man called Wes (Nicholson) stop to break for the night, at a remote hideout of a gang of outlaws, led by Blind Dick (a young, Harry Dean Stanton). Come morning, they find themselves surrounded by a vigilante hanging party. It’s interesting to note, how the vigilantes here are portrayed in a realistic light. Unlike many films and television shows of today, where people taking the law into their own hands, are portrayed in a heroic light; here we see them, for what they actually can be. They are not necessarily the good guys. They not only kill off the gang they are after, but they are responsible for the deaths of two innocent people as well, assuming they are part of a gang of robbers. Plus they are on a hunt to kill off, another innocent person, Wes. It’s a hint on why people shouldn’t take the law into their own hands. Protecting oneself and other victims is a different matter, but going after someone, committing murder, in the name of justice, without any factual evidence, doesn’t make you a hero/heroine. Sure the law makes mistakes too, but that doesn’t give anyone the right to go around harming people in the name of justice. Vigilantes are humans too, and human beings are very flawed creatures.

A pretty good story, but just an OK film. Average Fare!!!
My Rating: 6/10!!!

Jack Nicholson in Ride in the Whirlwind (1966)

The Shooting (1966)

Directed by Monte Hellman, and Produced & Starring, a very young Jack Nicholson; this film is about a group cowboys going on a hunt, under the persuasion of a mysteriously secretive woman.

While, in Ride in the Whirlwind, Nicholson plays the hunted, here he is the hunter. The villain of the piece. Nicholson plays a gunslinger named Billy Spear, who’s been hired by a nameless woman (Millie Perkins). What’s really interesting here is, like most of the male characters in the film, we (the audience) ourselves, aren’t aware of what the hunt is for, until the end. The woman who hires them, is very secretive, and keeps changing her story, as to what they are accompanying her for. The ending of this movie is, unexpectedly, excellent.

Very good movie, very well told!!!!
My Rating: 8/10!!!!

Millie Perkins & Jack Nicholson, in a scene from The Shooting (1966)

Nicholson’s TWO Roles

Whilst, in Ride in the Whirlwind, Nicholson plays an innocent and kindly character, in The Shooting, he is sexier and scummier.

Young Nicholson is brilliantly different in the two very diverse roles he does. In Ride in the Whirlwind, you feel sorry for him, he is just a young man, who is afraid of being killed, for something he hasn’t done. He has his whole life ahead of him, but is being pursued by idiotic vigilantes; who assume they are being very heroic, by trying to kill him off. He’s just a kid. But in The Shooting, he shoots an innocent kid, Coley (Will Hutchins); and you wish to shoot him off. He is the monster, with a conniving smile, and an equally slimy body language, accompanying the smile. Amazingly Nicholson doesn’t look so young, despite the fact, both these movies were made back to back, in 1965, and released in 66’. Besides, he was in actuality in his late 20’s, when he made these movies. He’d turn 30, less than a year, after their releases. So, in reality, he wasn’t ‘just a kid’. But he looks really young, and with his innocence, in Ride in the Whirlwind, to complement him, he looks like he could be still in his teens even.

Out of the two roles, it’s his devious persona, in The Shooting, that shows potential for a more successful acting career. The acting career, we are used to, in some of his most defining roles, in films like; Easy Rider (1969), Chinatown (1974), One Flew Over the Cuckoo’s Nest (1975), The Shining (1980), The Postman Always Rings Twice (1981), Batman (1989), A Few Good Men (1992) As Good as It Gets (1997) and The Departed (2006); to name some.

Though Jack Nicholson, ventured into Hollywood, at the wee age of 17, in 1954; it was the 70’s decade that brought him into prominence. And his most notably, best performance to date, no doubt was in, One Flew Over the Cuckoo’s Nest, for which Nicholson bagged his very first Oscar trophy, for ‘Best Actor’, at the 48th Academy Awards, held in 1976.

Jack Nicholson & Cameron Mitchell, in a scene from Ride in the Whirlwind (1966)

Behind the Scenes
As stated above, Jack Nicholson, didn’t just act in these low-budget movies, but he also produced them; plus he also wrote the screenplay for Ride in the Whirlwind. This wasn’t his first screenplay, yet success as a writer, was yet to happen. It was later, for The Trip (1967) that he would be commended for his brilliant literary skills, on a very 60’s, counterculture, film script, about a hallucinogenic acid trip. Speaking of counterculture and acid trips, both these acid westerns too, have a major influence of the 1960’s counterculture. But one of the major flaws in both films, happens to be the look of Millie Perkins’ character (yes she appears in both films, in a supporting role in one, and a lead in the other). Her hairdo feels very 60’s (but her head is mostly covered with a hat, in The Shooting). Luckily her makeup is that of a minimalist nature; which apparently Perkins wasn’t very happy about.

Monte Hellman and Jack Nicholson made decisions on the films together, including the lead cast. They together searched for locations for several weeks; before deciding on Kanab, Utah, USA. It was the perfect site to film both their films. The cinematography in The Shooting is wonderfully imaged. The entire film was shot in natural light.

It was producer, Roger Corman’s, idea, to make two films back to back. Corman financed the pictures, serving as the film’s uncredited ‘Executive Producer’. Nicholson was apparently worried about going over budget, while making these movies. But both films were completed in a total of six weeks of continuous shooting (three weeks per film). And thus, the films were completed for the original budget estimated. Yet, Hellman had to spend more than a year, editing the film footage.

These two Acid Westerns; which do not romanticise the west, rather shed a more realistically bleak light; one of which is just OK, and other really good; is an interesting insight into Jack Nicholson in the making. The Nicholson we came to know and love, today.

A Special THANK YOU, to my new found blogger pal, of ‘Real Weegie Midget’, for roping me in, for the Here’s Jack Blogathon 2017.

Nuwan Sen’s Film Sense
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nu Sense on Film (Website)

Queer Movies, and the month of Mardi-Gras

10 years ago, on 3rd March 2007, I witnessed the Sydney Gay & Lesbian Mardi Gras (simply known as Mardi-Gras, down under). This was when I was a student, doing my MA in painting (2006-2007), at COFA (College of Fine Arts), UNSW (University of New South Wales). It was a spectacular event, with gaudily glittering floats, semi naked bodies, cute kids, and the Sydney Mayor. In full swing, in the Australian summer, it went on, from dusk till dark.

The Mardi-Gars festival, is actually a carnival before Lent, in the Christian calendar. BUT, in Sydney, it’s a Pride carnival. Mainly due to the fact, that during the Pride month (which happens to be the summer month of June); is in the heart of winter, down under; where seasons go in the exact opposite direction to the norm. Christmas down under, is in the height of the hot sweltering summer. Thus, the Pride March, down under, has been interwoven with the Mardi-Gras; and is known as the Sydney Mardi Gras!! This takes place, on the first Saturday, of March. And thus, this year, it was held on 5th March 2017!!

In 2008, it was on the 1st of March, 2008. By now, I’d completed my 2nd Masters, and I was temporarily working as an ‘International Student Advisor’, at the ISS (International Student Services), in UNSW. I did not attend it that year (in fact, March 2007, has been the only Mardi-Gras carnival I’ve seen, so far). But I did, go and see, one movie, at the Mardi Gras Film Festival, held in Sydney, in February 2008. The movie was, The Houseboy (2007); and it was pathetic. One of the worst films I’ve ever seen.
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Downloading

Towards the end of last month, I came across a fellow film buff, from Pakistan, on Twitter, with whom I ended up chatting (something I rarely do, that too on Twitter). Soon I befriended him, on FB (Facebook). And on his FB timeline, he had mentioned Mahershala Ali, an actor of Muslim faith, who won the Oscar, for ‘Best Supporting Actor’ for Moonlight (2016), at the 89th Academy Awards, held on the 26th of February 2017; and how proud he felt of being a Muslim, himself, for the very first time. I simply asked him whether he’d seen Moonlight, and that I’d love to. He told me he had watched it twice; and said he’d send me the link to download the movie. And he did.

Now, back to 10 years ago; Year 2007!! I was dead against piracy, and downloading movies on the web, et al. I remember how my Australian friends & flatmates, use to react; feeling embarrassed at doing such things themselves. But I have been living in Sri Lanka, for 7½ years now, and not being able to watch any good movies (as they practically are never shown in Cinema’s here); I’ve had to rent or buy films occasionally, that happen to pirated copies. See my posts on Life of Pi  (2012) and Mud (2012) from October 2013.

But, luck had me travelling to, places like:-
New Delhi, India, between 2010 & 2012 (where you don’t see pirated copies in street shops, unlike Sri Lanka, and have to (literally) go to an underground market, if you want cheap pirated copies); where I not only got to buy good original DVD’s (even though they were with Indian copyrights, thus they have to be approved by the Indian Censor board, and certain films, have a universal rating, with sex and nudity edited out; and though am against censorship, I prefer to buy original DVD’s, than badly pirated ones, found in good shops, in Colombo and it’s suburbs, in Sri Lanka), but also got to see some great films on the Big Screen, on the superb Cineplex’s of New Delhi (see my list on IMDB titled Oscar Winners … and then some 2012, from March 2012).
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Adelaide & Sydney (once again), Australia, in November 2014; where too, I watched a couple of the superb films, on the big screen, plus bought many a DVD’s (see my Blogpost Holidaying in Australia, comes to an end from November 2014).

Meanwhile, back in Sri Lanka, I’ve tried to download films, from certain sites; either I get an error message, or it’s not available in this country, or something or the other. So, only way, I’d watch films online, is if they were available on Youtube; and late last year, streamed a few on iflix. But, as I mentioned above, that this nice new (virtual) friendly acquaintance of mine, sent me a link. And on the night of 28th February 2017; I started to download, Moonlight. By the time, I finished downloading the film, it was next morning, i.e. 1st March 2017. Thus Moonlight, was my very first successful download. And within the next few days, I downloaded four more s; in conjunction, with the month of (or rather the last week of), Sydney’s version, of the Mardi-Gras festivities.
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5 Queer Movie, within the first 5 Days, of March 2017

So here are my mini-critiques on the 5 films, I’ve downloaded so far (downloaded for the very first time). And unlike the pathetic film I saw at the  Mardi Gras Film Festival; except for one here (which too was Averagely good), all the rest of the films were pure excellence of Cinematic magic.
Thus, here is my own little ‘Queer Film Festival’!!!!!!
Beware of some spoilers below!!!!!
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1. MOONLIGHT (2016)

An Art-House Film, that bagged the ‘Best Picture’ Oscar, this year; a rarity, and a win after a fumble at the Academy Awards, that almost felt like Moonlight, had not won.

Moonlight is a touching portrayal of a young, afro-American, gay man, Chiron, brought up in a rough neighbourhood, in Miami, Florida, USA. With a drug addicted, emotionally unstable and abusive, mother; plus being bullied and beaten up in school; Chiron grows up to be a thuggish looking drug dealer, with a heart of gold. The finalé with the admission of virginity, by a very masculine, strong built man, pulls at your heart strings. This is a brilliant, coming of age, drama, about sexuality, true love, and what it’s like to be black in America, especially in a poverty stricken neighbourhood. Directed by Barry Jenkins, who won the ‘Best Director’ Oscar; Moonlight is a powerful piece of though provoking cinema. This is also Jenkins’ directorial, feature film, debut.

Ashton Sanders & Jharrel Jerome in a scene from Moonlight (2016)

The strong built, Trevante Rhodes, brings out such a sensitive performance; through a character, that outwardly generally feels frightening, with his gold chain, and gold teeth; and tough, overtly masculine, act; that touches deep, seeping into your veins, feeling the pain he’s going through. What a beautiful human being the character of Chiron is. The movie is told in three chapters, with three actors, playing one character, Chiron, in three stages of his life. Thus, the film has a main character (Chiron the protagonist of the film), but no lead actor, as such. The trio of actors perfectly essay the role of Chiron. In fact, the whole ensemble cast is terrific.

Mahershala Ali; who won the Oscar, for ‘Best Supporting Actor’ (making him the very first Muslim to win an Oscar, in the acting category); plays a kindly drug dealer, who becomes a mentor, a father figure, for little Chiron. Overall an excellent movie, that deserved the ‘Best Picture’ award, at the 89th Academy Awards, held last month. Moonlight, was the first film with an all-black cast, and the first LGBT film, to win an Oscar, for ‘Best Picture’ ever.

Watched Moonlight, late Wednesday night (1st of March, 2017)!!

My Rating:-
Excellent!!! 10/10!!
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2. CAROL (2015)

A Christmas Carol, a beautiful Christmas romance, and a wonderful, lesbian, love story.

Cate Blanchett is superb as ever, nothing surprising about that fact. Todd Haynes, is an equally great director, again nothing new about that. But, Rooney Mara, WOW!!! What a brilliant performance. I’ve seen excellent films, starring Mara, in small roles, like in The Social Network (2010) and Her (2013); but I hardly noticed her in these movies. So she definitely was the surprise packet in Carol, for which Rooney Mara, tied in, for the ‘Best Actress’ win, at the 68th Annual Cannes Film Festival, in May 2015 (see my posts The 68th Cannes Film Festival finalé and Winners & Disappointments – at Cannes 2015, from May 2015).

Carol, is based on a novel by Patricia Highsmith, titled The Price of Salt. Though am a fan of Highsmith thrillers, I haven’t read this particular novel. This story, is very different to Highsmith books (at least that’s what I gathered from the movie). While most Highsmith literature has to do with crime, interwoven with themes of sexuality; The Price of Salt seems to be, an out and out, love story, of two beautiful women; living in a male oriented, homophobic, world. Sadly, this is the world, a great American writer like, Patricia Highsmith, a lesbian herself, had to survive in, in the 1950’s.

Carol is a beautiful heart warming Christmas romance, set in America, in the foxy 50’s, starring two fantastic foxy actresses. Rooney Mara carries ’s charm and simplicity, with grace; and bold Blanchett, is outstanding as ever. Carol, has the potential of being, a future Hollywood classic. While Moonlight, is a brilliant, low-budget, American indie-film; Carol is the quintessential, modern day, Hollywood romance.

I had the luck of seeing Cate Blanchett, in real life, down under. Heavily pregnant, she came to UNSW, to see a digital television exhibit, at our University; in early 2008. I actually didn’t recognise her at once. For one thing I wasn’t aware she was pregnant. So, when I saw a heavily pregnant lady, come out of the exhibit, in a massive pair shades, with a little boy, and stare right at me; I didn’t really pay much heed to her (I was waiting to go inside, with a couple of friends; waiting for whoever was inside to come out). But I did feel she looked familiar. Then she removed her dark glasses (for our benefit 😀 ), and started speaking to a person in a wheelchair, quite near me. It was her voice I recognised, and it’s only then I looked at her. After she left, I asked the students working the exhibit, and they confirmed it was her!! If I already knew she was pregnant, I would’ve recognised her instantly.

Watched Carol late night, on the 2nd of March, 2017!!

My Rating:-
Excellent!!! 10/10!!
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3. HOLDING THE MAN (2015)

Above: Actors Ryan Corr & Craig Stott; as Timothy Conigrave & John Caleo, respectively; in the film, Holding the Man (2015)
Below: The real-life Timothy Conigrave & John Caleo

What better day to watch an Australian Gay-themed film, than on the night of, Sydney’s Gay & Lesbian Mardi Gras parade. Of course being on this side of the Ocean, there is no way I can attend the parade, down under, in all it’s splendour. But instead, I watched an Australian Queer Film, based on a memoir; which was the basis of a stage play, with the same title, by Tommy Murphy (who is also accredited with the screenplay for this movie), that came out in 2006; whilst I was in living in Sydney. The play was a big hit in Sydney; and in 2007, I remember seeing an interview with Tommy Murphy, on a local television channel in Sydney. Unfortunately I never got to see the play.

As I mentioned, Holding the Man, is based on the true story, of Timothy Conigrave’s (stage artiste, writer & activist), 15 year love affair with John Caleo (who died of AIDS); which Conigrave penned down, in a book called, Holding the Man. Conigrave completed this book shortly before dying of an AIDS-related illness, himself, in October 1994, at the age of 34 (a month before his 35th Birthday).

Holding the Man, is a tragic story, chronicling the life of two gay men, in Melbourne, Australia, who fall in love as teenagers, in the 1970’s; and survive all odds, when the land of Oz, was still very homophobic. It’s a pity, Timothy Conigrave and John Caleo, weren’t able to see, how much the world has changed today, and how much more open, Australia is to gay culture today. In fact, Sydney is the next gay capital of the world, after San Francisco, in USA. BUT, no matter how open and free, homosexuality is down under, today; sadly many a Australians do take Gay people for a joke. Homosexuality is no laughing matter. People can still be pretty cruel, and inhumane, even in Australia, towards the LGBTIQ community.

Watched Holding the Man, late night, on the 4th of March, 2017. The movie finished past midnight!! A sad beautiful tale, filmed beautifully by director, Neil Armfield. This is among the rare greatest Australian films, I’ve seen.

My Rating:-
Excellent!!! 10/10!!
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4. REFLECTIONS OF A GOLDEN EYE (1967)

Brando & Taylor, on the sets of Reflections in a Golden Eye (1967)

Based on the novel, Reflections in a Golden Eye, by Carson McCullers; this beautifully made movie, with a uniquely stunning photographic technique, was directed by John Huston, starring Elizabeth Taylor, in the lead, with Marlon Brando, Brian Keith, Julie Harris and Robert Forster. This was Forster’s debut role, where he played a sexual desire, of Brando’s character.

The main plot of the movie, revolves around the wife of a Major, stationed in a US Army post in the American South in the late 1940’s. The said wife is played by Elizabeth Taylor. A young new Private (Forster), has a perverted obsession, who voyeurs around the violet eyed beauty (Taylor), watching her naked body reflect through the golden brown lens of his eye. It’s a beautifully filmed, movie about a peeping Tom; unaware, of the Major (Brando), the husband, of his sexual desire, himself has a repressed homosexual desire for the Private. Seeing the Private’s naked golden body, many a times in the brown woods, only adds to the Major’s already uncomfortable want for a young man, he cannot have.

Despite a great story line, and the beautiful photographic technique, the film isn’t without it’s flaws. The most visible one being, that of Taylor’s character. Though the film is set in the late 40’s, Elizabeth Taylor’s look, just doesn’t feel the post-war period. With the latest hairdo’s and fashionable dress sense, straight out of the 60’s; Taylor is magnificently more modern, than the setting of the movie. Another flaw is, the movie starts to bore in the middle, especially after the death of a mentally unstable character, played by Julie Harris. Added to which, Huston could have focused more on the Major’s repressed sexuality; i.e. the character played by Marlon Brando.

A scene from the film, Reflections in a Golden Eye (1967); featuring Robert Forster, in the original release of the picture, with the golden hue, that did not impress audiences.

Initially the movie was released, with a golden hue enveloping the movie, as a reference to a drawing of a golden peacock, in the movie; a golden peacock in whose eye, the world is a mere reflection. But audiences did not seem to get this symbolic aspect, thus the original copy was withdrawn from cinema’s, and a normal coloured version re-released. I saw the ordinary colour version, but I’d love to check out Huston’s original aesthetic creation; with the warm sepia tint, over the colour film.

None the less, it’s a very admirable effort by John Huston. I watched Reflections in a Golden Eye on Sunday afternoon, 5th March 2017!!!!

My Rating:-
Average Fare!! 6/10!
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5. SUNDAY BLOODY SUNDAY (1971)

Last but not the least, most probably my favourite of the lot. What a clever, unusual film. The 60’s & 70’s were definitely the period that Hollywood ruled; bringing out bold unique plots.

Starring Peter Finch, Glenda Jackson and Murray Head; and brilliantly directed by John Schlesinger; Sunday Bloody Sunday, is a very mature, open minded, intelligent story. Murray Head plays a bisexual; who has two partners. One, played by Finch, and the other by Jackson. And each is aware of the other’s existence; and have a mature understanding, and acceptance, of the other, though neither of the, young bisexual scientific artist’s, partners have met each other. What’s more interesting, is how decent these people are, and in what a civilised manner, they handle sharing the same partner. They go on living a very normal life, with their lover, who finds time to spend with both, his male lover, as well as his female lover.

This is a very modern outlook, we don’t really see in this century. Of course, there are plenty of films on threesomes, extreme sexual deviations; but most of the time it’s showcased in a sleazy manner. That’s the beauty of this film, despite having a homosexual man and heterosexual woman, sharing one lover, there is nothing sordid about it. It’s so sophisticatedly handled, and is made to feel, so normal, and that too in a movie, that came out in the 70’s decade; it’s a wonderful feat.

One of the most intellectually adult movies, I’ve ever come across. Peter Finch, is spot on, as the elderly gay man, who is not seen suffering because of his sexuality, and who happens to a well to do Jewish doctor. Glenda Jackson plays a divorcee, who suffers from a childhood trauma, during the war. And each of them lives a relatively happy life, sharing one man, without suffocating the lover. And the lover, being bisexual, enjoys openly romancing both. And yet, it’s only the two of them he romances, and he doesn’t hide the fact he’s also seeing the other. So technically he is faithful to both his lovers.

A lot does happen in the movie, but it’s more character based, where these three people live a very civilized life, in a very normal manner, with acceptance and understanding. Isn’t this the kind of normal acceptance, of people who are different, and understanding them, that could make the world a better place. In a way, a very futuristic attitude. It’s a society that doesn’t have to fight for Gay Right’s, or Women’s Lib, et al; why?? ‘cause gay men and women are seen, living a relatively liberal lifestyle, with no judgement. Their friends accept them, friends’ children play with them, they are asked to take care of the kids, they trust each other; isn’t this the kind of normality, that ought to really exist, in today’s world, but sadly does not. Schlesinger, though set the movie in the 70’s itself, has forecasted a very progressive future, which should have made it’s way, by now.

This British film, is a masterpiece of cinematic intellect. A must watch. The Best film, in this list, I watched Sunday Bloody Sunday, late Sunday night (5th March 2017); the movie ended past midnight. Totally worth it!!

My Rating:-
Excellent!!! 10/10!!
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So that’s all folks, the 5 films I watched, within the first 5 days, of this month. Four of which, were pure excellence!!!

Nuwan Sen’s Film Sense

sidney-poitiers-90th-birthday

To Sidney Poitier Esq.  

Dear Sir,
            First of all, let me wish you a very Happy 90th Birthday. And a big congratulations for being in the acting profession, on both the stage and the screen, for over 70 years.
           Thank you sir, for making it in Hollywood, at a time, when non-Caucasian celebrities, were a rarity. Most of Hollywood was initially made up of, the British, various European countries, Canada, and a few Americans (though those Americans who found fame, were limited to the stars of the fairer skin). Yet, considering the fact, that many a notable Hollywood personalities, were mostly British (and from other Western European countries); it’s obvious that Hollywood is actually, made up of immigrants. Yet, a very big thank you, to you, Sir Poitier, for not only being a leading actor, from the 1960’s (a decade when the world began to change, for the better) onwards; but also, for being the first black male actor, to win an Oscar.
           Legendary, Hattie McDaniel, beat you to it, by winning in the, Best Supporting Actress, category, at the 12th Academy Awards, in 1940; for her brilliant role, as ‘Mammy’, in Gone with the Wind (1939). Thus, making her, the very first African American to win an Oscar. So in a way, she paved the way for you. But it’s only when you won, for Lilies of the Field (1963), at the 36th Academy Awards, in 1964; that darker skinned stars truly started getting a recognition. Of course, in the 70’s, there were a lot of Blaxploitation (a.k.a. Blacksploitation) films. A pity, Afro-Americans, were being reduced to cliché’s. BUT, luckily you were not part of the Blaxploitation cinema, of the 1970’s (not to my knowledge, anyway). So, thank you, for not falling into that trap, and keeping a dignified edge, for Black stars, yet to shine. Plus, thank you, for opening up an avenue for non-white acting talent, in general, in Hollywood. Today, a British born actor, with Indian roots, is nominated for an Oscar; i.e. Dev Patel, who has been nominated in the Best Supporting Actor, category, for his role, of an Indian brought-up abroad, in Lion (2016). So, you started it, by being the first non-white actor to make it in Hollywood (which was already full of white immigrants); and today there are quite a few immigrants, from Europe, Asia, Africa, Australia and South America (of various skin tones), making it, in the most celebrated film industry, in the world.

Classic Bromance: Sidney Poitier & Tony Curtis in The Defiant Ones (1958)

Classic Bromance: Sidney Poitier & Tony Curtis in The Defiant Ones (1958)

          Growing up I had heard about you, but had watched very few films, of yours; like Sneakers (1992), and your directorial ventures, like, Stir Crazy (1980) and Hanky Panky (1982), for instance; but it was in my late teens/early adulthood, when I saw, Stanley Kramer’s Guess Who’s Coming to Dinner (1967), that you became one of my favourite stars. What a brilliant movie!! It’s my second favourite film, of yours. My first, is no doubt, the British film, To Sir, with Love (1967), directed by James Clavell. I had heard of , To Sir, with Love, since I was a kid (in the late 80’s). BUT, it was only, finally in 2005, that I got watch it. I actually saw it on the Big Screen, when it was shown at Russian Centre, here. But it’s rarely I get to see good cinema here, especially on the Big Screen. I’ve actually, only seen three classics, at the Russian Centre. First was, Gone with the Wind, in 2002. Then, To Sir, with Love, in 05’. And finally, Tess (1979), in 2012. So it’s that rare (see my Blog post on Tess from October 2012). Of course, the Ethnic Centre, in Colombo, is, comparatively better. It’s still been a while, since they last showed anything worthwhile; but this week, they are showing two of your movies; the above mentioned, Lilies of the Field, and The Defiant Ones (1958). Both are on my Watchlist. And am really keen on going and watching these two films, this week. I heard, you play a modern day saint, in Lilies of the Field. A really kind human being. Humanity, is the best religion to preach. Kindness and open-mindedness, is sadly something still missing in today’s world of greed and materialism. In, The Defiant Ones, I heard, that your co-star, Tony Curtis requested, that your name appeared alongside his, above the movie title. This was a progressive first for you, and all other (non-white) skinned actors. How kind, it was, of Tony Curtis, to request something, so unheard of, at the time. He didn’t see your skin colour, but the fact, that you were a talented actor, and a lead character, in the movie, and not a supporting one. Blackboard Jungle (1955), A Patch of Blue (1965) and In the Heat of the Night (1967), are three other movies, in my Watchlist, that am really keen on checking out.

Sidney Poitier receiving the Presidential Medal of Freedom from President Barack Obama, in 2009

Sidney Poitier receiving the Presidential Medal of Freedom from President Barack Obama, in 2009

             Besides being a talented actor, you’ve also been a great diplomat. In real life, you’ve played the role of an ambassador for the Bahamas, to Japan; for a decade, between 1997 and 2007. Concurrently you were also the Bahamas ambassador to UNESCO. This most probably was the greatest, and the most significant, role, in life, you had to play.
On top of all the film awards, you’ve received, I must congratulate you, on receiving the great honours, of the KBE (Knight Commander of the Order of the British Empire) in 1974; and more specifically, the Presidential Medal of Freedom, by the previous American President, Barack Obama. Again, thanks to you, paying the way for African Americans, in the United States; Barack Obama, was the very first African American president, that USA, finally had. Him winning the election, in the end of 2008, and becoming the President in January 2009; and during his tenure, the Supreme courts ruling, of same-sex marriage to be a fundamental right, in June 2015; America showed progression. Being an avid supporter of Equal Rights, you shall agree, how progressive and open minded the country was getting. BUT, a pity, with Trump’s triumph, at the elections, held in November 2016, the country seems to have taken a step backwards. None the less, there is still hope for improvement; and the 2017 Women’s March, held last month (in January 2017), not just in your part of the world; but around the globe, is enough proof!! You too were part of an equality march, back in 1963; the March on Washington, headed by Martin Luther King Jr.
              The last time you worked, on screen, was sixteen years ago. I hope, something that interests you comes up, and you wind up doing another impressive role, even today. Or a great directorial opportunity comes your way. I don’t feel, you’ve retired from the film industry, yet.
              And lastly, Thank You, once again, for your great contribution, to the world of Cinema.
                                                                     Wishing you the best of health and happiness
                                                                                                                             With Regards
                                                                                                                                    Nuwan Sen

This Blog Post, in the form of a letter, is my contribution to the, 90 Years of Sidney Poitier Blogathon, hosted by , of The Wonderful World of Cinema.

sidney-poitier-blogathon

Thank you Virginie; for letting me take part, in this wonderful Blogathon.
Please also do check out my Blog posts, To Sidney, with Love and South Africa, The Apartheid, Missing Diamonds and The Wilby Conspiracy, from 20th February 2013 & 23rd December 2014, respectively.

Nuwan Sen’s Film Sense
#‎NuwanSensFilmSense

From movies released last year, 2016; I’ve only seen 12 of them so far; 9 of them within last year itself; and only 2 on the Big Screen; from the rest, except for a couple of them, that I watched online, on iflix, the others were on cable TV (either On Demand, or a foreign television channel)!! Here are the Best to the Bad!!!!!

Left: Sonam Kapoor as Neerja Bhanot in Neerja (2016) Right: The late Neerja Bhanot

Left: Sonam Kapoor as Neerja Bhanot in Neerja (2016)
Right: The late Neerja Bhanot

1. Neerja (2016) – Excellent: 10/10!

In 1985, Pan Am (Pan American World Airways) began an all Indian cabin crew for its India/Pakistan/West Germany routes. Neerja Bhanot was the Head Purser, of Pan Am Flight 73, when hijackers attacked the flight, on the 5th September, 1986.

The Pan Am flight had reached the Jinnah International Airport in Karachi, Pakistan, from India, that morning. Carrying 380 passengers on board, the flight was on it’s way to Frankfurt, West Germany, and was to travel to New York, USA. As the flight was ready to close it’s doors, at the Jinnah International Airport, four armed Palestinian men of the terrorist organisation, known as ANO (Abu Nidal Organisation), forced their way into the aircraft; disguised as security officers escorting a Libyan diplomat. The brave Neerja Bhanot, quickly warned the trio of pilots, who, following protocol, escaped through an overhead hatch in the cockpit. Thus, making sure the plane does not leave the tarmac. Neerja, though terrified, along with other attendants, hid American passports, so that the ANO couldn’t differentiate, Americans from non-Americans, as the terrorists were specifically targeting Americans. After 17 hours, of their demands being unheard, the terrorists went crazy, and opened fire on all passengers. Neerja Bhanot quickly opened the emergency exit, and managed to save the lives of 360 passengers on board (20 others were killed), and 19 crew members. Bhanot made sure, all the people, who were still alive had escaped, without saving herself first. Ultimately she sacrificed her life, saving the lives of three children, as she shielded them from gunfire. She died of gunshot wounds, just a couple of days, before her 23rd birthday.

Sonam Kapoor does justice to the role of Neerja Bhanot!! Kapoor was spot on. In an interview, when Kapoor was asked, whether she is looking forward to winning the ‘Best Actress’ trophy at the Filmfare Awards, this year; she replied, that she didn’t know, for that was not the reason, she did this movie. None the less, she deservedly won the Critics’ Award, for ‘Best Actress’ at the 62nd Filmfare Awards, held earlier this month. However she lost out in the popular vote, for ‘Best Actress’. The movie altogether won six awards, including the Critics’ Award, for ‘Best Director’ (for Ram Madhvani), the ‘Best Supporting Actress’ trophy (for Shabana Azmi) and ‘Best Production Design’ (for Aparna Sud). The Production Design was truly superb, the way they replicated the whole Pan Am Flight 73, by making the model of the flight and it’s interiors, to perfection. It looked like an actual plane, on the tarmac.

This tragic story, is a must see. A perfect tribute, to the late Neerja Bhanot (1963-1986)!! Bhanot, an ordinary girl, not your conventional super heroine; but when put in an extraordinary situation, showed an inner human bravery, under fear. Also see my mini-write up on Facebook’s AHC page (Link:- https://www.facebook.com/search/str/%2523nuwansensfilmsense/keywords_search?filters_rp_author=stories-feed&filters_rp_creation_time=%7B%22start_month%22%3A%222016-03%22%2C%22end_month%22%3A%222016-03%22%7D)!!

Watched Neerja, on the Big Screen, early last year (in March 2016)!!

Here’s to Neerja Bhanot, an innocent girl, a film buff, a model, an abused wife, a divorcée, an air hostess, and most of all, a humanitarian; who put others before herself! Bhanot was posthumously awarded the Ashoka Chakra Award, India’s highest peacetime military decoration award, for valour, courageous action or self-sacrifice, away from the battlefield. She was the youngest, and first female, recipient of this award. She received various more awards, posthumously; for her bravery, her loyalty to her passengers, and humanity.

2. Kapoor & Sons (2016) – Excellent: 10/10!

A fun filled family film, with a gay character. Bollywood is becoming more progressive. It’s a beautiful family movie, about a dysfunctional family, that get together to celebrate, the family patriarch’s, 90th Birthday; post recovery from a heart attack. A lot of drama, secrets, pain, romance and comedy, unfold; into a complex family reunion. With a great ensemble cast, the movie is made in a way, that the whole family can enjoy; from tiny tots to the elderly!! Just loved this Dharma Productions, movie, directed by Shakun Batra.

The Film won five trophies, at this year’s Filmfare Awards; including one for the legendary, Rishi Kapoor; who deservedly won, in the ‘Best Supporting Actor’ category. 64 year old Kapoor, played the 90 year old, head of the house, with perfection; in this movie.

Watched Kapoor & Sons, last year, when it was shown on the Indian cable channel, Colors (July 2016).

3. PINK (2016) – Excellent: 10/10!

“No means No!”, utters Amitabh Bachchan’s character; as he defends three girls (one of whom was molested), when the trio are charged with prostitution and attempted murder by the male culprits.

This is a brilliant Art House film, an excellent courtroom drama, and a women’s rights advocacy. Amitabh Bachchan proves, he is still the best actor around, in the aesthetic world of films. Bachchan plays a retired lawyer; taking care of his ailing wife, while suffering from his own health issues; who takes up this case, pro bono; for the sake of three innocent victims, who are being charged with a crime, and not the other way round. He does it for justice, and a woman’s right to refuse sexual advances.

Amitabh Bachchan lost out, in the ‘Best Actor’ category, to Aamir Khan. I haven’t seen Dangal (2016); for which Kahn won the Filmfare Award, earlier this month; but the 74 year old, Big B (i.e. Mr. Bachchan), was phenomenal, in PINK.

Watched PINK, late last year, on another Indian channel, Star Plus (November 2016)

4. Confirmation (2016) – Excellent: 10/10!

From one fictional tale of sexual abuse, to another based on a real incident. Though in this case the abuse might be merely verbal, and not of a physical nature; it is still a case of abuse of power, and gender discrimination.
confirmation-2016This movie deals with the ‘Clarence Thomas Supreme Court nomination’ of 1991; when a law professor, Anita Hill; who had previously worked under Clarence Thomas; was asked to ‘confirm’ her allegations of sexual harassment, against Thomas. Another sad, excellent film, with an unsettling ending, for both the protagonist’s of the movie. Kerry Washington is superb as Hill, who is initially reluctant to come forward.

Watched this television drama, Confirmation, when it was shown on the cable channel, HBO Signature (July 2016).

5. Tere Bin Laden: Dead or Alive (2016) – Near Excellent: 9/10!

A hilarious piece of satire, set during Obama’s presidency, dealing with; making a false proof, of the actual; Osama’s death. Not amongst the greatest comedies ever, but I couldn’t stop laughing. The movie was really enjoyable. Thus, I think I’ve given it a tad higher rating, than I should have. For more details, see my post Mai May Movies 2016 from May 2016, as well.

6. Airlift (2016) – Near Excellent: 9/10!

A true account of Indians trapped in Kuwait, in 1990, as the country was being invaded by Iraq; under Saddam Hussein. Yet again, see my mini-review under, ‘Mai May Movies 2016’, from May 2016.
pink-laden7. Michael Moore in TrumpLand (2016) – Very Good: 8/10!

Despite all Michael Moore had to say in this Stand-up/Documentary, Trump still triumphed; and now, 70 year old, Donald J. Trump; a business magnate; is the President of the United States!!

What I really liked about this documentary, is without directly attacking Trump, Moore slowly tries to make people understand, why he shouldn’t be the political leader, of America; and the dangers they face, if he came into power. This was almost an advertorial campaign for Hillary Clinton. Despite all this explanation, it is a pity, Mrs. Clinton; so much a better politician, lost out, to a business celebrity. I was rooting for her to be the first female President of America. Sad! And many, open-minded, Americans were distraught with the results. And the Women’s March 2017, is proof of that.

Watched this last year, as Trump won the elections, on iflix (November 2016).

8. Passengers (2016) – Pretty Good: 7/10!

I loved, Norwegian director, Morten Tyldum’s, The Imitation Game (2014); and his Hodejegerne (2011), a.k.a. Headhunters, is in my watch list. And when I went and watched, Passengers, in 3-D; I really enjoyed majority of the movie. BUT, unfortunately there is ‘But’!!

A spaceship carrying over 5000 people, under induced hibernation; travelling to a distant planet, in a span of 120 years; has a malfunction. As a result, more than one person, is woken up, approximately 90 years early. The film, with just two lead characters, who have to carry the burden of film, entirely on their shoulders, is very impressive. And it goes on really well, to near excellence; the whole while, a question of ethics, gnawing at you (the audience). But then (spoiler alert), a third person wakes up; and starts to ruin the film; turning the highly clever premise, and the intellectually stimulating story, into a silly, action blockbuster, waste. From here the movie becomes really, unrealistic (sure it’s set space, but the fictional aspects, still have to be believable enough) and, the romantic angle, pretty mushy. None the less, majority of this, stunningly, visually, beautiful movie, is worth checking out!!

Chris Pratt & Jennifer Lawrence in Passengers (2016)

Chris Pratt & Jennifer Lawrence in Passengers (2016)

For next month’s Oscars, Passengers, has been nominated for it’s Production Design; and the interiors of the Spaceship are magnificent; as are the special effects. But then again, CGI/special effects, are practically good in any movie today; and unfortunately, most of the time, that is the only good thing about a movie. I hope this movie bags a trophy for ‘Best Production Design’, at the oncoming Academy Awards. Passengers, might not be a great film, but still quite good, a very enjoyable movie; until they ruin it towards the end.

Watched Passengers on the Big Screen, earlier this month (January 2017)

9. My Sweet Audrina (2016) – Very Bad: 3/10!

A creepy thriller, with a really interesting premise. But a bore of a film. Don’t waste your time on it.

Watched this TV film, last year, online, on iflix (November 2016).

10. Ki & Ka (2016) – Very Bad: 3/10!

The concept of the wife going to work, and husband staying at home, and being a househusband/homemaker, may seem a bit outdated; but that is not reason the movie doesn’t work. It had it’s fun spots, and serious segments; but the movie as a whole, was pretty stale and dull. On the positive side, I love the fact, the man, by choice, decides to be a homemaker; and is very supportive of his wife; and I loved the role reversal, the Abhimaan (1973) moment, in the movie, where the wife pushes him to do an interview on TV, and as he starts becoming a celebrity, she starts to feel jealous. So the concept was enjoyable. The movie also reminded me of, this Hindi sitcom; we use to watch as kids; Mr ya Mrs (1987-1988). But the movie is a bit of drag, and ultimately a waste of time. Enjoyable premise, yet poorly executed.

Saw Ki & Ka, when it was shown on Colors, last year (October 2016).

10+1. 13 Hours (2016) – Very Bad: 3/10!

Based on real events, it’s such bore of film. On the 11th of September, 2012; the US Ambassador’s compound, and an unofficial CIA base, in Benghazi, Libya, is attacked. The movie starts off really well, but then drags on, and is way to long. I felt I sat through the movie for ‘13 hours’ myself.

Watched 13 Hours, on HBO On Demand, late Sunday night (29th January 2017)!!
film-13-hours-201610+2. Ae Dil Hai Mushkil (2016) – THE Worst film, of 2016, that I have seen, so far: 1/10!

It’s not even worth talking about, this crap of a film, by Karan Johar. Johar is a good director, and did a marvellous job when it came to his short film, within Bombay Talkies (2013); an anthology of four short films. In fact his directorial segment was my favourite. BUT, when it comes to feature length films, he sure mucks it up. And he is a good producer; Dharma Productions, is his company, the company that produced, the above mentioned, Kapoor & Sons. Plus, he is quite a good television talk show host. Really enjoy watching, most of his interviews on, Koffee with Karan (2004 onwards). Currently, the latest season, of Koffee with Karan, is running on the Indian cable network, Star World.

Watched Ae Dil Hai Mushkil, when it was telecast, on Colors, on Saturday morning (28th January 2017)!!

Special Note: End of last year, I watched a Sinhala documentary, called Usaviya Nihadai, which I tweeted as being released in 2016, for it was released in Sri Lanka, only last year; amidst a lot of controversy (of course, I watched it on the small screen; rented it out, when it was provided by our cable operator). But according to IMDB, it was released in 2015!!!!! Apparently it was released at a ‘Sakhalin Film Festival’, in Russia (I didn’t even know about an island called Sakhalin; let alone about this festival; till now). I gave Usaviya Nihadai, an Average Fare rating, of 6/10!!

Ki & Ka (2016) is practically a remake of the 70’s classic, Abhimaan (1973); with roles reversed!!

Ki & Ka (2016) is practically a remake of the 70’s classic, Abhimaan (1973); with roles reversed!!

Unfortunately, from the releases of 2016, I haven’t watched any Oscar worthy, English language, movie (except for the great production design, in Passengers). BUT Amitabh Bachchan’s performance in PINK (2016), is definitely an Oscar worthy performance. Pity, I doubt Hollywood has even heard of this movie, let alone, nominate the Big B, for his outstanding acting skills, in general.

Looking forward to, watching the Oscars LIVE telecast, next month (February 2017).

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The Cassandra Crossing (1976)
the-cassandra-crossing-1976A train travelling from, Switzerland to Sweden, is re-routed to Poland; which will have to pass through a disused bridge; once American authorities learn that a deadly (pneumonic plague) virus is spreading on board! An excellent piece of guilty pleasure starring the who’s who of the cinematic world, taking you on thrill ride, across the scenic landscapes of Europe. Love this movie!!!!!

Sophia Loren

Sophia Loren

The Movie & I

When I first watched The Cassandra Crossing (1976), as a 12½/13 year old, in the late 1980’s (1988/89 – more probable that it was in 1988), on the telly, the only star of the film I was aware of, was the lead actress Sophia Loren (for I had a vague memory of having seen her in epics like El Cid (1961) and The Fall of the Roman Empire (1964), when I was even younger; plus had heard her name, many a times, in the children’s film, Dream Girl (1977); where a playboy is teased whether he is on a call with ‘Sophia Loren’, as he speaks to his grandfather; a movie we watched as kids, a kazillion times, back in the 80’s & early 90’s). Of course, by now, I have seen so many movies of her, but The Cassandra Crossing, was my proper introduction to her, for that’s when I really got to know, who Loren was. Late last night, I re-watched, The Cassandra Crossing, on youtube, almost three decades later. The quality, not so good, the movie, totally worth it. And today, I practically know majority of the glamorous star cast, of The Cassandra Crossing. Besides Loren, the movie stars, Richard Harris, Burt Lancaster, Ingrid Thulin, Lee Strasberg, Ava Gardner, Martin Sheen, Lionel Stander, O.J. Simpson, Lou Castel, Alida Valli, Ann Turkel, John Phillip Law, Ray Lovelock, Thomas Hunter and Stefano Patrizi; to name some. There was also, an averagely OK, Bollywood disaster movie, with an ensemble cast, roping in the who’s who of the Hindi film fraternity, similar to this, called, The Burning Train (1980), which I watched in the 1990’s. Unless you are fan of Hindi movies, in general, stick to The Cassandra Crossing. The Cassandra Crossing, also reminded me of Sidney Lumet’s Murder on the Orient Express (1974), based on an Agatha Christie novel; which too roped in a great star cast, of the 70’s, but set in the roaring 20’s, in another train journey bound to travel across Europe. Murder on the Orient Express, was yet another Excellent movie, I got to watch, around 15 years ago, in my late 20’s!!! Of course, Murder on the Orient Express, is neither a thriller, nor a disaster film. It’s a murder mystery, set within the confines of a snowbound train.

Behind the Scenes: Ava Gardner, Martin Sheen & Sophia Loren; on the sets of The Cassandra Crossing (1976)

Behind the Scenes: Ava Gardner, Martin Sheen & Sophia Loren; on the sets of The Cassandra Crossing (1976)

My Analysis & The Characters
(Spoiler Alert)

Despite critics panning it down, with an average rating of almost 7/10 (which is a pretty good rating), on IMDB; The Cassandra Crossing, is actually a very enjoyable fare!! The 70’s did have quite a few famed disaster films, but none like this. This has double the pleasure, being a hybrid of a thriller as well as a disaster movie. A thriller about people trying to steal a biological weapon, harboured by the Americans, and the American authorities, to cover up their asses, trying to kill off thousands of people travelling in a train, carrying the said deadly virus, plus a train heading for derelict bridge, that hasn’t been used, since post World War – II. The thrills are never ending, the mesmerising Swiss landscapes please the eyes, the background score, hauntingly brilliant, and a very stylish international star cast, adds to the enjoyment. In addition to which, minus modern day special effects, overpowering and ruining the movie, as is the case of most thrillers of today, this is a great guilty pleasure to sit through.

Sophia Loren and Richard Harris, play a twice divorced couple, who re-meet on a train bound for Sweden; in The Cassandra Crossing (1976)

Sophia Loren and Richard Harris, play a twice divorced couple, who re-meet on a train bound for Sweden; in The Cassandra Crossing (1976)

The movie is no doubt a Sophia Loren vehicle. She looks amazing as ever, and is brilliant as a witty best-selling author, a two-time divorcee (to the same man, who also happens to be on board, as well), whose hunches are never wrong, and heroine of the movie. Richard Harris is superb as a neurosurgeon, and playing (the twice divorced) ex-husband to Loren’s character (the two together have perfect chemistry, and the characters feel, madly in love and hate, with each other, as real-life celebs, Richard Burton & Elizabeth Taylor, were at the time). Harris’ character is shown trying to save lives of infected patients medically, as well as, trying to save the train from impending doom, along with his, two-time, ex-wife. Interestingly, Harris’ real life wife, Ann Turkel, plays a young hip woman, in a small role, along with many other more famous stars playing really small, and hardly noticeable roles. It’s pity, an actress like Alida Valli, seems to be wasted in a movie, where anyone could have played such an insufficient character. I didn’t even recognise her, until she took her spectacles off.

Clockwise from Top-Right: Ray Lovelock, John Phillip Law, Stefano Patrizi, Ann Turkel and Alida Valli, in small supporting roles.

Clockwise from Top-Right: Ray Lovelock, John Phillip Law, Stefano Patrizi, Ann Turkel and Alida Valli, in small supporting roles.

Yet, the massive star cast is superb, in their respective roles. BUT the best role goes to Ava Gardner, playing a creepy old lady (a wife of a prominent arms dealer), with a young lover, her boy toy (played by Martin Sheen). She is ecstatically humorous, she brings in the comic relief in this otherwise tense drama. Sheen’s character, we initially assume, is suffering from an Oedipus complex; but in reality, as we find out later, he’s a drug trafficker, who just uses the older woman, to pass through customs, without being checked. O.J. Simpson, is a cop, in the guise of a priest, on the trail, of this drug trafficker. Nobody is who they seem. Something which is hinted at the very beginning of the movie, when a trio terrorists, rush into a medical facility, dressed as two attendants, trolleying in a patient.

Burt Lancaster, John Phillip Law and Ingrid Thulin, in a scene from the film.

Burt Lancaster, John Phillip Law and Ingrid Thulin, in a scene from the film.

Burt Lancaster, plays the villain of the piece, as a U.S. Colonel (Military Intelligence assigned to the International Health Organization (most probably a fictional organization, represented, in lieu of the WHO; World Health Organization), in Geneva, Switzerland). He has the least amount of action credited to his character. He is so good in his role, that he is quite convincingly hateable. As he is mostly confined to a room, it’s his facial expressions, body language, and dialogues that have to do all the work. Ingrid Thulin, who is stuck inside the room, with Lancaster, is even better in her role, as a firm humanitarian medical head.

The bridge known as the ‘Cassandra Crossing’, plays a significant supporting role as well. The way the bridge is shot, in a threatening manner, and showcased, on and off, as the train is being re-routed, it appears like a menacing beast, waiting to devour this oncoming train and it’s passengers. The last scene with the parts of the train crashing through the bridge (again without modern CGI) is real showstopper.

The movie blends in all the suspense that make a great thrilling achievement; blending in all the necessary action, chills, thrills, heroism, shootouts, government intrigue, you name it, along with a good plot; making this unrealistic flick of catastrophe, with an almost realistic scenario, very plausible.

Richard Harris & O.J. Simpson in a scene from The Cassandra Crossing (1976)

Richard Harris & O.J. Simpson in a scene from The Cassandra Crossing (1976)

The Background

Most of the interior scenes were shot in Cinecittà, a large film studio in Rome, that is famed for being the hub of Italian cinema. With beautiful cinematography, the location shots were taken in both France and Switzerland. The steel arch bridge depicted in the film, as the notorious “Cassandra Crossing”, is actually the Garabit Viaduct, a railway arch bridge spanning the River Truyère, in southern France. The Garabit Viaduct was built between 1880 and 1884, by Gustave Eiffel, the man behind Paris’ iconic, Eiffel Tower.

The movie flopped badly in the United States, but still made money, thanks to Japanese audiences flocking to the cinema’s to catch the movie. It apparently did well enough, in Europe, as well. Though it flopped in the USA, the movie was critically praised, for it’s beautification through Ennio Guarnieri’s cinematography, as well as, Jerry Goldsmith’s superb musical score.

The Cassandra Crossing, was directed by Italian born film personality, George Pan Cosmatos. A director, whose other works I haven’t watched yet, nor do they really interest me much, thus this movie is an exceptional case. This, no doubt, is his best work. The film was produced by Carlo Ponti, Sophia Loren’s husband. This British-Italian co-production, is an underrated gem. A must see, for film fanatics!!!!!

The Cassandra Crossing (1976) – Pure Entertainment!!!
My Rating: 10/10!!

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Happy New Year 2017

Wishing all my fellow Bloggers a Peaceful, stress free and Happy; New Year, for YEAR 2017!!!

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(I)

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(II)

Sean Connery

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(VII)

 

Out of the Se7en, Suave n’ Sophisticated Gentlemen pictured above, which is your favourite photograph??? And can you guess all seven classily dressed people above????

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P.S. Today also happens to be ’s 1st Official Birthday!! Plus (Atta) my maternal Grandfather’s, 97th Birth Anniversary!!

Nuwan Sen ❤

In 1956, the very 1st video tape recorder was invented. And by 1963 videocassette recorders were invented. But since, initially, it was intended only for the professional sector, it was way too expensive for the general public to afford for home use. The first consumer video cassette was introduced by SONY in 1971. The VHS (Video Home System) was released in Japan in late 1976 and in the USA in early 1977. So after being in use for 60 years, and surviving for almost 40 years in homes around the globe, the production of, the Video Cassette player, has finally come to an end. In July 2016, FUNAI Electric, in Osaka, Japan, the last remaining manufacturer of VHS recorders; which had been producing VHS-playing VCR’s for 33 years; announced, it would cease production of videocassette players by the end of the month !!!!!!

nuwans-collection-of-films-dvdvhs-008

Ironically it was 33 years ago, in late 1983, that we got our very 1st videocassette player. I was 8 years old. By the age of 9/10, I was a pro when it came to VCR’s and VHS cassette’s. I use to love recording stuff off the tube (televisions, that existed in another era). By the 1980’s, thanks to the videocassette player, cinema’s saw a major decline in numbers. People preferred to watch movies, in the comfort of their home. In fact, as a kid, it’s only once or twice, we went to the cinema, in the 80’s. But we use to go out on other outing a lot back then. By the mid-90’s thanks to the multiplexes, cinemagoers multiplied. Back in New Delhi, India, during my Delhi University (DU) years, we students went to the Cineplex’s, just to witness the new trend of having many a screens in one theatre. Plus it was a classy experience, unlike the best (one screen) cinema’s in Colombo, Sri Lanka, at the time. Soon Laser Disc’s (LD’s) & Video Compact Disc’s (VCD’s), started entering the market. I remember, how back in the late 90’s, I was talking with my fellow batch mates in DU, and I recall verbatim, that I said “Call me old fashioned, if you like, but I prefer the old videocassette, to these Laser Disc’s and VCD’s”; and they nodded in agreement. In fact I wasn’t a fan of sticky VCD’s at all (but loved the concept of audio CD’s, since I first saw/listened to them in the late 80’s, even though, I was still buying audio cassettes, in the late 90’s, as well).

My Audrey Hepburn collection of Videocassettes (from September 2003)

My Audrey Hepburn collection of Videocassettes (from September 2003)

By the early 2000’s, I was still buying video cassettes, mainly in regard to my Master’s course, in England. In Luton, UK, in September 2003, just after I handed in my final dissertation, titled “Marriage in Hitchcock Films: From Rebecca to Marnie for my MA in International Cinema, I treated myself to a collection of Audrey Hepburn movies, by buying a box set containing, five videocassettes (four out of the five were movies I had already seen). AND it was thoroughly worth it, being a big Audrey Hepburn fan!!!!!

The Dual System (VHS-deck & DVD player, combo system) I bought in Oslo in December 2003; we still use!!

The Dual System (VHS-deck & DVD player, combo system) I bought in Oslo, in December 2003; we still use!!

Videocassettes on one side

Videocassettes on one side …

... DVD's on the other.

… DVD’s on the other.

In Oslo, in December 2003, I bought a Dual System (VHS-deck & DVD player, combo system); and still kept recording films/TV-miniseries from television onto video cassettes, until about 2005!!! I saw a Christmas offer, in a catalogue, back then, and I knew it would be perfect for us (our family), for we had so many videocassettes from the 80’s onwards, and a few VCD’s, in our house in SL. Not to forget the few home movies (we had on old video tapes), of what we had filmed, in our childhood to teenage years. Of course, all those (older) cassettes are rotting away in a store cupboard. Hope I can salvage the home movies, at least. It’s only within the last decade, that I haven’t done any kind of video recording at all. Of course, since 2004 onwards, I’ve bought quite a few DVD’s, around the globe, adding to my ever growing private home library of books and movies (also see my post Holidaying in Australia, comes to an end, from November 2014).

My Film Library: My Private DVD collection

My Film Library: My Private DVD collection

My Film Library: My Private collection of Movies (Videocassette's & DVD's)

My Film Library: My Private collection of Movies (Videocassettes & DVDs)

My Film Library: My Private collection of Movies (Videocassette's & DVD's)

My Film Library: My Private collection of Movies (Videocassettes & DVDs)

So the video cassette survived, well into the early part of the 21st century. Even VCD’s couldn’t kill the tape. But now, DVD’s, downloading, online viewing, watching movies on your iphone/smart phones, et al, people hardly would look at their old video tape’s, let alone watch them. And finally now the last remaining manufacturer of VHS has ceased production. It’s the end on an era!!! But since some of my old cassettes, from the early noughties, are still in working condition, I’ll still be watching them, once in a while.

Other Movies in our house

Other Movies in our house

Other Videocassettes in our house (most still in working order)

Other Videocassettes in our house (most still in working order)

Other Videocassettes in our home (most still in working order)

Other Videocassettes in our home (most still in working order)

The 80’s  & 90’s: Old Videocassettes, from our childhood/teenage years, in a store cupboard (doubt they work at all)!!!!!

The 80’s & 90’s: Old Videocassettes, from our childhood/teenage years, in a store cupboard (doubt they work at all)!!!!! The few VCDs, are fine though!!

My Film Library: (Last, but not the least) SIX new DVDs, a recent acquisition of mine (from just last month)!!

My Film Library: (Last, but not the least) SIX new DVDs, a recent acquisition of mine (from just last month)!!

To the good old videocassette, that’s been part of my life, since childhood!! We’ll always have fond memories. Thanks to videocassettes, my love for good cinema, survived forever; through an aesthetically depressive society, such as SL, that has no respect or an understanding for the fine arts, especially the fine beauty of cinematic arts. ❤ Love Film!!!!!!!

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Quoting Dalton Trumbo

“One of the disadvantages of being a patrician is that occasionally you’re obliged to act like one ”
– Dalton Trumbo
     (1905 – 1976)

BOOKISH NUWAN ()

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